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Harper's Magazine
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HARPER & BROTHERS, PUBLISHERS • NEW Y O R |P(i8/|p
INDEX
Volume 216 • January 1958 . . . June 1958
A
Sue-
a/fie, Calif.
Adams, John Kay — Reforming Chi-
cago: Slow But Not Hopeless,
June 69
Adolph, William H. — Fashions in
Food, June 57
Advertising Good for? What Is —
Martin Mayer, Feb. 25
AETTR HOURS
Brown, Ji., Arthur, Architect, Mar.
88
Camera Bugs, May 77
Uanby, Edward T., Disc Jockey, Mar.
86
Challis, John, Harpsichords, June 78
Churchill Eisenhower Art, Apr. 83
Disc Jockey, Serenade to the Long-
Haired, Mar. 8.6
Garroway, Dave, Apr. 80
Harpsichord with the Forward Look
(by Bernard Asbell), June 78
Jazz, The Sound of, Feb. 81
Kentucky Bourbon, Jan. 80
Levittown, Long Island, Feb. 80
Lively (For Once) Art, Feb. 81
Menagerie at Versailles in 1775, (by
John Updike), May 78
Moore, Garry, June 80
Movie, Unwanted, May 78
One Way to Get Elected, Jan. 79
Paris Restaurants, Apr. 82
"Pather Panchali," May 78
Photography, May 77
Randolph, David, Disk Jockey, Mar.
86
San Francisco Architecture (by
Henry Hope Reed, Jr.) Mar. 88
Signs of the Times, June 80
That Lived-in Look, (by James Gal-
lagher), Feb. 80
"Today," A Day with, Apr. 80
Wheeler Mansion in Bridgeport, Jan.
79
Whiskey Business, Jan. 80
Young Old Trouper, June 80
Alimony, Common Sense About —
Judge Samuel H. Hofstadter and
Arthur Herzog, May 68
Animals for Brain, Breedinc, Feb.
32
Antibiotics: Too Much of a Good
Thing — Vernon Knight, Feb. 60
ARCHITECTURE
After Hours, Mar. 88
Levittown, New York, Feb. 80
Wheeler Mansion in Bridgeport, Jan.
79
Wright Got His Medal, How Frank
Lloyd, May 30
Asbell, Bernard — Harpsichord with
the Forward Look, June 78
Ashmore, Harry S. — The Untold
Story Behind Little Rock, June 10
ASTRONOMY
New Discoveries About the Birth.
Life and Death of the Sun and
Other Stars. Two Parts. Mar. 29;
Apr. 58
Atomic Fallout, Jan. 48, Feb. 72
Australia: The Innocent Conti-
nent — D. W. Brogan, June 62
AUTOMORILES
Intercontinental, Jan. 62
Trailers, Jan. 71
AVIATION
Jet Air Liners, The New, June 50
Barber, Philip W. — Tom Wolfe
Writes a Play, May 71
Baxter, James and Annette — The
Man in the Blue Suede Shoes,
Jan. 45
Bendiner, Alfred — How Frank
Lloyd Wright Got His Medal,
May 30
Bliven, Bruce — San Francisco: New
Serpents in Eden, Jan. 38
Bloom, Murray Teigh — What Two
Lawyers Are Doing to Hollywood,
Feb. 42
Boat, Hill Climbing by, May 51
ROOKS
Books in Brief, Jan. 90; Feb. 89;
Mar. 104; Apr. 94; May 91; June
90
New Books, Jan. 84; Feb. 83; Mar.
92; Apr. 84; May 80; June 82
Taylor's "The Statesman," Sir Henry,
Mar. 24
Britain's Spirit, The Iron Corset
on, Jan. 64
Brogan, D. W. — Australia: The In-
nocent Continent, June 62
Buchwald, Emilic Bix — Song, Jan.
61
Budapest String Quartet — Martin
Mayer, Mar. 78
RUSINESS AND
ECONOMICS
Advertising Good For?, What Is, Feb.
25
Hollywood, What Two Lawyers Are
Doing to, Feb. 42
Slump, Four Steps to Halt the, Apr.
34
Canadians Are Turning Anti-
American, Why — Bruce Hutchi-
son, May 46
Canby, Edward Tatnall — The New
Recordings, Jan. 94; Feb. 92; Mar.
108; Apr. 100; May 95; June 94
CARTOONS
Angry Young Men in Old Westbury,
No, Apr. 71
Attack Them, So Strong No Rival
Kingdom Would, Mar. 44
Biblical Scrolls, Feb. 44
Brandenburg Concerto, Second, Feb.
94
Earth Is Blown Off Its Axis, If the,
Apr. 62
Wolfe Has Said Everything, Thomas,
May 74
Cary, Joyce — Happy Marriage, Apr.
65
Case of the Furious Children, The
— Charles B. Seib and Alan L.
Otten, Jan. 56
Central Intelligence Agency,
Apr. 46
Chance to Withdraw Our Troops
in Europe, A— George F. Kennan,
Feb. 34
Chicago, The Hillbillies Invade,
Feb. 64
Chicago, Reforming — John Kay
Adams, June 69
CIA: Who Watches the Watch-
man? — Warren Unna, Apr. 46
Clark, Joesph S. — Notes on Polit-
ical Leaderhsip, June 23
Clarke, Arthur C. — Our Dumb Col-
leagues, Feb. 32; Standing Room
Only, Apr. 54
College, If Any, How to Choose
A - John W. Gardner, Feb. 49
Common Sense About Alimony —
Hofstadter and Herzog, May 68
Congress Honest, How to Keep,
May 14
Country Doctors Catch Up —
Marion K. Sanders, Apr. 40
COVER DESIGNS
Jan. — Merle Shore
Feb. - Roy McKie
Mar. — Burt Goldblatt
Apr. — Burt Goldblatt
May — Alfred Bendiner
June — Robert Osborn
Crabill, Col. E. B. - A Combal Vel
(i. in Sounds Off, Apr. 12
Dialogi i or Freud & Jung, The —
Gerald Sykes, Mar. 66
Divorce, Max 68
Doctors, Coun no . Apr. 40
Donohue, II. E. F. — Gentlemen's
Game, Mai . 59
Drucker, Peter F. - Math Even Par-
ents Can Understand, Apr. 7:5
EASY CHAIR, THE
— John Fischer
"Amerii a, I he I rouble with," Jan.
12
Campaign Contributions, May 17
Combal Veteran Sounds Off, V (by
Col. E. B. Crabill), April 12
Congress Honest, How to Keep,
May M
Conversation al Midnight, Jan. 12
Eisenhower Should Resign, Feb. 10
Florian, Father, fan. 12
I ore< asi Eoi a ( Iheerful Springtime,
Mar. 11
Intellectual, Period ol the Respected,
Mar. 1 1
Little Rock, Untold Story Behind
(by Harry S. ^shmore), [une 10
\\ ho's in Charge Hoc:', Feb. 10
Engi ish Disease, The — Noi man
Mat Kenzie, Apr. 69
Falaise Gap. The Guns at — Rich-
ard 11. McAcloo. May 36
Families on Wheels — Alvin L.
Schorr, Jan. 71
Fashions in Food - William H.
Adolph, June 57
Father Eugene and the Intelli-
gence Services — Alexis Ladas,
Mar. 72
FICTION
Friendly Talk. A — Storm Jameson,
[une 44
Gentlemen's Game — H. E. F. Dono-
hue, Mar. 59
(.iiv in Waul. I, I lie — Leo Rosten,
Ma\ 60
Happy Marriage — Joyce Cary, Apr.
65
Old Boy Who Made Violins, An -
Hen Maddow, Feb. 55
Waldo — Aubrey Goodman, Jan. 31
FILLERS
\ges ill \n\ici\ . Mar. 77
Athletic s vs. Sc ience, Feb. IX
Child-Centered Home. June 54
Chin I p. Rons. June, 26
Depression of 1858, June 26
Education, Elementary, Ma\ 70
Enlisted Men Only, Foi . Mar. 71
Falaise Cap. the Great Killing
(.round. Ma) 15
Hoboken, Uranium Ore in, Jan. 41
Hounds Across the Sea, fan. 29
Man in Cra\ Flannel Kimono. I he,
fune lil
Model u \i t, Api . 72
Nol with a Ban<;. Feb. .">.'<
Protest 1 hat Coi Nowhere, Mar. 36
Star from Foui to Five, I he, \pi 5 I
1 urn About Is Fair Play, Apr. 78
l S. Government and the Masses.
Feb. 63
Werewolf," Films like "1 \\ .is a
I een Age," June 32
Women and Slaving Husbands, Mar.
36
Fischer, John— 1 he Easy Chair, Jan.
12; Feb. 10; Mar. 14; Ma) I I
FOOD Wl> COOKING
Fashions in Food, June 57
Paris Restaurants, \pi . 82
FOREIGN VFFAIRS
Australia: The Innocent Continent,
fune 62
Canadians Vre ["urning Anti-Ameri-
can, Max Hi
English Disease (Boredom). Apr. 69
Eugene, Father, and the Intelligence
Sen u <s. Mar. 72
Europe, Chance to Withdraw Out
I mops in, Feb. 34
West Recover?, How Can the, M.n
39
Foi r Steps ro I Iai i the Slump —
Ross M. Robertson, Api 3 I
Frankenberg, Lloyd — A Refusal to
Mom n, etc., Jan. 47
Freud and Jung, The Diai ogi i of,
Mar. 66
I km \ni 5 I ai is. A — Storm Jameson,
June 11
Gallagher, James — Levittown, New
York, Feb. 80
Gang Thai Went Good, The —
Dan Wake held, June .16
Gardner, John W. — How to Choose
a College, il Any, Feb. 49
Gentlemen's Game — H. E. F.
Donohue, Mar. 59
Germany, Feb. 34
Goodman, Aubrey — Waldo. Jan. 31
GOVERNMENT AND POLITICS
Campaign Contributions, May 17
Central Intelligence Agency, \pi. 16
Chicago Politics, Some, June 69
Congress Honest, How to Keep, May
14
Eisenhower Should Resign, Feb. 10
Johnson, Who Is Lyndon, Mar. 53
Nixon: What Kind of President?,
Jan. 25
Notes on Political Leadership, (une
23
Graves, Robert — Augeias and I.
June 35
(day, George W. — New Discoveries
\bout the Birth, Life, and Death
of the Sun and Other Stars. Part I:
This Hydrogen Universe, Mar. 29;
Pari II: Stars Forming, Burning,
and Dying, Api . 58
( .Kin. Martin I he Iron ( !oi sei
on Britain's Spirit, Jan. 64
Guns \i Falaisi Gap, The — Rich-
ard I). Mi \doo. Ma) 36
(.is in Ward 1, The - Leo Rosten,
May 60
Hammer, l'hilene — And I Sav the
Hell with It. Feb. 54
1 I \i'i'\ Mauri xi.i Joxce ( iaiv. Api.
65
Harper, Mr. — Alter I lorn s, Jan. 79:
Feb. 80; Mar. 86; Apr. 80; May 77;
June 78
Harvard and Tom Wolfe, Max 71
Heisenberg, Wernei A Scientist's
Case for the Classics, Ma\ 25
Hentoll, Nat — What's Happening
to Jazz, Apr. 25
Herzog, Arthur, and Hofstadter,
Samuel H. — Common Sense
About Alimony, May 68
Hill Climbing by Boat — Joyce
Warren. May 51
Hillbillies Invadi Chicago, The
— Albert N. Votaw, Feb. 64
HISTORY
Falaise Cap, I he Guns at. May 56
Minnesota, Lament for, May 57
Hofstadter, Samuel II. and Arthur
Herzog — Common Sense About
Alimony, May 68
Hollywood, What Two Lawyers
Are Doing to — Murray Teigh
Bloom, Feb. 42
I low Frank Lloyd Wright Got His
Medal — Alfred Bendiner, May 30
I Iouarth, Herbert — Montana: the
Frontier Went 1 hataway, Mar. 48
Hughes, Ted - Of Cats, June 30
Hutchison, Bruce — Why Canadians
Are Finning Ami American, May
46
I [ydrogen Unix erse. This — George
W . Gray, Mar. 29
ILLUSTRATORS
Banlicrrv. Frederick F. — Australia:
The Innocent Continent, June tYJ.
Bendiner, Alfred — How Frank Lloyd
Wright Got His Medal. Mas 30;
Senatoi Joseph S. Clark, June 23;
May Cover Design
Binion. Robert — Florence: At the
Villa Jernyngham, Feb. 68
Bodecker, \. M. — After Hours, fan.
7'); Feb. 80; Mar. 86; Apr. 80; Max
77; June 7X; I he Easy Chair, fan,.
I I; May 1 1
Bryson, Bernarda - I he Guv in
Ward 4, May 60
Cleveland, Anne —The Work Cure
for Women, Apr. 33
Gober, Alan — Happy Marriage, Apr.
65
Domanska, Janina — The Old Boy
Who Made Violins, Feb. 55
Goldblatt, Burt — Guns at Falaise
Gap, May 36; What's Happening
to Jazz, Apr. 25; March and April
Cover Designs
Goodman, Willard — Montana, Mar.
48
Greenwald, Sheila — Families on
Wheels, Jan. 71
Higgins, Donald — Univac to Univac,
Mar. 37
Jones, G. Hunter — Budapest String
Quartet, Mar. 78
Keogh, Tom — A Friendly Talk, June
44
Kuskin, Karla — Fashions in Food,
June 57
Lloyd, Peggy — Gentlemen's Game,
Mar. 59
McDowell, Barrie — Hill Climbing
by Boat, May 51
McKie, Roy — What Is Advertising
Good for?, Feb. 25; Our Dumb
Colleagues, Feb. 32; .Letters Col-
umn, Mar. 4; Easy Chair, Apr. 12;
February Cover Design
Mindell, M. T. — Father Eugene and
the Intelligence Services, Mar. 72
Muni — Reforming Chicago, June 69
Osborn, Robert — Lyndon Johnson,
Mar. 55; Lunar World of Groucho
Marx, June 31; June Cover Design
Shahn, Ben — Voyage of the Lucky
Dragon, Jan. 48; Feb. 72
Shore, Merle — San Francisco, Jan.
38; Jan. Cover Design
Ungerer, Tomi — Intercontinental,
Jan. 62; Standing Room Only, Apr.
54; Easy Chair, Jan. 12
Volk, Vic — Country Doctors Catch
Up, Apr. 40
Walker, Charles W. — Gang That
Went Good, June 36; Hillbillies
Invade Chicago, Feb. 64
Wyatt, Stanley — Waldo, Jan. 31
Intellectual, Period of the Re-
spected American, Mar. 14
Intercontinental — Tomi Ungerer,
Jan. 62
Iron Corset on Britain's Spirit,
The — Martin Green, Jan. 64
Jackson, Katherine Gauss — Books
in Brief, Jan. 90; Feb. 89; Mar.
104; Apr. 94; May 91; June 90
Jameson, Storm — A Friendly Talk,
June 44
Japanese Fishermen and Atomic
Fallout, Jan. 18; Feb. 72
Jazz Notes — Eric Larrabee, May
90; June 96
Jazz, What's Happening to — Nat
Hentoff, Apr. 25
Jet Air Liners, The New — Wolf-
gang Langewiesche, June 50
Johnson?, Who Is Lyndon — Wil-
liam S. White, Mar. 53
Jung and Freud, The Dialogue of,
Mar. 66
Juvenile Delinquency, Jan. 56;
June 36
Kennan, George F. — A Chance to
Withdraw Our Troops in Europe,
Feb. 34; How Can the Wc>t Re-
cover, Mar. 39
King, Lorna Jean — The Work Cure
for Women, Apr. 33
Knight, Vernon — Antibiotics: Too
Much of a Good Thing?, Feb. 60
Ladas, Alexis — Father Eugene and
the Intelligence Services, Mar. 72
Lament for Minnesota — Leona
Train Rienow, May 57
Langewiesche, Wolfgang— The New
Jet Air Liners, June 50
Lapp, Ralph — The Voyage of the
Lucky Dragon, Parts II and III,
Jan. 48; Feb. 72
Larrabee, Eric — Jazz Notes, May
96; June 96
Lattimore, Richmond — The Aca-
demic Overture, May 50
LETTERS
Jan. 6; Feb. 4; Mar. 4; Apr. 6; May
4; June 4
Little Rock, Untold Story Behind
— Harry S. Ashmore, June 10
Los Angeles Architecture, Mar. 90
Lucky Dragon, The Voyage of the,
Jan. 48; Feb. 72
Lunar World of Groucho Marx,
The — Leo Rosten, June 31
MacKenzie, Norman — The English
Disease, Apr. 69
Maddow, Ben -An Old Boy Who
Made Violins, Feb. 55
Man in the Blue Suede Shoes, The
— James and Annette Baxter, Jan.
45
Marx, The Lunar World of
Groucho — Leo Rosten, June 31
Math Even Parents Can Under-
stand — Peter F. Drucker, Apr. 73
Mayer, Martin— The Budapest
Siring Quartet, Mar. 78; What Is
Advertising Good For?, Feb. 25
McAdoo, Richard B. — The Guns at
Falaise Gap, May 36
MEDICAL SCIENCE
Antibiotics, Feb. 60
Country Doctors Catch Up, Apr. 40
Minnesota, Lament for — Leona
Train Rienow, May 57
Montana: The Frontier Went
Thataway — Herbert Howarlh,
Mar. 48
Movie Industry, Revolution in
the, Feb. 42
MUSIC
Budapest String Quartet, Mar. 78
Disk Jockey, Long-Haired, Mar. 86
Harpsichord with the Forward Look,
June 78
Jazz Notes, May 95; June 96
"Jazz, The Sound of," Feb. 81
Jazz, What's Happening to, Apr. 25
Presley, Elvis, Jan. 45
Record Review Column, Jan. 94;
Feb. 92; Mar. 108; Apr. 100; May
95; June 94
National Institutes of Health
Center, Jan. 56
NATO, Feb. 34; Mar. 39
NEGRO, THE
Untold Story Behind Little Rock,
June 10
NEW ROOKS, THE
Paul Pickrel, Jan. 84; Feb. 83; Mar.
92; Apr. 84; May 80; June 82
New Discoveries About the Birth,
Life and Death of the Sun and
Other Stars — George W. Gray.
Part I: This Hydrogen Universe,
Mar. 29; Part II: Stars Forming,
Burning, Dying, Apr. 58
New Jet Air Liners, The — Wolf-
gang Langewiesche, June 50
NEW RECORDINGS, THE
Edward Tatnall Canby, Jan. 94; Feb.
92; Mar. 108; Apr. 100; May 95;
June 94
Nixon: What Kind of President?
- William S. White, Jan. 25
Notes on Political Leadership —
Joseph S. Clark, June 23
Old Boy Who Made Violins, An —
Ben Maddow, Feb. 55
Otten, Alan, and Charles B. Seib —
Case of the Furious Children, Jan.
56
Our Dumb Colleagues — Arthur C.
Clarke, Feb. 32
Paris Restaurants, Apr. 82
PEOPLE
Adolph, William H., June 20
Benjamin, Robert S., Hollywood
lawyer, Feb. 42
Challis, John, Modern Harpsichords,
June 78
Dulles, Allen Welsh, Director CIA,
Apr. 46
Eisenhower, Pres., Feb. 10
Eugene, Father, Mar. 72
Freud, Sigmund, Mar. 66
Johnson, Lyndon, Mar. 53
Jung, Mar. 66
Krim, Arthur B., Hollywood lawyer,
Feb. 42
Marx, Groucho, Entertainer, June 31
McCarthy, Senator Joseph, Jan. 26
Moore, Garry, TV performer, June
80
Nixon, Richard M., Vice-President,
Jan. 25; Feb. 10
Presley, Elvis, Entertainer, Jan. 45
Rcdl, Dr. Fritz, Croup therapist, Jan.
56
Wolfe 1 homas, writer, May 71
Wright, Frank Lloyd, architect, May
30
PERSONAL & OTHERWISE
Adolph, Dr. William H.. June 20
Bound lor the Eternal Showers?. Feb.
20
Classical Languages, May 21
Lifeline. June 20
Pointers for Spies. Apr. 20
San Franciscans, I he New. Jan. 21
Statesmen, Guide for. Mar. 24
Taylor's " The Statesman," Mar. 24
Uncertainty Principle, May 21
Philadelphia Politics. June 23
Pickrel, Paul— The New Books,
Jan. 84; Feb. 83; Mar. 92; Apr. 84;
May 80; June 82
Play Writing and Tom Wolfe,
May 71
POETRY
Academic Overture, The— Richmond
Lattimore, May 50
And I Say the Hell with It — Philene
Hammer. Feb. 54
Augeias and 1 — Robert Graves, June
35
Dunce's Song— Mark Van Doren,
Mar. 32
Exchange — Miriam Waddington,
May 58
Fable for Blackboard — George Star-
buck. June 52
Florence: At the Villa Jernyngham —
Osbert Sitwell, Feb. 68
For a 25th Birthday — Thomas Whit-
bread, Mar. 84
Of Cats -Ted Hughes, June 30
Platform Before the Castle — Anne
Goodwin Winslow, Apr. 38
Refusal to Mourn, Etc. — Lloyd
Frankenbcrg, Jan. 47
Return of the Native — James Rorty,
Apr. 57
Rural Reflections — Adrienne Rich,
Mar. 57
Song — Emilie Bix Buchwald, Jan. 61
Univac to Univac — Louis B. Salo-
mon. Mar. 37
Politics, Sec Government and Pol-
itics
Population, World, Apr. 54
Presley, Elvis, Jan. 45
Psychoanalysis, Mar. 06
Puerto Rican Gangs in Harlem,
June 36
Recession, Four Steps to Halt the,
Apr. 34
RECORDINGS, THE NEW
Edward Tatnall Canby, Jan. 94;
Feb. 92; Mar. 108; Apr. 100; May
95; June 95
Reed. Jr., Henry Hope — San Fran
cisco Architecture, Mar. 88
Reforming Chicago — John Kay
Adams, June 69
RELIGION
lather Eugene and the Intelligence
Services, Mar. 72
Rich, Adrienne — Rural Reflections,
Mar. 57
Rienow, Leona Train — Lament lor
Minnesota, Max 57
Robertson. Ross M. — Four Sups to
Halt the Slump. Apr. 34
Root, Waverly — Paris Restaurants,
Apr. 82
Rorty. James — Return oi the Na-
tive, Apr. 57
Rosten, Leo — The Guy in Ward I.
M.i\ 00: The Lunar World of
Groucho Marx, fune 5 1
Salomon. Louis B. — Univac to LJni-
vac, Mar. 37
Sanders. Marion K. — Country Doc-
tors Catch Up, Apr. 40
San Francisco Architecture, Mar.
88
San Francisco: New Serpents in
Eden — Bruce Bliven, Jan. 38
Schorr, Alvin L. — Families on
Wheels, Jan. 71
SCIENCE AND INVENTION
Education of a Scientist, May 25
Scientist's Case for the Classics, A
— Werner Heisenberg, May 25
Seib, Charles B. and Alan L. Otten
- The Case ol the Furious Chil-
dren, Jan. 56
Sitwell, Osbert — Florence: At the
Villa Jernyngham, Feb. 68
Slump, Four Steps to Halt the —
Ross M, Robertson, Apr. 34
Southern Hillbillies Invade Chi-
cago, Feb. 6 1
SOVIET RUSSIA
Chance to Withdraw Our Troops in
Europe. A, Feb. 34
West Recover?. How Can the. Mar.
39
Standing Room Only — Arthur C.
Clarke, Apr. 54
Starbuck, George — Fable for Black-
board, June 52
Stars Forming, Burning, Dying —
George W. Gray, Apr. 58
Sykes, Gerald — The Dialogue of
Freud and Jung, Mar. 66
Teen-Age Gang Changes Its Ways,
June 36
TELEVISION
Bound for the Eternal Showers?, Feb.
20
"Jazz, I he Sound of," Feb. 81
Moore, Garry. June 80
" roday," Apr. 80
Trailer Families. Jan. 71
Two Hundred Inch Palomar Tele-
scope, Mar. 29
Ungerer, Tomi — Intercontinental,
Jan. 62
United Artists, Feb. 12
UNITED STATES
Chicago. Southern Hillbillies Invade,
Feb. (il
Chicago, Reforming, June 09
Little Rock. Untold Story Behind.
June 10
Minnesota, Lament Eor, Ma) 57
Montana, Mai. is
Universe, This Hydrogen, Mar. 29
Unna. Warren -CIA; Who Watches
the Watchman?, Apr. 16
Updike, John— The Menagerie at
Versailles in 1775, May 78
Van Doren. Mark — Dunce's Song,
Mar. 32
Veteran Sounds Oil, A Combat —
Col. E. B. Crabill, Apr. 12
Votaw, Albert N. — The Hillbillies
Invade Chicago, Feb. 64
Voyage oi mi Lucky Dragon, The
- Ralph E. Lapp, Jan. 48; Feb. 72
Waddington, Miriam — Exchange,
May 58
Wakefield, Dan - The Gang That
Went Good, June 36
Waldo — Aubrey Goodman, Jan. 31
Warren, Joyce — Hill Climbing by
Boat, May 51
West Recover?, How Can the —
George F. Kennan, Mar. 39
What Is Advertising Good For? —
Martin Mayer, Feb. 25
What's Happening to Jazz — Nat
Hentoff, Apr. 25
Whitbread, Thomas — For a 25th
Birthday, Mar. 84
White, William S. - Nixon: What
Kind of President?, Jan. 25; Who
Is Lyndon Johnson?, Mar. 53
Who Is Lyndon Johnson?— William
S. White, Mar. 53
Winslow, Anne Goodwin— Platform
Before the Castle, Apr. 38
Wolie Writes a Play, Tom —
Philip W. Barber, May 71
Work Cure for Women, The —
Lorna Jean King, Apr. 33
WORLD WAR II
Guns at Falaise Gap, The, May 36
Wright Got His Medal, How
Frank Lloyd — Alfred Bendiner,
May 30
WRITING AND PUBLISHING
Books, See under
Tom Wolfe Writes a Play, May 71
SIXTY CENTS
ESIDENT?
William S. White
Elvis: The Man in the
Blue Suede Shoes
James and Annette Baxter
The Case of the
Furious Children
Charles B. Seib and
Alan L. Otten
The Iron Corset on
Britain's Spirit
Martin Green
Families on Wheels
Alvin L Schorr
SAN FRANCISCO:
NEW SERPENTS
iru
•M 1
fcfc
DEWARS
White Label
and ANCESTOR
SCOTCH WHISKIES
Famed are the clans of Scotland
. . . their colorful tartans worn in glory
through the centuries. Famous, too,
is Dewar's White Label and
Ancestor, forever and always a
wee bit o' Scotland in a bottle !
^0*1
a&s.
,:;;;»' otch
Witewort^f
Piper at parade rest
Clan Wallace Tartan
Both 86.8 Proof Blended Scotch Whisky © Schenley Import Corp., N, Y.
She helps people find the products and services they want. Mrs. Vonna Lou Shelton, telephone representative
in Minneapolis, Minn., checks the advertisements that business men have placed in the classified directory.
PHOTOGRAPHS BY ANSEL ADAMS
159144
This telephone girl is a big help to businesses
When you think of a telephone wo-
man you probably think of the opera-
tor. But there are many other women
at the telephone company who do
important jobs for you. And they,
too, have the "Voice with a Smile."
For example, Vonna Lou Shelton
handles a very necessary service in
the business man's world. She is one
of many women throughout the coun-
try who help different concerns plan
and place their advertising in tele-
phone directory Yellow Pages.
Friendliness, good judgment, and
follow-through have won for Mrs.
Shelton the confidence of business
men who appreciate quick, competent
service and painstaking efficiency.
Vonna Lou's life is filled with peo-
ple. Among her principal off-the-job
interests are her husband and Sun-
day School class.
She's a program chairman of a
missionary society. Sparks many a
fund-raising campaign. Goes to col-
lege to study piano and takes lessons
to improve her golf.
Like so many folks in the tele-
phone company, Mrs. Shelton has
made a lot of friends— on her own,
and on the job.
"I don't know of any other work,"
she says, "that would bring me so
close to all my neighbors. Our cus-
tomers get to think of us as their per-
sonal representatives. I like that a lot."
She has a loyal following in the "younger
set." Mrs. Shelton has a ivay with the
children of the neighborhood which in-
spires a faithful attendance at her class
in Sunday School.
YEUOW PAGES
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JAM AKY [958
VOL. 216, NO. 1292
ARTICLES
25 Nixon: What Kind of President?, William S. White
38 San Francisco: New Serpents in Eden, Bruce Bliven
Map by Merle shore
45 Tin \l \n in mi r,i i i Si nil Shoes,
James and Annette Baxter
48 The Voi u.i <>i mi Luck\ Dragon, Pari II,
Ralph E. Lapp
Drawings by Hen Shahn
56 Tin Casi oi mi Furious Children, Charles B. Seib
and Alan L. Otten
62 The Intercontinental, Tomi Lingerer
64 Tin: Iron Corsei on Britain's Spirit, Martin Green
71 Families on Whims, Alvin L. Schorr
Drawings by Sheila Greenwald
FICTION
31 Waldo, Aubrey Goodman
Drawings by SI an ley Wyatt
VERSE
47 A Refusal to Mourn, etc., Lloyd Erankenberg
61 Song, Einilie Bix Buchwald
DEPARTMENTS
6 Letters
12 The Editor's Easy Chair— Conversation at Midnight,
John Fischer
Drawing by Tomi Ungerer
21 Personal R; Otherwise: Among Our Contributors
79 After Hours, Mr. Harper
Drawings by N. M. Bodecker
84 The New Books, Paul Pickrel
90 Books in Brief, Katherine Gauss Jackson
94 The New Recordings, Edward Tatnall Canby
COVER by Merle Shoie
You may often have considered joining the Book-of-the-Month Club and
now is a particularly advantageous time. For you can
begin with one of the most highly praised novels in many
years ... By Love Possessed, by james gould cozzens 3Q&
... or with any of the other books listed in the coupon.
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As a beginning member you will receive, ^jfCC, your choice of
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IN THE NEXT YEAR FROM OVER 100 THAT WILL BE MADE AVAILABLE
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worth of free books (retail value) now distributed annually as Book-
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ANATOMY OF A MURDER
by Robert Trover
Price (to member* ovly) $3.95
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A HISTORY OF THE ENGLISH-
SPEAKING PEOPLES
by Winston S. Churchill
I: The Birth of Britain
Price (to members only) $7t.50
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□ A STUDY OF HISTORY
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RCA VICTOR and Book-of-the-Month Club
announce a project of unique importance to anybody who ever buys
A SENSIBLE WAY TO BUILD UP YOUR
RECORD LIBRARY~at an immense saving
Uhe CRG7L Victor sSociety j)f (jreat EMusic
... its common-sense purpose is to help serious lovers of music
build up a fine record library systematically instead of haphaz-
ardly. By doing so, they can save almost one third of what they
would pay otherwise for the same rca Victor Red Seal Records.
MOST music-lovers, in the back of
their minds, certainly intend to
build up for themselves a representa-
tive record library of the World's Great
Music. Unfortunately, almost always
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aspiration. The major features of this
new plan are:
5J< It is adaptable to the needs of every
music-loving family; that is, the ultimate
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extensive as one wishes, and it can be
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>^c Because of more systematic collec-
tion, with the large membership ex-
pected, operating costs can be greatly
reduced, thus permitting extraordinary
economies for the record collector. The
remarkable Introductory Offer at the
right is designed, really, as a dramatic
demonstration of this. It represents a
45% saving in the first year.
>|c Thereafter, by means of "record-
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at almost a ONE-THIRD SAVING. For
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least fifty made available annually by
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third rca Victor Red Seal Record free.
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GUIDANCE. Where does one start? What
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determine "must-have" works for mem-
bers. This Panel is under the chairman-
RCA VICTOR ARTISTS LIKE THESE WILL BE REPRESENTED IN THE FIRST YEAR'S RECORDINGS
ship of DEEMS TAYLOR, the noted com-
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include JACQUES BARZUN, author and
music critic, SAMUEL CHOTZINOFF,
General Music Director, NBC; JOHN M.
CONLY, editor of High Jidelity, AARON
COPLAND, composer, ALFRED FRANKEN-
STEIN, music critic of the San Jrancisco
Chronicle; DOUGLAS MOORE, composer
and Professor of Music, Columbia Uni-
versity; WILLIAM SCHUMAN, composer
and president of the Juilliard School of
Music; CARLETON SPRAGUE SMITH,
chief of the Music Division, New York
Public Library; and G. WALLACE WOOD-
WORTH, Professor of Music, Harvard
University. Any work of music recom-
mended by such a group certainly be-
longs in any representative collection.
HOW THE SOCIETY OPERATES
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CONDUCTED BY
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camm
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LETTERS
Moses: Attack and Defense
To the Editors:
"The Civil Defense Fiasco" [Nov.] by
Robert Moses was a disturbing article.
. . . The most alarming trend in the
current situation is that we arc rapidly
approaching a condition in America,
and probably in Russia, in which less
than one per cent of the national popu-
lation would survive an all-out orgy of
nuclear and biological warfare. . . . It
takes quite a sophisticated shelter to
withstand 100 psi overpressure, 2.000
r/hr. fallout, and fifty different kinds of
disease germs. However, some of these
shelters are in existence for parts of the
military, high government officials, and
certain industrial installations. . . .
Human nature being what it is, it re-
quires no stretch of the imagination to
realize that an American or Russian
official or commander is going to be
much less hesitant about engaging in
nuclear war if he knows that he per-
sonally, and his family, arc going to
come out of it alive. In fact it is neces-
sary to consider the possibility that his
"pioneering" instinct will be aroused
and that he will subconsciously have vi-
sions of himself and a lew thousand
others inheriting a waiting and unin-
habited world, completely to them-
selves. . . . This is known as the Noah's
Ark complex. Jim Deer
Portland, Oregon
Commissioner Robert Moses . . -
makes a number of demonstrably in-
valid statements which display his utter
lack of awareness of the basis and rea-
soning underlying civil defense think-
ing and the proposals of the Holifield
Committee. (. . . highly qualified ex-
perts suggest that the adoption of the
Holifield proposals would give people
in the center of the aiming area in Los
Angeles, perhaps our most vulnerable
large city, 96 chances out ol 100 of
survival.)
. . . Mr. Moses' real concern appears
to be merely that adequate civil defense
would upset our present procedures;
possibly Ethelred the Unready rejected
the counsel of those advisers who sug-
gested that some measure of prepared-
ness would be wise on the same grounds.
. But both deserve to Ik- called
irresponsible because they wotdd not see
foreign policy as interdependent with
home defense.
Moses even misunderstands the entire
purpose of civil defense: he says it is
supposed to terrify the Russians; of
course, ii is not supposed to do any-
thing ol the sort; ii is supposed i ake
it harder lor the Russians lo terrify us
(and if we are huk\. perhaps make it
less necessary for us to try to terrif)
them, thus reducing the likelihood of
war through simple miscalculation) ....
ROBl RT MARDEN and LEWIS A. DEXTER
Civil Defense Vgency,
Commonwealth ol Massachusetts
Hurrah for Robert Moses! I think
the public apathy toward civil defense
he mentions is obviously a result of the
fact that people have realized lor a
long time that most civil defense plans
wouldn't work. . . .
Hi try Lou Frost
Long Beach, Calif.
Robert Moses incorrectly named the
Federal Civil Defense Administration
as "chief sponsor" of HR 2125, which
would authorize a national shelter pro-
gram, and ciilici/ed this ageno for
making such a proposal. Actually,
FCDA's legislative proposals are con-
tained in HR 7570. which was passed
by the House of Representatives during
the last session of Congress and is
scheduled lor Senate consideration in
the coming session. This bill contains
provisions which we believe will
strengthen and modernize the national
civil deiense structure. . . .
HR 7576 does not provide tor a
national shelter program. Much re-
search on a shelter program has been
conducted, however, and the Executive
Branch ol the government has given
and is continuing to give this subject
considerable study.
Leo A. Hoegh
Federal Civil Defense Administration
Washington, D. C.
Historical Note
A star lell on a small town
In oui State—
"Fell on Alabama" as it were.
It was not the lust time
(There's a song by the same name)
Jim it is the lust time a star
lln a woman.
\nd she had bruises and contusions
To show for it.
She was only a tenant on the place
Where the star lell
And the owner claimed it as
His property when he arrived;
He looked about, sheepish and
important
Since no one had ever before
Found a star on his place.
It made the woman angry, so she
Sued lor damages— "See this scar?"
I; has not yet been settled
For there seemed to be no precedent
In the law-courts for damages
Even to a woman, victim of a
lading star . . .
Lulie Hard McKinley
Birmingham, Alabama
Falling Stars
To the Editors:
Poets respond, as a rule, to the same
stimuli, so it is not altogether surpris-
ing for a poet to find his sentiments
expressed by another poet. ... I read
with delight William Stafford's "Star in
the Hills" in the November Harper's,
more particularly as it seemed to be in
the same mood as my lines that follow.
Let us have more of Mr. Stafford, please.
Inhabited Stars?
To the Editors:
Mr. Clarke asks "Where's Everybody?".
The answer should be obvious. As the
civilizations on other planets passed a
few years beyond our present stage of
A-bombs and H-bombs, rockets and
missiles, they blew themselves to bits.
That's where everybody is.
Nelson R. Eldred
South Charleston, West Va.
A slight correction should be made
to Arthur C. Clarke's delightful article.
Einstein's Theory of Special Relativity,
which postulates the speed of light to
be the maximum speed attainable by
anything, also states that a traveler who
wants to reach a star, say, five light-
years away, can get there by his own
standards, in a time less than five years.
The catch is that the scale of time is
different lor an earthbound observer
looking at the spaceship and for a
passenger traveling in the spaceship.
In fact, il the spaceship travels at 600
million miles per hour, it will reach the
star five light-years away in a time
which will be only two years for the
passenger, although it will be a little
over five years when measured by an-
other observer stationed on the earth.
Similarly, traveling at 663 million miles
an hour, the spaceship will reach the
same star in nine months if time is
measured by one of its passengers. Thus
there is no limit set by the finite
Exclusive
with the
Marboro Book Club
¥f An International
Sensation . . .
By exclusive arrangement with Ivar Lissner's publishers in Europe and
America, THE LIVING PAST has been designated as a selection of the
MARBORO BOOK CLTJB. "An utterly enthralling book, a bestseller
throughout Europe, and fully comparable in every way to Gods, Graves &.
Scholars. Astonishingly researched, vividly written. I urge this book on
every reader who wants to flex his mind and exercise his imagination"
— Saturday Review
You can have any O of ^^ 75
the books shown for only *J : mb
VJhoose from THE LIVING PAST-BEING AND NOTHINGNESS
-SELECTED WRITINGS OF JIMENEZ (Nobel Prize winner)-
OF LOVE AND LUST— and eight other important books as your intro-
duction to membership in the MARBORO BOOK CLUB.
THE living past is much more than an unprecedented international best-
seller. Hailed by archaeologists, anthropologists, literary and art critics
alike, it is'a totally new kind of illustrated book about the magnificent and
terrifying past we call Ancient History. Brilliant, idol-smashing, ency-
clopedic, it brings to life each of man's earliest attempts at civilization-
some of them brutal, some inspiring, some depraved— frpm Thebes to
Tahiti, from Jerusalem to Japan, from Persia to Peru. Nothing you have
ever read before can have prepared you for its excitement and its sur-
prises. Translated into 12 languages, it is now published in America at $5.95.
To demonstrate the values that discerning readers can expect from the
marboro book club, we offer you any 3 books on this page (including
THE living past, if you wish) all for about one-half what you would
ordinarily expect to pay for the living past alone.
This is no ordinary offer. Never before have current books of such
stature been made available at so low a price. But, of course, this is no
ordinary book club.
THE marboro book club was established expressly for those of you who
make up your own minds about books— men and women who know good
books, want good books, and read so many that today's high cost of reading
has become a problem. It pools your buying power with that of others who
share your tastes, and brings you savings never before possible on the
books you prefer.
With each four selections (or alternates) accepted at Special Member's
Prices, you also receive a superlative bonus volume of your choice at no
additional charge. You'll soon find that savings average more than 50%
on the self-same books you would have purchased at regular prices.
How many of the books listed below have you wanted to read? Reach for
a pencil right now and check off any three you want. They're yours for
only $3.75 with an introductory membership in the marboro book club.
That's a saving of as much as $20.00 on regular bookstore prices.
Mail the application form today, while this exclusive offer lasts.
Choose any 3 of these books for $3.75 with Introductory Membership in the MARBORO BOOK CLUB! Mail your application today.
0 THE LIVING PAST. By Ivar Lissner.
Brings triumphantly to life the great
discoveries of archaeology, anthro-
pology, and comparative religion.
508 pages, including G4 pp. of fabu-
lous photographs — sculpture, idols,
architecture, costumes, & other treas-
ures of antiquity. list price $5.95
□ OF LOVE AND LUST. By Theodor
Reik. Freud's most famous pupil
analyzes the hidden nature of mas-
culinity and femininity, normal and
perverse, in romantic love, in mar-
riage, parenthood, bachelorhood, and
spinsterhood. lijf Price S7.50
Q LAST TALES. By Isak Dinesen.
Twelve new tales of compelling
beauty and enchantment by the author
of Seven Gothic Tales. "A touch
that's magic . . . rure delight." —
N. Y. Times List Price $4.00
O MASS CULTURE. Ed. by Rosenberg
& White. Monumental, 'wickedly -re-
vealing portrait of the "Lonely
Crowd" at play. David Riesman,
Edmund Wilson. Dwight MacDonald
and other distinguished scholars de-
scend upon the "popular" arts with
diabolical zest. List Price $6.50
O SELECTED WRITINGS OF JUAN
RAMON JIMENEZ. First representa-
tive cross-section of prose and poems
by the 191)6 Nobel Prize Winner, in-
cluding writings never before pub-
lished in book form. List Price $4.75
□ BATTLE FOR THE MIND. By Dr.
William Sargent. How evangelists,
psychiatrists, and brain-washers can
change your beliefs and behavior.
"Every page is full of lively inter-
est."— Bertrand Russell.
List Price $4.50
□ THE CLOWNS OF COMMERCE. By
Walter Goodman. An Irreverent in-
vestigation of Madison Avenue's
professional "persuaders," and how
they are deceived by their own
"campaigns." Hilarious, merciless,
and every word is true.
List Price $4.95
□ RELIGION AND THE REBEL. By
Colin Wilson, author of The Out-
sider. "The idea behind it is one of
the most important in Ihe thought of
our time, the most effective challenge
to materialistic philosophy yet con-
ceived."— N. Y. Times.
list Price $4.00
a BEING AND NOTHINGNESS. By
Jean-Paul Sartre. Sartre's Philoso-
phy of Being, including his views on
social relations, his doctrine of free-
dom, and existential psychoanalysis.
635 pages. List Price $10.00
D MAKERS OF THE MODERN WORLD.
By Louis Untermeyer. 800-page en-
cyclopedia of the 92 men and women
who created the thought and taste
of our time — from Proust to Einstein.
Roosevelt & Stravinsky. The modern
Plutarch's Lives, tisf Price $6.50
D NEW OUTLINE OF MODERN
KNOWLEDGE. Ed. by Alan Pryce-
Jones. A liberal education in one
giant 620-page volume covering the
full range of modern knowledge from
atomic physics to psychiatry.
tisf Price $6.50
□ THE DEAD SEA SCROLLS. By
Millar Burrows. Complete account of
the great archeological finds, with
new translations and a study of their
contribution to our biblical knowl-
edge. 435 pp. List Price $6.50
MARBORO BOOK CLUB
222 Fourth Avenue, New York 3, N. Y.
You may enroll me as a new member of the Marboro
Book Club. Please send me the THREE books checked
at the left at only $3.75 plus shipping for all three.
Forthcoming selections and alternates will be described
to me in a Monthly Advance Bulletin and I may decline
any book simply by returning the printed form always
provided. I agree to buy as few as four additional
books (or alternates) at the reduced Member's Price
during the next twelve months; and I may resign at any
time thereafter. I will receive a free BONUS BOOK
for every four additional books I accept.
CITY-
_ZONE STATE-
(Memberships available only in continental V. S. and
Canada. Prices sliphtly higher in Canada.) ( MH-255)
GUARANTEE: If you are not completely satisfied with J
this SPECIAL OFFER, you may return the books .
within 7 days and your membership will be cancelled.
PORTS
Jrom Portugal
SHERRIES
,//v//i Spain
®
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ESTABLISHED IN THE YEAR 1790
mported by W. A. TAYLOR & COMPANY, NEW YORK, N. Y. Sole Distributors for the U. S. A.
For Thrift Season savings
ITALIAN TOURIST ECONOMY PLAN _
CORTINA D'AMPEZZO
A richly varied holiday awaits you in Italy . . . superb winter sports in
magnificent mountain resort centers . . . picturesque seaside towns basking
in a sunny, kindly climate ... a brilliant winter program of social life,
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with the thrifty
I.T.E. PLAN, AVAILABLE TO AMERICAN VISITORS ONLY
BUYING IN ADVANCE THROUGH TRAVEL AGENTS HERE IN U. S.,
UNTIL MARCH 15, 1958
. . . together with reduced Family Plan transatlantic fares. The I.T.E. Plan
provides a 20% reduction on ordinary rail and other transportation tickets
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LETTERS
human life span on the distance which
can be explored in space.
Mil HAEL |. MORAVCSIK
Patchogue, New Yoi k
This is correct, and I've developed
the idea in many other articles and
stories, hm I felt "Where's Everybody"
was already long enough without getting
into Relativity! Arthur C. Ci \kki.
New York, N. V.
Observed Stars
To the Editors:
In "Inside Samarkand" in your No-
vember issue. John Gunther lists,
among the sights ol that eit\: "The
Observatorv . . . built by the Emperor
Mir/a Ulugbek . . . [is] indication that,
even in Central Asia in the fifteenth
century, men had lively scientific minds
and did useful work." "Useful work"
indeed! Tin's is inexcusably faint praise
for a man who was using a telescope
almost 200 years before Galileo invented
that instrument. Ilium ki L. Cross
Dayton, Ohio
Battle of Copenhagen
To the Editors:
It is surprising to find so accomplished
a raconteur as Sir Harold Nicolson
mangling one- ol the famous anecdotes
>l English naval history. But he does
exactly this when he remarks in the
November Harper's [Easy Chair]: "It
i^ said that Nelson, when about to
destroy the Danish fleet at Copenhagen,
placed his telescope to his blind e\c- in
order not to see- the signals ol surrender
which fluttered from their masts."
Mahan tells the story, quoting the
narrative ol I.t. Col. William Stewart
in his Life <>\ Nelson. Nelson at Copen-
hagen was second in command to Sir
Hyde Parker and commanded the de-
tached squadron while Sir Hyde's main
body stood by to the north. Success
not coming easily. Sir Hyde determined
to break oil the action, and signaled
accordingly. "When the signal. No. 39,
was madc\ the Signal Lieutenant re-
ported it to Lord Nelson. He con-
tinued his walk, and did not appear to
take notice of it \lter a turn or
two. he said to me in a cjuick manner,
'Do you know what's shown on board
the Commander-in-Chief No. 39?' On
asking him what he meant, he answered,
'Why, to leave oil action.' 'Leave off
action,' he repeated and then added
with a shrug. Now damn me ii I do!'
He also observed, I believe to Captain
Foley, You know, Foley, I have only
one eye— I have a right to be blind
FREE...ANY 3
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OAITB PARISIBNNE
LBS SYLPH I DBS
BtTDOLF MKHKiW
BEETHOVEN
^ "MMHtiegT" Senjtl
• Wr "MTHETHHIE" Seiota
df • M>P»SSMHi»TA" Sraiti
cSkW
EASY TO REMEMBER
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REX HARRISON *
JULIE ANDREWS
LADY
Original
BmtKfwiy
Orel
Two delightful and ro-
mantic ballet scores by
Offenbach and Chopin
Definitive performances
of three best-loved
Beethoven sonatas
Johnny Mathis sings 12
favorites — Day In Day
Out, Old Black Magic, etc.
Erroll Garner plays Car-
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Memories of You, etc.
Tenderly, Deep Purple,
Soon, Laura, September
In The Rain, 7 others
Complete score! I Could
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7 exciting new jazz im-
provisations by two
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EDDY DUCHIN
STORY
ORIGINAL DUCHIN RECORDINGS
Duchin plays The Man I
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I Blue?, Brazil— 11 more
AMBASSADOR SATCH
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The Moon of Manakoora,
Lotus Land, Poinciana,
Jamaican Rhumba, etc.
PORTS OF CALL
RAVEL: BOLERO. LA VALSE. PAVANE '
CHABRIER: ESPANAIBERT: ESCALES
DEBUSSY: CLAIR OE LURE I
Armstrong and his All-
Stars. 10 numbers from
triumphant tour abroad
STRAVINSKY:
FIREBIRD SUITE i
TCHAIKOVSKY: i
ROMEO AND JULIET ! .
LEONARD BERNSTEIN
NEW YORK PHILHARMONIC
Stunning hi-fi perform-
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and "Romeo and Juliet"
Oklahoma!
Nelson Eddy
Complete Score
LEVANT PLAYS GERSHWIN
RHAPSODY
IN BLUE!
CONCERTO t
AN AMERICAN IN PASIS ,
Doris Day sings The Song
Is You, But Not For Me,
Autumn Leaves-9 more
Emperor Waltz, Blue Dan-
ube, Vienna Life, Gypsy
Baron Overture-2 more
12 Sinatra favorites —
Mad About You, Love
Me, Nevertheless, etc.
A romantic musical tour
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Nelson Eddy as Curly
3 Gershwin works— Con-
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Blue, American in Paris
ROMANTIC MELODIES FROM:
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5TH SYMPHONY. NUTCRACKER SUITE.
QUARTET IN D. SYMPHONY PATHETIQUE,
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'1
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BENNY
GOODMAN
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ClNtKHWA '■!•• '■/
UONtl HAWTOW
TEOOf VW1SON
7-38 Jazz Concert No. 2
12 inimitable Elgart
arrangements — ideal
for listening or dancing
Eight of the best-loved
melodies of all time —
magnificently performed
America's favorite quar-
tet sings Love Walked
In and 11 others
Benny Goodman and his
Original Orchestra, Trio
and Quartet. 11 numbers
rMlk'ikE
:: Symphony No. 3
Academic
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Jlfcr 7*
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The complete score of
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CIRCLE 3 NUMBERS BELOW:
T. Eddy Duchin Story
2. Beethoven: 3 piano sonatas
3. Erroll Garner ("Caravan")
4. Gaite Parisienne; Les Sylphides
5. Easy To Remember — Luboff Choir
6. My Fair Lady— Orig. Broadway Cast
7. Brubeck and Jay & Kai
8. Gershwin Hi's— Percy Faith
9. Sinatra — Adventures of the Heart
10. Ambassador Satch
11. Firebird; Romeo and Juliet
12. Day By Day— Doris Day
13. Johann Strauss— Waltzes
14. Lure of the Tropics — Kostetanelz
15. Ports Of Call
16. Oklahoma!
17. levant Plays Gershwin
18. The Elgart Touch
19. The Great Melodies of Tchaikovsky
20. Suddenly It's the Hi-Lo's
21. King of Swing— Benny Goodman
22. Brahms: Symphony No. 3
23. The Merry Widow
24. Wonderful, Wonderful— Mathis PE-1
10
LETTERS
sometimes'; and then with an archness
peculiar to his character, putting the
glass to his blind eye, he exclaimed,
I really d<> not sec the signal.'"
Gordon N. Ray
Urbana. Illinois
Baddest Seal
To the Editors:
We enjoyed "The Seal That Couldn't
Swim" [November] and think that the
drawings by Roy McKie are the baddest.
Die k 1) V\ is
San Fran* is< o, Calif.
The Farm Bloc
To the Editors:
I have just read Carroll Kllpatrick's
article ["What Happened to the Farm
Bloc?" Nov.] with great interest be-
cause it gives a true picture of that
important situation just as I touched
on the problem in m\ speet h of last
August to the House of Representa-
tives: "There was a day, and not so
long ago, when the Members ol
Congress from agricultural states held
the balance of power in Congress when
legislation beneficial to all our farmers
was at stake, but the exit from the
farms to the cities has considerably
weakened that power. Then too. the
Southern farm bloc, who are in con-
trol of farm legislation in Congress, are
not concerned about the grain and
livestock farmers of the Middle West.
"Add to that the Members of Congress
in both parties from the large consum-
ing centers who want cheap food and
feed for the people they represent.
They constantly complain about farm
subsidies, and say their people just
don't like to pay taxes to subsidize our
farmers while at the same time their
cost of living is constantly going up.
We keep explaining to them that the
farmer receives only about forty cents
of the dollar they pay for food. Yes,
the time may come when the whole
federal farm program might be scuttled,
and that time may come sooner than
we think. . . ." Ben F. Jensen
I louse of Representatives
Washington, D. C.
Kilpatrick has high hopes lor a con-
sumer-written farm program now that
those ignorant members of the "Faun
Bloc" are at odds. He notes with ap-
proval a Congressional investigation of
margins initiated by "an all-city repre-
sentative." How (an Kilpatrick fail to
know that margins already have been
a favorite whipping boy of the "Farm
Bloc" for three decades? While margins
investigations have jolly well afflicted
the comfortable, they have done little
to comforl tin- afflicted.
The "Faun Bloc" is roundly con-
demned lor seeking "price, price, price"
and ignoring the long-run solution of
migration to the cities. Oddly enough
farmers have to live in the short-run,
and they seek price with the same
practical logic that labor seeks wages,
and business seeks profits.
V. James Rhodi s
Columbia, Mo.
Review of Miss Rand
1 o mi Editors:
It seems clear to me that the most
essential requisites of a book reviewer
are that he (a) read the book he is
reviewing, and (b) be able to sum-
marize adequately its central theme.
Whatever the merits of bis critical
judgment, surely these qualities must
Ik upheld. What can we think then ol
Mr. Paul Pickrel, who in his review ol
Ayn Rand's Atlas Shrugged in your
Novembe] issue (a) openly boasts that
Ik has read only one-fourth of the
novel, and (b) states as the central
theme ol the book what is almost the
diametric opposite- ol the actual theme?
. . . [Contrary to Mr. PickrcTs account],
there is no murder or hint ol murder
in [the 300 pages he has read] ....
Murray N. Rothbard
New York, N. Y.
Mr. Rothbard has misunderstood my
review of Miss Rand's book in one
respect: I did not openly boast that 1
had read only a fourth of the novel:
I openly confessed it. 1 happen to like
to read and prefer to finish the books
I start. I am not intimidated by long
books and have read several in my
time. I had to stop reading Miss Rand's
book before I had finished it because
I couldn't stand it. The fact that Mr.
Rothbard could entitles him to dis-
agree with my judgment; it does not
entitle him to see behind my judgment
a spirit that was not there.
In general I agree with Mr. Roth-
bard that a reviewer should read every
word of a book he reviews, and I have
plowed through many a weary page out
of loyalty to that fine old principle.
But occasionally, and in special circum-
stances, I think a reviewer can take
refuge, il he is perfectly honest about
what he is doing, in another fine old
principle— that you don't have to eat
the whole egg to know it's rotten. I
do not agree with Mr. Rothbard's ap-
parent assumption that if a reviewer
does not finish a book it is better for
him to disguise that fact from his
readers. As a reader, Mr. Rothbard
may have greatei staying powei than I
have, but he is less careful than I am.
If be will reread the Inst 800 pages
carefully, he will find that a murder
is referred to with approval more than
once— the murder ol ,i state legislator
l-\ the- grandfathej ol the present gen-
eration ol the railroad Eamily.
I'm i PlCKREL
New Haven, Conn.
Proof of the Pudding
To mi Editors:
I agree with Mr. Con's thesis that
there are still regional and local differ-
ences in eating habits, and a wide range
of prices as well. But he got there in
spite of his data which are often most
fallacious. I think I am qualified to
comment; I've kept house in eleven very
different cities in the last. South. South-
west, and on the West Coast.
Mr. Con's selection of elates is unfor-
tunate. In December, large sections of
the country will have no local pro-
duce. ... In any place with a large
proportion ol Catholics, the Thursday
ads naturally feature Friday's fish. Ibis
places undue emphasis on an item that
is often eaten only once a week. The
availability, importance, and variety of
fish in New Orleans diets is not sug-
gested by Mi. Con. ... Or that South-
erners consume immense quantities of
collards and mustard greens, hardly fa-.
vorite edibles elsewhere. Or that in New
York veal is a delicate, rather costly
meat from milk-fed calves; in the South
it is a scraggy "poor lolks" viand. . . .
Let's look at the table of selected
items. Cooking oil and detergent, stan-
dard staples ol fixed quality, are com-
parable, but weekend special prices
prove little as to their year-round cost.
Canned peas and corn vary greatly in
quality; did Mr. Cort compare grade as
well as can size? When we come to meat,
how does he know it was the "best sieak
in town"? In many cities, independent
luxury markets are the source ol the
best steak; they don't advertise like the
chains, however, and seldom publicly
proclaim the astronomical price of the
best steak. But as to the chains: in many
pi. ices they don't carry "prime" beef,
only the next two grades, "choice" and
"good." Was Mr. Cort careful to com-
pare only "choice" with "choice"?
Reading the food ads in a strange
city, my practiced and cynical eye notes
data from which I can make certain ten-
tative deductions, but none so sweeping
as Mr. Cort's extrapolations. Really to
understand the popular food picture in
any city takes the experience acquired in
the market place, pushing a wire cart.
Mrs. William Von Puhl
San Antonio, Texas
fl*
BOTH ,lH£Z
{ ^J TO NEV
...WALTER J. BLACK, PRESIDENT OF THE CLASSICS CLUB,
INVITES YOU TO ACCEPT FREE
> NEW MEMBERS
zMete c/rW cSeaa^M^/ ^Lk 'c^cttxe JZ^fe^ t&tmw/id
THE COMPLETE WORKS OF
THE ESSAYS OP
Shakespeare w Bacon
H
All 37 Plays • Comedies, Tragedies,
Histories and Poems
PVERY word Shakespeare ever wrote — every delightful comedy,
stirring tragedy, and thrilling historical play; every lovely poem
and sonnet — yours complete in this beautiful 1312-page volume.
Chuckle at the ever-modern comedy of Falstaff; be fascinated by
glamorous Cleopatra; shudder at the intrigues of Macbeth; thrill with
Romeo in the ecstasies of love. Be amazed at Iago's treachery; step
with delight into the whimsical world of Puck and Bottom.
Shakespeare is the one writer who understood human nature as no
other ever has, before or since. So deep did he see into the hearts of all
of us that he is more alive today than he was three hundred years ago!
Why The Classics Club Offers You These 2 Books Free
"VWILL YOU add these two volumes to
your library — as membership gifts
from the Classics Club? You are invited
to join today . . . and to receive on ap-
proval beautiful editions of the world's
greatest masterpieces.
These books, selected unanimously by
distinguished literary authorities, were
chosen because they offer the greatest en-
joyment and value to the "pressed for
time" men and women of today.
Why Are Great Books Called "Classics"?
A true "classic" is a living book that will
never grow old. For sheer fascination it can
rival the most thrilling modern novel. Have
you ever wondered how the truly great
books have become "classics"? First because
they are so readable. They would not have lived
unless they were read; they would not have been
read unless they were interesting. To be interest-
ing they had to be easy to understand. And those
On love, Truth, Friendship, Riches
and 54 Other Fascinating Subjects
ERE is another Titan of the Elizabethan era — Sir Francis Bacon,
whose surpassing intellect laid the groundwork of science and
philosophy for generations. Anyone in search of personal guidance
and a practical, day-by-day philosophy of life can do no better than
to read these immortal essays . . . about love, politics, books, busi-
ness, friendship and the many other subjects which Bacon discusses
so clearly, incisively, wisely. So much wit and wisdom is packed
into these writings that quotations from them have become part of
our literature.
Both these handsome De Luxe volumes — Shakespeare and Bacon
— are yours free, as membership gifts from the Classics Club.
are the very qualities which characterize these
selections: readability, interest, simplicity.
Only Book Club of Its Kind
The Classics Club is different from all other book
clubs. 1. It distributes to its members the world's
classics at a low price. 2. Its members are not ob-
ligated to take any specific number of books. 3. Its
volumes are luxurious De Luxe Editions — bound
in the fine buckram ordinarily used for $5 and
$10 bindings. They have tinted page tops; are
richly stamped in genuine gold, which will retain
its original lustre — books you and your children
will read and cherish for years.
A Trial Membership Invitation to You
You are invited to accept a Trial Membership.
With your first book will be sent an advance
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Mail this Invitation Form now. Paper, print-
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SHAKESPEARE and BACON'S ESSAYS—
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THE CLASSICS CLUB,Roslyn, L. I., New York.
Walter J. Black, President CA
THE CLASSICS CLUB
Roslyn, L.I., New York
Please enroll me as a Trial Member and send
me. FREE the beautiful two-volume De Luxe
Classics Club Editions of The Complete Works
of SHAKESPEARE and BACON'S ESSAYS, to-
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For each volume I decide to keep I will send
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Mr
Mrs.
Miss
5S )
(Please Print Plainly)
Zone No.
City (if any) . .
the editor\
JOHN FISCHER
EASY CHAIR
Conversation at Midnight
SCHLOSS LEOPOLDSKRON
SALZBURG, AUSTRIA
THIS castle is supposed to be haunted. A
Nazi gauleiter shot Ids wile, his three
children, and himself in the little lookout room
on the top floor that morning when he saw the
American tanks break into the valley; and other
troubled spirits (I am told) have been mewling
and clanking around the staircases lor a good
two hundred years. So it was only sensible to
take precautions.
The best protection against ghosts, Father
Florian said, was a bottle of the red wine put
up by his fellow monks at the Peterskeller. It
is not very good wine, but it is strong, and after
a few glasses any apparition wotdd hardly be
noticeable. As my spiritual adviser (self-
appointed) he had taken the liberty of bringing
a liter with him.
"I detest being interrupted by spooks," he said
as he pulled the cork. "Or, for that matter, by
anyone else. Close the door. I have to reprove
you, and I don't want those people wandering
in with their silly questions."
This was unfair. "Those people" are fifty-
eight young men and women who are, for the
moment, living here; Father Florian is merely an
occasional visitor, usually uninvited. They have
come from sixteen European countries, because
each of them has a professional interest in the
United States, and because the Schloss is now
occupied by a curious kind of school, known as
The Seminar in American Studies. It is true that
they often cross-examine the five Americans who
serve as faculty until all hours of the night, but
their questions are seldom silly. They are people
of trained intelligence— diplomats, newspaper-
men, teachers, sociologists, civil servants— and
their inquiries sometimes are uncomfortably
sharp. Father Florian never asks questions; he
gives answers, whether you want them or not. He
is dogmatic, fat, and impertinent; and I am fond
of him.
He filled two glasses and settled himself in the
only comfortable chair in my study.
"The trouble with you Americans . . ." he said.
"Look," I interrupted, "let's get back to the
ghosts. For the last month these people have
been telling me what is wrong with Americans,
and I am beginning to get the idea. We are a
bunch of crude materialists. We've got no cul-
ture, no respect for tradition, no sense of history,
no ideals, no palate. . . ."
"Nonsense," Father Florian said. "It is true
that most Furopeans believe those legends, but
I am going to tell you what is really wrong with
America. I traveled back and forth across your
country for seven years, making a serious study
of the American soul. And I don't think you
understand yourselves any better than these
youngsters who have been talking at you."
He loosened the rope he wore around the
middle of his cassock and eased his throat with
a little wine.
"The real trouble," he said, "is that you are a
bunch of dreamy poets. You are besotted with
culture. You spend more time and money on it
than you can afford. Idealism is a fine thing, but
you Americans have carried it too far— to the
point where you can no longer bear to lace a
hard, materia] fact when you meet one. This is
dangerous. You will have to learn to be prac-
tical, or you will perish.
"Now don't misunderstand me. We are grate-
ful for your cultural leadership, though natu-
rally we can't admit it. We have to snarl a little,
to save our self-respect— but we are soaking up
your culture like a parched field soaks up rain.
We play your music, read your novels, and wear
your clothes all over Europe. Look at all our
cJc tofied/cevm A Me oecudfa/ tm/med o/ me
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Of Human Bondage by W. Somerset
Maugham. A study of love and hate,
man and woman. Complete.
Victory. Joseph Conrad's strange and
fiery novel about a good man and a lost
woman on a paradise isle. Complete.
MERCIER BINDING. In rich blue, with an
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The Moonstone by Wilkie Collins. The
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Pride and Prejudice by Jane Austen.
The comedy of manners that has enchant-
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The Epic of America by James Truslow
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FLEET STREET BINDING. A binding in soft
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The Life of Samuel Johnson by James
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CZAR ALEXANDER II BINDING. A wine-red
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The Brothers Karamazov by Fyodor
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Abridged to 483 pages.
War and Peace by Count Leo Tolstoy.
The world-famous epic masterpiece. Kro-
potkin translation. Abridged 141 pages.
i
I International Collectors Library, Dept. 1H
I Garden City, N. Y.
Please send me the three International Collectors Library vol-
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resign membership at any time after doing so simply by notifying «
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14
THE EDITOR'S EASY CHAIR
girls in blue jeans and pony tails, and all our
little hoys in cowboj champs. Chaps? Ah. yes,
Thank von.
I \(.n alcoholic Paris, thank Heaven, is being
infiltrated with milk bars, and half the boys in
m\ parish are trying to play the trumpet like
Satchmo. My city of Vienna invented musical
comedy, but "Kiss Me, Kate" is the biggest hit
there since the war. This is embarrassing, be-
cause we haven't produced a good musical of
our own lor thirty years. And
Germany, which is tempo-
rarily out of playwrights, is
making a national hero out of
Thornton Wilder.
"At this very minute there
isn't a housewife east ol the
Danube who isn't scheming to
gel a vacuum cleaner, a wash-
ing machine, and an ice box.
Wonderful aids to the spirit-
ual life. When a woman
doesn't have to spend all her
waking hours in drudgery, she
can find time for literature
and art and even, sometimes,
for the Church. If we Euro-
peans have a religious revival
we should give part of the
thanks to the United States.
We won't do it, of course."
A STRANGULATED moan began to
reverberate through the west wall. Father
Florian cocked an ear and suggested that per-
haps we should send for another bottle. No need,
I explained. That was the normal voice of the
neo-baroque plumbing in the bathroom— the one
with the three crystal chandeliers— which Max
Reinhardt had installed when he lived here.
"Nevertheless I shall take another glass," the
friar said, "for this castle and all its ghosts can
bear testimony to the warning I am about to
deliver. Schloss Leopoldskron is, in fact, a relic
of a cultural spree, much like the one on which
America is now embarking. And I must warn
you that a nation can pay too high for such a
flowering of the spirit.
"That is precisely the mistake we Austrians
made a couple of centuries ago. Our Empire
was then the first power on the Continent. We
had recently won a terrible war. Our armies
were invincible; our economy was thriving; our
political system obviously was the soundest ever
ordained by God. So we took all that for granted
—indeed we affected a contempt for the material
side of life— and for three generations wc de-
voted our considerable energies to developing an
extravagant and delightful civilization.
"Like yourselves, we were a religious people.
We worshiped the Holy Trinity, instead of the
automobile, but we lavished on it fully as much
~Tcry\,
money, artistry, and sacrificial effort as you now
devote to the products of Detroit's Big Three.
"Don't interrupt. I am not, at the moment,
criticizing your faith. Othei pagan countries
have done worse. Your wheeled idol combines
all the best features ol Moloch, the Juggernaut,
iiul the Golden Call— and as a student ol com-
parative religions I must admit that your con-
set ration to it is impressive.
"How many lives do you offer up a year? Forty
thousand? The Toltecs did
no better for Quetzalcoatl,
although their method of exe-
cution was less messy. How
many priests in gray flannel
habits sing its praises? How
many farms and homes do you
destroy to clear its path?
What will you not sacrifice in
toil, cash, and inconvenience
in its service? I myself have
watched your people at their
Sunday afternoon devotions,
standing bumper to bumper
on the highway, their lips
moving in silent prayer. And
I have seen how your male
children— acolytes, I presume
—anoint their heads with oil
and prostrate themselves for
hours at a time beneath the
sacred object. In its heathen way, such piety is
admirable.
"But can you afford it? Austria couldn't— and
I beg you to profit from our example while there
is yet time.
"We, too, had no patience with anything old-
fashioned. We tore down perfectly good Gothic
churches and replaced them with bigger and
fancier models. For our archbishops and their
mistresses we built palaces by the do/en— like tins
one and Mirabell and Hellbrunn. Every inch we
decorated with plaster curlicues and gold leaf,
at immense expense, just as you encrust your
tolling temples with chrome and fins and colored
lights. Both you and we, it seems, have an in-
satiable taste for the rococo.
"Nor did we see anything wrong with combin-
ing our religious life with sensuality. Music and
love and laughter were the leitmotifs of our
eighteenth century. Our entertainment industry
—like yours— grew enormous; our theaters and
ok hestras were the envy of the world. Mozart got
as much homage as Dave Brubeck, and almost as
much money. (Their work, as I am sure you
have noticed, sounds oddly similar— two varieties,
so to speak, of baroque chamber music.)
"And while we frivoled away our substance and
brain-power in this joyous outburst of creativity,
a glum little band of Frenchmen were incubat-
ing the revolution which— a few years later— was
to destroy us. Nobody warned us, and perhaps
Both Given
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* THE PLAN • Young Readers of America
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dren a lasting affection for really worth-while
reading. It is built around a group of quite re-
markable books about history — Landmark Books — which
"have fired the imagination and held the attention of tens of
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ten by outstanding contemporary authors most of whom
made their reputations in the field of serious adult writing-
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beyond price. Besides the immediate pleasure each book
will give your child, this plan is calculated to instill habitual
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It is a highly important part of this picture that children who
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by Ferdinand
Kuhn
MARIE
ANTOINETTE
by Bernardlne
Klelty
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16
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THE EASY CHAIR
we wouldn't have listened it ihc\
had. Who could believe that ;i
ridiculous fat man named Bonaparte
might one day stable his cavalry in
our clniH Iks?
"He was .1 crude type, interested
in cannon, not culture. Almost as
crude as the Russians who made the
•sputnik while \ou were making the
Edsel. Now I don't doubt that the
F.ilsel is an icon ol surpassing loveli-
ness. Hut is it practical? At this
moment in history can you really
afford to go on spending a billion
dollars every year to make purely
cosmetic changes in your automo-
biles? A less poetic nation, I should
think, might use its money and its
talent in less romantic ways.
"No, no, I am not talking about
lockets. You will get those, all right,
because your pride has been
wounded. But the contest between
you and the Russians will not be
decided with rockets. You will have
to keep them in reserve, ol course,
bul neither side will dare to use
them; you may be dreamy, but 1
don't think you are suicidal.
"Meanwhile the contest will be
fought with Ear subtler weapons-
weapons which you apparently can't
build, and haven.'t the faintest idea
how to use. Know-how— isn't that;
the phrase? Well, you Americans
just haven't got it.
"Take diplomacy, for example.
Since war is no longer feasible,
diplomacy obviously has become a
decisive instrument. The Com-
munists have known this for a long
time, and they have built a formi-
dable diplomatic machine. All of its
parts are tooled and polished to
mesh together— a corps of highly
trained diplomats, a superb intel-
ligence apparatus, an even better
propaganda set-up, military pressure
where needed, and all the economic
levers from trade pacts to bribery.
They have been using it to win one
thumping victory after another.
"You Americans, on the other
hand, apparently don't even know
what diplomacy is. You still think of
it in terms of striped pants and tea-
si ppers, and you treat its practi-
tioners with contempt, as if they
were male ballet dancers.
"Your policies— if I may use the
word loosely— never seem to mesh.
Your President, Vice President, and
Secretary of State sometimes issue
Traveler's
Guide
to
good food
in Britain
THE BRITISH BREAKFAST. Gargantuan is the
word. Where else can you order mixed
grill, smoked kipper and finnan haddie?
Tea is the national eye-opener. But most
hotels offer coffee as a choice.
the British tea CEREMONY. Victorian wits
called it a "bun-worry." Tea includes
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exquisite little sandwiches. Go North for
scones. Go West for Devonshire Cream.
ROAST BEEF. The roast beef of Old Eng-
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do not smother meat with rich sauces.
Steaks come thick and rare. Southdown
lamb gets a touch of red currant jelly.
HEAVENLY FISH. No place in Britain is
more than 75 miles from the sea. The
fish almost jump into the pot. Above is
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for it. Likewise, for English oysters.
unbeatable GAME. British cooks really
understand game. Grouse from Scotland.
Partridge and pheasant from the great
estates. Order a bottle of claret. British
cellars are the envy of the world.
POETIC cheeses. Is there a finer cheese
than Stilton? It takes six months to reach
perfection. Honest British bread and
beer go down well with all the local
cheeses. Try the supreme Wensleydale.
fabulous fruit. Britain's fruit ripens
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American strawberry. Same is true of
English peaches, apples — and jams.
REGIONAL dishes. Feeling adventurous?
Try Cumberland rum butter and the
mysterious Scotch haggis. Taste the pies
— Melton Mowbray, Kentish Chicken.
Lunch in most places costs under $1.50!
FREE ! Gourmet Magazine's 72-page Guide to Britain, listing over 250 famous restaurants. Write Box 17 5, British Travel A
ssoctation.
¥
'BOM THE JOHNNIE WALK El! COLLECTION
End of the Hunt
5J
by JOHN CARROLT
The Artist at U orh
Sensitivity strokes every Carroll canvas, capturing spirit
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In 1820, sensil ivity to quality stirred John Walker to
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what rich rewards! To collectors of the world's linest offer-
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genius."
Johnnie Wai
Bom 182C
still going stt
DEMONSTRATION OFFER
OF NEW BOOKS OF
HISTORY and WORLD AFFAIRS
Take any 3 for only $3M.
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and Louis B. Wright. Each book is de-
scribed to you — in advance — in a careful
and objective review. If you do not want
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liMcUGMMcMMfflMDMiiM^
THE HISTORY BOOK CLUB, Inc., Bept. ha-21
40 Guernsey St., Stamford, Conn.
Send me at once the THREE
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□
MEMOIRS OF GEN. WM. T.SHERMAN.
His own story, in his own words,
of what it was like to lead the most
damned-and-praised campaign of the
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I — | MERCHANT OF PRAT0 by Iris
I I Origo. Extraordinary biography
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trade, manners and morals on the eve
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t — I HISTORY OF THE GERMAN GENERAL
I I STAFF by Walter Goerlitz. The
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List price $7.50.
THE TREE OF CULTURE fey Ralph
Linton. Man's religions, sciences,
family habits and civilizations— from
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List price $7.50.
I — | A WORLD RESTORED by Henry
I I Kissinger. A new look at one of
Europe's epochal moments — when
Metternich's genius resolved the chaos
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MIGHTY STONEWALL by Frank E.
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KINGDOM OF THE SAINTS fey Ray
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BYZANTIUM: Greatness and Decline
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A HISTORY OF FRANCE by Andre
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TESTIMONY OF THE SPADE by
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ARMS AND MEN by Walter Millis.
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MILITARY HISTORY OF MODERN
CHINA by F. F. Liu. The tri-
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THE RED ARMY Ed. by B.H. Liddell
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18
COMING IN
Harpers
-■- m n an -in
HOW TO CHOOSE
A COLLEGE
Millions of families are arguing
the same vexing questions: Should
they send their children to college?
And if so. to which? The head of
the Carnegie Corporation — who is
intimately familiar with the great
variety of American universities —
offers some helpful guideposts for
both parents and students.
By John W. Gardner
WHAT TWO LAWYERS
ARE DOING TO HOLLYWOOD
By flying in the face of the most
entrenched traditions of the film
business. Robert S. Benjamin and
Arthur B. Krim saved United
Artists from extinction — and
changed the social structure of the
movie world, while they both grew
rich.
By Murray Teigh Bloom
THE EDITOR* S EASY CHAIR
NEXT MONTH
George F. Ken nan . . .
attracted world-wide attention
with his recent proposals, broad-
cast over BBC, for a drastic shift
in American policy in dealing
with Russia. Germany, the I nited
Nations, and the NATO alliance.
Their exclusive publication in
the United States will begin in
Februarv.
three contradictory statements on
three successive days. Any blabber-
mouthed Congressman, general, or
Faubus can destroy months of pa-
tient diplomatic effort in a single
hour, and often does.
You do have a few competent
diplomats — Charles Bohlen and
George Kennan probably know as
much about Russia as an) men in
the West— but for some reason
(which no foreigner can possibly un-
derstand) you refuse to use them.
One of them is rusting in Manila,
the other is lecturing at Oxford.
"What you do use is a herd of
amateurs. Your Whitney s and your
Glucks are estimable gentlemen, no
doubt, with a cultivated taste for
race horses and convertible deben-
tures—but in an Embassy they are
strictly greenhorns. You wouldn't
dream of asking them to play first
bas< tor the Yankees, or to fix your
carburetor, or to fill your teeth. For
these jobs you insist on professionals.
Yet when your survival as a nation
is at issue, you call in any stray
millionaire who happened to contri-
bute to the right campaign fund.
"You see why we foreigners can-
not believe that you are a serious
people?''
\\ / 1TH considerable cliffi-
\ v culty, I managed to inter-
rupt. Only millionaires, I pointed
out, could afford to accept appoint-
ment to a major Embassy. By ancient
tradition the United States does not
pay its Foreign Service professionals
enough to cover the running costs
of such a post.
"Thank you," he said, "for re-
minding me of another American
habit which lias always baffled me.
Why are you always unwilling to
pay for what you need most?
"In helping others you are incred-
ibl) generous. For luxuries— from
deodorants to mink stoles— you
spend your money with childlike
abandon. But when it comes to the
real necessities, you are stingier than
a Styrian peasant.
"For the price of one ballistic
missile, for one-tenth of what your
women spend on lipstick, you could
staff all your Embassies with well-
trained professionals. And that is
a comparatively petty example.
Take a big one.
"All of you seem to be pretty
well in agreement that you need
schoolteachers. You have discov-
ered, with alarm, that the Rus-
sians arc wa) ahead of you in the
kind of education that pays oft
Their children get more hours of
instruction in ten years than yours
get in twelve— and better instruction,
too, because they average seventeen
pupils to a class, while you average
twenty-seven. They turn out eighty
thousand engineers a year; you turn
out thirty thousand. All their high-
school graduates have a good, stiff
training in mathematics, physics, and
chemistry: less than a third of yours
can match them in any one of these
fields.
"What is more important still,
Russian students learn foreign lan-
guages. In their higher institutions,
65 per cent of them study English
alone. How many Americans learn
Russian? One per cent?
"This fact ought to scare you more
than the sputnik. Because skill in
languages— not just tor a few people,
but for millions— is the place where
a successful foreign policy begins.
When a Russian goes abroad for any
purpose, he can talk to the local
people in their own tongue— whether
they are Arab villagers or Burmese
guerrillas or French scientists. When
Colonel Rudolph Abel set up his spy
center in Brooklyn he spoke Brook-
Iynese like a Flatbush bartender.
When Soviet technicians build a
steel mill in India, their plans are
(halted in Hindi.
"Yet of the half-million Americans
who travel overseas ever) year, I
don't think I have met a dozen who
could manage even the simpler
European languages with fluency.
By the way, how well do you speak
German?"
FATHER Florian had the tact
not to wait for an answer, (f
would have had to tell him that I
can order a cup of coffee, and that
—in a pinch— I can ask whether the
train is on time. If the stationmaster
speaks slowly enough, I can often
understand his reply.)
"The Russians got ahead of you,"
he said, "because they are hard-
headed businessmen who understand i
the law of supply and demand.
When they wanted teachers they
paid for them. Not just in cash—
""" -"" ii
lf%
FROM
jheJHetropolitanMuseum of Art
2,4 FULL-COLOR MINIATURES
OF FAMOUS
PAINTINGS BY
^Vincent van £jogl
A DEMONSTRATION
WITHOUT CHARGE
of a simple and sensible way — particularly
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THE METROPOLITAN MINIATURES PLAN . Otice a
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20
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PROVINCE DE
THE EDITOR'S EASY CHAIR
professors do get the equivalent of
about $50,000 a year. They also
offered something more important:
prestige. In any Soviet town a
teacher is a Big Man. He enjoys as
much standing in the community as
a real estate speculator in New York
or an oil-lease broker in Dallas. He
lives in the best suburb, gets the best
table in restaurants, and is invited to
the best parties. So their bright
youngsters head for the teaching
profession just as naturally as yours
head for Wall Street or Madison
Avenue.
"But you Americans have never
learned to meet a payroll— not in
your schools, anyhow. You offer
teachers less than truck drivers, and
then you wonder why you have 135,-
000 classroom jobs unfilled. I have
even heard— but this I can't believe,
it must be Communist propaganda—
that some of your universities will
pay more for a football coach than
for a physics professor.
"With my own eyes, however, I
have seen how you go out of your
way to make your scholars feel dis-
reputable. You ridicule them in TV
shows and comic strips. Your poli-
ticians harass them. Their own
pupils treat them with disrespect.
You call them names. Incidentally,
would you be good enough to ex-
plain precisely what you mean by
the term 'egghead?' ... I see . . . Then
tell me this: who but an egghead can
make an intercontinental missile?
"Or, for that matter, a workable
foreign policy. As I was saying a
moment ago, this is where your im-
practicality shows up in its most em-
barrassing form. In other aspects of
life you often behave with good
sense; if a carpet sweeper or an add-
ing machine breaks down, you get
a new one. But when a foreign
policy doesn't work, you cling to it
all the tighter— out of sheer senti-
mentality, I suppose. Your China
policy has been a farce for the last
five years; your German rx>licy is
stalled on dead center; your Middle
East policy has failed beyond the
Kremlin's wildest hopes. Yet you
cherish them like heirlooms.
"Much as our beloved Emperor
Franz Josef did. He was a well-mean-
ing old gentleman who devoted most
of his time to shooting rabbits— golf
had not reached Austria in his day.
He was not an intellectual and he
suffered from a sentimental attach-
ment to old mistresses and old doc-
trines. He never would let go til his
Balkan policy, for example, even
when it plainly was dragging him to
disaster. He was, you may remem-
ber, the last of our emperors. . . .
"It is this same soft-hearted streak,
apparently, which keeps you from
using what strength you have. You
may be slipping militarily, but your
economic strength is still unmatched.
Here is your obvious instrument for
a diplomatic offensive which might
still save the western world.
"The Russians already have
showed you how, and with a fraction
of your resources. They have used a
few million rubles worth of trade
agreements— deployed along with
their other diplomatic weapons— to
rope in Egypt and Syria, and they
are moving fast in India, Burma,
and Ceylon.
"Why do you let them get away
with it? Because— correct me if I am
wrong— you insist on tying your
hands with a protective tariff. To
protect what? A couple of watch-
makers, a bicycle manufacturer, and
a few clothespin factories in Ver-
mont. Because these gentlemen do
not believe in the competitive free
enterprise system, they have been
weeping on the shoulders of Con-
gress—to such good effect that your
present Trade Agreements Act
(modest as it is) may be gutted when
it comes up for renewal in June.
"Only a nation of bleeding hearts
would throw away its sharpest
weapon, in the midst of dubious
battle, for the sake of such a hard-
luck story. Can a country so im-
practical, so muddle-headed, be
trusted in a harsh material world?
Do you understand why we Euro-
peans hesitate to tie our fate to yours
—however charming your culture
may be?"
TH E bottle was empty. The
clock was striking two, and
even the bathroom ghost had given
up for the night. I was relieved
when Father Florian at last heaved
himself out of the chair and wad-
dled to the door. He had not, I felt,
been altogether considerate. He had
known that I still had to prepare
my notes for tomorrow morning's
reassuring lecture about the United
States.
PrLrtSOINAJL and otherwise
Among Our Contributors
THE NEW
SAN FRANCISCANS
TH E loudest recent challenge
to New York as the nation's
literary capital has come from the
writers of the "San Francisco Renais-
sance." These are a branch of the
Beat Generation and are few in
number— the entire generation may
include only some twenty members,
according to Bruce Bliven in his
article on San Francisco in this issue
of Harper's. On purely literary evi-
dence as read in the East, the San
Franciscans turn out to be not only
a scanty band but a slippery one.
For most of them, San Francisco may
be a spiritual home, but it is not the
place where they have roots.
At present Jack Kerouac, whose
novel, On the Road, hit the best-
seller lists not long after its publica-
tion by the Viking Press last fall, is
the only popularly known writer in
the group. His book was called a
major work by Gilbert Millstein in
the New York Times, compared with
The Sun Also Rises and Of Time
and the River; and in Harper's Paul
Pickrel bracketed it with John Os-
borne's play, Look Back in Anger,
as a vigorous expression of revolt
against conventional middle-class
life.
But Kerouac was born in Lowell,
Massachusetts, attended Columbia
College, and didn't hit the West
Coast to stay for any length of time
until after his wartime service in the
Merchant Marine. Now he probably
spends as much time anywhere else
as in San Francisco.
Except for Kerouac, none of the
"San Francisco writers" has made as
much of an impression in the East
as Kenneth Rexroth has made for
them. At fifty-two, Indiana-born
Rexroth, poet, painter, and trans-
lator, is a generation beyond the
Beat; and he consciously stands
apart as he explains them (in New
World Writing, XI):
"There is only one trouble about
the renaissance in San Francisco. It
is too far away from the literary
market place. That, of course, is the
reason why the Bohemian remnant,
the avant garde have migrated here.
It is possible to hear the story about
what so-and-so said to someone else
at a cocktail party twenty years ago
just one too many times. You grab
a plane or get on your thumb and
hitchhike to the other side of the
continent for good and all. Each
generation, the great Latin poets
came from farther and farther from
Rome. Eventually, they ceased to
even go there except to see the
sights."
After thirty years in San Francisco,
Rexroth has authority to talk about
what he sees from where he sits.
More authority, incidentally, than
most of the other authors included
in the Grove Press publication, San
Francisco Scene, which brought out
verse and prose by eighteen writers
last fall. Only five of the eighteen
are native Californians and none of
these five rings a bell in Eastern ears.
The most famous man in the collec-
tion is Henry Miller, who settled
in the Big Sur about thirteen years
ago after a colorful writing career in
New York and abroad. Like Rex-
roth, he belongs to the Beat Genera-
tion or the California Renaissance
more as mentor than as member,
and his description of the young
experimenters is one of the most
interesting pieces in the Grove Press
source book:
"Today it is not communities or
groups who seek to lead 'the good
life' but isolated individuals. The
majority of these, at least from my
observation, are young men who
have already had a taste of profes-
sional life, who have already been
married and divorced, who have al-
ready served in the armed forces and
seen a bit of the world. . . . Utterly
disillusioned, this new breed of ex-
perimenter is resolutely turning his
back on all that he once held true
and viable, and is making a valiant
effort to start anew. Starting anew,
for .this type, means leading a
vagrant's life, tackling anything,
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22
PERSONAL & OTHERWISE
clinging to nothing, reducing one's
needs and one's desires, and even-
tually—out of a wisdom born of
desperation— leading the life of an
artist. Not, however, the type of
artist we are familiar with. An artist,
rather, whose sole interest is in
creating, an artist who is indifferent
to reward, fame, success. One, in
short, who is reconciled from the
outset to the fact that the better he
is the less chance he has of being
accepted at face value. These young
men, usually in their late twenties or
early thirties, are now roaming
about in our midst like anonymous
messengers from another planet. . . .
When the smashup comes, as now
seems inevitable, they are more
likely to survive the catastrophe than
the rest of us. At least, they will
know how to get along without cars,
without refrigerators, without vac-
uum cleaners, electric razors, and all
the other 'indispensables'."
Much of this is cliche, to be sure,
but in it Miller suggests why the
New San Franciscans refuse to stay
put as a definite regional growth—
the isolation of the individuals is
more important than the collection
of their artistic talents. This in a
way dignifies them more than being
labeled as a dubious "renaissance"
and ties them to other writers, dead
and alive, who made California their
home from time to time: Bret Harte,
Mark Twain, Ambrose Beirce almost
a hundred years ago; Jack London
at the turn of the century; Jeffers
of Carmel, Steinbeck of Salinas, and
Saroyan of Fresno and Broadway.
. . . Bruce Bliven, surveyor of the
San Francisco scene in its broader
physical, civic, and social aspects
(p. 38), lives in Stanford, California,
now, "in the middle of one of the
most extensive areas of new subur-
ban tracts in the whole U. S." He is
working on a book in the field of
recent world history and also teach-
ing a senior seminar in mass com-
munications at Stanford. "I live
right in the middle of the 9,000-acre
campus, surrounded by 8,000 stu-
dents (who own about 6,000 cars)"
at walking distance from the Center
for Advanced Study in the Beha-
vioral Sciences. This too is Cali-
fornia.
Mr. Bliven was born in Iowa and
spent some decades in New York as
a newspaperman and editor of the
New. Republic. He is a Stanford
graduate and returned to live in the
San Francisco area about five years
ago. He is the author of The Men
Who Make the Future and the
editor of Twentieth Century Lim-
ited.
. . . The least "beat" Californians
alive today are that jumping Repub-
lican foursome— Know land. Knight,
Nixon, and Christopher. Vice Presi-
dent Nixon, the baby of the lot,
at forty-four is almost young enough
to have qualified for the Beat
Generation if he had got off to a
different start; he is also the na-
tion's leading prospect for the next
President. He has been in the na-
tional eye for about a decade, has
bobbed up triumphant from a num-
ber of political pickles, and now in
what James Reston calls his "post-
Sputnik" phase is playing an increas-
ingh important part in national
policy.
But besides ambition and finesse,
what has he shown as Presidential
qualifications? William S. White,
distinguished Washington corres-
pondent of the New York Times,
weighs the evidence in the lead art-
icle this month (p. 25). Mr. White is
the author of The Taft Story, which
won the Pulitzer Prize, and of
Citadel, the Story of the U. S.
Senate. He wrote this article in
California, where he has been serv-
ing as Regents Professor at Berkeley.
He will be back at the Capitol this
month.
. . . Two very young writers make
their first appearance in a national
magazine in this issue.
Aubrey Goodman, creator of
"Waldo" (p. 31), is twenty-two,
Texas-born, a graduate of Phillips
Academy in Andover and of Yale.
He adapted The Great Gatsby for a
musical play scheduled for Broad-
way this year, and is working on a
novel, The Blue of the Night. At
Yale he won the Undergraduate
Playwriting Contest for three years
in a row.
Emilie Bix Buchwald ("Song," p.
61) is a twenty-one-year-old Barnard
graduate married to an intern and
working for an M.A. at Columbia.
She was editor-in-chief of her college
literary magazine, Focus.
. . . Since he climbed Mount Everest,
Tensing lias become not only the
most famous of the Sherpas, but also
the richest. He is using some of his
new wealth to send his sixteen-yeai-
old daughter to a convent school
near Darjceling.
Recently he .asked an American
friend— John Hlavachek, who was
United Press correspondent in India
at the time Everest was conquered—
to join him in a visit to the young
lady. She was delighted to see them;
few men, and practically no Amer-
icans, ever get to the convent— an
austere and remote place in the foot-
hills of the Himalayas.
As they were leaving, Mr. Hlava-
c lick asked whether he might send
her a gift from the outside world.
"Yes indeed," she said. "A very
special American gift. I would be
ever so grateful ii you would send
me an Elvis Presley record."
Since millions of other adolescent
girls, from Darjeeling to Des Moines,
seem to share this yearning, Mr.
Presley obviously is a Major Cultural
Inlluence. The reasons for his pe-
culiar charm— which many parents
consider both horrifying and inex-
plicable—are examined on page 45
by James and Annette Baxter.
Mrs. Baxter teaches American
Civilization at Barnard College and
is writing a dissertation on Henry
Miller (see page 21 above) for a
Ph.D. at Brown University.
Dr. James Baxter took medical
training at Georgetown University
after serving aboard a minesweeper
during the war. He worked in the
Mideast and Europe on medical
assignments for the State Depart-
ment for two years and is now a psy-
chiatrist in private practice in New
York City and a teacher at Cornell
University Medical College.
. . . Admirers of Dylan Thomas will
not have to be told that Lloyd
Frankenberg's "A Refusal to Mourn,
Etc." (p. 47) is for the late Welsh
poet and that its title is taken from
one of his best loved poems.
Mr. Frankenberg has written
many poems since his first volume,
The Red Kite, and much criticism,
and made recordings of his own and
others' verse. His latest book pub-
lication is Invitation to Poetry: A
Round of Poems from John Skelton
to Dylan Thomas.
PERSONAL & OTHERWISE
. . . The Japanese fishermen who
unknowingly became guinea pigs for
the physiological effects of atomic
fallout are the heroes of Dr. Ralph
E. Lapp's "The Voyage of the Lucky
Dragon" (Part II, p. 48). Their case
also kicked" up an international con-
troversy in 1954 which has not yet
ended. Neither have the nuclear
explosions, in spite of world-wide
agitation against their continuance.
Through October 13 of 1957 (ac-
cording to a roundup by John W.
Finney in the New York Times), the
three atomic powers had set off more
than twice as many atomic explo-
sions in 1957 as in any preceding
year. The total number has grown
since. The annual rate of atomic
testing since 1951 has been as fol-
lows: 18, 11, 15, 4, 19, 16, 42. The
United States has been the pace-
setter, leading always with its bien-
nial series in Nevada. Of the 42 set
off in 1957 (till October), 24 were by
the U. S., 6 by England, and 12 by
Russia. The British and Russian
tests were all of H-bombs.
"Whether the accelerated pace
also indicates a sharp increase in the
radiation peril to the world's popu-
lation cannot be answered defi-
nitely," Mr. Finney commented.
"This is because of the secrecy sur-
rounding the circumstances and re-
sults of the tests."
In this informational freeze-up
about fallout danger, Dr. Lapp's in-
vestigation of the damage to the
now-famous Japanese seamen is
unique. Not only a reporter but a
nuclear physicist himself, Dr. Lapp
worked for the United States on the
Manhattan Project during the war
and headed the scientific group at
the Bikini tests of 1946. He was the
head of the Nuclear Physics Branch
of the Office of Naval Research in
1949, and since leaving government
service has been director of Nuclear
Science Service in Washington. His
fifth book, The Voyage of the Lucky
Dragon, from which Harper's three
articles are adapted, will be pub-
lished in February.
. . . Charles B. Seib and Alan L.
Otten, who present "The Case of
the Furious Children" (p. 56), are
Washington newspapermen. Mr.
Seib is Sunday editor of the Wash-
ington Star and Mr. Otten covers
Congress for the Wall Street Journal.
To report on Dr. Redl's fascinating
project with very young juvenile de-
linquents at the National Institute
of Health, they spent many hours of
interviewing and of studying a mass
of documents. Their previous arti-
cles in Harper's were a profile of
Senator Fulbright and an analysis of
the Congressional races in 1956.
. . . Tomi Ungerer, designer of a
truly sensational new car (p. 62), is
a young Frenchman who traveled all
over Europe, worked with the Sahara
Desert Police in North Africa, and
came to the U. S. in 1956. He has
published two children's books about
a family of talented pigs called the
Mellops and is working on one
about a boa constrictor.
... An English counterpart of
American self-analysis about educa-
tion is Martin Green's "The Iron
Corset on Britain's Spirit" (p. 64).
But— as compared with the question-
ing in this country (see "The New
Books," p. 84)— the English tone is
more anguished, the scope so broad
as to include the value of national
symbols and class structure.
Mr. Green has degrees from Cam-
bridge University and the Sorbonne,
and a Ph.D. from the University of
Michigan. He won three major
Hopwood prizes in 1954 and has had
essays published in literary maga-
zines. He spent two years in the
RAF and is now teaching at Welles-
ley College in Massachusetts.
. . . Getting married is said to be as
popular as ever; but "settling down"
is no longer automatic. Not since
the days of the covered wagons going
West have so many American
families spent so large a part of their
lives literally on wheels. Alvin L.
Schorr, who assesses the effects of
this kind of social mobility (p. 71), is.
now executive director of Family
Service of Northern Virginia. At the
time of the Ohio Pike County experi-
ence which was the "basis of his
article, he was on the spot as director
for the Family Service Association.
Mr. Schorr, a graduate of City Col-
lege of New York, trained as a social
worker at Washington University,
St. Louis. He has traveled a good
deal, working for public and volun-
tary agencies; and his wife and three
children came along with him.
23
How to achieve a youthful
body and vibrant health —
without tiring exercises
in just ten minutes a day!
LOOK BETTER,
FEEL BETTER
By Bess M. Mensendieck, M.D.
Foreword by Paul B. Magnuson, M.D.
Chairman of the President's Committee on
the Health Needs of the Nation
Gloria S w a n s o n , Fredric March,
Jascha Heifitz, Ingrid Bergman and
many other notables have benefited
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Now, you too, can enjoy the advan-
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Easy-to-follow drawings and
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Step-by-step functional movements —
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end backaches . . . flatten the abdomen
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correct aching feet . . . banish double
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relieve fatigue and nervous tension.
Different from ordinary
exercises . . .
The Mensendieck system is wholly
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guide to a happy life, a constant sense
of well-being, and freedom, from the
laxness imposed by modern-day living.
— Ten Days' FREE Examination —
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51 East 33rd St., New York 16
Gentlemen : Please send me LOOK BETTER,
FEEL BETTER, for ten days' free examina-
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THIS FREE WAY OF LIFE STRENGTHENS THE AMERICAS
A new concept is sweeping the Western Hemisphere . . . Interdependence between
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IT
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magaJIzine
NIXON:
What Kind of President ?
WILLIAM S. WHITE
A Pulitzer prize-winning Washington
correspondent reports on a changing man —
and on the reasons why he may prove
stronger and more decisive than Ike . . .
a tougher hoss of his party . . . and on some
issues an ally of the liberal Democrats.
IT IS now clear that Richard M. Nixon—
who perhaps is both the best known and the
least known Vice President in our history— has a
better chance than anyone else to reach the
White House, in 1960 or earlier.
At this writing, shortly after President Eisen-
hower's stroke, it is impossible to ignore the
possibility that Mr. Nixon may be called upon
to take over some measure of executive responsi-
bility before the next election. Even if that does
not happen, he is likely to receive his party's
Presidential nomination; for he is the heir pre-
sumptive of Eisenhower Republicanism. He is,
moreover, perfectly capable on his record— the
record of a hard, acute, operationally brilliant
politician— of benefiting from the advantages of
his present position, and holding to a minimum
any damage that might threaten that position
before the next convention. (The 1960 election
is, of course, a different— and at this date, a much
more speculative— question.)
It thus becomes of some importance to attempt
to determine what kind of President Richard
Nixon might make— not so much what kind of
human being he is or was or might become
as what kind of Chief Executive he might rea-
sonably be expected to be on the basis of such
objective data as are at hand.
To say that both a great deal and very little
are known of Richard Nixon is to state the
situation as it is generally seen in Washington.
The massive hostility toward him among the
liberals— a vast proportion of Democratic lib-
erals and a good-sized proportion of Republican
liberals— is an old, if not altogether clear, story
now. Not so well known is the not inconsider-
able, later hostility of many traditionalist-con-
servatives, again in both parties.
Nothing approaching a conclusive analysis of
these circumstances is any part of this cor-
respondent's present brief. They are relevant
here simply as they may shed some oblique,
fitful, and possibly suggestive light upon a phe-
nomenon: Here is a Vice President who has been
in more and higher headlines, gone more places,
had more part (presumably) in making high
policy and more success (presumably) in influ-
encing more people than any other occupant of
that office.
But here is also a man "understood" only by
26
HARPER'S MAGAZINE
people who really know nothing about him,
that is, the general public; a man who is an
almost total enigma to most of the fellow pro-
fessionals who have been in contact with him
since his public life began with his dispatch to
the House of Representatives from California
in the celebrated "beefsteak elections" of 1946.
As a Washington reporter, I myself have
"known" Mr. Nixon since he arrived in town.
But I do not, in fact, know him in anything
like the way I know fifty other Congressmen
and Senators. It would not be an absurdly risky
speculation to suggest that the same could be
said to a great extent of even Nixon's fellow
Californian, Senator William F. Knowland. The
betting is at least even that Senator Knowland
does not know Vice President Nixon in any
sense of real acquaintanceship, in spite of the
chill intimacy of a kind that their great rivalry
has perforce brought about.
This is not to say that the unexplored nature
of Mr. Nixon as a private man would necessarily
be any disqualification to his serving as Presi-
dent, but it does indicate the special difficulties
of trying to find any kind of certainty.
THE BOSS'S DEPUTY
THERE is, fortunately, a less critical short-
age of guides as to what kind of politician,
in the visible and obvious definition, he has been,
is, and might be. His record in the House,
though brief and obscure except for his connec-
tion with the Alger Hiss affair, would put him
down as a routine orthodox-to-right-wing Repub-
lican, sufficiently unsoft upon most welfare and
allied legislation as to suit the most management-
minded Republicans of California or any other
state. (Parenthetically, Nixon's activities in the
Hiss investigation seemed to me and to many
who are also in no sense apologists for excesses
in these matters to be quite proper and within
the rules of the game.)
His record in the Senate was even more lack-
ing in distinction— it could hardly have been
otherwise, considering the short space of time he
spent as a member upon a floor over which he
now sits as presiding officer, for the most part
with the rather tight-lipped, over-tense, and
slightly perspiring manner of a desperately
earnest man determined to make no slightest
mistake, but not quite at home and not likely
to be.
It is mainly, then, to his record as Vice
President that one must turn. And the mere
fact that he has got a Vice Presidential record of
any consequence is a tribute both to his own
energetic exertions and to the extraordinarily
fortunate political climate in which he has
moved.
In one very important matter— the care and
discipline of the Republican party— he has to a
considerable extent taken upon himself the tradi-
tional functions of day-to-day leadership that
have in the past been attached to the Presidency
itself. Eisenhower's less than passionate interest
in the mere details, however vital, of running his
party has been so persistent and so obvious as
to give Nixon an almost clear field in speaking
as what might be called acting co-leader of the
Republican party.
And here, as practically everywhere else,
Nixon has been lucky almost beyond belief:
he has been able to give party directions, on
many occasions at least, with substantially the
motive power they would have had if they had
come direct from the White House. At the same
time he has not been required to take ultimate
responsibility for the outcome.
He has done all this, by the way, with great
skill and tact. Publicly and privately he has left
the impression of an eager and loyal Eisenhower
subordinate, speaking humbly for the Boss, or,
as the Modern Republicans would undoubtedly
put it, the Captain of the Team.
Generally it has been in this role, as a rather
casually appointed Eisenhower deputy-for-party-
affairs, that Nixon has wholly reversed his earlier
reputation as an orthodox Republican. He is
now widely considered an operating spokesman
in Congress for the "Modern" Republicans— a
leader ready to warn and cajole the right-wingers
against isolationism, for example, and to put in
timely admonitions for such projects as foreign
aid.
There is no clear public record to show on
what specific issues he has acted as deputy leader
of the party or in just what way he has acted—
how spiritedly, effectively, and under what per-
sonal intellectual convictions. But perhaps a
single example of his performance— in a unique
Republican party crisis— will throw some light.
In the sticky, embarrassing matter of the late
Senator Joseph McCarthy, Nixon's friends and
associates have long presented him as a powerful,
if sub-surface, agent who attempted to liquidate
the problem for Republicans generally. What
Nixon actually did about it is, like a good many
other things in his career, difficult to ascertain
exactly. His curiously sheltered position— deeply
in the Administration but not necessarily or
always of it, and not directly accountable either
NIXON: WHAT KIND OF PRESIDENT?
27
to it or for its decisions— has meant that most of
his actions have been made known on a leaked
or ex-parte basis.
One heard that he had often "talked to Joe";
that he had spoken firm words to the unregen-
erate McCarthyites like Senator William E.
Jenner of Indiana who stayed with McCarthy
up to and through what was, in soberest truth,
the bitter end. My own information is that
Nixon did assist in the destruction of Mc-
Carthy's power, but that at no time did he risk
any final or open rupture with the McCarthy-
ites, and that his assistance was of incomparably
less value than the work of those who actually
brought McCarthy down— primarily the con-
servative Senate Southerners under the spur of
the liberals.
Nixon's view of McCarthy revealed the oddly
glacial detachment that is, in practical political
terms, unquestionably toward the top of his
list of assets. There was never anything to sug-
gest that he felt any horror over what McCarthy-
ism embodied in its historical implications—
that is, a long and violent assault upon the
heart of politics as practiced by the English-
speaking peoples: the principle of fair play.
There was, however, everything to suggest
that in due course— or at long last— Nixon
brought a cool surgeon's knife into a clinic of
worried Republicans, who had become gravely
concerned over the threshings about of an en-
" fevered and dangerous patient now about to
infect and destroy their own people.
On the evidence of this episode, what would
Nixon do in a Nixon Administration if another
McCarthy should arise? The probabilities are
that he would (a) not allow such a rise, within
his own party at least; or (b) if he could not
prevent its arising, simply move in, take over,
and reshape the underlying issue so that it
might serve first himself and then his party.
Unchecked McCarthyism would be highly
unlikely to exist in a Nixon Administration,
if only because it is essentially anarchic. Nixon,
make no mistake, is a contained, long-headed
man, who would take great care to see that his
Administration and his party were operated
without emotionalism. Certainly he is capable
of emotionalism on the highest and most pro-
ductive scale, as he proved in his appeal to the
country, with the assistance of his little dog
Checkers, when suddenly revealed financial con-
tributions to his career seemed about to cut
off that career in mid-flight. But he is not the
sort of a man who would make emotionalism a
consecutive instrument of public policy; he will
use it, but then he will abandon it. The essen-
tial weakness in the McCarthy melodrama was
that it was poorly plotted; you cannot forever
sustain any unrelieved emotion, not even fear.
BACK AND FORTH ON
CIVIL RIGHTS
TAKING McCarthyism as an example
of one aspect of an unending contest,
what could be said of a President Nixon's prob-
able cast of mind and mode of action in civil
liberties in general? One might hazard with
some conviction that his position would not be
a bad one, measured by results. Yet once again,
the why of his probable liberal stance— whether
the underlying reason would be instinctive sym-
pathy for civil liberties or simply a practical
means to a practical political end— is open to
doubt.
Nixon's activities in the Senate Civil Rights
struggle last summer answered some surface
questions, but left other, deeper ones unre-
solved. He took up early, and abandoned late
and only by necessity, a position for a "hard"
Civil Rights bill— a bill that on the plain facts
of the existing situation certainly could not
have been passed and, quite possibly, could
never have been enforced short of a national
convulsion that few rational men would wish
to see.
The Vice President was more than a little
vulnerable to the accusation that he wanted an
issue more than a bill. When, for example, the
Senate wrote in the right of jury trial in federal
criminal contempt actions, he coolly asserted
that this was nothing less than "a vote against
the right to vote." This tersely, enormously
incorrect statement of the position was vintage
Nixon; the act of a man coldly impatient with
the President's refusal to defend his proposal by
such extremism. It was precisely the sort of
thing that Nixon had done in 1954 in his
stonily bitter personal campaign to return con-
trol of Congress to the Republicans.
Nevertheless, the charge that Nixon really
wanted no Civil Rights bill at all in 1957, in
the hope that the failure of a Democratic Con-
gress in that regard would mean a Republican
Congress in 1958, is not fully supportable— no
stronger verdict than the Scottish "not proved"
can lie here. One or two talks I had with him
fairly well convinced me that he was maintain-
ing a surpassingly "tough" position for legiti-
mate bargaining purposes, and that it was less
subtle Republicans, particularly in the House,
28 ii \ R P i ■: r s M A.G vzi N E
who misread the signals and carried intransi- He has cast aside effectively and whatever
gence loo i. ii his piotive for doing so certain <>l the over-
\i .ill events he was read) to light for ;i simplified catch-phrases with wl)i<li h<- used to
"strong" Civil Rights bill, though any Buch en be associated in Ins old days as .1 professional
.iiiiniiii would lose linn the support oi the "anti-Communist." He is represented as believ-
South certainly and to .1 lessei bui important ing and, more importantly, he acts .is though
sense oi ni.iiix ol ih. oldei .mil orthodox Re li< believed thai ii is nol enough simply to
publicans, lie thus became the lull inheritoi make certain thai nobod) else could possibly
oi .in already foreshadowed legacy the im- be seen 1 < > hate Communists more,
mensel) important gratitude <>l \ast blocs <>l Such oi his attitudes and activities on foreign
Negro voters, in tin process the Republican policy within the National Securit) Council as
leadei who did fai 1 ■ to bring "ii something are known assuming thai the) have been accu-
substantial on Civil Rights, Knowland oi ratel) represented in the journalism-by-leak
California, goi fai less credii Eoi bis pains. with which he is surrounded suggesi an adult,
Bui all during this time a suspicion about ii nol necessarily responsible, approach. I 1 1<-
Nixon that had been vaguel) held before grew quotient ol responsibility cannoi be accurately
strongei and stronger: thai on <i\il liberties, as assayed because the Vice Presideni again there
perhaps <>n othei matters, he was on the "light" is thai persistent theme <>i amazing good l«>i-
side im inadequate reasons; thai he did nol tune can, "i course, i><' boldly decisive verbally
qualify among thai group oi politicians, Ise in the NSC and still nol l>e held blameworthy
publicans, Democrats, whatnot, whose inherited il a course he proposes turns out badly,
memories and simple instincts require them 10 All in all, though, what evidence can be
respeel the deep convictions, and even the deep gathered suggests that a Nixon Presidency
prejudices, <>i an) large mil ty, and who are would be a "stronger," more decisive one
unwilling to press upon such a minorit) any on Eoreign policy than Eisenhower's though
law 01 policy thai would he tiulv intolerable, "stronger" does not necessarily equate with
and nol merel) repugnant, to them, "better." A Nixon Administration would nol
ihis sensitive, automatii understanding <>l onl) find the President his own Secretar) ol
whai simpl) isni done in government isn'i State; the country and the world would be in
done no mallei il one chalk has ihe \oles lo no douhl ol who was running the show. Il is
do ii is the one subtle distinguishing quality extremely unlikely that matters in any critical
thai inosi oi .dl seis oil British and American area of the world would be allowed to drift as
publii men I all others, 11 tins quality is the Eisenhowei Administration allowed them
in 1. hi absent in Nixon, ii would lie at the to in the Middle East, The publii might not
tool oi every prediction thai could be made like the action ii got; hut it would get action.
as lo what kind ol President he would make, on
an) issue whatever, with the possible exception
ol foreign polu \
Foreign policy, to be sure, can b) us nature i OULD Nixon manage to accommodate
be pi. ed and (.lined out within a country V. social and sectional animosities as well as,
otherwise deepl) divided and lacking thai con- sa\, Eisenhowei has done? 1>\ no means. Mis
sensus oi publii support ol 01 toleration for techniques of campaigning show he is at his most
us leaders thai alone can provide an effective effective where a certain, though i>\ no means
ei\ilu\ in the conduct ol iis d si k allaus. total. di\isi\cness is the result, il not actually
(llan\ S I mini. m and Dean \cheson i.ui a the aim. One can picture a Nixon binding up
powerful, imaginative, and even audacious the wounds of a majority of a nation, but not the
foreign policy without important positive whole oi a nation.
(lucks from Congress in the ver) months .w\(\ Could Nixon operate in a bipartisan wax in
years when a mere Truman endorsement ol a certain areas oi polic) foreign affairs mainly— as
domestic program was enough 10 give ii the kiss 1 isenhower has done and as even I ruman did 10
ol death.) \nd it is in foreign affairs that die .1 considerable degree, until at last the bitterness
available evidence suggests thai Nixon, in the ol Korea overcame all? rhe answer is a qualified
common phrase, "has grown." Ilis man) nips no, necessarily qualified because of the difficulties
abroad seem 10 have been unquestionabl) useful oi definition, li the cpiestion is merely whether
10 this countr) mainl) he-cause the) have been Nixon could marshal enough bi-partisan sup-
useiui 10 Richard M Nixon. port for his foreign policies, the repl) is that
I II i: HA LANCE SHEET
NIXON: WHAT KIND OF PRESIDENT?
29
he probably could, for he would never offer a
major turn in policy, first, without knowing that
the great bulk of the Republicans were bound
reliably in line, and, second, without putting
into that policy a content that would require— as
distinguished from solicit— adequate Democratic
support.
Outside of foreign affairs, he could certainly
be expected to stress the partisan. One cannot
readily think of any other candidate who would
come to office with so little intrinsic good will
from the other party. All the same, in the in-
tractable reality of politics it is the feared Presi-
dent, iar more than the liked President, who at
length forces the greater backing from among his
opposition; and Nixon could not be accounted
ineffectual on this score.
Odd as it sounds, a President Nixon would
probably evoke more practical support from ad-
vanced Democratic liberals than from the con-
servative Democrats, because the liberal Con-
gressional Republicans would be, at least in the
beginning, more favorably disposed toward him
than the orthodox Republicans, and because the
conservative Democrats are men who do not
forget and are as a class less bound to consistent,
impersonal action on issues than are their liberal
colleagues. What the conservative and moderate
Democrats do not forget is not really what Nixon
has said in the past about their party, but what
he did on Civil Rights.
Could Nixon operate the Republican party
as a partisan instrument more effectively than
has President Eisenhower? Certainly more tidily
and efficiently. Probably more effectively, with
one qualification: His Civil Rights position un-
doubtedly would, with him as the nominee, at
least momentarily arrest the two-party movement
in the South. It might in the long run forward
that movement, however, if and as Negro voting
in the South greatly rises in volume.
While the Vice President has never to my
knowledge even privately criticized Eisenhower
as a party leader, he is a member of a funda-
mentally different breed from that of his present
chief— and he can make this plain without a
single remotely disloyal word. Any party under
Nixon would know who was its master, by bland
but unmistakably firm techniques. There would
be a great deal less talk about the Team and a
great deal more about the Captain.
Nixon would welcome no intra-party fight. He
would offer no major "Administration" bill with-
out knowing its content down to the last dis-
tilled comma, without knowing that no signifi-
cant number of Republicans would or could de-
Hounds Across the Sea
M
E M B E R S of the Holderness Hunt to-
night recovered two foxhounds which
went down a drain at Catfoss aerodrome
in the East Riding on Tuesday. They
also found the fox, but it got away.
The hounds disappeared during a
cubbing meet, and it was not until late
tonight that a policeman's dog located
them in the drain, half a mile from
where they were last seen. After they
had been run to earth the rescuers bat-
tered a hole through a runway, and
found hounds and fox standing in four
inches of water in the narrow drain.
The hounds were wedged and could not
turn; the fox, smaller and more active,
had turned round and stood at a safe
distance from them.
—London Times, September 27, 1957.
feet, and without an implacable intention to
put it through unaltered. If he did get into an
intra-party fight, he would be a tough man in-
deed. Nixon, in common with many of the
younger Republicans, is soft in speech (except
of course against Democrats) but hard in action.
The Old Guard Republicans, who do not as a
class care very much for him, will find that in
Nixon they have in their time much the sort of
antagonist that the Taft Republicans of the
past had in Dewey of New York— a powerful,
single-minded antagonist who hits to hurt, plays
to win, and, in crisis, believes that nice guys
finish last.
Nixon has far greater skill in day-to-day po-
litical operating than Eisenhower— and indeed
than Truman, who was in fact an incomparably
better President than politician, all the contrary
folklore notwithstanding. Certain things would
be very different in a Nixon Administration than
in either of the two that went before. Trouble-
some "cronies" would not bother him long, as
they did the far more kindly and perhaps over-
loyal Truman. Department heads would not
twice be at cross purposes in public, as on occa-
sion they have been— and without known rebuke
—under the somewhat amiably withdrawn Presi-
dent Eisenhower.
But the essential philosophy of a Nixon Ad-
ministration would be as difficult to find and
fix, in any permanent frame of reference, as the
30
HARPER'S MAGAZINE
essential philosophy of Politician Nixon so far.
To deduce from this that he is not "a man of
principle" would be both too harsh and too sim-
ple. One of the Vice President's closest associates
once told me that his whole success lay in two
things— sensing "the" issue of the hour and ex-
ploiting it by "perfect timing."
Rephrased, this means that Nixon draws his
notions, his policies, and even his philosophy
from "the people"— or what he considers to be
the operative majority of them at a given time.
He is, that is to say, the perfect model of the
political leader who finds both inspiration and
ultimate mandate from the public. This is no
more and no less than the logically inevitable
requirement of a current— and possibly dominant
—view that the proper functioning of a democ-
racy requires little more than a count of noses
to determine what should be done.
THE NEW BREED
PU T in another way, Nixon is the quintes-
sence of the modern spirit of revolt from
the aristocratic principle of the leader. In this
sense he differs sharply from Franklin Roosevelt.
Roosevelt served the common man— by boldly
directing that man's affairs and, not to put too
fine a point upon it, by telling him what to
think. Nixon appeals to the common man— by
asking him what he thinks or, at most, by sug-
gesting to him that perhaps he thinks so and so.
Harry Truman, archetype of small d democrat
though he is, was, oddly enough, full of the
aristocratic principle. In every moment of ulti-
mate truth or ultimate peril, he acted for the
people, not by their leave. And, to tell the truth,
when the issue was big enough and critical
enough, he didn't much give a damn, as they say
in Missouri, whether they liked it or not. He
would save them, whether or not they wanted to
be saved; but he never applied to them for his
instructions.
Perhaps it is this quality of oneness with what
ordinary people are thinking or are about to
think that has made Nixon one of the most spec-
tacularly reliable private oracles in the business
of predicting political results. To my well-
remembered knowledge, he got, as a then young
Congressman out doing minor chores for the
Republican Congressional Campaign Committee,
more than an intimation of the oncoming un-
seen Republican debacle of 1948 as early as
September of that year. There is a bleak realism
about what he tells fellow Republicans in private
on any existing situation involving public opin-
ion or public taste. His antennae are remark-
ably acute— matchlessly acute among the na-
lional politicians known to this correspondent.
How he might handle almost any issue as
President— from management of the economy to
the proper place for the Pentagon in the scheme
of things— would almost certainly be strongly
colored by this foreknowledge.
This not only makes it bootless to speculate
whether he would be "liberal" or "conservative";
it puts it out of the question to attempt to
appraise what he would be like as an adminis-
trative man. For top administration necessarily
implies a fairly free and relaxed association with
colleagues, a capacity wisely to delegate and
sharply to supervise without appearing to do so.
Nixon's essentially intuitive approach would
seem difficult to transfer or to delegate; and not
enough is known of his associations by choice—
as distinguished from routine necessity— to give
any very reliable guide as to his private taste in
men. His various Capitol offices operate, upon
casual observation, with what is at least out-
wardly a brisk efficiency not quite typical of those
precincts. But Nixon himself is a man who, in
the true sense, is often by himself apart.
Talking to him, one has the impression of
speaking to an almost incredibly objective per-
son. His mind examines statements, hypotheses,
implications, with a chill, uninvolved clarity of
purpose and functioning. His sense of percep-
tion is sharp and quick; what feeling may lie
within him is unguessable. It is a close question
whether he would rather be liked by people in
the mass or approved by people in the mass. In
my opinion he would much rather be approved.
There have been several changes in him since
he first came to Washington— nearly all, on the
discernible evidence, to the good. He is now
mature; there is a certain tough resignation in
him. Good President or bad President as he
might be, he would hardly be a weak one, and
it is not easy to imagine him being an indecisive
one. Never an outgoing personality, he has be-
come even more withdrawn. His sense of humor
is thin and a bit brittle, with a quiet but distinct
touch of mordant. He is immensely controlled,
and there is a suggestion that this control in-
volves sustained effort. There is not a chemical
trace of gustiness in him; and it is impossible
to down the impression that he rarely has a
relaxed moment. He is poised, able, seemingly
confident, compact and well buttoned up in dress
and address, habitually earnest, and very remote.
Most of all, perhaps, he is mindful of the phrase:
He travels fastest who travels alone.
A Story by AUBREY GOODMAN
Drawings by Stanley Wyatt
MY FATHER took me to lunch at the
Yale Club and gave me some advice
about the next four years, telling all ot the
Waldo stories again and advising me not to listen
to any advice from my older brother who had
graduated, just barely, from Yale the previous
spring. After lunch I went over to Brooks and
bought some Argyle socks and some neckties, and
then, it was such a nice September day and New
York looked so terrific and I felt so good, I
walked all the way up Fifth Avenue to Eightieth
Street. It was nearly four o'clock when I got up
to the apartment and Johnnie was sitting on my
bed, smoking a cigarette.
"Hey," he said. "Eve been waiting for you."
"I had to pick up some stuff," I said, dumping
my packages on the desk.
"Excited about tomorrow?" Johnnie asked.
"Sure."
"How was lunch? I suppose Dad told you not
to pay any attention to anything I might have
to say."
I nodded and started to finish my packing. He
put a pillow under his head and went on talking
to the ceiling.
"Well, just don't take everything Dad says too
literally. You don't think he thinks Ed try to
steer you wrong, do you?"
"No," I replied, trying to find my silver tie-tac
on the tray on top of my dresser.
"You know, I was there. I just graduated this
year from Yale and I know more about it than
Dad. What did he do? Tell you those old worn-
out stories about Waldo?"
I nodded.
All my life I had heard people, not just my
father, but other men who had been at Yale with
him back in the 'twenties, talk about Waldo.
And from all of the stories I had evolved a pretty
clear, but certainly romantic, picture of Waldo.
Evidently, Waldo had been a hero of Yale.
Not just the hero of the athletes or the intel-
lectuals or the fraternity and Senior Society men;
he was everyone's hero. He seemed to have some
hard mysterious glow inside him, some vitality,
that attracted people to him. They watched him
when he walked down the street, they crowded
around him at parties, professors were always
pleased to have him in their classes, and girls
from Smith and Vassar actually begged to be
introduced to him.
According to those who had known him,
Waldo possessed all of those golden qualities
usually attributed to Dink Stover and the
Byronic young men created by Scott Fitzgerald.
Waldo was tall, had very green eyes and close-cut
yellow hair, and all of his clothes came from
Brooks. He drove a fast Mercedes Runabout,
but he never ran into anyone and never got a
ticket.
The really curious thing about him was that
no one really knew him well; people could never
get close enough to him to know him completely.
Waldo was just there; he just was. No one knew
where he lived. He was seen at the big dances
at the Plaza during Christmas vacation, he
turned up in Bermuda every spring, and he went
to Europe during the summer. He drank beer
32
HARPER'S MAGAZINE
for breakfast and a split ol champagne with his
lunch every day. He liked to play mild practical
jokes: he often put live goldfish in toilets.
At one Harvard-Yale game he and his date
tode to the game on a beautiful white horse. His
junior year, he brought Joan Crawford to the
Prom, and they danced the Charleston for an
hour without stopping. Another time he was
involved in a rather elaborate stunt: Waldo let
his feet he strapped to the wings ol an airplane
which took oil and Hew under the Brooklyn
Bridge, with Waldo standing up. waving happily
to his li iends standing up on the bridge.
Waldo enjoyed himself. He was exciting and
casual and lull of Inn, and people liked him.
Alter graduation no one ever saw him again, but
there was a rumor that lie had been killed in the
second world war.
"You won't find anyone like Waldo up at Yale
today.'' m\ lather always said. "Waldo could
only have existed hack in the 'twenties. You
boys now— you'it1 scared and worried and grim,
because you have to he. But nobody blames
you. That's just the way things are. People don't
know how to enjoy themselves now, and even if
the) did — they couldn't."
I CLOSED one of the suitcases and put it
out in the hall.
"You're taking too much with you," Johnnie
said when I (ante hack into the room. He was
lying on his stomach and staring at me. "Don't
take too much with you, that's my motto. Do
you want my cashmere sweaters? Guess I won't
need them out on the Bounding Main."
Johnnie was going into the Navy the next
month. "Thanks a lot," 1 said, sitting down on a
c hah next to the bed.
Johnnie sat up suddenly, ciossccl his legs,
squinted his eyes at me and took a deep breath.
Whenever somebody does that, you know they're
going to do a lot of talking. I sat hack in the
chair and relaxed.
"You don't have to listen to me, Tony. No-
body can really give anyone else any advice, and
God knows I never listened to anybody, but you
are my brother and there are a couple ol things."
"Okay," I said. "Shoot."
"Well, I don't know. First thing, when you
get up there, don't think for a moment that
coming from Andover makes you special. Every-
body is always yakking about the Andover crowd
at Yale, but there's no such thing. At least, not
any more. It's different now, not like it was
when Dad was there."
"1 know."
"The important thing," he continued, "is to
watch the people around you. So many things
start happening to people during theii college
years. So far you've been pretty damned shel-
tered."
I stalled to protest, but he cut me off with a
wave of his hand.
"I know that annoys you, but it's true. You'll
see it later. It's just that once you hit college you
start seeing things go wrong for people. Just look
at most ol the guys I've known, and it seems that
nearly all of them went around trying to kill
themselves. I knew this one guy at Harvard— a
real great guy, always hacking around and cut-
ting up, making jokes, making people laugh. He
seemed perfectly happy to me. Then one night
he took a taxi to Logan Airport and walked into
the' propellers ol a plane. Another friend of
mine chank so much he went temporarily blind.
And guys got into all kinds of trouble with girls
—marrying them because they were rich or preg-
nant or looked like the guys' mothers. I know
two guys who got married, had two kids each,
and then got divorces. They're only twenty-one
years old now!"
I shook my head.
"Then there are the guys who want to he
scholars or archaeologists who go back home and
work for theii dads or go on to law school
because they let other people influence them too
much. Too many people give up what they
really want to do with their lives. They toss
theii dreams away."
Johnnie looked sort of sad lor a moment, star-
ing past me, Then he sat up straight and went
on.
"And then there are all of the guys who are
left out of things because they went to high
schools instead of prepping. There's quite a bit
of hypocrisy and snobbery you get mixed up in
without even realizing it. Hut it's all confused
and mixed up, because it's great too. Most of
I he classes arc damned terrific il you listen and
lead everything and the weekends are gorgeous
fun and the girls are pretty . . . it's good and
had, all mixed up. I loved it when 1 was there,
but I don't think 1 knew what I was really doing.
You know, in my fraternity there was one guy
who didn't get elected because he turned up for
rushing one night wearing machine-made Argyle
soc ks! Does that make any sense?"
"Not to me," I replied.
"Hut it did make sense then! At least, it
seemed to. It's all confusing. Everybody I knew
ended up by making some huge compromise.
Hut you can't help it. The main thing is that
WALDO
there isn't any romance in it any more. College
should be a great big romance. Where did all
of the romance go? Where is it?"
He sighed.
"Dad's right," he said. "Don't listen to me. Go
to Yale and study hard during the week and go
to Smith on the weekends and go out for the
right clubs and buy your clothes at J. Press and
try to make Skull and Bones and marry some
girl from Darien who drives a station wagon
and goes to Bermuda. Don't get off the track. If
you can help it. I'm in no position to tell any-
body else what to do. It's just that I thought it
was going to be like Waldo, and it wasn't, and
I was disappointed. Just try not to build things
up too much."
"I won't," I said.
"Because if you go along expecting too much
and being disappointed all the time, next you
find yourself expecting nothing out of anything,
just to avoid being disappointed, and when that
happens you might as well be dead. Then you
... oh shut me up. What are you doing to-
night?"
I didn't have any plans.
"Listen, Tony, Mother and Dad are going to
be out anyway, so why don't you come to a party
with me. Over at Lee's. Come on. He's collected
quite a menagerie of friends, and it'll be different
for you. Something new."
"Okay," I said.
Johnnie got up and straightened the covers
on my bed.
"Whatever happened to that girl Lee was
always with?" I asked.
"Constance? From San Francisco?"
"She was beautiful," I said. I remembered that
she had a beautiful face with bright blue eyes
and clean-looking, soft brown hair that she wore
down to her shoulders. Lee had brought her
up to dinner a couple of times, and she had
charmed me off the wall. She had a way of
looking right into your eyes when she talked to
you.
"Well, after going with Lee for four years, she
married some guy from Westport," Johnnie said.
He threw his arms up in the air and said, "See
what I mean?"
"Guess so," I answered, and Johnnie went into
his own room.
LE E was Johnnie's best friend. They had
been in the same class at Andover and Yale,
and Lee used to come home with him for week-
ends and Thanksgiving. Lee was from Okla-
homa, but he came down to New York after
Yale and got a job with an advertising agency.
He wanted to be a writer and he had terrific
ideas, but I never saw anything he wrote.
Mother and Dad liked him very much. They
thought he was a good influence on Johnnie. I
was never so sure about that, but I had to admit
that Lee was one of the most interesting people
I'd ever met.
His apartment was right around the corner
from us, between Madison and Park. He had
hundreds of books in cases and on the mantel
and stacked on tables, two portable television
sets, a portable air-conditioner, a closet filled
with liquor, some watercolors of New York and
drawings of Yale and Andover on the walls, a
silver top hat he'd worn to a costume ball at the
Plaza, a wooden shoe from Holland, a sun lamp,
a bar bell, half a dozen of those large ashtrays
from the Stork Club, a cigarette box that played
"Boola Boola," a hi-fi set and a tremendous col-
lection of records, mostly old Bing Crosby and
Gene Austin and Helen Kane and Paul White-
man and Helen Morgan. He had a small garden
out in back with a large stone turtle.
I liked Lee and enjoyed being with him, but I
never particularly cared for the people he had
around him. He never seemed to be alone, and
everybody around him seemed to be distin-
guished in some odd way. There was a girl
who'd been on a safari in Africa once, a guy
who'd been stabbed in the face by a countess
with a salad fork, a man who'd been hit on the
head by a telephone switchboard while he was
walking down Wall Street, a girl from Spain
who was writing a novel in French, a male
prostitute, a female lawyer, sons and daughters
of famous actors and actresses and writers. And
then, mixed in with these people, he had the
friends he'd known in schools. I liked all of the
last group very much, although they were older
than I was.
I was glad to be going to Lee's party, because
no one would be at home and I didn't feel like
knocking around the apartment by myself, but I
wasn't too excited. I honestly don't like parties
too much. I love to go to dances, but I don't
enjoy gatherings where people just stand around
and talk and toss down the liquor. There are
two good reasons for my feeling this way. I'm
very shy and I don't like to drink. It's funny,
but most people get the impression that I'm a
deep thinker because I don't talk very much.
However, it doesn't necessarily follow that a per-
son is really intelligent because he keeps quiet
most of the time. Sometimes it's because he's not
very bright and doesn't have anything at all to
34
HARPER'S MAGAZINE
say. Willi me, I like to think it's jusl because
I'm sin.
About the chinking, I do drink beer some-
times. You can't very well si t at Ryan's or Con-
don's and listen to jazz with a prettv girl and
drink Cokes, but I don't chink hard liquor,
be< ause 1 gel si( k and vomit.
So, as I have a difficult time talking to
strangers, we usually just don't connect, and as
I don't enjoy drinking martinis, I'm not too
cra/y about cocktail parties. 1 usually end up
standing by myself in a corner, watching the
people, eavesdropping on other people's conver-
sations, and reading the titles ol the books on the
shelves. Another thing I don't like about most
parties in New York is that everyone tries too
hard to give the appearance that they are having
a wonderful time. Sometimes I'm sine that the
people really are having a good time, but some-
times I wonder il most of them leel the same
way I do but won't show it.
We went over to Lee's about nine-thirty. The
apartment was full of people, and they were all
trying to outdo each other— laughing very loud,
holding their drinks high in the air.
"I wonder where Lee is," I said to Johnnie
after we'd walked in.
"Talk to people," he yelled into my ear.
Then he walked away and left me. 1 didn't
see Lee. The party looked like several others
I'd seen around New York. It wasn't a social
party or a Village party; it was a mixed-up party.
The people were all different ages, and i don't
think many of them had too much in common.
I went into the kitchen and poured myself a glass
of ginger ale and prepared to go in and read the
book titles. As I was trying to edge my wa\ away
from the sink, someone shoved me. 1 looked
around and saw a young man with a pained
expression on his face and one arm up in the air.
"Is there any butter over here?" he demanded.
"Stick it under the faucet, Bobby," said a
small girl who was hanging onto his other arm.
"Don't make a fuss."
"A fuss!" Bobby exclaimed, turning on the
faucet full force and putting his hand under it.
"Who was that guy? I'll murder him."
"You'll do nothing," the girl said, looking into
.her drink as if she had dropped something into
the glass and was trying to find it. "You brushed
up against the man's cigarette. He didn't mean
to burn your hand."
"Shut up," Bobby said, crossly.
"Wear gloves," the girl said, giggling.
"What am I going to do? And I'm supposed to
make that film tomorrow."
"Are you an ac tor?" I asked.
He looked at me and said smoothly, "Yes, I
am."
"Hah!" the girl snorted.
"Don't pay am attention to her," lie told me.
"She's an idiot. I am an actor. Are you in the
theater?"
"Oh no," I said. "But I'm always interested in
meeting people on the stage. Do you know
Marilyn Monroe by any chance?"
"Not really," he said. I couldn't figure out
what that meant. "I'm a dramatic actor, all
right, but recently I've been doing these TV
commercials. It's just a temporary thing. I've
been doing things with my hands."
I gave him a blank look.
"You know." he continued, "picking up cans
of beer, holding cigarettes, stuff like that. Of
course, it's not really acting, but what are you
gonna do?"
"Stop ignoring me!" the girl said loudly.
"There are two kinds of people in this world—
those who ignore and those who are ignored.
And I'm tired of being ignored."
"I'm not ignoring you, doll," Bobby said,
smiling sweetly at her. "I'm rejecting you."
IW A L K E I) into the living-room, but didn't
see Lee, so I started circling the room. No one
paid any attention to me. I must have walked
around the room about seven times. So I gave
up and went over to the bookcases. I'd finished a
couple ol shelves when a middle-aged woman
with platinum hair and gum in her mouth came
over and told me I looked familiar.
"Don't I know you? I know I know you. Ever
go to a night spot called the Play Pen?"
I told her that I was afraid not. Then she
asked me if she could fix me a drink, and 1 told
her that I didn't drink.
"Oh," she said, looking at me sympathetically
and nodding, as if I had just made some deep
confession and she was assuring me that she
understood. "Alcoholic."
This struck me as being pretty funny, so I
nodded.
"Well, anyway," she said, patting her hair, "I
know I've met you somewhere else." She spat
her gum into a wastebasket and then added,
"Socially."
I nodded and she turned around and started
talking to a man with a cigarette holder.
"It's strontium in the air, darling! That's why
everyone is acting so wild!" I heard a woman
with long earrings shout at a small group of
people.
WALDO
35
A Lester Lanin record was playing on the hi-fi
and several people were trying to find room to
dance. I looked all around, trying to find Lee,
but I didn't see him.
Johnnie was standing by the door with one
of the most beautiful girls I'd ever seen. I
walked over to them and saw that he was trying
to make her take her coat off.
"Come° on, Hope, take your coat off and stay
a while," he was saying.
"But I can't, Johnnie, I told you I can't. I
have to be someplace else, and I just stopped by
for a couple of minutes," the girl said, trying to
be nice about the whole thing.
"Tony," Johnnie said to me, "this is Hope
Paradise. Isn't that a name for you?"
"It happens to be my real name," the girl said.
"Please let go of my . . ."
"Aww, just stay for a little while. Just a little
longer," Johnnie asked. "Please."
"I'd like to, but I can't, Johnnie, so please
let go of . . ."
Johnnie let go of her coat and she went out the
door, closing it behind her.
"Who was that?" I asked.
"Girl I know. A model."
"Oh," I said. "Well, I have to go to the bath-
room."
"Great conversationalist," my brother said,
clapping me on the back and walking away from
me.
A girl in a blue dress was sitting on the edge
of the bathtub, crying. I stood there for a
moment, not knowing what to do, then I went
over to her.
"Hey," I said quietly. "What's the matter?"
"Nobody loves me," the girl sobbed. "Nobody
loves me."
"Oh," I said, trying to comfort her, "sure
they do."
"No," she cried. "Nobody loves me."
"Well," I said brightly, "nobody loves me and
I'm not crying!"
This failed to cheer her up.
"Ooooooh," she cried. "I'm so unhappy. No-
body loves me at all."
She went on crying.
"Do you love somebody?" I asked.
"No," she said, wiping her eyes. "I can't."
"Why not?"
"Because nobody loves me," she said and
started to cry again.
"I'll get you a drink and you'll feel better,"
I said. "Be right back."
I had to wait in line to get at the liquor.
Finally I moved in close enough to pour out a
glass of Scotch for the girl. When I went back
into the bathroom, she was gone.
I came back out into the living-room and
looked around for her. Then I saw Jier— dancing
and laughing merrily with some guy. Annoyed,
I put the glass down.
Johnnie waved at me from the other side of
the room. I went over and asked him if he was
having fun.
"Tony," he said, throwing his arm around a
guy with sad brown eyes, "tell this jerk not to
go into a monastery."
"Don't go into a monastery," I said.
"See, Nicco?" Johnnie said, leaning against a
bookcase.
"But I want to get away from everything,"
Nicco said, looking at me with those unhappy
eyes. "I don't like anything very much."
"Don't you have to have some kind of religious
calling to become a monk?" I asked.
"I don't know," Nicco said, shrugging his
shoulders. "I don't know anything about it. I
don't even know where any monasteries are.
Even if I decided to go, I wouldn't know where
to go."
He smiled sadly, and Johnnie pushed him into
a chair.
36
HARPER'S MAGAZINE
"Wait here a minute," he said.
Johnnie pulled a book from the case and put
it in Nicco's lap.
"You just look at that book," Johnnie said
emphatically. "Study it. Marvel at its beauty.
Contemplate it. And you'll forget this monastery
bit."
Nicco opened the book. It was a collection of
art photographs of naked women— running along
the beach, lying on the dunes, hanging out of
sling chairs.
I was looking over Nicco's shoulder as he
flipped the pages.
"Seen Lee yet?" Johnnie asked me.
"Not yet," I said, my eyes fastened on a woman
doing things with a giant beach balloon.
"Where are your manners?" he asked, pre-
tending to be shocked.
"I couldn't find him," I said, still looking
down.
"He's in the bedroom," Johnnie said. "Eating
caviar with Constance."
"Doing what?" I asked, looking up.
"She's here with her husband," Johnnie said.
"Go on in and pay your respects."
"I will," I said, taking a last look at the book.
WHEN I walked into the bedroom, I
found Lee and Constance sitting on a
huge double bed, dipping melba rounds into a
jar of caviar. They seemed to be having a very
serious conversation. Constance looked so pretty
in a white dress, and Lee looked great. He was
wearing a blue blazer and a striped tie.
"Everyone spends too much time trying to be
a psychiatrist," Lee was saying. "Everybody is
analyzing everybody else and they're amateurs
and not fit for the job. People are so busy
analyzing each other that no one seems to be
just friendly any more."
Constance nodded. "You should get married,
Lee," she said.
"Why?" Lee asked.
I sat down on the bed with them, and we all
said hello, and they resumed their conversation.
"Darling," she said to Lee. "You don't know.
You just don't know."
"Well, tell me," he said. "I'm ready to be
convinced. What is so wonderful about being
married?"
"It's, well, it's going to sound corny, but it's so
true," she said, passing her hand through her
long brown hair. "It's being together. Blanton
and I are so happy because we share things. We
have breakfast together and talk about every-
thing and read the same books and see the same
television shows. And we go shopping together
and fix dinner and do the dishes and then go to
bed. Sometimes we stay up until five in the
morning, just lying there in bed, talking about
things and smoking. It's just being together.
Everywhere."
"So that's what being married is," Lee said,
trying to balance the jar of caviar on his head.
"Yes," Constance said.
"That's fine," Lee said, putting the jar back
on the bed. "But Constance."
"What?"
"All of those things you were just talking
about," he said. "We did exactly all of those
same things for several months. And we weren't
married. So what's so wonderfully different
about being married?"
Constance opened her mouth, closed it, looked
at Lee for a moment, brushed the crumbs off
her skirt and stood up.
"What a disgustingly common thing to say,"
she said.
She walked out of the room and Lee offered
me some caviar.
"My 'pologies," Lee said. "Please excuse my
vulgarity. But I'm right. That's the saving
factor. How've you been, Tony, old scout?"
He was pretty tight. We got up and walked
out into the garden, and I told him that I was
going up to New Haven the next afternoon.
"Dear old Yale," he said. "Mother of Men. A
gorgeous playground."
"Johnnie tried to give me some advice this
afternoon, but it was pretty confusing," I told
him. We sat down. "And Dad just told me all
those old stories about Waldo."
"A mistake on both their parts," Lee said.
"They just wanted to help me," I said.
"You're going to Yale, so you just go to Yale
and you do what you want to do and make your
own mistakes if you have to. That's all. No
advice. But Waldo. Ah, those must have been
the days."
"Dad says that Waldo couldn't exist at Yale
today," I said.
"He's right," Lee replied, offering me a
cigarette. "You won't find a Waldo at Yale or
any other place, for that matter. Not now. We're
just not set up to produce a Waldo. I think the
world is in a state of slow nervous breakdown.
Look around. Look in the other room. What do
you see? Frustration and confusion. A group of
lonely, scared, fake children. People who have
selected marriage or alcohol or drugs or religion
or sex or suicide or some form of destruction or
self-destruction just as they would have chosen
WALDO
37
a course in college, thinking it would give them
something. And what's the result? Emptiness
and fear. I mean, besides a lot of damned non-
sense, the result is confusion and frustration,
frustration and confusion."
I was silent for a minute, and then I said,
"Sounds pretty depressing."
"Nah," Lee said, putting his hand on my knee
for a moment. "Forget it. Maybe it'll pass. You
don't have to live in it for four more glorious
years. You've got those Bright College Years in
front of you, and things may have changed by
then. You'll have a great time up at New
Haven."
"I hope so," I said, dismally.
"I'll tell you something, Tony," Lee said. "I'll
make a confession. Do you know what I am?"
I shook my head.
"An imitation Waldo," he said. "A fake. I'm
just as bad as those other people inside. Maybe
worse. It's a hard thing for me to admit, but I
tried to pass myself oft as a Waldo. Doing crazy
things. Trying to be exciting and casual and
all of the things Waldo was supposed to be. Col-
lecting props for my rooms at school, searching
out unusual people. 1 think 1 fooled some peo-
ple. I know I fooled myself for a long time. But
it wasn't real. Not for a minute."
I sat and tried to see his face in the darkness.
"Sometimes," he said, "I wonder if the real
Waldo wasn't a lake too."
"He couldn't have been," I said.
He agreed, and we went back into the party.
Johnnie was using the telephone, trying to con-
vince some girl to come over and join him at the
party. I told him that I was leaving and he just
nodded and went on talking into the phone. I
said good night to Lee and he wished me luck.
Then I walked on home. It took me about two
hours to fall asleep.
WHEN I woke up late the ncxi morning,
the sky was gray outside the windows.
Johnnie came in and put his cashmere sweaters
into one of my suitcases, Mother gave me an
extra fifty dollars and alter lunch I went down
to Grand Central.
The train pulled into New Haven about lour,
and I took a cab up to the Old Campus where
all of the freshmen live. It was a sad afternoon,
dark and (old and raining, and everything I
saw looked depressing and ugly— the people on
the street, some old drunken bums, a woman
slapping her child, the gray buildings, every-
thing. I pi< I'd up my room key and went over
to Vanderbilt ' fall.
Bill, my roommate from Andover, had not
arrived. Neither had the two new guys who had
been put in with us to share the two bedrooms
and living-room. All three of the rooms looked
pretty bare. It was cold, and I felt sort of sick.
I had a very bad headache, and 1 was tired. So
I went into one of the bedrooms, lay down on
one of the beds, spread my coat over me and
closed my eyes.
I don't know how long I slept, but it was dark
when I woke up. 1 heard whistling. Someone
was whistling "Among My Souvenirs." I got up
and went into the living-room, but no one was
in there.
I saw a large steamer trunk with CUnard
stickers on it, half-a-dozen bottles of champagne,
and, on the mantel, a framed photograph of a
young man standing on a beach with his arm
around the waist of a girl who looked exactly like
Marilyn Monroe. The whistling stopped, and I
turned and saw one of my new roommates in the
doorway of the other bedroom.
He was tall and had close-cut yellow hair and
green eyes, and he was holding a bowl of gold-
fish.
"Hello," he said, smiling. "I'm Waldo."
B
nice
Bli
ven
SAN FRANCISCO
New Serpents in Eden
The pleasantest city in America is baffled
by an invasion which threatens to make it
as uncomfortable as New York or Detroit.
A FEW years ago the editor of a Parisian
magazine had a bright idea. He hired a
nice young couple to travel all over the world
and write a series of articles about the ten most
attractive cities. The series was never completed;
when the touring journalists got to San Fran-
cisco, they threw up the job, applied for Amer-
ican citizenship, and settled down happily to
spend the rest of their lives by the Golden Gate.
No San Franciscan was in the least surprised
at this development. One and all, they take it
for granted that they are living in the most
glamorous place on the face of the earth and
accept it as only their due when, for example, a
public-opinion poll reports that 80 per cent of
all Americans had rather move to the city by the
Golden Gate than to any other. Local residents
are so accustomed to having encomiums heaped
upon their community that any visitor important
enough to get into the daily papers had better
say something nice about the town, or else. With
the famous California tradition of hospitality,
they probably would not string him up to the
nearest lamp-post, though they might mention,
in a friendly, knife-edged way, that the Vigilantes
a hundred years ago used this method of dispos-
ing of a good many people who just obviously
didn't belong in such a blessed area; but he would
certainly be made to feel so unwelcome that after
a last twilight look from the Top o' the Mark,
he would pack his bags and sneak off to some
city with a lower level of civic loyalty— Los
Angeles, for instance, where every second person
you meet will agree warmly about the smog and
the other shortcomings of the town.
It is sad to report, then, that San Francisco,
this Paradise by the Pacific, is in serious trouble;
but the journalist's duty to truth comes ahead of
everything else.
THE SECRET OF THE CHARM
BEFORE we get to that problem, we should
pause to admit that San Francisco does have
unique qualities. Many people have said so, and
a lot of them were writers, who have the perhaps
unfair advantage over other people of having
their remarks printed and preserved. I shall sum-
mon only one contemporary witness— Kenneth
Rexroth, the poet, who has seen a lot of places
and says firmly that this is "one of the easiest
cities in the world to live in. It is the easiest in
America. ... If I couldn't live here I would
leave the United States for someplace like Aix en
Provence." Turning himself, by poetic license,
into a multitude he adds, a little cryptically,
"Poets come to San Francisco for the same reason
so many Hungarians have been going to Austria
recently."
If a city is unique, there must be a reason, and
in the case under discussion one can think off-
hand of several.
Among them is certainly the novel climate.
The Chamber of Commerce firmly states that
San Francisco has many fair days, and more
sunshine than seven out of ten leading American
cities; but if "fair day" means what I think,
the C. of C. has never stuck its head out the
window. The city is foggy, windy, and cool from
Labor Day until Decoration Day; during the
three summer months, it is foggy, windy, and cold.
Late every afternoon, practically the year round,
a stiff sea breeze blows in from the Pacific,
SAN FRANCISCO: NEW SERPENTS IN EDEN
39
carrying with it on many days fog heavy enough
to require windshield wipers and headlights.
The San Franciscans do not turn blue with the
cold as the Londoners do (the idea that the
ancient Britons painted themselves that color
is obviously a misunderstanding); the men are
ruddy, and the girls have glowing pink com-
plexions, bitterly envied by the baked-out women
of the rest of California. They wear suits, furs,
gloves, hats, and veils all the year, merely chang-
ing to slightly heavier fabrics in summer.
A sad but familiar sight in San Francisco is
a summer tourist from the East shivering
miserably in Union Square on an August day.
He is wearing an ice-cream suit; he may even
have on a straw hat— two items totally omitted
from the wardrobe of the well-dressed San Fran-
ciscan. He is so wretched that it is standard
procedure for some well-clothed native to hustle
him into the nearest bar for first aid.
Most of California is very dry, very hot in
summer, and stimulating to feverish if meaning-
less activity such as laying out subdivisions. San
Francisco's coolness is damp and relaxing. The
city does an enormous amount of business— in
banking, for instance, it leads all Pacific coast
rivals— but it does it in a casual manner. Its busy
people are never too busy to knock off for a spot
of golf, to sail the (often stormy) waters of the
Bay, or to show an Eastern visitor the town.
Another element in the city's charm is its
topography. Most American cities tend to be
flat, whereas San Francisco tends to be perpen-
dicular. The exact number of the city's hills is
in dispute, but there are three important ones
in a row along the edge of the Bay toward the
Golden Gate— Telegraph, Nob, and Russian. All
of them are so steep that sensible people would
ascend them only by means of firemen's ladders,
but the San Franciscans casually whip up and
down these dreadful heights in automobiles.
Each hill is covered with a gridiron of streets;
not only must you drive up a practically inacces-
sible cliff, but at every intersection you must
stop for cross traffic and hang there suspended
over infinity before you start up again.
San Francisco has heard of traffic lights, but
doesn't believe in them. There are a few; there
are also a few stop signs, and some exemplars of
a wonderful birdcage on a pole, in which a slid-
ing panel comes into view from time to time
with "Stop" or "Go" painted on it. But the most
typical situation is one where the intersection is
boycotted by the police, and cars coming from
four or more directions bull their way out until
the man with the more aggressive personality
wins. This is wonderful exercise for the adrenal
glands.
In addition to climate and topography, there
are the standard tourist attractions, and if you
think I'm going to omit mention of them, you
don't understand the long arm of the Chamber
of Commerce. There are the antique cable cars,
clanging their way up and down those terrifying
hills, with the passengers enthusiastically tum-
bling off to help push the car around on the
turntable at the end of the line. There is the
Cliff House, looking out at the sea lions romping
on the Seal Rocks and beyond them to six thou-
sand miles of blue water. There are the tremen-
dous panoramas of ocean, bay, and mountains to
be seen in all directions, so thrilling that San
Franciscans steadfastly refuse to buy paintings
to hang on their walls, feeling that no artist can
compete with the view. There are the famous
restaurants; only New York and possibly New
Orleans can vie with them in quality, and prob-
ably no other city in the Western hemisphere
has as many in proportion to population.
EGGHEAD FORTY-EIGHTERS
EVERYONE has heard of the roaring
Forty-Niners who turned a somnolent Span-
ish village into a hustling American city, as a
casual incident of their rush to the gold mines.
What is less well-known is that the new town
had another set of progenitors, the Forty-
Eighters. In that year Europe boiled with
political unrest, and many of her finest liberal
spirits had to flee, or face the prospect of long-
prison sentences for subversive activity. A lot of
them came to the New World, and a large pro-
portion got as far from Europe as they could—
without encroaching on the Orient— by coming
all the way around the Horn. Their presence
helps to explain why, within only a few years
after James Marshall had stumbled over gold at
Sutter's Mill, San Francisco provided audiences
for the finest music, drama, and other forms of
artistic expression that London or New York
had to offer.
The first circulating libraries in California
specialized in books in German, French, and
Italian; and the readers of those books set cul-
tural standards that are still respected today.
San Francisco is one of the very few American
cities with its own annual season of locally-pro-
duced and brilliantly-performed opera, and its
own symphony orchestra, whose successive leaders
have included some of the most famous musical
names of two generations. Its art museums are
40
HARPER'S MAGAZINE
of high quality; it is a good theater town for
traveling companies. It has half-a-dozen (nsi-
i.i 11 k bookstores, those touchstones of the cul-
ture of cities, .mil one ol the niosi successful of
the non-commercial TV stations -KQED— which
originates many excellent programs, especially
in science, that are subsequently displayed on
the other noncommercial stations of the No-
Money Netwoi L
GREENWICH VILLAGE OUT WEST
SAN Francisco lias its own Greenwich Vil-
lage, though like the one ill New York, it is
rapidly being destroyed as a physical entity by
new high-rent living quarters which the creative
woi ker can rarely afford. The Bohemians decades
ago clustered on Telegraph Hill, sharing it with
the Italians whose chief source ol livelihood was
and is lisliing.
A good deal has been written lately about an
upsurge in artistic expression by young and
vigorous talent in San Francisco; it is a mark of
the Vge ol Publicity that this movement should
have been widely heralded almost before it had
begun and in terms thai seem somewhat excessive
in view of the accomplishment. At the moment,
the best known individual is a promising thirty-
li\e\e.n old novelist, rack Kerouac, whose second
published novel is On the Road. Mr. Kerouac
claims to speak lor the "beat" generation.
This does not mean, as some people have
assumed, beaten down, or even beaten up; it is
what old-fashioned people like me would refer
to as real cool; not a square in a carload. The
philosophy is that of young hedonists who don't
really care whether something is good oi evil, as
long as it is enjoyable. In short, Existentialism
with a crew cut. Since the famous Lost Genera-
tion of the 1920s consisted ol about ten people,
it is possible that Mr. Kerouac 's group, even
allowing lor inflation, may number not more
than about twenty.
There is also Mr. Rexroth, who was the first
of several local bards to begin reciting poetry in
night clubs to the accompaniment of a jazz
orchestra. (Two others are Kenneth Pan hen and
Lawrence Ferlinghetti.) The night club patrons
appear intrigued by this.
\i San Francisco State College there is a Poetry
Center, subsidized, oddly enough, by the Rocke-
feller Foundation, at which many poets, some of
them deservedly famous, have appealed and
given readings from their own works.
Mine is i group ol younger poets, painters,
and musicians, singularly like the similar group
that is always functioning in most American
cities; a lot ol the poets belong to the familiar
rats-among-the-garbage school, lew of them are
quite good enough to break through on the
national scene, but all ol them have a lot of fun
while being lionized mostly by each other— at
home. Manv ol these young artists adhere to the
cult of unintelligibility, which produces poetry
with little meaning s.ive to the poet, non-repre-
sentational painting, and cacophonous music.
S.i n Francisco loves its Bright Young People, and
will do anything lor them— except, of course, to
read their writing, look at their pictures, or
listen to I heir music . As is the case with most of
the young revoltes the world over, a goodly pro-
portion ol them are siill being supported by
Papa, who is, in Shaw's famous saving, bourgeois
to his boots.
An exception should be noted for the Little
Theaters. Commercial drama is sparse in San
Francisco, with only three houses available for
the traveling companies of last season's Broadway
successes, and the gap is Idled by a remarkable
proliferation ol acting groups, many of them so
good and so sue c esslul that they are at least quasi-
professional. II iluv could afford it, the Little
'1 heaters would doubtless produce modern plays
that only a little handful of c ultists would attend;
but to run a theater costs money, and they have
to compromise with the public taste. They do
this with remarkable success; ihev produce a
reasonable proportion of modern experimental
wot ks like "Waiting for Godot," interlarded with
the classics, ranging all the way lioin the ancient
Greeks to Sheridan and Moliere. plus a reason-
able proportion of the Broadway smash hits of a
lew years ago. I he result is that there are always
ai least loui or live plays running which any in-
telligent person can enjoy seeing. Directing,
acting, stage design, and lighting are good, and
many of these plays give three or lour per-
formances a week lor months on end.
I should add (hat plenty of competent, adult
practitioners ol all the arts live and work in San
Francisco and environs; but, as is true every-
where, they spend their time practicing their
professions, and cause little more public stir than
tin sober bankers or housewives they so often
resemble.
LIVING TOGETHER
THE city has large colonies with varying
racial and cultural backgrounds and ad-
justs to them remarkably well, on the whole.
Chinatown still exists, but nearly all its iuhabi-
SAN FRANCISCO: NEW SERPENTS IN EDEN
41
tants today are American-born, speak unaccented
current slang fluently, and act and think like any
native white Protestant in Emporia, Kansas. An
era came to an end when dial telephones sup-
planted the famous old Chinese exchange with
its brilliant corps of bilingual girl operators. The
Chinatown of the sight-seeing buses is almost
entirely a tourist trap.
During the second world war, there was a
heavy influx of Negroes who came to work in
shipyards and other war plants around the shores
of San Francisco Bay. At that time there was
some racial tension, part of which was probably
sparked by enemy agents. Today the Negro com-
munity of 43,000 gives every appearance of get-
ting on well with its white neighbors.
THE SEAMIER SIDE
THERE are a few puzzling, discordant
notes in the happy symphony of San Fran-
cisco life. One of these is the astonishingly high
rate of alcoholism, much the highest in the
nation. San Franciscans average 4.57 gallons of
distilled spirits every year, several times the na-
tional level, and the death rate from cirrhosis of
the liver is 3.5 times higher. San Francisco's Skid
Row is one of the worst and most heavily popu-
lated to be found anywhere. Problem drinkers
are estimated to number as high as one in every
six adults, while the national average is less than
one in sixteen.
There are no accurate statistics on the use of
narcotics, since that trade is underground, but
there is good reason to believe that it is high.
The city is a heavy port of entry for dope smug-
glers, in spite of earnest efforts by federal, state,
and local authorities. At a recent public hearing
on this subject, a confessed narcotics user offered
as a demonstration to buy drugs on almost any
corner in the downtown district on a few
minutes' notice, and nobody seemed to feel that
this suggestion was improbable.
The suicide rate in San Francisco is also high,
three times the national average. A favorite form
of self-destruction is to jump off the Golden Gate
Bridge; almost two hundred persons have done
so, and a lot more have been stopped by alert
motorists as they were climbing over the railing.
The psychiatrists offer several explanations for
one or more of these phenomena. San Fran-
ciscans have had a reputation as hard drinkers,
going back to the earliest days, and a cultural
tradition of this sort is more important than
many people realize. The cold, damp climate
encourages the consumption of gin and whiskey;
even though there is a big Italian colony, and
large amounts of excellent wine are made only a
few miles away to the north and south, San Fran-
ciscans have never become wine drinkers, though
they do better than the inhabitants of most other
American cities.
California has far more than her normal share
of the nation's neurotics and crackpots, the
unstable characters who move from community
to community. These human tumbleweeds have
always had a tendency to drift toward the West,
until they pile up along the edge of the Pacific
Ocean. Many of them find a spiritual home in
the environs of Los Angeles; but some others
feel out of place in the brisk go-getter atmosphere
of that community, move north four hundred
miles, and end up killing themselves, or vegetat-
ing among the hopeless drunks of San Francisco's
Skid Row. Such, at least, is the theory.
"THE PAPERS ARE TERRIBLE"
IT I S a ritual among the San Francisco in-
tellectuals, as it is in every city, to announce
that daily journalism is at a very low ebb. "The
papers are simply awful," they tell one another.
"Nothing in them but a lot of crime and beauty
contests." To be sure, it always turns out on
inquiry that these intellectuals have not read
whatever good, solid news of politics and eco-
nomics the papers did publish.
"I've been rushing around like mad; haven't
looked at a paper for days," is the explanation,
with the owlish addition, "I'm sure I haven't
missed much."
The intellectuals are somewhat unfair to San
Francisco journalism of today. Of its five chief
daily newspapers, four belong to national chains,
and are certainly up to or slightly ahead of the
national average for a city of this size. The local
edition of the Wall Street Journal is almost
identical with the one in New York; and there
are a Scripps-Howard paper, the News, and
morning and evening Hearst journals, the
Examiner and the Call-Bulletin. The fifth paper
is the Chronicle, much the most interesting of the
lot to any student of the press. It has very few
syndicated features, but a flock of local writers
and artists, and their material, while naturally of
uneven quality, has the indigenous flavor so com-
pletely missing from most American journalism
today. (Several Chronicle writers and artists are
good enough to be syndicated from their San
Francisco base.) While this paper has its-ups and
downs, at its best it is more like the old morning
New York World than any other I know of.
42
HARPER'S MAGAZINE
Jo Los Angeles
Any San Franciscan regards the suggestion that he move to the suburbs as insane.
Ninety-five per cent of the time, the San Fran-
cisco papers remember that theirs is a sophisti-
cated world city, and act accordingly. Two un-
important exceptions: They love to report when
local boy or girl makes good, in any capacity, in
New York, and they record every article about
San Francisco appearing in the national press,
with the appropriate words of praise or reproof.
It is a mark of San Francisco's charm that so
many of its newspapermen (as well as other
writers) have produced books that are in fact
long love letters to the city. The chief current
example, and one of the most prolific, is
columnist, Herb Caen, currently in the Chron-
icle, who spins endless thousands of words about
"Baghdad-by-the-Bay" without seeming to do
more than keep up with the unwearying demand
of his fascinated readers.
NO MANIA FOR GROWTH
SA N Francisco's serious trouble, mentioned
earlier, is something forced upon her by
commuters from the surrounding region. The
city itself is. remarkable in that it shares little if
at all in the current American mania for un-
limited growth, regardless of the quality of that
growth. There are no big billboards as you ap-
proach the city, signed by the Chamber of Com-
merce, proudly showing that the population has
doubled in the past few years, and bragging that
it will be five times larger in 1980. It is true that
the population is growing, but so slowly— com-
pared to Los Angeles, for example— that it seems
like a crawl. In 1930, the city had 634,394; ten
years later, it had increased by only 142 people,
to 634,536. The war brought a bulge to 775,000
in the 1950 census, and another 35,000 (esti-
mated) have been added in the past seven years.
California as a whole has doubled while San
Francisco has gone up only 27 per cent.
This lack of frenetic emphasis on growth is
certainly due in part to the superior sophistica-
tion of the San Franciscans, who enjoy their town
so much that they see no reason for sharing it
with a lot of strangers; but there are also some
other factors. San Francisco City and County
(which are coterminous) are bounded on three
sides by water and on the fourth by San Mateo
County; there is very little room left in the city
for additional long rows of gray-white houses,
the indigenous architectural expression.
More people could be accommodated, and
conditions in general made more miserable, by
erecting a lot of skyscraper apartment buildings,
and in fact there are a few of these on the
highest hills, with rents that are stiff even by New
York standards. But apartment houses of this
type are unlikely ever to be popular. San Fran-
ciscans have vividly in the backs of their minds
SAN FRANCISCO: NEW SERPENTS IN EDEN
43
the earthquake and fire of 1906 which killed sev-
eral hundred people and did damage of hundreds
of millions of dollars. Nowadays, the builders say
confidently that steel and concrete construction
is earthquake-proof; but the San Franciscans
maintain their mass aversion to living higher
than the second or third story. Moreover, they
are still Californians, after all, and they like at
least a scrap of garden of their own.
But if the city by the Golden Gate is miracu-
lously satisfied with its size, the same cannot be
said for its suburbs. Southern-California-type
boosterism has crept north like the smog, and its
enveloping tentacles are now ominously close to
San Francisco on all sides. Vis-a-vis the suburbs,
San Francisco is in the position of Laocoon, with
the boys on the side of the serpents.
In Marin County to the north, among the East
Shore communities, and down the Peninsula into
the Santa Clara Valley, beautiful little towns of a
generation ago are frantically trying to ruin
themselves with masses of new population— and
in most cases are succeeding. The number of
people increases so fast that even with tardy San
Francisco added, the population of the entire
area has been doubling about every seventeen
years. Lovely (and highly profitable) fruit
orchards are bulldozed to a pulp, to be succeeded
by row upon row of tacked-together little houses
in "California modern" style, each with two-car
garage, flagged patio, and outdoor barbecue. The
overwhelming majority of these are sold on the
installment plan, with a down payment as small
as the law permits and the balance "like rent."
If we had a sharp depression, thousands of these
houses would go back to the bank, to be resold
or rented; experts on planning believe that large
areas might then degenerate into semi-slums.
(This huge increment does not, of course, repre-
sent a flight from the city, as it does in other
parts of America. Any San Franciscan would
regard the suggestion that he go and live some-
where else as insane.)
Just why the Chambers of Commerce of all
these towns (and many private citizens) work so
hard to commit suicide by overpopulation is
something of a mystery. The growth would be
bad enough without any encouragement at all.
While a few individuals make money out of the
influx, even these are disadvantaged in the end
by the wholesale destruction of the amenities of
life, and for most of the population the entire
development is a net loss. Having swamped the
community with new low-income residents, most
of whom cost more in public services than they
pay in taxes, the Chambers of Commerce turn
around and try to bring in industry to carry part
of the load which they themselves have willfully
produced. Economically, this proposition is often
a dubious one: industry itself demands special
and sometimes expensive service from the com-
munity. You practically never hear of any town
where the tax rate goes down after industry
comes; and miles of factories damage the
amenities even farther. The suburbs have con-
tributed to a smog problem that has caused deep
concern, and vigorous action to try to cure it.
WERE THE BRIDGES
A MISTAKE?
EVERY city has elderly mourners, like me,
proclaiming that things are not as good as
the old days. In my case, having begun to live
in San Francisco, intermittently, in 1908, I can
fix the date of disaster closely: 1936, when the
first of the two great bridges was built. These
are among the proudest, most dramatic and
beautiful overwater structures in the world. One
of them crosses the Bay to Oakland and is among
the longest of its kind on earth; the other spans
the Golden Gate itself to Marin County and is
the world's greatest single arch. At night, when
the Bay Bridge strings its necklace of light above
the dark waters, or in the late afternoon, as the
Golden Gate Bridge disappears to its tower tops
into the swirling fog, they lift the heart with
their beauty.
Yet it is not hard to see that from some points
of view these bridges were a mistake. Across
them, and up the narrow bottleneck of the
Peninsula, 300,000 commuters swarm into San
Francisco every morning and swarm back again
at night— adding one-half to the city's adult
population. Both these bridges, and the Bay-
shore Freeway, the chief artery leading down the
Peninsula, long ago reached what seemed to be
the limit of saturation; yet always a few more
cars manage to squeeze into the flood. These
daily visitors congest the traffic in San Francisco's
streets until it is almost as bad as in New York or
London. Finding a place to park is a desperate
problem; the building of new garages in the
business district falls far behind the steady
growth of traffic, and in San Francisco, as in
so many other places, downtown is seriously
threatened with decay.
The commuters constitute an important share
of San Francisco's businessmen; yet as indi-
viduals, they pay no taxes there, nor do they
participate, as residents, in the city's political
or social life. Even economically, they are largely
II
II A It r I It S M V (. A / I N I
dioiii . lIllCI IllOSl "I tin ii 1 1 ' > 1 1 .< 1 1 < > I < I jiiii i li.i in)"
i . cloni ill hopping centcri neai i hen homi
'••■in. oi i in problcmi created by i his pattei n
.J ■ 1 . 1 1 1 \ i < > i tiii' .inn .iliini.i 1 1 1 ,i ill 1 1 ili the
withdrawal ol 10 many g I citizens from the
city's hi' . and i licit failure to pa) theii share
• J i in ii mi iii 1 1 H coiiui .inni 1 1 n j 1 1 1 .1 1 1 in N j
1. 1 1 1 1 1 1 up wild i in physical problem ihc itatc
.ii H I 1 1 ii ■ n \ logcthei have laced the dty
whIi greni freeways, 1 1 1 1 ■■. in i and concrete
ii mi i ■ running I" u ii ol iheii li ngt li on
stills, destroying the beauty iii man) parts ol th<
town i in 1 1 .in -,t ill more ol th< ■<■ freeways lo
■ ' i in J. ,i' in i . have done i hcii best with
i in ii i ii. iiii i , I mm i.i i n i in iw symmetrical
i in arches, and how dramatii the ''ill ettc, an
elevated ipecdway is still just i hal sy .
odoril ii ii H I blot I iug the \ lew m si i vi ry
i .ii mi .i [rccwuy, .>i coui sc, m oni | i oi an
hi in i comes dow to the city streets, making
1 1 ii". .n. hi i \ 1 1 1 worm
i in people "i i lir i n\ iinii'i i < .i 1 1 \ t now
w ii.H i.. .in in theii dil hi nor, so Eai as
i . hi discover, do< inj i i Isc i hci c Is talk
..i ,i hngi in w rupid-ti ansii systi in, extending
thirty oi tort) miles In ill direct s (excepi the
iii. hope would be thai the automobile
"> uteri would then leave theii can ai home,
i hen i> also talk ol a string ol peripheral park
in:; lotS, Willi lin m imi\|«ii.hi bus Service
iinin i In in in i in in ,ii i ni the i us Neil hei ol
these plans has worked very well in any othei
• i mi in u 1 1 1 1 \ Someone sometimes suggests a
special Lax on commuters, politically unworkable
.iimI probably un< onsi itutional.
M
i . it i. K «• it i) i \ i.
i VN WHILE, San Fri scans seem
in me remarkably patient undci theii
ordeal I hi j do noi descend upon the sub*
inlis wiih i iii< him ks .iikI shotguns, as you
might expect; feeling themselves, as inhabitants
■ ■I il i\. blessed beyond ordinary mortals,
theii charity is largei than life-size, Gazing ai
iin towers "i the < - < • N I < - ■ ■ Gate Bridge rising in
the 'ii' alii moon from the cottony fog, oi look
ni" down from Nob Mill ai nighi ui the vasl
panorama ol shii ering lights below, they Eoi
give the despoilcrs.
Alii i .ill. the sea, ii>« bay, and the mountains
are si ill here. Ami snii intat t.
1 1 I I ) I ) I , IN I l{ I : A S I " R IS I IN I ) A R KEST 1 1 n IM ) K E IN
IN I 1 1 i i iii lie. i <l.i\s iii the .H "i 1 1 H bomb projei i there was, "I course, .i require
in in lui .i considerable tonnagi ol ura ire, Uranium al thai nine had very
limited commercial importance coloring .'i vases and radium was .ii>.mi .ill so
\.i\ hill. w.i. mined K reprcscntativi "I the U, S governmeni sought <>m the
in. m who, as the head <>i the Belgian concern thai had been mining uranium i<h
radium in the Congo, might help out. Well, the Germans had taken ovei in
iiu.i|.< 1 1 1. 1 this in. in Edgai Scrigiei ol the i nion Miniere was in ihc United
States i in 1 1 1 H i mi 1 1. 1 1 n c ni i in ii- s.i m came i<» this man .mil said, "The U Si
governmeni would 1 1 k < ■ to gel -i big tonnage "I uranium ore We thought thai
you mighi be tin man i<> mine sunn- i>>i n-. Mow long will it take to get us .i
large tonnagi Sengiei answered, "Well, we arc now al the Waldorl Vstoria.
How long will ii take .« taxi to gel i<> the docks in Hobokeni I he largest reserve
nl uranium ore i ii.it I know ,>i is ritthl here, in •> warehouse, in ii<<- New Vork
Well, "in Belgian friend, instead >>i leaving uranium around, had put it in
steel drums, shipped il i<> flohokcn, and stored it there, s<>. in .< way, the Rrsl
i. ii"i scale uranium m. mining \ v . t ^ in Hoboken
David I iii.iuii.il. speaking i<> the American Institute ol Mining and Metal-
(urgii id i ngineet s, i ebt uat j i(>. 1955
James and Annette Baxter
THE MAN
in the Blue
Suede Shoes
01' Elvia Presley may be a better
musician than mosl people dare lo admit —
and be might be offering ibe kids a
commodity their parents can't recognize.
AS A subject for polemic Elvis Presley has
lew peers, and too many people have ex-
perienced sudden shifts in blood pressure either
up or down— for him to be regarded as any-
thing hm an authentic barometer of the times.
But, even now that he has been on the national
scene for more than two years, he may be telling
ns mote about ourselves than we would care to
admit.
Presley's climb to lame, in the winter of 1955-
56, followed upon the appearance of thai rau-
cous brand of popular music, primitive and
heavy-Tooled, known as roc k-and-roll. I Intone lied
by subtlety, rock-and-roll seemed to signal a
total collapse in popular taste, the final schism
between a diminishing group sensitive to tradi-
tion and the great bulk of those who make enter-
tainment lo sell. Suddenly there was Elvis, no1
merely a manifestation of rock-and-roll, bui of
lascivious gyrations of the torso thai older gen-
erations cjuickly recognized— the classic bump
and grind ol the si rip-leaser.
Television compounded the jeopardy: Ml vis
could come lurching into any living-room, and
he did, and die chorus of adolescent shrieks was
swelled by shrieks from the parents. The stomp-
ing blatancy of "Blue Suede Shoes" and the in-
sinuations of "I Want You, I Need You, I Love
You" were sufficiently distressing, but the loot-
spread stance and (he unmistakable thrust— well,
"The Pelvis" was going too far.
He went too far in every direction. Elvis was
making millions of dollars, owning white Con-
tinental Mark lis, getting into fights and reviv-
ing sideburns and being prayed over and build-
ing a bouse lor his parents. The legend should
have swallowed him out of sight, but il was all
true— all, furthermore, palpably American. Me
may not actually have arrived lor his Army
physical in a Cadillac with a Las Vegas show
girl and announced that he wanted lo be Healed
just like everyone else— but (he story was pure
Elvis. Anyway, the gawky, loose-limbed, simple
boy from Tupelo, Mississippi, was a genuine
tabula rasa, on which the American populace
could keep drawing its portrait, real and imag-
inary, and keep rubbing it out.
Admonished thai there were those who found
his hip-swiveling offensive, Elvis is said to have
replied, "I never made no dirty body move-
ments." And this is believable; Elvis moves as
the spirit moves him; it all comes naturally.
Hormones How in him as serenely as the Missis-
sippi past Memphis, and the offense lies in the
eye of the beholder, not in Elvis' intentions.
By constantly reminding his teen-age listeners
of what he so obviously was— a simple boy from
Tupelo who had suddenly become famous—
Elvis somehow removed the sling from the sex-
uality thai could easily have terrified them.
Valentino had lo become an exotic in order to
keep from frightening the ladies of an earliei era
with his own heavy-lidded gaze; Elvis could
remain the boy next door, lie was even able lo
capitalize on his innocence: in his television ap-
pearances he could linel himself Hinging a
Svengali-like finger oui toward his audience' and,
when they squealed, he couldn't keep from gig-
gling, lie was as amused as they were by his
idiotic power lo hypnotize and, although the
spell was on, the curse was oil.
\\u[ Presley's stunning rapport with his own
generation must hinge on something more
than the ageless call of the wild. Appealing
lo the youthful imagination in some way inscru-
table to the parents of the teen-agers who wor-
ship him, Elvis fills some kind of need thai the
older generation can't fathom, and more signili-
eanlly, doesn't feel. Why? Perhaps because they
have run oui of dreams.
Parents for whom the introduction ol tele-
vision in the late 'forties begat the era of the
46
HARPER'S MAGAZINE
great giveaway need no dreams— they are already
li\ ing one. Ranch-style homes, organization-man
jobs, and exalted community status have outrun
whatever hopes they brought from a meager
past, and adults are too delightedly clutching
these tangible evidences of a dream-come-true
to bother projecting a more fanciful one. Their
small ly-executed station-wagon psyches, jauntily
upholstered and gleamingly trimmed; leave no
room for excrescences and irrelevancies. But
their offspring, a generation of poor little rich
children, whom no part of the postwar bonanza
has the power to enthrall, remain desperately
in need of an enchanter.
THE MYSTERIOUS SOUTH
TO MEET this historic contingency Elvis
is blessed not only with sex but with
authentic Southci nncss. His prim it i \ ism carries
conviction; when he intones the monotonous
phrases of "I Got a Woman," Southern medium
espouses Southern temperament. The range of
verbal expression is precisely as limited and as
colorful as we feel Elvis' own vocabulary must
be. The voice, on the other hand, insisting on
the subtlest of shifts in mood and timing, sug-
gests that the man from whom it issues is, like
his music, elusive.
The sum of Presley's qualities matches the
national image of the Southland. For the South
today popularly represents what the West once
did: the self-sufficient, the inaccessible, the
fiercely independent soul of the nation. With
i he taming of the West completed, only the deep
South retains a comparable aura of mystery, of
romantic removal from the concerns of a steadily
urbanized and cosmopolized America.
The removal is two-fold: it combines an in-
difference to grammatical niceties, which the rest
of the country benightedly associates with
"civilization," with an old confidence in the
private, intuitive vision. The rationalism of the
"progressive" sections of the nation has always
seemed to the Southerner inadequate to pene-
trate the darker corners of his experience, and
these components of the Southern mind are
central to a Presley performance.
The adolescent is far more responsive to them
than his parents could be. In the backwoods
heterodoxies of Elvis he recognizes a counter-
pan to his own instinctive rebellion. And when
Elvis confesses that he's "Gonna Sit Right Down
and Cay," the accents of lament are fell as
genuine; there's none of the artifice of the torch-
singer in his wail. Elvis is for real, and in his
voice the teen-ager hears intimations of a world
heavily weighted with real emotion.
Most real emotions, the teen-ager knows with-
out coaching, are daily discredited by his parents
and teachers. Their own equably democratic
temperaments and cheerfully enlightened code
of behavioi seem to deny the world that Elvis
affirms. And the teen-ager, when he pounds con-
vulsively at the sight and sound of Elvis, is
pounding for entrance into that more enticing
realm.
He is pounding his feet, however: ultimately
the music Elvis makes must be given some credit
for his popularity. And there is probably an
ugly, awesome little truth in the deduction that
he is prodigiously gifted. To those attentive to
the music itself the most conspicuous feature of
Elvis' singing is the versatility with which he
exploits the tradition of the Negro "blues-
shouter." He can shift without apparent strain
from the blasting stridency of "Hound Dog" to
the saccharine ooze of "111 Never Let You Go,"
covering, when called upon, every transitional
pose between: the choke-and-groan of "Love
Me," the plaintive nasal whine of "How's the
World Treating You," the gravel-throated bel-
low of "Long Tall Sally," or the throb-and-
tremolo of "1 Got a Woman."
Vocal pyrotechnics he has indeed (to what must
be the everlasting despair of his imitators), but
they would remain merely curiosities were he not
able to manipulate them into an organic whole.
His twisting of a tonal quality possesses a
diabolical inevitability, and his phrasing is as'
flawless as it is intricate. Marianne Moore's com-
ment about e. e. cummings— "He does not make
aesthetic mistakes"— might with only brief hesi-
tation be applied to Elvis Presley. Elvis has got
the beat, and "Don't Be Cruel" will bear scrutiny
by any but the most outraged of his captious
audience.
LAUGHING AT US
BU T there is in Presley's delivery something
much more subtle and hard to get at. From
some fathomless and unstudied depth he has
managed, in a whole series of songs, to call forth
irony. Elvis is laughing at us, and at himself,
without knowing it, and while remaining alto-
gether serious. The throbbing sentimentality is
at once wholly fake and sterling pure; listen for
it in "I'm Counting on You," or "Tryin' to
Get to You." And so is the pompousness of
"One-Sided Love Affair" and the mawkishness
of "Old Shep." In his interpretation of these
A REFUSAL TO MOURN, ETC
47
songs there are ambiguities that are surely unsus-
pected even by such an uninhibited and highly
sophisticated primitive as Elvis himself.
This neither-fish-npr-fowl quality can be a
frightening thing to adults, who suppose that
they have fully identified themselves in an identi-
fiable environment. But to adolescents, who
detest above all the status quo— who want the
world to be so limitless in its potentials that they
cannot fail to find their changeling selves some-
how secure within it— to them it is the throbbing
substance of life itself. And when combined with
the frenetic pulsations, the hectic, nervous
quiverings of rock-and-roll, the rhythms of their
own vacillations, it is enough to make Elvis a
millionaire.
Whither Presley? When his present public
finds itself, as it someday must, demesmerized by
time, and when the mage-like fascination of Elvis
gives way to some new and less inspired teen-age
melodrama, what's to become of this young man
whose life and legend are by now indistinguish-
able?
Will Elvis himself be able to salvage a per-
sonality from among the accumulated debris of
prolonged public exposure? Will he choose one
of several paths systematically trodden by the
once great: lucratively "advising" the producers
of "The Elvis Presley Story," lecturing across
the country on the prevention of juvenile de-
linquency, opening with moderate hoopla a
restaurant in Atlantic City, appointing a re-
spectable hack to ghost his memoirs, or posing
rakishly for a Chesterfield ad?
Some indication that Elvis has a notion of the
responsibility of his mission is his plan for a
fifteen-acre Elvis Presley Youth Foundation in
Tupelo, reported in Time. How far this project
may go is uncertain, but if it takes him back to
Mississippi for spiritual recuperation from time
to time, it will be both good for him and for the
youth who want him, need him, and love him.
LLOYD FRANKENBERG
A REFUSAL TO MOURN, ETC.
how the backhanders geese of you,
Each with a bloody piece of you
Snagged from their lion's feast.
God but you'd laugh to hear of i$
You that would not steer clear of it,
You that could charm the beast.
Propping him up to mock awhile
Lachryma Christi Crocodile
In his penatal lare.
Lover of ale and venery,
Tales of the jailed O. Henry,
Rarebitten hound of the hare,
Everyone owns a share in you.
If it's a he, he'll air a new
Gospel ol thick-as- thieves
Making a propel toast of you.
If it's a she, she'll boast of you
Adam beneath her eaves.
Hear them retail your Iliad
Scattering bombs in Gilead,
Toppling the weights of Troy;
Gossip of tidbit bodicey
On your immodest Odyssey.
You were the wicked boy,
Roisterous, roaring, rantical
Under the soaring canticle,
Under the tragic breath;
Lusty indeed and verbally,
Master of all hyperbole
Whether of joy or death.
Once on a snarling boulevard,
Bristling and jostling, full of hard
Rooters, you gripped my arm-
People, aren't people beautiful?
I was the meanest brute of all.
Truth was a Circe's charm.
Would that an untruth did as he
Would that unhelled Eurydice
Back to the shades of day
Till— was it doubt, disaster or
Love?— was his overmastered
Turned him the other way
There, where the echoes come to us,
Magical, haunted, sumptuous,
Spun with a seethe of fire
Nessus-reversed to smother death.
After the first, no other death.
Air is their chiming choir.
The second of three articles by
RALPH E. LAPP
Drawings by Ben Shahn
The Voyage of the Lucky Dragon
The twenty-three fishermen didn't realize
what had happened to them — and had no idea
that their homecoming would touch off an
uproar which would echo around the world.
AT 5:30 a.m. on Sunday, March 14, 1954,
the Japanese fishing vessel Fukuryu Maru
(Lucky Dragon) No. 5 returned to its home port
of Yaizu, some 120 miles south of Tokyo. Its
crew had been fishing for tuna near the Marshall
Islands and had seen the flash of an American
atomic bomb test; shortly afterward a rain of
white ash had fallen on the ship. During their
return trip the men had been listless and debili-
tated; some complained of burning eyes, itching
skin, and nausea; others were losing their hair.
The owner, Kakuichi Nishikawa, glanced at one
of the sailors when the boat tied to the pier and
noticed that he was terribly dark, as though
deeply sunburned.
Nishikawa and Yoshio Misaki, the ship's Fish-
ing Master, immediately called the Yaizu hos-
pital, but it was Sunday and the woman who
answered told Misaki that they could accept only
emergency cases. It was not until he managed
to locate Dr. Ooi, the doctor in charge, that
Misaki could arrange for the men to come to the
hospital at 1:00 p.m. Dr. Ooi was a surgeon, who
felt that routine physical checkups were not in
his bailiwick, and at first he could make no sense
of the men's appearance. Though their faces
were dark, they seemed in good spirits. Sanjiro
Masuda, who looked the worst, was severely
burned on the face, ears, and lips, and there
were three or four blisters on his left hand.
"What's this all about?" asked Dr. Ooi. "What's
the matter with all of you?"
Fearful of authority in any form, the fisher-
men were at first reluctant to say. Finally one
of them confessed that they had encountered
what they thought was an A-bomb explosion.
But when Dr. Ooi asked them how bright the
flash had been, or whether they had seen the
mushroom cloud, their answers still puzzled him.
Since Misaki said that the light had not been
blinding, they must have been a safe distance
away; indeed, if they hadn't been, some of them
should already have died. The men did not seem
seriously ill; their blood counts ran from 5,000
to 9,000 white cells per cubic centimeter— not an
alarming decrease. Dr. Ooi wavered, doubting
and believing what their symptoms were.
Five of the patients with bad skin burns he
treated with palliative ointment, a white paste
that contrasted strangely with their brown-black
faces. Since there was no Geiger counter in the
hospital, and since he could not diagnose radia-
tion sickness with any confidence, Dr. Ooi was
not unduly alarmed over their condition. "Come
again tomorrow and let's have an examination
© 1957 by Ralph E. Lapp
THE VOYAGE OF THE LUCKY DRAGON
49
with all the doctors," he said, and sent them on
their way, greatly relieved.
But Misaki brooded over the condition of the
crew and, after talking with Nishikawa, came
back to the hospital later in the afternoon. He
asked Dr. Ooi to send two of the men to Tokyo
for expert consultation and to write a "letter
of favor" for them to someone at the University
Hospital. Dr. Ooi, though somewhat miffed at
this "rude request," consented. The men he
picked were Masuda, because of his heavy burns,
and the engineer, Tadashi Yamamoto, because
of his low blood count. Dr. Ooi wrote:
The above-mentioned persons, during fish-
ing at Bikini Lagoon area, seemed to have
been taken with radiation sickness [Genbaku-
sho] on March 1. They are supposed to be
suffering from atomic cloud of H-bomb. I
humbly beg your honorable consultation. . . .
Later Dr. Ooi said that he had used the term
"H-bomb" because he had read about it in the
newspapers and could not conceive of an A-bomb
hurting anyone so far away. He also hoped that
such a "big word" might impress the Tokyo doc-
tors who sometimes pay so little attention to the
diagnoses of their rural colleagues.
One member of the crew had not been at the
hospital. After the Lucky Dragon docked, the
radioman, Aikichi Kuboyama, feeling shy about
his appearance, had gone home by a back road
to avoid meeting anyone. And, instead of going
in the front door as he usually did, he went
around to the back of his house. "Okaeri-nasai
[welcome home]," his wife called out. "You must
be very tired." But his eldest daughter Miyako,
when she saw him, said: "Otoo-chan [papa] looks
like a Negro. Look at his face, how black he is!"
Kuboyama told his wife that he did not know
exactly what had happened. "On the way home
we encountered something— Gen-baku [A-bomb],
I think." She looked alarmed and he went on,
trying to quiet her, "We saw the blast, but don't
worry— we were only covered with ash. I will be
well soon." And that same day he went back to
the Lucky Dragon to repair the radio equipment
for the next voyage. It was not until the day
after, when one of his crew-mates said he had a
low blood count and had been told to rest for
two months, that Kuboyama presented himself
to the doctors. They gave him some white oint-
ment for his burns and told him that his blood
count was 7,200. "It's just an ordinary burn,"
he told his wife. "There's no need to worry."
Masuda and Yamamoto, the next day, caught
the early-morning train to Tokyo. In the wash-
room of the third-class coach, they looked at their
faces in the mirror and were startled to see how
dusky and unkempt they looked. They had not
shaved and Masuda, in particular, looked quite
wild, with his hair seeming to stand out stiffly
from his head. He huddled up in his seat in the
car and kept silent, glancing sidewise occa-
sionally to see if people were looking at him.
Tokyo University Hospital, when they reached
it, looked enormous to the two men. Dimly lit
corridors surfaced with a dark linoleum of
ancient vintage gave it a depressing atmosphere.
Yamamoto, acting as spokesman for the pair,
presented his letter to the receptionist and after
some misunderstanding with the rather officious
clerk, they were directed to Dr. Shimizu's Depart-
ment of Surgery on the third floor. Yamamoto,
who was still clutching a sample of the ash that
had fallen on them, showed it to the doctor, who
ordered his assistant to bring him a Geigef
counter at once. However, it turned out that the
instrument was in use and Shimizu turned his
full attention to Masuda, paying careful atten-
tion to his ears and the thick yellowish discharge
that came from them. The man was in worse
shape than Yamamoto, and Dr. Shimizu asked
him: "Will you, at any rate, enter the hospital
for a week?" Sleepy-eyed Masuda nodded that he
would and the doctor, after giving orders for
him to be registered as an in-patient, left the
room. It was after 1:00 p.m. when the two sea-
men left the hospital. Masuda went with his com-
panion to see if they could find a bite to eat.
Afterward Yamamoto went directly to the sta-
tion, and caught an express back to Yaizu.
Later that same evening, about seven o'clock,
Yamamoto went to see the boss, Nishikawa-5rt>2.
He told him that the doctor had said there was
nothing to worry about but had asked them to
stay in the hospital for a week. "Is it all right?"
asked the engineer.
"Sure, sure," replied Nishikawa.
Thus the second day passed after the arrival
of the Lucky Dragon in port and not a word
about it had appeared in the press.
THE STORY BREAKS
HA D there been a daily newspaper in
Yaizu, the story of the Lucky Dragon
might have broken quickly. As it was, the news
was delayed— and then splashed over page one of
a leading Tokyo paper. This is the story behind
the story.
Early in 1954, the Yorniuri Shimbun, one of
the three largest Japanese newspapers, featured
50
HARPER'S MAGAZINE
a series of articles on atomic energy. Keiji
Kobayaslii, a nineteen-year-old student in his
second year at the Shizuoka Prefecture Technical
High School, had been fascinated by them. He
felt a kind of personal interest in the Yomiuri
newspaper, since a part-time "leg-man" for it
was living as a boarder in his home. Mitsuyoshi
Abe often talked with members of the Kobayaslii
family about the value of getting an exclusive
story. Scoops are hard to come by in Japan,
where the newspapers employ armies of re-
porters, probational reporters, and part-time leg-
men. The Asa hi Shimbun (Morning Sim) alone
employs fifteen hundred reporters.
Relatives of the family came to visit the
Kobayashis in the afternoon on March 15, and
one of them mentioned what he had heard from
men of the/ Lucky Dragon. At dinner that eve-
ning young Kobayaslii learned about it from his
mother. He remembered saving newspaper clip-
pings about something that had happened on
March 1. He dug through them and found an
announcement of the H-bomb test. Then, think-
ing of his reporter friend, he urged his mother to
tell Abe-san as quickly as possible. Abe was not
in town, however, for he had gone to the nearby
town of Shimada to cover the killing of a child.
Mrs. Kobayaslii placed a long-distance call to
Abe-san but could not reach him until it was
nearly dark. As she spilled out the story ol the
Lucky Dragon, Abe interrupted: "What? Mv
father is coming to Yai/u? I'll be home right
away." The quick-witted reporter knew that
unless he gave some plausible reason for hurry-
ing away the other reporters would get wise to
his story. As it was, they laughed at Abe. They
knew that his father, a Buddhist priest from a
famous spa about fifty miles north of Yai/u, had
sent him money to buy a press camera and that
the money had been squandered on sake.
Shortly after 7:00 p.m. Abe was in Yai/u, and
by 7:28 he called the Shizuoka office of the
Yomiuri Shimbun. Abe-san filed a brief story,
apparently not fully aware of its news value.
He spelled Bikini as Biknik. But the editor on
night duty for the Yomiuri was Yoshi Tsujiimoto,
the very man who edited the atomic energy
scries which had so interested young Kobayaslii.
When the news came in from Shizuoka, the
editor knew a big story was in the making and
he swung into action.
It happened that a reporter by the name of
Murao was on duty. He had been on a round-
the-world tour and had co-operated on the series
of atomic articles. He was hurriedly summoned.
Tsujiimoto barked out details. A boat had been
near Bikini . . . the crew had been covered with
ash . . . the men were burned . . . two crewmen
had come to Tokyo that day ... it was a big story
... go to Tokyo University at once!
Reporter Murao wasted no time. He picked
up a police-beat man and a photographer and
they raced to the hospital. When the Yomiuri
car pulled up in front of the hospital, Murao's
heart sank— there in front of the building was a
sedan with the flag of the Asahi Shimbun at-
tached to the left front fender. An optimist at
heart, Murao hoped that the Asahi reporter
might be there on other business. This he found
to be the case. He asked the receptionist: "Did
patients with atomic sickness come here today?"
"Yes, they were here today," replied the girl.
Murao was much relieved and thought that
his job would be an easy one. But it turned out
that these were patients, from Hiroshima. The
girl knew nothing of any fishermen suffering
from atomic sickness. The persistent reporter
systematically telephoned each section of the
hospital. He got a lucky break when he found
an intern who recalled seeing a patient with a
"burned-black face" but he could not recall the
patient's name or room number. The nurse in
charge of night duty denied that any patients
from Yai/u had been there that day, but they
cajoled her into showing them the list. There
THE VOYAGE OF THE LUCKY DRAGON
51
was the entry: "Sanjiro Masuda, 29, Yaizu,
Shizuoka Prefecture." Then she admitted that
Masuda was in the hospital and that Yamamoto,
the other patient, had returned to Yaizu. Masuda
was sleeping, however, and could not be dis-
turbed. When they pleaded with her she sum-
moned reinforcements— the doctor on duty. He
was also adamant. Murao slipped out of the
room, determined not to be put off by such resis-
tance. He went from ward to ward, calling softly,
"Masuda-san," and adding, "man from Yaizu."
At last, a patient reacted.
"Yaizu?" he said. "Yes, there's a man in the
next room who's suffering from atomic sickness."
His heart pounding like a hunter who has
sighted big game, the reporter slipped around
the corner and very quietly tiptoed into Room 5.
One of the two beds was occupied. The white
walls reflected light on the patient, who was
curled up on his side. His face was black and
his ears were smeared with white ointment. He
looked like something from another world,
thought Murao, and but for his story he would
have fled. Gathering courage, the reporter shook
the sleeping man to wake him. Masuda opened
his eyes in surprise and sat up. The reporter was
astonished at the sight of his swollen hands but
he scribbled down the story Masuda told him.
At Yaizu, Abe-san had been ordered to inter-
view the crewmen and to get photographs at
once. Now he desperately regretted having spent
his father's money on sake, for he had no camera.
He rushed to the home of a friend, a professional
photographer, and woke him up. The two men
then hurried to the dock to photograph the
fishing boat and the crew.
It was dark on the pier and they found the
boat tied up, looking rather forlorn and deserted.
The photographer took several flash-bulb shots
and Abe-san hailed the ship. A lone sailor came
on deck and told them that all the others were
in town. Some had gone home, some were drink-
ing, and the others— well, they were young and
had been at sea for a long time. The reporter
knew the drinking spots in town all too well,
and he soon found some of the dark-faced crew.
They were reluctant to talk, however, for they
feared that they would be summoned before
authorities. Abe-san hunted up Yamamoto and
woke him from a sound sleep. He also routed
Dr. Ooi from bed and questioned him about the
fishermen.
At the night desk of the Yomiuri they knew
they had a big story— but would it hold? If they
broke it in an early edition, say, the one going to
cities in western Japan, then the Asahi and the
Mainichi, their two rivals, would pirate the story
and run it in tomorrow's Tokyo editions. It was
a touch-and-go decision for the Yomiuri. The
editor decided to hold for the ninth edition and
gamble on a real scoop.
Successive editions of the Yomiuri rolled off
the presses without a mention of the Lucky
Dragon. Each rival edition of the Asahi and the
Mainichi was rushed to the Yomiuri office as fast
as it could be snatched up. Each time a new
edition hit the desk, the editor and his staff
breathed a sigh of relief. Their big story was
still safe.
On the morning of Tuesday, March 16, when
rival papers could no longer change their
morning editions, the Yomiuri spread its head-
line across the front page:
JAPANESE FISHERMEN ENCOUNTERED
ATOMIC BOMB TEST AT BIKINI
23 Men Suffering From Atomic Disease
One Diagnosed Serious by Tokyo
University Hospital
H-BOMB?
The story was out at last.
The morning of March 16, some of the seamen
from the Lucky Dragon knocked off from their
chores aboard ship and sauntered down the
pier for a walk. They observed a small crowd of
people gathered around an electric lamp pole,
reading a newspaper tacked up on it. Edging
in closer the crewmen from the Lucky Dragon
were surprised to see that they were in the head-
lines. They had no idea that what happened to
them on March 1 would be of such significance.
If they had any doubts these were soon settled
by the swarm of reporters, photographers, tele-
vision cameramen, and their assistants who
descended upon the pier. The decks of the
Lucky Dragon were soon crowded to overflowing.
The first scientist to arrive at the scene was
52
HARPER'S MAGAZINE
Professor Takanobu Shiokawa from Shizuoka.
He had been at his laboratory that morning in
the Chemistry Department of the University of
Shizuoka when he received a call from the Pre-
fectural Sanitary Division. He was given a few
brief details, supplementing those lie had read
in the newspaper, and was asked to go to Yaizu
and check for radioactivity.
Although the University of Shizuoka is not
very pretentious, it does have a well-staffed
science department equipped with modern de-
vices for the measurement of radioactivity. Dr.
Shiokawa and his assistant hurriedly gathered
up some radiation meters and other instruments
and then, together with a high pretectural official,
they drove over the winding road to Yaizu. After
meeting with city officials they drove directly to
the hospital and consulted with Dr. Ooi. Two
crewmen from the Lucky Dragon were already at
the hospital and, at Dr. Ooi's request, the
scientist inspected the men for traces of radio-
activity.
Dr. Shiokawa flipped the "ON" switch of the
Geiger counter and waited lor a moment for
the instrument to warm up. When it was operat-
ing properly, Dr. Shiokawa brought it near one
of the crewmen. The instrument dial wavered
as he brought the counter closer to the sailor,
who by this time had taken a close interest in
what was going on. Being so slight in stature,
the professor stood on tiptoe and brought the
counter near the crewman's head. The needle
swung over toward the end of the scale! The
man was radioactive!
If the men themselves were radioactive, what
must the boat be like? Hurrying to the dock, the
survey party found the Lucky Dragon tied up
with fishing boats moored on either side. It was
crawling with newsmen, photographing the boat
and the crew from every angle. Small clusters of
reporters crowded around members ol die crew,
sicking additional news angles. There was a
great hubbub, added to by the din and com-
motion of carpenters who were making some
repairs. When they were still a hundred feet
from the boat, Dr. Shiokawa's sensitive Geiger
countei stalled clicking ai an accelerated beat.
The Lucky Dragon was indeed radioactive!
Before going aboard. Dr. Shiokawa carefully
checked a little instrumenl about the size ol a
fountain pen. Il was a pocket meter lor adding
up the amount of radiation lie would receive
aboard the boat. Then he (limbed aboard,
wedging his slender body between the massed
humanity on deck. He was astonished at the
way the survey instrument needle flipped over to
the far side ol the scale. Never before had lie
encountered radioactivity like this.
The technical measurement ol radiation in-
volves a considerable knowledge of physics, but
it (an be understood quite easily on a compara-
tive scale. We can set up a yardstick, putting at
the top the amount ol radiation (in number of
roentgens) required to produce death in an indi-
vidual, il exposed all over the body. In general,
the death range is from 300 to 700 roentgens,
although most people would average out in the
400 to 500 bracket. The least amount of radia-
tion which produces an immediately detectable
effect in the human body is about 25 roentgens.
It should be emphasized that these figures are
lor total doses. The readings which Dr. Shiokawa
recorded on the decks of the Lucky Dragon
were of the dose rate— that is, the amount of
radiation per hour. As he walked around the
crowded decks, he found that the main deck
gave a reading of about 25 millirqentgens per
hour. Working forward to the prow of the ship,
he found il was half that value and, picking his
way to the stern, he observed it was several times
more radioactive. He ducked into the rear crew
compartment, and found that holding the Geiger
counter up to the ceiling gave a reading of one-
tenth roentgen per hour. Lowering it down to
the bunk, he noted that the needle dropped
down on the scale and went lower as he shifted
the instrument to the lower bunk. It was obvious
that the main source of the radioactivity was com-
ing from above, so he climbed up on the roof of
the crew space and found that the instrument
gave a considerably higher reading. Coils of
rope and buoys were stacked on the rool and
the scientist soon discovered that these were
extremely radioactive. All during their long
voyage home the men in the after cabin had been
sleeping under an intense source of radiation.
THE VOYAGE OF THE LUCKY DRAGON
53
The news that they were radioactive hit the
seamen slowly. True, they were horrified when
the Geiger counters spluttered and the instru-
ments' needles flipped across the scale. Looking
at the scientists and seeing their surprise, the
crewmen knew that something most unusual was
happening. But it was as though they had been
told they had a rare and strange disease; they
did not really react until others around them
reacted.
An official of the Shizuoka Prefecture told
some of the crewmen: "As a result of investiga-
tions with the Geiger counter, we find that your
hair, nails, and the hull of the ship have a con-
siderable amount of radiation. If left alone as it
is, it will surely kill you. We are of the opinion
that you should pack your clothes and have
them sent to the Prefecture. We are also of the
opinion that you should leave the ship." Five
of the crewmen agreed to spend the night at the
hospital.
Kuboyama, for example, took the news rather
stoically. He went back to work on his radio
equipment still under the conviction that the
ship would put out on a new voyage soon. That
night, when he went home and told his wife
about the radioactivity, she looked at him
blankly as though she had not heard a word he
said. Then he mentioned the A-bomb and
Hiroshima. She burst into tears and clung to
him. The radioman tried to comfort her. "Don't
worry, darling, it will take more time to see the
results. You go to bed and sleep. We are going
to the Yaizu North Hospital tomorrow."
The three children were already asleep. His
wife obediently went to bed and Kuboyama
stayed up for a while wondering What was in
store for him. Later he was to write: "From this
day on, unhappiness of our family began."
THE CRISIS MOUNTS
YAIZU was not the only Japanese city to
become excited about radioactivity. At
the huge industrial center of Osaka, Yashushi
Nishiwaki, a young biophysics professor at the
city university who had read about the Lucky
Dragon in Yomiuri, called the city health office
to see if any fish from Yaizu had been shipped
there. Soon he was summoned to the Osaka cen-
tral market where he found a tuna, to his aston-
ishment, that rattled his Geiger counter at 60,000
counts per minute. City officials, discovering
from the scales and paper wrappings that con-
taminated fish had already been eaten by about
a hundred people, pleaded with him for advice.
Fear swept through the city when the evening-
papers carried the story. The reaction was im-
mediate and drastic— people stopped buying fish.
The problem for the young biophysicist was
similar to that of the Tokyo doctors who were
examining Masuda and Yamamoto. They could
not tell how badly the men had been hurt, and
Nishiwaki could not set a level of "permissible"
contamination for fish, without knowing how
strong the source of original radiation had been.
Even after he had made a trip to Yaizu to inspect
the ship and its crew he knew days would pass
before his analysis of the ash would be com-
pleted. Nishiwaki therefore took the time to
write an open letter to the U. S. Atomic Energy
Commission, asking that Japanese scientists be
told what elements had been in the H-bomb.
He gave it to the representative of an American
press service, thinking that would be the fastest
way to reach the United States.
But the letter was never transmitted. It was
blocked by the chief of the wire service's Tokyo
bureau. Later Nishiwaki learned that the deci-
sion had been made on the grounds that he was
"an alarmist who was obviously seeking pub-
licity." When the scientist sought out the bureau
chief later that year he was dismayed to find that
the latter had not changed his mind. The man
told him that he had friends in the AEC who
had assured him the fish were not contaminated.
Pointing to his wrist-watch radium dial, he said
Nishiwaki probably thought that was dangerous
too. This attitude on the part of some Amer-
icans puzzled and irritated and eventually
alienated Japanese scientists and laymen alike.
The incident marked the beginning of a wide
and unnecessary rift between the two nations.
The doctors who were treating Masuda and
Yamamoto in Tokyo, and a team from the same
hospital that had now examined the men in
Yaizu were also fighting against time to learn
the contents of the ash. In handling victims of
radiation, they could draw on the wealth of
medical information gained by a systematic
study of the survivors of Hiroshima and Naga-
saki. This had been carried out by the Atomic
Bomb Casualty Commission, a co-operative re-
search facility that had been established at
Hiroshima, where thousands of individuals had
been carefully examined and re-examined. But
what confused the situation now was the pres-
ence of residual radioactivity. Even after hair-
cuts, nail-clippings, and a thorough scrubbing,
the fishermen retained some radioactivity on
their skin. This was something with which the
Japanese doctors had no practical experience,
54
HARPERS MAGAZINE
and they were in the dark about how deep-
seated the injury to the men might be.
Officials of the University of Tokyo had re-
quested assistance from the Atomic Bomb Cas-
ualty Commission and in response, Dr. John
Morton, its white-haired director, arrived in
Tokyo on March 18. He visited the two patients,
Masuda and Yamamoto, at the university hos-
pital and discussed their condition with the
attending physicians. He assured the Japanese
doctors that the United States would be ready to
assist and offered to have antibiotics delivered to
the hospital. Before leaving for Yaizu, Dr. Mor-
ton stated that he had found the fishermen "in
better shape than I had expected" and that the
twenty-three fishermen would recover "in two or
three weeks, a month at most."
It was at this time that Senator John Pastore
of Rhode Island passed through Tokyo on a brief
visit and presumably was briefed by authorities
there on the condition of the Lucky Dragon crew.
Senator Pastore, a member of the Joint Congres-
sional Committee on Atomic Energy, returned to
the United States and gave an interview to the
press in which he made very optimistic state-
ments about the fishermen's recovery. This was
but one of a series of semi-official opinions voiced
in America which aggravated the delicate rela-
tions between Americans and Japanese in Japan.
News from America continued to be featured
in the Japanese press. For the first time semi-
official information about the huge explosion
came out into the open. Representative James
Van Zandt, a Republican Congressman from
Pennsylvania and a member of the Joint Com-
mittee, stated that the March 1 H-bomb ex-
plosion had equaled the blast of twelve to four-
teen million tons of TNT. The new Bikini
bond) was of incredible destructiveness. No won-
der, then, that leading Japanese newspapers ran
editorials urging that the danger area around
the Eniwetok Proving Grounds be enlarged; and
the U. S. government promptly issued a notice
doing precisely this. The new danger area en-
compassed about 400,000 square miles of terri-
tory, or roughly eight times the area formed by
the previously designated zone.
On March 19 the Maritime Safety Board in
Japan announced the new limits. All boats fish-
ing in this area, or taking passage through it,
were required to put in at five designated ports
and be inspected for radioactivity. The ports
specified were Shiogama, Shimizu on the island
of Shikoku, Yaizu, Tokyo, and Misaki, the great
tuna center near Tokyo.
Establishing the official inspection stations was
a step which the Japanese government took to
stem the rising hysteria over the contamination
of the fish supply. There was no doubt that
something drastic had to be done to assure the
Japanese people that the) were not being
poisoned. Fish-dealers were having a hard time
convincing customers that their wares were not
radioactive. Some shops displayed posters read-
ing: "WE DO NOT SELL RADIO \< ll\i FISH," but
w.u\ purchasers shied away. The great port of
Misaki found itself with warehouses bulging with
/.">() tons of tuna.
The Misaki market was closed on March 19,
precipitating a panic among the fish dealers. The
hysteria spread to ncarln Yokohama and then to
Tokyo itself. The great Tokyo Central Whole-
sale Market closed lor the fust time since the
cholera epidemic of 1935. Driven to desperation,
some merchants circulated handbills, even rent-
ing helicopters to drop them from the sky: "Fat
Misaki tuna and keep away from radiation
DANGER."
None ol these measures worked very well.
When it became known that fish had been
banned from the Emperor's diet, people became
even more worried. Prices plummeted to still
lower depths and some fish dealers were forced
into bankruptcy.
is it America's fault?
PUBLIC resentment over the Bikini acci-
dent spread throughout Japan and news-
papers ran editorials highly critical of the United
States. They criticized Dr. Morton for failing to
treat the Yaizu fishermen (despite the illegality
of such treatment by an American doctor). They
expressed fear that the patients would be used as
"guinea pigs," and they demanded reparation
for the damages incurred. Ambassador John M.
Allison sought to take some of the sting out of
the criticisms by issuing a press release on March
19, in which he said that he was "authorized to
make clear that the U. S. is prepared to take
such steps as may be necessary to insure fair and
just compensation if the facts so warrant."
// the facts so warrant: what did this mean?
Was it merely diplomatic pussyfooting? Or did
it mean that there was doubt about the injuries?
A U. S. Congressman, Melvin Price from Illi-
nois, commented that the presence of the Jap-
anese fishing boat so close to the blast indicated
that a Soviet submarine could have come even
closer. At this point, Representative W. Sterling
Cole, chairman of the Joint Atomic Committee,
was interpreted in the Japanese press as sug-
THE VOYAGE OF THE LUCKY DRAGON
55
gesting that the Lucky Dragon may have been
on a spying mission. This suggestion infuriated
the Japanese.
Meanwhile Mr. Merrill Eisenbud, director of
the AEC's Health and Safety Laboratory, had
arrived at Tokyo's Haneda Airport and been
whisked away in an Embassy sedan before cor-
respondents could question him. Eisenbud was
making a hurried flight to Japan in order to
check on the levels of radioactivity and to see
what assistance his laboratory could render for
the crewmen. A short time later this American
expert on fall-out flew to Yaizu and lugged an
armful of instruments aboard the Lucky Dragon.
The jaunty AEC expert disdained gloves, mask,
or protective clothing and rather horrified some
of the Japanese scientists by his nonchalance.
At the hospital Eisenbud was given a cool recep-
tion by the Japanese doctors, who made a point
of emphasizing that he had neither a Ph.D. nor
an M.D. degree. It was quite evident that a
distinct note of hostility had arisen between the
Americans and Japanese.
The condition of the fishermen was still ob-
scured by uncertainty about the actual dose of
radiation they had received. When Dr. Morton
made his optimistic prediction, he had examined
only two of the fishermen and he could not have
received any reliable estimate of the dose.
Furthermore, there was no precedent in medical
science for evaluating the impact of radiation
which penetrated the whole body, and at the
time there was no estimate of the amount of
radioactive material which the men might have
swallowed or breathed in.
At Yaizu the fishermen were undergoing many
new experiences. Few of them had ever been to
a hospital in their lives, so many routine medical
procedures made a deep impression upon them.
Misaki, the wheelman, given a blood transfusion,
was overwhelmed by the sight of so much blood.
He thought: If I need so much blood, then my
life will not last very long.
Hearing the many fearful stories about the
effects of radioactivity, the crewmen became so
worried about what might happen to them that
they asked the doctors to stay in the room with
them at night. The doctors also talked over with
them the advisability of transferring to the
Tokyo hospitals, where there would be better
facilities. This proposal met with a mixed re-
action. Some of the crew were willing to go to
Tokyo, others were afraid. The thought of being
transported in a U. S. military plane terrified
the few who had heard wild rumors that they
would be flown away to some military base.
Presumably, the big factor in finally persuad-
ing them to transfer to Tokyo was the general
decline in their physical condition. Initially,
blood counts did not show a very abnormal
white cell count, but this changed gradually and
kept slipping lower during the second, week at
Yaizu. Then, too, loss of hair was noted in
almost all the crewmen. The sailors realized that
they were not going to be released from the
hospital very soon and they finally agreed to go
to Tokyo.
A big C-54 military air transport was flown to
Shizuoka and friends of the fishermen gathered
at the airport to see them off. Some of the well-
wishers could scarcely conceal their fear that
their friends would be flown to a U. S. possession
and never return.
For most of the crewmen it was their first
plane ride. Kuboyama was much interested in
the trip and struck up an acquaintance with one
of the American officers aboard, who told him:
"It is America's great fault that you are all like
this," adding "Gomen-na-sai. [Please forgive us.]"
Kuboyama said that he would be glad to hear
such words of sympathy even if they were not the
truth. He felt that the United States, as the
victor in the last war, might well take the view
that the Japanese were a beaten nation, and say,
"How dare you make so much noise about being
guinea pigs for one or two H-bombs!"
[The final installment of "The Voyage of the
Lucky Dragon" will appear next month.']
Charles B. Seib and Alan L. Otten
the Case of the
FURIOUS CHILDREN
At the National Institutes of Health Center
in Bethesda, six boys with records of
juvenile violence are serving as subjects
for one of the most exhaustive studies of
human behavior ever attempted.
TH E "acting-out" child, to use the psychia-
trists' term, is an island of wild emotion
in a hostile world. He has no controls, no sense
of the future. Every impulse, however fantastic,
must be gratified immediately and violently. Al-
though he has not yet crossed the border into
schizophrenia or some other serious psychosis,
he is profoundly disturbed. Two dark roads
stretch before him— disastrous mental illness or
delinquency blending into adult crime.
Trying to handle an acting-out child is like
trying to handle a lit string of firecrackers. The
question is not whether there will be an explo-
sion, but when and how often. To have to care
for a group of such children— let alone help or
study them— is a terrifying prospect. Yet for
nearly four years, six of these youngsters, assem-
bled by the federal government, have been the
subjects of one of the most exhaustive investiga-
tions of human behavior ever attempted.
The boys were selected on the basis of the
consistent ferocity of their behavior, as docu-
mented in the records of courts, schools, and
social agencies. Though they were only eight
to ten years old at the time they became charges
of the government, their case histories were long
and strikingly similar: classroom difficulties rang-
ing from inability to learn to violent tantrums,
truancy, stealing, fire-setting, assaults— often
fiendish in their ingenuity— on other children,
sexual misbehavior, and so on. Most of the boys
came from broken homes and had been given up
as hopeless by relatives, teachers, and others who
tried to live with them.
In the spring of 1954 they were brought to a
locked ward in the National Institutes of Health
Clinical Center in Bethesda, Maryland, just out-
side of Washington, where a huge staff of psy-
chiatrists, therapists, teachers, counselors, and
nurses was waiting for them. There they slowly
learned the meaning of love, compassion, accept-
ance, and self-control. And there, from the
moment of their arrival, their actions, reactions,
words— every observable element of their exist-
ence—were exhaustively recorded. While they
played, studied, ate, underwent treatment, even
as they slept, the documentation piled up at the
rate of a good-sized novel every two weeks. It is
still going on, and when completed it will con-
stitute one of the most complete records ever
compiled on the lives, conscious and unconscious,
ol a group of human beings.
When this great mass of information is
analyzed and interpreted, society will have valu-
able new knowledge about the behavior of all
children— normal as well as disturbed. For
parents and professionals there will be new in-
sights to the control and channeling of childhood
aggressions, detecting and handling the first signs
of juvenile delinquency, providing the surround-
ings likely to bring the child's happiest develop-
ment.
And for the boys, who are unknowingly sup-
plying all this information, there is every hope
that eventually they will be able to take their
places in society.
Guiding genius of the project is Vienna-born
Dr. Fritz Redl, who has spent most of his fifty-
five years working with disturbed children. A
man ol deep compassion and boundless enthusi-
asm, he is half of a unique partnership in which
the government provides the facilities and the
money— unofficially estimated at $250,000 a year
THE CASE OF THE FURIOUS CHILDREN
57
or more— and he provides the know-how, the
leadership, and— on occasion— the daring.
Redl laid the groundwork for the present
project in "Pioneer House," a group therapy
home for wayward boys he operated in Detroit
some ten years ago. However, shortages of
money, staff, and facilities kept that project and
the others he has conducted in Austria and
this country from approaching the scope of
today's operation.
Dr. Redl came to NIH in August 1953, when
federal officials decided that the new, 500-bed
Clinical Center should include a project on the
mental health of children in its research pro-
gram. They invited him, as a visiting scientist,
to fill the gap, and he immediately set about
devising the project which would permit him to
explore under highly controlled conditions some
of the pathways he had glimpsed at Pioneer
House. In 1955, he formally entered govern-
ment service and his present title is Chief of the
Child Research Branch of the National Institute
of Mental Health.
THE WALLED CAMP
WHEN the six acting-out boys arrived
at the Center, half of the fourth floor
had been converted into a sort of tile-walled
boys' camp.
The setup had been given a thorough testing.
First, several groups of normal youngsters re-
cruited in the neighborhood spent two-week
"vacations" in the ward. Their reactions pro-
vided essential information on whether the
arrangement— admittedly less than ideal— was
satisfactory for child living. Also, during their
stays the staff worked into its complicated
twenty-four-hour routine and obtained some
valuable information on how normal children
responded to situations in which the eventual
long-term residents would find themselves. Re-
assuringly, some of the visitors objected strenu-
ously to leaving when their two-week terms
were up.
They were followed by two groups of boys
with emotional disturbances similar to those of
the boys selected for the long-term project. Each
of these groups stayed for some months, serving
as the basis for a number of short-term research
projects. When the six youngsters now in the
project were brought in, the decision was that
they would be kept until they no longer needed
residential treatment.
The six boys were tense, tough, suspicious.
Two were Negroes; the rest white. All were
physically fit and had normal or better IOs.
Although they had been recruited through
court and welfare agencies, they came with the
permission of whatever family they had, and
with the understanding that they would stay
until they were well.
The staff assembled to care for and study
them at times numbered as high as forty, and
its make-up varied according to the boys' needs
and the individual research projects being car-
ried on within the major project. Typically,
there was Redl, the director; a ward psychiatrist,
two consulting psychiatrists, and perhaps a re-
search psychiatrist; three psychotherapists; one
half-time and two full-time teachers; an occupa-
tional therapist, a group worker, a case worker,
and fifteen to twenty counselors, nurses, and
aides. Because the project was unique, Dr. Redl
from the start conducted a busy program of staff
seminars and conferences and issued a steady
stream of multigraphed instructions, hints,
caveats, admonitions, and accolades.
Much of his instruction, especially in the early
days, concerned the difficult task of giving the
affection the boys sorely needed but rejected
with fierce determination. This could not be
sentimental or all-permissive; such an approach
would have been hopeless and accepted by the
boys only as a means of taking over. Instead, the
line was: "We're on your side even when you do
things we don't like. We're not going to let you
hurt us or yourselves, but we're not going to
hold your actions against you either. You don't
have to perform to a standard or make promises
here."
For the acting-out boys this was something
new. Always before in their experience love and
affection had been offered only at the price of
improved performance— the kept promise to
"never do it again." And they knew from bitter
experience that they could not pay that price.
So it was a long, painful process to provide the
base of confidence between staff and boys from
which the boys could build what Redl calls the
"controls from within," controls that would leash
their rampant aggression.
One of the basic problems was how to cope
with the terrible tantrums to which acting-out
children are given. These are not the brief fits
of anger and heel-kicking seen in normal chil-
dren. They are prolonged— sometimes for an
hour or more— and of unmitigated violence. The
only limiting factors are the physical strength of
the child and his ability to express hatred.
The staff developed a technique of holding a
boy during a tantrum— pinning his arms, keeping,
58
HARPER'S MAGAZINE
his feel iiihIm control, and staying oul oi range
of his teeth— that avoided as fai as possible the
impression thai he was being disciplined. Dur-
ing the holding, he was constantly told thai this
was done onl) so he wouldn't hurt somebody
and thai he'd be feeling bettei soon.
Nevertheless, the boys sometimes managed to
gel in a good nip or kick, and more than one
counseloi made a trip to the Center's first-aid
loom. Violence flared among the boys them-
selves, too, and there was a complex interplay
among the six personalities some leading, some
goading, some serving as lall guys— thai provided
valuable material for the record.
Earl) reports contain such entries as these:
"Richard became Eurious with Sam, and attacked
him murderously." "I le spit in my [a counselor's]
face." "Ili began wildly destroying things in the
classroom." Through it all ran an obbligato of
vile language, at which the boys were proficient.
I here wei e even a few lues set.
I wo tilings made the task ol living with all
this bearable: the reassuring presence of Dr.
Redl, with his vasi background ol information
on juvenile misbehavioi and inexhaustible flow
of ideas; and the growth of a deep interest in—
and even a devotion to the boys themselves that
developed in the staff. I he attachment to these
seemingly unlovable veningsters became so strong
thai stall tensions developed o\ei cue and treat-
ment techniques. Foi example, a counseloi
might complain thai the fact that the psycho-
therapist permitted a bo) to (heat in a play-
iheiapv session inletlcreel with his, the coun-
selor's, efforts to bring a semblance of order and
fair pla\ to < aid games.
I I was Redl who resolved the conflicts, some-
times with an all-pull-together pitch, sometimes
with a reminder thai "aftei all, this is the mess
we threw ourselves into because that is the only
wav in .hi ive al woi kable answers."
\s iIk insi yeai ran into the second the l>ovs
began to be concerned over the possibility that
in theil rages they might hurt someone. A boy
aboul to start a session with a woman psycho-
therapisl might suggest, "1 think a counseloi
ought to come with mc today," if he felt there
was .uiv dangei thai he would lose control and
injure the therapist.
"These boys need a certain amount of adult
control and want it," Dr. Redl explains. "The
secret, ol course, and one of the purposes of this
whole1 project, is to determine the proper bal-
ance."
Meanwhile, from therapists and teachers came
the detailed, interpretive reports on the results
ol theil d.iilv individual sessions with the young-
steis. Counselors, nurses, and aides provided
othei logs. I cams of researchers observed the
hovs through oneway glass windows in the
schoolrooms and shops. Radio transmitters,
linked to recording equipment in an office, cap-
tured on-the-spot observations.
Muse notes, carefully guarded from publica-
tion, frequently read like good lietiem, partially,
at least, because ol Reell's advice to his staff:
"Describe what happened," he told them. "Say
'Johnny got mad, his face got all puckered up,
and he' pie keel up a piece ol clay with a threaten-
ing gesture toward me, but finally put it down
and elieln'i throw it.' Don't say, 'Johnny had a
sudden outburst ol aggression but controlled
same,' or ' Johnny seems to stiller from hvper-
aggiessive drives.' "
WHILE THE IRON IS HOT
ON 1 of the most interesting treatment
techniques developed by Dr. Redl is the
"life-space interview," which supplements more
orthodox play-therapy sessions. In conventional
psychotherapy, therapist and child meet in a
private room where the therapist plays and talks
with the child, watching for opportunities to
explore in< ielents from the past which may be
contributing n> current difficulties. Ideally, the
child will transfer past feelings and attitudes to
the therapist, thus working them into the open
where, with the help of the therapist, they can be
faced. In practice, however, a child frequently
refuses even to enter the treatment room.
The life-space interview, by contrast, is a fluid
technique. I' occurs at the moment the child has
difficulty— when he gets into a fight, when he
throws a hook in the classroom. The idea is to
catch him when he's "hot" and able to talk freely
about what he feels. The person who talks to
him may be a therapist who happens n> be
present at the moment or some other staff mem-
ber trained in the life-space technique.
Here is an example of such an interview, read
recently to a psychiatric symposium by group
worker Joel J. Vernick:
Albeit [the name is fictitious] was in his
room being held by two counselors as a result
ol being extremely upset on the ward. I
entered and said I would stay with him now.
When he was released he struck at a counselor.
I stepped in and held him and he attempted
to bite and kick me.
I said softly that 1 would let him go when
he settled clown. He demanded repeatedly
THE CASE OF THE FURIOUS CHILDREN
59
that I let him go. However, his tone of voice
indicated he was not ready for this. He gave
me one good solid kick, and I said I didn't
want to be kicked and would have to hold
him on the floor until he could calm down.
When I had him on the floor, he repeated the
demand for me to let go. When he quieted
down a little, I let him go. He got up and I
acted surprised that he was angry with me,
referring to how I had just come into the
room and had nothing to do with what hap-
pened before. He ceased his efforts to attack
me physically. He now stalked about the
room looking for something to throw at me.
I noticed there was much debris on the floor,
and bending down I said I would help him
clean up.
As I started to pick up things he threw a
basket at me which hit me a glancing blow,
but this was a token throwing and was part of
his cooling-down process. He now seemed
more in control of his actions and had been
able to achieve some awareness that he was
not angry with me. He next tapped me lightly
on the head with a nail protruding from a
board. I slowly arose and without saying any-
thing took it away from him. He did not
resist.
All during this time I was wondering out
loud what was bothering him, why he threw
things and hit me when he wasn't even angry
with me. I also asked him about the owner-
ship of things I picked up so that I could
put them on the right dresser. When every-
thing was cleared from the floor, I suggested
that we play cards if he had a deck. I referred
to the last time when he beat me at cards. He
said nothing, sat on his bed, head down,
silent, looking depressed. After several seconds
of silence, I commented that something must
be bothering him and I wondered what it
was.
He said somewhat tauntingly that he had a
knife hidden and nobody would get it. I
raised my eyebrows, and said, "Holy smokes,
if you have a knife it doesn't do you any good
if you have to keep it hidden all the time."
I went on to state the ward policy about
knives, saying he could use a knife in the
shop. He said he was referring to a table
knife and that he had tricked me because he
didn't have a pocket knife. I made no reply to
this and went on talking about it being a
pocket knife. He said derisively we wouldn't
allow him to use it in the shop. I smiled and
reassured him that we would.
He then told me to leave the room so he
could get it out of its hiding place, and I
complied. I returned when he called, and he
was brandishing a pocket knife, blade open. I
didn't look at Albert as I entered, but only at
the knife. I made the remark that it was a
nice-looking knife and at the same time I
reached out my hand for it. He immediately
handed it to me. After several minutes of
looking and talking about it, I said there was
time for us to go to the shop and use it now.
I then referred back to his brandishing the
knife at me earlier and commented that this
was not the correct use of it. On the way to
the shop I referred to the rule that a knife
must be closed in transit. He immediately
closed it. In the shop he started to whittle. I
involved myself in this activity as a friend of
the knife. We spent some time whittling.
When lunchtime was near, I suggested that
we return to the ward. He readily complied.
I then offered to take him to the nurse's sta-
tion to show him where the knife- was to be
kept. He tossed me the knife, said I could put
it away, and he went to lunch.
ROUND THE CLOCK
SCHOOL was a serious problem. The
boys came with deep-rooted learning diffi-
culties, and some slipped back further after
their arrival. One youngster who was supposed
to be third-grade level insisted on sitting on the
floor and playing with blocks like a five-year-old.
The boys automatically rejected any overt
attempt to teach them, and they were shrewd in
detecting covert attempts. During a time when
they had a stamp-collecting bug, a teacher tried
to get some geography across by using a map to
which stamps had been attached. The boys could
win the stamps by naming the countries on
which they appeared. It worked briefly, until
one of the boys caught on. "This is just a way
to get us to learn," he announced, and that
ended it.
Life in the Clinical Center ward resembled a
cross between a summer camp and a small,
progressive private school. The days began at
7:00 a.m. when radio music was played over the
intercoms that had kept a quiet watch on the
boys' bedrooms during the night. Breakfast was
preceded by a council meeting at which the boys
participated in charting the day's activities-
should they go swimming or skating after school,
etc. After breakfast came the morning school
session— at first with individual instruction; later
three to a classroom.
School was followed by lunch, a rest period in
their rooms with games, and a short school ses-
sion. The rest of the afternoon was for play or
a special project. Some time during each day,
according to a set schedule, each boy had an
hour's individual play therapy with one of the
60
HARPER'S MAGAZINE
three psychotherapists. Around 5:00 p.m., the
boys went to their rooms to prepare for suppei
at 5:30. Then came games in the playroom or
television in the lounge. At 8:.'!0, showers, an
evening snack, and bed.
Everything possible was done to temper the
institutional setting. The boys had a big fenced
playground on the Center's grounds. There were
cook-outs, camping trips, swimming at the Wash-
ington "Y," visits to a drugstore whose proprie-
tor was interested in the project. Sometimes the
boys were taken to a public playground; they
even went trick-or-treating on Hallowe'en after
arrangements had been made with the selected
people in the neighborhood. All trips were, of
course, chaperoned— at first by six counselors,
later by just one or two. Occasionally, some ol
the normal youngsters who had tested the ward
visited the boys and some rather guarded friend-
ships developed.
HALFWAY HOUSE
WITH the growth ol the boys' self-con-
trol, the hospital setting became more
and more unsatisfactory. Despite all the outside
activities home base was still a hospital ward,
with the hospital smell always faintly in the air;
any exclusion had to be carefully planned; and
solitude, a precious childhood necessity, was haul
to come by. Once during a picnic a boy dis-
appeared. A staff member finallv found him
sitting on the bank of a brook, gazing at the
water. Asked if anything was troubling him,
he replied dreamily: "No, it's just so epiiel and
wonderful here."
A residence was obviously the answer, so a
rambling, modern piece ol tippet < lass suburbia
was built on the NIH grounds. In government
records ii is Building T-l. a temporary structure
despite its $100,000 price tag. Red] has come to
call it "Hallway House" because he feels that in
moving from the locked ward to this open, home-
like setting, the boys are roughly halfway to the
outside world.
In addition to meeting the present needs of
the boys, Redl believes that "Hallway House"
will provide valuable research on the proper
ingredients for the successful transfer of a child
from an institution to life outside.
"One of the reasons kids come back to in-
stitutions," he says, "may well be the suddenness
of the switch from tlie institutional life to the
strains of life at home or in a foster home. II a
satisfactory in-between setting can be devised,
many kids may avoid those return trips."
When the boys Inst learned ol the plans to
give them a house— with no locked doors or high
fences— they were uneasy. "But won't we run
away?" one asked. Actually, Dr. Redl sees run-
away attempts as a natural— even necessary— step
toward getting back to normal life. "That's the
way they'll learn the consequences of their acts,"
he says. "We don't want to make them into good
hospital patients. They need the reactions of
other people now— people who will not lake a
clinical attitude toward their misdeeds." He did,
however, introduce the boys to the police so that
if they should run away their return would be
cjuick and easy. So far there have been no run-
away attempts. The boys seem thoroughly satis-
lied with their paneled living-room with fire-
place, big play-room and kitchen where the re-
frigerator can be raided for Cokes and snacks.
There is a dot; to play with; grass and trees just
outside.
The boys are also becoming members ol the
community. Though they still visit the Clinical
Center for therapy sessions, they are attending
public schools ol Montgomery County. They
hope to join the Boy Scouts, and they tan and
do entertain their friends in their home.
The stall, too, has been reorganized. There is
a house mother, who lives with the boys; a resi-
dence director; an assistant director; and a pro-
gram director. The corps ol nurses, counselors,
teachers, and researchers has been cut to eleven.
Redl is walking a tightrope in setting the at-
mosphere of the residence. He wants it to be
homelike, and it is. On the other hand, he
doesn't want the boys to get the idea that this
air-conditioned well-staffed establishment is the
kind of house they can expect to live in when
they go into the outside world.
Meanwhile, back at the Center, Dr. Redl is
branching out. When the boys moved to Hall-
way House, they were replaced by a group of
children of nursery-school age, who stayed six
weeks as part of a special research project. Next
came a group ol acting-out boys between seven-
and-a-hall and eight-and-a-half, slanted more eli-
te cilv toward schizophrenia than their predeces-
sors. Eventually, there will be another long-term
project.
WHAT IT WILL PROVE
DR . REDL expects that within the next
year or two published material based on
the project's findings will begin to come out,
and he hopes that then the life-space interview
technicjue may become a standard tool for people
SONG
61
who work with children. He also hopes that the
data will provide a set of new guides to measure
improvement in the behavior of disturbed chil-
dren. Too often, he says, adults mistake "surface
improvement" for the real thing, or regard "tem-
porary disorganized behavior" as a basic dis-
turbance rather than a possible mask for im-
provement.
It is possible, Redl believes, that the project
will eventually produce a handbook for the care
of hyper-aggressive children, and attack such
questions as these:
(1) Just how much' aggressiveness does a child
need in order to meet today's demands? It's
possible— even easy— to kill aggressiveness en-
tirely, according to Redl, but this merely leaves
the child unable to fend for himself. The
problem is to retain just the right amount.
(2) How can hyper-aggressive children be led
to work out some of their aggression through
fantasies, daydreams, arts and crafts, instead of
having to act them out "for real"?
(3) What happens to adults in their relation-
ships with aggressive and hyper-aggressive chil-
dren? How do you select the adults who are
best suited for work in this field?
(4) What is the nature of group excitement,
the sort of thing that can be seen at almost any
child's birthday party and, in greatly magnified
form, in a group of acting-out children?
Dr. Redl further hopes to extract from the
project a great deal of specific information on
one of his favorite subjects— controls. "It isn't
true," he says, "that we want all life controlled
from within. We get a compulsive character
that way. We all need a certain amount of out-
side controls-we obey the speed laws better if
we know a cop is on the highway." But which
outside controls will work with children and
which won't? How do you develop the proper
balance of outside and inside controls? What
amounts of each are needed at different ages?
Yardsticks in still another area— the relation-
ship between a child's environment and his men-
tal health— may also be extracted from the rec-
ords. "We must come to grips with the ingredi-
ents in the child's environment so we can see
what is wrong and what to do about it," Dr.
Redl asserts.
Other areas in which he expects the project's
files to be helpful are the development of guide
lines on how regular school procedures can min-
imize emotional disturbances, a set of standards
for the operation of treatment homes for dis-
turbed children, and a whole pharmacopoeia of
games and projects to use in teaching and enter-
SONG
EMILIE BIX BUCHWALD
cold I walk and cold I wander,
Wintering the lifetime out.
Owl and weasel watch the warren
Where I whimper winter doubt.
They are sure as frost and biding
Silent as the winter pause.
Naked, I can only envy
The old camouflage for claws.
taining both normal and disturbed children.
Can information with such broad application
come from the observations on just six children?
Dr. Redl and his associates think it can. The in-
tensity and accuracy of the observation are the
important factors, they say.
"Freud based his conclusions on a compara-
tively few cases," points out one of the research-
ers, "and we all know how much universality
they had." Dr. Redl says that "while our work
here concerns hyper-aggressive children and the
results will apply most directly to them, many
of our conclusions will also have broad general
applications."
In a year or perhaps a year and a half, the six
boys of the Redl project will be ready to go into
the outside world, most of them to foster homes.
But their progress will be followed for an in-
definite time after that.
No one minimizes the difficulties still ahead of
them. They will probably be "different" in many
respects throughout their lives; it is hard to ex-
pect otherwise for children who have had their
experiences. But Dr. Redl feels they have a rea-
sonable chance of happy and productive lives.
When they leave his orbit, their backgrounds
will still be with them. But they will know much
that they didn't know when they came to NIH—
that they, too, can love and be loved; that they
can find gratification and release in normal ac-
tivities; that there is a tenable middle ground
between the demands of their impulses and the
limitations imposed by life, and that in that
middle ground they can be happy. These are
things they would not have learned in the re-
formatories, prisons, and asylums to which they
would almost certainly have been doomed had
they not been brought to the Clinical Center.
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JcPn^ 24^1 ewt
Martin Green
The iron corset
on Britain's
Spirit
A rebellious Englishman examines the
peculiar kind of aristocracy which
still dominates his country — and which is
smothering it in £ood manners, mummified
ideas, and dried-up sentimentality.
TH E idea <>l an Englishman in most Amer-
icans' minds is something quite clear and
vivid and single. He is polite, diffident, with a
murmurous, richly cultured voice, whimsical and
witty, though with a rigid unspoken moral code;
his hair is rather long and his clothes rather
Edwardian, with a suggestion of conscious fancy
dress, but surprisingly sharp-wilted and strong-
willed underneath. Lord Peter Wimsey. Rex
Harrison. Mr. Macmillan. And of course Eng-
lishmen are like that. Only it's a small minority
of them. These are the "British."
It is not so easy to define and specify the
merely British, without quotation marks. The
Northerner, for instance, who is still a type, a
myth, at the level of popular jokes, has received
no attention at the upper levels of culture
for many years. Characters in J. B. Priestley's
books and his own public persona are versions
of this Northern idea; yet it is possible to be,
and great numbers of Englishmen are, most
valuably intelligent and mature in a distinctively
Northern way. The Northerner— that is, the
man from Lancashire and Yorkshire— is tougher,
blunter, dowdier, warmer than the Southerner,
usually an industrial worker, always a prole-
tarian, altOgethei less pretentious, less cosmo-
politan, less socially flexible, more strongly
rooted in himself and his own fireside. The one
adequate symbol is Gracie Fields, the greatest
British entertainer of our time. Her kind of
humor, unsophisticated but keen-wilted, hci kind
ol charm, plain, honest, hearty, unseductive, her
kind ol energy, gawky rather than graceful, her
piercingly direct and simple sentimentality, these
are Lancashire personified.
But othei parts of the country also produce
British not "British" types. Somerset, for in-
stance, produced Ernest Bevin, the only poli-
tician I remember to reach Cabinet tank without
becoming "British" on the way. His roughness,
heaviness, slowness, dowdiness, his obvious in-
tegrity, his self-declared limitedness, were the
eliieel antithesis ol .Anthony Eden. Photographs
of him fox-trotting at Moscow with Lady Diana
Duff-Cooper, or of Mis. Bevin at a fashion show
in Paris accompanied by Mrs. (ilun chill, were
both ludicrous and immensely encouraging. Or
take the industrial Midlands, Nottinghamshire
and Derbyshire. And here, for the fust and only
time, we have the advantage that our subject
has been seen for us and given to us by a bril-
liant sensibility. The home life of Paul and
Miriam in Sons and Lovers, the first half of The
Lost Girl, short stories by Lawrence like "Fanny
and Annie" and "Tickets, Please," should con-
vince us that there are many ways ol being
British, deeply exciting and admirable ones, re-
lated to the "British" way only by antithesis.
All the people I have mentioned are fully
the product of their social situation, their Eng-
land, and they are fully alive and important
human beings. They are not, as the world
assumes, hall-finished products, halfway toward
being "British." They have all, in fact, an im-
plicit hostility to that, a need to attack polish,
brilliance, and dignity of that kind. La pudeur,
la froideur, le fiegme anglais, those were the
phrases I had thrown at me in France; no won-
der the French consider Galsworthy and Charles
Morgan better representatives of England than
Lawrence, in America it is polish, culture, and
an almost sinister old-world charm 1 feel people
looking for in me. They should think again
and realize that the majority of British people
don't specialize in these commodities.
Nowadays the North and all the other districts
have disappeared from the map, the Northerner
is only a comic, one-dimensional figure; in a film
a local accent signalizes humorous relief— only
characters speaking BBC English are to be taken
seriously. In the past it was not always so. Mrs.
THE IKON CORSET ON It R I T A I N ' S SPIRIT <>5
Gaskell's North and South deals with the difficul- Henry James' techniques, and Eliot's in poetry,
ties of adjustment foragirl from the South going The reason is thai Lawrence was nol "British";
to live in the North, After 1800 it was, of course, his mind, Mis sensibility, his temperament, the
the big factories and mines in the North which essence <>l him, is alien to those who are. They
dominated the contrast. Bui there were * I i I - cannol learn from him. This same alienation
leienees before (hen. The Danes settled imieh is obvious in Orwell's ineffectual attempts to
more heavily in the North the language still leel like, he like, a working class man.
hears traces of it; William the Conqueror radi- It is also significant thai so many greal writers
rally impoverished it in the effort to subordinate iii English this century have nol been English
it when he regulated his new kingdom; all the by birth, Eliot, fames, Conrad, foyce, Yeats, how
early kings encouraged and protected the South, much of greal vision is left when those names
which was much more theirs, and merely ruled are taken away? And all these naturally knew
i he North. only the educated aristocracy. They had no inti-
For eight centuries the North lived to itself, mate understanding of people like Lawrence's
played a very small part in British history. parents and friends. They could only see them,
Chaucer, Shakespeare, Milton, Pope, Johnson— from a greal distance, as underground creatures,
there are no great names that occur Io one any-
where north of Warwickshire, north ol the circle
whose center was London and the monarchy and
the artery to the Continent. England's second [ r WOULD nol be so important il merely
VV II A I IS A <; E IN I I, E rvi A IN
I
great port was Bristol. The cities of the North JL the outside world took "Britain" Lor Britain,
were York, Chester, Durham, administrative The dangerous tiling is that England does, too.
centers. Birmingham, Manchester, Leeds, Wol- it docs nol take Ernesi Bevin <>r Grade Fields
verhampton, Liverpool, Sheffield, were villages. or D. II. Lawrence seriously, because (hey are
When they became great cities, in the nineteenth nol educated. That is why they seem hall
century, they did take their place on the cultural finished products. Education in England is in-
map, but as a question mark, a Dark Continent, separable from the process of becoming a gentle
whose inhabitants, it was presumed, would be man. However much like Ernesi Bevin or Gracie
given a language and a form in due time. Mrs. Fields your parents may he-, yon must become
Gaskell and Disraeli tackled the problem, but much more like Anthony Eden before v<>n feel
were no! big enough lor il; and no great writers able (<> write a novel, or even to express a coiili
look up their work. George Eliot belonged to dent opinion about novels. All the modes of
the non-industrial Midlands. The Brontes' expression in the country are controlled by
genius was inner-directed. Our greal lower mid- gentlemen; the world of the arts, of the uni
die-class writers, Dickens and Wells, belonged veisilies, ol the educated puss, of the refined
to the South. There have nevei heen any work- entertainments, ol leaching, ol administration,
ing-class writers in England. are all controlled by gentlemen. Theii sensibility
And dining this century, ol course, literature is dominant; there is no other sensibility. Before
has retreated up the social ladder, All our an Englishman feels ready to think nol merely
authors are public -school hoys Waugh, Greene, to express himself but to think about more than
Auden, Isherwood, Connolly, even Orwell. Pub- local matters, he must recast himself in thai
lie-school hoys c; ol belong Io any locality. mold. More usually, he will lind he has heen
They are "British," gentlemen, ruling class. The so molded from the age ol eleven.
bulk ol the population, after its one heave- Foi nowadays gentlemen are not, of course,
toward speech in the nineteenth < c i il in y, lias I hose horn into < ei lain families 01 large incomes.
sunk back into silence. I think thai in no country in the world is a
rhe one exception to this is again D. II. Law- careei so open to talents as in England now.
renre. lie is the one writer of this cenliny who Ccnl Iciucn are in Tail an intellectual aiislocracy;
is not "British"; he is the one writer who has and yet ihey remain at the same I ime essenl ially
seen and taken seriously the British; hi' is the a social class.
one who has, 01 could have, given a voice to I low this can be, the process by which the
these other parts of the population. And he is class is selected and trained I may perhaps bus I
the exception who proves the rule. Despile the- illustrate by my own case. I was born into a
amazing extensions of vision and technique be' working-class family, none of whose members, on
introduced in the novel, no writer since has eithei side, had been even to secondary school;
made use ol them, think how many have used but at eleven I look an examination which every
66
HARPER'S MAGAZINE
child in the country now takes, and was sent
free to the county grammar school. Approxi-
mately the top 10 per cent in that examination
go to the grammar school, and the yeai ly intake
is divided into three classes, again on the prin-
ciple of ability, so that the children I competed
against during my school career were, theo-
retically, the brightest 3 per cent of my contem-
poraries. And we competed in a way that an
American would scarcely imagine, perhaps. At
the end of each term we were arranged in order,
from first to thirtieth, in each subject, and again,
from first to thirtieth in the form. All this
is mostly pedagogy, ol course, but it has its
educational effect, too. It magnifies the intel-
lectual process in our eyes, fosters a quick-witted
apprehension and manipulation oi lads, and a
disrespectful familiarity with areas ol know ledge
and systems ol thought; but above all, it makes
us extraordinarily malleable, in our deepest
imaginations, by the teacher.
The grammar-school teacher in England is a
very important person, much more so, both for
the influence he has, and lor the tradition he
represents, than the high-school teacher in
America. His level of intelligence and education
is high, especially teachers in the arts subjects,
who are often Oxford and Cambridge graduates;
a good number of our writers, painters, musi-
cians, thinkers, have been grammar-school
teachers at the beginning of their careers. In
America the same men would be university
teachers. They more than anyone else in our
lives represent to that top 10 per cent in the
grammar schools the maturely intelligent man,
give our minds their mildly academic cast, set
that stamp on the national type. The grammar-
school teacher is the key symbol of modern
Britain, the modern John Bull, in his armchair,
in a tweed sportscoat, with leather-patched
elbows, smoking and reading. He is shabbier,
more resigned than the "Britisher" described
before, but under the domination of the same
idea— what he is reading is probably Evelyn
Waugh or Dorothy Sayers. His great emblem is
the pipe, with all its connotations of relaxed,
shrewd, twinkling, masculine geniality; he has
had and given up larger ambitions; he is the
onlooker at lite, very good at crossword puzzles,
the piano, and carpentry; he knows a great deal.
To the bright boy from a poor, uneducated
home, he is the all-obliterating symbol of clever,
authoritative, gentle, correct manhood.
A good example of the type, and the pro-
found influence he exerts, is Mr. Holmes in
Isherwood's Lions and Sfiadoius. Mr. Holmes
was a public-school teacher, but the difference
is not important. The state grammar schools are
avowed imitations of the public schools. The
majority ol them were set up in consecpience of
the Education Act of 1911, when it must have
seemed there was no better model. The house
system, the prefect system, the emphasis on
games, the idea of school spirit, all these are
transplants from the public school. In one pro-
found sense they are doomed to defeat, because
the) are not boarding schools, and the homes the
children go back to each day have no sense of
special privilege and responsibility, so the hot-
house atmosphere necessary for a private social
code is broken open and dissipated. So while the
grammar school turns out gentlemen, they are
in a depressed, deprecatory, slightly charlatan
modern mode; because almost the primary fact
in the consciousness of staff and bright boys is
that their schools are not public schools.
MA KE-BELIE VE
ON E extra-curricular activity deserves
special mention, the debating club. De-
bates in English schools are over ordinary topics,
like "Can any good come of war?" etc. What is
extraordinary is the excess of formality and lack
of sincerity. We begin, after all, at thirteen, long
before the topics could mean much to us, and
before discussion, let alone debate, could be a
natural activity. The aim is openly, successfully,
exclusively, to sharpen our wits. Quite often, for
example, we have frankly fantastic subjects like
"That this house believes in Father Christmas,"
and they are argued just as acutely, just as elabo-
rately, with the same formal, self-conscious
politeness. This influence continues through the
years at the university. The Oxford and Cam-
bridge Unions are much the largest under-
graduate organizations; the post of President of
the Union is a very high recommendation in the
outside world; and the emphasis is again on bril-
liant manipulation of the rules of debate, and
of the essential paradox of the situation. For the
situation is essentially make-believe, but must be
taken seriously up to a point— and not beyond.
This is the essence of "civilization" as the word
is used in England. Mr. Derek Colville, in his
article in Harper's October issue, mentions the
precocious sophistication of English undergrad-
uates. The debate is a good example ot the
influences that cause that sophistication; it is
sophistry, in the full Greek sense.
Finally let us mention the Sixth Form. The
Sixth (another legacy of the public school) is
THE IRON CORSET ON BRITAIN'S SPIRIT
67
quite different from any other form in the school,
and has a powerful mystique. Boys in the
Sixth are given many privileges, exempted from
many rules, have their own library and study,
free periods to work by themselves; most of them
become prefects, responsible for the discipline
of the rest of the school; they are grown-up (in
official theory, of course); they become (again the
practice is not exactly like the theory) intellectual
equals of the teachers, initiates of the port-wine,
pipe-smoking, Latin-tagging society of the staff-
room. They are taught by the best teachers in
the school, which means the Oxford and Cam-
bridge graduates, the most genuine gentlemen.
The classes are very small, as few as three or four.
They are taken into the teachers' confidence,
which does not mean, as it might here, that the
teacher interests himself in the boy's private life;
in England the movement is in the reverse
direction, and the ,boy is allowed to hear the
master's frankest comments on the events of the
day, however cynical and amoral they may be. I
was not yet fifteen when I entered the Sixth, and
I spent three years in that intellectual and
spiritual forcing house. By eighteen I was a
gentleman, beyond hope of reprieve.
I had been radically separated from my home
and relations; not by any crude snobbery, but
by a genuine and inevitable introduction into
a new mental world, with all sorts of tastes and
desires. I had slid over from Gracie Fields to
Anthony Eden. Of course I wasn't the "Brit-
isher" I described before. Nobody could be that
flagrant, except abroad. I saw through Lord
Peter Wimsey at sixteen. But I remained a
subdued, self-conscious, negative variant on him,
because it never occurred to me there was any
other way to be. For a sensitive, intelligent
person.
Most of the boys in the Sixth go on to the
universities (under 2 per cent of their age. group)
and their expenses, for living as well as fees, are
completely paid by the state. I spent three years
reading English at Cambridge, three years of a
minimum of external, formal control, but per-
haps stricter informal control than I'd have had
at an American university. Attendance at lec-
tures was not checked, or even much desired, nor
did one write papers for the lectures; I went once
a week to a supervisor, who told me frankly he'd
be better pleased if I would stay away, and wrote
three or four essays a term for him, strictly when
/ felt like it. There were no grades. All one had
to do was prepare for the final exams; copies of
old papers were available; books were available
in the libraries; and there was, we were always
reminded, all the brilliant conversation in the
world.
The emphasis was on general education, on
wisdom. For British students the university is
merely the crystallization of the ideal com-
munity yearned after by their school teachers.
That is the extraordinary glamor of Oxford and
Cambridge, their unreality, the way. one knows,
long before one gets there, that it will soon be
over, and that one will always yearn back to it;
three golden years when every unpleasant fact is
excluded, and only the pleasant facts count, in-
telligence, manners, high spirits, charm, wit,
beauty.
At twenty-one, with my B.A. from Cambridge,
I faced the world completely transformed, a
gilded youth; knowing it was gilt, but the best
gilt, and wasn't that better than bare tin? I
stood in a small group, a minute percentage of
my contemporaries, who practically monopolized
all the best jobs in the British Council, the
Foreign Service, UNESCO, the BBC, the Colonial
Service, the administrative grades of the Civil
Service, teaching, the universities, publishing,
the educated press, the Church, the Army, Navy,
and Air Force, all the vantage points from which
our manner and our mind could impress them-
selves on the country and the world as the edu-
cated way to be, as "Britain."
Besides which, there are other systems which
produce gentlemen. Those born into the right
families and incomes, those who go to the public
schools, become the real thing much less self-
consciously. The provincial universities, unable
to be anything different from Oxford and Cam-
bridge, produce their own slightly more de-
pressed, deprecatory, and charlatan gentlemen.
The training for medicine and law— for all the
professions— gives the manner. Music and the
theater demand it from their members; Sir
Thomas Beecham, Sir Malcolm Sargent, Sir
Laurence Olivier, Sir John Gielgud are
thoroughly gentlemen. And indeed everyone in
the country, from the crudest social climber to
the most sensitive seeker of education and dis-
tinction, is bound to ape it sooner or later.
T H»E DEAD SHELL
AL L of which wouldn't be half so tragic
if the "British" mind weren't dead, no
longer able to deal adequately with reality, its
modes of apprehension a dead shell, an old skin
to be sloughed. This became vivid to me the
other day at "The Colditz Story"— the story of
a German prison camp, written by one of the
68
HARPER'S MAGAZINE
inmates, and made into a movie with actors
of considerable ability and training, Eric Port-
man and John Mills— which yet presented the
(.. rmans as .ill gross and Goeringish, oi rat-like
.is Goebbels, all violent and overbearing and
humorless, and the British as all light-hearted
and clean-limbed, boyish, larking about, ruffling
their hair, baffling then captors l>\ their irre-
sponsible good humor. 1 here is no echo ol the
realitj 61 war— no binl <>l real hatred, real bore-
dom, real terror, real cruelty— only school-boy
magazine equivalents. There is no reality in the
relations between the English prisoners; not
even the transmuted echo oi thai realit) caught
in "Stalag 17," a more simply comic film. In
even i second-rate American actor \<>u leel the
allusion to the unspoken parts oi Ins personality
—the gross, the sensual, the brutal. Bui in these
sketches there is no allusion, it is all neatly
excised, and you are lefl with something .is diy
and sweel as a whifl ol lavender, as near a human
being as a fashion sketi li of 1910.
Ihe British mind has nol yel assimilated the
fit si world war, never mind the second. The line
between officers and men makes both groups
unreal to the imagination, forces them into false
categories, the gentlemen and the sons ol toil,
with neither ol whom can anyone wholly identify
himself. I said before only the character with
the BBC acceni is taken seriously. I should have
said most seriously. In fact any mode of speech
in England is an accent, suggesting a type, with
all its limits, weaknesses, sterilities. Marlon
Brando or Montgomery Clifl < .w\ play someone
of the poorest class and education in such a way
that you can forget those facts; you don't have
to forget them, you are never really conscious of
them. That's just what can't be done in England.
I hat is why an artist can produce only a gross
caricature ol war; or, ol course, an essentially
private picture. He can't unself-consciously live
the life ol the people involved. Wilfred Owen's
and Robert Graves' protests against the complete
failure in England to understand what the wai
was are fully valid today, down to details. The
heroic lies ol 1914 were not told again in 1939,
but we had only the deprecatory humor oi
Mrs. Miniver instead. Hemingway's and Dos
Passos' protests in America were much more
effective; fames [ones and Norman Mailer had
at least learned that lesson. The second world
war was presented to America as war. But in
England the injunction against shouting was
Stronger than the need to capture and express
vital expei ieiH e.
Moreover the failure of a British film, one
made with talent, like "The Colditz Story," is
mu( h more serious than the failure of the equiva-
lent in America is. Eric Portman, Kenneth
Moie. John Mills talk and chess, and I'm sure
think, much more like an MP. an cclitoi ol the
Times, a BBC announcer, than John Wayne
does his equivalents. It doesn't much mallei if
fohn Wayne is absurd. Nobody is supposed to
take him seriously. He in no sense represents
the educated mind ol his country. Eri< Portman
does. \t the end ol the film, as British com-
manding officer, he brings a courtyard of bois-
terous soldiers to order with two quiet words,
leads them a message from escaped comrades, in
cool defiance ol the Germans standing l>\, and
walks aua\ from the camera o\c-r the cobble-
stones, hands in pockets, melancholy, distin-
guished, omniscient, and everyone in the court-
yard, and the cinema, is obviousl) supposed to
watch in quite tense admiration and sympathy—
thins seconds' worth. And yet I'd swear no
intelligent Englishman, ol whatever education,
could honestly leel that sympathy. It's too old a
trick, too obvious, too self-satisfied. loo old a
trie k in life as well as in the films.
lint we will noi reject it in life. We know it's
a trick hut we don't see anything else more
genuine. The "British" mind works in self-
conscious cliches, as a conversational technique,
and in the large dramatic matters, lose-, war,
duty. It must surely have puzzled Americans
that young English people, graduates ol uni-
versities, talk and act like characters out of
Agatha Christie. But to us all the possible
varieties ol behavior are neatly categorized, all
t luit weakness and absurdities equally well
known; to choose any other than the "British"
would he pointless, unless one is a "character."
It's anothei part ol the' feeling at the university
I mentioned, that all the important possibilities
have been explored and measured; there is only
the rather amusing, rather interesting, i at her
touching, left.
THE WORLD AS HELL
OF COU RS E, ihe "British" mind has
been active since HMO. Hut I suggest that
its development has been dominated by a dis-
covery of the religious approach to life. -More
spec ifically, the religious retreat from life.
The dominant figure lor most of this period,
alter all, has been T. S. 1. licit. The only oihei
prophel e>! equal size, I). II. Lawrence, has been
neglected precisely in measure as he stood in the
opposite direction from Eliot. Eliot's success
THE IRON CORSET ON BRITAIN'S SPIRIT
69
is the same thing as Lawrence's neglect. The
movement of the 'thirties was a failure, from
every point of view. Our themes have been and
are Sin, Doubt; Catholicism, Horror, the Limits
of Human Goodness; our whipping boys have
been enthusiasts, liberals, optimists, Noncon-
formists (as opposed to Anglicans). We have
learned to see the world as hell a la Greene, and
hell a la Waugh. Nobody has shown us a per-
son we can admire and love dealing with life in
a way we can admire and love.
The English imagination has been dominated
by a feeling of death, decay, and hopelessness,
and by an aspiration to style and elegance. These
feelings have of course been fed by recent his-
tory, particularly in its impact on Britain's
economic and international position. Their
effects can be seen in a glance at the cultural
map. There is, for instance, the remarkably
anti-American, pro-French orientation of most
cultured British people. Writers of the kind the
British call brilliant— like Wyndham Lewis and
Iris Murdoch— are always the extreme exponents
of this; Lewis' novel Self-condemned is patho-
logical in its virulence against the New World
and its yearning after the wit and clarity and
irony of France. The most important vein of
feeling is that which runs from Eliot to Graham
Greene, Angus Wilson, Evelyn Waugh, and
those like him; in Greene the feeling of death is
strongest; in Waugh, Anthony Powell, Nancy
Mitford, William Plomer, Sybille Bedford, etc.,
the love of elegance— the Sitwells have the same
Palladian aspiration. A complementary line o£
intellectual agility allied with avowed cliches of
the imagination runs from TIte Confidential
Clerk to Charles Williams, C. S. Lewis, Dorothy
Sayers, Agatha Christie.
All these writers portray gentlemen, strip them
to absurdity, finally swaddle them in pity; "they
are poor things, but they are the best humanity
can do, so . . ." There are, of course, other
orientations in the British mind, some of them
opposite in tendency. I claim only that the one
hinted at here is dominant.
Only this can explain the enthusiasm over
The Outsider, which was really a humiliating
incident for an Englishman. The reviews unani-
mously and wholeheartedly, with real generosity,
praised it; they welcomed an important new
writer. Reading them abroad, long before I
could get hold of the book, I thought something
important had happened. Somebody without
any of the required training and manner had
broken into the closed circle. Three weeks after
the book was reviewed in the Sunday Times,
Wilson himself was writing for the paper. His
rise was meteoric and quite unprecedented. But
by the time I was a third of the way through the
book I realized the true explanation. Wilson is
brilliant, Bohemian, eccentric, the genius. He is
the permitted exception; sleeping on Hampstead
Heath is the perfect touch for him; he is almost
like one of those brilliant young Frenchmen.
The book itself is inaccurate in detail and
fraudulent in method to the point of being very
bad. The reason these things were not detected
by the reviewers is that it said what they wanted
to hear; it justified them; it accumulated the
evidence of all the great spiritual giants, from
Dostoevski to Sartre, to prove life today impos-
sible, normal happiness out of the reach of,
beneath the dignity of the sensitive man. Such
words, from a young man in a turtle-necked
sweater, who never went to a university, and
sleeps out at night in a public park, are exactly
the mark of the one non-"British" mode the
"British" will accept.
We don't even want to be shown someone we
can admire and love dealing with life in a way
we can admire and love.
THE NORTH IS DIFFERENT
WHEN I went back to England last
summer— after a year in Turkey, where
I had seen and heard only "Britain," at the
Embassy and the British Council and in the
papers and books and on the radio and the
screen— I wandered round London and Cam-
bridge and the great monuments, extremely
depressed, i was in a country of pygmies, de-
liberately affected and malicious. And then sud-
denly, without forethought, when I was visiting
Wigan in Lancashire, I became aware that that
feeling no longer rang true. The faces and voices
of the people, their clothes, the buildings in the
street, the atmosphere, the landscape, none of it
was "Britain." It was a totally different country
and people. "Britain" after all was a very small
minority. Wigan was one huge tuning fork; lay
it to your ear, and all the melodies at present
playing are false. If only our writers would do
that. But the revelation was two-fold; diese
streets and people had their own note, to which
you could tune your whole instrument. There is
a positive social atmosphere, a kindliness, a sin-
cerity, a shrewdness, stimulating those qualities
in you, making it a good place to live. If this
Northern nature, this mode of being, could be
educated, without being made "British," the
English mind might move forward again, move
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HARPER'S MAGAZINE
freely, begin again to see and feel things freshly
and vigorously.
It's plain enough, I think, where Evelyn
W'augh, Nancy Mitford, Angus Wilson, get the
note they tune themselves to, the key in which
they play: the stately homes and the great public
buildings. It makes an unpleasant, affected
treble. It's obvious, too, that there are many
working-class neighborhoods which give off
their own note, quite different from that of
Wigan. I make no case for "the people"; I am
more interested in the intellectual aristocracy.
If I attack them, it is not for being an aristocracy,
but for being a bad one, feeding their vitality
from meager, polluted streams. There is no
reason to suppose working-class places are in
general better than others. The suburbs of Lon-
don, and the new towns, and all Surrey and
Hertfordshire, most of the South of England,
have their own note, one that our writers have
caught well, Eliot, Auden, Greene, Spender,
MacNeice, etc. There more than anywhere in
the world the mass media have had their so often
prophesied, so often lamented effect; everyone
lives in the arc-lamp glare of the Daily Express
and the Light Programme and the Ice Rink and
the Palais de Danse. All organic life is killed, and
discriminating people weave baskets or go to live
in .Majorca. In those clean, wide, quiet streets
you can hear that note very clearly, the note
of conscious smallness, sameness, separateness,
"leave me alone and I'll leave you alone."
The reasons why the North is different are no
doubt complex, but one may point out that the
people of the North live among the really
dramatic ruins of England. The castles and
abbeys are no more alive to the imagination than
Hollywood imitations, but those northern indus-
trial towns are smoking blackened ruins of the
great thrust of energy that swung the world on
its pivot, flung us into the momentum and direc-
tion we are trying to control today. These are
ruins that are still alive, and yet are soaked in
local and national memories; that is living tradi-
tion. The charm of the English countryside is
irredeemably olde worlde, the towns are too
pretty and trivial, the history is hopelessly in the
hands ol Olivier; but Wigan, Preston, Salford,
keep their intensit) and freshness of impact,
which is by no means simply, or even domi-
nant!), ugliness. To live and move among those
buildings is to be held to a highly charged bat-
tery and tested, to suffer a strongly cauterizing
touch on your purposes and passions.
It is there, in the North and Midlands, that
British people can still be serious and spon-
taneous, lint all the cleverest children every year
are sent to school to be made "British," like an
offering of fust-born. All the best blood is fatally
thinned. England must break its dead shell,
slough its old skin, or its young men will grow
more and more consciously absurd, their minds
will grow as pretty and useless as Chinese feet,
more and more they will have nothing but will
power to hold them together and make them
move forward; all power of desire and response
will dry up; nothing will be left but self-destruc-
tive and destructive irony.
Note: The editors have pointed out to me how many
important writers I have ignored. Some, Kingsley
Amis, George Orwell, F. R. Leavis, I regard as on my
side. Some, like Elizabeth Bowen, Ivy Compton-
Burnett, L. P. Hartley, belong to the glittering train
of talent pronged by Greene and Waugh. Dylan
Thomas, as far as England is concerned, fits into the
pigeonhole "genius," which is a sort ol emasculation
chamber; genius is related to responsibility and
trustworthiness only by antithesis. And there are
many I don't know about, or don't take seriously.
But the biggest part of my answer refers to writers
like Joyce Cary, P. H. Newby, C. P. Snow, or for
that matter E. M. Forster, all of whom have qualities
and interests which cannot be included in my cate-
gories. The answer is that their differences are non-
significant. They are merely different, merely not
typical themselves; they accept the dominant type
as dominant. I don't say they may not be acutely
critical of it; Forster obviously is; but he can't, cre-
atively, imagine any alternative. These writers don't
represent a new, vigorous life-direction. Consequently
they are neither for nor against the old direction,
and in an analysis like this they are subsidiary, sub-
ordinate.
The British xuay of life is going tlirough a change— perhaps the most disruptive change in
two centuries. As Mr. Green's article suggests, tlie moral and intellectual leadership of
the traditional ridling class is now being seriously challenged for the first time, and from
many sides. One assault party is "The Angry Young Men"— a group of writers such as
John Osborne, Kingsley Amis, John Wain, and Kenneth Tynan. An entirely different group
is questioning the management of that sacred institution, The Royal Family. And re-
cent by-elections have indicated a spreading disgust with both the major parties.
The underlying causes—so far almost unreported in this country— are diagnosed with a
sharp scalpel by Norman MacKenzie in "The English Disease" which will appear in an
early issue.— The Editors
By ALVIN L. SCHORR
Drawings by Sheila Greenwald
Families on Wheels
How do trailer families live? What keeps
them on the move? What kinds of citizens do
they make? A man who has worked with them
and knows them gives surprising answers.
THERE is a little poem in Clarence Day's
Thoughts Without Words which, when it
was written, must have struck many American
men as singularly apt. It goes as follows:
Who drags the fiery artist down?
Who keeps the pioneer in town?
Who hates to let the seaman roam?
It is the wife. It is the home.
Today, however, neither the contemporary
wife nor the contemporary home answers to this
complaint. The wife travels as far and as fast
as her husband, and home is where they find
themselves, frequently in the compact epiarters
of a trailer hitched to the back of the family car.
The total number of "trailer families" in
America today has been estimated at upwards
of one million— two out of every three families
where the husband is a construction worker or
overseer. My own contact with some of them
began in February 1954 when the Atomic Energy
Commission began to build a uranium-separa-
tion plant, to cost one and a quarter billion
dollars, in southern Ohio's Pike County.
With the plant's peak employment estimated
at 26,000, and adding in the workers' families
and new businessmen and professionals who
would be drawn to the region, we estimated that
the population of the "atomic area"— 180,000 in
1950— would very nearly double. Fearful of what
this could mean both to the community and the
newcomers, the Family Service Association of
America sent in a staff to set up a family-counsel-
ing service.
We brought with us the popular assumption
that a family's movement from one place to
another is either itself caused by or causes dis-
turbed family relationships. And we came to
Pike County grimly prepared to do our best to
cope with titanic physical problems, and, still
more sinister, with an astronomically rising
divorce, delinquency, and crime rate.
As it turned out, only our expectations of the
physical difficulties were confirmed. New houses,
new sewage systems, new water supplies, and
new roads were desperately and immediately
needed. At the same time that more and more
people were trying to drive, more and more high-
ways were being torn up and relaid. Communi-
ties of only a few hundred inhabitants found
themselves passing half-million-dollar bond issues
for schools, hospitals, water, and sewage plants.
Mud and dust settled over the countryside as
housing went up and sewers went down.
But in the two years that our service was in
operation in the area, only 250 families sought
our help— no more than a new agency's limited
staff in any established community might see.
Tl
HARPER'S MAGAZINE
And their problems were almost identical with
the problems the Family Service Association
meets most often in its 260 member agencies
throughout the country— husband-wife and
parent-child relationships, economic difficulties,
individual personality adjustment problems, and
physical illness, in that order. Furthermore,
there were as many old-timers as newcomers
among the 250. The only families whose prob-
lems could accurately be said to have been caused
by their moving were the lew who ran out of
money because of illness, unemployment, or
accident and who, since they were in a strange
community, had no friends to turn to.
It was the construction workers, the true
transients, who interested us most. Local busi-
nessmen discovered, to their frank surprise, that
they were good credit risks with a strong sense
of community pride. After a yevu and a half the
Court divorce investigator in Ross County, which
adjoins Pike, could recall only three trailer
families out of the hundred or more petitioning
for divorce whom she had investigated. Police
officers and juvenile-court judges found some
crime and some delinquency among them, but
they were unanimously impressed by how little
there was. As one judge put it, "It's not the
trailer children but our own who are giving
us the trouble."
Nor was this region peculiarly lucky in its
experience. All over the country the same pat-
tern has been repeating itself. In Bucks County,
Pennsylvania, for example, where a large popu-
lation influx accompanied the Delaware Valley
industrial development, Don J. Hager, a sociolo-
gist, observed, "The mobile families possess
characteristics that are generally prized by all
American communities— sobriety, occupational
skill and reliability, family stability, and a
genuine interest in contributing to and improv-
ing the community in which they live." After a
study ol young management families in Park
Forest, Illinois; Levittown, Pennsylvania; and
similar communities, William II. VVhyte, Jr.,
author of The Organization Mem, wrote in
Fortune: "Profound as the consequences of mo-
bility have been, the one most expected has not
come about. The transients are not plagued by
instability and loneliness." And the Girl Scouts
of America, who have been experimenting with
special ways ol bringing Scouting to mobile
lainilies, declared in their annual report for
1953, "In a way [these families] are vagabonds,
but never have vagabonds been so constructive,
so self-sufficient, and so secure financially."
WHY PEOPLE MOVE
TH E construction workers who poured
into Pike County came from all over the
country, sent mostly either by unions or by state
employment services— a happy arrangement
which brought only workmen with the necessary
skills. In general they were young families, with
a high proportion of small children. The vast
majority lived in trailers which they set up with
speedy efficiency in privately run trailer parks.
Many had been moving regularly from one job
to another, some for as long as twenty years.
We social workers were curious as to why a
family would choose to live in this way. The
first, obvious answer we got was the high hourly
pay and the large amount of overtime. An
itinerant construction worker, we found, may
earn twice as much as a settled employee with
the same skill. A second advantage is the chance
to advance more quickly. We were struck by the
considerable number of responsible positions
which were held by comparatively young men,
and some of them told us that they had delib-
erately chosen a mobile life in order to get
experience at a level which it would normally
have taken them years to reach.
But neither of these reasons seemed to us
sufficient to explain the phenomenon. Higher
pay can be balanced, and overbalanced, by the
high cost of living in a construction area. Lay-
offs between jobs and the expense of moving
must also be taken into account. Trailer living
itself is not so cheap as it appears at first glance.
Parking in a trailer park costs perhaps $35 a
month for water, electricity, and other services.
The trailer itself represents an investment up-
wards of $6,000 and has a life expectancy of five
years. The car which pulls the trailer has more
than an ordinary rate of depreciation. There
FAMILIES ON WHEELS
73
must, we ielt, be other considerations beyond
money and experience involved in these families'
decision to live this kind of life, and slowly we
came to discover what they were.
They varied, of course, with individual
families. I talked to one man who had made
the grand circuit for over a decade— Los
Alamos; Hanford, Washington; Savannah River,
Georgia; Paducah, Kentucky; and southern
Ohio. At one point, he told me, he decided to
settle down with his wife and two children in
Mansfield, Ohio. He had a good job, was start-
ing to make friends, and beginning to pay off
the mortgage on a house. Then he realized that
he was getting tied tighter and tighter to his
job. If he was treated badly, or didn't like what
he was given to do, he would have to think about
the costs of giving it up— the loss of his house
and friends, the cutting of commitments he and
his family would have made. He went back to
construction. In construction, he said, if you
didn't like it, you could pick up your check and
leave.
Another man who puzzled me because he was
pulling out of the Pike County project while
there was still plenty of work and plenty of
overtime explained, "A year is all we stay in one
place." He couldn't add much to this, but as
we talked I got the impression that after a year
he and his wife got bored and, anticipating some
kind of personal difficulty between themselves,
preferred to be busy getting used to a new place.
According to Dr. Jules V. Coleman, clinical
professor of psychiatry at the Yale School of
Medicine, people may move "because they hope
to find a more comfortable place in the sun, or
because they are reaching for the moon. They
may move because they hate where they are and
feel any other place would be better; or they
are afraid to stay where they are, feeling another
place would be safer. They may think of them-
selves as running away from a world they experi-
ence as cramping, stifling, limiting, or hostile;
or moving toward freedom, adventure, security."
Many new families in Pike County confessed
to me that they felt like pioneers. Or, as an
engineer on the project put it, "It gets in your
blood. You get used to seeing things building."
Escape is a powerful factor in some families'
decision to move— escape from an unsuccessful
job, from the tedium of everyday life, or from
a smoldering problem in marital relations.
Escape as a device for dealing with problems is
generally frowned upon today. But, as Dr. Cole-
man sees it, people who escape may also be
making an attempt to come to terms with their
problems, "to begin to set the stage for a life
that would be meaningful to them in their own
way. . . . Looked at in this way," he continues,
"they appear as the bolder spirits, seekers and
strivers, expressing their discontent with lives
of fitful dissatisfaction, if not of complete
desperation, with a step of positive affirmation
toward creative self-realization."
To be sure, there is a kind of pathological
family, well known to social agencies, churches,
and police stations across the country, which we
social workers call mobile-dependent— that is,
the family whose dominant pattern is escape.
They never seem to make much progress, they
depend on the generosity of whatever community
they find themselves in, and when reactions to
them become less generous and more question-
ing than they were at first, they move on. My
colleague, Mrs. Martha Van Valen, made a study
of a half-dozen of these families who turned up
in southern Ohio. Interestingly enough, one of
her conclusions, later published in a professional
journal, was: "There was little discernible con-
flict within the family unit. The husband's
authority was unquestioned, and family ties were
exceedingly close."
These families are a good bit of trouble to
each community they are in, they are usually
desperately poor, their children are always dirty
and frequently hungry. Nevertheless, in Mrs.
Van Valen's and my experience, they struggle
frantically to remain a family, and mobility helps
them to achieve this. If they did not continue to
move, it is very likely that their problems would
intensify and the family itself would break up.
One reason, I think, that mobility is so often
blamed for insecurity, divorce, delinquency, and
other social ills is the difficulty of distinguishing
between many factors in a single situation.
Poverty and the breakdown of family relation-
ships, for example, are better nominees as causes
for a high crime rate in the center of some cities
than mobility, which is also characteristic of the
population of these areas. Family separation
puts more of a strain on servicemen than the
mobility which is also their lot.
74
HARPER'S MAGAZINE
In any case, the fact remains that American
l.imilies today, by and large, are on the move.
The trailer families continually shifting from
one community to another arc merely the ex-
treme of a general trend. At a meeting in
Columbus, Ohio, not long ago I was discussing
this situation with a group of sociologists. One
of them elaborated a theory that increased
mobility has resulted in shallow relationships
and is responsible for a number of social prob-
lems. As I listened to him I got the uncom-
fortable feeling that he was not talking about
real people and I suggested a parlor game which
interested me greatly at the time. Each of us
present told how long we had been living in
the city of our residence. Our average length
of stay turned out to be just under two years.
Last year 33,100,000 Americans changed their
residence. The majority of them moved from
one place to another in the same county or
helped to swell the great exodus from city to
suburbs. But about 5,800,000 moved to another
county, and over five million more crossed state
lines. These figures fluctuate from year to year,
but for the past decade they have been moving
steadily upward. Is it any wonder that one little
girl, settling down with her family in a suburb
of Washington, rushed in to report excitedly to
her mother, "Guess what, the girl next door is
from 1 1 ere!"
LOSS OF THE HOME TOWN
TH E present surge of American families
from one area to another started with the
second world war and its aftermath, and several
factors helped to stimulate it. As a result of the
GI-Bill well over two million veterans went to
college. Often they chose colleges away from
where their homes had been. They learned to
know new parts of the country while they were
studying, and they acquired skills that put them
into nation-wide competition tor the jobs. As a
result the job, not its location, became their pri-
mary consideration.
At the same time the multi-million-dollar in-
vestment in research, development, and produc-
tion which the war inaugurated with the Man-
hattan Project became a fixed part of American
life, requiring the massing and dispersal of
thousands ol families. Simultaneously American
industry began to promote mobility by sending
its promising young men from one plant to
another as a regular part of their progress up
the ladder of advancement. This is now so
accepted a practice that George Fry and Asso-
ciates, management consultants, concluded in a
recent study that the ideal executive's wife today
must be adaptable to change "in location, in
environment, and in attitude."
Whether by coincidence or in the process of
adjusting to these requirements, America is
now turning out families especially suited to
frequent movement. Raising children and earn-
ing a living are still the family's primary func-
tions, but for many years now a man's home
and his place of work have not been the same,
and modern women— as soon as their children
are in school— are frequently out of the house
too. Baby-sitting has become so familiar a con-
cept that it is a shock to realize it is only a
generation old. The births, deaths, nursing,
funerals, and teaching that once took place in
the home have moved to the hospital, the
mortuary, and the school, ft is far less important
than it used to be to have a "home town."
The contemporary American family is also
smaller than the typical American family of the
past. Although the number of children is cur-
rently rising, grandparents, aunts, and uncles are
seldom included in the family unit any more.
But as if to compensate for all that the family
has given up, there has been an increased
emphasis on a deep and strong relationship
among the members who remain. "Together-
ness" is the order of the day, with competence
no longer strictly a masculine attribute nor
tenderness strictly a woman's. The result is a
family which is small and flexible, which relies
on outside institutions for many of its needs,
which deepens the emotional resources within
its membership, and which can, as a result, travel
light and intact. "The hope is," writes Dr. Paul
Lemkau of the New York City Mental Hygiene
Bureau, "that stronger relationships in the
family will help to substitute for some of the
ancient attachments to places and things."
FAMILIES ON WHEELS
75
There are other factors, too, which help
mobile families make satisfactory lives for them-
selves, and I observed many of these in southern
Ohio. First of all, even though they are strangers
to each other, mobile families often find them-
selves in situations where they share a strong
sense of group unity. Similarity in age, a com-
mon interest in making a home and bringing up
children, and the absence of nearby family con-
tacts bring mobile families together wherever
they find themselves. In some areas, similarity in
job status and union or organization loyalty are
powerful cohesive forces. In every area there
is a shared feeling of facing problems directly
and mastering them. When, through a con-
fusion in names, the family-service agency in
Pike County offered an appointment to a woman
who had not asked for one, she replied politely,
"Thank you, but we do not have any problems
that could not be solved with a bulldozer."
Secondly, mobile families have learned to
identify quickly with the communities to which
they move. I was astounded to see how rapidly
the trailer families in Ohio began to cultivate
the little twelve-by-fifty-foot plots of ground
allotted to them in the trailer court. Neat wooden
fences were built to separate the individual plots;
grass covered the bare earth inside the fences;
flower gardens and small shrubs sprang up.
Many families spread large awnings over a patio,
thereby doubling, in mild weather, the usable
living area. In a few months or a year, when the
family moved on, all this would have to be aban-
doned. Yet the families considered that the
investment was worth it for the added personal
and social comforts it brought.
Each family, according to its inclinations,
joined the local Parent-Teachers Association,
the Newcomers Club, the Civic Association, or
some other group whose interests matched its
own. And this settling in from the beginning,
living as if the new community were to be a life-
time home, seems to be the typical approach of
mobile families who make out well.
Much has been made— often by people who
have not studied the facts at hand— of the dam-
age frequent or constant moving can do to grow-
ing children. Data need to be collected on this
point, but in my experience, if the parents have
come to terms with the fact that they are mobile,
and make no apologies for it either to them-
selves or to others, young children accept moves
as an expected and even welcome way of life.
(Adolescents are, of course, another matter.) One
of the men in southern Ohio, I remember, quit
when the construction was nearing completion,
although his particular job would have lasted
for some time. At least one reason, he said, was
that his six-year-old boy kept pointing out that
the job was near the end and asking him why
they weren't moving on. All the boy's friends
were leaving, and he wanted to go somewhere
else and make new friends.
WESTWARD HO
WITH A DIFFERENCE
IT I S often said that the family mobility we
are seeing today is merely an extension of the
mobility which has always been a characteristic
of the United States. This is true only to a point.
The covered-wagon families that settled our
frontier were large families who carried their
civilization with them and who went to stay.
The modern family depends on finding civiliza-
tion—schools, hospitals, social services— where it
goes, or on having the community organize to
provide it. And it is geared to many moves rather
than merely one.
The population movement of the mid-nine-
teenth century which built the railroads, logged
the forests, and opened the mines was a move-
ment of single men, first-generation immigrants
mostly. Those who had families left them behind
and took these jobs because they could find no
others. "Bad 'cess to the luck that brought me
through to work upon the railway," ran one of
their popular songs. It takes a different order of
incentive to attract the skilled people who staff
our modern industries and services.
According to Census Bureau studies, in nine
cases out of ten today, the family moves as a
unit. And it is the age group from eighteen to
thirty-five that tends to move most often. Per-
haps in part because of this age factor, families
MAN-MADE INDUSTRIAL DIAMONDS:
From a research laboratory project \i
1955 ... a promisin'g new business \i
1957. Tiny man-made diamonds (shovJ
above, mounted on a needle) were a labj
ratory achievement two years ago. Todai
General Electric is producing diamond
in quantity at a pilot plant in Detroil
Charles Koebel is president of the Koebel Z>
mond Tool Co., one o) many firms assured op
continuous supply of diamond abrasive produi.
Customers get new values from research ;|8
development. More than one-third of all Genflfl
Electric products now being made for hcB
and industry did not even exist 15 years a|».
J
The making of diamonds by General Electric is one example of
how research and development accelerate the nation's progress
Two years ago, General Electric un-
veiled tiny man-made diamonds— iden-
tical with nature's — as a "laboratory
achievement." Today a pilot plant is pro-
ducing these diamonds in significant
quantity for industrial use.
Industrial diamonds are critical to
America's productive strength, for they
are needed to cut, grind, polish, and ma-
chine metals used in defense equipment
and civilian goods. Now, the United
States can look forward to the time when
it will not have to rely entirely upon a
closely controlled foreign supply.
A result of basic research
This breakthrough was made in the
General Electric Research Laboratory,
where scientists were searching for fun-
damental knowledge about heat and
super-pressures. After four years of re-
search and experimentation— and dupli-
cation of the "squeeze" 240 miles inside
the earth— these scientists produced dia-
monds identical in every way with those
dug from the earth.
This discovery was taken up by de-
velopment engineers at our Metallurgi-
cal Products Department in Detroit; in
two years they translated the laboratory
achievement into a useful product, pro-
duced in quantity and at a cost low
enough for commercial application.
Importance of profits to research
At General Electric today, one out of
every 13 people is a scientist or engi-
neer, and the work of research and de-
velopment is "carried on in 98 labora-
tories. In fact, we are currently investing
over three times as much, per sales dol-
lar, in research and development as the
average for all industry.
Such investments in research and de-
velopment can, of course, be warranted
only when there is opportunity for ade-
quate profit. Probing the scientific un-
known is a risky and uncertain venture
that can achieve a great deab-or nothing.
One of the important functions of profit
is to stimulate those ventures which, if
they turn out to be successful, lead to the
swiftest progress.
The American people, by encourag-
ing local and national policies which
provide a chance for earned rewards
can stimulate continued high levels of
research and development . . . and thus
assure national security and further
progress for all citizens.
T^ogress Is Our Most Important Product
GENERAL
ELECTRIC
For a copy of an address by Dr. Guy Suits,
Vice President and Director of Research at
General Electric, before the President's Con-
ference on Research for the Benefit of Small
Business, write Dept. 2J-1 19, Schenectady, N. Y.
ick Mays, an employee and a share owner,
is a better job — newly created at General
'ectric's new diamond-producing pilot plant.
nployees and share owners. The common
terests of share owners and employees are
rved when research and development create
ofitable new businesses and lead to new jobs.
Fred Robinson heads the English & Miller Ma-
chinery Co., which supplies General Electric
with equipment used in diamond production.
Small businesses. New and improved products
have increased the number of General Electric
suppliers to over 42,000, and opened business
opportunities for 400,000 independent retailers.
In national defense, the machining of metals like
those needed in jet aircraft will no longer de-
pend solely on diamonds available from abroad.
All citizens. The results of research not only
help keep the nation strong but, like Edison's
discovery of the electric light 78 years ago, live
on and continue to benefit people for generations.
78
HARPER'S MAGAZINE
with children are, surprisingly, more likelx to
move than (host without. Each year about one
in four families with children moves, compared
to one in five of the general population and one
in seven of the families containing adults other
than the married couple. The chief reason for
moving is so that wage-earners can take another
job, and, as might be expected, those with more
education tend to move more readih than those
with less. Although the Western part of the
country has shown the greatest population gain
and the South the greatest loss from migration,
the movement has not been from east to west or
south to north, but rather back and forth and
around, depending on individual advantage and
preference.
TlTe impact of this movement has already
made important changes in our social, political,
and business life. It has shifted the political bal-
ance in .many areas, given new significance to
trademarks and national organizations which
people can recognize wherever they are, and
dissolved many old prejudices in the solvent
of familiarity. Rut necessary legal changes-
changes, for example, which would prevent six
million citizens from being disenfranchised as
they were in the last election, because they had
moved— are a great deal slower in coming.
Paradoxically, state residence laws on eligi-
bility for public assistance and other public
welfare programs are today just as restrictive as
they have been in many years— if not more so.
And it is only because mobile families are
usually self-supporting that these laws have been
able to continue for so long. The man who was
asked by a social worker to name his home state
is typical of many: "Do you mean where I was
born, where I live, where my folks live, or where
I last voted?" he asked.
Should this man become ill or unemployed,
he might find that assistance was available to
him only in some place he had left long before
because it offeree! him no opportunity— or that
no assistance at all was available.
Because injustice to some of us in the end
concerns all of us, the National Travelers Aid
Association last \cai adopted this statement of
principles: "That, as a matter of fundamental
human right, an individual may choose the place
1 >c st suited to his needs as his place of residence:
that there derives from this the right of the indi-
vidual to move freely from place to place with-
out hindrance or penalty; that a person who lias
exercised the right of lice movement should be
on an ecpial looting with all others; that human
needs such as food, clothing, shelter, and medical
care should be met as such, regardless of whether
the pel son in need is a long-established resident
of the community, a newcomer to the com-
munity, or in transit to some other place. . . ."
Not ever) American family moves regularly,
frequently, or at all, but every family lives in an
atmosphere in which movement is normal and
possible. This is a significant change even for
the families which do not move. For some it
creates anxiety, for others excitement, and for
many, as they face moving, a combination of
both.
Early in 1954 the New York Times reported
independent speeches by Dr. Margaret Mead
and Dr. Luther Gulick about the mobility which
results in the meeting of different cultures. Its
words may be appropriate for American family
mobility as well. "Both Dr. Mead, the Mela-
nesian anthropologist, and Dr. Gulick, the city
administrator," said the Times story, "hit by
chance upon a common conclusion— in any cul-
ture, the infusion of new ideas and new people
disrupts things for a while, but it is beneficial
in the long run."
After Hours
Sp&ss
ONE WAY
TO GET ELECTED
TEARING down old build-
ings is usually a better political
gimmick than propping them up, as
Mayor Lee of New Haven, about
whom Harper's ran a piece last Oc-
tober, has demonstrated. Mayor Lee,
whose program to modernize his city
has leveled a good many disreputa-
ble nineteenth-century structures,
won in November by the largest ma-
jority ever recorded in his city.
Precisely the opposite happened
in Bridgeport, Connecticut.
Bridgeport, which is less than half-
an-hour from New Haven and just
about the same size (roughly 160,000
residents), has for the last twenty-
fours years had a Socialist mayor,
Jasper McLevy. He was determined
to tear down a Gothic mansion that
was left to the city a few years ago
by a prominent and rich old man
named Archer C. Wheeler. Indeed
he had started to whittle away at it.
He had removed the doorknobs of
the house, demolished the green-
house, and he had removed some of
the ornate walnut staircase, and
stored it away. When election day
came Mayor McLevy found that he
had been nosed out of office by 160
votes. The man who beat him, Judge
Samuel Tedesco, in an interview
with the Bridgeport Telegram said
that there were just two factors that
he thought contributed importantly
to his election: one was the Italian
, the other the Wheeler Mansion
ervation Association.
"The Wheeler people helped me,"
he said. "They really did. ... I made
a deal with them. If I'm elected, I
told them they would have a chance
to take over the mansion and see if
they could get enough money to
run it."
The Wheeler mansion is a splen-
did Gothic Revival house designed
by Alexander Jackson Davis and
built in 1846 for a prosperous saddle
maker, Henry K. Harral, who subse-
quently sold it to the Wheeler
family. Davis, whose reputation
along with that of most of our early
nineteenth-century architects has
been buried under a general reaction
against American Victorianism, is
now being justifiably revived. He
was one of our most distinguished
and versatile architects in the
decades just before the Civil War,
and it was he and his friend the
landscape architect and writer,
Andrew Jackson Downing, who con-
vinced a great many of their con-
temporaries that the Gothic style was
eminently suited to the American
landscape. There was a clean ele-
gance about his buildings which—
unfortunately for the looks of the
landscape— very few of his followers
achieved. The Wheeler mansion is
certainly one of the handsomest
domestic buildings of its time and
one of the truly fine houses in the
country.
Archer C. Wheeler died at the age
of ninety-two in 1956 and left the
house to the city of Bridgeport. In
his will he said that it was his "de-
sire" that it be used as a museum or
library or as classrooms for an ad-
joining high school. The Wheeler
family had taken great care to pre-
serve the mansion inside as well as
out in its original style of elegant
Victorianism, and the house was
known as "Walnut Wood" because
of its elaborately carved walnut
staircase. Mayor McLevy had other
notions about how the property
could best serve the city. He wanted
to tear the house down and on its
site erect a nine-million-dollar city
hall. A little distant howl went up
from a few local citizens, some archi-
tectural historians, and a few others
interested in preserving the monu-
ments of the past. But, politically
speaking, it was unfortunate that a
good many of those who opposed
razing the building were not local
people. It must have seemed to most
folk, as it most surely seemed to
Mayor McLevy, like a lost cause
from the start.
He underestimated the fighting
spirit of a group of preservationists
at bay. They fought cleverly, openly,
and with all of the usual methods,
including legal ones. They organized
a committee; they elicited the sup-
port of Richard Howland, president
of the National Trust for Historic
Preservation. They corralled the
Society of Architectural Historians,
the Antiquarians and Landmarks So-
ciety of Connecticut, and the Con-
necticut League of Historical Socie-
ties. They even got to Governor
Ribicoff. Articles appeared in An-
tiques and in Time.
Several people risked their city
jobs to rally support for the house.
Elizabeth Seeley, curator of Bridge-
80
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AFTER HOURS
port's little Barnum Museum, worked
furious!) to snatch the building
Iroin her boss, the mayor. Raymond
Buzak, a teachei <>l English in the
high school behind the Wheeler
House, urged his pupils to write
letters to the local papers protesting
the demolition. Before election day
he had with his wile's help collected
7,000 signatures on a petition to save
the building. Mrs. John W. Richard-
son, regent of the DAR, got support
and statements from architectural
historians and then broadcast them
in an energetic mailing program.
(Mayor McLevy is reported to have
said of the fuss about the house,
"It's all Mrs. Richardson's and Miss
Seeley's fault.'-)
Two men from Fairfield, a nearby
town, Ernesl Hillman, Jr. and John
Skilton, put up $1,500 to pay for a
lawyer to represenl the Association
as i "friend of the court" at the
hearings on tinkering with Wheeler's
will, but the courl found in M<-
Levy's favor. In the last Hurry before
election ten thousand letters signed
by Mr. Hillman and other members
of the Association (by hand) went
to what Mary Lohmann (the mem
ber of the committee who has told
me all about this) called "the
Socialist-voting hotbeds of Bridge-
port." Twenty-five thousand re-
prints of the article from Time were
also seni to voters, some of them
with a message in Hungarian printed
on it for the Hungarian population
of the city. Two days before election
half-page advertisements appeared in
the Herald and in the Post, in spite
of advice of the papers that the cause
u as a lost one.
The Bridgeport election was three-
cornered. The Association with ta< i
and sophistication backed both the
Republican and Democratic candi-
dates opposing McLevy, which
meant that they could attack their
antagonisl and be bipartisan at the
same time. "McLevy's 24-year DIC-
rATORSHIP WILL END TUESDAY. RE-
PLACE HIM WITH COCCO OR Tedesco"
said their ad at the foot of a recital
of the facts about the fight to pie-
serve the mansion.
Nobody quite believes, I gather,
thai the efforts and strategy ol the
committee have worked. The house
has been saved. The new Mayor said
the day after his election thai his
first official ac i alter being sworn in
will be to walk Lhrough the Wheeler
mansion with ten ol the Wheeler 1
Mansion Preservation Association
members, trailing reporters from the
local papers, and led by James G.
Van Dei pool, past president ol the •
Architectural Historians. Ibis is the
end of chapter one in the Vssocia- |
(ion's fight.
Chapter two will be less dramatic. (
When Mr. Wheeler left the house to
the city he also left $40,000 as an j
endowment to maintain it. Hut this, |
even il it can be recovered from the
estate, is not going to be enough. ;
The Association feels it needs a total
endowment of about $250,000, not
only to restore the house to its pre-
McLevy stale but to maintain it as a
museum and make il otherwise use-
ful as a civic center. "It would have
been easier," Mrs. Lohmann said to
me, "to have done a thing like this
in New Haven than in Bridgeport
which is an entirely industrial city."
Perhaps it would, but however slim
the margin by which the building
was saved, Bridgeport has reason to
be pleased with the stout defenders
of the heritage of American archi-
tecture, and with its own good sense.
A BLOW FOR LIBERTY
LIKE other sentimentalists,
I've always had a private pic-
ture of the whiskey business. Some-
where in Kentucky, tucked away in
a hill cove, was a set ol weathered
buildings where an old-time distiller,
with the inherited wisdom ol his
craft, produced small quantities of
such bourbon as you nor I ever
tasted. Aged eight years or more
and handled with loving care, it was
then consumed only by those in-
formed enough to have discovered
it— and not by clods like us.
Hut tin's fantasy, among so many
others, has suffered a collision with
reality.
Recently I passed a lew days
visiting distilleries in Kentucky and
Tennessee, and I've been struggling
since to repair my illusions. It isn't
necessarily true that the oldest is the
best, either in the companies or their
product. It isn't necessarily true that
a small distill ry is more craftsman-
like than a large one. It isn't neces-
sarily true that bonded whiskey is
better than straight, or even that the
best bourbon comes from Kentucky.
AFTER HOURS
And it certainly isn't true that the
inhabitants of the state, colonels in-
cluded, drink better whiskey than
you can get elsewhere in the country.
The whiskey business, in the first
place, is very discontented in Ken-
tucky and trying as fast as it can to
get out (if so much hadn't been
spent to advertise "Kentucky" bour-
bon it might have left already). The
last state legislature raised the pro-
duction and import tax on whiskey
from five to ten cents a gallon, and
the cries of outrage from the indus-
try have yet to die down. Many com-
panies are moving where they can,
or at least moving their warehouses
to Indiana, and others are simply
closing. Of the twelve distilleries in
Nelson County, the traditional center
of bourbon-making, only four are
now in operation.
This is not, on the other hand, a
new phenomenon. Whiskey is essen-
tially a by-product of farming, and
the really ridiculous thing about it
is how cheap it is to make. As a
result, making it has always been
both risky and remarkably durable
as an enterprise; individuals can
easily coin millions or go broke, but
the industry survives— it survived
even the Noble Experiment. And it
has always been complaining about
taxes. The first "true" bourbon is
generally agreed to have been pro-
duced in 1789 by a Baptist minister
named Elijah Craig, and three years
later the Kentucky distillers' associa-
tion met to protest the intolerable
burden of "oppressive" taxation.
AND not, either, that bourbon is
unpopular. It has indeed been un-
dergoing a moderate boom, at least
in the Northeast, where sales in-
creased 200 per cent last year and
200 per cent the year before that.
There are various theories about
this, taking account of the decline of
rye and the bad name acquired by
blends just after the war and certain
other imponderables; but there is
perhaps a simpler explanation to be
found in the motivation studies of
bourbon-drinking in Texas prepared
last year by McCann-Erickson. These
showed that blends, straight, and
bonded were generally ranked on a
scale of income and status cor-
responding roughly to their prices—
and, well, with all this prosperity
around what did you expect? It
The CATHOLIC Woman
Is Never In Doubt!
The Catholic woman, of course, has the
same problems of living that other wom-
en have.
But she is never in doubt as to how
to solve them. In every decision she
makes . . . large and small . . . whether
they occur in her adolescence or later on
as a wife and mother . . . she can use the
clearly defined principles of her Catholic
Faith. This, some will say, is a form of
"thought control" to which they would
not submit. By the same reasoning, the
Bible with its strict commandments
guiding human behavior could also be
called a form of thought control.
Women generally, of course, are op-
posed to divorce. Many of them regard
it as a grave social evil. Catholic women
not only share this view, but know that
according to God's law, divorce with
remarriage is a serious sin.
Catholic women may be tempted, at
times, unlawfully to limit the number of
their children to fit the family income.
But the Church reminds them this is a
violation of God's law. Likewise, the
obligation to provide religious training
for their children is not a matter of
choice. It is a clear duty.
Sincere people of all faiths, it is true,
are devoted in their church attendance
and conscious of their need to worship
God. But for all Catholics, including
women, these are regular obligations
which they can never shirk. Attendance
at Mass on Sundays and Holy Days,
Confession and Communion at least
once a year, and fasting -and abstinence,
are not merely religious exercises which
a Catholic may observe or ignore. They
constitute elements in the required
Catholic "way of life."
SUPREME COUNCIL
KIIIGHTS of COLUmBUS
RELIGIOUS INFORMATION BUREAU
Catholics gladly choose this way be-
cause they believe that the Church...
dating down the centuries from Peter to
the present day . . . speaks with the voice
and authority of Christ. And believing
this, they are never in doubt concerning
moral and spiritual values . . . never at a
loss for spiritual assurance and help for
guidance and consolation.
Whether you are a woman or a man
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you to read our specially-prepared
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SUPREME COUNCIL
KNIGHTS OF COLUMBUS
RELIGIOUS INFORMATION BUREAU
4422 Lindell, St. Louis 8, Mo.
Please send me your Free Pamphlet entitled "Why
a Woman Needs the Catholic Faith" D-44
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ADDRESS-
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_STATE_
4422 LINDELL BLVD.
ST. LOUIS 8, MISSOURI
82
should also be added thai 35 to 40
pei i cut oi industry sales as a w hole
take place around Christmas-time,
whi< h explains .ill those de< anters.
( )li\ iouslj . too, iIk i c is a good bil
dl snobber) involved in drinking
bourbon, but I mus( admit I was
relieved to disc ovei lnm lm l< oi it
there was al the places of origin.
Some ol the distillers seem in fa< i
to gel .i quiel amusemenl oul of the
ritualistic superstitions of then cus-
tomers.
"II somebody tells you he's real
pai ii< ulai ." said <ni< ol i hem, "ask
him where he gets his ice II ii isn'l
fresh-made oul ol distilled water,
he's no purist."
Whiskey is .in organi< produc i
that can go wrong al nearly any
point in iis manufa< ture, and an
ability to pi< k up odors and tastes is
aftei ill a sunn e ol its \ ii tue.
"You can lake lour hundred gal-
lons ol whiskey," .is Reagor IVIotlow
oi |.i(k Daniel ]>uts it, "drop a pine
si it k in il and i uin it jusl like that."
Bul the quesl ion ol w h.u makes
one bourbon "better" than anothei
is far more ( oni|)li( ated. I he pi od-
ii( I is made, as you surely know, by
lei menting a mash of barley, i ye, and
corn (mostly corn) and then distill-
ing oul the whiskey, cleai and color-
less, at over 100 proof. This is
diluted with watei and stored in
(haired oak casks for a number of
\c.os, during which the whiskey ac-
quires its color and aroma from in-
teracting with the wood (the casks,
by law, can only be used one e, and
il you can figure out what to do
with them al lei wards a fortune
awaits you in Kentucky). Though
the whiskey is then "cut" with dis-
tilled water before being bottled, the
quality of the water from the .start
has much to do with the quality of
the whiskey; and it is the quality of
Kenni(k\ water that most frequently
appeals among the explanations of
H In the old-timers located here.
Since their day the < hemisti \ of
the process has been more fully
worked out, and fermentation seems
to take place jusl as ellce 1 i\ el\ in
the enormous stainless-steel cookers
ol the big distilleries as in the wood
vats of the smaller ones. The big
companies point out thai their facili-
ties allow them to exercise much
greater control over the variables,
such as temperature, and much
AFTER 1 1 O I R s
in the pine base ol l aw
matei ials. I he smallei ones, in re
ply, adduce know-how and devo-
tion; but, with one exception, I'm
inc lined to doubl that the advei lis-
ing claims foi old-fashioned methods
are wholly serious, \ltei all, the
really old-fashioned bourbon was
whal they tailed "hand-made," a
small tub at a time, and according to
disi illei ( .h.u les I homason al the
Willei Distilling Company in bards-
town, one of the lew remaining
three-generation family firms, the
lasi "hand-made" bourbon he can
remember was in 190 1.
THE looks of a small distillery, to
the visitor, have little to distinguish
them. I he most ( onspic uous feal m e
will be the warehouses, bulky four-
story blocks that are usually surfaced
with gray con ugated metal. The si ill
itsell will have a tower, and there is
likely to be a tall thin black smoke-
siai k: but at Insi glanc e you might
easily mistake it foi a sawmill. Most
of the distilleries have naturally been
built or rebuilt since Prohibition,
and there is not a great deal of dif-
ference in their major items ol
equipment or manufacturing proc-
esses (minor differences ol formula
oi technique, however, are main).
Quite a lew have been bought up by
outsiders or by one of the "big lour"
Seagram, Schenley, National, or
Hiram Walker— without causing
noticeable changes in practice.
Whal we benighted Easterners
consider lo he first-rate bouillons
.iic equally so regarded in Kentucky.
I will not embarrass our advertisers
by playing favorites bin will simply
say that, il you have been patroniS
ing one ol the- dozen odd familial
brands, you c an go on doing so with
oul regret. | I he word "bonded,'
however, docs nol specifically rera
lo quality; it means only thai the
whiskev has been aged loin \cai'
nuclei govei nine in bond and is l<)(
proof.) The kind ol whiskev to be
found in much greatei variety ii
Ki nine k\ propei is straight bourbon
ol lowei piool and the middle-price
range, similai il not identical to the
"house brands" thai large stores anc
distributors markel in the Easl un
der theii own labels, h is sole
locally under names that are familiaj
lo keniue kians but have nol, be
c ause ol the small distiller's limite<
iii.n kei ing organization, become wel
known in othei parts. \ briel glance.
at the Kentucky Beverage l<>inim.
reveals over 130 ol them, thirty be
ginning with the word "old," in
eluding Old Hickory, Old Loj:
Cabin, Old Mill Stream, Old Joe
and Old Tub.
THE "one exception" which
meiil ionecl cai lie! is also an e\c e]
lion in being a small distiller's bran
with a national reputation as one
ol the best of bourbons. It is noi
bonded, technically nol a bourbor
(the mash starts with a differenl
proportion of corn to other grains)
and il is not made in Kentucky, bin
otherwise the reputation is earned
I refer ol course to Jack Daniel's
which is a corn whiskey made ii
Lynchburg, Tennessee, by a uniqu(
piocess ol libeling the new whiskcx
from the still through charcoal be
fore il is barreled. This is a tech
nique which seems lo have beer
broughl over from Africa and which'
has the effect of removing the fusej
oil, or high alcohols, with a resulting
increase in mellowness and dcereasd
in hangovers. |.u k Daniel's caughtj
on, a number of years ago. partly as^
a icsiili of word-of-mouth advert^
ing from prominent consumers (in
eluding William Faulkner and ihe
I. ue Senator Kenneth McKellar) and
parti) ol an energetic promotion
campaign: bul under Reagor Mot
low's direction it promises to main
tain its present standard.
Reagor Motlow, like most dis
tillers, is a voluble opponent ol the
high taxes— and the resulting high
83
AFTE
HOURS
degree of supervision— that the gov-
ernment imposes on him. Since a
gallon of whiskey which he can
make for a dollar has a federal tax
on it of $10.50, even before the state
taxes begin, it pays the Bureau of
Internal Revenue to make sure that
the whole whiskey industry doesn't
spin a single drop. Its office in
Louisville, where there are several
big companies, is said to take in an
average of a million dollars a day;
and a still that may need five men
to operate it needs seven inspectors
to Avatch it. Where the federal gov-
ernment leaves off the states begin,
each with its special regulations and
special bits of appropriate paper.
Mr. Motlow observes that he some-
times thinks he is not in the whiskey
business but in the stamp business.
The distillers argue, with some
cogency, that the effect of a high
tax is to stimulate moonshining,
which they believe amounts to at
least a $50-million-dollar-a-year busi-
ness. Since their own take is about
$200 million, this means that we
have produced an illegal industry a
quarter the size of its legal counter-
part. And there are those who even
speak well of the illegal product; a
man at one distillery assured me
that the smoothest whiskey he had
ever tasted was Cajun moonshine
from Louisiana. The problem is a
complicated one since the taxes
have become in effect a social and
moral device, used for their control
over behavior as much as their pro-
duction of income.
Where my own reformist zeal is
aroused is in the matter of "wet"
and "dry" counties. One of the
many ironies of whiskey-making is
that so much of it takes place, quite
legally, in localities where the sale
and consumption of booze is theo-
retically illegal. You may repeat
"theoretically." The effect of this
is inevitably to force an alliance be-
tween the bootleggers and the forces
of teetotalism, who have common
ground only in hypocrisy and whose
harm to their society is consequently
deep. The people of the South have
long been famous for voting Dry
and drinking Wet, but since they
have made a gift to the rest of us of
our greatest beverage it seems a pity
that they still cannot enjoy it openly,
in moderation and quiet.
—Mr. Harper
She knows
only
hardship
and hunger
This is Do Thi Lan, Vietnamese, age 6. A
timid, gentle child, she knows only hard-
ship and want. Her parents fled the
bloody war in the north in search for
freedom, joining the hordes of refugees
on the painful trek southivard. Arriving
in Saigon, the father soon lost his life
from TB, leaving his wife, little Lan and
an infant now aged 2. The young mother,
old before her years, earns 40? a day,
hardly enough to keep them alive. They
share a one-room lodging in poverty un-
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tears of despair, heartsick with loss of
hope, the mother watches her children go
to bed at night with hunger and distress.
Won't you help little Lan or a child like
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You alone, or as a member of a group, can help these children by becoming a Foster
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clothing, shelter, education and medical care according to his or her needs.
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relief organization, helping children, wherever the need — in France, Belgium, Italy,
Greece, Western Germany, Korea and Viet Nam — and is registered under No. VFA019
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vital to a child struggling for life. Won't you let some child love you?
©1958FPP, Inc.
Tatter Patents' p£a*, u.
352 FOURTH AVENUE, NEW YORK 10, N. Y.
PARTIAL LIST OF
SPONSORS AND
FOSTER PARENTS
Mary Pickford
Mr. and Mrs.
Robert W. Sarnoff
Dr. John Haynes Holmes
Jean Tennyson
Helen Hayes
Dr. Howard A. Rusk
Edward R. Murrow
Bing Crosby
K. C. GifFord
Gov. & Mrs. Walter Kohler
Charles R. Hook
Mr. and Mrs.
John Cameron Swayze
Garry Moore
FOSTER PARENTS' PLAN, INC. H-l-58
352 Fourth Avenue, New York 10, N. Y.
In Canada: P. O. Box 65, Sta. B, Montreal, Que.
A. I wish to become a Foster Parent of a needy child for one
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Name
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the new
BOOKS
America's Secular Religion
PAUL PICKREL
WHEN a female character in one of
Ivy Compton-Burnett's novels remarks
a v i 1 1 1 1 el ici that Christmas conies bin once a year,
she strongly suggests that she lias exhausted
everything there is to be said in defense <>l the
subject, and at this time ol year her appraisal
will probabl) strike many a tired and impover-
ished holiday veteran as remarkably just. But for
a book reviewer Christmas has ai least one other
wel< onie attribute besides its deceni infrequency:
naineb thai during the holiday season publishers
are much too busy selling the books they have
already published to bring out many new ones.
This temporary lull in the flood of new pub-
lications gives me an opportunity to go ba< k and
survey some recent but not necessarily brand-new
books th.it I have previously neglected. I intend
to center my remarks on books in a held of
perennial genera] interest and— in the weeks since
the Russians launched the fust man-made satel-
lite—of acute and specific interest, the field of
American education.
FALSE EXPECTATIONS
PROBABLY few of the millions who saw
and heard President Eisenhower on the occasion
of his first formal address to the nation after the
launching of the sputniks were surprised that
the first subject he took up— after reassuring his
audience on the state of American armaments-
was the subject of education. Nor was it sur-
prising that the most important innovation he
announced to meet the challenge posed by Rus-
sia's dramatically demonstrated technological
plow ess was his appointment of a leading edu-
cator. President Killian of M.I.T., to co-ordinate
our scientific and technological research and to
kee.p him in touch with developments.
It would have been surprising if the President
had not referred to education and educational
leaders in his speech on that evening in mid-
November when so much was expected of him—
surprising not only because of the direct rele-
vance of education to the research and develop-
ment that lie behind modern armaments, but
also because education is America's secular re-
ligion, and to fail to invoke it at a time of
national disticss would show a lack ol decorum.
With oiu separation of church and state, edu-
cational institutions (for the most part uncon-
sciously) have come to perform, or lo try to per-
form, many of the functions that religious insti-
tutions pel form in other societies. Long ago a
Latin visitor observed thai the only thing he
had seen before thai was at all comparable to
a high-school graduation in a small American
town was a first Communion in an Italian \il-
lage. Around the schools have grown up the
elaborate but educationally incidental para-
phernalia ol homecomings, parades, and big
games— an attempt to fill the need lor sym-
bolism, lor magnificence and tradition, in a
societx with lew official occasions for either
carnival or ceremony. The process of initiation,
the rites by which boys ire inducted into man's
estate, are in most primitive societies in the
hands of priests and elders, hut with us they are
left to the not always lender mercies of high-
school gangs and college fraternities whose mem-
bers are only slightly older than the initiates
themselves. Our schools have many characteris-
es that elsewhere might be thought more ap-
propriate in religious institutions— a conviction
that they must be all things to all men, for in-
stance, and a reluctance to excommunicate.
So whenever anything arises to put America's
destiny in question, the schools come under close
scrutiny: they are both blamed for having failed
to forestall the clanger before it had happened
and counted on to correct it after it has. For a
long time, whenever anything went wrong the
cry was for more education; now that more and
more young people have spent more and more
years in school and college, the cry is for better
education.
The trouble with regarding education as a
secular religion is not so much that it leads us
to expect too much of our schools as that it leads
us to expect the wrong things. A pluralistic
society like ours, in which values are established
THE NEW BOOKS
85
not by any central agency but by all kinds of
persons and groups throughout society, has many
advantages; but its schools cannot be very dif-
ferent from the population that provides their
students, teachers, administrators, school boards,
and financial support. A genuine religion can
be different; it has or claims to have a super-
natural, other-worldly sanction; that sanction
gives it power to go against the tide and gives it
a standard against which it can measure itself
and purge itself of excesses. But a secular re-
ligion is, after all, secular— of this world; its goals
are not built- in or self-correcting. A public
school has little power, for instance, to inculcate
a greater respect for learning and intelligence
than the community as a whole really feels. An
occasional teacher can do it by sheer force of
personality, an occasional student will encounter
a book or problem that convinces him that the
life of the mind is deeply absorbing no matter
what other people may think, but in general we
are simply deluding ourselves if we expect our
schools to maintain standards that the com-
munity as a whole has abandoned or never held.
Since the sputniks first appeared the standards
the American people hold have undergone rapid
change. As that astute British observer of the
American scene, D. W. Brogan, has recently
pointed out, the more complacent excuses for
American shortcomings have been destroyed—
the notion that the Russians couldn't make much
technological progress without a conspiracy of
spies who stole our secrets, for instance; or the
notion that we were too rich to have to make
choices; above all, the notion that whatever our
faults we were still out ahead.
Probably never before have the American peo-
ple been so ready to take education seriously as
in the last two months. Our schools have a tre-
mendous opportunity, but it can be frittered
away all too easily, by attempting too much or
too little or the wrong things. The word educa-
tion in itself contains no magic to exorcise the
demons that plague us; it is simply the collective
label for a great variety of human activities of
widely varying worth and relevance. To seek out
what is most worthy and most relevant is cer-
tainly a big assignment, but it is an assignment
that faces the American people.
STILL PERTINENT
NO W books have one characteristic that
distinguishes them from most other con-
temporary means of communication: there is
still a considerable delay between the time they
are written and the time they are read. The
radio or television commentator can make his
voice crackle with the urgency of today's crisis
and trust that all will be forgotten by tomorrow;
the journalist's prose and prophecies leap to
print but vanish with the garbage. But what
the writer of a book says will be read in a dif-
ferent context of events and can be held against
him. If he remembers that fact, it is a lesson in
humility; if he forgets it, it may be a lesson in
humiliation. All the books about to be discussed
were written well before the earth satellites were
launched; as a group they stand up well and
testify to the fact that some at least, of our educa-
tional leaders were not caught asleep.
Brainpower Quest edited by Andrew A. Free-
man (Macmillan, $5), though recently published,
is the record of a symposium held at Cooper
Union more than a year ago on the subject of
the nation's supply of engineering talent, and it
shows that alert and resourceful men were at
that time very much alive to the problem. The
book has the characteristics of most symposia:
the various speakers use more or less the same
statistics, some contributors arrived riding on
their favorite hobbyhorses and refused to dis-
mount, some interesting points get insufficient
discussion and some generalities get too much.
On the whole the speakers say about what they
might be expected to say on such subjects as
recruitment of students, the need for better
preparation of students, the desirability of edu-
cating engineers more broadly, etc.
But certain points are less expected. One is
the question whether we really need more engi-
neers or simply need to make much better use of
those we already have. Opinion on this point is
divided, but there are enough speakers who hold
that the supply is adequate if wisely used to
make one wonder if there may not be some-
thing to their argument. At a time when almost
every field is clamoring for more and better peo-
ple to come into it, and none more than the
sciences, engineering, and teaching, no one can
help wondering if there are enough "better" peo-
ple to supply all the demands. At this point the
history of the medical profession may be instruc-
tive: there are fewer medical schools in America
now than fifty years ago, and the number of their
graduates has not greatly increased, yet on the
whole medical care has improved immensely.
The reason seems to be that the individual physi-
cian's time has been stretched by centering
medicine in institutions like hospitals and
clinics and by the creation of a whole group of
new professions and occupations— laboratory
technicians, anaesthetists, roentgenologists, and
so on— that relieve the M.D. of all but his strictly
professional duties. There may be a lesson in
what has happened to medicine for both engi-
neering and teaching. The loss in personal rela-
tionship that went with the old family doctor
would be even more marked if teaching were
professionalized in the way medicine has been,
but presumably nobody has an old family
engineer.
Another unexpected point that comes out
here is the report of the very high proportion
86
The man who
reads dictionaries
THE N E W l'.OOKS
<QW. Suschitzky Photo
SEAN O'CASEY, one of the great
writers of our century, says:
"T must have spent years of life with
JL dictionaries, for a dictionary was
the first tool I used to learn to read. I
have five of them now. Webster's New
World Dictionary, College Edition, is
a great dictionary and a lovely hook, a
classic among dictionaries. It is a fas-
cinating one, easy to handle, beauti-
fully printed, and splendidly bound.
This splendid work shows that the
American way of words is a good way,
and I, on behalf of Whitman, cry hail
to it."
The name Webster alone on a dictionary
is not enough to guarantee excellence
of this kind. Visit your bookseller
and ask to see —
WEBSTER'S
NEW WORLD
DICTIONARY
WEBSTER'S
NEWWORLDk
<y/s<y»iyf /
C<>LLEGE ED
ITIOH
142,000
entries
1,760 pages
In various
bindings,
from $5.75
THE WORLD PUBLISHING COMPANY
ol students who I.nl in engineering
schools: 50 pet cent. 1 hue may lie
a little padding in this figure; obvi-
ously il the president of one engi-
neering school says that his school
fails 50 pei i cm ol iis students the
presidents of other engineering
schools will not rush in to s.in thai
theii institutions are less- severe, lint
if something like that proportion ol
Students is being tailed it means a
tremendous waste of educational fa-
cilities; something is wrong either
with I he l\ a] Students air admitted
oi the way they are taught aftei ad
mission or both. I he situation is
made worse by the fact (il it is a hut
—the spcakeis seem not to he very
sure) that most of the failures do not
ordinarily make use ol theii partial
engineering training bin go into
othei occupations. The) would look
like a reservoir ol talent foi engi-
neering sub-professions, though one
shrewd speakei with experience re-
in, it ks, in effe( I, thai the man who
has failed is net usuall) the besi oi
most willing aide to the man who
has sin ( ceded.
The most arresting and disquiet-
ing remark in Brainpower Quest is
a remindei that, since Russia offers
us young people fewer choices of
< ai eei than we do, the fields that aie
open to them, like s( ience and cngi-
neering, will he more crowded, con-
sequently will be more competitive,
and quite possibly will have highei
standards ol accomplishment. Rus
sian boys and girls in search ol
prestige and othei lew aids cannot
go into stockbroking or advertising
oi consumer research or many other
fields that oiler prizes to the ambi-
tious young American, because those
fields do not exist in Russia; they
( mi go into sc ien< e.
We can respond to that fact in
several different ways. We can enact
a frantic "crash" program of scien-
tific and technological education,
which may be of some use in the
shoit run but unless it is very care-
fully considered will distort our
schools and other institutions in the
long run. Or we can go the whole
hog and put our society through a
thorough Russification, thereby ful-
filling the prophecies of those who
have said that the power stalemate
would end by America and Russia
becoming just alike. Or we can re-
examine our society with a view to
bringing it in line not with the bes
in Russia but with the best in ouii
selves. \n\ society is a living dclun
lion ol c llu icni \, ol what it think
worth saving and what it doesn'
mind wasting. Wc could make con
siderable changes in our definitioi
ol elli-. ien< \ without any danger a
being Russified. The confidenti
that our institutions automatically
insured superiority, that America!
science bad to be better than Rus
sian sc icni e bee ausc il was ill
sc icni e ol a tree people, has no\
been disc i edited, but that does m
necessarily discredit our institution
ii m. ans that they cannoi be lefi i
themselves to perform tasks oi estal
li-.fi values that are the business c
all of us.
One point thai is hardly tout he
upon in Brainpower (hirst and ih;
may have been pi opei lv regarded ;
lying outside the area of discussioi
though it is certainly crucial in th
whole mallei ol sc ientific and led
nological education and indeed c
all education, is the question ol ii
novation and c real i\ it v— where at
how and from what kind of peopl
new ideas arise, what kind of ecluc
tional s\stem is mosi conducive t
inventiveness and discovery. Sord
informed observers believe that Ru
si. i and America are both still li\in
oil Western Europe's capital of put
science, thai neither has created tl
conditions favorable to fundament
innovation, and that in the long ru
the Inst nation to do so will be tl
one that is out ahead. It seems ::
likely that "crash" programs will d
that job, and it seems unlikely lb;
it can be done lor science in iso
tion from the rest of the intellects
life of the nation.
A RADICAL REFORME
THOUGH Irving Adlei
What We Want of Oi;i
Schools (John Day, $3.75) was pul,
Iished a month before the fir
sputnik was launched, the launchii
makes it more rather than less d
gent, because Adler speaks to ti
times. Most of the recent popul;
critics of American public educatin
have been conservatives trying ll
guide education back to the pat
they knew when they were youia
most of them have been trained i
the liberal arts, with at most a lir
87
THE NEW BOOKS
ited interest in innovation in general
and in technological innovation in
particular; and often their firsthand
experience of public schools has
been slight. Adler, on the other
hand, is a radical, a man who wants
to make changes that are not a re-
turn to old ways; his education is in
science and mathematics, he is
deeply interested in technology, and
he has experience as a teacher of
mathematics in public schools.
On many points Adler seems to
me very interesting and quite wrong.
His conception of man as only a
technological animal is too narrow:
"man's characteristically human ac-
tivity is directed toward control of
his environment." Man is engaged
in just as "human" an activity when
he is controlling himself as when he
is controlling his environment, pos-
sibly more so.
In describing the social and eco-
nomic pressures on public education,
Adler undertakes a useful kind of
analysis, but it is much too crude
to do justice to the facts. He sees
the schools as squeezed between two
groups: first, a small privileged class
who want to keep school budgets
low (to save taxes) and the quality
of teaching poor (to assure a labor
force that knows just enough to do
its work but not enough to make
any trouble), and second, "the com-
mon people" who want good schools
for their children. Actually, in be-
tween these two groups stand most
of the American people, who are and
think of themselves as middle class;
they run the schools because they
supply most of the teachers and ad-
ministrators, most of the members
of PTA's and school boards, and
most of the funds. They are not as
rich as the members of the NAM,
but they have a great many more
votes. Those in the middle class are
by no means united on what they
want of the schools, except, to do
them justice, most of them want the
schools to be "good."
Adler's argument for academic
freedom is also open to exception.
He says that he believes that all
points of view should be represented,
though his chapter on the Negro
and education suggests that he
would not care to have his children
taught by a white supremacist, and
his (very good) discussion of teach-
ing methods suggests that he would
May I suggest...
for winter reading
March
the Ninth
by R. C. HUTCHINSON
"As sheer story this book is com-
pletely absorbing but it also has
depth, breadth and insight into
the human spirit, making it an
extraordinarily fine novel."
— New York Herald Tribune
$4.50
Cornflake
Crusade
by GERALD CARSON
"What faddists and crackpots
have contributed to the Ameri-
can dietary . . . Besides being a
contribution to social history,
Cornflake Crusade is funnier than
most books billed as a comedy."
—New York Times Book Review
Illustrated. $4.95
Birth of a
Grandfather
by MAY SARTON
"May Sarton's best novel." — The
New Yorker. The struggles of a
man who, after 20 years of mar-
riage, is faced with an appalling
sense of failure. $3.75
AT ALL BOOKSELLERS
Biography
of the Bulls
edited by REX SMITH
An anthology of Spanish bull-
fighting. "The very best . . . ma-
terial on that curious madness
called bullfighting." — tom lea
Illustrated. $7.95
Jeb Stuart
THE LAST CAVALIER
by BURKE DAVIS
"Catches the spark and dash of
the real Stuart ... A superb job."
— Chicago Sun-Times
Illustrated. $6.00
Neither Black
Nor White
by WILMA DYKEMAN
and JAMES STOKELY
What do Southerners really think
of integration? Now individual
Southerners of all shades of
opinion go on record, as two
veteran writers, native Southern-
ers, measure the pulse of 13
states. "A fascinating book and
a compelling book."
— Saturday Review $5.00
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88
Who are these
UNITARIANS?
The booklet, Introducing Unitarian-
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previously have thought they had
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the Unitarian Fellowship, in
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Holmes, Priestley, Stein-
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Bret Harte, Walt Whit-
man, Mark Twain, Low-
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thinkers, past and
present.
MAIL THIS COUPON WITH IOC TO
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not care to have them taught algebra
by anyone who believes in the the-
ory of "incidental learning" (the
theory that a subjeel < .m be picked
up incidentally while the student is
engaged in other projects or activi-
ties).
But, however that may be, the Eaci
is that all points <>l view cannot be
represented, and il academic free-
dom depended on such representa-
tion (.is ii does not >, then at ademic
Ereedom would be impossible.
Think, for example, ol the sunk
ol Shakespeare in college. Think of
hon man) different ionises you
would need to have to represent all
points of view on the authorship
alone— you would have to have a
Baconian, an Oxfordian, a Marlov-
ian, a Dyerite, and so on and so on;
you would even need a Shake-
spearean. Then think of all the
other (ouiscs you would n<c<\ to
represent all points ol view on the
chronology, the text, and the inter-
pretation of the plays. Ii is impos-
sible. No philosoph) department in
America is large enough to include
a spokesman lor every philosophy;
no economics department is huge
enough to include a spokesman for
every economic theory; and none
needs to be. What Adler means is
that he thinks Communists should
be permitted to teach. There is a
fairly good argumenl on his side, but
it does not depend on the principle
that all points of view should be
represented.
Vet il there were nothing else of
value in Adler's book (and there is
a good deal), it would be worth read-
ing for one chapter alone, a chapter
called "The I. O. Hoax." This is a
discussion which, if taken seriously,
could make an important change in
our estimate of the resources of
human intelligence available to us.
For Adler persuasively argues that
the I.Q. has come to be regarded as
a measure of innate ability, as a fixed
limit on what can be expected of
the child, and is used by the schools
to excuse their own failures. He be-
lieves that schools should entirely
stop using I. O. tests and use only
achievement tests, and that they
should stop having "second track"
curriculums to which students with
low I. Q.'s are permanently con-
demned and instead set up "feeder
courses" in which those with low
si ores on at hievemenl tests would be
specially trained until the) were
read) to entei the "fust track." Adler
is mi intent on maintaining that all
God's chillun must have shoes that
a c.ihIc'ss leading might give the
impression that he- thinks the) all
have feet ol the same size, but in
I. it t Adler does not deny that there
are differences in human intelli-
gence; he onh argues that since we
have found no reliable wa\ of
measuring those differences we have
no business setting up an educa-
tional s\stem based on them.
A NECESSARY BRIDGE
PAUL WOODRING'S A
Fourth of a Nation (McGraw-Hill,
$4.50) is an entertaining and in-
formative attempt to close the most
disgraceful schism dividing the aca-
demic community today: the schism
between those who are concerned
with the content ol education (the
subjec t-mattei ists) and those who are
concerned with the method of edu-
cation (the edu< ationists).
Except lor an occasional flare-up
ovei something like the leaching of
reading, there seems to be compara-
tively little public criticism of the
nursery schools, kindergartens, and
lower grades, all of which are domi-
nated by the educationists and the
theory that the growth and develop-
ment of the individual child are the
matters of primary concern. Except
lor an occasional flare-up over some-
thing like the loyalt) ol teachers,
i here seems to be comparatively little
public criticism of the colleges,
which are dominated (except lor
schools of education) by the subject*
matterists and the theory that the
growth and dissemination of the
various branches of knowledge are
the matters of primary concern. The
problematic area in education lies
in between, in the secondary schools,
the junior and senior high schools.
Since, according to one of the con-
tributors to Brainpower Quest, boys
and girls make their decisions to go
into science, engineering, and other
fields in the secondary schools, and
since it is there that they receive or
fail to receive the training necessary
for them to go on, the controversy
over what group or theory should
dominate those schools is no trivial
matter.
THE NEW BOOKS
The educationists have wanted to
reach up and control secondary edu-
cation, and have pretty well suc-
ceeded in doing it: the subject-mat-
terists, alarmed at what the educa-
tionists have made of the secondary
schools, now want to reach down
and control them. Since neither
group knows or understands or
trusts the other, they are tragically
failing to build the bridge that
would enable the individual to pass
from childhood to adolescence, to
move from an education centered on
himself to an education centered on
the world outside, smoothly and suc-
cessively.
There will be varying estimates of
Woodring's attempt to provide the
blueprints for such a bridge in A
Fourth of a Nation (the title, by the
way, simply refers to the proportion
of the American population now in
school): the most valuable part of
the book is the very, skillful job of
putting the whole controversy in its
historical setting. It is a sad fact
that though several of the most in-
fluential critics of public education
have been trained as historians, they
have seldom tried to look at what
has happened to American educa-
tion historically. Woodring, a pro-
fessor of psychology in a teachers'
college at the time this book was
written, does.
A Fourth of a Nation is written
concisely, with wit and imagination
(qualities lacking in Adler's book),
and the first sections are particularly
recommended to anyone interested
in the controversy now raging.
MORE BRIEFLY MENTIONED
I N American Education in the
Twentieth Century (Harvard, $5)
I. L. Kandel shows little of the
sprightliness of Woodring; in fact he
has written a rather dull and very
good book. The dullness arises
largely from the fact thai the book
belongs to a series devoted to the
description of various aspects of
American life in the twentieth cen-
tury, and Kandel has taken the job
of description very seriously. Al-
though he has by no means refrained
from criticism, he advances his criti-
cisms so unobtrusively that their
shrewdness and severity are often
disguised. In telling his story Kandel
quotes generously from official docu-
ments and organizational report
that are not very entertaining read-
ing but necessary to an understand-
ing of what has happened.
Adler's and Woodring's books are
lively and disputatious enough to
hold the casual reader's interest; to
read Kandel you have to be inter-
ested in the subject. But if you are
interested, you can learn a great
deal from him about the road we
have taken in public education.
Kandel is a professor emeritus at
Teachers' College, Columbia, and
his story centers on the develop-
ments that have taken place there,
but he is not a propagandist.
The Second Report to the Presi-
dent of the President's Committee
on Education Beyond the High
School (Government Printing Office)
has been out six months but remains
eminently worth reading. It con-
tains a wealth of good sense on the
subjects discussed and is clearly if
repetitiously presented. Perhaps the
most curious piece of information
that emerges from the report is that
we seem to have less command of
the facts about what is going on in
college education than about almost
any other activity of comparable
scope in the country. Another
curiosity is how little of American
higher education is financed by stu-
dents' borrowing (about 1.5 per
cent). It is odd that we will buy
anything on time except learning.
Presumably the arguments against
borrowing are early marriage and
the uncertainty of military service.
For Future Doctors (Chicago,
$3.50) is a collection of talks and in-
formal essays by the late Alan Gregg,
for many years director of the medi-
cal sciences division and later vice-
president of the Rockefeller Founda-
tion. All the essays deal in one Avay
or another with medical education,
especially outside the classroom:
they show a consistent interest in (he
inner growth of the physician, and
much of the material is autobio-
graphical. Dr. Gregg points out a
lack of "case studies" of medical edu-
cation—studies of how and why a
physician suddenly grows or 'urns
a corner in his internal development
—and this posthumous collection
docs something to remedy (hat
lack. (Incidentally, the "case study"
method lias recently been looked
upon with increasing interest by
Going Into
Politics
A Guide for Citizens
By ROBERT E. MERRIAM
and RACHEL M.GOETZ
A beginner's guide to polit-
ical action in which the au-
thors — Robert Merriam a
professional and Rachel
Goetz an amateur politician
— show the citizen what
politics is like on the inside :
from penetrating and mov-
ing around inside a political
party to getting elected (or
defeated). This book pro-
vides realistic, step-by-step
information on participa-
tion in political affairs for
every civic-minded man and
woman.
At your bookstore • $2.50
HARPER & BROTHERS;
The Community
Theatre
And How it Works
By JOHN WRAY YOUNG
A long-needed, long-awaited
how-to book on the organi-
zation and operation of a
community theatre, by the
Director of Shreveport's
model Little Theatre. "In- i
telligent and stimulating...
a must for anyone planning
to work in that field and for
everyone already working
in it." — Howard Lindsay
"The only book of its
kind, and unlikely to be su-
perseded for a long time as
a description of our uncom-
mercial theatre." — John
Gassner, Yale University
School of Drama
At your bookstore • $3.50
HARPER & BROTHERS
90
educational researchers, and an ac-
count of what may be the raosl
elaborate attempt ever made to as-
semble such material appears in this
issue, page 56: "The Case of the
Furious Children.")
The Tarnished Tower b) Ann
Marbut (Mi Kay, $3.95) is an unpre-
tentious but readable novel about
politics in an educational institu-
tion, "the fastest-growing state uni-
versity in America." Miss Marbut
has broken the mold of the conven-
tional struggle between liberals and
conservatives and come a good deal
closer to the truth about academic
politics. She pits the opportunists.
the empire-builders interested onh
in quantity, against the men who
believe that education means qual-
ity. Unfortunately she is not able
to work out this conflict in the con-
text of institutional life and has to
resolve it in private life, as if it were
primarily a mattei of relations be-
tween husbands and wives, but at
least she has sketched the problem.
Herbert Simmons is a young
Negro novelist who has written a
book of considerable interest about
Negro youth in a big city, Corner
Boy (Houghton Mifflin, S3. 50). The
young people he writes about are
just out of high school, at an age
when, according to the writers on
education, a great deal of talent is
lost, especially among minority
groups. For most of Simmons' char-
acters, the choice is between going to
college and going into rackets. Col-
lege is for them a slow and uncer-
tain way to prestige; the rackets are
Easter and more exciting. Simmons'
characterization is a little sketchy,
but he writes with sympathy and
apparent knowledge. The story
moves along and the ending has
dramatic force.
Lura Beam's A Maine Village
(Wilfred Funk, $3.50) is a charming
account of life in a Maine settle-
ment of fewer than 300 people at
the turn of (he century. This is
not a book for the young, but any-
one who enjoys the painstaking,
affectionate reconstruction of the
past, without condescension or senti-
mentalizing, will find ii a jewel.
For present purposes the most rele-
vant chapter is Miss beam's account
of the one-room school she attended
sixty years ago. Sonic ol the school's
practices would now be regarded as
BOOKS IN BRIEF
advanced; there were no report
cards, and Students were not divided
into grades but grouped according
to their abilities in the various sub-
jects—the good readers read together
and the good figurers had arithmetic
together and so on. The secret of
the teaching Miss Beam lays bare in
a single sentence: "Square root was
taught with intensity and was ac-
luallv a popular topic." She thinks
that the greatest weakness of the edu-
cati tal system lav in its complete
fail e to relate what was taught to
the hildren's lives: they studied the
Re :)lutionary War but were not
told that Revolutionary troops ha
passed over their very land; the
learned a definition of peninsul
from the geography book but it di
not occur to them that the hunk d
land stickini; out in their lake wa
a peninsula. Miss Beam thinks tha
the chiel virtue of the very Iimite
curriculum was that it made Iti
products self-assured; they felt tha
they knew what they needed t
know. Probably nobody can be tha
self-assured now, but a reduction o
the curriculum in most secondar
schools and colleges would be at
improvement.
BOOKS
in brief
KATIIERINE GAUSS JACKSON
FICTION
Amelie and Pierre, by Henri Troyat.
In the seventeenth century when
Corneille's he Cid was being acted
in Paris, the hero and heroine were
so beloved by the public that there
was a saying (as I remember it):
"Toute Paris a pour Chimene les
yeux de Rodrigue." Now that t he-
sale of the first three Amelie novels
has passed 250,000 copies in France
perhaps the line could be rewritten:
"Toute Paris a pour Amelie les yeux
de Pierre." In any case this reader
certainly has for Amelie the eyes of
Pierre and has had as much sus-
tained pleasure from the two quiet
books, Amelie in Love and Amelie
and Pierre as in any novels I've read
in the last few years. They are part
of a trilogy called The Seed and the
Fruit, the family saga of two young
people from Chapelle-aux-Bois in
the Auvergne, who grow up, fall in
love, marry, and in this volume,
suffer with the rest of their country-
men the horror of World War I.
From the talk in the little cafe
(which Amelie runs in Pierre's ab-
sence at the front) in an unimpor-
tant Paris side street, one feels with
extraordinary vividness the anguish
of those now so primitive battles
long ago and the human love and
affe< lion that carried people through
them. This story of passionate mar-
ried love has simplicity, strength,
distinction, and absorbing narrativJ
interest. Simon k Schuster, $4.54
The House on the Beach, by ¥.. Lj
Withers.
A mystery-horror story about <
twelve-year old orphan girl in tin
clutches of her stepfather and aun
who are trying to murder her fo:
her money. Of course no other adul
will believe her stories of what id
happening and the cat-and-mousd
suspense goes on for two long day^
and many incredible pages. One
does want to know what happen!
and reads to the end, but the pub-
lishers do it a disservice in compar
ing it to The Mad Seed which had
great literary quality and a greater
horror even than a child's terror
that of an evil child somehow made
believable. This could more reason-
ably be compared to The Tall, Dark
Man by Anne Chamberlain though'
that, too, was less violent and more
convincing. Still, this won't be put
clown unfinished.
Rinehart, S3
The Joy Train, by Douglas Fair-
bairn.
A credible and moving story about
a contemporary young American (we
have had so many young Britishers
lately) trying to alone for having
forged his name on paintings that
were not his own. The background
of the story and the method of atone-
ment are unusual, even bizarre, but
as Mr. Fairbairn describes them they
seem perfectly possible. His ear
for dialogue is excellent; his picture
of the boy's very normal middle-
class family and the family rcla-
91
BOOKS IN BRIEF
Lionships is remarkably convincing;
and the boy's struggle and deter-
jmination to find himself and become
painter have real moral stature.
Simon & Schuster, $3.50
la pa
The Gentleman from Indianapolis:
A Treasury of Booth Tarkington,
edited by John Beecroft.
This rich harvest includes three
complete novels-Alice Adams, Pen-
rod, and The Magnificent Amber-
sons; seven short stories; and three
excerpts from other novels (Gentle
Julia, Seventeen, and Little Oruie).
iAII are in "Tark's" best manner, all
have Indiana backgrounds. Enough
said to assure readers of delightful
nostalgia. Literary Guild choice for
IDecember. Doubleday, $4.95
NON-FICTION
Those who are lucky enough to
ihave Christmas money and a taste
for art books are twice blessed, for
the choice this season is impressive.
Sienese Painting, by Enzo Carli.
The rise of the Sienese School of
painting was an unusual phenome-
non and this history of it (1250-
1500') shows how and why. It had
neither a political nor a commercial
culture behind it, but seems to have
sprung spontaneously from the life
of the people. Their houses with
their simple interiors, their bright
quilts, the animals and flowers they
knew (see the birds in Sassetta's
lovely "The Journey of the Magi"),
their countryside, appear again and
again in these religious pictures.
And the colors and the gold they
loved are beautifully reproduced in
62 full color illustrations. (There
are 137 in all.) Professor Carli's text
is succinct and illuminating. A large,
beautiful, pleasurable book.
New York Graphic Society, $25
The Life of Christ in Masterpieces
of Art and the Words of the New
Testament, selection and introduc-
tion by Marvin Ross, Chief Curator
of the Lew Angeles County Museum
and Curator of Medieval Art at the
Walters Art Gallery in Baltimore
and Brooklyn.
Every page of ibis book shows the
care and discrimination with which
it has been assembled. The selec-
tions of text from the New Testa-
ment are beautiful and moviii"; the
Helpful Books for Public Speakers
Whether you are a seasoned speaker or are only called
upon to speak occasionally, here are thousands of ideas
and a wealth of sound advice to help you speak with
confidence and ease on any subject, on any occasion . . .
THE BOOK OF
UNUSUAL QUOTATIONS
By Rudolf Flesch
This unique book brings you more
than 6,000 brief prose quotations to
add zest and spice to your speeches
and conversation. Alphabetically ar-
ranged by subject under more than a
thousand headings, these thought-pro-
voking sayings are available at the
flip of a page.
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By Maxwell Droke
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HOW I MASTERED
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92
color reproductions of paintings,
mosaics, stained glass (some of them
never in color before) are magnifi-
cent; and the i\]n' and decoration of
the pages are pleasures in themseh es.
Harper, $10
A Testament, by Frank Lloyd
Wright.
The "grand old man" of Amei i( an
architecture writes in language as
forthright as his buildings what
amounts to two books, the first, a
brief but pointed story of his long
and astonishing life, and the second,
an exposition of The New Archi-
tecture. The text is interspersed
with over 200 remarkable drawings
and photographs of his houses,
schools, office buildings, and hotels-
drawings often juxtaposed to the
completed structure. The vitality of
the whole is extraordinary. The
statements are often fiat, on the sur-
face and stimulating to a degree in
the ideas that follow in their wake.
"Art can be no restatement"— or "He
who knows the difference between
excess and exuberance is aware of
the nature of the poetic principle."
An exciting and beautiful book,
exuberant, I think, in the proper
sense of the term. Horizon, §12.50
The Museum of Modern Art's ex-
hibit of modern German art of the
twentieth century makes these three
books particularly timely.
German Expressionism and Ab-
stract Art, by Charles Kuhn and
Jakob Rosenberg.
This book is a rather specialized
study based on the pictures and
prints that are housed in the
museums at Harvard. It includes a
survey of modern German art by
Professor Kuhn; an essay on the
twentieth-century German graphic
arts by Dr. Rosenberg; a most useful
chronological table of the history of
German art since 1900; and a cata-
logue of German art at Harvard. It
contains 218 illustrations but except
for the frontispiece, they are not in
color. Harvard, $8.75
Modem German Painting, by Hans
Konrad Roethal.
As the title indicates, this volume,
which boasts sixty color plates, con-
centrates on painting and drawings.
It contains a more extensive history
BOOKS IN BRIEF
of German twentieth-century pann-
ing, biographical sketches, and bib-
liographies, and because the geo-
graphical choice of pictures is less
limited than the Harvard book it
is perhaps more fun for the general
leader. Reynai, $7.50
German Art of the Twentieth Cen-
tury, by Werner Haftmann, Allied
Hent/en, William S. Liebeinian.
Edited by Andrew Carnduff Ritchie.
Dr. Haftmann discusses painting.
Dr. Hent/en sculpture, and Mi.
Liebeinian prints in this beautiful
and compact volume carrying 178
illustrations, 48 in color. Sponsored
by the Museum of Modern Art in
collaboration with The City Art
Museum of St. Louis, and celebrat-
ing the extensive show of German
painting, sculpture, and prints which
has just been shown at the Museum
in New York and now moves to St.
Louis, the book is a distinguished
contribution to the history of Ger-
man art and of related European art
movements for fifty years.
Simon & Schuster, $9.50
The Changing Face of Beauty, by
Madge Garland.
More than 400 pictures illustrate
4,000 years of beautiful women—
their faces, figures, hair-do's, and the
conventions that changed them from
century to century. Ears and eye-
brows appear and disappear, bosoms
wax and wane, waistlines go up and
down, and the pictures are chosen
with discrimination and a real sense
of style. Fascinating and fun.
Barrows, $10
And then there are three eye-fill-
ing, notable books on American
places, art, and crafts.
The American Heritage Book of
Great Historic Places, by the editors
of The American Heritage.
Three thousand places important
in the building of this country are
here accounted for either in pictures
(700) or text. The book is divided
into nine geographic sections with
maps for each, and the photographs
and drawings, carefully selected and
displayed, are beautiful, instructive,
and somehow moving. The book has
been on the best-seller list almost
from the day it was published.
Simon & Schuster, $12.50
Three Hundred Years of Americai
Painting, by Alexander Eliot, Ar
Editor ol Tunc. Introduction b'
John Walker, Director of the N
tional Gallery.
Three hundred pages of distin
guished text and pictures (250 i
color). Published by Time and dis,
tributed by Random House. Sl.'i.5(
America's Arts and Skills, by th<
editors of Life. With an introduc
tion by Charles F. Montgomery
Director of the Henry Francis Du
Pont Winieithiu Museum, Wintei
thur, Delaware.
From the earliest primitive toolJ
to the age of electronics and modern
architecture the development ol
American arts and skills is shownj
in spectacular color photographs and
explained in text and captions.
Dutton, $13.93
FORECAST
Memoirs of Professionals
Professional men and women in
all walks of life are either writing
their autobiographies or having biog-
raphies written about them in 1958.
Pennsylvania Supreme Court Justice
Michael A. Musmano has written
Verdict! The Adventures of thei
Voting Laioyer in the Brown Suit, a.
book of reminiscences which Double-
day will publish in February. In the,
same month they will also launch
Doctor in Love by that adventuring
doctor, Richard Gordon, who also
wrote Doctor in the House, and1
Doctor at Sea. Lt. -General Sir John]
Bagot Glubb, professional soldier'
and former Commander of the Arab
Legion has told his story, A Soldier
with the Arabs, and Harper will
publish it in February too. In the!
same monththey will publish A Joy\
of Gardening by V. Sackville-West,
who combines in it the talents of a
professional writer and near-profes-
sional gardener, using her experience
in her garden at Sissinghurst Castle
in Kent as a background for a special
book for Americans. Putnam an-
nounces The Arctic Year, by the
arctic explorer Peter Freuchen and
the Danish naturalist Dr. Finn Salo-
monsen— a heavily illustrated month-
by-month account of life in the
Arctic Zone, for publication in
February, IGY. The professional's
lot is not a private one.
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City and Slate.
rAe /^RECORDINGS
Edward Tatnall Canby
slowly, almost to the point of stodginegj
on Inst hearing. ( A. corresponding group
from the Vienna Philharmonic plays
it on London I.I. 1191.) This recording
has .1 fine sound though the string bass
seems over-heavy and there is a trace of I
low -pitched hum that will be audible]
on larger speakers.
GENERATIONS OF CHANGING TASTE
Beethoven: Symphony — 3 <"Eroica").
Cleveland Orchestra, Szell. Epi< 1(
3585.
\ East, yet eloquenl "Eroica," this one,
and thoroughly enjoyable, casting some
pleasant!) fresh light on the great piece's
inner shaping— a quick-paced, panorama
view, on tiptoe. This is not one ol those
teeth-gnashing exercises in modern vio-
lence—Szell is too much ol a good Cen-
tral European to tamper with its Kiic
qualities and the symphon) sings where
it should. But the sharp, syncopated
chords are quick swipes ibis time, rather
than the usual weighty thundei blows,
the dissonant trumpet is deliberately
shocking, almost triumphantly so. and
the grand climax positively crows with
accomplishment.
Beethoven, like Bach and the othei
big ones, has enough in him lot gener-
ations of changing taste to exploit: and
maybe we are about to see a new renais-
sance lor his music in new terms. The
older era made much talk ol his cosmic
architecture but didn't do much about
it in the playing. This symphony in par-
ticular has too often been dragged out.
ponderously, played tor every detail ol
monumental grandeur along the way.
But lew listeners, howevei impressed,
can hold onto the larger concept ol the
piece in such performances. This was
the Wagnerian approach; you were hyp-
notized by the very immensity of the
thing and, sometimes, you went oil to
sleep, to wake up and cheer at the cud.
The wonderfid thing is that Beetho-
ven's architecture is there, and it can be
made audible, upon demand, in mysteri-
ously ever-new ways. Our present taste
for clean lines and airy spaces does
Beethoven no harm at all. The lug
shapes aie undeniably and ncwh evi-
dent, all clean metal and glass against a
serene blue sky.
Beethoven: Septet, Op. 20. Chamber
Music Ensemble of the Berlin Phil-
harmonic Orch. Decca DL 9934.
This colorful and beautifully written lit-
tle divertimento lor wind and string
solos was Beethoven's most popular
salon piece during his lifetime— until
lie could no longer stand the mention
ol it. (But at first he was extremely
proud of the work and rightly.) It is
music, so to speak, for social listening:
there's nothing emotionally profound
about it and there should not have
been— Beethoven, remember, lived in a
time when music was written to fit the
occasion, rather than the composer's
( motional whim. It serves its purpose as
well now as it did then— easy, light en-
tertainment, put together with immense
skill.
The North German performance is
full of life and vigor, if not always sc rup-
ulously clear in the details; it makes an
interesting contrast to the present
Viennese tradition, which takes it more
WORTH LOOKING INTO . . .
Prokofieff: Cello Concerto. Milhaud:
Cello Concerto #1. Janos Starker; Phil-
harmonia, Susskind. Angel 35418.
Mendelssohn: Cello Sonata in D. Strauss:
Cello Sonata in F. Andre Navarra, cello,
Ernest Lush, piano. Capitol P18045.
Beethoven: Diabelli Variations, Op. 120.
Leonard Shure, piano. Epic LC 3382.
Franck: Piece Heroique; Three Cho-
rales. Edouard Commette, Organ Cathe-
dral St. Jean de Lyon. Angi I 15369.
Selections from the Sacred Pontifical
Liturgy ol the Russian Orthodox
Church, Choir of the Russian Orthodox
Cath. of Paris, Spassky. Epic LC 3384.
Col. World Library of Folk and Primi-
tive Music, Vol XV: Northern and Cen-
tral Italy; Vol. XVI: Southern Italy
and the Islands, eel. Alan Lomax. Co-
lumbia KL 5173, 5174.
Puccini: La Boheme. Gigli, Albanese,
el <d. (La Scala production, from pre-
war 78s.) His Master's Voice 513/514
(2) Imported.
Sounds of Steam Railroading. (Norfolk
& Western) O. Winston Link Produc-
tions, 58 E. 34th St. New York 16, N. Y.
Haydn: Symphony #%. Mozart: Sym-
phony #35 ("Haffnei"). Detroit Syna
phony, Paray. Mercury MG5Q129.
Paul Paray, an irrepressible Frenchman
of the older generation, does astonishing
ind sometimes outlandish things to such
pompous Teutonics as Wagner and
Liszt, lie is always highly musical, and
in his handling ol these earlier Austri-
• nis. Paray turns out to be a first-rate
stylist, with all the musical fervor ol his
other work and, in this case, very little
that is eccentric. The phrasing is beau-
tifully intense— exaggerated, but at the
right places: the music dances, bounces,
is full of energy. And Haydn, who too
often is bounced cutely, is full of life
and. il you will, seriousness: what is
particularly nice is the concertante , semi-
intimate style of playing, with much solo
feeling.
Only minor drawback is the Detroit
orchestra's inability always to keep up
with the letter ol Paray's intentions.
There is some rough playing here and
there. But we have had far too much
smooth, soulless perfection in our big
orchestras. This recording is all soul.
Haydn: Symphony #45 ("Farewell'');]
Symphony #82 ("The Bear"). Southwest
German Radio Orch.. Roll Reinhardt]
Vox PL 10310.
Evidently one may be born in Heidel-
berg, as was Roll Reinhardt. and grow
up to be at thirty a mature and under-]
standing conductor of Haydn. Mosd
young conductors can't touch him. It
isn't easy to believe that these suaveJ
wise performances are from a youngj
leader, espee ially since the) are clearly!
not carbon-copy repertory readings butj
the products of individual thinking and
intuition.
The symphonies are not played with
technical perfection; there are. again, a
good many unfinished edges. But the]
whole feeling, lor these very unlike
works, is on the way to being deeply
right. In the later one, composed fori
Paris, there is both that joyous, bustling
flamboyance— sounding so much like
Mo/art— that was typical of Parisian,
style, and the wise, untroubled pro-i
iundity of the later Haydn. Thescj|
things Rolf Reinhardt hears as Btunc
Walter might.
And in the "Farewell," one of the
greatest of small symphonies, he hears
the first movement's agitated module
:
Here is
where FDS pays off!
You're looking at an ant's-eye view of a diamond
needle in a record groove. It's magnified 250 times
to illustrate the enormous margin for error in the
playback of an ordinary recording.
But the symbol next to it is never put on ordinary
recordings. It reads "Full Dimensional Sound" and
when you see it on the upper right hand corner of a
Capitol album you know-—
1. An artist of the first rank has given an exceptional
performance.
2. This performance has been flawlessly recorded by
Capitol's creative staff and sound engineers.
3. It has been judged by the record-rating "Jury" as
being worthy of the "FDS" seal — denoting the
highest fidelity known to the recorder's art.
No other symbol promises so much. And delivers it.
Incomparable High Fidelity — Full Dimensional Sound Albums
9G
THE NEW RECORDINGS
tion ancl, in the second, the strange,
thin, three-part counterpoint, the spare
lines of melody stretching into Fathom-
lessly distant tonal relationships; he is
aware of the richness and the peace ol
tin1 last movement, where the instru-
ments depart one by one, leaving a
string quartet, then two violins alone, to
i.un the unbroken spell to its end.
Haydn: Symphony #41 ("Trailer Sym-
phonic"); #49 ("La Passione"). Vienna
State Opera Orch.. Scherchen. West-
minster XWN 18613.
One ol the paradoxes ol nineteenth-cen-
tury Romanticism is that it was anti-
Romantic toward its immediate Eore
bears, almost jealously so. Mozart and
Haydn lived in the periwig era and
their music was played in periwig
fashion; only a few chosen "prophetic"
works— mostly the minor keys— were al-
lowed a place in Romanticism and a
Romantic-style play ing.
And so, paradoxically, a twentieth
century task is the restoration— to Ro-
manticism—of much in Haydn ancl
Mo/art, as we must restore Beethoven
to classicism. Scherchen's Haydn, early
and late, has been a revelation in this
respect and Westminster's wholesale re-
issue of his recordings is of great value.
These two are from that short pie-
Romantic time of storm and stress
around 1770, the time ol the "Farewell"
and the fact that the later Haydn is less
outwardly passionate (though in-
wardly more deeply Romantic) makes
them particularly interesting. See espe-
cially Scherchen's late Haydn, Sym-
phonies 93-104.
Mozart: Symphony #35 ("Haffner").
Berlioz: Waverley Overture; Three Ex-
cerpts from "The Damnation of Faust."
Orchestra drawn from Alumni of the
National Orchestral Association, Leon
Barzin. Columbia ML 5176.
This recording, played by members of
the 400-odd alumni of this splendid
training orchestra, commemorates the
organization's twenty-fifth anniversary,
under Leon Barzin's direction. The Na-
tional is a unique orchestra, that ac-
cepts via scholarship youngsters on
their way to the orchestras of our coun-
try and gives them a year or so of rigor-
ous practical training— rehearsals, con-
certs, broadcasts. Mr. Barzin, who now
conducts the New York City Ballet as
well, has exactly the right humorous,
disciplinarian approach to the young
players.
As a performance, by men from doz-
ens of musical posts throughout the
country, this was surely unusual, a sort
of professional convention and Old
Home Week. As music, the result is
inevitably colored by professionalism.
1 1 is both remarkably virtuoso and
musically unconvincing. It is a display
ol graduate orchestral technique, lor the
old schoolmaster: ii reflects, as well, all
the prejudices and narrownesses ol the
practicing orchestral musician— and this
includes Mr. Barzin himself. Mozart
.ml Berlioz are pretty much lost en-
route. The "Haffner" is played from the
original manuscript, owned by the Ass<>
ciation. You will not detect important
differences. The sound is conventionally
big-orchestra, expertly polished and
quite routine. I he Berlioz is the same—
much display and little ol that native
electricality that makes the music worth
hearing.
Ml ol which is no slur on the Na-
tional, bin rather, a reflection on the
state of American orchestral playing
today. It was never the National's busi-
ness to reform it.
Schubert: The Death of Lazarus. Soloists,
NDR Chorus, Philharmonia Orch. Ham-
burg. Winograd. MOM F3526.
The first act ol an uncompleted Schu-
bert opera is here brought to perform-
ance—it was hailed by Alfred Einstein as
a neglected masterpiece in his Schubert
(Oxford, 1951). The music won't be easy
for most listeners, but it is without a
doubt remarkable. How the work could
have survived as an opera is hard to
imagine; there was never such a quiet,
gentle, inward-turning opera as this,
concerned entirely with an intimate and
very personal death-bed scene, where
Lazarus talks with his closest family and
friends, and dies in theii midst. No
heroics, no dramatics.
But those who know how poignantly
Schubert can turn the simplest melody,
with the simplest of chords, will under-
stand how this gentle piece can grow
upon the listener who has it in his home
to hear, far from the unlikely stage. It
is, somewhat incidentally, a pioneer work
in respect to the free blending of aria
and recitative, anticipating even Wag-
ner's "Lohengrin." But Wagner made a
lot more noise.
A small, dedicated cast of singers, none
of very great power, manages rather
beautifully to project the sense and feel-
ing of this unusual music. The orchestra
plays it warmly as well.
Milhaud: Le Pau,vre Matelot (1926).
Milhaud: Les Malheurs d'Orphee
(1924). Jacqueline Brumaire, Bernard
Demigny, Jean Giraudeau, Xavier De-
praz, et al. Members of L'Orch.du
Theatre Nat. de L'Opera, Milhaud.
Westminster XWN 11030; XWN 11031.
Here are two apt and timely releases-
timely in that, after thirty-odd years,
these beautifully wrought little chamber
operettas seem to hit the spot now as
they never could have before. Just
quaintly nostalgi( enough ol the 'twen-
ties to neutralize any left-over trace of
radicalism, they are piquantly dissonant
and yet tuneful, soulful, remarkably pro-'
lountl.
One of them is the story of Orpheus
and Eurydice transposed into Provence,
where he is a local druggist-herb-doctor
and she a gypsy, fleeing her revengeful
tribe. She dies, he is killed by her three
sisters, unresisting, in the midst ol a
sentence; the scene is over almost as it
begins.
The other story, a shocker in its
double-take at the end, has a faithful
wife awaiting her sailor husband who
went to sea for a fortune; he returns,
masquerades as a rich stranger who says
the husband will soon be back, penni-
less; the wile murders him in the night
for his money and. never knowing, goes
back to her vigil, happy. Jean Cocteau
i- the author of this one.
The performances under Milhaud are
dedicated, all-French, beautifully cast,
and superbly good in the singing and
playing.
Dukas: Sorcerer's Apprentice. Wein-
berger: Polka and Fugue. Liszt: Les Pre-
ludes. Strauss: Dance of the Seven Veils.
N. Y. Philharmonic, Mitropoulos. Co-
lumbia ML 5198.
This is a sad display lor a top orchestra
and great conductor, dreadfully wrong
from beginning to end. One can only
sit back and speculate as to what hap-
pened and how.
The titles, at least, make the general
intention clear enough. They are war
horses, chosen for an intended hi-fi im-
pact, as are most such discs nowadays.
They are surely not Mitropoulos' fa-
vorites, or specialties of the orchestra.
The whole thing falls dismally be-
tween two stools. Hi-fi it is, but gro-
tesquely so, I'm tempted to say almost
amateurishly; the balance is atrocious
and generally confusing, as though some-
body had opened the wrong mike. The
beginning of the "Seven Veils" sounds
like a jazz percussion piece, the winds
snarl in the "Sorcerer," and the strings
play too close, like hotel salon music, in
"Les Preludes." Indeed, it couldn't be
as bad as it sounds; the mikes have done
the orchestra in.
And yet, musically, the great con-
ductor seems to be pulling backwards,
too. It sounds to me like passive re-
sistance to a hateful chore.
It's possible that Columbia, the Phil-
harmonic, and Mitropoulos are collec-
tively just too earnest, too high-minded,
to do the distasteful job— in which case
I can only admire them.
.■Iftcr office hours in Puerto Rico. Photograph by Elliott Erwitt.
The Executive Life in Puerto Rico
The other day somebody questioned
our wisdom in stressing the good
life in Puerto Rico. "If life is so de-
lightful," he said, "how can you ex-
pect executives to work?"
Well, they do. Over four hundred
and fifty U. S. manufacturers have set
up new plants on this sunny island. Their
net profit on sales is three times as high
as the average in the United States.
These figures speak volumes. Thev re-
flect the stimulus of Puerto Rico's re-
markable Operation Bootstrap. They
also give some idea of the extraordinary
industrial renaissance that is attracting
manufacturers at the rate of three -new
plants a week.
But they cannot express the more
personal rewards you get from being
part of it all. Hence our picture. It was
taken on Luquillo Beach. After a hard
day, wouldn't you appreciate a sea so
warmly gentle it doesn't even tickle the
soles of your feet? And how about a
house in those green hills?
It's all within the bounds of possibil-
ity. This whole idyllic picture is under
five and a half hours from New York.
©1958— Commonwealth of Puerto Rico,
579 Fifth Avenue, New York 17, N. Y.
i I
,.
I
..v
^
<ir.
83
^
x
Arrive! of the Fashionable Scotch
WHETHER you are meeting Old
Smuggler for the first time or
the thousandth time, its arrival
rightfully rates the "red carpet."
It is what Scotsmen call a. fashion-
able Scotch. Because il i> developed
with natience nil scruple — because
it is distinguished by great softness
and delicaey of flavour — and because
it carries on quality traditions that
date back to 1835.
The precious character of Old
Smuggler prompts men to pay it a
spontaneous and unique tribute
when it is poured: "Careful, don't
waste a drop — that's Old Smuggler."
II you have ffol yet enjoyed the
superb delight oi Old Smuggler,
why not ask lor it by name the next
time? You will be richly rewarded.
Please take another look at the
bottle to lix it firmly in your memory.
Distilled, Blended and Bottled in Scotland
Imported by
W. A. TAYLOR & COMPANY, N, Y., N. Y.
Sole Distributors for tlie U.S.A.
BLENDED SCOTCH WHISKY • 86 PROOF
OLD O/V
usm
SCOTCH with a History
FEBRUARY 1958 ► SIXTY CENTS
Harper's
magazine
A Chance to Withdraw
Our Troops in Europe
George F. Kennan
What Two Lawyers Are Doing to Hollywood
Murray Teigh Bloom
How to Choose a College, If Any
John W. Gardner
Antibiotics: Too Much of a Good Thing?
Dr. Vernon Knight
/HAT IS ADVERTISING GOOD FOR
..
artin Mayer
A suggestion for a new theory of advertising what role
it really plays in our society .. .and how to tell
whether it is the hero, the villain, m merely a butler
\
Relax enroute to
Australia
via ssMariposa...ssMonterey
Settle back. Stretch out. Let cares float away under
sunny South Pacific skies. This is your adventure in
leisure: 19 thoroughly restful days on the Matson
way to Australia, via Tahiti and New Zealand.
You arrive relaxed, refreshed, and ready for all the
fun of this friendly down-under wonderland. Matson
travel does it every time. Elegant cuisine and service.
Spacious, air-conditioned ships. All accommodations
in First Class, all with private bath.
SPECIAL SPRINGTIME TRAVEL OPPORTUNITIES
Space now available for these sailings:
April 2, April 27, May 18 and June II
. . . when the weather is at its glorious best all along the
route. Sail round trip by ship, or return by air from
New Zealand or Australia. Or plan an exciting journey
around the Pacific or around the world. Whatever you
choose, the Mariposa or Monterey is the perfect beginning
for an unforgettable adventure. See your Travel Agent.
THE SMART WAY
TO THE SOUTH PACIFIC AND HAWAII
MATSON NAVIGATION COMPANY • THE OCEANIC STEAMSHIP COMPANY
OFFICES : New York . Chicago . San Francisco . Seattle
Portland • Los Angeles • San Diego • Honolulu
Recruiting Telephone Ideas for the Future
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What will the telephone of the future be like? Key members of CPPD discuss some possible models.
Will they work? Are they marketable? Will they stand up?
Bell System's new Customer Products Planning Division
has the fascinating job of generating, screening and testing
new ideas for ever-better telephone equipment and service.
Here in this quiet room is shaped
an important part of the future of
the telephone.
For here are gathered together
from many sources the hundreds
of new engineering and styling ideas
. . . even the "screwball notions" . . .
from which the telephone of to-
morrow will be developed.
Which are good? Which are bad?
It is the responsibility of the Cus-
tomer Products Planning Division to
find out. And to select for develop-
ment and production those items
that people really want.
No idea seems too farfetched for
careful consideration by this hard-
headed but hopeful group.
They go on the premise that even
a poor idea may spark a good one,
and that you never know how good
an idea is until you try it.
So, when an idea looks promising,
working models are developed and
designed by the Bell Telephone Lab-
oratories, built by Western Electric
Company, and tried out in homes or
offices. Thus no bets are missed, and
no costly mistakes are made.
This is just one reason for the suc-
cess of Bell System's continuing pro-
gram of research for ever-better
telephone service.
Working together to bring people together
Bell Telephone System
HARPER & I! R O T II K R S
PUBLISHERS
Chairman of the Executive
Committee: CASSCANl n i D
Chaii man of the Board:
FRANK S. MACGREGOR
President and Treasurer:
RAYMOND C. HARWOOD
l'i' 'its:
EDW \Kli J. TYLER, JR.,
EUGEN1 1 \\l \N. ORDW Vi I I \l>.
DANIEL 1\ BRADI 1 x
Assistant to the Publishei
and Circulation Director:
JOHN JAY HUGHES
EDITORIAL s I \ 1 I
Editor in Chief: john fischer
Managing Editor: russell lynes
Editors:
KA1H1 KIM (.At ss JACKSON
ERIC LARRABEE
CATHARINE MEYER
ANNE G. FREEDGOOD
Editorial Secretary: rose daly
Editorial Assistant:
LUCY DONALDSON
ADVERTISING DATA: consult
II mwi n-.Vii imii S m.ks. In. .
49 East 33rd Street, New York 16, N. Y.
Telephone MUrray Hill 3-5225.
HARPER'S MAGAZINE issue fur
Feb. 1958. Vol. 216. Serial No. 1293.
Copyright^ 1958 by Harper & Brothers
in the United States and Great Britain.
All rights, including translation into
other languages, reserved by tin-
Publisher in the United States. Great
Britain. Mexico and all countries
participating in the International
< opvright Convention and the
Pan-American Copyright Convention.
Published monthly by Harper &
Brothers, 49 East 33d St., New York 16.
N.V. Composed and printed in the i .S.A
bj union labor at the Williams Press,
99-129 North Broadway, Albany. N. Y.
Entered as second-class matter at
the post „(fice at Albany. N. Y.,
under the Act of March 3, 1879.
subscription rates: 600 per copy;
$6.00 one year; $11.00 two veai-:
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CHANCE OF ADDRESS: Six week-'
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well as new. are necessary.
Address all correspondence relating
to subscriptions to: Subscription Dept.,
49 East 33d St., New York 16, N. Y.
HariDerl
MAGA
Z I N E ®
FEBRUARY 1958
vol. 216, no. 1293
ARTICLES
25 \Vii\i Is Advertising Good For? Martin Mayer
Drawings by Roy Mi Kie
32 Our Di \ir. Coi i i vgi is. Arthur C. Clarke
Drawings by Roy McKie
34 A Chanci ro Withdraw Oik Troops in Europe,
George F. Kennarj
42 \\ii\i I w 1 1 Lawyers \ki Doing to Hollywood,
Mm i ,i\ I eigh Bloom
Cartoon by Chon Day
1!) How ro Choosi \ College, Ii \\\. fohn W. Gardner
60 Antibiotics: Too Much of a Good Thing?
Vernon Knight, M. I).
()1 I in HilLbillies [nvadi Chk \(.o, Albert \. Votaw
Drawings by Charles II. Walkei
72 The Voyage of mi Lucky Dragon, Part- III,
Ralph E. Lapp
Drawings by Ben Shahn
FICTION
55 An Old Boy Who Made Violins, Ben Maddow
Drawings by Janina Domanska
VERSE
54 And 1 Say the Hell with It, Philene Hammer
68 Florence: At the Villa Jernyngham, Osbert Sitwell
Drawings by Robert Benton
departments
4 Letters
10 The Editor's Easy Chair— Who's in Charge Here?
fohn Fischer
20 Personal & Otherwise: Among Our Contributors
80 After Hours, Mr. Harper
83 The New Books, Paul Pickrel
89 Books in Brief, [Catherine Gauss Jackson
92 The New Recordings, Edward Tatnall Canby
COVER by Roy McKie
The books you want to read are — usually —
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FOR EXAMPLE: HERE ARE 10 OF 130 BOOKS AVAILABLE TO MEMBERS THIS MONTH
^is*
BY LOVE POSSESSED
by James Gould Cozzens
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able piece of American fiction
we have been privileged to
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years"— Clifton Fadiman.
Specia! price to members : $3.95
A HISTORY OF THE
ENGLISH-SPEAKING
PEOPLES
by Winston S. Churchill
Vol. I: The Birth of Britain
Events and personalities from
the earliest times to those of
Richard III.
Vol. II: The New World
The whole Tudor and Stuart
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Vol. Ill: The Age of Revolution
From 1688 through the Ameri-
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shake the Communist world"
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LETTER FROM PEKING
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The latest novel by this dis-
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THE FBI STORY
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THE NUN'S STORY
by Kathryn Hulme
Based on actual fact, this
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a Belgian nun's life in a fa-
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Special price to members : $3.75
GUARD OF HONOR
THE JUST AND THE
UNJUST
by James Gould Cozzens
A Double Alternate recently
offered because of the excep-
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GOOD SENSE: A TRIAL SUBSCRIPTION. There are at least
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beyond question. First, you get the books you want to read instead
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for them than otherwise. Third, you share in more than $13,000,000
worth of free books (retail value) now distributed annually as Book-
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All six volumes of Sir Winston's epic history
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THE WORLD OF MATHEMATICS In four volumes, boxed RETAIL PRICE $20.00
SANDBURG'S ABRAHAM LINCOLN— THE WAR YEARS retail price $36.00
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Books for Canadian members arc priced sliphtly hlffher, are shipped from
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'Trademark Reg. U.S. Pat. Off. and in Canada
LETTERS
Poner on the Border
To the Editors:
I found the article by Senator Neu
berger, "Powei Struggle <>n the Cana-
dian Border" [December], ver) interest-
ing. ... I he problem, as he points out,
is crying for solution, ami unless we find
ways "I resolving differences and har-
nessing those available kilowatts ol elec-
trical energy, critical power shortages
will mount.
Warren G. Magnuson, Chairman
Committee on interstate and
Foreign Commerce
U. S. Senate. Washington
Senator Neuberger brings lo light sig-
nificant and timely news on the hydro
power situation in the Northwest.
It is unfortunate that the region
should be so heavily dependent on this
power source, as it represents less than
5 per cent of the nation's energy. With
the nation now engaged on new lines of
public works, i.e. highways, and ab-
sorbed with day-to-day news of atomic
developments, it seems unlikely that for
the near term the Congress will see fit to
appropriate the tremendous sums of
money necessary for the continued ex-
pansion of hydro projects.
Right or wrong, the bitter public vs.
private power battle has divided the
area politically, with unfortunate re-
sults. Donald Wylie
Highland Park, 111.
Vermont, Pro and Con
To the Editors:
I am not a native of Vermont, but I
have spent much time there and 1 have,
like thousands of others, a high regard
for that state, its people, and their
manner of life, f think most of those
at all acquainted with Vermont will
feel as I do about [Mrs. Chapin's] cur-
rent article ["Vermont: Where Are All
Those Yankees?" December]: that it is
beneath contempt and entirely unworthy
of publication.
Marc T. Gri i nj
Thomaston, Me.
That I was happih able to purchase
a copy of the December Harper's in
Montpelier, Vermont, and so read Mis.
Chapin's notes on Vermont character,
was no doubt due to those \ ci % tnflu-
- sin so loudl) deplores.
I 1 1/ \iu in Ken i (■ \\
Calais, Vt.
I he ai ti< le by Miriam Chapin is a
wonderful picture of what a non-Ver-
monter expects as seen through th< eyes
ol ,i Vermonter. However, it doesn't
quite tell the story. The pervading Ver-
mont isms ol the natives, ol whom 1 am
proud to be one, are a little too subtle
to make a good article. They are to be
found, lot instance, in the attitude
toward Calvin Coolidge which, among
his neighbors] was based on their esti-
mate of him— man and boy— instead of
on his being President. They are to be
found in the case ol a very acceptable
preacher from the Midwest we had in
our town once who made the alarming
discovery that the fad ol his being a
clergyman gave him no automatic dis-
tin< lion. He had to earn it.
I might say just a word or two about
some of the useful characteristics (un-
people possess. They are adaptable
mechanically, and this accounts not
merely for industrial success from the
days of Thaddeus Fairbanks and the
platform scale to the machine-tool indus-
try ol Springfield and Windsor. It also
accounts for the successful establishment
in Vermont of branch plants of many
national organizations. . . .
The second characteristic, and this
shows character, is that labor relations
are based on the assumption that man-
agement and labor will live and work to-
gether. Strikes are not unknown. Pro-
tracted strikes leading to lasting bitter-
ness are non-existent.
As to telephone numbers, that inci-
dent shows universal characteristics and
might have occurred in France or Aus-
tralia. However, after all, there is
something Vermontish in the humor and
ingenuity. Ralph E. Flanders
U.S. Senate, Vermont
Divide and Rue It
To the Editors:
Charlton Ogburn, |r. presents a
strong case lor eliminating military
rivalry in the Middle East between Rus-
sia and the West ["Divide and Rue It
in the Middle East," December]. Never-
theless I fail to find it entirely convinc-
ing. The Russian offer of "peaceful
co-existence" . . . carries strong over-
tones of propaganda to me. . . . Soviet
Russia has no desire to have the
Middle last quiet down even thougjg
it seeks lo prevent a major conflict
from breaking out there. It l.uher
aims ai stimulating Arab hatred of
[srael in ordei to be a beneficiary of I
this absorbing passion ol the Arabs.
. 1 he Soviet realizes lull well that its
phon\ offei will nevei be accepted by
the United States and Great Britain
loi the following reasons:
(1) American aims must continue to
be supplied lo Turkey not only because
ol ils ke\ position . . . but because it
protects ,\ \ 1 ( ) s Hank.
(2) The adjoining "northern tier"
countries, Iraq and Iran, must continue
to receive American military support
or succumb lo the blackmail threats
ol their Soviet neighbor.
(3) Jordan would collapse without
American military and economic aid.
This might well result in an almost
simultaneous attempt to carve up the
kingdom by Syria, Iraq, and Israel
with that part of the Middle East be-
coming a center ol military turmoil
and witli an accompanying disruption
ol vital oil supplies to Western
Europe. . . .
(4) British military support for the
Persian Gulf sheikdoms must be main-
tained because ol the highly strategic
value of their fabulous oil reserves.
(5) It is politically unthinkable for
either American political party to ac-
cept a policy of refusing military aid
to Israel in case of need.
Let's give the Soviet credit for mak-
ing what some may consider a clever
cold-war propaganda move. However,
it is of no help in solving the prob-
lems. Ernest T. Clough
Milwaukee, Wise.
Rites of Autumn
To the Editors:
Since you invite addenda and alter-
native suggestions to Mr. Ferril's ex-
cellent (but misguided) try at inter-
pretation of the Rites of Autumn [The
Editor's Easy Chair, December], I hasten
to submit the following:
I am sorry to say that my comment
will destroy the whole edifice built,
obviously at the cost of tremendous
research, by Mr. Ferril. He laid, how-
ever, the egg ol his own downfall in
this sentence: "The actual rites, per-
formed by twenty-two young priests of
perfect physique. . . ." This is ex-
tremely inaccurate. My own research
lias shown me that the words "perfect
physique" are the base reason for the
rites— in reverse. The young American
male from birth is led to believe that
only those of perfect phvsique can
become the Blessed. ... By the time
% .-*.«•"
Exclusive
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iv"
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V.\SSfc*E*
You can have any «J of $^75
the books shown for only %J mmb
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An International
Sensation . . .
By exclusive arrangement with Ivar Lissner's publishers in Europe and
America, THE LIVING PAST has been designated as a selection of the
MABBOBO BOOK CLUB. "An utterly enthralling book, a bestseller
throughout Europe, and fully comparable in every way to Gods, Graves &.
Scholars. Astonishingly researched, vividly written. I urge this book on
every reader who wants to flex his mind and exercise his imagination"
-Saturday Review
VJhoose from THE LIVING PAST-BEING AND NOTHINGNESS
-SELECTED WRITINGS OF JIMENEZ (Nobel Prize winner)-
OF LOVE AND LUST— and eight other important books as your intro-
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THE LIVING past is much more than an unprecedented international best-
seller. Hailed by archaeologists, anthropologists, literary and art critics
alike, it is'a totally new kind of illustrated book about the magnificent and
terrifying past we call Ancient History. Brilliant, idol-smashing, ency-
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some of them brutal, some inspiring, some depraved— from Thebes to
Tahiti, from Jerusalem to Japan, from Persia to Peru. Nothing you have
ever read before can have prepared you for its excitement and its sur-
prises. Translated into 12 languages, it is now published in America at $5.95.
To demonstrate the values that discerning readers can expect from the
marboro book club, we offer you any 3 books on this page (including
the living past, if you wish) all for about one-half what you would
ordinarily expect to pay for the living past alone.
This is no ordinary offer. Never before have current books of such
stature been made available at so low a price. But, of course, this is no
ordinary book club.
the marboro book club was established expressly for those of you who
make up your own minds about books— men and women who know good
books, want good books, and read so many that today's high cost of reading
has become a problem. It pools your buying power with that of others who
share your tastes, and brings you savings never before possible on the
books you prefer.
With each four selections (or alternates) accepted at Special Member's
Prices, you also receive a superlative bonus volume of your choice at no
additional charge. You'll soon find that savings average more than 50%
on the self-same books you would have purchased at regular prices.
How many of the books listed below have you wanted to read ? Reach for
a pencil right now and check off any three you want. They're yours for
only $3.75 with an introductory membership in the MARRORO book club.
That's a saving of as much as $20.00 on regular bookstore prices.
Mail the application form today, while this exclusive offer lasts.
Choose any 3 of these books for $3.75 with Introductory Membership in the MARBORO BOOK CLUB! Mcsil your application today.
D THE LIVING PAST. By Ivar Lissner.
Brings triumphantly to life the great
discoveries of archaeology, anthro-
pology, and comparative religion.
508 pages, including 64 pp. of fabu-
lous photographs — sculpture, idols,
architecture, costumes. & other treas-
ures of antiquity. List Price $5.95
D OF LOVE AND LUST. By Theodor
ltcik. Freud's most famous pupil
analyzes the hidden nature of mas-
culinity and femininity, normal and
perverse, in romantic love, in mar-
riage, parenthood, bachelorhood, and
spinsterhood. List Price $7.50
D tAST TALES. By Isak Dinesen.
Twelve new tales of compelling
beauty and enchantment by the author
of Seven Gothic Tales. "A touch
that's magic . . . Pure delight." —
N. Y. Times List Price $4.00
Q MASS CULTURE. Ed. by Bosenberg
Ac White. Monumental, 'wickedly 're-
vealing portrait of the "Lonely
Crowd", at play. David Biesman,
Edmund Wilson, Dwight MacDonald
and ether distinguished scholars de-
scend unon t Tie "popular" arts with
diabolical zest. List Price $6.50
D SELECTED WRITINGS OF JUAN
RAMON JIMENEZ. First representa-
tive cross-section of prose and poems
by the 1956 Nobel Prize Winner, in-
cluding writings never before pub-
lished in book form. List Price $4.75
D BATTLE FOR THE MIND. By Dr.
William Sargent. How evangelists,
psychiatrists, and brain-washers can
change your beliefs and behavior.
"Every page is full of lively inter-
est."— Bertrand Russell.
List Price $4.50
O THE CLOWNS OF COMMERCE. By
Walter Goodman. An irreverent in-
vestigation of Madison Avenue's
professional "persuaders," and how
they arc deceived by their own
"campaigns." Hilarious, merciless,
and every word is true.
List Price $4.95
□ RELIGION AND THE REBEL. By
Colin Wilson, author of The Out-
sider. "The idea behind it is one of
the most important in the thought of
our time, the most effective challenge
to materialistic philosophy yet con-
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list Price $4.00
O BEING AND NOTHINGNESS. By
Jean- Paul Sartre. Sartre's Philoso-
phy of Being, including his views on
social relations, his doctrine of free-
dom, and existential psychoanalysis.
635 pages. List Price $1 0 .00
□ MAKERS OF THE MODERN WORLD.
By Louis Untermeyer. 800-page en-
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who created the thought and taste
of our time — from Proust to Einstein,
Roosevelt & Stravinsky. The modern
Plutarch's Lives. List Price $6.50
□ NEW OUTLINE OF MODERN
KNOWLEDGE. Kd. by Alan Prycc-
Jones, A liberal education in one
giant 620-page volume covering the
full range of modern knowledge from
atomic physics to psychiatry.
List Price $6.50
O KLEE. By Gualtierei di San Lazzaro.
Paul Ivlee's greatest "one-man show"
— a triumphant summary of the life
and work of this Einstein among
painters, with 360 reproductions of
his most famous and enigmatic works,
including 80 full color plates.
List Price $5.75
MARBORO BOOK CLUB
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You may enroll me as a new member of the Marboro
Book Club. Please send me the THREE books checked
at the left at only $3.75 plus shipping for all three.
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to me in a Monthly Advance Bulletin and I may decline
any book simply by returning the printed form always
provided. I agree to buy as few as four additional
books (or alternates) at the reduced Member's Price
during the next twelve months; and I may resign at any
time thereafter. I will receive a free BONUS BOOK
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LETTERS
the seekei after Blessedness has entered
his urns, he is desperatel) realizing that
lii-. quest has bogged down in the
disastei ol knobb) knees, hollow chest,
li. ii feet, spindl) neck. \t this time
ol desperation he meets the Glorious
but False Prophet a man who walks
like .i god, carrying on his arm strange
apparel, who says temptingly . " Try it
on." I In- seekei does so and finds that
Ins nil Blessed stale is hidden l>\ pads,
guards, varied protection ol every de-
scription for ever) pan of his bated
body,
1 need not belabor the point. From
then on the priesthood must perpetuate
the cover-up. Ergo— the Rites ol
AlltlUlUl. KATHLEEN SPROUL
Washington, D. C.
Sinister Halo
To the Editors:
I sincerely hope that James Robbins
Miller's excellent article ["Glaucoma:
the Sinister Halo," December] will help
to save man) from the dangei of
blindness.
Whoever heard once the frightening
sound ol an ophthalmologist's diagnosis,
"complete atrophy," as 1 did in the
case ol my mother, will wonder, as I
have evei since, what could be done
to save as many as possible from this
treacherous disease which so often strikes
with almost no warning.
Making the pressure test part of
ever) routine medical examination of
people over forty would, in all prob-
ability, spare many from such suffering.
Lottie Joseph
San Francisco, Calif.
The Dulleseum
To the Editors:
In the State Department circles of
Berlin, the American Kongress Halle
ma) be called the "Dulleseum" [The
Editor's Easy Chair, December], but
among the man-in-the-street type of
Berliner (who is so renowned for his
quick answers that the word "Berliner-
Schnauze" means man-of-quick-retort)
this building is called "the pregnant
oyster," which is indeed quite apt.
Otto B. Kiehl
Captain, PAA
Berlin, Germany
Civil Defense
To the Editors:
The membership of the Southern
California Civil Defense & Disaster As-
sociation is comprised of the officials of
eight counties, more than eighty cities,
BOTH
WALTER J. BLACK, PRESIDENT OF THE CLASSICS CLUB, INVITES YOU TO ACCEPT FREE
THS ILIAD OF HOM*P»
AND
TH* ODYSSEY OF HOMtR
Two Beautifully Bound Volumes. In the Famous
Translation for Modern Readers by Samuel Butler
f\F all the magic of "the glory that was Greece"
^-^ these two books cast over you the most irre-
sistible spell! Alexander the Great treasured The
Iliad so deeply that he carried it into battle with
him in a jeweled casket. And The Odyssey is so
teeming with unforgettable action and adventure
that the very names of its fascinating characters
are ingrained in our culture today!
Here, in these books, is the Greece of the gods
— the whole gorgeous panorama of mighty
deeds, of alluring women and warrior heroes, of
tales that have thrilled millions of readers.
No wonder these two immortal books of
Homer, "the blind bard," have thundered down
through thirty centuries, as fresh as though they
had been written only yesterday! And now — as
a gift from the Classics Club, for your library of
volumes you will cherish forever — you may have
them both FREE!
Why The Classics Club Offers These Two Books Free
W ILL you add these two lovely volumes to
" your library— as a membership gift from
The Classics Club? You are invited to join today
. . . and to receive on approval beautiful editions
of the world's greatest masterpieces.
These books, selected unanimously by distin-
guished literary authorities, were chosen because
they offer the greatest enjoyment and value to
the "pressed for time" men and women of today.
Why Are Great BooJcs Called "Classics"?
A true "classic" is a living book that will never
grow old. For sheer fascination it can rival the
most thrilling modern novel. Have you ever
wondered how the truly great books have become
"classics"? First because they are so readable.
They would not have lived unless they were read;
they would not have been read unless they were
interesting. To be interesting they had to be
easy to understand. And those are the very quali-
ties which characterize these selections; read-
ability, interest, simplicity.
Only Boofc Club of Its Kind
The Classics Club is different from all other
book clubs. 1. It distributes to its members the
world's classics at a low price. 2. Its members
are not obligated to take any specific number of
books. 3. Its volumes are luxurious De Luxe
Editions — bound in the fine buckram ordinarily
used for S5 and S10 bindings. They have tinted
page tops, are richly stamped in genuine gold,
which will retain its original lustre — books you
and your children will read and cherish for
many years.
A Trial Membership Invitation to You
You are invited to accept a Trial Membership.
With your first book will be sent an advance no-
tice about future selections. You may reject any
book you do not wish. You need not take any
specific number of books — only the ones you
want. No money in advance, no membership
fees. You may cancel membership any time.
We suggest that you mail this Invitation Form
to us at once. Paper, printing, binding costs are
rising, and this low price— as well as your two
beautifully bound free copies of THE ILIAD and
THE ODYSSEY of HOMER— cannot be assured
unless you respond promptly. THE CLASSICS
CLUB, Roslyn, L. I., New York.
CY
Walter J. Black, President
THE CLASSICS CLUB
Roslyn, L. I., New York
Please enroll me as a Trial Member and send
me, FREE, the beautiful two volume DeLuxe
Classics Club Edition of THE IL'AD and THE
ODYSSEY of HOMER, together with the cur-
rent selection.
I am not obligated to take any specific number
of books and 1 am to receive an advance descrip-
tion of future selections. Also 1 may reject any
volume before or after I receive it, and I may
cancel my membership whenever I wjsh.
For each volume I decide to keep I will send you
$2.89, plus a few cents mailing charges. (Booty
thipped in U. S. A. only.)
Mr.
Mrs.
Miss
Please print plainly
Address
Zone No.
City (ifany). . . .State.
are you a
UNITARIAN
without
knowing it?
Do you believe that religious truth
cannot be contrary to truth from
any other source?
Do you believe man is copable of
self-improvement and is not con-
demned by the doctrine of "origi-
nal sin"?
Do you believe that striving to live
a wholesome life is more important
than accepting religious creeds?
Do you believe in the practical op-
plication of brotherhood in all so-
cial relations?
Then you are
professing
Unitarian beliefs.
LETTERS
r
MAIL THIS COUPON WITH IOC TO
UNITARIAN LAYMEN'S LEAGUE
Dept. H4A, 25 Beaton St., Boston 8, Mass.
Please send me booklets on Unitarionism
Name.
Address-
Visit
A
P
Hi
.FOR A NEW VIEWPOINT
Seeking something new and
exciting in travel? Then visit
Japan! You'll enjoy the beauty
of the country . . . fine modern,
comfortable hotels; excellent
transportation; wonderful
food; and thrilling bargains.
Give yourself a new viewpoint
. . . see your Travel Agent and
plan a memorable vacation
in the intriguing Orient!
JMM TOU MIT jJlMIHWH
lO Rockefeller Plaza, New York 20
651 Market Street, San Francisco S
<*8 Front St. W., Toronto
109 Kaiulani Ave., Honolulu 15
and many associates in aircraft industry,
communications, and public utilities
h, hi
Oui jut imIu tion i embi a< i ovei 50 000
square miles <>| critit al target ana. and
wi an responsible l"i practical plan-
ning and procedures w 1 1 i< h will protect
well ovei seven million people.
We have made stead) progress in fac-
ing and correcting past Civil Defense
errors or misconceptions. We have estab-
lished uniform procedures and strength-
ened out ini in area through improved
co-ordination <>l existing personnel and
equipment resources. In short, Civil De-
fcnse in Southern California does not
reflect the conditions cited in the No-
vembei issue <>l youi magazine [" I he
Civil Defense Fiasco"].
I he article plus the art work seem i<>
us an exaggerated, undue, one-sided
combination which misrepresents the
basii i on< < pt, improved status, and fu-
ture progress ol Civil Defense. . . .
Hi \ i \\n\ \l Wat m>\. Pres.
Southern California Civil
Defense & Disastei ^sso.
Burbank, Calif.
. . . I am the "research engineei
the National \eaikm\ ol Si nines"
mentioned by Robert Moms in "The
Civil Defense Fiasco," and as mhIi must
admit responsibility foi the article in
/ it- and for the presentation before the
Rockefellei Brothers Fund Conference.
. . . It is ii ur that I am a\] employ ee i >l
the National Academy ol Sciences; how-
ever, both contributions were made as
individual efforts ->\)d were clearly iden-
tified as such. I In National Academy ol
Sciences did not make any proposals,
startling oi otherwise; it did not esti-
mate the cost ol an) program; it docs
not review oi comment on the private
papei s ol iis employees. . . .
At the request oi the Rockefeller
Brothers Fund I prepared an original
papei which contained substantially the
same material as that published in Life.
\i \ i ( i ( • 1 1 House before a small but very
distinguished group oi nationally known
men. I presented it and debated these
[joints with Mr. Moses. He used many
of the same phrases that were later
printed in youi article, and the con-
sensus of opinion ol the group was that
he was beaten on every point. . . .
In the discussion ol zoning with inten-
tion to clear slums, establish fire-breaks,
etc.— a subject in which Mr. .Moses is an
acknowledged authority— there is the
very revealing implication that these
might be very helpful but "we don't
think there is a chance of getting any-
thing substantial done." ... It is a fairly
sale bet that the leading city-planner
of Tokyo used similar words in 1940. . . .
As lor the shelter suggestions, I have
advocated that shelters be located adja-
cent to homes, or as part of them, be-
cause that is where people are most ol
the time. . . . One spei ini fot m ol home-
sheltei proposed can be inexpensively
mass-produced I isiderablj less than
"I'll pel cent ol the cost" ol ,i house. In
most places .\\\ excellent laiinh shelter
(.in be developed foi nuclei $200 a per-
so.n. . . .
It will not take long to decide the
issue. Fortunately, the error ol not hav-
ing a sheltei is a mist. ike that people
make only on< e. \\ u t vrd B w om
Washington, 1). C.
Anti Billboard
To the Editors:
May I express appreciation ol item
six in the Editor's Eas) Chair Christmas
list in the- December Harper's.
I'm just back from a visit with our
daughtei in Hawaii where there are no
billboards, not because the\ are lorbid-
den by statute-, but because they are not
tolerated by public opinion.
Appreciative mention ol Union Oil
Company's abstaining from billboard
advertising should help materially in
creating such a public opinion here.
Karl W. Onthank
Eugene, Ore.
Who Can Sing?
lo mi Editors:
Mis. Ruedebush's declaration that
"Youi Child Can Sing" [December]
prompts me to suggest that e\en some
ol one's adult Iriencls can sing in some-
thing other than a monotone. Her con-
clusion that the commonest difficulty
with children (and. I would acid, with
adults) is inattentiveness reminded me
ol an experience I once had in a rural
graduate summer school where group
singing had to be one of the main di-
versions.
A fellow-student . . . contributed the
basest note to what otherwise had been
a concord e)l sweet sounds. I discov-
ered that when we sang pianissimo he
suddenly and cjuite unconsciously sang
exactly on pitch. But when we sang
louder . . . he became mote pronounced
in his monotone: and the louder we
sang to drown him out the more monot-
onous he got. A few sessions ol sing-
ing softly with him— warning him we
both must stop when he became his old
unbearable basso self— may no' have
cured him. but they at least made him a
less obnoxious and more tuneful singer.
... I hope that he is still singing softly
—and accurately— as we both learned he
could do by the simple matter of paying
attention. I. B. Cauthen, Jr.!
Charlottesville, Va.
GIVEN TO YOU
IF YOU AGREE TO BUY FOUR RECORDINGS DURING THE NEXT YEAR IN
A TRIAL SUBSCRIPTION TO THE METROPOLITAN OPERA RECORD CLUB
if In time members will have avail-
able the entire repertory of Metro-
politan Opera performances on long-
playing records. They may choose
only those recordings they want.
if Members are notilied in advance
of each forthcoming opera, and have
the privilege ol rejection if ihcy do
not want it.
if The operas arc carefully abridged
for home listening fby the Metro-
politan staff) to the length of one or
two 12" LP records.
if The records arc high-fidelity
Vinylitc B3H R.P.M. discs. When
the opera is on a single twelve-inch
record the price is $4.50; when it is
an album of two twelve-inch records,
the price is $6.75. (A small extra
charge is added to cover the cost "I
handling and shipping.)
if. The sole obligation of members
of The Metropolitan Opera Kccord
Club is to buy four recordings a
year, from the nine to twelve that
will be offered each year.
jh-2
the metropolitan opera record club
a branch of Book-op-the-Month Club, inc.
345 Hudson Slrcot, Now York 14, N. Y.
Please enroll me as a subscriber to The Metropolitan
Oi'kiia Record Club and send mo, without charge, the
recording of Paolxacci. I agree to buy four additional
Metropolitan Opera Record Clud recordings during the first
year J. am a member. For each single-disc recording i accept
I will be billed $4,60; for each double-disc recording, $0.75
(plus a small extra charge for handilne. and shipping). I
may eancel the subscripts I any time after buying the
fourth recording, n i wish to, i may return the Introductory
reeordlriK within la dayH, and the subscription will at oneo
be canceled with no further obligation on my port.
MR.
MRS.
MIHH
(PLEASE HUNT JM.A/NI.Y)
A'I'Im i
City..
..Zone No State.
MOC 16
i >rd prlco« nro the unrno in C i id n„- Club «Mi.» to
Ciininllim nn'inljrrii, wlllmnl liny extra CharffO for "(illy. tltrOligll
Book-or-tlio-Morali Club (Canada), Ltd,
JOHN FISCHER
the editor9;.
EASY CHAIR
Who's in Charge Here?
MOST Americans would agree that no
living man has served this country hetter
than Dwight I). Eisenhower. His whole career
has been devoted to the public service in a
range of duties— soldier, military diplomat, edu-
cator, political leader— which has no parallel in
our history. He led the greatesl military coali-
tion of all lime; he founded the NATO shield
which now protects the Western world; he recon-
ciled the nation to the costly and bitter neces-
sity of American leadership through a time of
troubles with no foreseeable end. For these
services all of us owe him a "latitude beyond
measure.
There is now one last great service which
President Eisenhower can perform for his coun-
try. He can resign.
In so doing, he would also serve his party—
and the Free World— far better than he could by
remaining in the White House.
I here also is one great service which his
friends, his official family, and the American peo-
ple—who owe him so much— can now perform
for the President. They can do their best to
persuade him that his resignation would be an
act of wisdom, courage, and patriotism. That it
is. in fact, his highest duty.
In all likelihood it will not be easy for Presi-
dent Eisenhower to accept this fact. The instinct
of an old soldier must be prompting him to hang
on, to stand to his post regardless of his wounds.
No doubt this instinct is strengthened by the
impulse common to men who have suffered a
sudden, frightening illness— the impulse to prove
that thev are as good as ever. Perhaps this ex-
plains his eagerness to fly to the NATO confer-
ence in Paris only a few days after his doctors
had announced that his stroke would require "a
period of rest and substantially reduced activity,
estimated at several weeks."
It also is hard for any man who sits at the
President's desk to believe that anyone else can
safely take over the infinitely heavy, complex,
and urgent tasks which he alone has had an op-
portunity to master. And there always are men
around every chief executive who arc' eager to
.issnic him (sometimes sincerely, sometimes for
selfish reasons) that he has indeed become indis-
pensable.
All these pressures must be beating on the
President today, as thev did on Wilson during
the pitiful months alter his stroke and on Frank-
lin D. Roosevelt during the last weeks of his life.
Both of those cases demonstrated how powerful
such pressures can be, and how costly to the
nation.
Yel at the same time President Eisenhower's
military training, if nothing else, must be forc-
ing him to question these instincts and urgings.
He can hardly forget how he would have handled
such a problem if it had involved one of his
subordinates during World War II.
Suppose, for example, that General Pattern had
been stricken with three grave illnesses during the
course of his most desperately fought campaign
. . . that he could stay in the field only about 40
per cent of the time . . . that crucial decisions
repeatedly had to be postponed for days and
weeks . . . that he was threatened at every mo-
ment with another heart attack, another in-
testinal blockage, another stroke. In such cir-
cumstances, the Supreme Commander could
never have doubted what his duty was. He
would have replaced him instantly with a well
man.
Military regulations, in fact, do not permit an
officer in President Eisenhower's condition to
remain in command of a company of troops or
the smallest naval vessel, even in peacetime.
But we are not at peace, and President Eisen-
hower does not command a mere destroyer. We
are in the middle of the fiercest struggle for sur-
vival in our history, and he commands the Ship
of State itself.
Unfortunately there are no regulations, or
even precedents, to help him make his decision.
He can look for guidance only to his own strong
sense of public responsibility, the counsel of his
family and friends, and the voice of the public—
as expressed in Congress and the press.
SO FAR this voice has been curiously muffled
and contradictory. For reasons of delicacy or
politics, many people in Washington (including
some newspapermen) are reluctant to discuss the
issue openly. In private conversations, however,
they sometimes are a good deal more candid.
For example, a number of Senators and other
political leaders in both parties have told me
within the last few weeks that they do not want
the President to resign, but that it would be
impolitic for them to explain their reasons
publicly.
A few of these— some Democrats, some Repub-
DEMONSTRATION OFFER
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money — to History Book Club, Inc., Dept.
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THE HISTORY BOOK CLUB, Inc., Dept. HA-22
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GUARANTEE: If not completely satisfied,
I may return my first shipment within 7
days, and membership will be cancelled.
I — I MEMOIRS OF GEN. WM. T.SHERMAN.
I I His own story, in his own words,
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HISTORY OF THE GERMAN GENERAL
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THE TREE OF CULTURE by Ralph
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A WORLD RESTORED by Henry
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MIGHTY STONEWALL by Frank E.
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12
THE EDITORS EASY CHAIR
licans— are thinking in almost purely partisan
terms; and their objections (enter on Vice Presi-
dent Richard M. Nixon.
I he Demo» rats in this group (and 1 am happy
to report thai I did not End main <>l them) are
content to see the Administration drift along in
its present state ol semi-paralysis, rhe longer it
drifts the more sine they leel of victory, both in
the Congressional elections tins I. ill and in the
I960 Presidential election. II Nixon should take
over, the) suspect he might act with enough de-
cision and vigoi to restore public confidence in
the Republican party; and he certainly would
have a < hance to build a record and public image
of himsell which would make him a more formi-
dable opponent in 1960.
\ lew ol these Democrats— all Southerners and
all in Congress— cite .n\ additional reason. They
feel that the powei ol the White House has been
growing, at the expense ol Congress, for the last
quarter ol a century. Now, with the executive
branch weak and glowing weaker, they see a
chance to restore much of this lost authority to
Capitol Hill. Moreover, a feeble executive can-
not push ahead with certain lines of action—
particularly in the fields of civil rights and race
relations which these- Southerners mortally op-
pose. (The faults and dangers ol Congressional
government, which Woodrow Wilson set forth so
clearly in his great treatise on the subject, don't
woiia them in the least; the\ want a dominant
Congress, because Congress is largely controlled
l>\ Southerners; and when the interests of the
South— the white South, that is— are at stake, the
nation and the Free World run second and
third. They are, ol course, a minority of the
Southerners in Congress; the majorit) are as
patriotic and responsible as anyone.)
Some Democrats of a different stripe, mostly
Northern liberals, cannot forgive Nixon's tactics
in past campaigns, particularly his insinuation
that theirs was a party of treason: and this per-
sonal dislike overrides all other considerations.
A related view is held by some Republicans,
mostly Know land supporters. They don't like
Nixon; don't want him in the White House now
or ever; and oppose any move that might
strengthen his hand.
Probably a larger group in both parties would
like to see the President stav on for an entirely
different reason. One of the ablest Republican
Senators explained it to me in these terms:
"No matter how incapacitated Ike may be, he
still has one thing nobody else has— and that is
the one thing we can't do without. He is the only
man in the world who can rally both this country
and our European allies in a moment of crisis.
Nixon is almost unknown abroad, and he arouses
a lot of partisan feeling at home. Adenauer is
old and sick, too; Macmillan doesn't seem to
have a majority of his own people behind him;
Fiance has nobody. Without Eisenhower's lead-
ership—faltering as it is— the whole alliance
might fall apart. Even toda\ he can blow that
bugle like nobody else.''
This argument clearly deserves respect (as
some ol the others do nor). Hut it is an argu-
ment that gets weakei da\ l>\ day; loi Mr. Eisen-
hower's prestige is a wasting asset. No doubt he
will remain a beloved figure— but his ability to
i. ill\ the coalition 'inevitably will dwindle, as his
Administration sinks deeper into confusion and
impotence. Only the strong can lead.
BUT isn't it possible that the Administra-
tion might regain at least some of its author-
ity and ch ive?
I cannot see how. Nobody 1 have talked to in
either party expresses an) confidence on tins
score: and the more carefully one examines the
situation, the harder it is to find any grounds
lot confidence.
To begin with, there is no prospect whatever
that President Eisenhower can recover the vigor
to run the government himself. Age alone— aside
from his illnesses— makes that inconceivable. At
sixty-seven he alreadv is beyond the compulsory
retirement age ol most corporations; in another
\cai he will be the oldest man who ever held the
Presidency. Even before his heart attack, he
found it necessary to spend more time away from
his desk than any modern President; now, after
a third grave illness, he has no alternative but
to seek the maximum of rest, the minimum of
strain. At best he can continue to sign the papers
placed before him, to preside at, an occasional
meeting, to receive distinguished visitors, and
to express an opinion on issues presented by his
stall.
Hut this is a vcr\ small part ol the work of the
Presidency. All the rest of it must be handled—
so long as he remains the nominal chief— by some
kind of makeshift device. Only two such devices
seem to be feasible.
One of them is Government by Committee.
This is the system now in effect, as James Reston
of the New York Times Washington staff
pointed out in his recent noteworthy series of
articles on the Presidency. The membership of
the governing council varies from time to time,
but in general it consists of the Vice President;
Sherman Adams, Assistant to the President and
in effect his chief of staff: the Cabinet officers;
the heads of certain independent agencies, such
as the Atomic Energy Commission; and a few
top military men.
When he is able, the President sits in on the
deliberations of his councilors, in whatever
grouping may be appropriate for the task in
hand— a Cabinet meeting, a formal session of
the NSC, or an informal chat with Nixon,
Adams, and the agency chiefs concerned with a
particular problem. But his personal participa-
tion cannot be very great. Some agency heads
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4. Term insurance gives a grow*
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5. Part-time work does not
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security.
Answers:
your money, job, and living. Are
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6. A typical middle-income
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pay $30 to $35 a week for
food.
7. Figures show that 70% of
workers over 45 perform as
well or better than younger
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8. It always costs less to finance
a new car through a dealer.
9. Investing a fixed sum at
regular intervals is the best
way to buy stocks.
10. The biggest retail lines In
1980 will be appliances and
recreational equipment.
1.
False
2.
True
3.
True
4.
False
s.
False
6.
True
7.
True
S.
False
9.
True
10.
True
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14
In times
like these . . .
Should you buy?
Should you sell ?
We can't give you categorical an-
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because individual circumstances will
always dictate the best course for any
security owner.
But we do want to emphasize the
fact that our basic philosophy of in-
vesting remains unchanged. We can
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(1) We believe that now is as good
a time as any to invest in Amer-
ican business through owner-
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or bonds /'/ you have extra
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(2) We believe that any portfolio
should be reviewed periodically
— in any kind of market — to
see if it can be improved by
exchanging one stock for an-
other, shifting into bonds or
preferred stocks — or, reversing
this procedure when times seem
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If you have any doubts about your
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Our portfolio analysts will be happy
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If you think such an analysis might
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Allan D. Gulliver, Department SW-ll
Merrill Lynch,
Pierce, Fenner & Beane
Members New York Stock Exchange
and all other Principal Exchanges
70 Pine Street, New York 5, N. Y.
Offices in 112 Cities
THE EDITOR'S EASY CHAIR
have nol seen him Eoi months.
Mosl questions (1 am told) come
to him in the Eorm of short memo-
randa laid on his desk In Slid in. in
Adams. Normally these are recom-
mendations lot .k lion in |)oli( \, with
.i terse outline of background infor-
mation. The President merely has to
indicate "Yes" or "No"— and in the
great majority of cases he says "Yes"
to the recommendations drafted by
the White House staff.
Within its limitations, this system
seems to work fairly efficiently. Cer-
tainly it relieves Mr. Eisenhower of
a great load of administrative re-
sponsibility; and it keeps the routine
wheels of government turning
in theii accustomed ruts. Rut its limi-
tations are very serious indeed.
For one thing, it is not designed to
handle the biggest and hardest prob-
lems. Many of these never reach the
President, and therefore are never
settled at all. Mr. Eisenhower has
always disliked controversy, and
even before his illness he insisted
that the recommendations brought
to him should, whenever possible,
present a solution agreed upon by
everyone concerned. Today it is
more important than ever that he
should not be subjected to the strain
—mental, physical, and emotional—
of weighing the arguments lor two
or three possible solutions, and listen-
ing to the pleas of passionate advo-
cates on ea< h side.
But the really tough problems can-
not be reduced to a single recommen-
dation, agreeable to everybody. They
involve deep conflicts of interest or
conviction— usually so deep they can-
not be compromised. They can be
settled only by knocking heads to-
gether, making an unpleasant choice
between the contenders, or some-
times only by firing a Cabinet officer
or agency chief. These are things
that even Sherman Adams cannot do
(particularly when a strong Congres-
sional bloc is enlisted on one side or
both). In such cases the elaborate
machinery of the White House staff
—including the Budget Bureau, the
National Security Council, and the
Council of Economic Advisers— is no
help, however effective it may be in
ironing out the smaller problems.
Consequently, issues of this kind
are often laid aside, or debated end-
lessly within the departments and
staff agencies in a hopeless effort to
reach an agreement— because, m
vdams so often sa\s. "We niusl
bother the President with the!
squabbles." I his seems to be I
main reason, for example, why I
armed scnices have never been al
to come up with a single, coma
hensive strategic doctrine lor ■
cold war . . . why the missile p..
gram is in such a mess . . . and \\y
the fundamental differences bctwu
Nixon and Dulles on certain fore*
polity questions have never bu
resolved.
ANOTHER grave limitatij
of the committee system is trl
it cannot create a new progna
which sweeps across many depali
mental lines. No bureaucrat ci
safeh push forward an idea whi.i
reaches beyond his own little bac-
yard; all the other bureaucrats 1
stantly resent his encroachment J
their territories, and gang up I
knock his head off. As a result, J
the big questions involving mai
agen< ies— disarmament, for instant
or foreign economic policy— the gd
ernment inevitably tends to folic!
directives laid down by Preside*
Eisenhower during his early niont
in office.
This is why so many of the Admi I
istiation's policies have grown stal
and rigid. Although conditions 1
the otiiei world change constant!
noboch in the lower levels of gofj
ernment dares to take the initiative
in devising fresh, bold, imaginathl
ideas to meet these changes; and rl
could not carry them very far if hi
did. Here, as Cabell Phillips m
cently observed, nothing can "sulv
stitute for the authority or prestigj
or personal vitality of the Preside™
Committees cannot rule; about th
best they can do is to reach the lov
est common denominator of consen
Tough policy decisions that may cal!
for sacrifice and danger aren't mad
that way."
Finally, a committee cannot figh
all the Administration's program
through Congress. This is perhap
the hardest and most vital of all th<
President's jobs; and only he cai
handle it. Nobody else can tall
tough to a balky Senator. Nobod;
else can mobilize public opinion, oi
wield the combination of persuasion
political discipline, appeals to per
sonal loyalty, patronage pressure
WM::::;^Wf:iP+:'
In cities where
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food prices have
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In these inflationary times, the finger of biame for rising food
prices is being pointed in many directions. It should be interesting to American
consumers to know that the trading stamp is not a contributing factor.
This fact has been shown in two ways by the
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First, these studies found no evidence that
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Index, they found that food prices have risen
the least in cities where stamps are given
most.
Between December 1954 and December
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cities where supermarkets did not give
stamps.
During the same period, in ten cities where
50% or more of both chains and independent
supermarkets gave stamps, prices rose only
1.3%. And, in the three cities where stamp
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food prices rose only 1.2%.
These city by city comparisons are addi-
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for families living in "stamp cities," stamps
have helped contribute to a lower cost of
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EEFEEENCES: "Competition and Trading Stamps in
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THE EASY CHAIR
and awesome authority which ai
often necessar) to swing a Congres
sional vote. Roosevelt and Trumai
spent innumerable hours in this kim
dl exhausting combat. (On the rar
occasions when they tried to tick
gate Congressional liaison— to
Tommy Corcoran, a Harry Hopkins
.i John Steelman— the results wer
nearl) always disastrous.) Even wliei
he \N.ts well Mi . I isenhower shran
from this i.tsk, and now ii is clear!
beyond his strength. It is not sua
prising, therefore, thai so many o
the Administration's proposals ol th
last fout years have died on I h
Hill: and ii is a virtual ccrtaintx tha:|
few ol them will emerge uncrippled
from the present session ol Congress
SI NCE it is obvious that Go\|
eminent by Committee is no
working well, many people in Wash]
ington have been quietl) looking
around lor an alternative. The) liav
hit upon only one device— short a
Mr. Eisenhower's retirement— whid
seems to warranl serious discussioi
I his is Government l>\ Deputy.
The deputy, of course, would b
Mi. Nixon. The idea being .it
vanced in private by several respoi
sible political leaders (including th
Republican Senator quoted carlieii
is thai the President should formalll
delegate most of his powers to th
Vice President. Mr. Eisenhowe
would remain the symbolic chief cl
state: he could still issue pronounce;
ments from time to time when it m
necessary to "blow that bugle, 'j
Meanwhile the executive energy anl
initiative which now are so sadll
lacking would be supplied by Mil
Nixon— who is young, healthy, anj
endowed with enough drive for hall
a-dozen men.
If it could be worked out, such aijj
arrangement obviously would be
vast improvement over the commii
tee svstem. At least in theory, i
should cure most of the difficultie
mentioned above. There are gravj
doubts, however, whether it coultlj
be put into effect— or, if it wen
whether the new machinery coul<||
be adjusted to work smoothly with]
in the three years remaining to thij.
Administration.
To begin with, Mr. Eisenhowelj
never showed any willingness to dele
gate a real measure of authorid
even during the worst crises of his x 11 i
A COLLEGE E DUG ATION
DOES NOT MAKE AN
pi
E..iyUUO|K p'^-M A N
8gk. i 111. I L
A message from Dr. Mortimer J. Adler,
EDITOR, THE SYNTOPICON
"The greatest mistake anyone can make about liberal edu-
cation is to suppose that it can be acquired, once and for
all, in the course of one's youth and by passing through
%4 1 school and college.
"This is what schoolboys do not know and, perhaps, cannot be expected to
understand while they are still in school. They can be pardoned the illusion
that, as they approach the moment of graduation, they are finishing
their education. But no intelligent adult is subject to this illusion for long,
once his formal schooling is completed.
"He soon learns how little he knows and knows how much he has to
learn. He soon comes to understand that if his education were finished with
school, he, too, would be finished, so far as mental growth or maturity
of understanding and judgment are concerned.
"With the years he realizes how very slowly any human being
grows in wisdom. With this realization he recognizes that the reason why
schooling cannot make young people wise is also the reason why it cannot
complete their education. The fullness of time is required for both."
ESSENTIAL IN THE
LIBRARY OF EVERY THINKING PERSON
Published by
the Encyclopaedia
Britannica
in collaboration with
the University of Chicago
GREAT BOOKS
OF THE WESTERN WORLD
Now available direct from the publisher
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fascinating "idea-interpreter"
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Nnmp.
A rl Atp.su.
tpleaeo print)
OUy
fZtntP.
18
This
man
is
looking
into
your
future
How does it look? Rosy? Free of
cancer? You hope! But hoping
isn't enough. Of every 6 Americans
who get cancer this year, 3 will die
because science still has no cure. It
will take research . . . lots of re-
search ... to find that cure. And
research, let's face it, takes money.
Instead of just standing by with
hope, pitch in and help. Send your
dollars . . . whatever you can
afford ... to the American
Cancer Society today. You'll
be bringing yourself and
everyone else that much
closer to a sure future. Send
your check to "Cancer" in
care of your local Post Office.
American Cancer Society
THE EDITOR'S EASY CHAIR
*
nesses. (Consequently Mr. Nixon
had to move verj gingerl) indeed, to
avoid .imv suspii ion thai he was try-
ing to usurp power, and to keep oul
ol fi^liis with Adams and the othei
regents.) Now thai the Presidenl is
partiall) recovered, he presumabl)
will be even more reluctant. And
thai reluctance surely will be encour-
aged l>\ all the people in both par-
ties who dislike oi clisiiust Mr.
Nixon, and bv the other members ol
the governing council who naturally
are nol eagei to yield him then
places.
Moreover i li is scheme raises a ma-
joi constitutional question. Can the
Presidenl legall) delegate his ulti-
mate authority? There is. ol course,
no precedent on iliis point, but a
number ol constitutional lawyers be-
lieve ih. ii so Ions; as he retains the
title ol ollu e, the dual responsibility
loi executive action falls on him.
How, then, can he give genuine
power to someone else, howevei
trusted? And il Mr. Nixon tried to
exercise this power, could lie make
his dec isions stic k?
l'oi example, people ( lose to Mr.
Nixon believe thai il he were to suc-
ceed to the While House one ol his
In si acts would be to fire Dulles and
Benson. Could he get away with this
as Deputy President? Wouldn't both
cabinet officers appeal over his head
to Mr. Eisenhower— who, alter all,
appointed them and would legally
remain their only boss? On the other
hand, if Mr. Nixon did not feel free
to pick his own help, how could he
be expected to keep the stoic?
AGAIN, suppose that the
Deputy President should de-
cide at some point that ballistic mis-
siles were making the Strategic Air
Force obsolete, and that its appropri-
ations should be sharph cut. Can
anybody imagine General Curtis Le-
May— or the aircraft industry, and its
powerful Congressional allies— ac-
cepting that decision from anybody
but Mi. Eisenhower himself? (In
fact, I hey probably wouldn't accept
it from him either, without a ruckus
which would shake Washington from
the Pentagon to the Burning Tree
Country Club.) And could the old
soldier bear to keep his hands off
such a decision— knowing that the
very life of the nation might depend
on it?
So it seems all too likely that Gov-
ernment l>\ Deput) would requires
superhuman degree ol sell-abnega-
tion from a lot ol very human char-
acters. Even so, ii would take vears
ol friction, experiment, and heart-
break to gel the new system shaken
down into working order. During
(hat period the stiain on Mr. Eisen-
hower verj possibly would be greater
than it is today.
I he onl\ kind ol delegation that
seems really feasible, therefore, is
prett) minor. The President might
turn ovei to Mi. Nixon a lew more
ceremonial functions -meeting visit-
ing kin^s at the airport, greeting
(.ill Scout conventions, presiding at
slate dinners, and the like. He might
depend on him a little more lor liai-
son with Congress, and lor repair
and managemenl ol the Republican
party machine; but that is about all.
While this would help, in a small
way, ii could by no means remedy
the dangerous weaknesses of the
presenl situation.
TI I E only thing that can, ap-
parently, is for Mr. Nixon to
lake lull title to the Presidency.
Like a considerable number of
other people, 1 have always been
able to keep my enthusiasm for Mr.
Nixon within bounds. I can think of
a dozen other men I would rather see
in the White House. But that is
irrelevant. Mr. Nixon is the only
man who can, constitutionally, take
ovei the job. During the last three
years he has given every evidence of
training lor it conscientiously; and—
lor the reasons mentioned by Wil-
liam S. White in the January issue
ol I larper's—he might well prove to
be an abler executive than many
people now suspect.
In any case, he would be a stronger
executive than Mr. Eisenhower can
ever be again. He could work full
time. He would at least give us
somebody in lull charge of the gov-
ernment.
And today, of all times, this coun-
try needs somebody in charge. A
leaky ship in a hurricane, with a
committee on the bridge and a
crippled captain sending occasional
whispers up the speaking tube from
the sick bay, might stay afloat. But
its chances would be a lot better if
the First Mate— any First Mate— took
the wheel.
"Ahm (9vi^ air tkcsc l&eautiLdL &(njk& TR££:
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BOUND FOR THE
ETERNAL SHOWERS?
PERHAPS the chief thing
Marl in Mayei is trying to do in
his article on "What Is Advertising
Good For?" (p. 25) is to encourage
advertising men to respect their
work. II lie suit reds he may reduce
the ulcer count on Madison Avenue,
but humane as this result would be,
it does not seem to us the main value
of Mr. Mayer's bracing logic. Re-
spect for a medium— whether it is
words or pictures or rocket fuel— is
even more important. An art or a
craft has its inner goals and laws
and, in an aesthetic sense, requires
no other justification. Commercially
speaking, of course, there is always
the sponsor; but the authority of the
medium itself should exercise ulti-
mate control over the adman, as it
does over the poet or painter or sci-
entist. In the long run, it will get
him farther than merely catering to
the customer.
A novel expression of respect for
his profession— without self-ballyhoo
—was recently demonstrated by an
insider, John P. Cunningham, presi-
dent of a prominent advertising
agency, speaking to his colleagues in
the Association of National Adver-
tisers. He began by admitting that
television— a "thrilling new adver-
tising tool"— is suffering under a
crescendo of criticism for the "creep-
ing mediocrity" of its programing;
and that advertising was a respon-
sible party together with the net-
works.
On the basis of depth interviews
with TV watchers, Cunningham and
Walsh had measured the Boredom
Factor in ten well-known programs,
from "I Remember Mama" (which
scaled lowest, 11) to "Arthur God-
frey" (which scaled highest, 47).
While a low Boredom Factor doesn't
mean that a show is necessarily a
good buy, or a high Boredom Factor
the reverse, nevertheless, Mr. Cun-
ningham said, it "causes dial-twitch-
ing, vacant-minded viewing, lower
ratings, and, as l.n as TV advei tising
is concerned, less penetration-per-
skull-per-dollai ."
Imitation, Mr. Cunningham
added, compounds the boredom.
The massive waxes of imitation to-
da) are qui/ shows, singing emcees,
and "adult" westerns— with quiz
shows, loi example, propagating like
amoebas, so that there are actually
lil such programs on TV even week.
\s lot westerns, he commented:
"I'm brash enough to say that any-
body who Inns another western, un-
less it is a marked creative departure
from the pattern (as 'The $64,000
Question' was in the qui/ field two
years ago) ought to turn in his gray
flannel suit and go to the eternal
showei s."
Along with the increase of bore-
dom in the past five years has gone a
general depression of audience rat-
ings for top shows (the top five had
ratings of 57.9 in 1952 and only 41.5
in 1957). However, since the total
audience is larger today, there are
more people watching even the
lower-rated shows than used to watch
the higher-rated ones; the audience
is more divided; and there is greater
opportunity for exceptional pro-
graming.
"Now what does all this amount
to?" Mr. Cunningham asked. "How
much should we be concerned?
"Our primary obligation is to the
sales curves of our companies, of
course.
"But it is much too easy to say—
'I buy by ratings,' or, 'Give the peo-
ple what they want— I'll buy it.'
"I maintain that our obligation to
TV goes much, much deeper than
that.
"As advertising men, we must be
interested in all TV— not only in our
own programs. We want it to be a
strong, well-rounded medium. . . .
Even the most ardent devotees have
an obligation to their companies to
look around and beyond the rat-
ings. ...
"Unlike any magazine, TV with
its limited channels must deal largely
in things of mass interest. But it
must certainly not try to reach all
the people— all the time. . . .
"Now a man cm sii by his own
lie. ii ill and look around the curve of
the earth. He can peer into the par-
liament of nations. He can see his
own desiinx being shaped. His own
soul being saved. . . .
"We liuisi never forget that the
airwaves do not belong to the ad-l
vertisers— nor to the networks— nor
to the FCC— nor to the federal gov-
ei nment.
"They belong to the people of the'
United States."
. . . Martin Mayer, who is not an in-
sider in advertising, has just com-
pleted a remarkably informed book
about it which will be published in I
March: Madison Avenue, U. S. A.
His article is adapted from the book.
He is the author also of Wall Street:
Men and Money and of a novel!
about politics, The Experts.
. . . Undoubtedly the Animal of the
Year in 1957 was the small, tough,
curly-tailed hunting dog which cir-
cled the Earth in Sputnik II during
November and made the name
"Laika" world-renowned. Whatever
specific facts Soviet scientists may
have learned from Laika's heroic
last days, she certainly demonstrated
Arthur C. Clarke's thesis in "Our
Dumb Colleagues" (p. 32)— that ani-
mals can play a role in the future as
co-workers with men.
We recently watched a white-
coated technician operating a "scin-
tillator" in the radioisotopes labora-
tory of a city hospital. The big
gray-clad machine clacked away,
moving its arm with grave precision
and chattering in spurts as it picked
up signals from the patient on the
table. Unlike the machine, which was
rooted to its spot, the human tender
was all over the place, figuring,
watching, writing, kneeling, stretch-
ing, rushing about to check patient
and machine from above and below
and all sides. During the ten min-
utes of the test, he was as active as an
ape in a tree; and we wondered
whether a strong, dexterous, intelli-
gent chimpanzee couldn't have been
trained to do the job.
Arthur Clarke, friend and tender
of Elizabeth the Chimpanzee, is a
scientist, former RAF radar expert,
present sea-reef explorer and photog-
rapher, who writes books during
START YOUR CHILD ON THIS SENSIBLE PLAN ... designed to instill a lifetime love of good
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iven
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others.
* CHILDREN WHO LOVE TO READ ALMOST
ALWAYS DO BETTER IN SCHOOL • Besides
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Kuhn
MARIE
ANTOINETTE
by Bernardine
Kielty
Book-of-the-Month Club, Inc., 345 Hudson Street, New York 14, N. Y, 13-2
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22
NEW DISCOVERIES
About the Birth. Life, and Death
of the Sim and Other Stars
\ noted science writer gives the
first comprehensive report on the
surprising findings which arc com-
ing from the 200-inch Palomar
telescope, radio telescopes, and
other new tools for exploring our
I niverse.
By George W . Gray
MONTANA:
The Frontier Went Thataway
\n Englishman's love letter
ahout a way of life which he found
""near perfection" — and his fore-
cast about a state which "is shaping
for a leap in the dark.
By Herbert Howarth
THE DIALOGUE
Of Freud and Jung
The most famous feud in the his-
tory of psychoanalysis may pro-
duce some unexpectedly useful re-
sults— if the partisans are ever
willing to admit that each of their
great leaders was dealing with only
one side of the human mind.
By Gerald Sykes
THE BUDAPESTS
An intimate portrait of the quar-
tet which admits it is the world's
greatest.
By Martin Mayer
Harper's
-*- magazine
NEXT MON TH
PERSONAL & OTHERWISE
and between nips to Ceylon, the
U.S.A., and other points remote
from England his home. Besides ten
hooks ol science fiction, he lias writ-
ten volumes foi the layman on Inter-
planetary Flight, The Exploration
o) Space, and. lasi year, The Reefs
o] Taprobane and The Making of a
Moon.
loi 1958 he has scheduled The
Othei Side <>/ the Sky, short stories,
and Voice Across the Sea, about
transoceanic communications.
. . . George F. Kennan (author ol "A
Chance to Withdraw Out I roops in
Europe," p. 34) was U.S. Ambassa-
dor to Moscow at the time of the
Insi Eisenhowei Presidential cam-
paign; and his much discussed sum
ming up ol American policy toward
Russia as "containment" became a
centra] target ol Republican attack.
1 hough he has been in so-called "re-
tirement" since 1953, Mr. Kennan
has established himself, through lec-
I m i s and artic Irs. as perhaps our
most influential "Minority Diplo-
mat" as the New York Times called
him wlun he delivered the lectures
ovei the BBC that are the basis foi
his arti< les in this issue and the next.
He has also made headlines as an
historian, possibly a rarer feat. When
he resigned from government service
he went to the Institute for Ad-
vanced Stud) at Princeton to work
on a history of Russia from 1917
io 1920. The first volume, Russia
Leaves the War, won the National
book Award lor 1956, the Bancroft
Prize, and the Pulitzer Prize. His ar-
ticle, "Overdue Changes in Our For-
eign Policy," in the August 1956
issue of Harper's won a benjamin
Franklin Magazine Award.
Mr. Kennan has been Visiting
Eastman Professor of American His-
ioi\ ai Oxford during this academic
year. His complete BBC lectures (the
Reith Series) will be published here
March third, with the title, Russia,
the Atom and the West.
. . . The American movie audience
continues to decline— figures gath-
ered by Sindlinger showed a 28.4
per cent slump in 1957 below 1956.
This is a recognized long-time trend,
most often attributed to television;
but there is an inconsistency in audi-
ence interest that baffles both movie-
makers and trend-takers.
One possible clue to the mystery—
from the point ol view of the busi-
nessmen behind the producers— may
be found in the story of "What Two
Lawyers Are Doing to Hollywood"
(p. 12) In Murrav Teigh Bloom.
Mi. Bloom has written several
hundred magazine articles and a
book about counterfeiters called
Money of Their Own. His article on
the "World's Greatest Counterfeit-
ers," which appealed in Harper's
lafet July, will be televised this year
bv Studio One.
. . . John W. Gardner, humanist and
executive, a parent and an authority
on national problems of education,
suggests some answers to the vexa-
tious family question ol "How to
Choose a College, If Any" (p. I!)). As
president ol the Carnegie Corpora-
tion of \. Y. and of the Carnegie
Foundation for the Advancement of
Teaching, Mr. Gardnei watches over
main experimental programs for
training talented youth.
Mr. Gardner's connection with the
problem of What College, II Any is
close: he has one daughter in her sec-
ond year at Radcliffe, and another
facing tin college decision this
spring. si\ years ago when Francesca,
the younger, entered S< arsdale junior
high, he asked her what she liked
best in school.
"I don't know what I like the
very best," she said, "but, Daddy, I
do love those fire drills!"
Now an outstanding student,
Francesca commented on her father's
article, "It's great, Dad, but if I
hadn't been so indecisive would you
ever have thought it out so clearly?"
. . . "An Old Boy Who Made Vio-
lins" (p. 55) is Ben Maddow's second
story in Harper's. He wrote 44
Gravel Sheet, a novel, a film portrait
of Los Angeles called "The Savage
Eye," and many published poems.
. . . "Hospitals Found in Germ Dan-
ger—Resistance to Antibiotics is
Cited by Surgeons for World-wide
Epidemic." Thus the New York
Times headlined a report on discus-
sions by a panel of doctors at the
American College of Surgeons meet-
ing in Atlantic City last fall. Such
newspaper publicity was bound to
arouse a good deal of uninformed
speculation. Dr. Vernon Knight's
23
P & O
"Antibiotics: Too Much of a Good
Thing?" (p. 60) gives perspective on
this kind of news.
Dr. Knight is associate professor
of medicine at the Vanderbilt Uni-
versity Medical School and director
of the George Hunter Laboratory for
Study of Infectious Diseases. He had
his medical training at Harvard
Medical School and at New York
Hospital-Cornell Medical Center,
and served in the Normandy inva-
sion. From 1950 to 1954 he was direc-
tor of the Laboratory of Infectious
Disease at the Cornell Medical Divi-
sion of Bellevue Hospital.
. . . Clots of rural newcomers in some
industrial cities of the Midwest have
become a community problem, as
Albert N. Votaw shows in "The Hill-
billies Invade Chicago" (p. 64), but
there are techniques of getting at it
—given time and the will. Mr. Votaw
is executive director of the Uptown
Chicago Commission, the private
community group which has done
most of the work so far in his city.
Formerly, Mr. Votaw served at the
Marshall Plan headquarters in Paris;
he was a newspaperman and foun-
dation director in Chicago, and took
an M.A. degree at the University of
Chicago.
. . . "The Voyage of the Lucky
Dragon" (p. 72), which concludes
this month, is adapted from the book
by Dr. Ralph E. Lapp, to be pub-
lished in February. Dr. Lapp is a
nuclear physicist who worked on the
Manhattan Project and headed the
government's scientific group at the
Bikini A-bomb tests of 1946. He is
now director of Nuclear Science
Service in Washington. His investi-
gations for his report on the fate of
the fishermen of the Lucky Dragon
took him to Japan and made him
friends there of scientists, reporters,
and the crew themselves. He is the
author of Atoms and People.
. . . The poems this month are light
and free. "Florence: At the Villa
Jernyngham" (p. 68) is from a new
volume by Sir Osbert Sitwell, to be
published in England under the
title, On the Continent.
"And I say the Hell with It" (p.
54) is by Philene Hammer of St.
Louis, who has founded and directed
theaters for children.
More than 1,500 laugh-provoking stories
to brighten your speeches, dramatize your
ideas, and make your friends laugh . . .
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A GOLD-MINE OF PROFESSIONAL TIPS
THE SPEAKER'S HANDBOOK OF HU-
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The moment you
KNOW
• /* f ', t
There are some things, sonic major and wonder
i ill things, 1 1 i.i i we may Know in one moment :
I.; 1 1 .1 boy?
Is it a girl?
I )kI I win ( he scholarship?
bid l gel the job?
Bui i great manj other major and wonderful
things take years of following and caring. With
them, it's not just one moment, but the entire
process of knowing thai is great.
Such things as a nation's historj , or a world's,
as man's lij'.lil a;',ainsl polio and cancer, as
new concepts of human rights and new con
quests of space and lime-
All these continue week after week, and
many other things all around (hem. big or
small, solemn or gay, all pari of mankind's
ceaseless story, thai story we call, so coolly,
"the news."
lis greatness varies, ils Interest newer, and
(his may he one reason thai more than two
and a half million families in (lie free world are
year after year readers of time,
Read TIME— The Weekly Newsmagazine
Harper
MAGAlIz I NE
WHAT IS ADVERTISING
GOOD FOR?
A suggestion for a new theory of advertising . . . what role
it really plays in our society . . . and how to tell
whether it is the hero, the villain, or merely a butler
MARTIN MAYER
Author of the forthcoming book,
Madison Avenue, U. S. A.
CONSIDERING the importance of ad-
vertising—both as a part of our cultural
climate and as a major weapon of competition—
the literature on the subject is appallingly feeble.
Virtually everything intelligent that has been
written about it in the last forty years can be
plated on one small shelf— half-a-dozen books, a
dozen pamphlets, perhaps twenty speeches.
This failure to treat a serious subject seriously
has been, in part, inescapable, because the men
who know advertising best are usually ill-equipped
to discuss it analytically. Advertising's obvious
function is to sell— which means that its ablest
practitioners must be people with a highly-
developed bump of enthusiasm and a slight
depression where the critical instinct ought
to be.
But the frivolity of our customary approach
to advertising also stems from two American
folk myths. Although they contradict each other,
most people manage to believe in both:
(1) They are confident that, personally, they
are seldom if ever influenced by advertising;
and (2) they believe that advertising is im-
mensely powerful in molding the actions of the
community.
Neither myth bears much relation to reality,
but both survive, feeding on the extreme scarcity
of hard (acts about the actual effectiveness of
advertising in the market place.
It is virtually impossible for a company to find
out with any precision how much of a recent
sales increase is due to advertising. In fact, it is
by no means easy to determine whether or not a
given advertising campaign is creating any sales
at all. Too many hands play a part in the selling
process. One of the great advertising and sales
success stories of 1956, for example, was Procter
& Gamble's Gleem toothpaste. Compton Adver-
tising touted it as the substance of choice lor
those who wished to avoid cavities but could not
brush their teeth after every meal. Meanwhile,
26
HARPER'S MAGAZINE
door-to-dooi canvassers were on the road, dis-
tributing a tree tube or a coupon good foi a free
tube of Gleem to nearly ever) household in the
country. \m\ the Procter fe Gamble salesmen,
backed by the company's reputation as a very
tough outfit, went rolling through the nation's
stores with .1 steamroller of a deal to convince
retailers that (liey should stock and prominently
display the new dentifi ice.
Mow much credii for the success of Gleem
should go to thi' advertising? How much more
(or less) Gleem would have been sold if the
advertising campaign had been different, or if
more or less money had been spent on it? How
man) angels can dance on the head ol a pin on
which a machinisl has engraved the Lord's
Prayei ?
Another difficulty is thai the facts about adver-
tising—even when the) can be isolated— will not
hold still long enough for the theoretician to
catch them. In all the behavioral sciences,
a valid insight is good only lor the moment
CRmtAL
/N$nMtr
J*
. . . Advertising's
ablest practitioners
of perception, and for an uncertain but prob-
ably short lime afterwards. And in advertising,
where the sands of consumer preference are con-
stantly blown about by the howling winds of
competition, it has been extraordinarily hard to
find a foundation for a theory which will explain
what the industry does and why.
By and large, economists have ducked this
problem. Business theorists, who must deal with
advertising somehow, have handled the subject
by determinedly sweeping it under a wall-to-wall
rug which they call '"marketing." In recent years,
academicians hour the fields of sociology, cul-
tural anthropology, social psychology, and even
psychoanalysis have descended on advertising
with their assorted insights, bodies of theory, and
nostrums, and have secured a truly remarkable
amount ol publicity for their efforts. The dis-
ciplines they practice, however, are notoriously
unstable, and their work has been aimed almost
exclusively at finding something "useful" for
the advertiser. With a few exceptions, their con-
tributions toward the understanding ol advertis-
ing have been nonexistent, superficial, or mis-
Leading.
WHICH HALF IS WASTED?
ANYONE attempting to grasp what ad-
vertising does in our society must account
for a huge number ol balky lads. These are
most prominent:
(1 ) Some advertising is immensely effective in
selling a product .
Though proofs are hard to come by, only .1
must unreasonable man could deny the success
ol Leo Burnett's sophisticated tough ol a Marl-
boro man, William Esty's dumb but happy Win-
ston's-taste-good-like-a-cigarette-should, or Ted
Bates's smoothly reassuring 20,000 filters in a
Viceroy. Generalh speaking, there are no im-
portant differences among the leading brands ol
cigarettes except those created by advertising,
and— although Marlboro's package (the so-called
flip-top box) was unquestionably helpful in
establishing the brand— no "marketing" elements
other than the advertising can seriously claim
any major share of the credit for the success ol
these three filter cigarettes.
(2) Most advertising campaigns are only
faintly successful, and many fail utterly.
The classic statement of the situation goes
back to John Wanamaker in the nineteenth cen-
tury: "I know half the money I spend on adver-
tising is wasted, but I can never find out which
half."
Horace Schwerin, who tests television commer-
c ials before a theater audience, claims that nearly
half of those he screens have no apparent influ-
ence on the brand preferences of the people in
his theater. Daniel Starch finds that three-
quarters of the people who have read a magazine
fail to recognize the average advertisement in
the issue when it is shown to them in an inter-
view. George Gallup says that as many as one-
third of the people who remember many of the
details of a television commercial or an adver-
tisement in a magazine have no idea what
product (let alone what brand) the sales pitch
hoped to sell.
(3) An elaborate and apparently triumphant
advertising campaign which sells great quantities
of a new product to new customers will not ivin
repeated sales, if the product is in fact per-
ceptibly inferior to its competitors.
Examples are a soap and a hair dye which sold
heavily in their early months and then collapsed,
WHAT IS ADVERTISING GOOD FOR?
27
because the first version of each product was
defective. The factors which caused failure in
both brands have since been corrected, but it is
significant that neither has ever been able to
regain the public favor it enjoyed shortly after
it was launched. Even the most heavily adver-
tised brand cannot hold its market if it is ob-
servably inferior to others selling at the same
price. On the other hand, however, an adver-
tised brand can command a higher price than an
identical product sold without advertising.
(4) Most brands of "packaged goods" can
attain only a certain maximum share of the
market for their sort of product.
Beyond this saturation level— almost always
below 50 per cent of the total market— advertis-
ing will not greatly increase sales, however in-
telligently it is practiced and however much
money is spent on it. (Stopping the advertising,
however, will produce a loss.) It is axiomatic in
the toothpaste business, for example, that a
brand with 30 per cent of the market may throw
a fresh $10 million into advertising to gain per-
haps a 5 per cent increase in sales; while the
same $10 million, devoted to advertising a new
brand, may give the new brand a 20 per cent
share-of-market.
(5) Advertising cannot increase sales for a
product if there is an over-all trend against this
kind of commodity. (It may, of course, increase
the sales of a brand by giving the brand a greater
share of a smaller market.)
Brewers spend more than $100 million a year
in advertising, but per capita consumption of
beer declines every year. Meanwhile, on the
rising side of the trend, vintners spend only
about $15 million a year and annually increase
the per capita consumption of wine. In 1956,
the four leading non-filter cigarettes increased
their advertising expenditures by at least $3 mil-
lion—and sold 16.5 billion fewer cigarettes,
(6) Given two identical samples, carrying two
different brand names and advertised with two
different slogans, most consumers will say that
one is superior to the other on grounds of taste,
aroma, consistency, durability, etc.
The Philip Morris Company has found that
when people puff two cigarettes alternately, they
cannot in fact tell the difference between them,
and that their preference for one over the other
will invariably reflect the influence of adver-
tising. (The practical application of this insight
is in the pre-testing of proposed advertisements,
which are shown to panels of consumers while
they puff.)
Foote, Cone & Belding once tested the strength
of a competitor's advertising campaign by pack-
aging two identical batches of an ice-cream
mix— labeling one with their client's slogan
and the other with the competitor's slogan— and
giving away one of each to a large number of
housewives. Shortly thereafter, the agency sent
an interviewer to ask the women which of the
two brands they had preferred. Only one-fifth
of them felt there was no difference between the
two; all the rest felt a marked preference for
one or the other.
SOMETHING ADDED
IS I T possible to put together a self-consistent
theory which will explain the facts? If so,
we might then begin to understand the role
advertising actually plays in our society— and to
think about it in real terms, without the usual
notion that it is the creature of cherubim or
imps.
For the last eighteen months I have been
examining facts of this kind at close range, re-
searching and writing a book about this peculiar
industry. I have talked to several hundred adver-
tising men, including most of the acknowledged
leaders of the profession. I found them remark-
ably articulate and thoughtful about the details
of their work— about plans and procedures and
organizations, and even about the mysteries of
creation. But when we discussed the funda-
mental nature of their profession, their answers
were generally fragmentary and disappointing.
Most of them started from the idea that
advertising "creates wants." Some said, in John
Kennedy's fifty-year-old phrase, that it was "sales-
manship in print." Others said that "it moves
you closer to the purchase," or it "builds a 'brand
image' " which draws you subconsciously toward
a product. (There were also a few deplorable
cynics who felt that it "doesn't do any damned
good at all, but it's a nice living.") Even the
most thoughtful of the men I saw were too
absorbed in the techniques of advertising, or too
concerned about its morality, to look for a more
basic rationale for what they were doing.
With some diffidence, I would like to suggest
that a valid theory of advertising can be built.
Such a theory would be helpful to economists
and sociologists. It could be quite useful to
mere consumers. And it might work wonders for
the morale of the advertising men themselves,
who seem to be haunted by recurring doubts
about their value to society.
Any realistic approach to such a theory, it
28
HARPER'S MAGAZINE
seems to aie, ought to starl with the premise
that successful advertising adds a new value to
the product. Only this hypothesis can account
for all of the observed facts. Other theories—
especiall) the argument that advertising "creates
wants" leave some facts unexplained.
Once added value is assumed as the basis, the
faits fall into place. I ake the case of a soda pill,
a placebo, which is advertised as a headache cure.
(Carefull) advertised, so as not to run afoul of
Federal Trade Commission regulations.) The
pill ma) have virtually no medical value; but it
will actually cure the headaches of a number of
people who take it. I he suggestion power of
the advertising lias created a value for an other-
wise worthless product.
Again, a lipsiick ma) be sold at Woolworth's
under one name, and in a department store
under another, nationally-advertised name. Al-
most any teen-age girl will prefer the latter,
il she can afford to pay tin difference. Wearing
the Woolworth's brand, she feels her ordinary
sell; wearing the other, which has been success-
fully advertised as a magic recipe Eoi glamor,
she feels a beauty— and perhaps she is.
For the value ol a product to the person who
buys ii is not limited to the physical use he makes
of it. The lood laddist who drinks a reconsti-
tuted nonfat dry milk solid receives the value
of his belief that he is guarding himself against
a heart attack. lire ambitious voting mail boy
who twists a lemon peel into his martini feels
that he is doing something which is done in the
circles to which he aspires— and even il he is
sober, the martini tastes the better for it. When-
ever a benefit is promised from the use of a
product, and the promise is believed, then the
use of that product carries with it a value not
necessarily inherent in the stuff itself.
Except in extreme cases, such as the placebo
pill and the cosmetic, the value added by adver-
tising is small in relation to those values which
the product already had. Thus, advertising can-
not, as an ordinary matter, sell products which
are observably inferior to their competitors.
Again, this added value can only rarely be great
enough to overcome major trends in product
consumption— either in a single area, such as
beer, or in the entire community, as in time of
economic depression. During a depression,
money itself has an added value, and the num-
ber on the price tag becomes more important
than the values created by advertising:. In more
prosperous times, however, the extra, intangible
values of status or security— made part of a prod-
uct by advertising— may seem worth whatever
extra money the) cost. Schweppes tonic sells at
•i high premium over the price <>l Canada Dry,
largeh because ol the value added bv David
( )gih v \ advertising.
One advertising campaign is highl) successful
because it adds a value which seems important
to a large section of the community; another is
unsuccessful because the value added is tex> ti iv ial
to interest anybody. Moreover, the nature ol the
value added bv the advertising campaign selects
the customers who will buy the brand. 1 he Lord
Calverl "Man of Distinction" campaign, foi ex-
ample, made that brand ol whiskey the favorite
of the Negro community.
Since individuals ordei their lives on different
value scales, no brand can hope via advertising
to win all the customers in a competitive market.
This explains the phenomenon ol market satura-
tion, which occurs when the great bulk of those
who place high importance on the particular
values added bv this advertising are already pur-
chasing the brand. (This element ol individual
scales of value also explains the observed fact
of limited "brand loyalty.") And the consumer
savs that he finds differences between identical
products which are differentlv advertised because
the advertising has, in fact, made them different.
is it real:
IN PART, the words "added value" are
merely another, more accurate and more use-
ful, way of expressing the thought behind the
phrase "creating a want." The value ol a product
to a consumer lies in its fulfillment ol a par-
ticular desire: increased desire must be reflected
across the equation mark by increased value.
The old idea of created wants is unrealistic,
however, because it assumes an unchanged prod-
uct. In fact, the application of advertising to a
product must to some extent change the product.
It is remarkable how many people, who readily
see that a new package or a new brand name
will alter a product, fail to see that advertising
inevitably has a very similar effect.
Moreover, the incomplete concept of created
wants produces much silliness of argument by
advertising's practitioners and its critics. Adver-
tising men, by and large, are hypersensitive and
overdefensive about their work, partly because
they see it as "the creation of wants." It is pos-
sible to rationalize want-creating as a socially
admirable activity, but the argument is a tedious
one— and subject at several points to a devastat-
ing reply which, in Bernard Shaw's phrase,
"expresses itself through a symbol formed by
WHAT IS ADVERTISING GOOD FOR?
29
. . . creation of wants . . .
applying the thumb to the tip of the nose and
throwing the extended fingers into graceful
action." Realization within the trade that adver-
tising works on the product, rather than working
over the consumer, might make the advertising
community less guilt-ridden and contentious. At
the same time, a better understanding of what
advertising really does might quiet the appar-
ently unceasing attacks on the industry for its
alleged fraud, deceit, and "hidden persuasion."
The notion that advertising can somehow
"manipulate" people into buying products which
they should not buy is both arrogant and naive.
It has been proved false repeatedly by advertis-
ing's inability to keep an inferior product afloat,
or to sell against primary trends. When an adver-
tising campaign is highly successful, it will almost
always be found that the wagon has been hooked
onto a strong tendency which existed before the
ads were written. It is not a difference in quality
or amount of advertising that makes campaigns
for filter cigarettes successful, while campaigns
for non-filter cigarettes fail; lung cancer is the
dominant fact here, though you would not
expect to find so obscene an expression in a
cigarette ad.
And the consuming public— whatever its fail-
ings in the kingdom of abstract ideas— is usually
rather shrewd in its evaluations of competing
products. The individual consumer appears to
make a fool of himself when he says that Brand A
"tastes better" than Brand B, though the two
are chemically identical. But his difficulty is in
expression, not perception. The superior value
which he asserts when he says "Brand A tastes
better" is not a false or even an artificial value,
just because the assertion is false. Though he
cannot explain the reasons, the consumer actually
does receive greater enjoyment— and thus more
value for his money— when he buys Brand A.
Where techniques from the social sciences and
the psychological laboratory are used to find
advertising ideas (and the success achieved with
these techniques has been by no means so great
as some propagandists would have you believe),
the case is open-and-shut. If a product satisfies a
sublimated sexual drive, and advertising can
enlarge the consciousness of this satisfaction, then
advertising has obviously heightened the value
of the product to the consumer . If advertising
can convince a consumer that his purchase of a
product will promote him to the upper classes
(and he cares to be ranked with the upper
classes) he will receive an added value that could
be described as a thrill. The dry-goods merchant
who buys his first Cadillac gets a satisfaction
which cannot be measured in terms of the auto-
mobile itself. The Cadillac prestige manufac-
tured by advertising man James Adams is as
important to him as the Cadillac horsepower
manufactured by General Motors.
Many will object that the values created by
advertising are "false values." But the truth or
falsity of a value enjoyed by a consumer is unim-
portant in the objective context of getting and
spending. Outside standards of judgment cannot
measure the reality of private gratifications. The
history of human vice indicates that values
widely regarded as false will always seem real
enough to command a price in the market place.
So the truth or falsity of the values added by
advertising is a question for individual judg-
ment, a matter of opinion, rather than a subject
for objective analysis.
WHY INTELLECTUALS
HATE IT
AN D , of course, there is only one civilized
cultural judgment on advertising: a rous-
ing thumbs-down. The great bulk of advertising
is culturally repulsive to anyone with any de-
veloped sensitivity. So are most movies and
television shows, most popular music and a sur-
prisingly high proportion of published books.
When you come right down to it, there is not a
hell of a lot to be said for most of what appears
in the magazines.
But a sensitive person can easily avoid cheap
movies, cheap books, and cheap art, while there
is scarcely anyone outside the jails who can avoid
contact with advertising. By presenting the
intellectual with a more or less accurate imafje
of the popular culture, advertising earns his
enmity and calumny. It hits him where it hurts
worst: in his politically liberal and socially gen-
erous outlook— partly nourished on his avoid-
ance of actual contact with popular taste.
Successful advertising, which must create mass
sales, cannot rise too far above or fall too far
30
II UPER'S MAGAZIN 1
below the cultural level oi the people at whom it
aims. Even il .m advertising man suspects thai
lie could win results with a more tasteful ad or
television program, he is restrained l>\ the fact
thai he is spending someone else's money. 1 1 1-
ina\ iisk .1 new approach iii an advertising
theme; but he cannoi be asked i<> experimeni
with cultural standards which may cut him ofl
from his client's market.
Though mosi advertising must retain the
cultural values of its audience, advertising can
and does work small changes in public taste. On
balance, these changes arc probably in the direc-
tion of increased sensitivity. Advertising copy
and headlines are probably negative forces,
helping out with the general debasement of
the language. Advertising requires extreme sim-
plification of complicated subjects, and the ad-
vertising writer must therefore stretch previously
precise words to cover large areas. But advertis-
ing is a visual as well as a verbal technique. The
firsl purpose ol advertising art is to catch the
attention ol the consumer, in such a way that
he is favorably inclined toward the message. Gen-
erally speaking, originality in art is more likely
to win attention than the same damn thing all
over again— so advertising art has kept within
reaching distance of advanced design. Through
advertising, the public has become familiar with
what sensitive people usually regard as "good
design"; and familiarity in this area breeds ac-
ceptance. In the more general sense, and on Us
own terms, advertising as a whole seeks to
heighten public sensitivity, because a more sensi-
tive perception will be more likely to recognize
the values of slight product differences.
The culture must be seen, of course, in a wider
focus than mere aesthetics— and in this more
general view its horrified critics charge that
advertising poisons the wells.
"Advertising has concentrated," writes For-
tune's Daniel Bell in the New Leader, "on arous-
ing the anxieties and manipulating the fears of
consumers to coerce them into buying."
Stripped of its emotional language, and re-
phrased in the terms of an added-value concept,
this argument means that advertising creates feel-
ings of insecurity for the purely commercial
purpose of increasing the value of a brand. Re-
duced to cases, the charge is that Listerine and
Colgate force people to worry about mouth odors
to persuade them to use a product which, it is
claimed, eliminates bad breath.
And there is no way around it: the accusation
is true. (Though it must be said that advertising
has only a relatively minor influence on funda-
mental attitudes, and cannot create a Eeai 01 an
anxiet) not dread) present in the consumer— at
leasl in the latent form ol an experience not fully
considered— before he comes upon the ad.) Ad-
vertising undoubtedly does magnify the pains ol
modern existence so n can sell products which
are supposed to soothe them.
I aken l>\ itself, this act seems morally unjusti-
fiable. Hut the product ven often does assuage
the pains— and it does so. in those areas ol health
and beaut) where the fear appeals are most
commonly used, because ol the power ol sugges-
tion of the advertising itself. The poor old crock
who feels tired every afternoon at three, from a
complicated set ol physical and psychological
causes, ma) be peisuacled to believe thai what
ails him is I ireel Blood. So a dose of Geritol,
. . . feelings 0] insecurity . . .
though his condition may be such that it does
him no physical good at all, may really cure
him of his symptoms. The girl who is ashamed
ol her pimples may bear them with more
grace aftei she bins a product which is adver-
tised as the greatest pimple destroyer in his-
tory— even if it is actually nothing more than
second-rate cold cream, aerated (with lanolin
added).
Moreover, most of the products advertised
as cures I01 such ills do not work merely psycho-
logical wonders; often they actually will produce
some of the physical benefits claimed.
In real life, advertising does not plummet un-
troubled people into a pit ol anxiety, for the
single, vulgar goal of an advertiser's profit. Ad-
vertising probably does increase the number of
people who feel some conscious concern about
their physical or social failings. But it offers
to all people— both those who felt the concern
before they saw the advertising and those in
whom it is newly aroused— a solution (a guaran-
WHAT IS ADVERTISING GOOD FOR?
31
teed solution, in the context of the advertising)
to their troubles. For a considerable proportion
of those who try it, the product actually is a solu-
tion, and drinking it down frees them of their
worries. Measuring the damage done to the
national psyche by the additional fears created
by advertising, as against the soothing of the
national psyche achieved by removing the same
fears from a number of people who previously
suffered them, is a task for a subtle metaphysician
indeed.
THE "CONFORMISTS"
FINALLY, there is the relationship be-
tween advertising and what a large number
of people call "conformity." This relationship is
difficult to discuss, because the alleged "con-
formity," as a new development in society, prob-
ably does not exist outside the imaginations of
the people who talk about it. It is true, of course,
that a large mass of citizens drawn at random
from within a single culture will have more
things in common than not. It is also true that
modern communications have produced some
breaking down of old and perhaps valuable
regional distinctions. And it is true that develop-
ments in the past thirty years have raised the
economic condition of the nation's lowest tenth
and lowered that of its highest tenth; raised the
educational level of the lowest tenth and lowered
that of the highest tenth. So the community
appears to be more homogeneous, from a distant
look. But the same developments which have
created the appearance of homogeneity have also
brought about an astonishing increase in the
variety of entertainments, of housing and fur-
nishing possibilities, of hobbies, of consumer
goods— even of intellectual pursuits, for those so
minded.
Actually, "conformity" plagues the impover-
ished communities, where people work to ex-
haustion and have neither the leisure nor the
income to express their tastes. A prosperous
middle-class society may feel, more strongly
than a poor community, that it does not like
people who rock the boat— but within broad
limits its members are free to indulge their indi-
viduality as they have never been before.
And advertising's contribution here is, on the
whole, to increase diversity. Advertising lives by
the product difference, real or asserted— that is,
by appealing to different tastes in values. If
advertising looks like other advertising (as so
much of it does) the fault lies in the limited skill
of many practitioners (and in the fact that ad-
vertisers, knowing that their competitors are
smart, insist on ads quite similar to the com-
petition's). The purpose is not to force anyone
to "conform."
What lies behind the cry of "conformity" and
the accusation that advertising promotes it is the
deep disajDpointment following upon the arrival
of the millennium. We have achieved the nine-
teenth-century dream: practically everyone has
enough to eat and decent clothing; by any stan-
dards but our own nearly everyone is well
housed; the workday is short and leisure is
ample.
But the millennial culture turns out not to be
very interesting: the average man remains a
mediocre fellow, and pleased with himself, to
boot. Which is, certainly, well within his rights.
Perhaps advertising ought to do something for
the culture, but it won't; says it can't; says it
shouldn't be asked. In his most defensive mo-
ments, the advertising man will hammer on the
table and say the majority must be right to like
garbage because it buys so much garbage. Hold-
ing up an inescapable mirror which reflects dis-
appointment, and refusing for reasons of trade
to comment on the picture in the mirror, adver-
tising asks to be disliked by that element of the
community which aspires to a higher culture.
It is.
BUT dislike of advertising, however strongly
felt, is no excuse for silly attacks on it. Like
the rest of us, the advertising man does the best
he can. He has days when he likes to regard
himself as a Machiavellian figure, and for busi-
ness reasons he has been known to egg on critics
who wildly overestimate his power in the com-
munity. But he did not create the culture in
which, perforce, he has to work; not infrequently,
he shares his critics' distaste for the popular,
adolescent-oriented aesthetic scene. And he is
not the only cobbler who has decided, at least
for the time being, to stick to his last.
In our current economy, where personal sell-
ing is clearly too expensive a way to move the
necessary volume of goods, advertising performs
a necessary function— and the more successful it
is, the more prosperous everyone will be. Seen
objectively, the advertising man's work increases
the material comfort and the sum of private
gratifications of the nation as a whole. The
values which advertising creates may strike a
moralist as mangy beasts. But moralists today,
like moralists throughout history, must live
with the fact that in the dark and democratic
world of private gratification all cats are gray.
Owr DUMB colkames
B) \ Kill I It C. CLARK I,
I h mi i flgH l>\ />'"\ l/< /\ /«■
\ c hhnpunzcc loai ncd to be i iiul
Inn • I. H . .mil it -i «in entire!)
pa il>li in In i ill iiipi i .i|n in work
i Ion- 1 1 < > i < 1 1 1 < 1 1 1 1 1 (i cleiinei
i hi inn nickci . 1 1 1 • I i \ in bob] iltci
II I I s I i hough 1 1 an parti) inspin tl b) the
,inii. o| i li/.abelh, who is sill ing opposite
1 1 ii wiih I ■• i lace cupped in hei feel She is i I
hi doing this, and the eflci i is odd espei uilly
w In M sin .us on In i hands al I hi sanu i imc
Elizabeth is .1 sm.ill monke) »lm 1 ei ent l\
joined in) household and has give 1 a new
perspective on the animal world She has started
mi thinking about ii Ii thai the othei crea
. who share this planci with us will play in
ill. sin in \ i.l 1 In 1 111 iik .mil I inc. 111 .is < 11
workers, not merely .is pets 01 sources "I food
1 ». iw 11 ilic i ( in 111 11 .. Man has doinest i< ated ■>
sin 1 H is in" l\ large nuinbei ol animals ranging
1 1 ili »gs, ■ In 1 tabs, and falcons im li ig, to
elephants, horses, and yaks foi transport, Bui
these arc occupations which rcquin little intel
ligi nee WhIi model 11 know Ii dgc 1 •! animal
psychology ami conditioned reflexes, we should
lie able i<> train some ol companions on the
■ I, .I.. 1. .1 1 Ii nunc sn|iliisi 11 ated tasks,
in .in ngc when there is so much i.ilk ol .hud
niation, 1 liis 1 1 1.1 \ sci in .1 backward step; but there
will always be jobs which, though tedious and
unpleasant perhaps even dangerous are jo in*
1 .. , 1 1 ,i< in mechanize thai robots cannol pei
form 1 In in \\ 1 will have to gi 1 help from iomi
W III I 1 1 I II
1 1 id obvious when w< will lool foi it Oui
cousins 1 lie apes and monkeys 11 die onl)
animal 1 po 1 ; both manual dexterity and in-
ii |lig< 11. 1 ilic\ have ahead) show n 1 but 1 hey
can per f< a wid< range ol jobs ivh 11 the) feel
hi 1 11 In Malaya, man) people will be surprised
in li .11 n. 1 In pig 1. nli ii in. 11 aciue has been em-
ployed foi generations to harvest tin coconut
crop b) 1 1 mil mi", 1 In 1.1 II palms ind dropping
ili< mils Similai talents were displayed b) one
oi 1 in few < himpanzees w ii h a ci mnn.il record
Sou. Hcs. 11. lined 1 • s ins m.isii 1 in burgle New
Yoik apartments fifteen stories up, to the baffle
men! ol I lie 1 ml 11 e.
['here arc ven few jobs honest 01 dishonest -
I/../ requiring abstract thought which .1 chimpan-
zee 1.1 n noi he 1 1.1 1 mi I in do l>\ die standard
methods ol demonstration followed i>\ a suitable
reward (Standard, com< to ilnnk ol it, both E01
animals and human beings.) I here is no great
mysten about animal training, and certainly no
question <>i cruelty, li requires .1 thorough
understanding ol die pupil's mental limitations,
and enough patience to repeal an action ovet
and ovet again until the animal ",i.isj>s what is
required ol it, Successful accomplishment is
rewarded 1 » \ food, though often <^< reward is
necessary rhe highei apes frequentl) imitate
humans jnsi foi the Inn ol it; Captain Proske
records how Ins chimpanzee ( ongo loved to d<>
|oiis around the house such .is washing, ironing,
.ind dai nine 1 he 1 i"i lies 1 hough with more
(111 llllsl.islll I ll.llt skill.
OUR DUMB COLLEAGUES
33
These modest beginnings show what can be
done even today, with an animal straight from
the jungle1. However, no existing ape possesses
the docility and the power of sustained attention
needed to make it truly employable. Intelligence,
dexterity, strength— they are all there, but relia-
bility is still lacking.
If we tackled the problem of breeding for
brains with the same enthusiasm that has been
devoted to breeding dogs of surrealist shapes,
we could eventually produce assorted models of
useful primates ranging in size from the gorilla
down to the baboon, each adapted for a special
type of work. It is not putting too much strain
on the imagination to assume that the geneticists
could produce a super-ape able to understand
some scores of words and capable of being trained
for such jobs as picking fruit, cleaning up the
litter in the park, shoe-shining, collecting the
garbage, doing household chores, and even baby-
sitting. (Though I have known some babies I
would not care to trust with a valuable ape.)
Many jobs, such as street-cleaning and the
more repetitive types of agricultural work, it
could do unsupervised, though it might need
protection from those egregious specimens of
Homo sapiens who think it amusing to tease
or bully anything they consider lower on the
evolutionary ladder. For other tasks, such as
paper-delivering and dock-laboring, our man-
ape would have to work under human overseers;
and incidentally I would love to see the finale of
a twenty-first-century "On the Waterfront" in
which the honest but hairy hero drums on his
chest after— literally— taking the wicked labor
leader apart.
Once a supply of non-human workers became
available, a whole range of low IQ jobs could
be thankfully relinquished by mankind, to its
great mental and physical advantage. What is
more, one of the problems which has plagued so
many fictional Utopias would be avoided; there
would be none of the degradingly sub-human
"Epsilons" of Huxley's Brave New World to act
as a permanent reproach to society. For there is
a profound moral difference between breeding
sub-men and super-apes, even if the end products
may be much the same. The first would intro-
duce a form of slavery; the second would be a
biological triumph which could be of benefit to
both men and animals.
But I must come back in a hurry from these
dreams of a future society. Elizabeth has just
managed to open the garage door and is trying
to start the car. And that will never do, for she
hasn't got her driving license yet.
The first of two articles by
GEORGE F. KENNAN
Former Ambassador to Moscow and Former
Chief of the State Department's
Policy Planning > Division
A CHANCE TO WITHDRAW
OUR TROOPS IN EUROPE
A proposal for pulling back both American
and^ Russian armies . . . exploring a new way
to unify Germany . . . lessening the
danger of atomic war . . . and for a better
defense of the West at a lower cost.
TH E time has come, it seems to me, for a
fresh examination of the main issues which
lie between the Soviet Union and the West. It is
barely possible we might now find that an ap-
proach to a settlement— or at least to a more en-
durable situation— is not so hopeless as it has
long seemed to be.
These issues fall into two categories:
(1) The basic ones, by which I mean disagree-
ments over such things as frontiers and the
political control of territory.
(2) The secondary ones flowing from the mili-
tary rivalry which has grown up between NATO
and the Soviet bloc.
The basic issues of genuine gravity arose di-
rectly from the manner in which World War II
was allowed to come to an end. The authority
of a United German government was then ex-
punged within Germany itself and throughout
large areas of Eastern Europe; and the armies of
the Soviet Union and the Western Democracies
met in the middle of this territory and took con-
trol of it, before there was any adequate agree-
ment on its future permanent status.
This was, of course, the combined result of the
unconditional surrender policy, which relieved
the Germans of all responsibility for the future
status of this area, and the failure of the Allied
governments to arrive at any realistic understand-
ings among themselves about it while the war
was on. Since it has not been possible to reach
such understandings subsequently, except in the
case of Austria, the provisorium flowing from
these circumstances has endured. It is this that
we are faced with today.
The difficulty obviously breaks down into two
parts: the satellite area and Germany.
In the past three or four years, the Moscow
leaders have made an attempt to undo some of
the harm that Stalin had clone in the satellites
with his policies of ruthless political oppression
and economic exploitation. The first effect of
this relaxation— shown in the disorders in Eastern
Germany and Poland and later in Hungary-
was not to reconcile people to the fact of Soviet
rule but rather to reveal the real depths of their
restlessness and the extent to which the postwar
arrangements had outworn whatever usefulness
they might once have had. The Soviet leaders,
startled and alarmed by these revelations, have
now seen no alternative, in the interests of their
own political and military security, but to re-
impose sharp limits to the movement for greater
independence in these countries, and to rely for
the enforcement of these restrictions on the
naked use or presence of their own troops.
The result has been, as we all know, the crea-
tion of an extremely precarious situation— un-
Copyright © 1957, 1958 by George F. Kennan
CHANCE TO WITHDRAW OUR TROOPS IN EUROPE
35
satisfactory from everyone's standpoint. The
state of the satellite area today, and particularly
of Poland, is neither fish nor fowl, neither com-
plete Stalinist domination nor real independence.
Things cannot be expected to remain this way
for long. There must either be further violent
efforts by people in that area to take things into
their own hands and to achieve independence
by their own means, or there must be the begin-
ning of some process of real adjustment to the
fact of Soviet domination.
In the first of these contingencies, we in the
West could easily be placed once more before
the dilemma which faced us last year at the time
of the Hungarian uprising; and anyone who has
the faintest concern for the stability of the world
must fervently pray that this will not happen.
As for the second alternative, which at this
moment seems to be the more likely of the two,
it seems no less appalling. If things go on as they
are today, there will simply have to be some sort
of adjustment on the part of the peoples of
Eastern Europe, even if it is one that takes the
form of general despair, apathy, demoralization,
and the deepest sort of disillusionment with the
West. The failure of the recent popular upris-
ings to shake the Soviet military domination has
now produced a state of bitter and dangerous
despondency throughout large parts of Eastern
Europe. If the taste or even the hope for inde-
pendence once dies out in the hearts of these
peoples, then there will be no recovering it; then
Moscow's victory will be complete.
WILL THE RUSSIANS
PULL BACK?
IC A N conceive of no escape from this dil-
emma that would not involve the early de-
parture of Soviet troops from the satellite coun-
tries. Only when the troops are gone will there
be possibilities for the evolution of these nations
toward institutions and social systems most suit-
ed to their needs; and what these institutions
and systems might then be, is something about
which I think we in the West can afford to be
very relaxed. If Socialism is what these people
want and need, so be it; but let it by all means
be their own choice.
It is plain that there can be no Soviet military
withdrawal from Eastern Europe unless this en-
tire area can in some way be removed as an
object in the military rivalry of the Great Pow-
ers. But this at once involves the German prob-
lem because it implies the withdrawal of Soviet
forces from Eastern Germany, and— so long as
American and other Western forces remain in
Western Germany— the Russians must view their
problem in Eastern Europe in direct relation to
the over-all military equation between Russia
and the West. Any solution of the problem of
the satellite area is thus dependent on a solution
of the German problem itself.
This being the case, I think we cannot scrutin-
ize too closely or too frequently in the light of
the developing situation both in Europe and in
the world at large, the position the Western
governments have taken on Germany.
The West has insisted, and with very good
reason, that the modalities of German unifica-
tion, as a domestic program, must flow from the
will of the German people, expressed in free
elections. But the West has gone farther than
that. It has also insisted that no restrictions
whatsoever must be placed in advance on the
freedom of a future all-German government to
determine its own international orientation and
to incur military obligations to other states.
Specifically, the Western governments have in-
sisted that such an all-German government must
be entirely free to continue to adhere to the
NATO Pact, as the German Federal Republic
does today; and it is taken everywhere as a
foregone conclusion that an all-German govern-
ment would do just that.
If a future united Germany should choose to
adhere to NATO, what would happen then to
the garrisons of the various allied powers now
stationed on German soil? The Western position
says nothing specific about this. But while Brit-
ish, French, and American forces would presum-
ably remain in Germany under the framework
of the NATO system, one must assume that
those of the Soviet Union would be expected to
depart. If this is so, then Moscow is really being
asked to abandon— as part of an agreement on
German unification— the military and political
bastion in Central Europe which it won by its
military effort frqm 1941 to 1945, and to do this
without any compensatory withdrawal of Amer-
ican armed power from the heart of the Conti-
nent.
This is something the Soviet government is
most unlikely to accept, if only for reasons of
what it will regard as its own political security
at home and abroad. It will be hard enough,
even in the best of circumstances, for Moscow
ever to extract itself from its present abnormal
involvements in Eastern Europe without this
having repercussions on its political system. It
cannot, realistically, be asked— if agreement is
wanted— to take this step in any manner that
36
HARPER'S MAGAZINE
would seriously jeopardize its prestige. The mere
fact of Soviet withdrawal, without any compen-
sator) withdrawal on the Western side, would
create the general impression of a deleat for
Soviet polity in Eastern and Centra] Europe.
The Soviet leaders will therefore see in these
present Western proposals a demand for some-
thing in the nature ol an unconditional sur-
render of the Soviet interest in the German
question generally; and if the) ever should be so
weak as to have no choice but to quit Germany
on these terms, ii would scarcely take an agree-
ment with the Western Powers to enable them
to do so. So long, therefore, as it remains the
Western position that the hands of a future all-
German government must not he in any way
tied, I see little hope for any removal of the
division of Germany at all— not, by the same
token, of the removal of the division of Europe.
DANGEROUS EXPECTATIONS
THERE are those in our Western camp, I
know, who find in this state of affairs no
great cause for alarm. A divided Germany seems,
for the moment, to he less of a problem to them
than was the united Germany ol recent memory.
I In -v regard the continued presence of American
forces in Germany as an indispensable pledge
of American military interest in the Continent,
and they tremble at the thought that this pledge
should ever be absent. It is agreeable to them
that America, by assuming this particular burden
and bearing it indefinitely, should relieve West-
ern Europe of the necessity of coming to grips
itself with the German question.
This view is understandable in its way. There
was a time, in the immediate postwar period,
when it was largely justified. But there is danger
in permitting it to harden into a permanent atti-
tude. It expects too much, and for too long a
time, of the United States, which is not a Euro-
pean power. It does less than justice to the
strength and the abilities of the Europeans them-
selves. It leaves unsolved the extremely precari-
ous and unsound arrangements which now gov-
ern the status of Berlin— the least disturbance of
which could easily produce a new world crisis.
It takes no account of the present dangerous
situation in the satellite area. It renders perma-
nent what was meant to be temporary. It as-
signs half of Europe, by implication, to the
Russians.
Let me stress particularly this question of Ber-
lin. There is a stubborn tendency in England
and the U. S. to forget the Berlin situation so
long as it gives us no trouble and to assume that
everything will somehow- work out for the best.
May I point out that the Western position in
Bei I in is by no means a sound or safe one; and
it is being rendered daily more uncertain by the
ominous tendency of the Soviet government to
thrust forward the last German regime as its
spokesman in these matteis. Moscow's purpose
in this maneuver is obviously to divest itself of
responsibility lor the future development of the
Berlin situation. It hopes by this means to place
itsell in a position where it can remain serenely
aloof while the East German regime proceeds to
make the Western position in the city an impos-
sible one. This is a sure portent of trouble.
It would, of course, be wholly wrong to sug-
gest that it is only the uncertainty of the West-
ern position about the future of the garrisons in
Germany that stands in the way of a settlement.
I have no doubt that any acceptable arrangement
lot German unification would be an extremely
difficult thing to achieve in any case. It took ten
years to negotiate a similar settlement for Aus-
tria. The negotiation of a German settlement
might also take years, in the best of circum-
stances. But I think we are justified in assuming
that it is this question of the indefinite retention
of the American and other Western garrisons on
German soil which lies at the heart of the diffi-
culty; and until greater clarity is achieved about
tli is point, there can be no proper beginning.
It will at once be held against what I have said
that Moscow itself does not today want German
unification on any terms. Perhaps so. Certainly
in recent months there have been no signs of
enthusiasm in Moscow for any settlement of this
sort. But how much of this lack of enthusiasm
is resignation in the face of the Western position,
we do not know. Until we stop pushing the
Kremlin against a closed door, we shall never
learn whether it would be prepared to go
through an open one.
We must also bear in mind that things change
from time to time in Moscow, just as they do
here in the West. If the disposition to conclude
a German settlement does not exist today in
Moscow, our positions should at least be such as
to give promise of agreement when and if this
attitude changes.
Finally, the question is not just whether Mos-
cow, as people say, "wants" German unification.
It is a question of whether Moscow could afford
to stand in the way of it if there were a real pos-
sibility for a general evacuation of Europe.
Gomulka not long ago promised the Polish peo-
ple that the day the Americans leave Germany,
CHANCE TO WITHDRAW OUR TROOPS IN EUROPE
37
he will take up with the Soviet government the
question of the departure of the Soviet forces
from Poland. And it is quite clear that as Poland
goes, in this respect, so goes the rest of the satel-
lite area. Khrushchev has not specifically de-
murred at Gomulka's position; on the contrary,
he has, in fact, even murmured things himself,
from time to time, about a possible mutual with-
drawal of forces, although he has intimated that
the price of a Soviet withdrawal might be some-
what higher than what Gomulka implied.
In any case, the interest of the satellite govern-
ments in a general evacuation of Germany is
perfectly clear. If, therefore, a more promising
Western position would not assure agreement at
this time, it would at least serve to put a greater
strain on Moscow's position, and to shift clearly
and definitely to the Soviet side the onus of de-
laying a reasonable European settlement.
AN AMERICAN WITHDRAWAL?
ARE there, then, points at which the
Western position could safely be im-
proved? It is hard for an outsider to answer to
such a question in this rapidly-moving time, f
can only say that there are two features of our
present thinking which, in my opinion, might
well undergo particular re-examination.
I wonder, in the first place, whether it is actu-
ally politic and realistic to insist that a future all-
German government must be entirely free to
determine Germany's military orientation and
obligations, and that the victor powers of the re-
cent war must not in any way prejudice that free-
dom by any agreement among themselves. This
is outwardly a very appealing position. It grati-
fies the Western attachment to the principle of
national self-expression. It is, for obvious rea-
sons, a position no German politician can lightly
oppose. But is it sound, and is it constructive?
A peace treaty has not yet been concluded.
The powers of the victors have not yet formally
lapsed in Germany. Might it not just be that the
only politically feasible road to unification and
independence for Germany should lie precisely
through her acceptance of certain restraints on
freedom to shape her future military position in
Europe? And, if so, is it not just a bit quixotic
to cling, in the name of the principle of German
freedom and independence, to a position which
implies the sacrifice of all freedom and all inde-
pendence for many millions of East Germans,
for an indefinite time? No useful purpose is go-
ing to be served by the quest for perfect solu-
tions. The unlocking of the European tangle is
not to be achieved except at some sort of a price.
Is there not— in this insistence that the hands of
a future German government must not be in any
way tied— an evasion of the real responsibility of
the victor powers?
The second element of Western thinking that
might well stand further examination is the com-
mon assumption that the Western powers would
be placed at a hopeless military disadvantage if
there were to be any mutual withdrawal.
It is, of course, impossible to discuss this ques-
tion in specific terms unless one knows just what
sort of withdrawal is envisaged— from where and
to where, and by whom and when. Here, as is
frequently forgotten, there are many possible
combinations; and I am hot at all sure that all
of these have really been seriously explored.
But beyond this, I have the impression that
our calculations continue to rest on certain ques-
tionable assumptions and habits of thought:
1) an overrating of the likelihood of a Soviet
effort to invade Western Europe;
(2) an exaggeration of the value of the satel-
lite armies as possible instruments of a Soviet
offensive policy;
(3) a failure to take into account all the impli-
cations of the ballistic missile; and
(4) a serious underestimation of the advan-
tages to Western security to be derived from a
Soviet military withdrawal.
THE YOUNG GERMANS
ON E of the arguments most frequently
heard in opposition to the introduction
of any greater flexibility into the Western posi-
tion in Germany is that "you can't trust the Ger-
mans." It is therefore better, people say, that
Germany should be held divided and in part
dependent on the West, than that the Germans
should once again be permitted independence of
action as a nation.
I cannot share this opinion. Germany is in a
state of great transition, and one can easily find,
within its changing scene, anything one seeks. It
is true that many of the older generation are
not likely ever to recover entirely from the
trauma of the past; they tend to be twisted peo-
ple in one way or another, which does not neces-
sarily mean that they are still Nazis. But I have
seen, as an academic lecturer, whose own educa-
tion took place partly in Germany, a bit of the
younger Germany; and I am convinced that
these young people— troubled, bewildered, un-
supported at this time by any firm tradition from
their own national past— will not fail to respond
38
HARPER'S MAGAZ1M
to am Western .i|>|>cil thai carries the ring <>l
real vision, of conviction, and ol seriousness of
purpose. The youngei generation i>l Germans
are more threatened today l>\ the inroads ol a
pervasive, cynical materialism than the) are l>\
any extreme nationalistic tendencies: and it is
precisely here, in combating i his materialism,
that we in the West have u, i \ c ■ 1 1 them, 1 Eear,
little help or inspiration. To stake our luture
on tliis youngei German) is admittedly to take
a chance— but I can think ol no greater risk than
the trend toward nuclear war on which we are
all now being carried.
If Germany cannot be accorded reasonable
confidence in these coming years, then I know
of no promising solution to the entire problem
of Europe. If we are going to make so negative
and so hopeless an assumption, let us be terribly,
terribly sure that our judgment is drawn not
from the memories and emotions of the past but
from sober attention to present realities.
THE SUICIDAL WEAPON
THESE observations naturally bring up
the military aspect of our conflict with
Soviet power. Never in history have nations been
faced with a danger greater than that which now
confronts us in the form of the atomic weapons
race. Except in instances where there was a pos-
sibility of complete genocide, past dangers have
generally threatened only the existing genera-
tion. Today it is everything which is at stake—
the kindliness of our natural environment to the
human experience, the genetic composition of
the race, the possibilities of health and life for
future generations.
Not only is this danger terrible, but it is im-
mediate. Efforts toward composition of major
political differences between the Russians and
ourselves have been practically abandoned. Be-
lief in the inevitability of war— itself the worst
disservice to peace— has grown unchecked. We
have a world order marked by extreme instabil-
ity. In the Middle East alone, for example, we
have a situation where any disturbance could
now easily involve us all in an all-out war.
To me it is a source of amazement that there
are people who still see the escape from this
danger in our continued multiplication of the
destructiveness and speed of delivery of the
major atomic weapons. These people seem un-
able to wean themselves from the belief that if
the Russians gain the slightest edge in the ca-
pacity to wreak massive destruction at long
range, they will immediately use it— regardless
ill Din (.i|).uil\ lot retaliation— win leas, il we can
only contrive to get a mn bit ahead ol the Rus-
sians, we shall in some \\.i\ have won. our sal-
vation will be assured; the load will then lie
paved for a settlement on our own terms. This
cast of thought seems to have been much en-
couraged, in the I . S. at least, by the shock of
tlie launching ol the Russian earth satellites.
I scarcely need say that I see no grounds what-
soever in this approach. The hydrogen bomb,
admittedly, has a certain sorry value to us today
as a deterrent. When I say this, I probably do
not mean exactly what many other people mean
when they say it. 1 have never thought that the
Soviet government wanted a general world war
at any time since 1945, or that it would have
been inclined, for any rational political reason,
to inaugurate such a war, even had the atomic
weapon never been invented. I do not believe,
in other words, that it was our possession of the
atomic bomb which prevented the Russians from
overrunning Europe in 1948 or at any other time.
In this I have disagreed with some very impor-
tant people.
But now that the capacity to inflict this fear-
ful destruction is mutual, and now that this
premium lias been placed on the element of
surprise, I am prepared to concede that the
atomic deterrent has its value as a stabilizing
factor until we can evolve some better means
of protection. And so long as we are obliged
to hold it as a deterrent, we must obvi-
ously see to it that it is in every way adequate
to that purpose— in destructiveness, in speed of
delivery, in security against a sudden preventive
blow, and in the alertness of those who control
its employment. But I can see no reason why we
should indulge ourselves in the belief that the
strategic atomic weapon can be anything more
than a temporary and regrettable expedient,
tiding us over a dangerous moment.
As for these various frantic schemes for de-
fense against atomic attack, I can see no grounds
whatsoever for confidence in them. I do not
trust the calculations on which they are based.
War has always been an uncertain exercise, in
which the best-laid plans are frequently con-
founded. Today the variables and unknowns in
these calculations are greater than ever before.
I do not believe there is any human mind or
group of human minds or any calculating ma-
chine anywhere in the world which can predict
with accuracy what would happen if these
weapons should begin to be used or which could
devise realistic defenses against them.
But beyond this, what sort of a life is it to
CHANCE TO WITHDRAW OUR TROOPS IN EUROPE
39
which these devotees of the weapons race would
see us condemned? The technological realities
of this competition are constantly changing
from month to month and from year to year.
Are we to flee like haunted creatures from one
defensive device to another, each more costly
and humiliating than the one before, cowering
underground one day, breaking up our cities the
next, attempting to surround ourselves with
elaborate electronic shields on the third, con-
cerned only to prolong the length of our lives
while sacrificing all the values for which it might
be worthwhile to live at all? If I thought that
this was the best the future held for us, I should
be tempted to join those who say, "Let us divest
ourselves of this weapon altogether; let us stake
our safety on God's grace and our own good
consciences and on that measure of common
sense and humanity which even our adversaries
possess; but then let us at least walk like men,
with our heads up, so long as we are permitted to
walk at all."
The beginning of understanding rests, in this
appalling problem, with the recognition that the
weapon of mass destruction is a sterile and hope-
less weapon which may for a time serve as an
answer of sorts to itself, as an uncertain sort of a
shield against utter cataclysm, but which cannot
in any way serve the purposes of a constructive
and hopeful foreign policy. The true end of
political action is, after all, to effect the deeper
convictions of men; this the A-bomb cannot do.
The suicidal nature of this weapon renders it
unsuitable both as a sanction of diplomacy and
as the basis of an alliance. There can be no
coherent relations between such a weapon and
the normal objects of national policy. A defense
posture built around a weapon suicidal in its
implications can serve in the long run only to
paralyze national policy, to undermine alliances,
and to drive everyone deeper and deeper into
the hopeless exertions of the weapons race.
This fact is in no way affected by the Soviet
earth satellite, nor will it be affected if we launch
a satellite ourselves.
LIMITED WAR
BU T even among those who would go along
with all that I have just said, there have
recently been other tendencies of thought with
which I also find myself in respectful but earnest
disagreement. I have in mind here, in particular,
the belief that the so-called tactical atomic
weapon— the atomic weapon designed, that is, to
be used at relatively short-range against the
armed forces of the adversary, rather than at
long range and against his homeland— provides a
suitable escape from the sterility of any military
doctrine based on the long-range weapon of mass
destruction.
Let me explain what I mean. A number of
thoughtful people, recognizing the bankruptcy of
the hydrogen bomb and the long-range missile
as the bases for a defense policy, have pleaded
for the simultaneous cultivation of other and
more discriminate forms of military strength,
and ones that could conceivably be used for some
worthwhile limited national objective, and with-
out suicidal effect. Some have advocated a policy
of what they call graduated deterrents. Others
have chosen to speak of the cultivation of the
capacity for the waging of limited war, by which
they mean a war limited both in the scope of its
objects and in the destructiveness of the weapons
to be employed. In both instances what they
have had in mind was to find an alternative to
the H-bomb as the basis for national defense.
One can, I think, have only sympathy and
respect for this trend of thought. It certainly
runs in the right direction. Force is, and always
will be, an indispensible ingredient in human
affairs. A first step away from the horrors of the
atom must be the adequate development of
agencies of force more flexible, more discrimi-
nate, and less suicidal in their effects. Had it
been possible to develop such agencies in a
form clearly distinguishable from the atomic
weapon, this unquestionably would have pro-
vided the most natural path of escape from our
present dilemma.
Unfortunately, this seems no longer to be
an alternative, at least so far as the great nuclear
powers are concerned. The so-called tactical
atomic weapon is now being introduced into the
armed forces of the United States and there is
an intention, as I understand it, to introduce
it into Britain's. We must assume that the same
thing is occurring in the Soviet Union. While
many people in our respective governments
have become convinced, I am sure, of the need
for being able to fight limited as well as total
wars, it is largely by the use of the tactical atomic
weapon that they propose to fight them. It
appears to be their hope that by cultivation of
the tactical weapon we can place ourselves in a
position to defend the NATO countries success-
fully without resorting to the long-range strategic
one; that our adversaries can also be brought to
refrain from employing the hydrogen bomb;
that warfare can thus be restricted to whatever
the tactical weapon implies; and that in this
40
HARPER'S MAGAZINE
way the more apocalyptic effects of nuclear war-
fare may l>e avoided.*
It is this thesis which I cannol accept. That it
would prove possible, in the evenl ol an atomic
war. to arrive at some tacit and workable under-
standing with the adversary as to the degree of
destructiveness of the weapons that would be
used and the sort of target to which they would
be directed, seems to me a \cr\ slender and wish-
ful hope indeed.
But beyond this, let us bear in mind the
probable effects— the effects, particularly, on the
people in whose country such a war might be
waged— of the use of tactical atomic weapons.
There seems to be a duel I id assumption that
these weapons are relatively harmless things,
to be used solely against the armed forces of the
enemy and without serious ulterior disadvan-
tages. Bui surer) this is not so? Even the tactical
atomic weapon is destructive to a degree that
sickens the imagination. If the experience of this
century has taught us anything, i( is that the
long-term effects of modern war are by no means
governed just by the formal outcome of the
struggle in terms of victory or defeat. Modern
war is not just an instrument of policy. It is an
experience in itself. It does things to him who
practices it, irrespective of whether he wins or
loses. Can we really suppose that poor old
Europe, so deeply and insidiously weakened by
the ulterior effects of the two previous wars of
this century, could stand another and even more
horrible ordeal of this nature? And let us ask
ourselves in all seriousness how much worth sav-
ing is going to be saved if war now rages for the
third time in a half-century over the face of
Europe, and this time in a form vastly more
destructive than anything ever known before.
There is a further danger, and a very im-
minent one as things now stand; and this is that
atomic weapons strategic or tactical or both may
be placed in the arsenals of our continental
allies.
I cannot overemphasize the fatefulness of
such a step. I do not see how it could fail to
produce a serious increase in the existing mili-
tary tension in Europe. It would be bound to
raise a grave problem for the Russians in respect
of their own military dispositions and their rela-
tions with the other Warsaw Pact countries.
Moscow is not going to be inclined to entrust its
satellites with full control over such weapons.
* This view is set forth in a book which recently
has attracted considerable international attention,
Henry A. Kissinger's Nuclear Weapons and Foreign
Policy.— The Editors.
II. therefore, the Western continental countries
are to be armed with them, any Russian with-
drawal from Centra] and Eastern Europe may
become unthinkable for oiue and lor all, for
reasons ol sheet military prudence, regardless of
what the iii.i j t )i Western powers might be pre-
pared to do.
In addition to this, it is perfectly obvious that
the larger the number ol bands into which the
control over atomic weapons is placed, the
smaller will be the possibility for their eventual
exclusion from national arsenals by international
agreement.
I am aware that similar warnings against the
introduction ol the atomic weapon into the
armaments of the continental countries have also
recently been part of the stock-in-trade of Soviet
diplomacy. But I think we must beware of
rejecting ideas just because they happen to coin-
cide with ones put forward on the other side.
Moscow says many harmful and foolish things;
but it would be wrong to assume thai its utter-
ances never happen to accord with the dictates
of sobrietv and good sense. The Russians are
not always wrong, any more than we are always
right. Our task, in any case, is to make up our
minds independently.
EUROPE PROTECTING HERSELF
IS THERE, then, any reasonably hopeful,
alternative to the unpromising path along
which we are now advancing? I must confess
that I see only one. This is precisely the opposite
of the attempt to incorporate the tactical atomic
weapon into the defense of Western Europe. It
is, again, the possibility of separating geo-
graphically the forces of the great nuclear powers,
of excluding them as direct factors in the future
development of political relationships on the
continent, and of inducing the Europeans, by the
same token, to accept a higher level of responsi-
bility for the defense of the Continent than they
have recently borne.
This is still a possibility. We have not yet
taken the fatal step. The continental countries
have not yet prejudiced their usefulness for the
solution of continental problems, as we have
ours, by building their defense establishments
around the atomic weapon. If they could be
induced to refrain from doing this— and if there
could be a general withdrawal of American,
British, and Russian armed power from the
heart of the Continent— there would be at least a
chance that Europe's fortunes might be worked
out, and the competition between two political
CHANCE TO WITHDRAW OUR TROOPS IN EUROPE
41
philosophies carried forward, in a manner dis-
astrous neither to the respective peoples them-
selves nor to the cause of world peace.
I am aware that many people will greet this
suggestion with skepticism. On the European
continent, in particular, people have become so
accustomed to the thought that their danger
is a purely military one, and that their salvation
can be assured only by others, that they rise in
alarm at every suggestion that they should find
the necessary powers of resistance within them-
selves. There is an habitual underestimation
among these peoples of the native resources of
Europe. The Western Europe of today reminds
me of the man who has grown accustomed to
swimming with water wings and cannot realize
that he is capable of swimming without them.
It is plain that in the event of a mutual with-
drawal of forces, the continental NATO coun-
tries would still require, in addition to the
guarantees embodied in the NATO Pact, some
sort of continuing local arrangements for their
own defense. For this purpose their existing
conventional forces, based on the World War II
pattern, would be generally inadequate. These
conventional forces are designed to meet only
the least likely of the possible dangers: that of
an outright Soviet military attack in Europe,
and then to meet it in the most unpromising
manner, which is by attempting to hold it along
some specific territorial line.
But this is not the problem. We must get
over this obsession that the Russians are yearn-
ing to attack and occupy Western Europe. The
Soviet threat is a combined military-political
threat, with the accent on the political. If the
armed forces of the United States and Britain
were not present on the Continent, the problem
of defense for the continental nations would be
primarily one of the internal health and disci-
pline of the respective national societies, and of
the manner in which they were organized to pre-
vent conquest by unscrupulous and foreign-
inspired minorities. What they need is a
strategic doctrine addressed to this reality.
Under such a doctrine, armed forces would
indeed be needed; but I would suggest that as a
general rule these forces might better be para-
military ones, of a territorial-militia type, some-
what on the Swiss example, rather than regular
military units on the World War II pattern.
Their function should be primarily internal
rather than external. It is on the front of police
realities, not on regular military battlefields,
that the threat of Russian Communism must
primarily be met.
The training of such forces ought to be such
as to prepare them not only to offer whatever
overt resistance might be possible to a foreign
invader but also to constitute the core of a civil
resistance movement on any territory that might
be overrun by the enemy. For this reason they
need not, and should not, be burdened with
heavy equipment or elaborate supply require-
ments and this means— and it is no small advan-
tage—that they could be maintained at a fraction
of the cost per unit of the present conventional
establishments.
I would not wish to suggest any sweeping uni-
form changes. The situations of no two NATO
countries are alike. There are some that will
continue to require, for various reasons, other
kinds of armed forces as well. I mean merely to
suggest that, if there could be a more realistic
concept of the problem and the evolution of a
strategic doctrine more directly addressed to the
Soviet threat as it really is, the continental coun-
tries would not be as lacking in the resources
or means for their own defense as is commonly
assumed.
The primary purpose of the dispositions would
be not the defense of the country at the frontier
—though naturally one would aim to do what-
ever could be done in this respect— but rather
its defense at every village crossroads. The pur-
pose would be to place the country in a position
where it could face the Kremlin and say to it:
"Look here, you may be able to overrun us—
if you are unwise enough to attempt it— but you
will have a small profit from it; we are in a posi-
tion to assure that not a single Communist or
other person likely to perform your political
business will be available to you for this purpose;
you will find here no adequate nucleus of a
puppet regime; on the contrary, you will be
faced with the united and organized hostility
of an entire nation; your stay among us will not
be a happy one; we will make you pay bitterly
for every day of it; and it will be without favor-
able long-term political prospects."
I think I can give personal assurance that any
country which is in a position to say this to
Moscow, not in so many words, but in that lan-
guage of military posture and political behavior
which the Russian Communists understand best
of all, will have little need of foreign garrisons
to assure its immunity from Soviet attack.
A second article by Mr. Kennan will appear in
the March issue. Like this one, it is based on a
recent series of BBC lectures which attracted
world-wide attention.
Murray Teigh Bloom
what two lawyers are doing to
HOLLYWOOD
They tried an experiment which outraged
the deepest traditions of the film business —
hut it saved a dying company,
changed the social structure of the movie
world, and made hoth of them rich.
IN THE movie business there is almost
always a direct ratio between the speed with
which a man rises to the highest levels of power
and the accumulation of stories about his chi-
caneries, sex life, and ignorance.
Two current and notable exceptions are
Robert S. Benjamin and Arthur B. Krim.
Chairman of the Board and President, respec-
tively, of United Artists, they are generally recog-
nized as the most successful team in the entire
industry. Although their triumph was achieved
in a brief six-year period when the rest of the
trade was harried by television, dwindling audi-
ences, and closed theaters, they are not only
respected; they are even rather well-liked. What
makes this still more remarkable is that both
are lawyers— a profession Hollywood customarily
associates only with bad news.
Benjamin and Krim should have dangerous
enemies. The methods by which they trans-
formed United Artists from an almost bankrupt
firm losing money at the rate of $5,000,000 a year
to a true blue chip with net earnings of nearly
$3,500,000 in 1957 challenge the deepest tradi-
tions of film business. They did it by enthroning
talent: by offering stars, directors, and writers
a chance to be masters of their own artistic fate.
In Hollywood where the writer has long been
regarded as a lazy cur, the director as a dan-
gerous spendthrift, and the actor as a charming
but alarming child, this doctrine of "creative
autonomy," as UA calls it, seemed worse than
heresy. It was generally considered the idiot's
load to ruin.
When Benjamin and Krim took over UA from
Mary Pickford and Charles Chaplin in 1951
there were almost no independent producers left
except Sam Goldwyn. At all the rest of the
major studios the production panjandrums like
Danyl Zanuck would decide: "We'll make
twenty-five pictures this year which will be based
on the following properties." And they would
be made— using of course the talents of pro-
ducers, directors, actors, and writers on the studio
payroll. Independent was roughly synonymous
with unemployed. Benjamin and Krim have
changed that.
In 1957 of the approximately 230 major U.S.
IiIims made, about 60 per cent were turned out
by independent producers; forty-eight of them
by United Artists. And so great has been the
force of the UA example that even at MGM,
Paramount, Warner Brothers, and Columbia a
majority of the films were produced by inde-
pendent units using the financing powers, studio
facilities, and distributing networks of the
studios. There are only two holdouts left: Twen-
tieth-Century Fox where independent produc-
tion is still a minor matter, and Universal, where
it is non-existent.
UA is still leading the way. Its own roster
of talent includes such Hollywood lions as Burt
Lancaster, Cary Grant, Kirk Douglas, John
Wayne, Henry Fonda, Gregory Peck, Joe Man-
kiewicz, Rita Hay worth, Stanley Kramer, Bob
Hope, William Wyler, Edward Small, Frank
Sinatra, Billy Wilder, Gary Cooper, Tony Curtis,
Susan Hayward, Richard Widmark, Jeff Chan-
dler, Clark Gable, and many more. And up-
wards of fifty independent producing organiza-
tions, invariably built around a star, director,
writer, or producer are now making films with
UA financing, for UA distribution.
WHAT TWO LAWYERS ARE DOING TO HOLLYWOOD
43
UA has achieved this impressive showing by
the simple expedient of elevating talent to the
status of a partner. A top star in a UA inde-
pendent production gets anywhere from 30 to 75
per cent of the net profits, depending on the
success of his previous films and the cost of the
venture; if he is a big enough box-office draw,
like, say, Cary Grant he can command 10 per
cent of the gross profits, which means that he
can make money on a picture even if it is a com-
mercial failure.
THE SIZE OF THE RISKS
ON E prominent director recently making
a film for UA, who has also made films
as an independent at another major Hollywood
studio, describes the differences as follows:
"An independent working with the usual
major studio starts out with a fat handicap: he
finds that 25 to 40 per cent of his budget is
tacked on to cover studio overhead. With UA
there is no overhead; you can make the picture
anywhere in the world. In all these independent
contracts there is a clause that when the pro-
ducer runs over budget by more than 10 per
cent the studio has the right to put in a little
commissar to tell the producer what to do— and
what not to do. Sure, they disguise the man's title
and function but everyone knows it. He's
deferential as hell to the producer but he's the
boss from then on in. The permissive age is over.
Papa will spank.
'As far as I know, UA has never sent a com-
missar and some of their pictues have gone over
budget. When I was at they looked at
my rushes every day. That's like a novelist hav-
ing to send in his daily few pages to his pub-
lisher as he writes them. What kind of talent
can work that way?
"Take screen credits. Don't let anyone kid you
that they're unimportant. If you're an inde-
pendent with other major studios you won't get
top credit on the opening title. With UA I get
top credit and somewhere down at the bottom
there'll be a modest line: 'Released by United
Artists.' Benjamin and Krim stick to their roles;
they don't make believe they're producers and
they don't compete with us for kudos."
Benjamin and Krim have no illusions that
everyone is suited to independent production.
"You need great drive, tremendous self-confi-
dence, a need to be in business for yourself,"
Benjamin says. "Also you need courage: it may
take eighteen months from the time we advance
the pre-production money to buy the story be-
fore you get an idea of the box-office returns."
The conversion of a star to a star-producer is
usually regarded in Hollywood as a miracle of
a considerably higher order than Pygmalion's.
When UA's list of projected films was announced
in 1955 Arthur Krim felt constrained to tell the
trade press:
"We don't expect the stars to become full-
fledged producers overnight. Some stars will have
producers as partners in the venture; some will
have business associates; others will have direc-
tors as partners; while still others will carry the
business burdens themselves."
As producer the star takes over many of the
functions of the omnipotent studio head of pro-
duction—he selects the property he wants to do;
a writer; a director; the co-star, if any; the place
he wants to make the picture in; and he works
out a budget. UA customarily asks to approve
the key ingredients in the package. But even
before that stage it has usually put up pre-
production money to enable the star to purchase
the property and acquire a working script.
There are a few talented specialists who can
go over a film script page by page and predict
the total cost of the production within 10 per
cent. Unfortunately, they are not omniscient,
and their estimates are often useful only as a
kind of general guide.
What they don't know and what Benjamin
and Krim must be able to evaluate are the
human factors. The director, for example. Is he
a fast or slow shooter? How meticulous is he
about his takes? How many takes does he need
before he lets the scene go into the can? The
answers can easily involve several hundred thou-
sand dollars in the budget. But suppose Billy
Wilder is directing. Bob Benjamin knows that
Wilder is no film and time waster. He "shoots
tight." ("You can't help admiring the big direc-
tors," Benjamin observes. "Even when it is
money out of their own pocket they will over-
shoot in striving for quality and the exact
mood.")
Then there is the problem of the star. How
much did his last picture really gross? This
information is another authentic secret known
only to the very top bosses of film studios, who
sometimes confide it as a favor. Trade-paper
estimates have various built-in errors.
A good illustration of the mechanics and risks
of UA operation is the history of the picture
"Alexander the Great." Early in 1955 writer-
director Robert Rossen showed Benjamin and
Krim seventy-five pages of an incomplete script.
They liked it.
II
ll \ K I' I. K 's Vf AGAZIN1
\\ > .ml. I '. • 1 1 1 recalled recently, 'I liai
ii in could writ* a picture that didn i cosi more
Hi. in -i 250,000 iv i thou I top-grade si. us \\< had
.1 . 1 . .il W< advanci d him I ! and hi wrote
mor< "I iin ■•' i i|>i I >i 1 1 it si ill w asn'i finished 1 1
" i .1 ill "ii ,n Now wi in. nl' the deal ore
definite w i advan< ed him I »0,000 so thai
In could "i i .i si i design* i an artist, and a pro
ilin i Km in mi", i 1 1, ".,i K H hard Uui ton foi
.i six ii" in i 1 1 .ii i plus ,i si i i.i 1 1 percentage, and
< lain II loom and Fredd) Man Ii With oui
hacking he was abli to givi them firm contracts,
\ detailed hudgei was agreed upon unli the
usual l" I" i ' i in lei waj In I he spi ing ol 1955
Rosscn started shooting in Spain Ki he nectled
in, ,i , mone\ In drew ii from a fiscal < iffi< ei we
api ted ii>i this film Rossen was investing his
mi \ ii i , .mil uui and i hall years <>l Ins i ime w i
were im esi ing in his s< taleni Ml ■ >i us
i ii< w there were certain hazards here the inevil
able difficulties in iho ■■ a spectacle in a re
moii location plus thi faci we li.nl no top stars,
"Bui now i. ■ trouble ii< was going ovei
hudgei mainly, w< think, hecausi <>i unusua I
local logistical problems Uui we weren't going
to .ill. mil' hi i in projeel hi take il "m ol his
hands \\< don'l work thai wa\ Winn ii w.is
finished the job ran to 52, 100,000 I he box office
reviews were mixed, In |>.nis ol the world the
dim is suii playing bui we're prett) sure thai
world-widi the film will gross about $4,500,000,
Incidentally, il broke ever) record in India and
in (.iiiii
I ha l sounds .is il th< picture .1 n >u K I have
in. i'i' i i\ inn there are othei costs to consider.
v\ < speni si. (iiiii, (miii i,, advertise the film in the
U.S., hei $350,01 al ing aboul '»<hi prints
• >i the coloi film, \<M $100,000 foi freighi ship
UK nis ill the film, Milium Picture Association
dues, .uui checking on exhibitors to make sure
the) were giving ns an honesi count on attend
ance, so in .ill before we got back .i ceni iii<-
film really cosi ns $3,750,000. Vnd more, really.
We have i world-wide network ol ninety <lis
1 1 iimi uui offices, called exchanges, thai cosi ns
aboul $1 5,000,000 .i yeai to m. ain. In ordi i
ii this cosi we made .i charge ol S2 |«'i < cm
aboul $1,500,000 in tins i ,isr ol the picture's
gross, uiinii is the amount oui exchanges re
<i ived . ■ i iti the theaters had deducted then per-
I III 0Y,,(l
^Jsi)
/
( f(
I Ik\, ancient Biblical scrolls they'\>e been discovering wouldn't
ii h, great >l they contained ten more Commandments?
WHAT TWO LAWYERS ARE DOING TO HOLLYWOOD
45
centages. Major theaters usually get upwards of
50 per cent of gross box-office receipts to cover
their costs and profit. Now when we add the
distribution costs 'Alexander' really cost $5,500,-
000. In short, we'll be out of pocket on this deal
about $750,000. Rossen? We still think he is a
tremendous creative talent and we hope he will
make more films for us."
UA's deals with talent almost always cover
more than one picture so that the losses on any
one are balanced against the hoped-for profits on
the others. This "cross-collateralization" also
enables Benjamin and Krim to say yes to films
which they believe will be commercial hazards.
When Otto Preminger, who made the very
successful "The Moon fs Blue" and "The Man
with the Golden Arm," wanted to do "Saint
Joan" the UA chiefs agreed, even though with-
out a known star in the cast the film was a seri-
ous risk. Preminger, a top producer-director,
was willing to invest his time and efforts in
making the Shaw play and to try to create a new
star for the role of Joan. The film was a failure.
They felt his previous successes earned
Preminger the right to experiment.
WHAT MARTY DID
WHEN Burt Lancaster and his business
partner, Harold Hecht, asked for a UA
deal on a picture they wanted to make out of
the TV play "Marty" Benjamin and Krim went
along with some hesitation. There was a risk—
the film had no box-office star— but it was
budgeted for only $300,000. Even if it were a
dead loss— which UA considered possible— the
previous successes of Hecht-Lancaster would
more than cover it.
What happened, of course, was that "Marty"
became a runaway favorite with critics and pub-
lic. It made $3,000,000 in the U.S. and another
$2,000,000 abroad.
There are certain other special problems
which arise because as many as fifty independent
producers are making films for UA. Not lout;
ago, for example, two UA producers were bid-
ding for Nevil Shute's apocalyptic On the
Beach. The price went to $75,000 when nor-
mally the book might easily have been picked
up for, say, $40,000.
"They bid and bid and in I he end we'll fiave
to pay for the extra," Benjamin comments
dourly. "Still," he brightened, "we might have
had four of our producers bidding for it."
At one period lour of their producers were
simultaneously working on plans to make a film
biography of Goya. Which one would UA favor?
A ground rule was established: the producer who
was first to get the consent of the Spanish gov-
ernment and the Duke of Alba's descendants-
imagine making the picture without the nude-
would get the nod. The winner? Ava Gardner's
Titanus Films. She will play the Duchess.
Like most successful revolutionaries Benjamin
and Krim neither look nor act the part. Their
fourteenth-floor connecting offices on Seventh
Avenue in New York are good-sized but simply
and decorously furnished. Both men are mild
and inconspicuous in dress and speech, around
the same age and the same medium height; and
both are bothered by a tendency toward putting
on weight.
Benjamin, who is forty-eight, is the slightly
older member of the team. (Nearly all the other'
top executives in the film industry are in their
sixties and seventies, incidentally.) He was born
in the Williamsburg section of Brooklyn— the
first step upward in the exodus of the immigrant
Jews from the lower East Side of Manhattan.
His mother ran a fish store. Even while he was
in high school he contributed to his own support
by working as an office boy for the New York
Film Board of Trade. From New York's City
College, which he attended in the evening, he
went on to night law school and a clerk's job
with the law firm of Phillips, Nizer where his
uncle, Louis Phillips, was senior partner. In
19.9>l he was graduated with honors from Ford-
ham Law School and the following year began
his practice with Phillips, Nizer.
Krim grew up in comfortable, suburban
Mount Vernon, New York, where he was presi-
dent of his high-school graduating class and
captain of the cross-country track team. His
father owned a large string of cafeterias. In
Columbia College he majored in history and
became head of the debating team. He was
elected to Phi Beta Kappa, won the Elsberg His-
tory Prize, and was urged to stay on for graduate
studies in history with the promise of a fellow-
ship and a possible instructor's post to help him
get his Ph. I). Krim was tempted, but his lather
persuaded him to study law. Ai Columbia Law
School he was first in his class and editor in
chief of the Law Review. Alter graduation he
turned down several offers from Wall Street law
offices and went to work for Phillips, Nizer,
where he and Bob Benjamin soon became good
li lends.
Phillips, Nizer represented many lilm com-
panies which were being sued by the Depart-
ment ol Justice, so the two young lawyers learned
46
HARPER'S MAGAZINE
a great deal about movie law, personalities,
theater operation, and anti-trust laws. In 1938
they were made senior partners and the firm
became what it is today: Phillips, Ni/er, Benja-
min and Krim, considered by some the ablest
law firm in the film industry.
During the war Benjamin served as executive
officer at the Army's Motion Picture Photogra-
phic Center and rose to the rank of major. He
also helped supervise the photographic coverage
of D-day in Normandy. Krim. who ended as a
lieutenant-colonel, handled special assignments
in the U. S. and the Pacific Theater for Under
Secretary of War Robert S. Patterson. A few
weeks out of uniform, Benjamin became head
of the }. Arthur Rank Organization in America,
a director of Universal Pictures, and vice presi-
dent of the newly formed United World Pictures.
He was, Variety wrote admiringly, "The man
with three hats." Krim, less ebullient, was con-
tent merely to be president of Eagle-Lion films.
Both remained partners in their law firm.
Krim's first experience with movie business
proved unhappy; he and Eagle-Lion's founder,
Robert R. Young, the railroad financier, dashed
regularly and in 1949 Krim returned to his law
firm full-time. He handled some negotiations
but spent more time than usual reading the film
trade press. Inevitably he began to follow the
decline and threatened fall of United Artists, the
last privately held major film company in the
United States.
MORE THAN MONEY
WHEN it was formed by Mary Pickford,
Charles Chaplin, D. W. Griffith, and
Douglas Fairbanks in 1919, UA's main purpose
was "to improve the photoplay industry and its
artistic standards, and the methods of marketing
photoplays."
It did just that; it also made money— for its
owners and for many other independent pro-
ducers whose films it distributed all over the
world. But by 1949 with two of the original
founders dead and only one of the remaining
two— Chaplin— still making an occasional film the
company was in trouble. There simply was not
enough independent production to keep its net-
work of film exchanges busy.
Among those volunteering to try to patch
up the remains was Paul V. McNutt, former
Governor of Indiana, American Legion Com-
mander, and Presidential hopeful. Max Kravetz,
a minor movie promoter who had won Mary
Pickford's confidence, had met McNutt on a
Pullman diner one night and persuaded him
that he was just the man UA needed. Impressed
with McNutt's stature and promises, Pickford
and Chaplin made him UA chairman. Alter
many hopeless months McNutt desperately be-
gan seeking a way out: he couldn't possibly raise
the $15,000,000 which everyone knew UA needed
to get on its feet again. If he didn't jump last
he would be saddled with the UA bankruptcy.
To his rescue came a friend of Benjamin's
and Kihn's named Matty Fox, a heavy-set, color-
1 ii 1 film industry executive who is currently push-
ing Skiatron, a toll TV scheme. In September
1950, Fox arranged a dinner party in his New
York penthouse so that his friends could talk to
McNutt. Money alone, they told him, couldn't
make films. UA had to win back the confidence
of the few remaining independent producers
who were still in business. Most of them were
withholding their pictures from UA because
they were sure the firm was about to go into
bankruptcy.
McNutt, impressed, recommended the pair to
Pickford and Chaplin. In February 1951, after
several months of fitful discussion, Krim made
his last offer: Krim and Benjamin would be
made trustees for 100 per cent of the UA stock
so that they could operate the firm. Half of the
company's 16,000 shares would be set aside in
escrow for them. If in any one of the next three
years the pair succeeded in getting UA into the
black— it was then losing money at the rate of
5100,000 a week— they would be allowed to buy
the 8,000 shares for a nominal $1 a share. They
also asked for a ten-day option to see what kind
of operational cash they could raise. Chaplin
and Pickford accepted.
In a day Benjamin and Krim were able to
borrow $500,000 from Spyros Skouras, the head
of Twentieth Century Fox, who was a good
friend of theirs; he felt that a major bankruptcy
in the film field— even that of a competitor-
would be bad for the whole industry. But money
is not handed out on sentiment alone in the
movie business: UA had to agree to give DeLuxe
Laboratories, a Twentieth Century Fox sub-
sidiary, its film processing work. In Chicago,
Walter E. Heller, a brilliant and friendly finan-
cier who had made many large movie loans, put
up $3,000,000 at 12 per cent, his normal fee,
against weekly receipts taken in by the ninety
UA film exchanges.
With three and a half million dollars in
cushion money against failure Krim and Ben-
jamin exercised their option and took control
of UA. Most of their confidence stemmed from
WHAT TWO LAWYERS ARE DOING TO HOLLYWOOD
47
the availability as partners of three of their
friends who were leading specialists in their
fields: William J. Heineman, domestic sales;
Arnold Picker, foreign sales; and Max E. Young-
stein to direct advertising, publicity, exploitation
and handle liaison with producers. These men
came in as vice presidents, at reduced salaries
but with UA stock rights.
To check on their foreign operation Benjamin
and Krim went to Europe. In Paris they discov-
ered that the UA employees had so little to do
that on any warm day a quorum of them could
be found at the Longchamps track. The partners
checked the books and records and late one after-
noon at the George V Hotel faced an alarming
fact: UA owed $1,000,000 they had not known
about. No matter how much money was lent
them there was no way out unless they could get
dozens of pictures into the distribution pipeline
almost at once.
There was one faint hope: Eagle-Lion, Krim's
old firm, was in trouble. Krim offered his former
employer, Robert R. Young, $500,000 for dis-
tribution contracts for 150 pictures. Young,
anxious to liquidate, accepted, and the films
were soon grossing $200,000 a week for UA. The
worst was over. In December 1951 UA was in the
black for the first time in five years. In March
1952 an independent audit confirmed the fact
and Benjamin and Krim received the 8,000
shares of UA stock held in escrow until they
could show a profit.
They got more encouragement when their
Chicago friend, Walter Heller, who had financed
the making of "The African Queen" with
Humphrey Bogart and Katharine Hepburn, per-
suaded the producer, Sam Spiegel, to give the
film's distribution to UA. It was an enormous
hit and their first "quality" picture.
THE TWO-HEADED MONSTER
SINCE then UA has gone on to greater
and greater years, pouring its mounting
profits back into more producion. The partners
have financed and distributed a few films which
they personally liked and which also made a
great deal of money, like "Moulin Rouge,"
"Marty," and "High Noon." ("If we made pic-
tures for my personal taste only," Krim once
noted wryly, "we'd go broke.") They have been
further blessed with such commercial successes
as "Trapeze," "Not as a Stranger," and "Around
the World in 80 Days," which promises to be
one of the biggest money makers in motion-
picture history.
In 1956 Chaplin sold his remaining 25 per
cent interest in UA to Benjamin and Krim, and
a year later Mary Pickford did the same with her
stock. In June 1957 the privately held UA stock
was sold to the public in the form of common
stock and convertible debentures for a net return
to UA of $14,100,000 which is being used to
finance new film productions. The issue is now
listed on the New York Stock Exchange.
The deal left Benjamin and Krim still in con-
trol of the company. The biggest single block
of stock, 310,000 shares, is owned jointly by
them. Several thousand stockholders bought
350,000 shares, and the four key vice presidents
and partners received 77,000 shares each.
The president's and chairman's weekly pay-
checks are surprisingly small— $1,000 a week each.
Another $150,000 a year is paid their law firm,
where they are still partners, for legal counsel.
For the heads of a major— and very profitable—
film company this is modest compensation. The
usual going rate is between $2,500 and $4,000
a week for the head man. On the other hand
any one of UA's fifty producers or stars can
make between one and two million dollars on a
successful picture, on a moderately successful one,
at least $500,000.
In the anxiety-ridden film industry the UA
success story has been raked through again and
again for the magic talisman. Some, envious,
attribute it simply to dumb luck; Benjamin and
Krim came along at the right moment with a lot
of cheap pictures just when the major studios
were concentrating on "quality" films. The ex-
hibitors, starved for products for their middle-
of-the-week shows, naturally turned to UA.
"It was a changing industry and they were
equipped for change," a competitor says. "They
had nothing to lose but their reputations."
Another film man comments: "Only lawyers
could do what they did. They come from a
profession where there is practically no overhead
investment. They sell services so they're im-
pressed only by what you do, not what you own.
Also they didn't have the tremendous overhead
of studios, expensive executives who were your
friends from the Year One and had to be carried,
and costly contracts with aging stars. The only-
contracts they made were for pictures— some-
thing negotiable. How could they lose?" (Ben-
jamin and Krim demur. They attribute most
of the UA success to "the strength and quality
of our partners.")
The industry also has considerable curiosity
about how its only "two-headed monster," as
Benjamin and Krim sometimes call themselves,
48
HARPERS MAGAZINE
works and shares powers, money, and honors.
"It's really Arthur's show," Benjamin insists.
"He dreamed up the package, negotiated with
UA, and worked the Eagle-Lion deal."
In practice, however, the partners operate on
a basis of complete equality with no discernible
division of powers. Either one can make a major
decision in the other's absence alter twenty-five
years of close association each knows exactly
how tlie othei will react to a given proposal.
Some prefer to deal with Benjamin. He is
warm, outgoing, and diplomatic when he wants
to be. He is also epiie ker to catch a producer's
contagions enthusiasm lot his new project. Since
he has been around the industry lot thirty three
years he knows jusi about everybody in it. He
also deals with some UA talent who are a little
afraid of Krim; his swift, analytic intelligence
and ability to find the weak spot in a proposed
deal in ten seconds Hat is disconcerting.
Krim, a bachelor, has bought a town house
near Sutton Place where he lives with two ser-
vants. He listens to his vast collection of records,
reads prodigiously, dates some actress friends,
travels a lot, worries considerably about the gam-
bles he and his partner are making every week—
UA has committed some sixty million dollars to
future films— and occasionally muses on what it
might have been like to be a history professor at
Columbia. A liberal Democrat, he worked ac-
tively and contributed generously to the 1952
and 1956 Stevenson campaigns.
In 1949 Benjamin married a pretty, bright
English girl named Jean Holt. The Benjamins
live in a large, comfortable house in the pros-
perous suburb of Kings Point with a huge boxer,
a small swimming pool, and two children. Their
home was a frequent rallying point for local
Stevenson-for-President groups in '52 and '56.
Nearly all of their close friends are non-movie
people with medium incomes.
Benjamin and Krim have given much thought
to the impact that any widespread system ol loll
TV might have on them. By making it possible
lot a produce] to get an almost immediate return
on his investment without going through the
usual (dm financing and distributing channels it
might ob\ iate the need lor many of I'.Vs present
functions.
\t the very worst," Benjamin says, "there will
still be the need for foreign distribution, which
accounts lor nearly 50 per cent of a film's gross
today, but I think toll TV showing of new films
won't be a set ions problem to us until the\ per-
fect the wall, or mural, TV set which is stilj only
a laboratoi v ghmnie k."
Meanwhile at least $5,000,000 of l'A\ esti-
mated $70,000,000 gross income in 1957 came
from the sale of its older films to TV.
Some competitors see Benjamin and Krim as
cool, calculating, fantastically lucky gamblers.
The partners are amused at this idea.
"The real trouble with Bob and me," Krim
explains, "is that we do not have gamblers' tem-
peraments. There are times when the mounting
strain of our continuing sixty-million-dollar gam-
ble on talent gets rough and I turn to Bob and
say: 'What the hell are we doing in this business?'
Then Bob says, 'You know anything better?'
"Fortunately, there are compensations above
and beyond money. My work gives me a sense
of creativity, synthetic creation, if you will, but
creation nevertheless. I like to think that in our
years at UA there will be perhaps a do/en pic-
tures made that wouldn't have been made if we
weren't around."
RAH!
W
ALT HAM High School last year spent $7,334 more on athletics than it did
on both science and mathematics combined, the School Committee learned last
night. . . . [Superintendent John W. McDevitt said] that 1,445 pupils participated
in athletics while only 1,233 studied either mathematics or science. Total
expenditures in the two fields were $60,000 for athletics and $52,666 for math
and science. . . .
Vice Chairman Frederick f. Christiansen said a problem of American educa-
tion centers on the fact "that no one seems to know what should be expected
from a school system besides a winning football team."
Waltham High School now has a football team on the way to a Class A title.
—Boston Herald, November 21, 1957.
John W. Gardner
How to Choose a College,
If Any
The President of the Carnegie Corporation —
who knows a great deal about American
colleges — offers some practical suggestions
to students and parents grappling with
one of the most agonizing of family problems.
OVER the dinner table this winter several
million Americans will argue the same
perplexing questions: Should Johnny (or Jane)
go to college? And if so, to which college?
The Johnnies and Janes, a million or more of
them, will participate actively or passively,
wholeheartedly or resentfully, while mothers,
fathers, sisters, and brothers pull and haul at a
problem they only partly understand. All of
them deserve more help than they are likely to
get.
It is not easy to arrive at answers that will
hold good for the great variety of people who
face the college decision. There are boys and
girls at every level of ability; ambitious ones and
lethargic ones; those who want education that
will show a quick payoff and those willing to
build for the long future. There are wealthy
parents and poor parents; highly educated
parents and the barely literate; those who want
their boy to study Greek and those who want
their boy to study air conditioning. Yet there are
some things which hold true for all oi them.
Let us begin at beginning. How far should
young men and women make their own choice
of a college? The old-fashioned answer was un-
equivocal: mother and father knew best. Then
the swing of the pendulum brought a generation
of parents who leaned too far in the other direc-
tion. Now that we have experienced both ex-
tremes, we may be in a position to be sensible.
It is true that parents are apt to be more
experienced in making such decisions, and that
they understand things about their youngster
that he does not understand himself. But given
the rapidity of educational change, it is not
necessarily true that parents are better informed
than their children about the matters that really
count. Selection of a college is full of intangibles,
and young men and women are often the best
judges of some of them. Furthermore, college is
the beginning of the young person's independent
life, and if he is mature enough to attend college,
he is mature enough to choose his college.
Parents may put information at his disposal, and
if he is undecided, may help him to make up his
mind. But the decision is not theirs.
IS COLLEGE NECESSARY f
THE first question, of course, is whether to
go to college at all. This decision should be
explored as early in the student's high-school
career as possible, so that he can take the appro-
priate preparatory subjects.
Whether the student is college material is not
a mystery to be solved only by college admissions
officers. If a parent does not smother the evi-
dence in emotional defenses and wishful think-
ing, he can arrive at a fairly sound notion of his
child's abilities. Parents often overestimate their
child's abilities, for the understandable— but pro-
foundly regrettable— reason that their vanity re-
fuses to accept any other appraisal. Just as often
they underestimate his talents because they resent
his not coming up to standards they have set
for him, or because they are unwilling to judge
him in terms of his own age level.
Although parents can get valuable evidence
outside of school concerning their youngster's
talents, the most relevant information for college
50
HARPER'S MAGAZINE
performance is school performance. The im-
portant question is:
"How does he do in his straight 'academic'
subjects: history, science, languages, and— above
all— English and mathematics?"
Though teachers may be reluctant to make
general judgments about a child's capacity, they
will usually talk freely about his work in specific
subjects and are almost always willing to give
some indication ol where lie stands in his class.
Aptitude and achievement tests will provide use-
ful additional data to be weighed with all of the
other evidence.
Every youngster should be encouraged to know
his own potentialities and to weigh the chances
ol developing them. This may seem like crush-
ingh obvious advice, vet a great many gilted
young men and women fail to apply to college
simply because no one eve 1 bothered lo awaken
them to their own potentialities and to a sense
of what college could mean in their lives.
This is not to say that all able boys and girls
should go to college. They may choose to de-
velop their talents in some other way, or they
ma) choose not lo develop them at all; everyone
has an inalienable right to waste his talent if he
wants to. But every talented youngster should
understand that he can better serve both himself
and his country if he develops his native stilts.
On the other hand if the youngster is obvi-
ously not college material, he needs just as much
constructive concern for his future. There is in
this country a distressing over-emphasis on col-
lege education as a guarantor of economic suc-
cess, social acceptability, and general human
worth. Since little more than one out of three
Americans go to college even today, it is disturb-
ing to encounter this widespread feeling that
only a college education confers human dignity
and the right to hold one's head up in the world.
Nothing could be sillier. College should be re-
garded as one kind of education beyond high
school, suitable for those whose particular apti-
tudes and motivations fit them for it. The other
two out of three will seek other kinds of oppor-
tunities lor learning and personal development.
The greatest problem lor parents, of course, is
the large borderline group who may or may not
be suitable lor college. The colleges vary so
greatly in levels of difficulty that for such
students the question can be finally answered
oidy with respect to a specific college. While a
youth must be exceedingly bright to get into
some of our leading institutions, he can get into
others with no more than average intelligence.
And he can get into a few even if he is below
average, though he is most unlikely to do well
when he gets there.
The parent's exploration of possible choices
will be infinitely easier if he does not approach
it with strong preconceived notions that his
youngster must go to college, or must go to a
specific institution that the patent himself re-
fuels as reputable.
The question of whether the high-school grad-
uate should go to college need not always be
answered with a "yes" or "no." It may be
answered with a "not now." Some boys and girls
need to achieve- a bit of maturity before they
can understand the value of education.
The "late bloomer" is usually a boy. Girls
tend to develop in a fairly steady and predict-
able fashion, but the boy may go through a pro-
tracted period of dawdling and interest in every-
thing but his own education. Sometimes he
"wakes up" when he goes out to find a job and
discovers the value the world puts on education.
Sometimes he leaves home and discovers that his
resentment of education was simply resentment
of his parents. Sometimes he meets a girl.
If a young person seems to have talents which
he is not developing, his parents should try to
help him to find the experience that will "wake
him up." Ibis may be a job, it may be travel,
it may be going away to school, or it may be one
or another kind of discipline. It may mean just
keeping still and letting the boy find his own
natural bent, instead of battering him with argu-
ments and threats.
YOU NAME IT,
WE HAVE IT
TH E diversity of higher education in the
United States is unprecedented; indeed to
foreign visitors it is incredible. There is higher
education for the extremely bright and for the
less bright, for the future professional and for
the future tradesman. There is higher education
with a strong theoretical bias, and higher educa-
tion with a strong practical bias. There is higher
education in an astonishing array of fields and
in every kind of social context.
The important questions posed by this range
of choice are answerable only in terms of the
needs of the young person and the kind of
environment that can best provide him with
opportunities for growth.
Consider the question of size. The small
campus offers, in some respects, an experience in
social living that no large college or university
can duplicate; and studies have shown that the
HOW TO CHOOSE A COLLEGE, IF ANY
51
youngster's relationships with fellow students
and faculty can be immensely important in his
education. Some youngsters seem to need the
support of a small and tightly-knit community
of students and faculty, and to value the vivid
sense of belonging to it. One cannot "get lost"
on a small campus, any more than in a small
town.
Others feel hemmed in by these very qualities.
They welcome the comparative anonymity and
impersonality of the big university where, as in
the big city, they can sample different worlds,
live their own lives, and explore new paths of
personal development without community moni-
toring. The large institutions, furthermore, can
usually offer to students richer and more varied
resources.
Another familiar question is whether the
student should go to a college next door, in the
next city, or a thousand miles away. By living
at home and attending a college in the same city,
he can reduce his expenses and extend his ac-
quaintance among the people with whom he
may be associating for the rest of his life.
Balanced against this, there are considerable
advantages to a youngster in seeing and living in
an unfamiliar region of the country. The indi-
vidual who wants to know his own nation had
better know more than the little world of his
own upbringing.
But this question too must be decided in terms
of the individual. Some young people will profit
in maturity, independence, and peace of mind
by putting three thousand miles between them-
selves and their families. Others should be near
home. These are matters of which the youngster
is sometimes a better judge than are his parents.
Co-education poses still another problem.
Those who favor it argue that it provides for
easy and normal relationships between young
men and women. They see one another casually
and frequently in everyday clothes and on their
everyday behavior (so the argument goes) and
do not live a monastic life five days (more likely
four days) a week, and then meet in the artificial
atmosphere of the "college weekend," with all of
its tensions and "party manners."
Others believe that young men and women
will work better if the sexes are separated; that
they will develop a more serious and high-
minded attitude toward the academic side of
college if they are not distracted by frivolities;
and that they will lead healthier emotional lives
if they are not under the constant tension of
contact with the opposite sex. People who take
this view do not underrate the importance of a
healthy social life between young men and
women; they simply believe that it should be
kept in its place, and that the main business of
college is serious intellectual activity.
There is no pat answer. It might be healthy
for one youngster to be exposed to the casual
give-and-take of co-education; it might be less
healthy for the next. The character of the col-
lege also makes a difference. In some co-educa-
tional institutions, social life is traditionally
sane, sober, and sensible; in others it is hectic.
Similarly a man's college or a woman's college
may be a haven of sensible living or it may be
the base for feverish social activities.
PRESTIGE AND CAREERS
TH E so-called "prestige" colleges and uni-
versities present a special problem. There
are a dozen or so which are known and respected
throughout the nation, and every region has its
local favorites. As a rule, such institutions have
earned their reputation; they offer superb oppor-
tunities. But too often H©th parents and young-
sters feel that acceptance at a prestige institu-
tion means success, and that if the student has
to attend any other college he is a failure. As a
result they are unable to weigh dispassionately
all the varied factors we have been discussing.
Even if the young person has the ability to get
into the prestige institution, it may not be the
best place for him. And if he does not have the
ability to get in, he may accept the alternative
with a sense of being on the discard heap. This
is not only a regrettably gloomy attitude for an
eighteen-year-old, it is also unrealistic. The pres-
tige institutions cannot possibly take all of the
able young people who apply. And, in any case,
the leaders in American life come from a great
variety of educational backgrounds. To narrow
the list of appropriate colleges to a few glittering
"big name" institutions is to limit the range of
choice unnecessarily.
As the high-school graduate and his parents
cope with the college decision, the career ques-
tion usually arises, and it is natural that it
should. But it has only limited relevance in
choosing a college.
Many parents fear that the youngster is delay-
ing too long in settling on the one thing he
wishes to do. But the opposite error is at least
as common— perhaps more common: he may close
too many doors too soon. Most young people
have potentialities in more than one direction
and no one has the wisdom to know precisely
which of these should be encouraged. The great
52
HARPER'S MAGAZINE
strategy with young people is to keep their de-
velopment sufficiently broad so that, when they
become mature enough to decide, they can choose
among many significant possibilities.
One of the great arguments in favor of a
good liberal-arts education is that it enables the
youngster to range widely over the fundamental
fields of knowledge— the basic fields which must
precede all sound professional education. These
fields equip a man to be a more intelligent wage-
earner and a more interesting companion, to
understand himself and the world around him,
to be worthy of the responsibilities democracy
thrusts upon him.
EXPOSURE FOR LIFE
EVERY student who is fit to attend college
at all should expose himself to as much of
the liberal arts as possible. If he concentrates
narrowly in his vocational specialty, he may be
slightly more marketable in the first year of his
job life. But he is not preparing himself solely
for the first year of his job life. He is preparing
himself for an adult lifetime. Indeed, any job
skills he acquires in college may be out of date
by the time his career is in full swing.
The more able the youngster, the more insist-
ent he should be upon the liberal-arts ingredient
in his education. To put a first-class mind into
a vocational or specialist course before he has
had ample opportunity to explore the basic fields
of knowledge is an unnecessary down-grading
of human talent.
In general, the more able the youngster the
more critically he should weigh the educational
opportunities open to him. He should shop with
discrimination and accept only the best, both in
choosing a college or university and in deciding
what courses to take. He should insist that his
education provide him with continuous chal-
lenge and intellectual growth. He must expect
steady progress in the comprehension of funda-
mental principles and in the mastery of various
modes of analysis; and must not sell these im-
portant gains for a mess of trivial information,
"practical" techniques, and seemingly "useful"
know-how which will soon be out of date.
The transition from high school to college is
a point at which most youngsters are ready to
take a long step in the process of "growing up."
They are prepared to put behind them a whole
world of adolescent fads and to adopt new
attitudes, new values, new ways of looking at the
world.
In his zest to take on a more adult role, the
college freshman begins by assimilating super-
ficial attitudes and mannerisms. In an amazingly
short time students from the most disparate
backgrounds will pick up the slang, mannerisms,
modes of dress, and even the subtleties of bearing
which characterize a particular campus. In suc-
ceeding months they will acquire some infinitely
more significant things: attitudes toward their
own role as college students, toward education,
the faculty, and the college itself, toward rela-
tions between the sexes, and innumerable other
in. liters.
What these attitudes will be depends to a con-
siderable degree on the college the student
attends. Each institution has a style that reveals
itsell in countless ways— in the architecture,
faculty, campus traditions, character of the
student population, the tone of the intellectual
life.
Obviously, then, both parents and children
will scrutinize the whole character of the college
and they will not limit such scrutiny to its
academic accomplishments or worldly prestige.
Clay should be choosy of potters! Is the college
widely reputed to be a country club? Is it gen-
erally regarded as not having any distinctive
character? What kind of youngsters attend it?
Is there a tradition of serious work on the
campus? A tradition of excellence?
ADVENTURE AT A DISCOUNT
MANY of our social critics have the un-
easy feeling that the younger generation
is too preoccupied with security and conformity.
The assertion may or may not be true. But it
opens up an interesting line of inquiry. Do the
ranch house and the convertible with tail fins
define the new limits of the American vision?
We no longer have the conditions of hardship
which once served as a sharp spur for many
people. We are richer, more comfortable, more
contented than ever in our history. Small won-
der that as a nation we are somewhat inclined
to doze off in front of our television sets. Small
wonder that we are beginning to act as though
we have no pressing engagements.
But we do have pressing engagements. Let us
make no mistake about it. Vigor and spirit,
intelligence and courage are still the conditions
of survival.
Let us look at some specific problems. The
United States is engaged in a fateful effort to
maintain its position of leadership and responsi-
bility in the world. In the service of this great
objective, it is engaged in a multitude of activi-
HOW TO CHOOSE A COLLEGE, IF ANY
53
ties all over the globe. And the men involved
in those activities unanimously testify that the
greatest problem they face is the inability to
recruit able and well-trained individuals. This
must surely strike the disinterested observer as
strange: an enormously wealthy and powerful
nation attempting to carry through operations
of profound importance for its own future can-
not find men and women able to do the job.
They exist— but they cannot be persuaded to
choose overseas careers!
The drama is repeated elsewhere. Government
agencies cannot find enough able men and
women to perform vital tasks on the domestic
front. There are not enough men going into
basic research, not enough men and women
going into teaching.
Where are the young men going? The answer
is simple: they are going after high salaries, fat
pension arrangements, job security, stability.
The adventurous, exciting jobs— the jobs which
involve dedication and a willingness to serve a
larger cause— mean little. Security and stability
seem to mean everything.
The younger generation has been heavily be-
labored for this attitude. But anyone who can-
not see in it the fine hand of the parents has not
talked to many fathers and mothers of college-
age children. It is an understatement to say that
they are not adventurous for their children.
They are profoundly and incurably unadven-
turous. And understandably so. Most of them
grew up during hard times. They do not want
their children to suffer as they did. They hope
that somehow they can save them all the foolish
mistakes, the blind alleys, the regrets and the
detours that characterized their own lives. Faced
with decisions for their children, they favor the
conventional over the unconventional, the easy
over the difficult, the secure over the risky.
Such attitudes on the part of parents are
neither new nor surprising. But American
parents today are in a better position than any
parents in .history to achieve their objectives.
Today, aside from the problem of military ser-
vice, they can go very far in creating a stable
and secure environment for their youngster.
Having done so, and having wound him up like
an eight-day clock, they can set him ticking in
his beneficent environment, confident that he
will whir quietly along until he runs down.
But such meticulous planning is the enemy
of vitality and ferment and growth in a society.
Throughout our history we have profited enor-
mously by the recklessness of our young people,
by their hunger for new horizons, by their will-
Not with a Bang
IF THIS be the whole fruit of the vic-
tory, we say; if the generations of
mankind suffered and laid down their
lives; if prophets and martyrs sang in
the fire, and all the sacred tears were
shed for no other end. than that a race of
creatures of such unexampled insipidity
should succeed, and protract in saecula
saeculorum their contented and inoffen-
sive lives— why, at such a rate, better lose
than win the .battle, or at all events
better ring down the curtain before the
last act of the play, so that a business
that began so importantly may be saved
from so singularly flat a winding-up.
—William James, The Will to
Believe, 1897.
ingness to make sacrifices and to seek something
without knowing what they sought.
American youngsters have not changed. They
are as brave and adventurous, as high-spirited
and generous as ever. What may have changed
is our capacity to evoke these qualities.
Parents can do a great deal to give the young
man or woman a sense of the opportunities and
challenges that the world holds. Never in any
other country at any other time have the general
run of young people been faced with such an
extraordinary range of possibilities. The young
American stands with the world before him—
surely a more exciting world than it has ever
been.
American society invites the individual to
participate in as little or as much of that excite-
ment as he wishes. His participation is limited
only by his capacities, his strength, and his
motivation, ft is almost incredible when one
stops to think about it that, with these challenges
and these opportunities, so many youngsters drift
off into vacuous little private worlds (complete
with rumpus room and television set), as insu-
lated from their era as though they were en-
tombed in a time capsule.
No doubt it is expecting too much to ask
parents to encourage a certain recklessness in
their sons and daughters. But conceivably they
could be persuaded to take a more hospitable
view of experimentation. The best-laid plans
may offer the least opportunity for growth. Many
54
HARPER'S MAGAZINE
of the most, importam lessons learned in the
course of any life grow out oi the mistakes, the
retreats, and the seemingly unprofitable meander-
ing. We shall have lost something valuable in
human experience il we ever become so efficient
that we can unfailingly set every youngster on
the path that he will travel for the rest of his life
l>\ the time he leaves high school.
In short, parents should nol assume that t lie
only possible objective tor their sons and daugh-
ters is comfort and senility. The) should be
hospitable to the vitality that expresses itself in
chance-taking. They should accept cheerfully and
even admiringly those deep convictions that lead
young people into some ol the less profitable but
more challenging careers. They would do well
to be somewhat humble about their capacity to
know what is good for iheii children or to
know the factors (hat make foi human happi-
ness. Vnd in equipping them for the years ahead
the) must confess their profound incapacity to
piedicl the future ol the world and the future
ol our ow n mm ieiv.
And it follows that they must begin very early
helping their y6ungster to pack his bag for an
unknown future. 11 they ecpiip him as he should
be ecpiipped lor such a perilous journey— with
fortitude and willingness to learn, with imagina-
tion and good sense, with the capacity to use his
mind critically, and with all the other abiding
values— they can send him off without too precise
knowledge of his ultimate destination.
PHILENE HAMMER
AND I SAY THE HELL WITH IT
I'm a gal who looks askance
At items known as edible plants,
And longs to plant each vegetarian
Upon a silent peak in Darien.
My favorite hobby
Is no* KOHLRABI.
How blah the EGGPLANT, and how scant
My passion for this purple plant!
In fact, it strikes me as incredible
What one must add to make it edible.
LEEKS
Reeks.
One bite of SALSIFY, stewed or fried,
And I am more than salsified.
Consider the CARROT, the staff of Hygeia,
The piece de resistance of rabbits;
Consider, too, SPINACH, that green panacea,
The stuff of the Popeyes and Babbitts;
Consider these cure-alls for all sorts of ills—
And pass me my bottle of vitamin pills.
Also I don't care too much for ZUCCHINI.
Finis.
A Story by BEN MADDOf
Drawings by Janina Domanska
*M;.j^tfrfts*
An Old Boy who made Violins
1SAW a man smiling while my daughter
screamed, and he came across the little ref-
ugee restaurant and opened his hand, which
was plated thick with calluses, and gave- her a
lemon drop. She stopped yelling, out of polite-
ness. He was a wonderful old man, with eyes
of palest innocence, though his face was pink
as if he were perpetually angry.
"No need to cry," he told Rachel.
She said to him, "He always gives me meat for
dinner."
"What a crime!" I said bitterly.
She wiped her nose into her pretty sleeve. "It
has fat on it."
"I cut all the fat off," I said.
"He doesn't love me," Rachel told the man.
"He doesn't even like me."
"O' course he does. He's got to. He's your
papa," said the old boy. He leaned on my table,
his thick fists, with their sparse white fur,
planted solidly among the frivolous refugee
dishes. "Name's Mclntyre," he added.
"Wopper," I said. "George K. Wopper."
"Why, funny, there's a Wopper in Nootka
Bay, Oregon, my home town. Never liked 'em,
though. Kept chickens and fought the zoning
law. How old would you say I was?" he asked.
I was cruel. I guessed sixty-five, said seventy.
"Eighty-one," he said in habitual triumph.
"Been retired seventeen short years. Went by
like a flash. Mechanical engineer. You in busi-
ness, Mr. Wopper?"
"Shoes."
"Wait a minute! Let me talk!" said Rachel.
"I'm four and one-half, my brother is Robert,
he's away at a silly old camp! My mother took
off and went to get him! He has the biggest
feet! I love him but he won't let me take a bath
56
HARPER'S MAGAZINE
with him any more! He thinks I'm a pest! I'm
not, am I?"
"You're my darling," he told her. He gave
her another lemon drop and went back to his
table.
Rachel crunched both candies at once in her
noisy teeth, then knocked over her glass of milk.
Two waiters and a bus boy came with mops
and smiles. The whole rest. mi ant smiled: why
shouldn't they?— the milk wasn't in their lap.
Still, I forbore to scold her. She was rather
disappointed, I think.
"1 at your chop, honey, or no dessert," I said.
Rachel put her thumb in her mouth, closed
her eyes in an exaggerated way, and leaned—
fell, rather— from her chair onto my chest. I
kissed her and signaled for the bill.
We went out past the old man and walked
hand in hand on the thick lawns. It was a broad,
elegant park along the harbor. We were on the
last of a week's vacation, this foxy child and
myself. I had driven all the way from Frisco
here to Vancouver: sea, headland, forest, Mt.
Shasta ghostly in the rain. Landscape made me
happy, made Rachel sleepy.
"I don't know what to do," she said.
"Too bad," I said.
The sun was low and salmon-red. The air
had the mild Canadian brilliance. To one side
was the new bridge to the city: painted steel
stretched over green salt water. Closer by,
cemented into the grass, was a transplanted cedar
pole, almost sixty feet high, carved and painted.
It was all beaks, eyes, claws, teeth, the bloody
and ritual jaw of cannibalism. A good way off,
the old man had come out of the restaurant and
was shading his eyes to look at the monument.
"I really love him," said Rachel.
"Who? Bobbie?"
"You know who! Not Bobbie! Not Bobbie!"
she screamed. Tears flowed in four streams, out
of her eyes and her nostrils. She was in a hor-
rible rage.
Old Mclntyre came toward us from behind
and took Rachel by the elbows and swept her
off the ground. "Grandpa!" she said to him,
rather sadly. Pleased at this new name, he put
her on his shoulders and carried her to the base
of the totem pole. He raised one hand, Indian
fashion, and said, "How!" Some tourists in new
Scotch plaid berets took their picture. There
was a lot of women's laughter in the soft, moist
air.
"Injuns made this pole," he said to Rachel.
"Pretty good, ain't they? I do a little carving
myself." And he took her for a piggy-back ride.
I sat on the grass and smoked a cigar. People
generally were charmed by Rachel, in public,
anyway. I was proud of that; also it gave me
a brief rest: the old, lonely, and yet comfortable
feeling that 1 was nineteen, a bachelor again,
without children, without a front lawn and fruit
trees and a house with radiant heat, without in-
come and without income tax.
AS I leaned back in the grassy fragrance
and had this little backward dream,
Rachel came running toward me, and took off
her scarf, sticky with old chocolate, and wrapped
it around my head. "You're so cold," she said.
I rocked her in my lap. The old man followed
on his short sprightly legs, and stood over me
with benevolence.
"Shoes are a good line," he assured me.
"There's a steady demand for shoes." He smiled.
"Most people have at least two feet."
Rachel laughed her head off at this joke.
I said, "How do you spend your time, Mr.
Mclntyre?"
"You would hardly believe it, sir," the old
boy said. He laughed, crowed almost. "I make
violins. That's the last two years. Before that,
I was a miserable old man." He haw-hawed
again. It was a strain in my neck to have to
look up at him, and to nod and smile en-
couragement. It was pity or guilt; that I was
half his age; that I could feel the creak of his
bony muscles, the thick blood moving through
hard and brittle veins in his head, and his slow,
padded hands twisting as he talked, the great
callus flaking in the center of each palm, and
every finger blunt as a thumb.
"Few years ago I rriade a working steam engine
for my grandson. Only this high— you could
stow it away in an apple box. He didn't like
it at all. Cried when he saw it."
"It must have been scary," Rachel said.
"Chu-chu, chu-chu, chu!" answered Mr. Mc-
lntyre. "Well, sir, I thought, what next? Reach
a certain age, the world is open. No obligation
to anybody but the Lord. I had all my tools,
you see, and a basement which run the length of
the house. Concrete floor. Built it myself in
'07. Well, I sat in that basement and puttered
with my tools and waited around to die. And a
feller dropped in one day—"
I offered him a cigar; he took it, said he'd
save it for his grandson, who was Chief of Police
at Nootka Bay. First the grandson was afraid
of toy steam engines, he said, and suddenly
he was Chief of Police; time was frightening.
"Feller dropped in," he continued. "Some
AN OLD BOY WHO MADE VIOLINS
57
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I-talian name, had a violin he wanted fixed.
Broken bridge. Heard I had some tools. Well,
I repaired it for him, and it got me interested in
fiddles. My wife plays piano, you know, or did
till she up and left me."
"After all those years?" I said. "Why?"
"Gall bladder," he told me. "Went just like
that." He clapped his hands. Rachel stared at
him. Everything he did was dramatic, in a dry
way. "Well, well," he went on, serenely, "I
bought the blueprints of the Stradivarius violin
of 16 and 59. I had to send for wood to the
country of Germany. Aged two hundred years in
a cool room. I studied that wood for three solid
weeks. Day after Thanksgiving I took a ribbon
saw and cut out the back and the front and
sanded it down so fine it looked like it been
waxed. And went over it with a dial micrometer.
Yes, I did, honey," he said, -kissing Rachel.
"Little papoose."
As he bent down, I could smell the bourbon.
Suddenly I knew I detested the old boy, though
I couldn't make myself get up off the grass, and
say a cold good-by, take Rachel, and leave him
to his gab and his blarney. I was imprisoned,
not by pity any more, but by some affectionate
force in the old man, in his violent pink face
and his eyes blue as a baby's.
"Lot of work entailed," I remarked.
"Oh, I'm a worker," he agreed. "Put front
and back of that violin in a clamp lined with
lamb's wool, and rubbed some rosin along the
edges, and I'm no player at all, my wife took
the music out of me when she passed, but I
bought an old violin bow and I stroked the
back and I stroked the front, and listened to the
note and got 'em in harmony. Harmony, mind
you!" he cried in his technical joy. "And where
it was out of harmony, I gave it a lick with four
zero sandpaper, and I stroked, I stroked it
front and back. And when it was ready I clapped
it together—"
"What— no glue?" I said.
"Pure horse's hoof," he said. "None of your
cheap plastic. And I took that violin to Mr.
Sidney Helmholtz in San Francisco and he said
to me, Mr. Mclntyre, you're no amateur. Told
me, he said, you're no amateur. No amateur!
And him the most eminent, mind you, fiddle-
maker in America. I got $1,800 for that instru-
ment. And I can't play a note. That fiddle
will go on symphonizing away when I am nailed
up for good and moldering in my hundred-
dollar coffin. Immortality. Ain't that high-
larious?— Ah!" he said to Rachel, turning her
about to look at the great Indian pole, "there's
a piece of cake you can't do with a micrometer,
hey girl?" Rachel sprang up and clasped him
about the knees in a wave of passion.
He implored us to come and visit him in
Nootka Bay, Oregon. He had bags full of candy
in glass jars, he assured us. And dozens of
violins.
It grew darker quite slowly. We felt the chill
creep down from invisible glaciers; but we stood
about, Rachel and I, listening to the old boy,
the charmer, the magician with the alcoholic
skin. At a little distance the totem pole, with
its beaks, teeth, eyeballs at every joint, turned
black and glittering in the flood of the super-
natural moon.
ON M O N D A Y , on our way home, four
days later, I drove past a road sign which
mentioned Nootka Bay, thirty miles to the west.
The inertia of the moving road took me miles
beyond this notice, and then it seemed impos-
sible to turn the car around and go back. Fifty
58
HARPER'S M A GAZ1NE
miles later, between the stones of ;i bad detour,
I blew the left front tire and rolled down a long
bill into a local garage for repair. It bad begun
to rain in drops as thick as oil.
We gave up, and picked a motel: it had
accommodations in the shape of wigwams <>l
poured concrete. I put Rachel to bed early, so
we could be up at dawn and home by afternoon
I remember there was the awful vibration of a
power plant in the hills nearby. I fell asleep in
my socks, and woke up about eleven in the
evening. It was stilling inside. I tinned off the
heater and opened a window and smelted rain,
pine, and clams. We were closer to the ocean
than 1 thought. The old boy would be home in
Nootka Ray by now.
I decided to shave. In a horrible fluorescent
light, I ran water and scraped at my laic, that
naked sign of a man that stands lor the rest of
him. "Holy cats, I'm doing pretty well,*' I
assured myself. "Business highly competitive,
but I can stand the gaff." I pounded my chest.
"Two kids, boy and girl, wifie the hist in (he
world, what's your complaint, man?" I asked the
mirror. "That little joyride with the girl in
Shipping, well a man of forty plus can't throw
away a zoftik chance like that, what the hell do
you want? You tried a hobby, but no go. Damn
it to hell—" lor I had cut a nick over that slight
excrescence in my left chin, and it was bleeding
into the sink.
"Hobbies, I tried photography but the pic tuns
looked like fried liver, all evening cooped up
in a darkroom, who wants it? Sailboats, I
bought a beauty, it made the wife sick as a dog,
and at present, I concentrate on golf. But what's
golf? Knock around a defenseless little white
ball for three hours every Sunday? Grown men,
it's a form of lunacy. Well, what do you want?
You wrote sonnets to a married woman when
you were twenty years of age, but you're a big
boy now, George, you big handsome fool," I
said, patting the slash on my chin with a dry
towel, "so will you please tell me or somebody,
anybody, tell me, what is this game all about,
how corny can you get?"
I turned out the lights and went back to bed.
The truth was this: I was happy, but dissatisfied.
Old Mclntyre had his immortal violins; the same
could not be said for $9.95 shoes.
Rachel talked in her sleep and awoke me. It
was past three in the morning. She sal up and
screamed; she was having one of those standard
nightmares, typical for her age. You would
think the kid could read Gesell. I held her in
my arms. She hit me and struggled against me
with all her force. It was mad and frightening.
Her eyes wide open, her spine stiff and her
skin trembling and cold, she screamed she
wanted her Daddy, Daddy, where was her
Daddy? she also remarked that she didn't mean
to kill Bobbie, it was an accident, it was, it was,
wasn't it? I tried to get her to eat a peppermint,
but she spit it out as though it were poison.
Alter (en minutes of this, she cried real,
waking teats, and went to the toilet, myself hold-
ing her by the hand as she sat, mournful and
talkative, afraid to go back to the sinister house
ol sleep. I sang her all the songs I knew. At
breakfast, we were both quiet, sleepy, and sad.
Rachel said she wanted to visit Grandpa Mc-
Intvre, and I found myself in agreement. He
had i he secret, the old boy; and we had to see
him, both Rachel and I, two children with the
vac at ion running out.
Wl I E N we got to Nootka Bay, there
weic twenty Mclntyres in the phone
book, and I realized I didn't know the old man's
firsl name. I had a brilliant notion, and called
the Chief of Police.
Our parents were afraid of telegrams. Each
century has its own mortal conventions. Bad
news, in our time, always conies by phone. Black
mouthpiece, funereal plastic, the ceremonial
words. "The old boy passed on," said the Chief
of Police. I le seemed oddly unaffected. "It hap-
pened on the plane from Vancouver. He was
leading a paper. Didn't like the news, I guess,
lie would have been eighty-two in December.
You a friend of the family?"
"Acquaintance," I said.
"We all pass on," he told me.
"I wonder," I said without thinking, "if I
could buy one of his violins from the estate."
"You could if there were any. Man alive!" he
said. "What kind of story did he tell you?"
"Said he made several dozen violins. In the
basement of his house."
"The old boy tell you that? I'll be darned!
You know, sir, he fooled many a person. Quite a
boy. My Grandpa Mclntyre was well-known for
his lies, well-known! Respected, you might
almost say. Never made a violin in his life.
Why should he?"
I thanked him. We went and had a big lunch.
The old faker! I felt some sort of triumph.
Eating her chocolate pudding, Rachel began
to cry. "We forgot to see my grandpa," she said.
"lie's not your real grandpa," I told her.
"Your real grandpa is in San Francisco, lives on
Miller Street. You know that. You know that
AN OLD BOY WHO MADE VIOLINS
59
perfectly well, now don't you? God damn it!"
"What happened to this grandpa?" she whis-
pered. She was pleased by my irrational anger.
"He's not here," I told her. "He's gone."
"I know it," she said. "In a cemetery. Where
they put your old bones. Bobbie told me all that
stuff. I don't want to die." But she thought no
more about it.
We took a walk through town. The sky was
gray, full of clouds the color of fur. The man at
the post office told us the Mclntyre place was
up there on the hill, the fanciest house in
Nootka Bay. It was ornate, in fact, but time had
made it sober. Rain clouds were reflected in
the mysterious, flawed window glass of the early
century.
I pushed open a slant wooden door under a
thick hydrangea, and saw, as I guessed, the
gloom of the big cement cellar. Rachel ran in,
and began to collect chips and shavings from a
bin. There were, as the Chief of Police said, no
violins. There was no rosin— no clamps, no
horse-hoof glue. The floor was immaculate, a
number of steel tools were hung on pegs and
smelled faintly of oil. In one corner was a baby
carriage under repair, and a tarpaulin covering
a heap of roundish objects.
I pulled off the canvas. Underneath were a
series of portrait heads carved in walnut, teak,
and mahogany. I identified Washington with
his woman's forehead and crooked nose, Jeffer-
son with the black concentration in his eyes,
and some dozen others I couldn't recognize till
I saw the names chiseled into the base: the two
Adamses, Monroe, Jackson, Tyler, Polk, and the
rest. The old man had begun the series of the
Presidents, and was only half-way through. The
men, great and half-great or merely typical, sat
crowded under the canvas as if talking together
in heaven or hell. Abe Lincoln was the master-
piece. The hard strokes of steel tools had
hacked him out of a knot of myrtle. A print
was tacked to the wall, a magazine reproduction
of an old Lincoln photo, showing the marks
where the glass plate had cracked; and copying
it and surpassing it in the sculptured head, the
same crooked bow-tie, the cheeks incised with
history, the large melancholy eyes, careless hair,
and the mouth of tragic, uneven decision.
I'm very emotional lately; I sat down and felt
tears in my eyes.
It was the old phony alcoholic who had carved
this marvelous man. He had boasted of violins,
but had done Presidents.
We drove home next day, Rachel and I,
through hours of slow thunder and rain. She
had whole pocketsful of shavings from the bin
in the old boy's workroom, and I let her keep or
scatter them, as she chose. In the wetness of the
air, they still had the smell of living wood.
Vernon Knight, M.D.
ANTIBIOTICS:
Too much of a good thing?
How patients, doctors, and drug
companies are seriously
misusing the new "miracle drugs."
FIFTEEN years ago, when antibiotics
were first introduced, their early successes
led some optimistic souls to predict an end to
most of the infectious diseases which plague man-
kind. Today, when we seem to have reached
the broadest possible application ol all known
antibiotics, their list of achievements is indeed
an impressive one. Although unhappily many
infectious diseases are still with us, antibiotics
have brought under control such notorious and
implacable killers of the past as common pneu-
monia, meningitis, tuberculosis, and the typhus
fevers. Tularemia (rabbit fever), bubonic plague,
typhoid, brucellosis (undulant fever), syphilis,
gonorrhea, and streptococcal infections also
respond well to various antibiotics.
but at the same time alarming reports have
begun to appear— reports of microbes which no
longer respond to antibiotics, or of serious and
sometimes fatal reactions in patients following
the use of these drugs. There are at present some
one hundred authenticated cases of sudden death
from allergic reactions following injections of
penicillin. Asthmatic attacks, hay fever, derma-
titis, severe anemia and other damage to blood-
forming organs, diarrhea, fever, and nausea may
also result from the administration of several
of the antibiotics now in use.
Nevertheless antibiotics are being employed in
ever increasing quantities. Approximately two
and a half million pounds of them— enough to
provide a short course of treatment for every
man, woman, and child in the country with a
considerable amount left over— are being manu-
factured annually in the United States. With
stiih an abundance available, physicians and
patients are indulging in an orgy of antibiotic
dosing which is far beyond the bounds of neces-
sity or even ol good therapeutic practice.
Drug manufacturers who are striving in vari-
ous ways to increase their sales, physicians who
do not always apply well-known principles of
medical practice as rigidly as they might, and
patients who are for the most part uncritically
enthusiastic about being treated with antibiotics,
all share the blame for this state of affairs— but a
considerable part of the responsibility must be
put on the drug companies. In the early days,
a pharmaceutical house that produced a new
antibiotic was richly rewarded by an enormous
market, relatively or completely free of competi-
tion, and the majority of the bigger firms were
developers or co-developers of important anti-
biotics. Recently, as the number of effective
drugs has increased, it has become harder to dis-
cover agents whose properties are unique or
better than those already available. This has led
to intense competition among manufacturers of
existing preparations.
They have attempted to stimulate sales in
three ways chiefly: by making minor alterations
in the chemical structure of an antibiotic; by
mixing two or more antibiotics together, some-
times with a sulfa drug as well; or by mixing
antibiotics with headache remedies, vitamin pills,
and other non-antibiotic medicinals. As a result,
the six basic antibiotics— the penicillins, strep-
tomycins, tetracyclines, chloramphenicol, ery-
thromycin, and novobiocin— now appear on the
market under the labels of different manufac-
turers as approximately three hundred different
ANTIBIOTICS: TOO MUCH OF A GOOD THING?
61
dosages or preparations which bring their makers
a grand total of some $300 million a year. In the
table below they are shown with a very partial
list of their proprietary or trade names and
their makers.
(In passing it might be noted that the other
important group of compounds used to treat
infection, the sulfa drugs, which differ from the
antibiotics in that they are derived from basic
chemicals instead of from the growth of molds
and other micro-organisms, are being subjected
to the same abuses of distribution.)
SALES STIMULANTS
CHANGING the chemical structure of
an antibiotic usually results in only a
slight improvement. However in the absence of
more significant advances— such as the discovery
of new and uniquely effective antibiotics— it has
provided a reasonable and useful basis for com-
petition among the drug companies. For ex-
ample, a penicillin preparation was needed
which would give an effect lasting several weeks
after a single injection. After a number of years
of effort by several companies, one of them de-
veloped such a derivative which was officially
designated benzathine penicillin.
The other two practices— marketing combina-
tions of antibiotics or a mixture of antibiotics
and other compounds— are pure sales-stimulating
efforts which bear no relation whatever to the
patient's best interests. Mixing two antibiotics
which are both already available as single pure
compounds obviously offers nothing new and
may even interfere with treatment by preventing
the doctor from choosing the exact dosage of
each best suited to the patient's needs. Further-
more the medically recognized situations which
call for treatment with more than one antibiotic
are few. Yet there are on the market twenty-nine
preparations containing two antibiotics, twenty
containing three, eight containing four, and four
containing five.
Mixing antibiotics with other kinds of drugs
is a form of the "shotgun" treatment which was
widely practiced in the days when medicine had
few real cures to offer. Today s'uch unscientific
procedure cannot be justified on any grounds.
Vitamins in particular have little place in the
Major Antibiotics and Their Proprietary Names
OFFICIAL NAME PROPRIETARY NAME
Penicillin derivatives:
Numerous chemical modifications Numerous names and
of the penicillin molecule are manufacturers
marketed for various medical needs
Streptomycin Usually marketed under
official name
Tetracycline derivatives* :
Tetracycline Achromycin Lederle
Polycycline Bristol
Panmycin Upjohn
Steclin Squibb
Tetracyn Pfizer
Chlor-tetracycline Aureomycin Lederle
Oxtetracycline Terramycin Pfizer
Chloramphenicol* Chloromycetin Parke Davis
Erythromycin* Erythrocin Upjohn
Ilotycin Lilly
Novobiocin* Albamycin Upjohn
Cathomycin Merck, Sharp
and Dohme
* Manufacture and sale restricted by copyrights and patents.
62
HARPER'S MAGAZINE
treatment of the common infections for which
antibiotics are used, and the routine use of
preparations composed of antibiotics and vita-
mins is merely evidence that the physician lias
allowed an advertising gimmick to impair his
medical judgment.
The physician is, to be sure, in a difficult posi-
tion. On the one hand he is pressured by the
elaborate claims of the drug companies; on the
other, by the patient's own eagerness for a
"miracle drug." Conditioned bv the spectacular
early successes of the antibiotics and the piece-
meal reporting of later discoveries -which often
comes from drug company publicity men— most
laymen are more than willing candidates for
antibiotic treatment. Some even suspect a doctor
who refuses to prescribe it. Fortunately man has
a considerable capacity to tolerate noxious
agents, and the majority of people who take anti-
biotics are not harmed by them. Still it is high
time to take an informed, impartial look at what
antibiotics can and can't do.
WHERE THEY DO WORK
BEFORE antibiotics, diseases caused by
bacteria, that is microbes which are visible
when examined under a microscope, were re-
sponsible for an enormous number of deaths
each year. The mortality rate from common
pneumonia, for instance, ran as high as 50 per
cent. Today it is approximately 5 per cent, and
deaths occur chiefly in patients who are treated
late or who have a serious underlying disease
like cancer or a weak heart.
Meningitis, another bacterial disease which
used to occur frequently in epidemics, killed
thousands of our troops in World War I. The
death rate in cases treated with antibiotics or
sulfonamides is now only about 8 per cent.
Tuberculosis, still another of man's inexorable
enemies, is yielding to streptomycin and other
chemotherapeutic drugs. And it was in the treat-
ment of this infection that the use of combina-
tions of these drugs first received serious study.
It now appears that better results can be ob-
tained in cases of tuberculosis with the simul-
taneous use of two or even three drugs. Treat-
ment with two or more antibiotics has also been
found useful in certain rare kinds of heart infec-
tion, and in some cases of severe undiagnosed
infection before a diagnosis can be made. But
these are almost the only cases where combina-
tions of two or more antibiotics are helpful.
Kidney and urinary infections respond only
moderately well to antibiotics, partly because
some of these bacteria are resistant to the chugs,
and partly because infections in this part of the
body often signal the presence of other diseases
which must also be treated before the infection
will heal.
Staphylococcal infections— the most common
of which are boils, bone infections, and blood-
stream infections— are an excellent illustration
of the clangers of misuse or overuse of antibiotics.
Originally staphylococci were highly susceptible
to the effect of penicillin and some other anti-
biotics. But as these agents have been increas-
ingly used on patients, the microbes have become
increasingly resistant, especially to penicillin,
streptomycin, and the tetracyclines. This resist-
ance has been found to be directly proportionate
to the amount the drugs are used, and for this
reason the more recently introduced and less
commonly used antibiotics like erythromycin,
novobiocin, and chloramphenicol are now our
principal resources for fighting staphylococcal
infection. Staphylococci's growing resistance to
antibiotics has been receiving more attention
recently in medical circles, and restrictions on
excessive use of the drugs has been proposed as
the best way to improve the situation. In New
Zealand, as a matter of fact, legislative action has
already been taken to prohibit the use of
erythromycin for most infections, so that it will
remain effective against staphylococci.
Of the several dozen human diseases caused by
fungi, organisms of more complex structure than
bacteria, only a few have responded well to anti-
biotics. A particularly troublesome one called
moniliasis, which sometimes appears after anti-
biotics have been given, is thought by many
physicians to be a reaction to the treatment.
Among the diseases caused by rickettsiae,
which are smaller than bacteria but larger than
viruses, there have been notable successes. The
typhus fevers, of which there are several, for
centuries resisted treatment. An epidemic in the
Balkans shortly after World War I killed 150,-
000 Serbians in six months. Today an apparently
dying patient can recover promptly after receiv-
ing a few grams of the tetracyclines or chlo-
ramphenicol.
But in the case of infections caused by viruses,*
* For many years the common cold and influenza
were the only respiratory infections known to be
caused by viruses. In 1953 scientists succeeded in iso-
lating a group of new viruses from patients with re-
spiratory infections which have been named adeno-
viruses. They still do not account for all cases which
appear to be viral infections, however, and the search
for further new viruses continues.
ANTIBIOTICS: TOO MUCH OF A GOOD THING?
63
or submicroscopic living particles, antibiotics are
useless. And their administration in these cases
is the most widespread and important present-
day abuse of the drugs. Usually they are given
because the symptoms of the numerous nose,
throat, and lung infections caused by viruses
cannot be readily distinguished from streptococ-
cal sore throats, tonsillitis, and bacterial pneu-
monias which are responsive to treatment with
antibiotics.
There is a simple laboratory test which will
make this distinction which can be performed
in twenty-four hours, but in most cases neither
the physician nor the patient is willing to wait.
Both apparently prefer to proceed on the assump-
tion that too much treatment is better than too
little and one might as well try the antibiotics.
Actually, no more than some five in a hundred
acute respiratory infections are caused by bac-
teria which respond to antibiotics. Each person
in the United States is likely to have between
three and ten acute respiratory infections a year,
making a grand total of over half a billion cases.
About 95 per cent of these will not respond to
antibiotics, but unquestionably many get dosed
with them anyhow.
About the only practical application of anti-
biotics in the treatment of viral disease is in
the bacterial pneumonia which occasionally com-
plicates cases of influenza and which was re-
sponsible for a majority of the deaths during
the flu epidemic of 1918-19. In the recent Asian
flu epidemic in the United States stockpiles of
antibiotics were accumulated for this purpose.
But in other viral diseases the use of anti-
biotics can be of benefit only to the drug manu-
facturers, and of harm to the patient's pocket-
book, if nothing else.
TOO LATE NOW
I
T I S exceedingly difficult to speak of the great American Republic without
doing its citizens unintentional injustice. Its rulers, its leaders, its spokesmen,
are so directly elected and so frequently re-elected by the people; they derive
their authority so immediately from the great mass of the population . . . they
are so swayed by its passions and so susceptible to its changes of opinion . . .
that we seem peculiarly entitled in their case to hold THE NATION responsible
for the proceedings of its Government, the acts of its officials, and the language
of its diplomatists. . . . Now, we have no doubt that men of gentlemanly feeling,
of deep sense of decorum, of a clear perception of what is due to others, abound
in America as well as here. The difference between us, and the misfortune of our
cousins, are these— that such men do not at the other side of the Atlantic either
elect the Government, or give the tone to the nation, or guide the language
of the Press. It is not that they do not exist, but that they do not rule. With us,
the educated and the upper classes have the power in their own hands. ... In
the United States, it is the mass who govern; it is they who dictate what shall
be done and said; it is they who elect the Government, and whom the Govern-
ment must serve; in fine, it is they who have to be acted down to and written
down to. This is a grievous evil, a great embarrassment, and a sad discredit;
but it must not blind us to the fact of a better and nobler order of citizens
remaining overpowered indeed, but neither silent nor inactive, in the back-
ground; it must not prevent us from refusing, as often as we are permitted, to
judge the nation by its official organs. In all likelihood, if the paramount power
in England ever fell into the hands of the working classes, and the less cultivated
of the trading classes, and the least scrupulous of legal and political adventurers,
who now only share it ... we might have nearly as much violence, folly, and
discourtesy to blush for and to blame.
—The Economist, London, September 9, 1854.
By ALBERT N. VOTAW
Dranings by Charles W . Walker
The Hillbillies Invade Chicago
The city's toughest integration problem
has nothing to do with Negroes. . . .
It involves a small army of white,
Protestant, Early American migrants from
the South — who are usually proud,
poor, primitive, and fast with a knife.
APATHETIC though bumptious mi-
nority of 70,000 newcomers among Chi-
cago's motley population of four million is dis-
turbing the city's peace these days— and inci-
dentally proving to everybody who will listen
that integration problems often have nothing to
do with race, language, or creed. These are
Chicago's share of the hundreds of thousands of
Southern "hillbillies" who have been imported
during and since World War II to offset labor
shortages in the industrial centers of Ohio, In-
diana, Michigan, and Illinois.
"In my opinion they are worse than the
colored," said a police captain. "They are vicious
and knife-happy. They are involved in 75 per
cent of our arrests in this district."
"I can't say this publicly, but you'll never im-
prove the neighborhood until you get rid of
them," commented a municipal court judge.
"I've been in this business fifteen years," re-
marked the manager of a large apartment hotel,
"but this is the first time I've had to carry a
blackjack in the halls of my own building."
These farmers, miners, and mechanics from
the mountains and meadows of the mid-South—
witli their fecund wives and numerous children
—are, in a sense, the prototype of what the "su-
perior" American should be, white Protestants
of early American, Anglo-Saxon stock; but on the
streets of Chicago they seem to be the American
dream gone berserk. This may be the reason
why their neighbors often find them more ob-
noxious than the Negroes or the earlier foreign
immigrants whose obvious differences from the
American stereotype made them easy to despise.
Clannish, proud, disorderly, untamed to urban
ways, these country cousins confound all no-
tions of racial, religious, and cultural purity.
Hard times in the agricultural and mining
counties of the South, combined with talk of
high wages in the North, originally caused this
push to the city. And the labor shortage is
by no means over— though the Southern influx
has leveled off somewhat. Industrial leaders in
Chicago have estimated that a total of 300,000
new workers a year must be imported for the
next five years. With European sources of im-
migrants almost cut off by restrictive quotas,
these new workers must come mostly from the
South (Negro and white) and from Puerto Rico,
Mexico, and the Indian Reservations.
Whether the Southern rural whites— anti-social
to the point of delinquency in the eyes of their
neighbors— must remain a sore to the city and
a plague to themselves depends both on their
ability to learn and on the city's ability to
.iViii »'»t
Hospitality demands the world's 3 great whiskies
T
he logs crackle. Your friends feel the
-L warmth of your welcome. You offer
them a choice of the world's three great
whiskies. A great Scotch. A great Cana-
dian. And the greatest of all American
whiskies — our own lord calvert.
We recommend this mild extravagance
for one good reason. No other gesture
speaks so well of a host, while quietly
honoring a guest.
You might order a second bottle of lord
calvert. Better safe than sorry.
Tribute to the man who wasn't there — a poignant moment
PAiii o CASALS was ill. His place in center-stage was
empty. And somehow you couldn't forger it.
The festival ended the way that it should. The final
performance was given by the absent (.'asals. It was
his recording of an old Catalan ballad— the Song oj the
Birds. The ovation was thunderous.
Casals has said, "Each day I am reborn. Each day
I must begin again." Such is the simple courage that
The final concert at last year's Festival Casals in San Juan. Photograph by Elliott Erwitt.
at last year's Festival Casals in Puerto Rico
has restored the Master to his music. Once again he is
ready to take his place among a distinguished group
of musicians— for the second Festival Casals in San Juan.
This 1958 festival will run from April 22 through
May 8. The program will feature works by Mo/art,
Beethoven and Brahms. Principal performers will
include Victoria de los Angeles, Mieezyslaw Hors-
zowski, Eugene Istomin, Jesus Maria Sanroma,
Alexander Schneider, Rudolf Serkin, Isaac Stern,
Walter Tramplcr — and the Budapest String Quartet.
Who can doubt that this year's festival will be even
more brilliant than the last?
The great man himself will be there.
For details, write Festival Casals, P. O. Box 2612, San Juan, Puerto
Rico, or to 666 Fifth Avenue, New York. Announcement by the
Connnonvjcahh oj Puerto Rico, 666 Fifth Avenue, New Turk 19.
i HE special world your little on
lives in is only as secure as you make it. Security begins with saving
And there is no better way to save than with U. S. Savings Bonds. Safe — you.'
interest and principal, up to any amount, guaranteed by the Governmen.
Sound — Bonds now pay 3Va% when held to maturity. Systematic — whet
you buy regularly through your bank or the Payroll Savings Plan. It's i.
convenient and so wise — why not start your Savings Bonds program toda^
Make life more secure for someone you love.
Tki I S, Government dors not pay for this advertisement. It is
donated by this publication in cooperation with the Advertising H f Vj
Council and the Magazine Publishers of America,
THE HILLBILLIES INVADE CHICAGO
65
treat them right. Unfortunately, they have an
option not open to previous immigrants which
keeps them from adapting to their new world.
They can always pack up and go home— only an
overnight drive away. Hence they remain tran-
sients in fact and in spirit.
REBELS FOR GOOD CAUSE
TH E Southerners bring along suspicion of
the authorities— landlords, storekeepers,
bosses, police, principals, and awesome church
people. Often, in Chicago these authorities be-
long to groups whom the Southerners consider
inferior— foreigners, Catholics, colored people-
so the suspicion is reinforced by prejudice. But
the most conspicuous reason why the Southerners
look all wrong in the city setting is the domestic
habits they bring from small backwoods com-
munities.
Settling in deteriorating neighborhoods where
they can stick with their own kind, they live
as much as they can the way they lived back
home. Often removing window screens, they sit
half-dressed where it is cooler, and dispose of
garbage the quickest way. Their own dress is
casual and their children's worse. Their house-
keeping is easy to the point of disorder, and they
congregate in the evening on front porches and
steps, where they find time for the sort of
motionless relaxation that infuriates bustling
city people.
Their children play freely anywhere, without
supervision. Fences and hedges break down;
lawns go back to dirt. On the crowded city
streets, children are unsafe, and their parents
seem oblivious. Even more, when it comes to
sex training, their habits— with respect to such
matters as incest and statutory rape— are clearly
at variance with urban legal requirements, and
parents fail to appreciate the interest authorities
take in their sex life.
On the job they are said to lack ambition,
but the picture is confused. Many workers are
mechanically skilled though not highly com-
petitive. Sometimes malnutrition and ill-health
have left them weak. While relatively few en-
roll in on-the-job training, a good many attend
television repair schools. Generally, where they
are employed in offices (women mostly) or serv-
ice work— where the irregular tempo suits the
former miner or farmer— their work record is
adequate. In theory they may be interested in
accumulating a nestegg; in practice they are
more likely to make do until they run out of
money, and then go home for a spell.
Because of this constant commuting— a family
funeral down South may empty an entire build-
ing in Chicago— Southerners are considered poor
tenants. Even worse, some get wise to the prac-
tice of rent-skipping. One young man reportedly
brought his wife home from the hospital with
a new baby in the morning, and by lunchtime
the whole family had disappeared bag, baggage,
and a few of the apartment's furnishings to boot.
Some know enough law to refuse to pay the rent,
being sure of ninety days for the courts to act on
the landlord's eviction request. If the landlord
changes the lock to force out a tenant, an under-
cover guerrilla war may take place.
At school— perhaps the most intimate contact
between immigrants and their city neighbors-
Southern children are handicapped by coming
from inferior rural classes. They are too old for
their grades and too mature physically for their
classmates. One principal tells of cotton-clad,
sockless youngsters whimpering in zero weather
at the school door, where they have been sent
by working parents an hour before opening time.
If the family goes home for the winter, the chil-
dren are so much farther behind on their return
that they must either be demoted or carried as
a more or less passive and unassimilated segment
in the class. In some elementary schools which
they attend, transfers outnumber regular pupils,
and enrollment may vary as much as seventy-five
a day among a total of one thousand.
Prone to disease— but fearful of authority—
the Southern whites tend to avoid immunization
officers, free dental care in the schools, polio
inoculations. Sometimes fundamentalist religious
beliefs complicate their fears. Positive TB tests
have shown up in the Southern-infiltrated areas
of Chicago in increasing numbers, and the 1956
polio epidemic was centered there too.
An added complication in the difficulties
which keep the newcomers both separate and
inferior in the eyes of city residents and authori-
ties is their rock-hard clannishness. Settling to-
gether, keeping in touch with home by intermin-
able telephoning and frequent trips, they isolate
themselves by intent. One Chicago block, for
example, is inhabited almost exclusively by trans-
planted Kentuckians; one elementary school
district was flooded with fifty families from a
West Virginia town where the mine closed. Their
chief social diversion is to gather with friends,
noisily, in the one institution they have origi-
nated up North— the hillbilly tavern.
"Skid row dives, opium parlors, and assorted
other dens of iniquity collectively are as safe
as Sunday school picnics compared with the
66
HARPER'S MAGAZINE
joints taken ovei 1>\ clans ol fightin', feudin',
Southern hillbillies and their shootin' cousins,"
said one ferocious expose in the Chicago Sunday
Tribune.
"The Southern hillbilly migrants," the story
continued, "who have descended like a plague of
locusts in the last few years, have the lowest
standard of living and moral code (il any), the
biggest capacit) for liquor, and the most savage
tactics when drunk, which is most of the time."
Many of the newcomers regard city churches
as kin to the authorities they distrust. They
either stop going to church or else frequent the
store-front, "holiness" gospel centers conducted
h\ itinerant preachers. Here they feel at home;
the women are not embarrassed by the greater
elegancx <>l their neighbors; and they Listen to
the kind of old-time religion they are used to.
Many modern ministers object to having to cater
to their backwoods beliefs.
"I preached for years in a mountain church
and school in Tennessee," one Chicago p.istor,
himself of Southern origin, said bitterly. "Those
kids walked eight miles each way, but we weren't
supposed to worry about that. We were supposed
to teach them that Jesus would take care of all
our worries by and by, and that was all. The
South has had enough of that type of religion,
and I'm not interested in preaching that way to
them any more."
One possible avenue of religion for these mi-
grants may be the regular Southern Baptist
churches, now being formed in cities like Chi-
cago, ft is too soon to judge whether this
missionary assault on the transplanted parish-
ioners will tend to isolate them further, or to
encourage their assimilation.
YOU NEVER KNOW HOW MUCH
IF THE Southerners are a nuisance to the
city, the city is equally hard on them. The
mountain folk, as one of their friends puts it,
have been dodging revenue agents for hundreds
of years, and there is no reason why their attitude
should change overnight. Authority means
trouble: police, court, jail; repossession of goods
bought on time; snoopy social workers; the
truant officer; the need to admit publicly— when
asked to sign for their youngsters' library cards
—that they don't know how to read or write.
One of their sorest complaints is against goug-
ing landlords. An Alabama couple with eight
children quartered in two and a half rooms,
sharing a general bath, pay twenty dollars a
week in rent plus a two dollar a week premium
for each child. Total: $160 per month.
"How can I keep this place clean?" asked one
mother. "The landlord won't give us no garbage
can, and the linoleum's so full of holes I can't
sweep it."
What about moving to a better apartment?
"You find me a landlord going to rent to
eight kids," was the bitter answer.
The police don't come fast enough when called
and they won't run a bad man out of the neigh-
borhood the way the string-tie, tobacco-chewing
sheriffs down South would do.
"They's a law against them kids driving
around so fast and burning rubber with them
noisy mufflers. Why don't the cops grab them?"
But when it comes to taking away the TV set
when the payment is overdue, the law comes all
too fast. "How I wish you people would make
it harder for us to buy things," one Tennessean
complained. "Back home we have to get signa-
tures and references, and it takes two or three
days. Here you just walk in and order what you
want, and you never know how much it costs
until too late."
This man learned through bitter experience
to limit his installment buying to two items—
a television set and an automobile. He was
luckier than many of his friends, who had their
wages garnisheed and lost their jobs.
For many of the newcomers there is a terrible
burden of loneliness. They are young, often
newly married, and away from home for the first
time. For the man there is at least work and the
tavern. But for the woman, sometimes unable to
THE HILLBILLIES INVADE CHICAGO
67
leave the apartment for an entire winter, life in
the big city may mean an aching homesickness.
The patriarchal family disintegrates when jobs
for women cut into the dominant role of the
lather, and the absence of chores leaves the chil-
dren with idle time outside the home and away
from parental influence.
A DISGRACE TO THEIR RACE?
IN T H E long run, the Southern whites will
probably make their own compromise with
city ways. But this is no answer for the very real
problems of today, and city authorities have been
reluctant to recognize that they require special
attention. The first major ajaproach was made in
Cincinnati, the city first to receive Southern
whites in any appreciable numbers. A 1954 work-
shop gathered together the Mayor's Friendly Re-
lations Committee, various other city agencies,
and several sociologists, including one from Berea
College. This conference developed a program
dealing chiefly with job discrimination. In
Indianapolis and some industrial towns of Michi-
gan, similar approaches have been made.
In Chicago the main problem is not employ-
ment, but housing. And this question, involving
not just where men work forty hours a week but
where women and children live and play twenty-
four hours a day, is much more delicate and com-
plex. The most comprehensive approach was ini-
tiated by a private community group concerned
with housing, welfare, and planning in one of
the areas of the city into which Southern whites
had moved with the usual deleterious social ef-
fects. This group obtained a survey of the new-
comers, the first and to date the only study of
this group in Chicago; and called together a
city-wide conference of church, school, adminis-
trative, and civic leaders to discuss the survey
and to develop a program.
This program attempts to deal with the South-
erner where he lives, where his insularity is most
pronounced, and where the prejudices of the
older groups are most violent. The proposal in-
volves the following five points:
(1) Development of Southern white leadership,
to create social and fraternal organizations com-
parable to those created by other ethnic groups.
(2) A pilot project to experiment with tech-
niques for easing the Southerners' adjustment
to the city and for relieving those problems
associated with their arrival which are forcing
more stable families out of adjacent areas. (The
Welfare Council of Metropolitan Chicago is
currently working up such a project.)
(3) Organization of landlords and building
managers to enforce higher standards of tenancy.
(4) Increased attempts to deal with school
transiency.
(5). Continued development by existing youth
and welfare agencies of specific services for this
hard-to-reach group.
The focus of any program must be to prod the
newcomers to help themselves. The women are
the easiest to reach— sometimes through prenatal
clinics for mothers; sometimes through their jobs.
Although the men remain a hard core of re-
sistance to change, hope lies in the fact that the
Southern whites are not a solidly homogeneous
group. The few who have come from cities are
ripe for assimilation and critical of the rural
folk, particularly of the mountaineers.
"If you think the hillbillies are making a mess
of your schools, you should see what they did to
ours down in Louisville," drawled one soft-
spoken new arrival, an engineer. Chicago has a
social club of Tennesseans— 1,500 strong— not
one of whose members comes from the hills.
This kind of rivalry within the group may
provide a clue; for all— even the most clannish
and stubborn— have potentially the ability to
compete with city people on their own terms.
The frequent comment, "They are a disgrace to
their race," is an acknowledgment of this fact.
For this Southern migrant— the white Protestant
artisan or farmer— is the descendant of the yeo-
man of Jeffersonian democracy. No matter how
anti-social he seems, he has every attribute for
success according to the American dream— even
in its narrowest form.
In a sense, this immigrant is hated because he
proves our prejudices wrong. With all the ill will
in the world, the worst detractors of the South-
ern white acknowledge that he has what it takes
to make good. The question is, can he develop
the desire to belong and to get ahead— before he
packs up once for all and goes home?
FLORENCE: AT THE VILLA JERNYNGHAM
By Osbert Sitwell
Drawings by Robert Benton
The Villa Jernyngham belonged by inheritance to the Dampiers
Who could neither afford to keep it nor to give it up:
In the winter for several years
They would sit round a cold stove and talk
About What Could Be Done.
"What is really wanted in this city," husband and wife would for once agree,
"Is a kind of hotel which is a home as well,
With lots of little palms in pots— you know—
And run by cultivated English gentlepeople."
Eventually they found the courage— and the capital—
To substantiate their dream.
So Mr. and Mrs. Dampier,
Incapable of running a home for themselves
Set out to run a home for twenty others, and be paid for it:
The Villa Jernyngham nourished in the press as a
"First-class Family Pension for Discriminating Guests
In Peaceful Atmosphere. Splendid garden and every home comfort."
The culture Mr. Dampier supplied
While Mrs. Dampier arranged the palm-trees in the sitting-room
With a dry and dusty coziness,
Presided over the catering
And ordered the meals—
The same, pale, tasteless food, like something
Materialized by a medium at a seance—
That she had given guests when the villa was her own residence.
Most conveniently,
Mrs. Dampier had trained as a nurse
And so could tend the cases
That arose from eating the dishes she provided.
ARCHDEACON SAWNYGRASS
Archdeacon Sawnygrass
Had no use for foreign ways,
Yet lived abroad the whole year
Complaining alternatively of the heat and the cold.
He would arrive at the Villa Jernyngham in September,
The month of locust-colored baked earth and ripe grapes,
And leave in May when the dark, sweet earth seethed with flowers,
When he would go, as he phrased it romantically, "to the mountains."
From boyhood, he must always have looked older than his contemporaries-
So that now, when he read as a First Lesson
FLORENCE: AT THE VILLA JERNYNGHAM
69
That philoprogenitive catalogue
"And Irad begat Mehujael:
And Mehujael begat Methusael,"
I would expect him to continue
"And Methusael begat Archdeacon Sawnygrass"
Though he in no way resembled the venerable elders of the prime of the world:
His clean-shaven face was ruddy,
His eyes, gray as English skies.
By nature, he was calm,
And would rage only when his name was spelt wrongly on an envelope—
Which it nearly always was.
Archdeacon Sawnygrass did much good work
Among the rich,
He perpetually attended tea-parties
And was careful to avoid picture-galleries
Where, sooner or later, he was sure to be brought up short
Against a Renaissance nude—
"Naked," he would complain later,
"Glaring and Large as Life."
MRS. SAWNYGRASS
Mrs. Sawnygrass,
Exotic bride and helpmeet to the Archdeacon,
Was no Renaissance nude,
But a flanneled Lutheran from East Prussia, thoroughly
Out of keeping in a Latin world
Where the naturalness of life frightened her,
As did the teeming, shouting children
And the number of wild flowers in the spring.
She would not let the sun touch her anywhere.
A hotel-dweller, and thus freed from house-work
Her life would have been empty, for people did not interest her,
Had she not divided it into two halves
One part dedicated to playing the harmonium for her husband,
The other to interpreting the meaning
Of the Book of the Revelation of St. John
According to a method of her own devising—
Exciting as a gambler's system.
Alas,
After decades and decades of work and
Just as she had decided finally and proved
Beyond possibility of contradiction
That the Beast was the Czar of Russia,
The Revolution hurled him from his throne
Leaving the chief role empty,
And Mrs. Sawnygrass had to start all over again,
But in the end she substituted Lenin.
It was true, she thought, that Lenin seemed a greater Beast than the Czar
—Or more like a Beast—
70
HARPER'S MAGAZINE
Yet she felt this imperative change to be a reflection on her system,
But if anyone dared to dispute the matter with her,
She could still produce her old irrefutable argument,
The names exploding in the unaccustomed ear,
"Very well, then— but how do you account
For Omsk
Tomsk
And Tobolsk?"
COUNTESS REPLICA
Countess Ripacotta ""'
Lived on a table—
I do not mean to insinuate by roulette or baccarat.
No, she had become an antique dealer of a very special kind,
The amateur as expert:
During the whole year
She sold only one— and apparently always the same— object,
But at the disposal of this phoenix
Nobody could approach her in virtuosity.
In brief, she lived on a table—
—The Ripacotta table, of unique pattern and renown,
At which Dante had sat.
The Countess, by birth American,
Had married the handsome head of a famous Italian family,
Which union had impoverished her.
Now a widow, and ideal image of an Italian Contessa,
White hair, soft voice, and features delicate,
She never looked any older
—Or any younger.
In the enticing month of April
She would be sure to meet
Old friends in the street,
And would end her lively chatter of long ago in Ohio
By exclaiming
"Why, my dear, you've never been to see my table, have you;
You must come and see my table, all my friends do.
I don't know how long we shall be able to keep it.
—All right, then, tomorrow at five, at the Palazzo."
The next evening the table would be gone
But only for one night.
In the morning, it would be back,
Waiting for next year,
Or one so like it as to lend support
To the nickname, Countess Replica.
It never looked any younger
Or any older—
But it outlived the Contessa.
WHAT BECAME OF BUSTER?
What became of Buster? . . .
What became of Waring
Is of little account
Beside what became of Buster,
Buster, fat but snapping with energy like a cracker.
FLORENCE: AT THE VILLA JERNYNGHAM
71
What became of Buster
Who put parents in a fluster
As he spun and sung and flung and tumbled round the golden garden
Or somersaulted, giving high, shrieks and whistling on two fingers
Or turned cart-wheels or rumbled into the library
To read the Paris Edition of the New York Herald,
Drumming on the wooden table,
Then tornadoed up the stairs into the room above
And slammed out on the piano a march by Sousa,
What became of Buster?
Lean, sullen, sallow, dehydrated, and dyspeptic
He turned into a business executive
Made so much money that he died at forty;
That is what became of Buster
—Nothing, nothing happened to Buster,
Nothing at all.
Or he made a different fortune, and at fifty
Joined the ranks of Alcoholics Anonymous —
That's what became of Buster
Nothing,
Nothing at all.
What became of Buster,
Who put parents in a fluster
As he spun and sung and flung and tumbled round the garden
Or somersaulted, giving high shrieks and whistling on two fingers
Under the Italian sun,
What became of Buster?
His skeleton stood for a year
In a thicket of barbed wire
On a ridge in France—
That's what became of Buster,
Nothing happened to Buster,
Nothing at all.
What became of Buster
Who put parents in a fluster,
As he spun and sung and flung and tumbled round the garden
Or somersaulted, giving high shrieks or whistling on two fingers
Under the Italian sun—
What became of Buster?
He devoted his life to building aircraft,
So as to promote peace
By bringing foreign nations
Nearer to each other,
And his only son was killed flying
In the Second World War—
That's what happened to Buster
—Nothing became of Buster,
Nothing,
Nothing at all.
mm*
Part III: Concluding a Series by
RALPH E. LAPP
Drawings by Ben Shahn
^Mm
The Voyage of the Lucky Dragon
How the "ashes of death" touched the lives
of many unsuspecting people — including
diplomats, California canners, a fisherman's
daughters, Lewis Strauss, and perhaps
(in the end yet to come) everybody else.
TH E testing of an American atomic bomb
at Bikini, on March 1, 1954, had unfor-
tunate echoes in Japan. The crewmen of a
Japanese fishing vessel, the Lucky Dragon, which
had been near the danger area and had under-
gone a strange fall of dust from the sky, were dis-
covered to be suffering from radiation sickness.
In the fish markets, which provide most of the
protein for Japan's diet, many tuna from the
Pacific were found to be radioactive, which
caused people to stop buying and prices to drop
disastrously.
These were topics of great public concern but
also great ignorance, and so many contradictory
statements were made about them that Japan's
Foreign Minister Katsuo Okazaki told the Diet:
"Some say eating fish is dangerous. Others con-
tend it is harmless. Some say 10 per cent of the
victims will die. Others aver the injuries are
slight. Such conflicting statements only serve to
cause anxiety."
It was unfortunate that the accident at Bikini
involved two big A's— Atomic and American,
both of which evoked strong sentiment in con-
quered and occupied Japan. Communist-domi-
nated labor unions painted a very black picture
of the bomb tests, claiming that they would
"doom the Japanese nation to ruin." Japanese
officials treated the incident with restraint.
News of what had happened to the Lucky
Dragon was played up on the front pages of
American newspapers on March 17. But the
question of the radioactive tuna fish was subse-
quently given little space in the American press,
and the injuries to the fishermen were mainly
mentioned through comments by U. S. poli-
ticians. The New York Times ran photos of an
injured crewman and printed a chart showing
that the Lucky Dragon had been well outside
the danger zone around the Eniwetok-Bikini
Proving Grounds. But in general the reporting
of the incident in American newspapers gave no
conception of its importance to the Japanese.
President Eisenhower became involved on
March 24, 1954, in the course of a weekly press
conference. To a question from George E. Her-
man, reporter for the Columbia Broadcasting
System, the President replied (in the third person
form then approved by the White House):
It was quite clear that this time something
must have happened which we had never
experienced before, and must have surprised
and astonished the scientists. And very prop-
erly, the United States had to take precautions
that had never occurred to them before.
Now, in the meantime, he knew nothing
© 1958 by Ralph E. Lapp
THE VOYAGE OF THE LUCKY DRAGON
73
of the details of this case. It was one of the
things that Admiral Strauss was looking up,
but it had been reported to him that reports
were far more serious than actual results jus-
tified.
After the President's press conference the
Atomic Energy Commission released a detailed
statement which concluded:
The opinion of the Atomic Energy Com-
mission scientific staff based on long-term
studies of fish in the presence of radioactivity
is that there is negligible hazard, if any, in
the consumption of fish caught in the Pacific
Ocean outside the immediate test area subse-
quent to tests. . . . Any radioactivity collected
in the test area would become harmless within
a few miles . . . and completely undetectable
within 500 miles or less. . . .
In Japan the American Ambassador, John M.
Allison, issued a similar statement. It evoked
angry comment from leading Japanese scientists.
Professor Yashushi Nishiwaki of Osaka Uni-
versity made a radio broadcast in which he
stated: "I don't know which Japanese scientists
co-operated in making Allison's statement, but
the radioactivity we have detected was certainly
not negligible." In a Tokyo broadcast Professor
Mituo Taketani of St. Paul University snapped:
"Let's send the highly contaminated fish to Mr.
Allison and have him eat it."
The official AEC reassurance that fish could
be eaten safely did not stem the rising tide of
fish condemnations in Japan, nor did it restore
confidence among buyers in the fish markets. On
March 27 the Koei Maru (Radiant Glory) put
into the thriving port of Misaki with thirty-seven
tons of tuna which was found to be radioactive
above the level established by the Ministry of
Health and Welfare. Japanese officials had issued
a temporary "danger level" (in reality, a "worry
level") corresponding to 100 counts per minute
for a Geiger counter held four inches away from
the fish. So far as the Japanese people were
concerned, the numerical value of 100 was not
too important. They looked upon the situation
in an all-or-none light. Either the fish was radio-
active (and therefore dangerous to health) or it
was non-radioactive (and safe to eat). Would the
situation have been any different in the United
States?
Indeed, experience soon showed that it would
not have been. Shortly after the contamination
of fish became news, American dealers asked the
Japanese to observe restrictions of a rather tech-
nical nature, calling for the fish to be examined
closer than four inches and for detailed inspec-
tion around the gills. Apparently importers did
not want even 100 counts per minute. This dis-
tressed the Japanese tuna men, who felt that
Americans were setting up a double standard.
On one hand we asserted there was no danger
and strongly implied that the Japanese were un-
realistic about radioactive contamination of fish.
On the other hand, we rejected even slightly
contaminated tuna for our own consumption.
The West Coast tuna canneries, most of which
are concentrated in California, were alerted.
Records of the Food and Drug Administration
show that two radioactive fish were picked up at
one cannery. No details other than that the
"radioactivity was insignificant" are available,
but it is known that a secret meeting took place
between representatives of the tuna industry,
the Food and Drug Administration, the Atomic
Energy Commission, and the State Department.
An acceptable level of radioactivity was agreed
upon at this meeting but the level was classified
as "confidential" and not released to the public.
This degree of secrecy is an interesting com-
mentary on how government officials viewed
public reaction to a tuna scare in the U. S.
"inadvertent trespass"
NEWSMEN in Japan have the reputa-
tion of being the most aggressive in the
world. The competition between rival papers is
so keen that the leading dailies employ stagger-
ing numbers of reporters. Stung by the scoop of
the Yomiuri, which had the original Lucky
Dragon story all to itself, rival papers determined
that there would be no repetition and assigned
large numbers of staffmen to cover the radio-
active contamination of fish. Persistent reporters
also hounded scientists, soliciting comments, at
any hour of dav or night, on each new facet of
the Lucky Dragon incident. One might say that
they almost haunted Professor Kenjiro Kimura's
laboratory at Tokyo University, where an
analysis of the Bikini ashes was being made.
Word finally came from Dr. Kimura's labora-
tory that some of the radioactive substances in
the ashes had been identified. Elements like tel-
lurium, niobium, and lanthanum were strange
and unknown, but one word struck home. It was
strontium-90. The deadliest of all radioactive
substances had been identified from the pinch of
dust which had come to rest on the decks of the
Lucky Dragon! A collective shudder ran through
millions of Japanese. Strontium-90, a chemical
cousin to calcium, gives off no penetrating radia-
74
HARPER'S MAGAZINE
tion. Yet it seeks out the bone and deposits there,
"living" for a long time— half of its radioactivity
would still remain after twenty-eight years.
Against this background of mounting anxiety,
the Japanese government issued a statement to
the U. S. Ambassador, outlining the results of its
[ > 1 1 J i 1 1 1 i 1 1 . 1 1 \ investigation of the Lucky Dragon
accident. This official document was obviously
a first step in negotiations for compensation of
the Lucky Dragon fishermen, which Japanese
newspapers kept demanding. But while the
negotiations were under way, Congressmen
returned from viewing another H-bomb test in
the Pacific and it was rumored in American
weekly magazines that a superbomb, the equal
of 45 million tons of TNT, would soon be
exploded. This evoked from India's Jawaharlal
Nehru a plea that the tests in the Pacific be
stopped. "I believe it is proposed to have a
bigger show in the middle of April," said the
Prime Minister. "This only reminds me of the
genie that came out of the bottle, ultimately
swallowing the man." Many Japanese agreed.
As this storm of controversy was brewing across
the Pacific, Admiral Lewis L. Strauss, Chairman
of the Atomic Energy Commission and the Presi-
dential personal adviser on atomic matters, re-
leased a lengthy statement, of which the follow-
ing excerpts are pertinent:
Warning Area: ". . . there are many instances
where accidents or near accidents have resulted
from inadvertent trespass in such warning areas.
The very size of them makes it impossible to
fence or police them."
The Lucky Dragon: "Japanese fishing trawler,
the Fortunate Dragon, appears to have been
missed by the search but, based on a statement
attributed to her skipper, to the effect that he
saw the flash of the explosion and heard the
concussion six minutes later, it must have
well within the danger area."
The Japanese Fishermen: "The situation |
respect to the twenty-three Japanese fisherm
less certain clue to the fact that our people i
not yet been permitted by the Japanese aut
ties to make a proper clinical examination.
interesting to note, however, that reports w
have recently come through to us indicate ,
the blood count of these men is comparabll
that of our weather-station personnel,
lesions observed are thought to be due td
chemical activity of the converted materia
the coral rather than to radioactivity, since t
lesions are said to be already healing."
Contaminated Fish: "With respect to)
stories concerning widespread contaminatioj
tuna and other fish as a result of the tests]
facts do not confirm them. The only cont
nated fish discovered were those in the open
of the Japanese trawler. Commissioner Craw
of the United States Food and Drug Admini
tion has advised us: 'Our inspectors founc
instance of radioactivity in any shipments ol
from Pacific waters. . . . There is no occasion
for public apprehension about this type of
tamination.' "
Conceivably, one might explain the
Chairman's extraordinary remarks as base<
insufficient data or technical misunderstanc
However, he has never retracted them, ai
year afterwards he told the Joint Committe
Atomic Energy: "It is interesting in rerea
the statement to see that it does comport
stantially with what we have since learned, j
is to say, there are no glaring inaccuracies in
At this point the Admiral paused and ad
"There are lacunae of course." That is, t
are omissions. But it was not the omiss
that troubled the Japanese. It was the obi
insinuation that their fishermen had beei
fault but had not been injured, and that fis
the Japanese markets were not radioactive
of this they knew to be untrue.
While the rift between the two nai
widened, the attentions of the Japanese tu
to the two hospitals in Tokyo to which the fi
men from the Lucky Dragon had been ti
ferred. All of the men were suffering to a
degree from a depressed level of white and
blood cells. To combat their anemia, the
were given repeated transfusions, and antibii
were administered to bolster their resistant
Sexual cells are also extremely sensitive
radiation, and during April and May
spermatozoa counts of the fishermen droj
THE VOYAGE OF THE LUCKY DRAGON
75
precipitously. For the moment they were com-
pletely sterile.
As their physical condition declined, they be-
came more and more worried— especially by the
sensational, and sometimes distorted, accounts
I of their illness which appeared in the press. One
newspaper article, purporting to represent an
open letter from Japanese. to American doctors,
charged the United States with failing to answer
requests for advice on how to treat the men.
Actually, the United States made antibiotics
freely available and would never have hesitated
to supply anything the Japanese doctors re-
quested—with two exceptions. One was adequate
knowledge to treat the effects of radiation, for
this was beyond anyone's power, and the other
was the answer to the riddle of the ashes— which
was within our power but which came under the
dark shadow of "national security."
As spring came to Tokyo, the patients were
encouraged by the healing of their skin lesions
and the regrowth of body hair. This was a good
sign, for with near-lethal doses of radiation there
may be permanent impairment of hair growth.
It looked as though they had passed the low
point and were now on the upswing. All Japan
breathed a little easier, too, when the United
States announced in mid-May that the 1954
Bikini bomb tests in the Pacific (known as the
"Castle" series) had been concluded.
THE RIDDLE OF THE ASHES
\\ /HAT were the "ashes of death"— the
VV shi no hat— which had fallen from the
skies upon the decks of the Lucky Dragon} Three
times this question was put to American repre-
sentatives by Japanese doctors and scientists, and
twice it went unanswered. The third time, a
U. S. scientist, Mr. Merril Eisenbud, director of
the AEC's Health and Safety Laboratory, made
the enigmatic reply: "Ask Dr. Kimura."
Dr. Kenjiro Kimura, a brilliant radiochemist,
was no newcomer to atomic research. When the
sensational news was flashed around the world
in 1939 that the uranium atom had been split,
he had teamed up with the great Japanese
physicist Nishina; they readily split the atom, a
simple trick once you knew that it could be done,
and in addition they identified some new frag-
ments of the split. On bombarding a sample of
natural uranium, the Japanese discovered that
they had produced an entirely new, hitherto
unknown, type of uranium. They named it
uranium-237.
When Dr. Kimura and his staff tackled the
job of analyzing the Lucky Dragon ash, he had
no doubt that most of its radioactivity was due to
the split atoms of uranium. Though he could
not tell from his research whether the atomic
fragments were uranium-235 or uranium-238, he
never seriously doubted that they belonged to
the former. At that time only uranium-235 was
known to be useful in a bomb. But after he had
made several preliminary reports, he received a
very helpful, yet somewhat puzzling letter from
Merril Eisenbud. It contained the following
paragraph on the composition of the ash:
We have found that the radioisotopes pres-
ent in the ash are consistent with the data
given in "Nuclei Formed in Fission*," pub-
lished in the Journal of the American Chem-
ical Society, volume 68, page 2411, November
1946. The curve given for slow neutron fission
is applicable to the ash except for atomic
masses 103 through 130. The important
fission products are in maximal portions of
the curve and can be read quantitatively
within experimental error.
This information confirmed what Dr. Kimura
already knew, but the sentence about atomic
masses 103 through 130 caused him to wrinkle
his brow. Why should these atoms be out of
line? What kind of bomb had the Americans
developed which altered the very nature of the
fission process?
When the most urgent analytical work had
been finished, Professor Kimura turned his atten-
tion to a chemical solution which contained "the
uranium fraction," that is, the various forms of
uranium which were chemically separated from
the ashes. It exhibited unusually high radio-
activity. All the usual forms of uranium were
long-lived, and therefore should not produce
many counts, but this solution caused the Geiger
counter to chatter vigorously. Careful processing
of the solution showed that it was not mixed
with other elements, and examination of the
radioactivity showed that half of it dissipated
in about a week. Could it be uranium-237? But,
if so, what was it doing in the ashes?
At the end of May, Professor Kimura traveled
to the beautiful city of Kyoto to attend the pro-
fessional chemical society meetings there. At a
Japanese inn, prior to the meeting, he discussed
his data with other scientists and decided to
announce his discovery. The next day, address-
ing several hundred scientists, the discoverer of
U-237 told of his research on the Bikini ash.
"It was truly a source of profound emotion," he
began, "when, during the present experiments,
76
HARPER'S MAGAZINE
l 237 was unexpectedly again encountered." A
hush Milled ovei the group, and then a numbei
dI scientists broke the silence, murmuring to
others: "What does ii mean?" After the presen-
tation, they asked Dr. Kimura and he replied:
"I am not sine."
When he returned to Tokyo, Dr. Kimura
consulted with a fellow scientist, Professoi
Mituo Taketani, the physicist at St. Paul Uni-
versity in Tokyo. Dr. Taketani, a rather high-
strung man who will refuse to attend a con-
ference il cigarette smoking is permitted, pointed
out that the only way to produce uranium-237
was to bombard uranium-238 with very high
energy neutrons. He estimated that a "few hun-
dred kilograms ol uranium" must have fissioned
in the Bikini explosion. This would mean that
a good fraction ol a ton ol uranium was in-
volved, not rare and expensive uranium-235, but
cheap and abundant natural uranium. If this
was true, the Bikini bomb ushered in an era of
bombs without limit in power— bombs which
would produce such a fearful radioactive fall-out
that their ashes could kill people a hundred
miles down-wind of the explosions.
The conclusion that the Bikini bomb was not
a pure hydrogen bomb but a weapon which
tapped the energy of natural uranium was also
reached by Dr. Nishiwaki in his laboratory at
Osaka. Actually, he had hit upon the correct
solution soon after he started studying the con-
tamination ol Bikini fish, joking with some of
his colleagues, Dr. Nishiwaki said: "Maybe there
is a good natural uranium mine at Bikini." It
"was a wild guess, but oddly enough the basic
principle involved was correct, except that in-
stead of a uranium mine on the Bikini island
there was a mantle of uranium wrapped around
the bomb.
Thus, in the spring of 1954, Japanese scien-
tists had managed to discover the secret about
the bomb which the United States was still trying
to safeguard. Suddenly, it became clear to Dr.
Kimura why Merril Eisenbud had worded his
letter of April 8 so carefully. Eisenbud had tried
very hard to tell the Japanese professors as much
as he could without violating security.
It was inevitable that Japanese scientists would
discover the truth once they started analyzing
the ashes. The scientist who originally found
uranium-237 could scarcely be expected to over-
look it when it was put right under his nose.
This being the case, the United States would
have shown itself in a much better light if it
had come out in the open early in March and
told the Japanese the lull nature of the radio-
active contamination. We could e\en, in h
days immediatel) aftei the explosion, have s. e(
ilit- fishermen from its worst effects.
WHAT MIGHT HAVE BE]
Til E Lucky Dragon was not the only
dusted with Eall-out. A task force of]
U.S. naval vessels, rendezvoused thirty i
from Bikini, was standing bv to observe
detonation in an area thought to be sab.
cers aboard the ships watched the enorn
mushroom cloud as it dispersed in the st
sphere and they noted that the winds were j
ing remnants of the cloud toward them, j
an hour later, Geiger counters on deck startj
react and orders were given to clear the dec!
The ships were "buttoned up"— that is
hands went below after securing the ha^
and portholes. Even the ships' ventilators
covered. Then vast quantities of water
sprayed over the ships by special pipes I
nozzles, specifically designed to wash off rad
tive contamination. The ships were maneuv
by radar since the water spray made visil
very poor. For over half a day, the crews swe
it out below decks in the tropical heat. Fir
it was judged safe to "unbutton" the ship
the men came out on deck. Wearing rd
suits, hoods, and masks they proceeded to a
up traces of fall-out which the protective.se
of water had failed to wash away.
The Atomic Energy Commission and De
Department thus knew within a few hours
the March I test that something had gone wi
Within a few more hours, Radiological S
Headquarters for the Task Force had a good
of the dimensions and intensity of the fall
Yet no warning was broadcast to ships in
vicinity. Test administrators knew within ;
more hours that the eastern end of the dzj
zone was no longer a proper limit for sa
Why did not the test officials break radio si;
and broadcast a general warning over that]
of the Pacific?
Officials charged with responsibility for
conduct of the "Castle" series of nuclear
might respond that the area had been sean
They had no reason to believe any foreign
were in the vicinity. Yet no one aboard
Lucky Dragon either on February 28 or Ma
saw or heard any aircraft, ft seems highly ]
able that the lips of test officials were scale
the same security precautions which attende
previous tests. An announcement made
next day said nothing about an accident.
it
H
I:
tl
THE VOYAGE OF THE LUCKY DRAGON
77
Had the Lucky Dragon received word on
March 1 that there had been an accident, Kubo-
yama could have radioed for assistance. The sim-
plest of instructions would have allowed the
fishermen to decontaminate themselves and their
boat. The Task Force could have sent destroyers
to the scene and removed the men from their
hazardous home. As the timetable of radioac-
tivity makes clear, the dose to the fishermen
could have been cut in half. This is all "what
might have been," for there was no news of the
Bikini accident until many days later, when the
damage had already been done.
To Icok at the other side of the coin, why did
not the fishermen radio for help? First, no one
on board suspected at the time that the ash was
dangerous. Having left the area, the men aboard
the little fishing boat felt that they were safe.
Second, the fishermen were terrified of what
might happen to them if they were taken into
custody by Americans. This may sound incred-
ible to American ears, but one must remember
the isolation and gullibility of the Japanese
fishermen. Third, no one aboard had acute
enough symptoms to jolt the boat's command
into seeking medical aid.
In the same realm of speculation, it is inter-
esting to note that had the fishermen headed
north immediately after the detonation, as the
Chief Engineer desired, they would have es-
caped most of the fall-out. As it happened, they
were on the northern edge of the immense cigar-
shaped pattern and they could have soon been
out of it had they proceeded north at full speed.
They probably would have received some con-
tamination but it would not have required months
of hospitalization. They could have saved, had
they known it, Aikichi Kuboyama's life.
T
DUST IN THE WIND
H E fishermen were hopeful that before
the summer was over they would be al-
lowed to leave the hospital and return to their
homes in Yaizu. Some spoke of returning to the
sea again, but others announced a preference for
staying on land. Kuboyama, who loved sea life,
startled his companions by asserting that he
would open up a sake shop and go into business
for himself. His proposal, made repeatedly,
evoked the uniform reply: "Almost all the sake
in your shop will be drunk by you."
Doctor Toshiyuki Kumatori had developed a
strong friendship for Kuboyama. He recognized
that the radioman was the most intelligent of
the crew and he would often discuss rather tech-
nical details with him, with the result that
Kuboyama became well acquainted with his own
case history. He knew, for example, that his
white blood cell count had dipped to 1,900 in
April and that his bone marrow count had shown
a precipitous drop-off.
As he wrote in a letter dated April 17 to his
friend at the Yaizu wireless shop, "The best way
to cure this disease, I was told, is by blood trans-
fusions. The older the person, the stronger [they
are] affected. The reason why this is so is that the
blood-making ability in the marrow of the bone
is not as strong as in younger men."
Kuboyama was much concerned about the
health of his companions, almost all of whom
were bachelors. He told his nephew Shiro: "I
might say that I could be satisfied with the three
daughters that I already have, but you young
bachelors could probably not have children in
the future if you get married. That's the prob-
lem." He was incensed when he learned that a
girl who had promised to marry one of the crew
broke off the romance after the accident.
Once a television set was installed in Room
311, Kuboyama became a passionate TV fan.
Somehow or other he always managed to get the
best spot to view the screen, especially when
Sumoo wrestling matches were televised. He read
the newspapers daily to keep up on the wrestlers
and followed the matches avidly. But neither
television nor newspapers were enough to occupy
Kuboyama. He asked the head nurse to teach
him how to knit, and received permission to
knit for one hour each day. At first his hands
were awkward and he was all thumbs trying to
handle the knitting needles. But he stuck to it
and two months later finished a sweater for his
eldest girl Miyako, to whom he wrote:
Thank you for your letter. You're fine, aren't
you? Papa is greatly relieved to know this. As
it is getting warmer day after day, you will
be going to the seashore or river to play. Be
careful not to be washed away by the waves or
the water. Take care not to make your sisters
Yasuko and Sayoko cry. And study hard and
wait until your papa comes home.
Late in June, Kuboyama experienced a moder-
ately severe attack of jaundice and complained of
pain in his liver. In writing to a friend in July,
he described his yellow color as "rather strong
and fifteen times as much as in an ordinary per-
son." He wrote that he felt dull and had no
appetite. "That is a great pain to me," he com-
plained. Though two-thirds of the crewmen had
jaundice, the others soon recovered from the
78
HARPER'S MAGAZINE
attacks. But Kuboyama's persisted and his white
blood cell count did not go up. But he hoped
that when the weather improved and got cooler,
he might recover and go back to Yaizu.
Kuboyama was very proud of the sweater lie
knitted for his first child and he bought some
yarn for a second one. He started knitting the
red garment and when his wife came to see him
he smiled and said: "Well, I've got to knit one
more, don't I?" However, as he became sicker,
progress on his knitting slowed and then stopped.
During August his condition steadily grew worse.
His crewmates grew increasingly concerned over
his health, and some religious groups tried to in-
terest him in their beliefs. He was not impressed.
"A doctor is my God," Kuboyama said.
Toward the end of the month, Mrs. Kubo-
yama came to Tokyo with her daughters. When
she arrived at the hospital, Dr. Kumatori told
her, "The jaundice is becoming severe and his
condition is serious." She came close to her hus-
band's bed, noting the half-finished sweater on
the side table. "How is the jaundice?" she asked.
"My darling, did you cut your hands?" he
said. His wife shook her head, wondering why he
asked, for her hands were not hurt. Kuboyama
moved his body painfully and repeated the ques-
tion. Then he said, "It's no use to do any more.
M\ sufferings are already too great."
On August 30 he was only half-conscious and
could not speak to his daughters, or to the other
crewmen who had come to see him. "Kyoku-
cho-san," they said, "cheer up," looking at the
unmoving form in the bed. "Keep your spirits
up," they added, but there was no response or
sign of recognition from Kuboyama.
The next night he became delirious. He
called out his wife's name over and over: "Suzu,
Suzu . . ." and his arms and legs shook violently,
so that Dr. Kumatori needed help to restrain
him. His only reaction was to mutter: "Let go.
Let go." Then he fell into such a deep coma
that he did not wince even when given a sharp
pinch. He was given an oxygen tube to facilitate
breathing. Dr. Kumatori went without sleep and
did not even take time to shave. For three days
he stayed on duty and appeared at a press con-
ference hollow-cheeked, haggard, and unshaven.
At two o'clock in the morning of September
4, the stricken seaman finally regained conscious-
ness and at noon he asked for water. That eve-
ning Kuboyama felt better and smiled at his
family gathered by his bedside. "I want to eat
fish and pickles," he said. The next day he was
able to take some food and he recognized his
fellow patients. B\ mid-September, the Yaizu
fisherman was feeling so good that he resun
his habit ol worrying about weather. But on i
night oi September 20 Kuboyama was again
on the critical list. His heart showed sign.,
weakness and his appetite disappeared, ;
though he remained lulh conscious he scemcc
great pain. Once he cried out: "My body fi
like it is burned with electricity. Undei
body there must be a high-tension wire."
The family was summoned to his bedside o_
again. His seventy-two-year-old mother held
head in her arms, cradling him as though
were a baby. "Okaa-san [mother], I'll becq
well again," he whispered. "Really?" she s;
"Promise me so." Kuboyama looked at Dr. Ki
atori as if seeking an answer and the do
urged him to hold out. So he nodded his h
to his mother and said faintly, "Yes, I hold oi
But at a few minutes before seven on Septtl
ber 23 Dr. Kumatori bent over Kuboyama
examined him with a stethoscope. He turne
the family and said very quietly, "Now it is
last moment." With that Kumatori buried
head in his hands and sobbed.
Kuboyama's mother cried out. "Aikichi,
break your promise. Aikichi . . . you . . ." but 1
son did not answer. Mrs. Kuboyama, te
streaming down her lace, lifted a tiny cupi
water to her husband's lips— a gesture symbo
ing his last "earthly drink." A few seconds la
he died.
Dr. Kumatori faced a group of newsmen
7:30 p.m. with quivering lips and tearful
As if arguing with himself, he said: "What
thinking about now is . . . was there any lack
effort in my treatment of him? Why is sue!
miserable thing permitted to happen?"
All through the night wireless messages fnj
ships at sea were received at the hospital. Fi
ing boats thousands of miles away relayed t
news and the crews sent their sympathy to t
family. And on the next day the American A
bassador sent a note to the Japanese Minister
Foreign Affairs enclosing a letter for Mrs. Kul
yama and "a check for one million yen made c
to her as a token of sympathy of the Americ
government and people."
ON OCTOBER 9 the fishermen of Yai
gathered at the public hall for a funeral ce
mony. In port some thirty fishing boats fli
black flags of mourning. About three thousa;
persons attended the ceremony, along with hi:
officials of the Japanese government and a rep
sentative of the U.S. Embassy. A message frc
Ambassador John M. Allison was read, in whi
•
THE VOYAGE OF THE LUCKY DRAGON
79
he said that "no word of comfort can repair the
loss of this man to his family, nothing can dispel
the sorrow of his doctors who labored so devot-
' edly to save him, no action by his countrymen
or mine can undo what has happened. In these
respects and in many others too, we are as the
rHeike Monogatari truly says, 'only dust in the
iface of the wind.' "
The minister's reference to Heike Monogatari
must have been a welcome one to the Japanese,
for the saga of the Heike clan is a national leg-
end about a family which ruled Japan in me-
dieval times— a tragic yet appealing story.
It was a funeral such as the village of Yaizu
had rarely seen. Because of the importance of
the occasion, many priests chanted their prayers,
as they would have for a wealthy man. There
was no music but the priests provided accom-
paniment by rhythmically toeing a wooden bell
placed on the ground. The mokugyo, about two
feet in diameter, emitted a deep, doleful sound.
Two hundred students from Shizuoka Univer-
sity sang "A-bomb Never Forgiven" after the
ceremony, and at the end a score of white pigeons
were released into the air. It was already dark
when the funeral procession wound its way to-
ward the family temple, about five minutes' walk
from the Kuboyama house. Walking in front of
her mother, the eldest daughter carried a mortu-
ary tablet, a rectangular piece of wood on which
were written the words "The soul of the de-
ceased Aikichi Kuboyama." The second daugh-
ter carried a large photograph of her father,
while Mrs. Kuboyama carried the boxed urn.
So the ashes of Aikichi Kuboyama, an "inno-
cent victim," a fisherman and a radio operator,
were laid to rest in the marble vault on the
mountainside of his birthplace at Yaizu.
tuna industry. The Lucky Dragon itself, stripped
down and decontaminated, was purchased by the
government. Renamed the Hayabusa-Maru (Dark
Falcon), it became a training vessel for the Uni-
versity of Tokyo's Fisheries School.
Kuboyama died of a liver disorder, which
might have been brought on either by blood
transfusions or by the original radiation. Though
there have been arguments about the "cause" of
his death, they are rather pointless; if he had not
been dusted with radioactive ashes he would not
have needed the transfusions, and if he had not
been aboard the Lucky Dragon he would not
have died. To him, and to the other crewmen,
we owe knowledge we might otherwise not
possess. But for the accident that befell them
on March 1, 1954, the world might still be in the
dark about the superbomb, for three years after
the explosion U. S. government officials still
refused to acknowledge the real nature of the
device detonated at Bikini.
Instead, they have touted the virtues of a
"humanitarian" bomb— an adjective so absurd
that it was soon replaced by "clean." The se-
mantic nonsense about the "clean" bomb con-
tinues. Perhaps it is more dangerous than mere
nonsense, since it implies a kind of aseptic war,
thus removing the element of terror and hence
of restraint from the use of nuclear weapons.
The true striking power of the atom was
revealed on the decks of the Lucky Dragon.
When men a hundred miles from an explosion
can be killed by its silent touch, the world sud-
denly becomes too small a place for men to
clutch such weapons. And for this truth, gained
from the misadventure of twenty-three men, we
may one day rank their voyage with that of
Columbus.
ASEPTIC WAR ?
HI S shipmates were soon to re-
cover. All of them had been
discharged from the hospital by May 10
and have since returned, with minor
exceptions, to health. Their sterility
was not permanent. Several of the
bachelors have married and had nor-
mal, healthy children. Eventually the
United States presented the Japanese
government with two million dollars'
compensation— ex gratia, implying no
culpability— of which each crew mem-
ber got an average of $5,000; the re-
mainder went to pay their medical
expenses and the damage done to the
After Hours
\*
THAT LIVED-IN LOOK
Recently I received a communica-
tion from James Gallagher of House
and Home. He was in a state of
dudgeon over current reporting
about life in the mass suburbs. He
lives in Levittown, New York, a
community tlmt has been getting
heavy attention on account of its
tenth anniversary. He writes:
I\ \[ convinced that most stories
about our megalosuburbia on
Long Island (population 17,500) are
written from the Savarin Bar in
Penn Station in Manhattan. The
only research used by these amateur
sociologists must be an aerial photo,
taken in 1951 or so, of the serried
rooftops, with peas-in-a-pod houses
as though in bas-relief against the
barren potato fields. One look, and
these experts leap to their theses:
Levittown is bad. Too many houses,
all alike; too many families the same
age; a single stratum of income and
interests.
The first thing I would like to
have updated is that aerial view.
Bill Levitt used only four street ele-
vations and one floor plan in his
14,000 Rancher models (a builder
term for any house that is wider
than it is deep), and the view from
above was depressingly monotonous.
Today, the urge to non-conformity
has created many streets where no
two houses are alike on the outside,
and even floor plans have only a
familial relation to one another. In
some, the brick fireplace wall is
about the only structural element
that has defied our inventive re-
modelers, the only wall we haven't
moved around as nonchalantly as
our urban cousins move furniture.
We have built up, back, front, side-
ways, even down. This last baffled
us until a local architect came up
with a split-level disguise for the
house that adds a basement, and has
acquired the unlikely name of Split-
LeveT.
I guess I am a Levittown aficio-
nado, and I admit that the place is
as friendly as ever, but our "one big
family" phase is pretty well over.
The kaffee-klatsch, that oldest, estab-
lished, floating gossip club that used
to occupy the expectant (who
wasn't?) wives, has largely disap-
peared.
What ended it? Some of us think
that the universal suburban gregari-
ousness was self-defeating, that in
these in-gatherings lay the seeds of
hurt feelings and personality clashes
that slowly changed the tell-all im-
pulse into the polite, but reserved,
reticence that is the mark of older
communities. Others feel that in the
young wives' common inexperience
and fear of a new life (usually bio-
logical as well as sociological), far
from their families, friends, and
familiar neighborhoods, they gath-
ered in each other's kitchens for
mutual reassurance and pooled ad-
vice.
They are a lot more confident
now. Today, they are their own ex-
perts; Dr. Spock rarely comes out of
wherever he was put a couple of
kids ago. In fact, so little interest
can be aroused in these
by obstetrical play-by-play
would probably welcome
bride who would listen
to "how it was with my fi
LIKE our wives, we me
rived at a less intima
vivendi. "Nobody had n
an accurate description c
home-owners back in 1948
first Ranchers went on sal
an electric saw or lawn
most demanded that you
it as community propert
odd job by odd job, most
have built up a pretty cq
ventory of tools, the pov
is as ubiquitous as the tr
the borrowing (which e
constant visits back and
confined to the more ex
such as extension laddei
hole diggers.
Prosperity, too, has h
fluence. We hire things
even as Scarsdale or Gro:
The days are gone when I
get a concrete driveway |
only the rental of a ecu
and a couple of cases of bl
boys to drink. You can s
vice on any project (if y
it), but if you are not the
self type, you would be su I
in a contractor.
Written into every oJ
deeds is a prohibition agal
of any kind, yet few hoi
are fenceless. In this para
end of Bill Levitt's drearrl
big-garden community. II
died because, living in thn
81
AFTER HOURS
:
e forgot that good fences make
neighbors. He may have ex-
1 fellowship and harmony to
across the lot lines. What
1 was children and dogs. Some
nts claim that the day the first
went up was the beginning of
;nd for uncritical, day-and-
long fraternizing.
; common complaint that I
[ like to set straight is that
are no old people or teen-
nothing but young parents
>abies. No one could say that
production of infants has
)ed much from the days when
ryly called the place "Fertile
" and "The Rabbit Warren,"
those toddlers are teen-agers
and the most pressing school
em is rapidly becoming the
school, not the kindergarten,
ist a few years, we will have
baby-sitters than babies.
ilcl our oldsters are increasing,
All the things (except the easy
ib .) that made the Levitt house
ia| tractive to new wives and hus-
(one-floor living, compact
o ens, easy maintenance, not-too-
; rounds) appeal even more to
people and a great number of
:s have been to families in their
; and beyond. Of the eight
ies immediately adjacent to me,
are older couples with grown,
oi i, children (and I'm no kid, my-
In the local Catholic church
ther Sunday, there were a dozen
uncements of marriage banns,
a sentence about baptisms,
[mittedly, some of our families
have a "this is just the first stop
s" feeling, and there is a steady
)ver of houses. But many roots
ap roots. I have seen many men
:iously weigh the advantages of
ng into a larger house outside
[jjuse his family, or his income,
grown. Then he would decide
a couple of thousand dollars
id give him two more bedrooms
an extra bath upstairs in his
ttown house, and maybe he
:l push the living-room wall out
te rear or add a dining-room,
besides, "it isn't fair to uproot
kids just when they are doing
/ell in school," and "A longer
mute would be too much."
se people are here for keeps,
he reason most Levittowners do
not feel smothered by anonymity is
something the viewers with alarm
forgot: in every community, large
and small, people really live within
a narrow circle. No man, said John
Donne, is an island, but most of us
are little more than peninsulas, with
only a very limited connection to
the mainland. I hope that any
future stories on life in the suburbs
will reflect this state of things, as
they are, instead of as they were sup-
posed to be. —James Gallagher
LIVELY
( FOR ONCE ) ART
TH E best thing that ever hap-
pened to television happened
on CBS between five and six in the
afternoon on Sunday, December 8.
At least that was where and when
it happened first; the program may
have been run at a different hour
and date in your part of the country,
and— if there is any justice— it will
be repeated, the more often the bet-
ter. It was an installment in "The
Seven Lively Arts" series called "The
Sound of Jazz," and as far as I'm
concerned you can throw away all
previous standards of comparison.
This is where live television began
to amount to something.
It was opened and closed, and
from time to time interrupted, by
John Crosby as "host," but mostly it
was musicians playing jazz— in a
bare studio, dressed in whatever they
liked (hats,, sweat shirts, it didn't
matter), smoking, talking to one an-
other, or just walking around. Each
group was introduced and then
away it went, with time enough (in
nearly all cases) to get the music
going, while the camera roamed over
the faces of participants and specta-
tors.
There were no phony or elabo-
rate explanations. As the executive
producer, Jack Houseman, remarked
to the music critic, Virgil Thomson,
during the dress rehearsal: "This is
the first program about jazz that
doesn't say it started in New Orleans
and then went up the river."
Technically "The Sound of Jazz"
gave the appearance of being very
(as they say on the Avenue) "primi-
tive." You knew that you were in
a studio and that these people were
being televised. If it sounded better
to have a microphone right in front
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82
of a man's face, there the micro-
phone would be: and if one camera-
man got in another's wav he didn't
scurrj ashamedly oul <>l it. But this
impromptu effect, of course, took a
deal <>! contriving. I lie musicians
couldn't believe at first that hats
were really okay, and Billie Holi-
day had to be persuaded to appear
in slacks and pom tail instead of the
gown she had specially planned on.
The aii ol casualness was in fact the
end-product of months ol work.
Ill I S milestone was primarily
made possible by Houseman, and
his assistant. Robert Goldman, and
the producer lot this show. Robert
Herridge, who had the unbelievable
courage and common sense to hire
good taste and turn it loose. They
found two jazz critics with some
ideas, Whitney balliett and Nat
Hentotl. and alter the usual round
of conferences and memos, gave
them complete artistic control. Bal-
liet and lletitoll. from the start, had
the kind ol program in mind that
the) eventually produced one that
would concentrate on music. When
I asked Balliett at what point they
had dec ided in lavoi ol \ isital real-
ism and informality, he thought a
moment and said, "I don't think it
ever occurred to us to do it any
other way."
They got the musicians they
wanted, whether currently well
known or not and whether or not
"485" (the address on Madison ol
the Columbia front office) would
have made the same choice. They
were able to assemble combinations
of musicians whose booking arrange-
ments usually keep them apart, and
also let an old-timer like Pec Wee
Russell pl.i\ side b\ side with a mod-
ernist like [inmiv Giuflre. The
name of one performer made "185"
nervous, but Balliett and Hentoff
put their feel down— and they won.
Let it be written that as ol 1957
there was still some decenc) lelt. and
somebody willing to fight for it.
As "The Sound of jazz" came into
the- final weeks before air-time, it be-
wail to make other people uneasy,
and for better reasons. Since there
was so little of the normal panic on
the surface, everybody panicked in-
side. The director, Jack Smight,
found that he was twice as jumpy
without actors around to worry
AFTER HOI RS
about: and when "IS.")'' found out in
the last lew days that there really
wasn't am script to speak ol it began
to emit angrj noises: "What are You
doing down there?" Balliett and
llentoll coidd onl\ answer that
everything was going to be hue. the
musicians would turn up. and there
would be some music. They hoped
this was true.
T H 1. Y needn't have worried. If
you were lu<k\ enough to have seen
"The Sound ol Jazz" I don't have to
tell you how great it was and, even
il you weren't, what I'd want to do
anyway is sell you an explanation of
why it was great. The cornerstone
ol live tc le\ ision, i lass will please
now repeat, is the human lace— with
its spontaneit) and tension, its halo
ol contradictions, its bints ol life
lived and life to come. <)l course the
I V camera is merciless; it draws on
the person behind the lace lot all
the icsotiKcs that it can find there.
It is not one eye but millions of
eyes; it has high expectations and
asks that the person before it be
poised in the balance, somehow chal-
lenged oi tested, so as to bring forth
the most meanings from the ever-
changing interplay ol expressions in
the lace.
What made the jazz musicians
extraordinary, when the camera put
their features through its harsh ex-
amination, was how much it found
there. Children and animals make
the best movie actois. as Douglas
Fairbanks said, because they are un-
selfconscious and unable to fake. No
more could these musicians lie any-
thing but themselves, lor they are
committed to independence and to a
headlong attack on the cosmos
showed; here and no kidding-i
individuals ol stature and
fundity, ol flesh and substance]
warmth and bite. The music I
good, yes, Inn what lilted
Sound ol fuzz" to a level liith
unattained was the si»ht ol it hi
made. As a lad\ in White Plains
clown and wrote ( lis as soon as
show was ovei . one so seldom
the e hanee "to see real people el<
something that really matters
them."
Neithei balliett nor Hentoff
pected the \ isual effei t to be as
sational as ii i\ as. rhey knew tj
|aek Smight "dug" jazz, but o
couldn't have antic ipated the <
and inti ic ale < ameia work that
abled him to cut bom one shoi
another as skillfully as though
were a movie editor, working v
developed film instead of a live sh.
The cameramen simply oul
themselves (for the record, and
ing them a credit line they she
have had on the air, they were ]
Heller, Harold Classen, foe Sok
Jae k Brown, and Mai ty I'm k). ]
liett and Hen toff's long and tare
planning had made it possible
the musicians to extemporize ; i
the cameramen and directoi eo
extemporize too, with the freed
to smudge the edges— leave t
head half in the wav— of practi
talent, the artistic intelligence t
dares to risk a blunder because
knows precisel) what it is doing. |
is like' that, and as a result the ii
effects of "The Sound ol Jazz"-
the eye and on the ear— were mi;
ulously in tune with each other.
NOW there is talk not only o
repeat but of a series, and no e
could better desei ve it than this n
found team. But one wonders if
miracle can happen twice. Part
the reason that Balliett and Hen
were' let alone was that no one
high authority really undersu
what the) were up to. Now
secret is out and there will be mi
hazards. As I sat with them in j:
ducer Robert Herridge's office, go
ovei the first day's mail, the ph<
rang and Herridge answered it.
listened, laughed explosively, 8
hung up. "Laurence Welk," he Si
"demands equal time."
—Mr. Har]
the new
BOOKS
PAUL PICKREL
Not New York
HARRY S. ASH M ORE'S Epitaph
for Dixie (Norton, $3.50) has consider-
able topical interest because the author is editor
of the Little Rock newspaper, the Arkansas
Gazette, but it is one of the many virtues of the
book that it rises above and looks beyond the
events of the moment in an attempt to see where
the South as a whole is headed. Ashmore's gen-
eral conclusion is indicated clearly enough by his
title: he believes that the form of Southern
society that has prevailed in the eighty years
since Reconstruction, a society based on share-
cropping, one-party politics, and segregation, is
done for. The forces that favor segregation in
his opinion do not really expect to win; their
battle cry is not "on to victory" but only "not
in this generation"; behind the seemingly solid
facade of the white South he believes that there
is much real diversity of opinion and uneasiness
about the status quo.
Although Ashmore never puts the case this
way, he seems to see the defender of the post-
Reconstruction style of Southern life as facing
not one but two opponents. There is first the
external enemy that can be called by such names
as the North or the Supreme Court or the
NAACP; this enemy can be argued with and
about, can be encountered in law courts and
excoriated in legislature halls, and might even
be defeated. But there is another enemy, an
internal, unnamed enemy, a kind of Southern
fifth column, which is an ineradicable fact of
life and cannot be legislated or sued or fought
out of existence— that is, the revolution in the
Southern economy that makes a caste system
obsolete. Sharecropping and one-party politics
are on their way out, and segregation will go-
slowly— with them.
Ashmore pays little attention to the first
"enemy"; most of his book is devoted to changes
in the South itself that make segregation an
unworkable scheme. He tacitly affirms that
segregation is a Southern problem, not on the
old grounds that the South knows what is best
for the Negro but on the grounds that the South
is going through a change of such a fundamental
sort— a change in which a new status for the
Negro is only one part— that her Northern critics
will just have to be patient for a while longer.
One of Ashmore's most valuable gifts is his
ability to say just as little for the comfort
of his Northern reader as for his Southern
neighbor.
He does not bother to disguise his contempt
for those Southern leaders, like the present Gov-
ernor of Arkansas, who capitalize on the race
issue, though he argues convincingly that there
has often been (more in the past than at present)
an element of vaudeville in Southern racial
demagoguery that was recognized and appre-
ciated by both the performer and his audience.
He looks upon contemporary racist leaders as
simply tragically irrelevant to the work in hand,
something like those leaders of newly inde-
pendent nations who still campaign on a plat-
form of anti-colonialism.
YET, little as he expects of the leaders of the
segregation forces and hopeless as he thinks their
cause is, Ashmore does not believe that the
changes now taking place in the South will
result in pure gain. The New South, as he sees
it, will be something like Texas, by which he
apparently means that it will retain a certain
amount of self-conscious and superficial local
color while actually accepting the standards of
the rest of the country with a vengeance— talking
states' rights, for instance, but greedy for federal
help and tax privileges. In his recent book, The
Reluctant Empire, George Fuermann observes
that the rest of the United States looks upon
Texas in much the same way as the rest of the
world looks upon the United States— as a force
that is brash and crude but rich and vigorous,
without culture but without the restrictions that
go with the culture, half threat and half promise.
This seems to be fairly close to what Ashmore
has in mind when he speaks of Texas as the
model (or the fate) of the New South.
Ashmore is able to specify some of the quali-
ties that he thinks are being lost in the South
84
Till NEW HOOKS
today. He thinks thai as legal segregation dimin-
ishes, a kind of spiritual segregation increases:
there is less and less human contact between
the races. He points oul that he grew up know-
ing Negroes in a wa\ thai his daughtei does not
know them; one ol Im older relatives once re-
plied to a genealogical inquiry with the observa-
tion that he figured the famil) was kin to just
aboul everybody in the county, white and black,
one wa\ 01 another; that sense ol kinship, Ash-
more thinks, is now being lost. And lie sees
some loss in the breakup ol the one-part) South:
the Southern Democrats, parti) because they
were so thoroughl) entrenched at home, were
often able to acl more lai sightedl) in national
and international |>oliti<s than their more shal
low rooted Northern colleagues. Nor dots \sh
more entirely forget how much that entrench-
ment (Ost.
Behind An Epitaph for Dixie there is not only
extensive observation bui also wide reading in
the leading modern waiters on the South— V. ().
Key, the late Howard Odum, ( . Vann Wood-
ward, and so on. The two writers whose influ-
ence is most marked are William Faulknei and
the late \V. |. Cash, author ol The Mind of the
South (now sixteen years old hut happil) avail-
able as an Vnchoi Book ai ')~>c and still emi-
nently worth reading). An Epitaph foi Dixie is
essentiall) an epilogue to Cash's woik. bringing
it ii|) to date, and il is enough to say in its praise
that it is worthy to stand in that relationship.
In general Ashmore is a little distrustful of
the contemporary literary image of the South:
he quotes an amusing accounl l>\ another South-
ern journalist (Harr) (.olden) of how Tennessee
Williams' Baby Doll woidd have to be rewritten
to bring it into line with the facts of Southern
life: the protagonist becomes a New York manu-
facturer of foundation garments who moves to
the South in search of cheap labor, Baby Doll is
a model he has given a share ol the business,
and the antagonist is an organizer lor the Inter-
national Ladies Garmenl Workers Union.
But in spite ol Ins feeling that some Southern
literature is misleading. Ashmore often relies on
Faulkner's massive myth ol the South as a frame
lor his own analysis, as in his eloquent descrip-
tion of how leadership has passed from the
proud Sartorises (Faulkner's old established
family) to the poor and ignorant hut crafty
Snopeses (Faulkner's poor whites).
"When the Charleston News <b Conner issues
its call lor all good men to come to (he aid of
the Old South, it is not a Hampton who steps
forward, but one of the Snopes boys, mentally
calculating the possible profit from the dues of
a Citizens Council," Ashmore writes, and he
quotes a "c\ni<al old planter" to the effect that
Dixie will have reached the end of the road
when a rich Negro leaves a widow "with suffi-
cient holdings io justify one ol the Snopes boys'
marrying her foi her money." Yei Vshmore does
not despair ol the Snopeses. Me believes that
the) aie shaking oil then poverty, educating
their children, and in the Inline will demand
both mole ol the nation's bount) and hcttci
leadership.
No i: o I ND ABIES
A I 11 oil o \l Ashmore mis the South
ol sharecropping, one-part) politics, and
segregation as the last stronghold <>l American
regionalism, ol significant social difference; with
iis passing American soc iet\ will he thoroughly
homogenized and without local flavor. Io this
extent his epitaph is a lament. In a passage near
the end ol the hook he tells how he has at last
come io feel al peace with New York, because
"New York no longer has any boundaries ... it
is everywhere that telephones and radio and tele-
vision can reach . . . there is nothing lett now to
confine it. no physical boundaries and no perma-
nent, distinctive regional attitudes."
Southern writers and intellectuals often exag-
gerate the homdgeneity ol Northern society he-
cause they know only the huge cities of the
North; they identify the whole North with New
York though they would be reluctant to grant
that Birmingham oi Atlanta is the "real" South.
Yet Ashmore- is undoubtedly right in finding
geographical differences increasingly unimpor-
tant in American life. In contemporary Amer-
ican fiction, for instance, il no longer makes'
very much difference where a writer comes from
unless he is a Southerner or very much difference
in what pail of the country his novel is set
unless ii is the South; and the novelist's South, as
\slniioie points oul, is in danger ol becoming
less a place than a literary convention.
Some novelists continue to have a loose
regional affiliation— Marquand belongs to New
England and O'Hara to Pennsylvania, but
readers of James Could Cozzens' sensationally
successful liy Love Possessed have located the
(own where the action takes place all the way
from New Hampshire to Maryland, and there
seems to be no way of pinning it down very
exactly. To be sure there is still such a thing
as a "Western" story, but a Western is by this
time usually either a fairy tale or an historical
novel.
Yet there remains, both in fact and in fiction,
a very large part of America that is not New
Yoik. Ii is ne)t se> much a matter of geography
as ol si/e; one thing thai must strike any reader
who follows American novels is the persistence
of the small town in fiction, and not just the
ersatz small town where the tarnished New York
advertising man goes to cleanse- his spirit by
editing a crusading newspaper or the expen-
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THE NEW BOOK S
sive Connecticut mi1>uiI> play-acting rravei charae tci i/es .1-. "|nniii|
at being .1 small town (such .1 <<>m- and nonsensical," 1101 without
munity bears about the same rela son on th< evidence he provi
ikiii to .1 real small town .is Marie I In si\U ol the book is corny
Antoinette's milking hens to dairy- inoffensive. 1 \ Book-of-thc-M<
hut the t hing itself. ( Hub sele< tion.)
R() li I. R I rR AVER'S Anat-
omy of a Murdei (St. Vfartin's Press,
$ 1.50) is .1 1 ase in point. I he novel
is set in iIk Uppei Peninsula ol
\li< higan, .1 region that probably
>i 1 ikes most 1 eadei s as Fail lv out ol
the way. Yet ex< ept Eoi .1 Eew topo-
graphical details and one point ol
law. ii might have been set in Maine
01 Kansas 01 ( )regon; there is almost
nothing in ma is 01 language 01
style ol life that localizes the story.
But the one pla< 1 it < ould not In- set
is \<u \oik. 01 ,m\ othei large
i it\. The atmosphere, the attitudes,
ami even the si\ le ol wi iting an- in-
\ mi ibly small tow n, though not tin
small low n ol an\ pal li( ulai region.
Traver's stor) is told l>\ the attor-
ne\ loi the defense, who until his
1 1 < till ili leal l>\ a youngei man has
hinisell been disti ic 1 attoi ney. The
trial is .111 opportunity Eoi him to
defeat in the courtroom the man
who lias recently defeated him at the
polls, as well as a ( han< e to establish
hinisell as .1 ( 1 1min.1l law \ei and to
la) the Eoundation Eoi a Eurthei
political career. Traver docs not go
\<i\ deep into human motivation,
he uses a ( ei lain nuinhei ol 1 alhei
stale literal \ de\ ie es, and the mur-
dei itseli is not a particularly in-
teresting (lime, chief!) because
neithei murderei noi murderee is a
very interesting man. But the book
is less the Story ol a murder, in spite
of its til I.', than the stoi 5 ol a trial
lor murder, and the a< i ount ol the
trial is irresistible, as such accounts
usually ale.
I he aulhoi w 1 iles nuclei a pseu-
donym (he is a justice ol the Su-
preme Conn of Michigan), and lot
main readers the chicl attraction of
Inatomy <>\ a Murder will he the in-
sight it provides in the way lawyers
go about theii work, li is a hit ( hill-
ing lo see the extent lo which the
lawyers regard the trial as their
show; the man being tried seems
hardly more than in< idental, some-
thing like a c OW thai wanders into a
steak-fry. The out< ome depends on
the manipulation ol the concept of
legal insanity, a concept which
111! small low 11 ihat pio\ ides j
setting loi William I luniphl
Home from the Hill (Knopf, $81
is situated in I asl I exas, .iw.1
place is caielulh localized
the use ol dialec I and odiel del,
though perhaps the most import
lac t about the setting is that il
in a literary though not in a
graphical sense, in the Faul
count] \ .
I he 1 e aie three main c haiac I
the lathei . a hero ol 1 1 1 c - lust w
war, a Eamous hunter, and
equally Eamous philanderer;
mother, a woman who has b
deeply shocked by her husha
affairs and determined to real i
only son in sexual purity; and
son, who worships his lather as h
and hunter without knowing a
thin» about his philandering. '1
central situation develops when
son learns about his latin is sex
c areei and sees in il an all-loo-cl
portent ol his own nature.
Humphrey is so gifted a w'ri
as he has already demonstrated i
number of line short stories, tha
is ungenerous to suggest thai Ho
from the Hill, Ins Insi novel, is
than a complete success. Yet,
as the writing is, the structure o
hook is too sc hemati( . I he lal
philanders on a scale that most m
die-aged men would find weari
and the son is innocent lo an exti
thai seems c Munich unlikclv in I
c ire unisiaiic es. I he n.u rative
n iimiied down until il is stai k a
spare, like a legend or a ballad, 1
il becomes a little mechanical in
neat disclosure ol one tei rible < i
sequence alter another, until I
reader has trouble in avoiding ti
feeling that late is being generoul
assisted by the author in propellil
the characters toward then dal
destinies.
II is a pity thai 1 liiinphie\ has \i
given 1 1 err reign to his sense
humor, which plays ovei one sec
(the baptism of a child) with fi
macabre lesulis. More humoi mjg
have detracted from the tragic ell
hut it would have made the hook
87
THE NEW BOOKS
,ir
deal more convincing as an
e of life. In spite of these reser-
ns, Home from the Hill is a
ully made piece of work by a
:r of undeniable talent, and any-
who reads it will look forward
iumphrey's next book.
CATCHALL
MES JONES'S mammoth
:cond novel, Some Came Run-
(Scribner, $7.50), also takes
• in a small town, this time in
ral Illinois. The place has con-
able individual character; it is
of those Illinois communities
e Northern and Southern
ns in the population meet (the
hern strain augmented since the
id \vorld war by the immigra-
of some of Faulkner's Snopeses),
it has a touch of glamor left be-
by some high-living, free-spend-
Pennsylvania oil millionaires
lived there during a brief oil
n earlier in the century. Unfor-
tely most of what takes place in
:s's town is less interesting than
town itself.
he 1,266 pages of Some Came
ning are less a novel than a col-
on of parts of novels, ideas for
;ls, comments on the difficulty of
ing novels, and disquisitions on
ever happened to come into
is's head. There are discussions
uck (which is said to be located
a gland in the brain"), of how to
\i potatoes, of the place of rein-
atl lation in Christian theology
rist is said to have taught rein-
lation but St. Paul cut it out of
Gospels), of the relation between
riter's sex life and his work, of
state of the highways between
hville and Chattanooga, of the
:e of physical affection in the
ing of children, and of endless
?r subjects of varying degrees of
vance. One would be tempted
ay that everything is in the book
;pt the kitchen sink except for
fact that at least three kitchen
:s come in for mention,
'he narrative excuse for this
>rgasbord is rather simple: in
7, at the end of his military ser-
:, one Dave Hirsch returns to the
ill Illinois town which he had
in haste nineteen years before
:n he "got a farm girl in trou-
" He had been forced to leave by
\t
■I
his older brother Frank, who was
acting as head of the family and was
anxious to make it more respectable.
Dave comes back with the idea of
staying only long enough to em-
barrass Frank, who is now pros-
perous and about to become more
so. But he decides to settle down
and even goes into a business part-
nership with Frank when he dis-
covers that he is falling in love with
Gwen French, a teacher in the local
college and the most wildly improb-
able heroine of the season.
Gwen refuses to marry Dave be-
cause she is a virgin (this is all per-
fectly absurd), but she does agree to
become his mentor in his attempt to
resume the career as a writer that
he had started before the war. From
here on the book is mostly about
Art and Artist. Various characters
wander in and out, there are sex
sprees and drinking bouts and a
fight, but chiefly there is just talk.
Essentially Jones is concerned
with the same problem in Some
Came Running that occupied him
in From Here to Eternity: the prob-
lem of the man of violence in a
society that both needs his violence
and penalizes him for it. Private
Pruitt in From Here to Eternity
lives an unresolved paradox: his vio-
lence constantly gets him in trouble
with his society (the Army), yet it is
the very quality that makes him a
good soldier. So Jones seems to see
the artist: society needs his art, but
in order to produce his art he must
live a life in conflict with society.
Yet From Here to Eternity was a
readable book and Some Came Run-
ning is not. One difference between
them is that the first novel was
written from the author's feelings,
which were chaotic but powerful,
and the new book is written from
the author's intellect, which is
chaotic but not powerful. Further-
more, the Army provides a frame-
work in which the conflict between
the violent man and the powers-
that-be can be dramatized, and a
small town, at least Jones's small
town, does not.
But the biggest difference between
them lies in the fact that the first
book kept its focus on events and
consequently had some shape and
discipline, while the new book is
flabby, and self-indulgent. The writ-
ing is crude and pretentious, full of
"a must"
"invaluable"
"entertaining"
ARTHUR
KNIGHT'S
The
Liveliest
Art
A Panoramic History
of the Movies
". . . an analytical, well-written
and intelligently planned up-
dating of the history of the film,
done with compassion for the
medium and a grasp of its in-
tricacies ... a volume that not
only reads well, but is crammed
with the kind of information
that is indispensable to any
student ... of the motion pic-
ture... a 'must' for industrytes'
bookshelves." —Variety
"Mr. Knight's book is enter-
taining, but you'll go to it for
information . . . lively and in-
spiring story . . ."
—N. Y. Herald Tribune
". . . the most complete, compre-
hensive, up-to-date survey of
the film now available in Eng-
lish..." — Richard Griffith,
Curator, Museum of Modern
Art Film Library
"... a fascinating story . . . in-
valuable ... to any layman . . .
It will make his movie-going
experience richer and keener."
—Rouben Mamoulian
Illustrated $7.50
60 Fifth Ave., N.Y. II, N.Y.
88
i ii i \ i w hooks
. . painstaking and honest." — —
-ABBA EBAN
ISRAEL and the
MIDDLE EAST
HARRY B. ELLIS
Asst. Overseas News Editor,
The Christian Science Monitor
THE BLOOD-sweat-and-sand profile
ol Israel goad to millions of restless
\ral>s. Top reporter Harrj Ellis
tills from persona] experience the
price of coexistence along 600 mill's
of bitterly contested border. \ bril-
liant account of events in Palestine
from Bible <l;i>s to the present, essen-
tial to understanding the claims of
Israelis and Arabs. s '
Also by HARRY B. ELLIS:
Heritage of the Desert
The Arabs and the Middle East
". ..-a reallj excellenl background i<>
tin- probler f tin- Middle East."
—The New York Times
". . . deserves wiile attention.
—The Saturday Review $5
At bookstores
THE RONALD PRESS COMPANY • N. Y. 10
pseudo-words like bourgeoisness, offi-
ciality, ;iihI sanguinarily; such action
;is there is is often absurd and in-
coherent. At bottom the trouble
seems i<> be that Jones has taken
himseli in; lie has < ome to believe in
Ins ow ii myth. Being a writer is not
ne. ii l\ so impoi i. mi .1 thing .is [01
thinks n is. Being a good writer ma.)
be, l)in he has .1 long way to go
before lie is .1 good wi iter.
I \ M\ Face lot the Wot Id to See
Harper, |3) Ufred 1 [ayes has wi it-
teit ;i novel in \\' 1 1 i < li the sell ing is
also I. ne; Hollywood is both where
the storj takes place and whai hap-
|l( us to the 1 Ii.ii.k lets. I here are
onl\ two ol an) impoi tan< e the
in, in who tells the story, .1 writet
from New York who goes out to
I [ollywood from time to time lor a
little eas) moiK \ .mil e.is\ sex, and
who ihinks ol himseli as an unin-
volved spectatoi in the movie
colony; and a beautiful, half-
demented gii I who has at cepted the
whole Hollywood dream as a pel
sonal promise. The man engages in
what he means to he a c asual all.iii
wiih the girl, but the relationship
gets out ol hand, and in the end he
must recognize that lie too is in-
volved, ih. 11 Hollywood has cor-
1 upted him in his way jusl as much
as 11 has corrupted the girl in hers.
The novel is \ei\ adroitl) writ-
ten, in smooth, seemingl) effortless
prose; and ii attains great Eorce in
the passages where the girl describes
the terrible hallucinations site has
suffered: she has thought thai she
was being listed in all kinds of cruel
and anonymous ways to see il she
was really worthy ol stardom; sin
has passed through periods when
she thought thai everyone she met
was an incognito emissary ol "the
studio" come 10 put her through
some trial before she enters into her
glory.
The ending ol the hook is a little
disappointing, probably because the
reader learns a little too much about
the girl too soon, leaving little to be
revealed in the end. But My Face
joy the World to See is a skillful,
disturbing book.
I 111 short stories ill First Love
and Other Early Sorrows (Dial.
,iii. a lust collection l>\ a gifted
young write! named Harold Brod-
key, fall into two groups or (yc
One gTOUp dials with a In
grows up in St. Louis and goeB
1 1. 11 vard, the othei with .1 gii
I .1111 ,1, w ho might (oik eivably ||
the wile ol the bo) from Si. Loll
aftei he has grown up.
\s a w 1 He: l'>i udkev i ould
hast d\ described as every tli ing Jarn
(ones is not. I lis prose is ( uliivatj
flexible, totally free ol straining]
(Ih i 1. and his most notable (hail
lei isii( is a kind ol pervasive gen-
ness. I le ordinal il\ deals with a v.
lew i hai ,k lets mote 01 less isola
from a six i.d ( ontext, and ih< k
ol situation he usually (houses i
situation that shows the diffict
people ha\ e in sia\ ing in toiu h w
i .11 h other, the trouble the) have
expressing and a< ( epting and mi
1, lining love.
In one wav the slot ies sutler frl
being collected together— since e;
( \( Ii ( oikci its the same person,
slot ies in it read almost like 1 hapt
from an unfinished novel. But t
also have an effe< 1 as a group t •
the) do not have singly: they
saddei . I his does not result Ii
the events in the stories, which
not particularly sad, but from 9
quality in the w 1 iting itself, a ti
ol elegv Ol note ol lesignati
I hese sidi ies may be too quiet
unihaiiiaiii to alliai 1 a large a
ence, but the) are distinguisl
fiction, as readers ol Brodkey's "1
Siiiind ol Moot ish Laughter" in
\l.iv 1956 issue ol Harper's \|
know.
I 1 1 I authors of Kilometre
(Houghton Mifflin, $3.95) are
Israeli husband-and-wife writ
team, I lerbert Russc ol and Margi
Banai, and their novel is set in d
temporar) Israel, ( hiellv on a a
munal farm (kibbutz) on the G
boi del and in I el \v iv.
The Russcols portray the inter
stresses in Israeli soc ieiv by a set
of oppositions. I he) show (■
tinned distrust or uneasiness
tween those who fought in
regular aiinv ol liberation.
Haganah, and those who fouj
with the terrorist Stern Gang; 1
|ews ol European 01 igin find ii hi
to accept the Middle Eastern |i
as iheii own people, espei tally wt
a question of intermarriage w
their children arises; members ol 1
89
BOOKS IN BRIEF
tbbutz who are daily exposed to
rab raids and working to reclaim
te desert doubt that the sale city-
sellers in Tel Aviv are doing their
tare tor the new nation; and the
dbbutzniks" themselves are divided
1 the question of whether it is bet-
r to take direct action against Arab
iders or to leave such incidents to
ie United Nations.
But the Russcols do not limit
lemselves to picturing the divisive
»rces in Israel; they also convey a
nse of its powerful unifying force:
te determination to endure. Kilom-
\re 95 is not very impressive as a
avel, but it is a fascinating picture
a society that has so far been little
ortrayed in fiction, at least in Eng-
lish.
/HERE Kilometre 95 concerns a
'nd of life that is hard but full of
ppe, another new novel from
aroad— The Man on the Rock, by
ie young English novelist Francis
ing (Pantheon, $3.50)— is an ac-
ount of a life that is hopeless.
The chief character and narrator
i the book is a Greek named Spiro.
irphaned in the Greek civil war
lat followed the second world war,
piro has since made his way by his
>oks and his nerve. He is a parasite
l a society that offers him few alter-
ative ways of making a living, and
e vents his hatred of his own de-
endency by destroying anyone who
ares to help him. He is successively
iken up by an American relief
worker, the wife of a rich English
usinessman, and the daughter of a
-reek shipping magnate, all of
horn love him after their more or
:ss ambiguous fashions, and each of
horn he destroys.
The Man on the Rock will strike
)me readers as just nasty, and no
ne could pretend that it tells a
retty story. But the Greek back-
round is brilliantly sketched, the
haracterization is incisive, and the
'hole thing carries conviction.
nhe Sibyl, by the Swedish novelist
nd Nobel Prize winner Par
.agerkvist (Random House, %?>), is
very curious work, almost impos-
ible to describe without making it
>und either blasphemous or ridic-
lous or both. Ft is really a fable
bout the nature of God; the closest
tnng to it among recent books in
English that come to mind is C. S.
Lewis's Till We have Faces, and that
is not very close.
The Sibyl is an account of an en-
counter between the Wandering Jew
and a woman who has served as a
sibyl in a Greek temple. The Wan-
dering Jew speaks first, telling how
he is condemned to eternal restless-
ness because he has denied rest to
the Son of God. Then the sibyl takes
over, telling how she has borne a
son who may also be God's, a son
who has grown up to be the idiot
who shares her cave. As the man
and woman finish their stories they
realize that the idiot has dis-
appeared. They follow his tracks up
the mountain in the snow until the
tracks disappear, evidence that he
has ascended.
The manner of The Sibyl is a
little portentous; something seems
always about to be disclosed that
never appears, and the thought of
the book is hardly complex enough
to justify the amount of narrative
that is required to convey it. What-
ever may be true of the Swedish
original, the English translation by
Naomi Waliord is chaste and ele-
gant.
BOOKS
in brief
KATIIE'RINE GAUSS JACKSON
FICTION
Forever Strangers, by Eleanor Mayo.
A tragic story of two brothers; of
responsibility's unshakable debt to
the irresponsible; and of the blighl
of immaturity that can follow when
the young are not allowed to pay for
their own mistakes. The background
is a small Maine town. One sym-
pathizes with Sam, the older brother,
in his dilemma as to whether to
abandon the younger to his post-
Korean-War lollies or to try to pro-
tect him from them. One sympathizes
with the younger brother, up to the
last violent scene, in the intensity of
his emotions and especially in his
love for a girl whom the town has
turned its back on. And Jude, Sam's
compassionate wife, lends the rich-
New Borzoi Books
GUSTAV
AHLER
By BRUNO WALTER
A living portrait of Mahler
and an estimate of his career
and compositions, by a great
conductor who knew him well.
An intensely human document
of a unique kind. $3.50
ISS HOWARD
AND THE
PEROR
By SIMONE ANDRE
MAUROIS
The little-known story of a
beautiful, scandalous English-
woman who — with money and
with love — helped Napoleon
III to reach the throne. Biog-
raphy at its entertaining best.
$5.00
THE OPEN SEA
And Other Poems
By WILLIAM MEREDITH
"Meredith is an expert writer
. . . His intelligent poems,
unlike most poems, have a
character behind them, one
that is solitary, gray, dignified
and 'Spanish'."
—Robert Lowell $3.50
At most bookstores
ALFRED A. KNOPF, Publisher
90
BOOKS IN 11 R I E r
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criticized, revised, typed, marketed. Special attention to
Book manuscripts. Poetry. Catalogue on request.
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ATHEIST BOOKS
32 -page catalogue free.
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SCHOOLS
ECOLE CHAMPLAIN— FRENCH CAMP
Girls fi-16. On Lake Chauiplain, Conversational French
with European counselors. Tuition Includes daily riding,
sailing, water sports, tennis, dramatics, music, art. dancing.
35th year, Sunday Services, Three groups. Please state age.
Mrs. E. F. Chase, 123 Summit Street. Burlinoton. Vermont
MARY A. BURNHAM SCHOOL
Kor girls. Thorough college preparation. Fully ac-
credited, Music and Art emphasized. Collegi town
advantage Riding, Skiing, Swimming. All sports. Men-
sendieck method for posture. National enrollment 81st
year. Gymnasium. Summer School. Newport. R.I. Catalogs.
Mrs George W. Emerson. Box 43. Northampton. Mass.
ness of pity to an otherwise tortured
relationship. The writing is occa-
sionally too homespun Eoi m\ taste,
and throwbacks Eoi the purpose ol
making literary comparisons some-
times interrupt high points in the
novel. l'>wi the authoi makes a dra
matic and universal stoi\ ol hei
credible Down East ( harai ters.
Norton, $3.75
A Lesson in Love. I>\ Margaret Creal.
One is always having to swallow
prejudices. Foi .1 long time I've been
saying: "No more novels about girls'
schools and schoolgirl crushes." But
in this story ol giils in the Anglican
St. Cuthbert's School scl in the wide
prairies ol western Canada, the
si hoolgirl enthusiasms a\m\ rebellions
(particularly the rebellions against
being made into English young
ladies) take on not only interest but
a touching reality. And the rebel
Nicola, losing hersell in adoration
lot a glamorous schoolmate belong-
ing to a world she has nc\ti known.
escapes momentarily the poverty-
stricken, sternly, though lovingly,
disciplined world ol her grandfather,
Dean of the Pro-Cathechal ol St.
Matthew. He had been hei guardian
since the death of her parents when
she was a year old. Her efforts to re-
concile the two worlds and find her
own core of integrity are moving and
full of the humor ol human frailty as
well. And the author makes lull use
of the austere but beautiful Ca-
nadian country as background lor
her parable of the confusing choices
of love which the world offers to
children growing up.
Simon 8c Schuster, $3.95
Kampong, by Ronald Haul\.
The jacket on this book calls it "A
powerful novel about a medical
unit's desperate fight against . . .
cholera in Indonesia." And the pub-
lishers are right to indicate that this
is the high moment of the story. Ac-
tually only about three chapters of
the book deal with the outbreak of
cholera and they are exciting pages
indeed. The rest of the book deals
with the personalities ot the medical
unit (English, Dutch, Javanese) and
the hothouse sympathies and violent
antagonisms that grow up as intem-
perately as everything else in the
tropic jungles. How these attitudes
affect everything from medical prac-
tice to the complicated internal poli-
tics ol those clistui heel islands is the
central theme of the book though
there are others: What brings each
person then? Is ii worth while to
take medicine to the primitive
jungles? should medicine get tan-
gled in politics? Can it sta\ apart?
1 he end, w hie h relates to the irJ
volved Dutch-Indonesian politics,
seems to have less validity and ex-
citement than the story ol the epi-
demic, and the book loses stature as
one loses track ol what is happening
in the disease-ridden kampongs. Bui
one feels the place, the tensions, the
hysteria, and admires the men who
keep some grip on reality and the
way Mr. Hardy makes them grow
01 dwindle under the press ol cir-
cumstance. Doubleday, $3.95
NON-FICTION
The Movies, by Richard Griffith ami
Arthur Mayer.
These 436 pages may seem to make
a big book. They certainly make a
fascinating one both to look at and
to read. Here is the life of the movies
—the life ol each one ol us over forty
-and who would think 436 pages
enough to cover forty personal years,
let alone forty years of an art whose
techniques, styles, stars, and attitudes
have changed in undreamed of ways
since the nickelodeon fust charmed
our youth? Even so, as the authors
explain, there has been no room to
include cartoons (another whole
book, they say) or documentaries,
and post-World War II movies arc
treated more briefly than those that
come before, ft is not only nostalgic:
it is a beautiful book and an amus-
ing one. People who picked it up
from my desk had to be watched
carefully as they laughed their way
through it. I had to make sure they
finally put it down. 1,000 pictures,
150,000 words.
Simon & Schuster.
And the Price is Right: The R. H.J
Macy Story, by Margaret Case
Harriman.
This book starts with the story o.
how Macy outfitted Queen Salote of
Tonga "from head to foot— a con-
siderable distance" for the corona
tion of Queen Elizabeth II. And in
the same amused, amusing, and en
thusiastic vein it proceeds to tell the
\
91
BOOKS IN BRIEF
lole century-old history of the
reatest Store on Earth. People, em-
oyee-customer anecdotes, changes
style and taste, changes in ways
merchandising, employee clubs
id traditions; they are all here. Do
at want to know how much Macy's
ends a year on white carnations
r its executives' lapels? How many
dies of twine; of Scotch tape; how
any gift boxes they use in twelve
onths? Every page vibrates with in-
rmation and at least one good
3ry. By the author of Blessed
e the Debonair and The Vicious
rcle. World, $4
rawn From Memory, by Ernest H.
tepard.
Mr. Shepard's drawings of his own
)yhood in London are so like those
hich he made for Christopher
obin's London that to many people
the last two generations, Mr.
lepard's pictures of seventy odd
ars ago seem— happily— familiar,
nd of course, in spite of wars and
tastrophes and time, much of Lon-
)n still does look as it did in Mr.
lepard's boyhood. His autobio-
aphical text which accompanies the
■awings has the same timeless,
larming quality as he tells the story
: one year (his seventh) of a Vic-
torian boyhood. One feels that a
orld of unhurried kindness, affec-
jn, and grace have surrounded him
ways— again, in spite of wars, catas-
ophes, and time. Mr. Shepard, it is
irdly necessary to add, is the illus-
ator of A. A. Milne's When We
?ere Very Young and at least thirty
:her volumes.
Lippincott, $3.75
larms and Diversions, by James
liurber. Twenty years of the best
l Thurber— articles and drawings—
:lected by the creator thereof. All
f Part I (78 pages) appears here for
re first time in book form.
Harper, $4.50
^he Gluyas Williams Gallery:
)rawings by Gluyas Williams & His
llustrations with Text from Famous
looks by Corey Ford, Edward
treeter, Laurence McKinney, David
IcCord, Robert Benchley, and Ralf
archer.
The sub-heading explains the con-
ents of the book, but not its delight.
Flarper, $4.95
FORECAST
Big Novels in February
Publishers' lists for February bris-
tle with exciting titles and authors.
Houghton Mifflin will produce Anya
Seton's The Winthrop Woman,
which will be the Book of the Month
for March. Putnam will publish
Jephta and His Daughter by Lion
Feuchtwangei ; and Doubleday an-
nounces Ride the Red Earth by Paul
Wellman, author of Jericho's Daugh-
ters and The Iron Mistress. From
Harper comes Betty Smith's Maggie
Now and Howard Spring's Time
and the Hour. C. P. Snow has a new
novel to add to his long serial,
Strangers and Brothers, this one
called The Conscience of the Rich,
(from Scribner). And Jerome Weid-
man has The Enemy Camp on the
February list at Random House.
Professional Autobiographies
Piet Bakker, a journalist and
teacher, tells the story of one of his
pupils, a poverty-stricken Dutch boy
called the Rat, in Ciske the Rat
which Doubleday will publish in
March, saying that it has something
of the "tenderness and humor by
which the Diary of Anne Frank
reached readers' hearts." The same
publishers will issue, also in March,
another book by that professional
traveler and journalist Negley Far-
son, The Lost World of the Cau-
casus. His Way of a Transgressor
was a best seller for many, many
weeks. . . . Another professional-
playwright, Congresswoman, and
Ambassador to Italy— Clare Boothe
Luce is writing her memoirs, The
Dream oj My Life, and Harper will
publish them sometime in 1958. In
that same vasjue "sometime" Vikino
will publish the exciting and im-
probable memoirs of Boris Morros,
'the Hollywood producer turned
counterspy for the FBI" whose un-
dercover work led to the cracking of
the Sobel Communist spy ring. And
then there are the sportsmen: Carl
Rowan is at work on a biography of
Jackie Robinson, that first Negro
major league ball player, which Ran-
dom House will publish late in 1958;
and Lou Little, head coach of Co-
lumbia football teams for twenty-six
years, is spending his first year of
retirement writing his life story
(on. the Prentice-Hall fall list).
You will reach for it often
THE MASTER SAID
Sayings of PARAMHANSA YOGANANDA
Author of "Autobiography of a Yogi"
Intimate glimpses into the mind of a
modern world teacher. Yogananda's
sayings and wise counsel to disciples
contain practical advice that anyone
may use to solve his problems. Shin-
ing from every page are the author's
boundless love for God and his com-
passionate understanding of man.
SELF-REALIZATION FELLOWSHIP
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R KC OH DINGS
Edu ard Tatnall Canby
\ \ 1. 1 i.
Si ii t ( Now iiilx i 1 1)5.1 Vngi i I
. .1 .1 . in smerican ouilcl loi tin
1 1 1 1 • ■ . i ■, 1 1 n i , i ii 1 1 1 n i / . . i ■ 1 1 i ( 1 1 I ii
Columbiii MM) nul olhei label
1 <> I o i "i \
i ' 1)1 l||l lllir I i ■ .11' i I ill l| I
albums eve] I \ ii :
ill II llil J ' III I I" \ I III I
.inn.! ill I ).n In
tool In i ,. ..| i. ... record ii
1. 1, i • 1 1 ■ ■ . ..I ni.iii i ill
..I lop inien I worked ii -
i .i in i,i presentation < ombining tin
ii iimI phoi
i i j . 1 1 v >> nil mi. ii mm il critical i ril ing and
.i mar vein ol historical material
\ngel in. nli .i unique h pi I docu
in. ni. H \ l In ,i in aulilull) organizi J
album* liavi I) In di ipaii ing Icl
i i li< i \ mi i n in i pan ii ■ In ibcii
wa\ Lbc) .ii ' .i mi| H ii i i m i n i In n
tin i ni hi and i ' inn ' and inloi
H HI -I ill' I "III I I III I l . mill
the I >i.i,",lnl' \ ballcl producl ions ol the
I i.i ,i Sunn il.n museums "ill di pla
iIk in
I mi l.i i year, Vngi I was l)i mghl oul
l,\ ( lapitol Records (Oddly, < la pi in] is
also hi I Ml exten thai 111 ilish
I \l I ll.l • III ' II' . I "III I Us
lil mi Ik . I" iimI Ik ii IIk |.khi I i in •
s.ii i i . i , i hull il in i Ik exchangi
.mil sold "in I In n nil. i ■ i I In i i 1 1 .
I .ni .I n i . 1 1 1 mi .ill ides i Il.n
\ ngi l will go lorward us in tin pasi
Bui nous i ■ also u lhal
i in .nli .I iin i iini'iii
| ■ i ' \ . 1 1 1 .nul iIk 1 1 1 1 1 1 ' • \ ' i
iii.in in ii iiniii, ,l ini profil in inn
' I, ii ih, peopli inn i the
i .in Smiik embittered opera
i in ill I, in. ml" i 1 1 1. 1 1 Vngel's begin
niug coincided with tin all ol tin
Sui i.i . . ii I,, i ( . 1 1 i Shi i i label to the
iik I I ill Mini ii i ,si 1 1
"I ' mini'
II \ 1 1 - i . I ' i 1 1 1 1 . 1 1 \ lo
be sii|i|n i .i.i "i i|n. ' /. 1 1 into highei
profil i iiiilm mux wi would i i
ni I he not.'lbll m in in i , i ii I Ik wholi Ins
lor) "i I,, ording Vou'd bcttei go oul
inn .ill iIk \ngi Is you can find ind
|.i k i no object jus usi Whatcvei
happen on i n'l hi ioi i \
Some Classical Stereo
I 1 1 .ih/, i Li i readers will bi di> ided
into those who have i rossed into the
wonderland ol itereo lapi and thosi who
haven'l bul to implcmcnl m) luggcsl ion
in I in i lulu i thai ste Ilers eriou
musical vahn hen is a cross-section ol
I I i ■ | .i i .. ii in iv i Ii igh i ilin tapes,
I Him I In I Il . il . ..I I In I vv jv.nl
able.
I oi ii Symphony I (195 i). I'm iburgh
Sv mpl \ . Steinberg Capitol /I i
tape)
I I is "".id I" lu V i ( :.l|ill"l I \, i lli ii I
i .. i i ippearing on stereo
i. inc. Ini musical l • well • tech
\\ OK I II LOOK I \<; / \ TO . . .
Stereo
u.ivcl I'.ni, i ,,. ( .i| Espagnol, ll"l Elgar: Enigma Variations, Halli Orch
lywood Howl Symph Orch < i])itol llarbirolli, Mercurj VICS5-12
/l l
Bizet: Carmen Suite; L'Arldsicnne Suite
It. nli: Concerto in l> Minoi foi I »" ;:l. D.etroil Symph., Para) Mcrcur)
\ I'.lins ( law i il"ll Win Inn ; I lambui g M I >s . ,
< li.iini" i Orcli < •'" in Cc)i 1 1. ill
I \ in Beethoven: Piano Concerto / 1, Rubin
sn in: Sympl \ "l tin Vir, Ki i|is. R( IA
Brahms: Aim Rhapsody; Tragi* Ovei Vi FCS GO,
I. I l.illiii in \ (.,1 nun I'lnlli Orel),
and ill. .in r, in id iki Conceri II. ill Ibert: Divertissement. lloston Pops,
M\ I inll, -i. RC \ \ i, mi \( :s .1
Monk's Musii (Thel s Monl I ; i Dvorak: Serenade. Los \ngcles Wood
siiK ki , "ii r,\ winds, Raksin. Stereo tape 8,
mi .il iIk m i .ni lil i lv i" he Jin iln
linn Ii In I n i
Iln. i . "in "I lli< Iiik 1 1 ' . 1 1 .i I
Hi reo tap< s I'vi heard Vliki tci luiiqufj
I In lull • In any case, ihcn is a wide,
ill ' ii ■ |..ni . ..I inn .ii v In n iln \ln
i in \ Para) i.i|„ I,, lov an hugi am
round thi Ho iton lapi iomi vv hal nefl
n.illv i "i ii i i ill, n ing so I lin is
inni ii.illv Inn ImiI sn is iln i, J
I In I -J I, \ 1 1 1 1 > 1 1 • > , i \ . .hi unexpected
inn i Ii v from i ' ompo m r w ho was protfl
un in in iln ' .ii lv model iiisiii nl die
twentii cclh ni w,n k «,l mi
nginalivi I) conscrvativi idiom, noi mo
In removed I rom \'>n tok's Concei dj
l"i < ><< In lu in Us "in w .ml n I
< ombining .i sensi "l I hud' mith w uh
1 kovich-liki marches Ma) I"' ii
i ni 'gri at" bul ii has the imrni diaq
virtues ol listcnability, expert on hestra
lion consistent and well worked ol
1 1 ' l n . 1 1 \ ..I i'ii
Liszt! VIephisto Waltz. Chicago SyofJ
l-lninv. Reiner, K< \ Vii toi w IS 9
Ni," tape)
Mi' l Ins is tlie siull ilus shori tap!
(.in stand I'M the dozens ol Chicago
r. ' i in i tapes now ahead) issued, rl
imili superb stereo sound and superbly
i.i ui. exciting playing rhis pica is afl
too 'i.ilv tossed "II .is .ui old lashionefl
warhorse; hen il i es thi ough .is I
l> j ' xpressive, bittei swi el evoi a
lion "i tin waltz, tin very best ol Lisa
mil in ,i i lass vv il Ii I In lu nsl Sv ui|ili"liy,
the r> Muiiii Sonata, tins is ,i goal
samplei tape (being shori and relative]!
i heap i il vim w .mi in ii \ k( I \\ Iksi .
Debussy: Iberia; Prelude to the "Aftenj
noon <>i ,i Faun." Detroit Symphony
Para) Mercurj M lis , s (stereo tapel
As I llslrn In tlllS s|i|( inliillv v isl ill '■
< liesl ill .nil" I in i riiiiml'il ill. ii ic-
lul sound .u best is a magnifii end
illn j ml sin i " is .in extension a]
the same, literal in onl) a limited sens!
bul capable "l i emai k .a l > 1 < suggi live
in ss I Ins tape presei \ es i he huge
sound ii liHvnl in Men ui j 's "in ini
jii cseni c" single mike < I is, recoi ils.
i in nigh In n ih, technique uses i luce
mikes, three tracks, i he central track in
"in ii .mI\ added to i he side i rai ks Im
i In In, im tape, Mi is audible, i his third
I I .ii k. I " j kind "I illusil mi I li.il plat es
j sound heard idem n all) :ai h side
pi c< isi lv in i In iriiii'i between i he ivM
si un ccs.) I In i ' is. to i" in ' j soma
ui in. it h i.ivc .il m, IspllCl i I" I In'
IIIIISK hill il IS I .11 I I "III "I, j( , I KMI.lllle.
I lu' job is di .in j . i In in mi s iuggesl .
wiih "restraint and gi m id taste" .is to
i in ni, h, ,i i ,d 1 1. 1 1 .i 1 1 1 , < ii detail
Para) is i fini luctoi and, tin lugfl
"I lin u , i in i ii in "I In I I v jus "I imisii .
a sobci .ind experi spokesman toi the
*
•
No other symbol promises so much (and delivers i
%t)
When you see the Capitol Full Dimensional Sound
symbol on the upper right hand corner of a Capitol
record album, you know several things:
(/) An artist of the first rank has given an excep-
tional performance.
(2) This performance has been flawlessly recorded
by Capitol's creative staff and saund engineers.
(8) It has been listened to and approved by the
record-rating "Jury." They have labeled it "Fall
Dimensional Sound" — the purest high fidelity known
to the recorder's art.
This is what the FDS symbol promises and
delivers. Isn't it worth looking for the next time
you're shopping for record albums?
Incomparable High Fidelity — Full Dimensional Sound Albums
"Air. Teddy likes milk too . . ."
Frail little Heide is worried about her
teddy bear. She likes to pretend to
feed him but there is often not even
enough food for hungry Heide her-
self. Her delicate health is a result
of her mother's malnutrition before
Heide's birth, and a totally inadequate
diet ever since. After Heide's father
was killed, life became so desperate
that she and her mother made a night-
mare escape from behind the Iron
Curtain into West Germany.
Heide's courageous mother has
found work as a weaver, but her piti-
fully small wages cannot possibly
provide Heide with enough clothing
or the proper food. This woman's
heart cries out for the help that only
someone like you can give.
What $10 a month can do for a child like Heide
There are 5,000 overseas children like Heide
who, thanks to the generosity of American
friends, are sponsored through Save the Chil-
dren Federation and receive a variety of food
benefits, clothing and many other essentials.
You can have a child of your own for only $10
a month — $120 a year. You receive a photo-
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spond with the child and the family. Won't
you please help?
SCF National Sponsors include: Mrs.
Dwight D. Eisenhower, Herbert Hoover,
Henry R. Luce, Rabbi Edgar F. Magnin,
Norman Rockwell, Dr. Ralph W. Sockman.
FOUNDED 1932 HA 2-58
SAVE THE CHILDREN
FEDERATION
345 East 46th Street, New York, N.Y.
Pleate iend me my child's name, ttory and picture.
I want to sponsor a child in Greece . . - Korea . . .
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sponsor but enclosed is a gift of $ . . .
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CONTRIBUTIONS ARE DEDUCTIBLE FROM INCOME TAX
THE NEW RECORDINGS
French school of thought, trained
straight oul ol Debussy's own period.
Debussy: La Mer. Boston Symphony,
Munch. RCA Victoi CCS-56 (stereo
tape).
RCA's stereo catalogue is alread) huge,
much ol its musk performed l>\ the Bos
ton Symphon) undei Munch and the
Chicago under Reiner. 1 his is repre-
sentative <>l the Boston tapes, consid-
erably less flamboyant in sound than
those ol the Chicago orchestra, impec-
cabl) played and superbly balanced in
detail but, all in all. on the cool :ide—
not in the slang sense-, eithet
Compared to Mercury's Debussy, this
notabl) lacks the "mammoth cave"
sound, is relative!) unspectacular; but in
the end (aftei repetitions) you ma) find
its more straightforward stei ■ record-
ing preferable. 1 lien's a place foi both
kinds. In quality, the tape is superbl)
clean, distortion-free, recorded at a fairly
low level on long-play tape.
Berlioz: Symphonie Fantastique. V \.
Philharmonic, Mitropoulos. Columbia
OMB-6 (stereo tap*
Columbia's Mitropoulos recordings ol
the earl) Romantic period are prizes in
the catalogue. He is dm- ol the few
conductors who can come) that illusive
sense of wide-eyed, palpitating emotion,
the Grecian purit) ol line the almost
naive emotional simplicity thai were
the great expression of that day. Mush
of this sort is played toda) mostl) with
,-, sort ol embarrassment, a half-hearted
attempt to make it sound soul-stirring
that merely dans ii as old-fashioned.
I Ik Mitropoulos "Scotch" Symphon)
ol Mendelssohn is an earlier notable re-
cording in this vein; the "Fantastique"
rises beautifully above a do/en <-i so
other recorded versions in honesty and
freshness ol sound. Its only accommo-
dation to modernism is a leanness, a
speed, i hat are definitely ol now rather
than a century agoi Does the music
good, lopnotch stereo recording.
Stravinsky: The Rite of Spring. Paris
Conservatory Orch.. Monteux. RCA Vic
tor ECS-67 (stereo tape).
This is a "hi-fi" style recording, but the
sharp, close-up sound, the pronounced
side-to-side separation ol the instru-
ments, is brilliantly suited to the music
-the same sound lor Brahms would be
preposterous. (Even more than in stand-
ard recording, stereo technique has to be
matched to the musical needs of the mo-
ment.) Sound addicts will enjoy it but
so will Stravinsky addicts.
Papa Monteux has a special wa\ with
scores of this sort, out ol his own enter-
prising youth. 1 In \ are so sensible, so
intelligible to him. so much out ol the
great Franco-Russian tradition of his
own background, that his playing makes
them sound oddl) conservative, very
musical, not at all radical! This, alter
all is nothing but the truth, as ol today.
I he French orchestra pla\s with en-
thusiasm and concentration. Though the
tempi are slow .n\i\ the sound is not as
furious as usual, the piece is very much
alive, the paganism as pagan as even
in a universal sort ol way. Utogcther,
quite a i lassie rendition.
Prokofieff: Peter and the Well. Philadel-
phia Orch., Ormandy. Cyril Ritchard,
nan. Columbia JMB-4 (stereo tape).
I Ins is ,in admirable tape, sane, whimsi-
cal, beautifull) managed in the difficult
technical leat ol blending lire spoken
narration and the music. Cyril Ritchard
speaks in the classic way, slightly dry-
toned, with an amused detachment; his
voice is amplified and large, but it has
been skilllulK located straight in the
centet ol the orchestral expanse bclore
you and— somehow— is quite utter!) na-
tural though you'll have trouble figuring
precisely where he is located, in a
Strictly spatial sense! He is with the
music, and yet he speaks aside from it.
The familiar music is done with taste
and sprightliness; one ol Ormandy's
remarkabl) excellent "warhorse" jobs.
I he orchestra is huge and astonishingly
ual and big. even on the cheapest and
tinniest stereo player. Columbia may
not have pioneered stereo but clearly
the company is working carefully and
solidly in the new medium.
Bach: Sonatas #2 in A. #3 in E for
Violin and Harpsichord. Saschko Gaw-
riloff. vl., Hans Andreae, tips., R. Nette-
koven, cello continuo, Concert Hall
XH-54 (steieo tape) .
Do not build your stereo speakers im-
movably into a wall if you intend to
enjoy music ol this sort, which is in
actual dimensions only about five feet
wide. The usual ten-foot speaker spac
ing (excellent for orchestral music) puts
the harpsichord far to the right an '
stretches the violin halfwa) across th
room, partly in one speaker and parti
in the other. Move the speakers closet
together and the effect is immediately!
more natural; the violin stands where
he belongs, to one side of the harpsi-
chord. The same effect is likely in stereos
ol other small groups, string quartet,
solo piano, folk music, and some jazz
and pops recordings, all of them re-
corded in their natural placing no more
than lour or five feet wide.
These are lovely performances of the
Bach Sonatas, in a somewhat confus-
YNEW... from the noted gentlemen below
long awaited album ! Leopold Stokowski's reading of
travinsky's two greatest ballet scores — The Firebird and
'etrushka — may well become the classic interpretation of
lese popular works. The Berlin Philharmonic again dis-
lays its ranking as one of the world's greatest orchestras.
'or sheer fun, no ballet has ever matched the witty exu-
berance of gaite parisienne. Here is the entire score of
Dffenbach's classic bit of drollery performed by America's
nost popular symphony orchestra conducted by Felix Slatkin.
?or pure sound, this recording is a high fidelity showpiece.
Other New Classical Releases:
beethoven : Appassionata, Waldstein Sonatas.
Louis Kentner, piano. PAO 8409
brahms concerto in d major: Yehudi Menuhin, violin.
Berlin Philharmonic. PAO 8410
duets with the Spanish cuitar: Laurindo Almeida, guitar;
Martin Ruderman, flute; soprano Salli Terri. PAO 8406
the sound of wagner is compounded of massive tone, of
thunderous power and force and, suddenly, of almost in-
expressible beauty. In short, it is an album of his greatest
orchestral passages conducted with brilliant insight, and
fond affection, by Vienna-born Erich Leinsdorf.
melancholy and mirth walk side by side in Latin America.
Their songs tell you this — especially when sung by the
world's most versatile chorale. This album is a tour of Latin
America, in song. Some are your favorites already — but
many more will be when you hear songs of latin America.
He's always satisfied most with
a BRAND that's made
a NAME for itself.
"I MADE IT . . . and I know that it has
to be made well and priced right to sell
in today's highly competitive market. If
people aren't completely satisfied with
my product and the service it gives them,
they'll stop buying it — and, of course,
my business will suffer."
"I SOLD IT . . . but it's made such a
good name for itself, it practically sold
itself. My customers always buy well-
known brands quicker, with more con-
fidence. And if they're satisfied, they
often reorder by phone or letter. That
makes my job a lot easier, too."
"I BOUGHT IT ... by brand because
I can't risk my company's money on pur-
chases I'm not completely sure of. Well-
known brands always offer me the widest
selections, latest improvements, and best
possible value. I've made it a policy to
buy only brands with names I can trust."
THE BRANDS YOU SEE ADVERTISED IN THIS MAGAZINE ARE NAMES YOU CAN TRUST!
They stand firmly behind every product and claim they make.
BRAND NAMES FOUNDATION, INC. • 437 FIFTH AVENUE. NEW YORK 16, N. Y.
CUSTOMER
THE NEW RECORDING
ingl) live hall with side-iodide ichoej
that show up in the stereo recording ral
thei curiously- the) are pleasing oikJ
\(iu gel used to them. Ver\ high level
ling with some distoi tion— n< i |
Prokofieff: Symphony r7. PhilharmoniJ
On li Malko. RCA Victor DCS-H
(steri o t;ipe).
I Ins is an import from KiiiMi I \I
and. reportedly, uses the new and spec
i, kuI. ii double-mike technique tha
"sees" the entire orchestra from a cer
n, il poini above iis center, li >n, th
effect is .in natural as the more usua
two-mike or three-mike arrangemera
with the pickup in i ki s spread out acra
the hall from side to side. The lull hal
sense is here, the instruments seer
proper!) spread out, left to right an
center. I he recorded sound is not quit
.is i lean, in this issue, as that in th
otliei orchestral recordings here r
\ iewed, perhaps due to minor differendj
between European and American I
cording standards.
A warm, simple, eloquent symphonl
this one. thai will go very well with th
"Classical" il you know no other Prok
lull, and the Philharmonia plays it lo\
ingl) and with reverence.
Music for Hi-fi P>ugs. Pete Rugulo
His Orch. Mercur) MDS3-1 (stere
tape).
Just for the record, this one must repn
sent a growing collection of big-tiri
"modern" jazz on stereo tape thai als
includes such powerhouse sound-makeS
as Stan Kenton (Capitol) and Saute
Finnegan (RCA) . This one is indeed
hi-fi bug's delight— but legitimated
The sound pickup is extraordinary, wit
the quite different pops technique (u
ing complex mike settings) that adapj
advanced popular recording to the side
to-side stereo medium. Sharp, edgy bras
about three inches from your nose, shin
cymbal sounds, muted solos, all in a va
space, all sounding ten times normj
size, the whole balanced so that you'
have no trouble imagining an actui
band in front of you— that's big-ban
stereo.
Some nl this music is just snazzy poj
and leaves me bored. But there are
Few items that play with mtelleitua
sounding ideas, out of the classical ir.o<
em (Hindemith, Schoenberg) in
quite dazzling and ver\ interesting wa
bhese people can reall) turn on a
musical language when the) have
mind to. II we sometimes are annoye
with the sleazier stuff between, we mu
keep in mind that economics, il nc
economy, dictate the form of music i
ihese areas and it's remarkable that eve
some ol it is genuinely progresshij
ies always come to
ar in L " "
>nce said.
i l|ely enough, we have
jtte Lenya to record
Bte husband's works,
lin the Lenya-Weill
Mahagonny" heard
ifirst performance
^Jazi ban in Berlin in
|l than a year after the
f To recapture th»
It flavor of this
llof freedom — set in a
me that resembles
ran town during the
[—three months of
w/ere necessary.
alny," as most of
tsic, has much of the
ne jazz bands of the
I melancholy sighs of
mixed with the
»f a fox trot. Lenya 's
in of this first
nee is not to be
Ll.: MAHAGONNY
3tte lenya as Jenny,
i conducted by
iriickner-Riiggeberg.
man Radio Chorus
I by Max Thurn.
3 12") $17.98
SOUND OF
UNFINISHED
REHEARSAL
Last spring a brilliant
assemblage of artists and an
army of music lovers met in
Puerto Rico for the 8th
consecutive Casals Festival.
Suddenly, while conducting the
first rehearsal, Pablo Casals
suffered a heart attack.
Fortunately, after much
consideration it was decided
to go on with the Festival.
Most of the other artists were
alumni of previous Casals
festivals. Their beautiful
performances, recorded by
Columbia, give evidence of how
well they share his musical
ideals. Even without the
dramatic circumstances
surrounding this rehearsal, this
recording would be of
exceptional interest, revealing
the informed intensity of
Casals towards a work of art.
pablo casals conducts a
rehearsal of the first movement
of SCHUBERT'S Symphony No. 8;
bach: Capriccio
— Rudolf Serkin, Pianist; ,
bach: Suite No. 1 in C Major-
Alexander Schneider, Cond.
ML 5236 $3.98
mozart: Quartet No. 2
—Isaac Stern, Violinist;
Milton Katims, Violist;
Mischa Schneider, Cellist;
Eugene Istomin, Pianist.
schubert: Sonata in A Minor-
Alexander Schneider,
Violinist; Mieczyslaw
Horszowski, Pianist.
ML 5237 $3.98
INCOMPARABLE
STRINGS
In a recent review of a
recording by the Philadelphia
Orchestra, one critic half
incredulously observed that the
famed Philadelphia strings even
trill in perfect unison. If they
have somehow accomplished
this feat of precision, we are
not in the least surprised, for
in the nearly seventy years of
the orchestra's existence, the
string section has been shaped
by a series of persistent
conductors into the perfect
example of its kind. The
Philadelphia's newest Columbia
Record is highly recommended
as a way of discovering this
for yourself (if you're one of
the few music-lovers who
haven't already done so). There
has never been a more
sumptuous, sublime-sounding
"Unfinished," nor a more
gossamer and shimmering
"Midsummer Night."
schubert: Symphony No. 8 in
B Minor ("Unfinished");
Mendelssohn: Overture and
Incidental Music from "A
Midsummer Night's Dream" —
The Philadelphia Orchestra,
Eugene Ormandy, Conductor.
ML 5221 $3.98
GENIUS IS ON
GOULD'S
BACH
When pianist Glenn Gould
recorded Bach's "Goldberg"
Variations last year, he brought
with him to the studio his own
special chair, each leg of which
can be adjusted for height.
This was the Goldberg (Rube)
variation of them all. Studio
skeptics thought it wackiness of
the first order until recording
got under way. Then they saw
Glenn adjust the slant before
doing the slightly incredible
cross-hand passages. The chair
was unanimously accepted as
a splendid, logical device. In
that session Glenn and his
chair turned out an album of
Bach that did the impossible:
it became a best seller! This
fall Glenn returned with his
chair to tackle two of the same
composer's partitas, and we
miss our bet if we haven't
another runaway on our hands.
bach: Partitas Nos. 5 in G
Major and 6 in E Minor; Fugue
in F Sharp Minor; Fugue in E
Major— Glenn Gould, pianist.
ML 5186 $3.98
MM
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HOW CAN THE WEST RECOVER?
V
WHO IS LYNDON JOHNSON?
George F. Kennan
William S. White
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What is the Bell System?
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BELL
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No matter whether it is some simple mat-
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MAGA
Z I N E ®
MAKI II l'JJS
vol. 216, no. 129-1
articles
29 New Discoveries Aboi i iiu Sun and Other Stars,
Part I: This Hydrogen Universe, George W. Gia\
39 How ( \\ mi Wisi Recover? George F. Kennan
Cartoon by Chon Day
48 Montana: The Frontier Went Thataway,
Herbert Howarth
Drawings by Willard Goodman
53 Who Is Lyndon Johnson? William S. White
Drawing by Robert Osborn
66 Tin Dialogi i of Frei d \\d |i ng, Gerald Sykes
72 Father Eugeni and the Intelligenci Services,
\l( \is Ladas
Drawings by M. T. Mindell
78 Tin Budapest String Quartet, Mai tin .Mayer
Drawings by (.. Huntei Jones
fiction
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Drawings by Peggy Lloyd
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Mar. 1958. Vol. 216. Serial No. 129-1.
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Si For a Twenty-fh iii Birthday, Thomas Whitbread
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Forecast for a Cheerful Springtime
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COVER by Burt Goldblatt
fjlie 01G7L Victor ^Society of Cjreat EMwsic
... A SENSIBLE PLAN TO ENABLE YOU TO BUILD
A BALANCED RECORD LIBRARY UNDER GUIDANCE
*...il
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GUIDANCE. The Society has a Se-
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SAMUEL CHOTZINOFF, General Music Director, nbc
JACQUES BARZUN, author and music critic
JOHN M. CONLY, editor of High fidelity
AARON COPLAND, composer
ALFRED FRANKENSTEIN, music critic of San 7rancisco Chronicle
DOUGLAS MOORE, composer and Professor of Music, Columbia University
WILLIAM SCHUMAN, composer and president of Juilliard School of Music
CARLETON SPRAGUE SMITH, chief of Music Division, N. Y. Public Library
G. WALLACE WOODWORTH, Professor of Music, Harvard University
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in any 12-month period.
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MRS. J.
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ADDRESS
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LETTERS
About Mr. Nixon
To i in I in iors:
William S. White's "Nixon: What
Kind ol President?" [January] forcefully
depicts Mr. Nixon as a Machiavellian
opportunist. What disturbs me i^ the
implication lefl b) Mr. White that such
a man might become a fine leadei ol
mn nation. . . .
I In most disturbing statement ol
Mr. White's was: "Parenthetically,
N'ixon's activities in the Hiss investiga-
tion seemed to me and to mam who
are in no sense apologists for excesses
in these matters to be quit* proper
and within the rules ol the game."
Mr. \i\on\ role in the lli-s case left
nun It to be desired. I It a< t< d as a one-
man judge, jury, prosecutor, plaintiff,
witness, detective, and puss agent and
was amazingly clairvoyant in his -hi
nouncement thai lliss was guilt) ol
"Communist espionage activities" three
months before such testimony or the
typewritten documents which seemed to
support it wen off( red. . . .
Lawrence E. McGi ri v
Memphis, Trim.
Congratulations on the Nixon article.
. . . Nixon is one ol our big assets—
because he is young, because he lias lived
most ol his life in a world in which
totalitarianism is the most dynamic
entity, because he cannot expect to be
safer) dead before Communism can take
over, and. above all. because he has
had experience in the hoi seat ol re-
sponsibility. This is the man who ought
to be leading America— right now. . . .
Alfred B. M won
Concord, Calif.
. . . Richard Nixon is something ol a
Joseph McCarthy, although he dresses
much better than McCarthy ever did.
. . . He and his gang are trying to lead
American public opinion astray. We
need to right ourselves in matters of
economics, and 1 do not think that
Nixon has been trying to do that. He
lias always been entangling himsell in
all kinds ol political matters, f do not
know ol an issue in which he lias come
straight out lm the average American
citizen. ... II we can keep President
1 isenhower working foi the people,
things will be good: il not, things will
be- bad. Charles W. Shepard
Atlanta. Ga.
Your article on Nixon i^ no credi
in you) \i i\ it *pi 1 1« (I joui n. d.
Ii is axiomatic that a leopard <anin
change hi^ spots, and w< should m
expect as much ol Richard Nixon. . .
His voting record in the lion
clearl) aligned him with the big-businc
and reactionary interests ol the nation
Hi ha^ been theii darling evei him
His n ci nt i onversion to an inter*
in civil rights is a chameleon (Hon i
embarrass the Democrats. While sittii
in legislative seats he nevei manifest!
any interest in progressive legislatiol
i xi i pi to vote against it.
His campaign lure in California
1950 . . . was the all-time low in p
litiial skulduggery. No tiiik was tc
dishonest, no falsehood too contema
l.li to spread to defeai an opponei
The reactionary tycoons who conffl
California politics poured out nion'
without stint to place Nixon in t:
Si ii. m . lb w as, and is. the pet
the reactionary Los Angeles Times ,n
the Hearst press. . . .
Some of your readers do not hai
sin h short memories as Mr. Whit
article supposes.
Lee L. Stopi
Santa Rosa. Ca!
or Eh
To the Editors:
Thanks to fames and \nnette 1>.
ter's reductio ad absurdum of liter;
and sociological jargon in [their] an;
sis ol one Elvis Presle) ["The Man
the Blue Suede Shoes," January],
shall leel ever grateful to the 1
sueded bard.
For years we have awaited the ti
when the "units," new, old, liter,
social, and otherwise would br<
through the excrescences <>l -clf-coii
ambiguities. Now that the Presle)
iron) has been fully explored in
noble a literary institution as Harpt
we feel a profound sense ol rel
Surely a new era of critical brillia
is at hand.
Mr. and Mrs. A. B. LefcouI
Boston. M
As a teen-ager, I would like to th;|
you for your article on This Presi
It presented a ran. genuinely intl
gent analysis ol Elvis to the pul
This Presley represents an outlet
independence to the teen-ager of tod
His music is new, different, and
joyable to adolescents and to mat
IFOR SELF -APPRAISAL.
Have you reflected on
| your reading lately ?
WHICH OF THESE BOOKS HAVE YOU INTENDED TO READ
... AND NEVER "GOT AROUND TO"?
BY LOVE POSSESSED
by James Gould Cozzens
The imCiCje of yourself reflected here may reveal a sobering fact:
the extreme degree to which you have allowed the irritating busyness
of your life to keep you from the books you promise yourself to read.
There is a simple way to break this bad habit, and many hundreds of
thousands of perspicacious readers over the country— like yourself— will
vouch for its effectiveness: membership in the Book-of-the-Month Club.
The books you want to read are— usually— Club Selections or Alter-
nates. As a member yon will pay 20% less for them, on the average,
than you otherwise would. And, in addition, you will share in more
than $13,000,000 worth of free books (retail value) now distributed
annually as Book-Dividends. This is actually a form of member profit-
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*fc The books you agree to buy
ater can be chosen from approx-
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'r- Each month you receive a
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udge it is a book
enjoy, you may send back a form
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some other book. Or you may
simply say, "Send me nothing."
sjc If you continue after this trial,
you will receive a Book-Divi-
dend, averaging around $7 in
retail value, with every second
book you bi
THE NEW CLASS
by Mitotan Djilas
BELOW THE SALT
by Thomas B. Co stain
THE SCAPEGOAT
by Daphne du Marnier
THE FBI STORY
by Don Whitehead
LETTER FROM PEKING
by Pearl S. Buck
ANATOMY OF A MURDER
by Robert Trarer
THE BIRTH OF BRITAIN
by Winston S.
Churchill
THE NEW WORLD
by Winston S.
Churchill
THE AGE OF REVOLUTION
'-" Winston S.
Churchill
A STUDY OF HISTORY
The two-volume
abridgement of the
Toynbee work
READING FOR PLEASURE
by Bennett Cerf
THIS HALLOWED GROUND
by Bruce Cation
MR. BARUCH
i by Margaret L. Coit
I THE DEAD SEA SCROLLS
1 by Millar Burrows
\\ THE NUN'S STORY
\\ by Kathryn Hulme
GUARD OF HONOR
James Could Cozzens
THE JUST AND THE
UNJUST
by James Gould Cozzens
ALARMS AND DIVERSIONS
by James Thitrber
PROFILES IN COURAGE
by John F. Kennedy
SPRING ON AN ARCTIC
ISLAND
by Katharine Scherman
"WHERE DID YOU GO?"
"OUT." "WHAT DID YOU
DO?" "NOTHING."
by Robert Paul Smith
PLEASE DON'T EAT
THE DAISIES
by Jean Kerr
THE RETURN OF
LADY BRACE
by Nancy Wilson Ross
A CUP OF TEA FOR
MR. THORGILL
by Storm Jameson
THE LAST ANGRY MAN
by Gerald Green
THE SHORT REIGN OF
PIPPIN IV
by John Steinbeck J
THE CRISIS OF THE I
OLD ORDER J
by Arthur M. , 7
Schlesinger, Jr. j !
NUCLEAR WEAPONS AND FOREIGN POLICY I
by Henry A. Kissinger Jj,
w
A 33
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LETTERS
men and women who, as youi authors
v,i\, have not run out ol imagination,
I he time has come foi .ill people to
accept Elvis and 1 1 i-. music .is a phase
in the evei changing popular music held.
Nam y Hi hi Pn hi.
Washington, I) C.
Some passages in the Baxters' defense
ol Elvis Presley cause one to think
helplessly ol the art ol another singing
animal. Surely nobody ever within car-
shot nl ;i jackass has failed to notice:!
"Vocal pyrotechnics he lias indeed . . .
but they would remain merely curiosl
lies urn he inn able to manipulate
them into an organic whole. His twist-
ing ol a tonal quality possesses a dia-i
bolical inevitability, and his phrasing
is as Maw less as it is intra ate."
Rtii) HyndsI
Monte Vista. Col.
Floreat Florian
To the Editors:
"Conversation at Midnight" [ | lie
Editor's Easy Chair. January] is the
finest, most compact statement ol what!
is wrong with the United States which
I have seen. I am not convinced that
the root is idealism, as Father Florian
States, but the liuils are all too appaient
to anyone who will open his eyes. . . I
Don Marti
Sacramento, Calif
How Iron the Corset?;
To the Editors:
Permit an old fogy's footnote to Mai
tin Green's "The Iron Corset on Br
tain's Spirit" [January]. There is mud
more in the past and present of tin
British spirit than he indicates.
When in 1907 at thirteen years of ag
I left a British village grade school fo
work in the coal mines, I shared
the tremendous self-education ol th
active groups in unionism and politics
out of which grew the British Labo
party. Mr. Green's dictum, "There hav<
never been any working-c lass writer
in England," ignores, lor example
Richard Tressall, the widely read hous
painter (Ragged Trousered Philartthrc
pists, Richards, 1914). . . .
Writing over forty years ago a prime
on British labor history, I could rele
worker-students to the poems of Shelle
("Rise Like Lions," etc.). Hood ("Th
Song of the Shirt") . Elizabeth Browi
ing ("Cry of the Children") , and t
the- novels ol Dickens (Hard Times)
Kingsley (Alton Locke), William Moij
ris (Dream oj John Hull and Net
from Nowhere) .
flue, as Mi. Green suggests, the
I ;
Hi
Exclusive
^jp-
<#***
I i *
^^Marboro Book Club
* The Most Talked
about Book of the Year
By exclusive arrangement with Romain Gary's publishers in Paris and
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— La Croix. "One of the most important books in years."— De main.
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This novel of adventure and intrigue (which incidentally gives to the
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mat. As anyone who has read the roots of heaven can tell you, it is well
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□ THE ROOTS OF HEAVEN. By
Romain Gary. "Seldom lias a book
of adventure been raised to such an
almost legendary level. Make no
mistake about it: this is a book that
will keep us company for a long,
long time." — Andre Malraux
List Price $4.50
□ THE LIVING PAST. By Ivar Lissner.
Brings triumphantly to life the great
discoveries of archaeology, anthro-
pology, and comparative religion.
508 pages, including 04 pp. of fabu-
lous photographs — sculpture, idols,
architecture, costumes. & other treas-
ures of antiquity. Lisl Price $5.95
□ OF IOVE AND LUST. By Theodor
Eeik. Freud's most famous pupil
analyzes the hidden nature of mas-
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perverse, in romantic love, in mar-
riage, parenthood, bachelorhood, and
splnsterhood. List Price $7.50
□ LAST TALES. By Isak Dinesen.
Twelve new tales of compelling
beauty and enchantment by the author
of Seven Gothic Tales. "A touch
that's magic . . . Pure delight." —
N. Y. Times Lis! Price $4.00
a SELECTED WRITINGS OF JUAN
RAMON JIMENEZ. First representa-
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□ MASS CULTURE. Ed. by Rosenberg
& White. Monumental, wickedly re-
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Crowd" at play. David Riesman.
Edmund Wilson, Dwtght MacDonald
and other distinguished scholars de-
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O KLEE. By Gualtierei di San Lazzaro.
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his most famous and enigmatic works,
including 80 full color plates.
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D RELIGION AND THE REBEL. By
Colin Wilson, author of The Out-
sider. "The idea behind it is one of
the most important in the thought of
our time, the most effective challenge
lo materialistic philosophy yet con-
ceived."—N. Y. Times.
Lisl Price $4.00
□ THE DEATH AND REBIRTH OF
PSYCHOLOGY. By Ira ProgolT.
An integrative evaluation of Freud,
Adler. Jung and Rank and the im-
pact of their culminating insights
on modern man. List Price $4.00
a BEING AND NOTHINGNESS. By
Jean-Paul Sartre. Sartre's Piiiloso-
phy of Being, including his views on
social relations, his doctrine of free-
dom, and existential psychoanalysis.
635 pages. List Price $10.00
D MAKERS OF THE MODERN WORLD.
By Louis Untermeyer. 800-page en-
cyclopedia of the 02 men and women
who created the thought and taste
of ourtime — from Proust to Einstein,
Roosevelt & Stravinsky. The modern
Plutarch's Lives. List Price id. 50
NEW OUTLINE OF MODERN
KNOWLEDGE. Ed. by Alan Pryce-
.Tones. A liberal education in one
giant 020-page volume covering the
full range of modern knowledge from
atomic physics to psychiatry.
Lisl Price $6.00
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"La Qucbrada" Acapuko Mexico.
ACAPVLCO
the world famous seashore resort
of enthralling, unforgettable and
mysterious beauty, where nature
stands forth in singular magnificence.
Rugged cliffs, snow - white beaches
surrounded by exotic tropical vegetation.
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boating and exciting deepsea fishing.
Splendid hotels, incomparable sunsets and
dancing under starry skies.
You'll be really happy vacationing in Mexico.
MEXICO awaits you. Your travel agent will tell you.
MEXICAN GOVERNMENT TOURIST BUREAU
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CHICAGO ILLINOIS 27 E. Monrot Stceel Suite No 304
HOUSTON, TEXAS »09 Walker Ave-
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Tw ORLEANS LOUISIANA 203 St. Charles Street
NEW YORK, N. Y. 630 Fifth Ave No. 801 Rockefeller Center
SAN ANTONIO. TEXAS 209 E - JM SM
MONTREAL, CANADA 1255 Phillips Square *'£*>■**
TORONTO, CANADA 20 Carlton siren
LA HABANA, CUBA Calle 23, No. 72 • La Rampa, Vedado.
LETTERS
were 1 1< >i working-class writers by si .it us,
but the sympathetic insight <>l their
writings was a factoi in social change!
Dickens as .1 boy certainly worked hard
lot little |>.i\ in .1 blacking factors
Thomas Hardy (along with Vrnols]
Bennett) is oddly missing from the
Green list <>l Southwest writers, but
Tess .Hid liulf had social significance]
in revealing the grim tragedy "I the
"lowei (I.isn." Wells' novels and Shawl
plays surely made for social change]
["o suggest in caste-ridden Britain that
niilv a course in phonetics stood bq
tween Eliza Doolittle, the bedraggled
slut 11I .1 flowei girl, and Eliza, the
duchess, was social dynamite unnoticed
by the crowds who flock to "My Fat]
Lady." . . .
Assisted by the impact f » I two world
wars, the social lours expressed in the
British Laboi party have secured 1 h«ir
aims dI |)iil)li( ownership ol basic in-
dustries and many important social re-
forms. Km dreams nevei become com-
pletely ti ue. I he stei n economic
realities ol the British econumit situa-
lion remain. I he hiatus seems to Mr.
Green to be the corset ol genteel tra-
ditions .Hid the hangover ol the "public
si hool." . . .
My guess is tli.it the "angry young-
men" will eventually find their own
cause to serve . . . and that social
changes by consent . . . will proceed in
1 the newer and more complicated world
ol nuclear power, sputniks, and emer-
gent nationalist revolutions.
Mark Starr, l.duc. Dir.
II.OWU
New York, N. Y.
The Vge of the Wonders ol Science!
is not overburdened with those quali-
ties ol wit, ( harm, and gentleness whi< I
Mr. Martin Green cites as questionable]
products ol a "British" education. The
Iron Corset he deplores doubtless seems
much more uncomfortable to the wearei
ill, in can be evident to an uncorseted
transatlantic observer. I hope, though^
that he will not abolish "Britain" until
a very fine substitute indeed is avail-
able.
\li<i all, the educational system he
describes is really modeled on the
liberal-arts ideal: to develop the in-
dividual mind to a point at which it
can ihink for itself, employing in the
process a reasonably bio. id background
in the thoughts and achievements of
others. . . .
What teachings would Mr. Green
rec 1 nend instead?
Swill! R. 1)()KKA\( i:
New Canaan, Conn.
\s a devoted student of English liters
ature, I have been lou ed by Mr. Green's
analysis of all that is "British," to in-
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LORB
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AMERICAN
LORD
CALVERT
American
Blended Whiskcv
NOBLE NIGHTCAP
(Choose from the world's 3 great whiskies— tonight)
There comes a time in every day when a And the greatest of all American whiskies
man should be host to himself. — our own lord calvert.
Hence we present this noble choice of This is far from self-indulgence. And, if it
nightcap. A great Scotch. A gre.at Canadian. were, who would have a better right?
iWW,'<-,
:*VK>1
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Vill
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BfeL ~r~ - - B & flHfl)
EI^PM^L'
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Hk vk ■ AU lb
Girl by a gate
— in old San Juan
Time stands still in this Puerto Rican
patio. That weathered escutcheon bears
the Royal Arms of Spain. You might have
stepped back three centuries. In a sense, you
have.
You start to wonder. Can this really be the
Puerto Rico everybody is talking about? Is this
the island where American industry is now ex-
panding at the rate of three new plants a week?
Is this truly the scene of a twentieth-century
renaissance? Ask any proud Puerto Rican. He
will surely answer— yes.
Within minutes from this patio, you will see
the signs. Some are spectacular. The new hotels,
the four-lane highways, the landscaped apart-
ments. And some are down-to-earth. A tractor
in a field, a village clinic, a shop that sells refrig-
erators. Note all these things. But, above all,
meet the people.
Renaissance has a way of breeding remark-
able men. Men of industry who can also love
poetry. Men of courage who can also be tender.
Men of vision who can also respect the past.
Make a point of talking to these twentieth-
century Puerto Ricans.
It won't be long before you appreciate the
deeper significance of Puerto Rico's renais-
sance. You'll begin to understand why men like
Pablo Casals and Juan Ramon Jimenez (the
Nobel Prize poet) have gone there to live.
© 1958— Commonwealth of Puerto Rico,
666 Fifth Avenue, New York 19, N. Y.
How to find this patio in old San Juan. Ask for the City Hall. They call it
the Ayuntamiento, in Spanish. Walk straight through this ijth Century build-
W-g and there is your patio. Our photograph was taken by Elliott Erwitt.
10
*
The more you know
about Scotch, the more
you like Ballantines
'21' Sranfls, Hut . n. y. c s & P R o o f
ALSO IMPORTERS OF 94.4 FROOF BALLANTINES DISTILLED LONDON DRY GIN DISTILLED FROM GRAIN
LETTERS
'i the < ah in to whic h I mysell h
been taken in b\ it. I he answer
Ktii pei cent. . . .
\v .i national ideal, tin 1 nglish <o
do .1 lot worse, and a race ol El
Kevins and Grade Fields would i
tainh represeni a British Gol
danimei ting.
Ida Mai 1 oist
W'c si Miami. |
Real Serpm
To the Editors:
Referring to Bruce Bliven's
Francisco: New Serpents in l£d|
|.iiiu.ii\ J. lias he not omitted
lion ol the real serpent in that
in |iu ing il sei iotisU as .i business
I his "serpent" is t In control ol
waterfront In a union ol longsli
dominated by . . . Bridges. . .
I low much shipping goes to Pij
Sound and Los Vngeles I do not kn|
bin it is enough to remove San
cisco from its position .is a leading
mi the Pacific Coast.
(.1 ()K(.l R. YV ADl.l
I l.isi ings-on-1 ludson,
[In his article on San Francisco]
Bliven states: " I here is a Poetry CM
subsidized oddlv i tiough b) the R<
l: I lei Foundation. . . ."
We could wish that the Poetry CeJ
irtighl be guaranteed continue
through such support, for then
should not have to go begging tot
fully small sums to keep the pioja
going. J lure is localh a great deal
. . . interest in this project .
. . . little nioiiex to realize its
poses, and slid) as there is comes ll
audiences and volunteers who, like |
self, make literature an integral
ol their lives.
In I '.).")(). alter [the Center had
iwo years ol precarious financial lil
approached the Rockefeller Founda
Lhrough the President ol San Franc
State College, where 1 have taught
some Lwent) years. I he I luin.ui
Division ol the Foundation agreei
provide a three-yeai .^lant for a
time assistant direc toi and gave
small working capital to discovej
extent of community interest m
might support the project. We cai
sufficiently acknowledge the debt to
Foundation, for without it we m
very well have had to abandon
program, but with this encouraged «'■
I worked out a co-operative scheme
colleges up and down this coasi
make it possible to invite poets !i
1 1st u hen to < omi out, to reel and
cuss their work. . . .
However, lest the impression beg
thai we arc "on our feet" through
:RA LOVERS
You will receive-without charge-
UNDER THE CONDITIONS DESCRIBED BELOW
A METROPOLITAN OPERA PERFORMANCE OF
SCENES
FROM
Die Wilkuere
by RICHARD WAGNER
featuring MARGARET HARSHAW
MARIANNE SCHECH • BLANCHE THEBOM
RAMON VINAY • HERMANN UHDE
NORMAN SCOTT
with Ihe 'Metropolitan Opera Orchestra and Chorus
DIMITRI MITROPOULOS, conductor
ON TWO LONG-PLAYING HIGH-FIDELITY RECORDS
RETURNABLE WITHIN TEN DAYS IF YOU DO NOT
CARE TO SUBSCRIBE AFTER HEARING THESE RECORDS
Included with each recording is an illus-
trated brochure containing the text of the
opera as it is sung on the recording, with
an English translation when necessary. The
brochure also contains an appreciation of
the opera by an outstanding music critic.
GIVEN TO YOU
IF YOU AGREE TO BUY FOUR RECORDINGS DURING THE NEXT YEAR IN
A TRIAL SUBSCRIPTION TO THE METROPOLITAN OPERA RECORD CLUB
; In time members will have available
e entire repertory of Metropolitan
pera performances on long-playing
cords. They may choose only those re-
irdings they want.
i Members are notified in advance of
ich forthcoming opera, and have the
"ivilege of rejection if theydo notwant it.
cThe operas are carefully abridged for
)me listening (by the Metropolitan
aff) to the length of one or two 12" LP
cords.
jjc The records are high-fidelity Vinylite
33'/3 R.P.M. discs. When the opera is on
a single twelve-inch record the price is
$4.50; when it is an album of two twelve-
inch records, the price is $6.75. (A small
extra charge is added to cover the cost of
handling and shipping.)
:^c The sole obligation of members of
The Metropolitan Opera Record Club
is to buy four recordings a year from
the nine to twelve that will be offered
each year.
THE METROPOLITAN OPERA RECORD CLUB J6-3
A Branch of Book-of-the-Month Club. Inc.
345 Hudson Street, New York 14, N. Y.
Please enroll me as a subscriber to The Metro-
politan Opera Record Club and send me. without
charge, the recording of Scenes from Die Walkuere.
I agree to buy four additional Metropolitan Opera
Record Club recordings during the first year I am a
member. For each single-disc recording I accept I
will be billed S4.50: for each double-disc recording,
$6.75 (plus a small extra charge for handling and
shipping). I may cancel the subscription at any time
after buying the fourth recording. If I wish to. I
may return the introductory recording within 10
days, and the subscription will at once be canceled
with no further obligation on my part.
MOC 17
MR. 1
MRS. j-
MISS I (PLEASE PRINT PLAINLY)
Address
City Zone No
State
II ord prices ore the same In Canada, ami the ('lull ships to
Canadian members, will I am exlra rhiirge I'nr duly. l.hrniiRh
Book-or-thc-M..nll. riul> (Canada), Lid.
The Evidence Is Most Conclusive
The delightful softness and flavor of Booth's BOOTH S
House of Lords are sufficient to convince any HOTT^F rvP T ORD^I
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LETTERS
generosity ol th( Rockefeller Found*
lion, lei me make cleai we are Mil
in .i precarious financial state, wholly
dependent on active suppi I ilu
community. . . .
Ri in \\ n i-Diam w i . Dir
I lu Poetry ( i 1 1 tii
San Francisco, ( .ilil
The Lucky Dra«oi
ldiin I in iors:
li is fervently to be hoped that "Thq
Voyage ol the Luck) Dragon" will hav
1 1 it same general effe< i on its r« add
th.it it had on me: <>ih' <>l drip indifl
nation and deeper shame. . . .
I wish there were souk- way ih
American people could assure on
Japanese brothers that we <ln care; a
east, we would care il we had ha)
a chance to know and realize the fas
ol the case. . . .
Wl Mil 1 1 S. Rll II VRDSON, Jl|
New Yolk. N. 1
C lean Turnpik
I o i in I- in iors:
In the Editor's 1 is\ Chair lor D|
cenrbet the statement appeals: "Okl
honia ... is now widely believed i
have the most unsightly turnpikes I
Vmerica."
I o quote from Din booklet. 'Tl
Firsi I hue Years ol Operation ol tl
Turnei Turnpike":
'The I tuner Turnpike has rcnivi
considerable praise fot the cleanlinJ
ol the right-of-way and no effort
spaud h\ the Maintenance Departme
to keep it that way. As a first operatit
each morning, trucks are assigned i
patrol all sections <>l the Turnpike
check all existing conditions, and I
remove all debris, trash, and small ail
mals snili as fox, rabbits, opossum
coons, deer. etc. which have been kill I
on tin Turnpike during the nig]
Also during working hours, all main •
name trucks stop and remove from J
Turnpike any debris, and these opej
tions add greatly to the appearance
tin I urnpike."
Willi sin li constant, daily policing!
is impossible loi sufficient littet to •
cumulate at any point to be call!
unsightly by any imagination. Fot y< I
infoi in.ition. during th< four and i
half years the Juimi Turnpiki 1
bt < n open to traffic, we have rei ei\lj
numerous compliments from many pas
of the I nited Man - .hi its i h anlinif
and Harper's criticism is the first ill
has bee n received othe rwist .
\\ . 1). HOBAf I (flic! I- ii-. \l .
Oklahoma Turnpike Auilioi||
Ok,. . (.ay. ou.\
////////,
Day in and day out, we clear, dig and drain
uninhabitable jungles and lagoons in
Central America . . . creating fertile new areas for
growing bananas and other crops for export.
United Fruit Company
JOHN FISCHER
the editor's
EASY CHAIR
Forecast for a Cheerful Springtime
ANYBODY who lias had as many limbs
sawed off behind him as I have ought to
know bettei than to <liml> oul on another one.
But this hunch feels bettei than mosl almost
as good as I hi' Historic Hniuli that midnight
main \c.iis ago when I filled a straight llnsh
with a two-card draw in the press room al the
Oklahoma Cit) jail, thus bankrupting three
rival reporters, a trusty, and a deputy sheriff.
When the) really tingle, I've been playing
hunches ever since. So here goes with a predic-
tion—which may sound just as Foolhardy as that
kind of poker, but which might just possibly
pay off.
The most important event ol 1958 in this
country will have nothing to do with rockets or
politics or recessions or any of the other Crave
Subjects which arc filling the headlines these
days. It will be a change— gradual, almost un-
noticed, but in the long run profoundly signifi-
cant—in the status of the American intellectual.
The fust signs of this change are (I think)
already visible, like crocuses sprouting under the
siiq\v; and when it gets its growth, it almost
certainly will transform the whole character of
our society.
For more than a century— roughly ever since
the facksonian revolution— most of the intel-
lectuals in this country have, at most times, felt
terribly soil) for themselves. They have felt
underpaid, underpraised, and unheeded. They
believed the rest ol the community to be hostile
to them, or indifferent; and they in turn have
often been hostile, indifferent, or derisive toward
the rest of the community. During the past ten
years their laments about "anti-intellectualism"
have been particularly shrill (and with some
reason, though perhaps less (ban their keening
might make you think).
Those days, I suggest, are about over. We arc-
now entering a period, I believe, when intellec-
tuals will be respected, rewarded, and listened to
as the) have not been since the days when the
nation was run b\ stub eggheads as Hamilton,
[efferson, Madison, Monroe, Calhoun, and the
Vdamses. So this might be a useful moment to
iioic why the intellectuals have been at odds
with American societ) Eoi so long, and win
theii sense ol alienation— to borrow one ol their
favorite phrases— riow seems to be lading.
Til E term "intellectual" can be a slipper) one,
meaning different things to different people.
(To the sainted Senatoi McCarthy, ii was prac-
tical!) a synonym Eoi "Communist'^ to a Puerto
Rican immigrant, it might mean anybody who
(.in nail.) I am using ii here to describe all
those people who make a living by dealing in
ideas. Or, as Seymour M. I. ipse! has put it,
"those who (icate. distribute, and appl) cul-
ture." It includes most authors, scholars, artists,
and scientists— plus a good man) people in the
communications trades: reporters, advertising
men. teachers, film directors, radio and TV men,
i lerg) men, and the like.
Obviousl) not all intelligent people are inicl-
lectuals, in this sense. \'or are intellectuals
in < ess.ii il\ intelligent; we all know some
leai heis, writers, and i leigvmen who really aren't
\n\ blight. Yet, by and large, anybody who
can make a living in the- idea business for am
length of time is likely to have an l() well above
the average— probably above 130 on the cus-
tomary Binet scale.
This fact alone could account lor a good part
of the suspicion the intellectual sometimes en-
counters. Out of the 170 million people in the
country, less than (S million have IQs that high;
roughly, one out ol every twenty. They are
therefore a small minority, whose tastes, talents,
and habits are likely to set them apart from the
crowd. \nd ever) species I know of tends to be
rough on the individual who is different; if you
put a Rhode Island Red chicken into a pen lull
of White Leghorns, they very probably will peck
her to death.
This instinct — which seems to be moderated
only slowly and partially by the processes of
civilization— is reinforced by a kindred one: the
natural resentment of a man who does hard
physical labor toward the man who doesn't. A
cow hand who has spent a hot, clirtv clay brand-
ing and castrating calves ... a truck driver who
has wrestled his semitrailer through the traffic
on Route (i(> lor eight hours . . . the salesman
who has been pounding the pavement with a
fifty-pound sample case in his hand— these people'
would be less than human il they didn't look
with a twinge of envy (and maybe bitterness) at
the man who sits all day on a sponge-rubber
cushion, doing nothing but talking, or writing,
or jotting equations on a yellow pad.
Often the intellectual seems to encourage this
...WALTER J. BLACK, PRESIDENT OF THE CLASSICS CLUB,
INVITES YOU TO ACCEPT FREE
c$(^c^Jt6ete-$m(tirfcdlfa -faund, <4<u6ez$fc decova&d 'afacond ^
Plato -Aristotle
FIVE GREAT DIALOGUES
NOTHING short of amazing is the way these
classics — written two thousand years ago — hit
so many nails squarely on the head today! Here, in
the clearest reasoning in all literature, two of the
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THE EDITOR'S EASY CHAIR
resentment. He is apt to be scornful oi the
tastes and habits of non-intellectuals and be-
cause lie is highly articulate, l>\ nature and
training, he makes no secrei ol his contempt.
He cilK them lowbrows, links, and Babbitts; he
makes Inn ol their tawdry furniture and kewpie-
doll decor; he sneers al then devotion to comic
hooks, jnkc boxes, and TV westerns— unmindful
ol the fact that at least S3 million people in this
countr) are probably incapable ol absorbing any-
thing better, simply because the) are endowed
with [Qs ol 90 or lowei .
Such condescension is not endearing. It can
even be argued thai it is in bad taste— like j
in» at a club-footed bo\ because he can't run a
hundred \atds in twelve seconds. So it is not
surprising thai the mentall) club-looted some-
times nun on their nimbler tormentors; what
is surprising is the astonishment of the intel-
lectuals when the non-intellectual snaps back.
II WOULD be unfair, however, to assume
that the intellectuals who behave this way
always do so out ol sheei orneriness. Some of
them believe it is their duty.
1 01 one of the intellectual's traditional jobs,
over the last two thousand years, has been to
serve as a critic ol society. He gets paid for
making value judgments— for marking off the
good from the bad; for insisting that Bach is
superior to Irving Berlin, no matter what the
Trendcx rating s.us; lor putting a ringer on the
stained and shabby spots in the social fabric:
for reminding people that they are living in
needless ignorance, sloth, and ugliness, whether
they want to hear this news or not.
People seldom do— as their treatment of Jere-
miah, Socrates, and Jesus bears witness. Only
the very best intellectuals, naturally, can hope to
win the immortality of a cross or a cup of hem-
lock. But even a minor prophet is likely to be
stoned— an occasion which does not call for
whimpers about "anti-intellectualism," but
rather for satisfaction, since it is the surest sign
he is doing his job properly.*
For any intellectual who does an honest job of
examining and reporting on any social system-
monarchy, republic, or Soviet— is bound to annoy
a lot of people. Particularly the conservatives.
They are comfortable with the world as it is, and
anyhow do not believe that human nature can
be much changed for the better. They regard
the intellectual as a fool when he dreams that a
few of the 90 [Qs might be taught to worship
a better hero than Mike Hammer, and as a
dangerous subversive when he hints that the
ideas of Adam Smith (or Karl Marx) might
stand a little updating. They fear his sharp eye
"Rejoice- when the spears sink into you: that's
tin- \\a\ you get iron in your blood."
—Don Marquis, The Almost Perfect State
lot Stuffed shirts, and loathe his habit ol asking
rude <|ueNtioiis in polite company. Consequently
the intellectu.il is rarel) made to leel truly at
home in a conservative part) or .-, Eashionable
neighborhood.
ALL this has been normal in most countries
(including both Tsarist and Communist Russia)
most ol the time. In America, however, the in-
tellectual has had an additional set ol persecu-
tois. Ihe\ are themselves radicals and angry
ciitics ol the existing social structure— but the)
have usually looked on the intellectual as an
enem) rkther than an ally. Their natural
habitat is we-st ol the Alleghenies. They have
gone by many names since Jackson first rallied
them to revoll against the well-heeled and well-
bred, but they might all be labeled, in a loose
fashion, as Populists.
loi e xample, when I grew up in the Southwest
that part of the country thought of itsell as an
exploited province of the wicked East— just as
Tennessee had been at the time of the Jackson-
Biddle feud. Oui resources, railroads, markets,
and credit were all controlled (or so we believed)
b) New York and Boston. The Money Barons of
Wall Street and State Street had their heels on
our neck: and all ol them (according to legend)
had been incubated in the Ivy League. Yale and
Harvard were playgrounds where fledgling
millionaires learned to guzzle champagne, ogle
e hoi us gills, and question Holy Writ: and from
thence they emerged, in due term, not only to
rob us poor and pious Westerners, but to sneer
at our poverty and unsophistication while they
did it. And since most of the lesser seats of
learning also were located in the East, any edu-
cated man was liable to be suspected of being
not only a snob but a .scoundrel.*
Such folklore lives on to this day in the remoter
parts of the West, South, and Midwest; and
elsewhere similar emotions have long smoldered
among the immigrants— especially the Irish— who
felt themselves oppressed and snubbed by the
rich and polished Yankees. (See Edwin O'Con-
nor's The Last Hurrah.) This, I believe, ex-
plains a lot about the McCarthyites. In their
eyes, one of Alger Hiss's unforgivable sins was
being a Harvard Law School man.
Like anyone who is being shot at from both
sides, the American intellectual got to feeling
unwanted. When he compared his pariah treat-
ment with the lordly status of the European
intellectual, he felt even worse. There education
had traditionally been a class privilege; the intel-
lectual had long enjoyed an established niche
high in the social hierarchy; businessmen might
not like him, but they always touched their
* When people in these parts said hard words about
the J. mies boys as the) sometimes did, they usually
meant Will and Henry, not Jesse and Frank.
tss
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Smuggler justly merits this
ition. Because it is developed
)atience and scruple — because
istinguished by great softness
;licacy of flavour — and because
ries on quality traditions that
>ack to 1835.
Nothing better indicates how much
Old Smuggler is appreciated than
the remark heard so frequently when
it is poured, "Careful, don't waste
a drop — that's Old Smuggler."
If you have not yet enjoyed the
superb delight of Old Smuggler,
why not ask for it by name the next
time? You will be richly rewarded.
Please take another look at the
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Imported l>y
W. A. TAYLOR & COMPANY, N. Y., N. Y.
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THE EDITOR'S EASY CHAIR
elocks when he walked by, and
iticians listened to him with
;. Disciples gathered around his
le at the Deux Magots, and beau-
il women lavished on him the
d of attention which, in the
ited States, was strictly reserved
movie stars.
o thousands of bright young men
om the Henry James generation
Hemingway's— lit out for the Old
>rld which knew how to treat
m right. Those who couldn't
se the boat fare wrote dirges about
ss culture in the Sahara of the
zart. A few strayed toward the
mnunist party— the only political
anization, up till the "thirties,
ich not only sympathized with
ir discontent, but also paid them
ive court.
DDAY several interesting things
happening to the old relation-
d between the American cora-
nity and the intellectual— and
y are happening on both sides of
equation. He is beginning to
oect that the local culture is
ther so hopeless nor so inhospita-
as he once believed; and the
ntry at large is now conceding
t he may be a useful fellow— if
tetimes an uncomfortable one— to
e around.
This change started some time
The Populist suspicion of cul-
2, for example, began to evapo-
t when learning ceased to be a
r-monopoly of the East, and
m the hinterland stopped think-
of itself as a colony of Wall
eet. For two decades wealth and
mlation have been shifting mas-
ly towards the West; the Ivy
gue universities are now dwarfed
size, if not quality) by dozens of
irie degree-factories; and a trio
Texas millionaires can buy up the
<v York Central railroad as cas-
ly as a new Cadillac. Today it
lild be hard to find a Westerner
I) considers himself either op-
Issed or snubbed by anybody. All
Ir the country, meanwhile, auto-
lion is making sweaty physical
|:>r almost an anachronism— and
I too the age-old resentment of
|><-le against brains.
I.t the same time the demand for
lllectuals has been rising sharply,
lakes brains, of a high order and
tion as complex as ours work at all.
Only an IQ above 130 can run an
analog computer, an automated fac-
tory, a General Electric laboratory,
a broadcasting network, a political
organization, or a ballistic missile
base. And suddenly we have found
that this kind of brainpower is in
exceedingly short supply.
In particular, the communicators
—the people who can explain one
highly specialized fragment of our
social organism to all the other parts
—have turned out to be indispensi-
ble. Without them, our whole eco-
nomic structure would collapse in
confusion, as the Tower of Babel
did and for the same reason.
The result has been a Magic Bean-
stalk growth in the number of jobs,
the pay, and the prestige of those
skilled in handling words and ideas.
Public relations has become our
fastest growing industry, as Robert
Heilbroner pointed out in the June
1957 issue of Harper's. Advertising
men, lobbyists, news commentators,
science writers, sociologists, and
(belatedly) teachers have discovered
that they have a scarcity value. One
modest-sized electronics manufac-
turer employs twenty-two writers
just to explain its products and its
operations to customers and its own
staff, paying them on the same scale
as its engineers. I know of a maga-
zine that has been hunting for a
managing editor, at a salary above
$20,000, for nearly a year; and a
sociologist recently told me he had
turned down three jobs paying
about the same in a single month.
Such an intellectual may sometimes
disdain the work offered— "I would
rather starve than do motivational
research"— but he can hardly com-
plain of neglect so long as personnel
men are waving fistfuls of coarse bills
outside his cloister window.
Even Captains of Industry find
that they must now spend much of
their time merely trying to com-
municate—explaining things in end-
less committee meetings, memo-
randa, and staff conferences. Last
year, as a consequence, some 300,000
executives went back to school at
company expense, primarily to learn
to handle ideas and communicate
them to others: i.e., to function as
eggheads. And academic types have
begun to climb, with increasing fre-
quency and speed, to the corporate
17
SINGAPORE
KNOWS THE PRESIDENTS
In Singapore — in Colombo, Karachi,
Genoa — in storied ports around the world,
the trim vessels of the President fleet are
familiar and welcome visitors. Aboard are
passengers from far-off places in quest of
adventure and world discovery.
In their holds these President liners carry
the fabulous products of American indus-
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to frozen food. And from these same ports
they bring home the varied bounty of the
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Forty ships flying the American flag, and
APL's world-famed eagle insignia, cease-
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See Singapore this year on a
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Be aboard on the morning the president
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Two weeks aboard the president polk or
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Sail from San Francisco aboard the presi-
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Take longer if you choose; tour Bangkok,
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the other by air. Cruise fares from $1386.
*Calls Honolulu twice each cruise.
See your travel agent for details.
AMERICAN PRESIDENT
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Because times change — and invest-
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Because it would be miraculous
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That's why we treat every problem
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If you'd like to know what we think
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THE EDITOR'S EASY CHAIR
pinnacles— for example, Dr. Frank
Stanton, the ex-professoi who now
inns CBS . . . IWaidslcy Runil, a
(kan who became a banker, boss of
Macy's, and capitalist-at-large . . .
fohn I Snyder who moved limn the
London School of Economics to the
presidency ol U. S. Industries . . .
Marion B. Folsom, holder of eight
degrees, Harvard overseer, and
treasurer of Eastman Kodak before
he stepped ii]) to the Cabinet ... to
pic k only a lew at random.
In government, too, the academic
cream has been rising to the top
faster than most of us realize. The
Eisenhowei Administration employs
more professors than the New Deal
evei did — not because it is headed by
.i loi iiici college president, but be-
cause it can't run the public busi-
ness without them. Senator Lyndon
Johnsort, described elsewhere in
these pages as the second most pow-
erful politician in the country, once
taught school. His assistant leader of
the Senate majority is an ex-college
teacher, and so are ten of his other
colleagues. More than half of the
remaining Senators have earned ad-
vanced degrees, and practically all
of them have acquired at least one
In I he honorary route.
All this suggests that America may
no longer be as indifferent to the in-
tellect and learning as those com-
plaints about "anti-intellectualism"
might lead us to think.
FAR more important than the sta-
tistics, however, is a change in our
cultural climate which now seems
to be under way. It started a few
months ago when we realized, with a
jar, that America no longer led the
world in everything . . . that our way
of life might be something less than
perfect . . . that the critics of society,
whom we had long brushed off like
so many mosquitoes, might be worth
listening to .liter all.
From that moment, the status of
the intellectual has been fairly leap-
ing. Instead of being treated like a
pariah fit for stoning, he now is get-
ting almost reverential attention. A
recent study by the National Opin-
ion Research Outer indicated that,
in the eyes of their fellow citizens,
college professors outrank every non-
political calling except physicians,
while authors, artists, and musicians
stand almost as high. Scientists, fus-
ion.ms, and English teachers ha)
been elbowing the acrobats and hi
billy singers off the TV screen, ai
even the Army has conceded thl
kitchen police might not be the bi
assignment for a mathematii
genius.
This new attitude, I suspect, is rj
merely a result ol the Russian v
tories in technology, propagan<
and economic warfare, nor of tj
deepening recession, although tin
things certainly helped to crystal
it. Rather it seems to be the prodi
ol a long process of cultural gr<
ing-up, which is not yet fmishe*
and which probably will now
ahead at an accelerating pace.
THE process has been hastened
a change in the intellectuals thj
selves. They have not abandoi
their role of critics, but for so
time their criticism has been gn
ing more responsible and relevs
For the events of the last twe
years have pretty well destroyed
myths which had led the old-f
ioned intellectual of the 'thir
into a lot of irresponsible (;
downright silly) positions:
(I) The myth of the perman
cultural superiority of Europe.
fate of the intellectual in FasB
Italv and Germany, in Commu
Russia and Yugoslavia, and in c
quered Eastern Europe— plus
sterility and despair of post
France— have made it impossible
see that continent any longer i
Thinker's Paradise. Meanwhile
distasteful aspects of mass cultu
long regarded as uniquely Amera
—have been spreading fast throJ
out Europe. Not as a consequa
of "Americanization," but simply]
cause the common people there!
for the first time getting the mci
and leisure to indulge their
tastes, in defiance of the priestly
of the old High Culture.
At the same time the United S
has been creating art forms— in
sic, architecture, painting, ballet,
literature— which are not so eas
dismiss with a highbrow's sneer,
blind, blanket condemnations |
still uttered now and then, a
ently from force of habit-
amusing examples can be foun
Mass Culture, a recent anth
compiled by Bernard Rosenberg
David M. White— but many of
'ike this newest copy of
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CONTENTS
He defied and out-
witted the U. S. Army
in a 1,300-mile run-
ning battle — and be-
came a tragic hero to
thousands of white
Americans. Here's
the moving story
(with photographs)
of Joseph and his
Chiefs — a fine exam-
ple of historical re-
search.
The rain drizzled. The
new Vice-President
was tipsy. Even the
vestals of the "Temple
of Liberty" refused to
risk their flimsy robes
in the Inaugural Pa-
rade. Then Abe Lin-
coln arrived— and "the
sun burst through the
clouds". . .
LINCOLN'S SECOND INAUGURATION
"T/if Pnsident'came forward audm the sun burst through llie clouds"
7k~ &
ages of Adventure in America's Past-to Introduce
1 to this New Kind of Magazine in Book Format
'-
In 1809, Mr. John Q.
Adams was the least
important diplomat in
Russia — while Alex-
ander I was Europe's
most awesome mon-
arch, matching his
power against Napol-
eon and the English.
Here is how the un-
orthodox Yankee min-
ister became the Czar's
friend and helped re-
shape history.
AND MORE: The story of Teddy Roosevelt's chest- thumping college and
courtship days ... a poignant article about the West Point classmates who
fought each other in 1861 . . . the amusing true story of the "golden spike"
ceremonies on the first Trans-continental Railroad . . . and many others —
in all, 112 pages of exciting, memorable articles and illustrations.
J>
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THE E A S \ (HAIR
able) (iiti<s are beginning to look
..i Vmerican society with serious in-
k rest. II theii comments are now
bettei heeded l>\ the community, it
may be because the) are more worth
heeding.
(2) The myth of The Left. Al-
though relatively lew American in-
tellectuals evei drifted into Com-
munism, a good many did flirt at
one time or another with Socialism,
['rotskyism, Fascism (in the case of
Ezra Pound), or other exotic politi-
cal notions. Some ol this was simple
imitation of their European counter-
parts; some resulted from their
disillusionment with American so-
ciety during the depression years,
and tin n eagerness to listen to any-
one who promised to fix everything
up immediately.
1 he\ have now had a de< ade oi
more to see how these theories
worked out in practice— an expe-
rience which has withered virtually
all of their old naive enthusiasm.
The last Communist who could by
any stretch be called an intellectual
-Howard Fast— has now left the
party in disgust; and the welfare
state variety of Socialism entrenched
throughout Western Europe now
generates boredom rather than ex
citement. Not many American in-
tellectuals yet describe themselves as
conservatives, but most of them have
moved a long way toward the center
arena where American politics takes
place; and some are finding real
politics more intellectually engross-
ing than the play-politics of radical
splinter groups ever was.
In short, the intellectuals have
been growing up along with the rest
of the community. And there is rea-
son to hope that both sides will con-
tinue to close the alienating gap,
which has been so costly to all of us.
A LREA D Y the reunion of the
intellectual with the community is
producing some cheerful results. For
example:
(1) In many high schools good
grades ate no longer considered a
badge of shame. The football star
has been dethroned as campus hero
in most colleges; and I have just
been talking to one bright Yale
senior who has decided to pass up a
lush advertising job in order to do
graduate work in anthropology.
(2) A well-stocked private library
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AMERICA AS A CIVILIZATION. By Max Lerner.
A brilliant insight into the workings of America.
An examination of the automatic factory, public
relations, steady dating, the split-level home, and
many more aspects of the growing pains of a
nation. Pub. at $10.00.
ALBERT CAMUS: The Invincible Summer. By Albert
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ATTORNEY FOR THE DAMNED. A portrait of
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A HISTORY OF EUROPEAN MORALS. By W. E. H.
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THE YOKE AND THE ARROWS. By Herbert L.
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MYTH AND GUILT. By Theodor Reik. A foremost
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Pub. at $5.75.
THE POWER ELITE. By C. Wright Mills. A thought-
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"top-drawer" ruling class of America . . . the men
and women now at the pinnacles of fame and
power and fortune. Pub. at $6.00.
TOMORROW AND TOMORROW AND TOMORROW.
By Aldous Huxley. Huxley at his most varied,
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□ The Sandburg Range
G Attorney for the Damned
□ The American Past
□ Tomorrow and Tomorrow
and Tomorrow
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22
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A NEW WORLD OF HI-FI SOUND
THE EASY CHAIR
is becoming a status symbol ranking
right along with a Eanq automobile
or a mink coat. The sales <>l books
especially the erudite titles in the
quality paperback lines-continue to
rise in spite of competition from TV
and a host ol other amusements.
(3) Magazines edited lor people
who do not move their lips when
the} read -the New Yorker, the At-
lanta. Scientifii American, Holiday,
Harper's, the Saturday Review, and
a lew others-are making astonishing
gains in both readership and adver-
tising; while Collier's and a number
of other mass magazines have disap-
peared. (Advertisers apparently are
beginning to realize that brains and
money often go together, and thai
intellectuals influence both the taste
and the opinions of lots of other
people.)
(4) TV executives are making a
similar discovery. They arc finding
that Robert Frost and Leonard Bern-
stein at tract surprising audiences,
both in numbers and in quality;
that an interview with Nelson
Rockefeller produces 200,000 re-
quests for copies of the Rockefeller
report on national defense; that a
venture in social criticism like
"Where We Stand'-presented with
immense seriousness and intellectual
honesty-can have a major impact
on public opinion; and that thou-
sands of people will get up before
dawn to watch a professor discuss
great works of literature.
(5) A four-volume $25 history of
mathematical thought-James R.
Newman's The World of Mathe-
matics-has become one of the phe-
nomenal best sellers of publishing
history.
(6) College education has become
a goal, not for the few, but for prac-
tically everybody who can pass the
entrance examinations-forcing the
country to search for ways to build
more college plant in the next
twenty years than it has in the last
two hundred.
Such a list of the signs of an in-
tellectual springtime could be con-
tinued for pages. They are evidence,
lt seems to me, that 1958 may mark
a kind of solstice in American his-
tory-and that from now on it may
not be so easy to aim at this country
the old, taunting question:
"If you're so rich, why aren't you
smart?"
COMING IN
Harper's
A magazii
NEXT MONTH
WHAT'S HAPPENING
TO JAZZ
In the past ten years, thanks |
largely to LP records, the audience j
for jazz has zoomed from a small
closed circle of cognoscenti to a
.till swelling mob. A well-known
jazz critic explains what this fan-
tastic spread— both here and
abroad— has meant to modern jazz-
men, and to the way jazz is per-
formed.
By Nat Hentojf
A COMBAT VETERAN
SOUNDS OFF
An infantry officer, who served)
in three wars and recently retired
as chief of research and develop-
ment of infantry weapons in the
Army Field Service, tells how to
get better defense for less money.
By Col. E. B. Crabili
CIA:
Who Watches the Watchman?
The Central Intelligence Agency j
is the one major U. S. governmen |
agency completely free of Congres;
sional scrutiny. A Washingtoi
newspaper man who covers Capito
Hill shows why some legislator
view this situation with alarm-
and what they plan to do about i
By Warren Unn
TEAM DOCTORS:
Group Practice Goes Rustic
All over the country groups <
ambitious young doctors are brinj
ing city standards to small cor
munities — despite the oppositic
of local old-line medical associ|
tions.
By Marion K. Sands
;
The man of the hour
is the man who KNOWS
hi
COI
iiti
.iir
At this particular hour, of course, the man who
knows science is more in the spotlight among us
than other men.
We are reacting normally to the momentous
events of the months just gone.
In the long run, in this nation, however, we
always have valued all those among us who know,
who seek to know, who devote their lives to
knowing.
What they know, what they want to know is
only part of their importance to us. It matters even
more that there be enough such men, that they
be free men, thinking, studying, exploring as only
free men may think and study and explore.
This is a good time to restate our attitudes toward
such men, and toward the impulses that drive
them on.
For surely these are among the noblest impul-
ses of man, the equal, perhaps, of patriotism, greater
than ambition, greater than the need for a liveli-
hood or fame: the impulse, the instinct, the passion
to KNOW.
TIME — The Weekly Newsmagazine
JrEjIioOINAl^ and otherwise
Among Our Contributors
GUIDE FOR STATESMEN
WHEN' William S. White
speaks of Lyndon Johnson
as a politician who practices politics
as an art, he uses his words with a
lull sense of their dignity. From his
article. "Who Is Lyndon Johnson?''
(p. 53), the reader can inter a theory
ol life and art. in which politics is
an important— often the most im-
portant—human endeavor.
Johnson has completed twenty
years in Congress; 1958 is his tenth
yeai in the Senate, his fifth as Demo-
cratic leader. So brilliantly has he
used his strategic position as Ma-
jority Leadei and chairman ol the
Preparedness Subcommittee that the
opposition has been conceding in re-
cent weeks that he has "kept the
ball"— even after the President's
State of the Union Message. Never-
theless, it was surprising to read in
that most Republican of newspapers,
the New York Herald Tribune, that
/ohnson "is rising to the level of
statesmanship the times cry for."
Calling a "politician" a "states-
man" rarely happens in this country
until the adjective "elder" or "late"
is a correct modifier. In view of this
extraordinary designation for an ac-
tive, vocal, unabashed practicing
politician like the Senator from
Texas, it is interesting to look back
lo a classic text called The States-
man, published in 18:56 by a British
civil servant, Sir Henry Taylor.*
Taylor's work is Baconian in its wit
and wisdom, but it ought to serve
well as a handbook tor any politi-
cian who takes his work seriously as
one of the lively arts.
Here for the record are some of
Taylor's precepts:
Quarreling
—A statesman should be by nature
and temper the most unquarrelsome
of men, and when he finds it neces-
* It has recently been reissued at Cam
bridge, England, by W. Heftcr and
Sons, with an introduction by Leo Sil-
berman.
sary to quarrel, should do it, though
with a stout heart, with a cool head.
. . . A statesman should be careful
not only never to make a wanton or
unprovoked attack, but also never to
make an attack which is not almost
certain to be ellce live.
Popularity
—So 1 u as it is a ground of judg-
ment at all, it is against a man; be-
cause the delects which ordinarily
accompany it are more essential than
the merits. Hardly am man obtains
popularity without desiring and
seeking it, or without making some
sac l die es for it.
Accessibility
—The statesman who is easy ol
access will not only squander his
lime: he will commonly be found to
sacrifice the distant to the near, pub-
lic to individual interests, and mat-
ters ol no light importance to the
ill-considered smile of the moment.
Shuffling papers
-As last as papers are received,
the party who is to act upon them
should examine them so far as to
ascertain whether any of them relate
to business which requires im-
mediate attention, and should then
separate and arrange them. . . . He
should not again suffer himself to
look at a paper or handle it, except
in the purpose to go through with it
and dispatch the affair.
Ambition
—Excess ol ambition arises, some-
times from a lively imagination
confounding the future with the
present, or a weakness of mind sacri-
ficing the future to the present; and
less frequently from deliberate mis-
calculation as to the sources of per-
manent happiness.
Promotion
—The system of every service
which requires energy and ability to
be devoted to it, should be so con-
trived that a meritorious man may
find some advancement accrue to
him at least once in every ten years.
In sundry of their natural advan
tages men suffer a sensible de
ciine with every lapse of ten year'
and they look lor an adv; in fo
ti
tunes to indemnify them for tl
bac kslidings ol nature.
Relaxation iti society
\i\ adequate proportion
women will slacken the tone of ce
\ ei sal ion . . . and yet tend to ai
mate it also. And there is this :
vantage in the company e>l womei
espe< iall\ il some of them be be.
tilul and innocent — that breaks
conversation are not felt to
blanks; lor the sense of such a p
ence will serve to fill up voids ;
interstices.
Diet
— If a statesman would live long
he must pa\ a jealous and watch
attention to his diet. . . . The sitt
after dinner, though much abbr
ated in our days, might be furt
abridged, or indeed altogether ah
cloned, with advantage. An in
bilitv of the stomach often res
from confinement to the same j
ture lor more than half an h
after dinner; and if the conversatf
fails in interest the dessert is
sorted to.
. . . Lyndon Johnson's fellow-Te*
William S. White, has had op n
tunities equal to those of Sir H(B
Taylor to observe the qualitiefl
statesmen. His book about the I
Senate, Citadel, is a classic not <
about that most fascinating fo[d
but about the men of more than|
tinction who function there.
He was born in Texas, wen ti
public schools and the UniversitB
Texas, started his reporting case
on Texas newspapers while still!
college. Invalided out from d
Army in 1942, he went oversea
an AP correspondent and crcfle
the Channel with the troops oljl
Day. Since 1945, Mr. White |
been with the Washington bull
of the Neie York Times, has covfe
all major foreign policy debate'
the Senate and the national pol
conventions.
His biography, The Taft &
won the Pulitzer Prize for 1954.
study of Richard Nixon as a p
ble President appeared in Hat
in January.
. . . The sputniks and the Exj: r
represent a remarkable breaktfn
in technological control; bu
man's physical penetration o tl
Universe, they are crude first e >i
—reaching some hundreds of
il
Pamela
and
the Press
I dually Pamela created the urgency,
\ although she hadn't yet been
>rn. It was especially because of
lmela that Major Samuel Lee, soon to
discharged from the United States
rmy, was looking for a good house to
,j ly. But he wasn't finding it easy. He
asn't even finding it possible.
Certainly, there were plenty of houses
r sale. Billboards offered them all
ong the freeway to Orange County,
here Major Lee wanted to buy a home
l) id practice his profession of medicine.
ut they just weren't available to
immy Lee.
Not that Major Lee wasn't a man of
laracter and substance. He had grown
in nearby Los Angeles, became a
tiysician, served with distinction in his
pppuntry's army.
The problem was something else en-
rely. The real estate men were polite
ut firm. Nothing personal, you under-
and, but business was business. They
Duldn't— or wouldn't— sell a home to a
erson of Korean ancestry.
Major Lee tried moderate-priced
omes; he tried the more expensive
ustom-styled" homes. The answer was
le same. Nothing personal, though.
But it felt personal to Sammy Lee on
le plane all the way to Washington,
/here he and other noted guests were
dine with the President and plan a
ampaign against juvenile delinquency.
Sammy Lee was one of the President's
uests because he had twice won Olym-
>ic diving championships for the U.S.,
tecause he had just completed a tour
f Southeast Asia nations as the Presi-
lent's Sports Ambassador and would
oon become one of the members of a
earn of Olympic champions to attend
he Australian Olympic Games as the
'resident's personal representatives.
When he returned to his base at Fort
Larson, Colorado, he spoke to his
riends of the irony of his position, and
lis letters to his many friends abroad
■effected his bitter disappointment.
A foreign correspondent in Tokyo—
i man who had known Sammy — heard
he story and telephoned one night.
3ver six thousand miles of telephone
wires and undersea cables, the newsman
:overed a story somewhat off his beat.
After a long talk with Sammy, the
correspondent telephoned an editor of
the San Francisco Chronicle who the
next day sent a reporter to Santa Ana.
The facts were checked, the story run.
West Coast metropolitan papers carried
the story of Sammy's fruitless search
for a home. Television and radio news-
rooms picked it up. The Santa Ana
Register, biggest hometown newspaper
for Orange County, went to work edi-
torially. So did the Long Beach Press-
Telegram, which isn't quite in Orange
County but is widely circulated there.
The press, once described by Thomas
Jefferson as more vital than government
itself, was on the job.
The Press-Telegram wired funds to
Sammy in Fort Carson to come again
to Orange County to meet the real peo-
ple, the real spokesmen. Sammy came.
He met the Mayor of Anaheim. He
met the President of the West Orange
County Board of Realtors. Together
they took Sammy and his family— which
now included young Pamela— through
the area until they found the home and
the physician's office that they wanted.
When the Lees moved in, Orange
County threw a big, official party, with
alL sorts of heart-warming overtones.
(advertisement)
'•PAMELA AND HER MOTHER" PHOTOGRAPH BY HAL ADAMS
Banners said "Welcome Sammy Lee!"
Newspaper and television cameras
clicked and ground. Speeches were
made by the Mayor of Anaheim, the
President of the County Medical Asso-
ciation, the State Senator, the Congress-
man and the United States Senator.
Best of all, the neighbors were there.
From blocks around they came — and
Sammy's disappointment and Sammy's
asking were answered, in the best
American tradition.
What happened to Sammy Lee in his
quest for a home provides another
example of the endless ways in which
American individuals and institutions
are constantly renewing their faith in
the principles of Jefferson, Madison,
Lincoln and other great Americans in
this, the 20th Century.
The American Traditions Project of
the Fund for the Republic has compiled
hundreds of true stories of contempo-
rary Americans whose actions have
advanced freedom and justice. Some of
these stories have been published in a
booklet, "The American Tradition in
1957!' Free copies are available. Write
to the American Traditions Project,
Box 48462-HE Los Angeles 48, Calif.
26
PERSONAL & OTHERWISE
as compared with the achievements
of astronomers in "looking through"
2,000 million lightyears ol space.
•' Astronomy seems to have entered
i golden age," says George W. Gray,
beginning his two-pan series on
"New Discoveries about the Birth,
Life, and Death ol the Sun and
Othei Stars" (p. 29).
Mr. Gray's dramatic survey ol our
new knowledge of the stull ol the
Universe and the Stars appears as a
soi i ol thii ty-yeai anniversary ol the
germinating idea for the 200-inch
Palomar telescope and observatory
which were completed onl) within
the last decade. In the \piil 1928
issue ol Harper's, Dr. George Ellery
Hale discussed "The Possibilities of
Large Telescopes" in an article
which he had ahead) used in pre-
publication form as ammunition in
making an appeal to the Interna-
tional Education Board (financed b)
fohn 1). Rockefeller, Jr.). Dr. Hale,
a leading spirit in the lounding and
development ol the Mount Wilson
Observatory in the early 1900s, in-
vited the president ol IEB, Dr. Wick-
liffe Rose, out to Pasadena in March
1928 and aroused his enthusiasm for
investigating "how large a telescope
mirror it would be feasible and ad-
visable to cast." At the May meeting
in New York, the Hoard voted six
million dollars "for the construction
ol an observatory, including a 200-
inch telescope." Hale's request was
only for an exploratory grant, Mr.
Gray told P & O, but he got the
whole works.
Six million dollars, of course, is
peanuts (the price ol perhaps three
ICBMs), but the crop then planted
has made the heavens bloom.
Mr. Gray is a distinguished writer
on science and education, the author
of Frontiers of Flight. Science at
War, and other books— as well as
articles in Harper's, Scientific Amer-
ican, and other magazines. For
twenty years, as an associate of the
Rockefeller Foundation, he visited
and reported on the research proj-
ects ol the Foundation.
. . . Sweet talk from the manufac-
turers ol computing machines— those
electronic giants which aim to dis-
place men in office and industry-
can never convince us that the
menace of Frankenstein's monster is
unreal.
"Despite the capabilities ol mil-
Lion-dollai data handling and com-
puting s\snnis." John 1. [ohnson,
marketing vice president ol the
Minneapolis - I lonevwell Regulatoi
Company, has said reassuringly,
"they're onl) as good as human
beings— those who build them, those-
who train others to use them, and
those who actually do use them."
Nevertheless the average human
being retains a sinking fear that
automation is going to rob him not
onl) ol his livelihood, but also ol his
position ol top dog among earthly
< i eatures.
To these subconscious anxieties,
Louis B. Solomon gives the fust con-
vincing demonstration we have read
thai a counterrevolution is in the
making. In "Univac to Univac"
(p. 37), he- '^i\es much needed solace
to the human ego. Mr. Solomon is
an assoc iate professor ol English and
deputy c haii man of the department
ai Brooklyn College. He was an in-
telligence officer, lieutenant colonel,
in the Air Corps in World War II.
. . . Introducing his new book, Rus-
sia, the Atom and the West, George
F. Kennan, former Ambassador to
Russia and chief of the Slate De-
partment's policy planning stall un-
der President Truman, says: "What
I have tried to suggest here is not
what governments should do but
what they should think." This is
the reflective tenor ol his present
article, "How Can the West Re-
cover?" (p. 39), which is adapted
from his Reith lectures delivered
over the BBC. The entire series,
with additional material, will be
published by Harper & Brothers on
Match :;.
Mr. Kennan, who retired from a
quarter-century of government serv-
ice in 1953 at the age of 49, has
continued to arouse public interest
whenever he has spoken. The BBC
lectures delivered at the time ol the
NATO meeting this winter became
a focal point for broadened popular
and official discussion of NATO
policy questions— from observers as
far apart as President Heuss of Ger-
many and Dean Acheson, Mr. Ken-
nan's loinici boss as Secretary of
Stau-. Mi. Kennan, who has been in
England as Visiting Eastman Pro-
lessor ol American History at Ox-
ford, is regularly at the Institute for
Advanced Stud) at Princeton, when
he has been writing a histoiv d
American-Russian relations. Th
fust volume. Russia Leaves the Wat
w on the Pulitzei Pi ize in 1956, anj
the second, The Decision to Intel
vene, has just been published by thij
Prim eton I University Press.
. . . Herbert Howarth, an Englis
visitor who loves America, found ii
Missoula, Montana, a clear image o, .
the frontier spirit still living— a™
with no relation to the TV westea
either. In "Montana: The frontie
Went I hataway" (p. 18) he describes!
in terms (hat not every Monlanai
may entirel) relish, what constitute!
the charm ol this way station be
tween Fast and West. Mr. Howarth
who was director of the Nation!
Book League in London, came ui
the United States as visiting lecture
at the- University of Michigan, ant
he has taught here at various uni
veisities since then. He is now on A
visiting appointment at the I'nij
veisitv of Pittsburgh.
. . . "Gentlemen's Came" (p. 59) i]
the first published story by H. E. El
Donohue, a New York editor and
copywriter. Mr. Donohue grew uj
in Trenton, New Jersey, attendee
William and Mary, and graduated
from the University of Chicago. He
has been a stevedore, surveyor's rod
man, waiter, newspaper rewrite main
and bookstore owner, as well as busi
riess manager of Poetry and editor
of the Chicago Alumni Magazine.
. . . Gerald Sykes, novelist and critic]
presents in "The Dialogue of Freuc
and Jung" (p. 66) a literary revalua
tion of one of the most fascinating
intellectual battles of our time. ThtJ
article is an outgrowth of a series ol;
talks which he did lor the BBC anc
which he is reworking now into 2I
book on scientific psychologies.
Mr. Sykes' novels include Tin
Nice American , The Center of tin
Stage, and The Children of Light.
He lives itr New York, though he
has lived abroad from time to time,
and is teaching a course at the New
School for Social Research on "Writ-
ing and Psychoanalysis: An Inter-
change of Insights."
. . . The picturesque figure of
"Father Eugene," as described I
P & o
exis Ladas (p. 72), helps to make
mprehensible several politically
tive priests and prelates in the
rious branches of the Church in
irope in our times. The defense of
2 faith comes close to the defense
country— raised to heroic propor-
ms in wartime.
During World War II, Mr. Ladas,
I Greek soldier who escaped from
[e victorious Germans, made his
ity to Egypt, and joined the Greek
r Force, was recruited by a British
Itelligence outfit and went back
[to occupied Greece in disguise.
ptured and imprisoned in 1942,
I met Father Eugene at Calithea
1943. He was condemned to
lath— but again escaped to Egypt.
>r the rest of the war he cora-
linded a raiding schooner in the
j^gean Sea. He now works in New
l.rk at UN headquarters.
j . To Martin Mayer, the Budapest
ling Quartet "has been the big
i'me in chamber music ever since
J.new anything." He became inter-
tied in the internal operation of
aing groups when he watched the
pth quartet rehearse— and heard
1 first complete Beethoven cycle—
I Colorado Springs during summer
»:ation from Harvard in 1945. To
jepare for writing his portrait of
h Budapests (p. 78), he interviewed
lem during recording sessions, at
iiearsals, in hotel rooms, and while
a ing dinner with them in Chinese
■ taurants.
Mr. Mayer writes frequently
lout business, and he is also music
litor of Esquire. Harper's has pub-
] hed his articles on Wall Street
Ivyers, television programing, the
l ording business, and advertising.
i\s new book, Madison Avenue,
tS.A., will be published this month.
I . Two poets this month are in
leir mid-twenties. Adrienne Rich
I 57), who is married to a Harvard
llicher, has published two books
I verse— most recent: The Diamond
m'tters. Thomas Whitbread (p. 84)
I a graduate student at Harvard,
Itching part-time. '
Mark Van Doren, Pulitzer Prize
I et, professor of English at Colum-
Ii, critic, and story writer, will in-
Bide "Dunce's Song" (p. 32) in his
pjxt volume, to be published in the
II by Harcourt, Brace.
27
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Harper
MAGAJiZINE
NEW DISCOVERIES
About the Birth, Life, and Death
of the Sun and Other Stars
PART I: THIS HYDROGEN UNIVERSE
GEORGE W. GRAY
A noted science writer — for many years
with the Rockefeller Foundation — gives
the first comprehensive report on the
surprising findings which are coming from
the 200-inch Palomar telescope and other
new tools for exploring our universe.
IT I S now possible to look through 2,000 mil-
lion Hghtyears of space. To be sure, no one
can actually see that far, for it is only by the slow
accumulation of light on a photographic emul-
sion, or the detection of an image on a surface
which is electrically sensitive to light, that the
astronomer is able to fathom such distances— but
the effect is the same: to increase enormously
the reach of the human eye and of the mind
behind the eye. This achievement has come in
the last decade, with the completion of the 200-
inch telescope. Other factors that have con-
tributed to the astronomical advance are the
improvements in spectroscopy and photography,
the development of radio astronomy, and recent
gains in the understanding of atomic nuclear
processes. We are in the rising tide of a flood
of new knowledge that flows from study both of
atoms in our laboratories and of stars in the
heavens.
Astronomy seems to have entered a golden
age when many of the odd and apparently irre-
concilable data of observation are falling into a
pattern. The twenty-six-centuries'-old question of
Thales, the Greek philosopher who asked, "Of
what and how is the Universe made?", finds
takers today who do more than guess. They are
able to cite a train of observational, experi-
mental, and mathematical evidence which fits
into that pattern we mentioned above.
"Astronomers now believe that they know
what processes must take place in the creation
of stars," one of the Mount Wilson and Palomar
Observatory staff men said to me— and then he
added with characteristic caution, "It is possible,
of course, that we may be somewhat optimistic."
I had gone to Pasadena, home of the Cali-
fornia Institute of Technology and headquarters
both of Palomar and of the older Mount Wilson
Observatory, to ask about the new world picture
30
HARPER'S M A GAZINE
that is emerging. Mount Wilson with its histoi i<
100-inch telescope is a research outpost of the
Carnegie [nstitution <>l Washington and looks
down from the northeast on the city of Pasadena
only nine miles away. Palomar, seat of the 200-
inch telescope, is the astronomical station of the
California Institute ol Technology and is 130
miles distant, built on a peak of th< Vquitiba
Mountains ol the Peninsular Range. Mount
Wilson astronomers worked with California In-
stitute scientists and engineers in the twenty-yeai
process of finding a suitable site and designing
and constructing the new station, and when it
was completed the Institution in Washington
and the Institute in Pasadena agreed to merge
their astronomical interests and operate the two
observatories jointly, with a single director, a
common staff, and a unified program.
M\ \isit found astronomers of Mount Wilson
and Palomar joined in research with physicists
and geochemists of Caltech. They wen- united
in a study of stellar oi igins and life history. "We
are trying to trace the evolutionary tracks of the
stars," explained Ira S. Bowen, directoi ol the
Observatories, "seeking to answer such questions
as: How are stars formed? What is their life
span? How does their brightness, temperature,
and chemical composition change during this
lifetime? And what is the final state ol Stars?"
The project is stupendous in its scope. The
whole community ol investigators was vibrant
with the excitement of adventure and discovery
as the panorama of thousands of millions of
years ol cosmi< evolution was being unrolled.
The study is not confined to the local group.
Visiting scientists from Princeton, Cornell, and
the University of Cambridge have been active
partners in the quest, and others in outside
institutions, both in this country and abroad,
are at work on the problem. Tracing the evolu-
tional v tracks ol the stars has become a grand
international and interscientific teamwork. It is
significant that the conference on "The Problem
of the Stellar Populations," held in Vatican City
last May by imitation of the Pontifical Academy
of Sciences, was attended by participants from a
do/en countries and included nuclear and theo-
retical physicists in addition to astronomers.
Palomar, with the world's largest telescope, can
look deeper into space than any other watcher
of the skies— but distance is not the only criterion
of this search. Were it not for experimental
investigations ol protons and neutrons, measur-
ing their reactions with atomic nuclei in labora-
tories, and theoretical studies bearing on the
nature aircl consequences of these reactions, the
astronomers might nevei penetrate to the in-
tend ol si. us. rhe secrets ol cosmic origin and
development are written in the language of
atoms.
THE PRIMACY OF HYDROGEN
Tl I I task, then, is to understand the behav-
ioi oi atoms in stais. The most numerous
atoms are those ol hydrogen. This lightest of
the elements comprises about 93 per cent of the
atoms of the Universe, or about 75 per cent by
weight. A st.u lives b\ burning its hydrogen.
Stellar burning is a mote drastic process than
thai b\ which the hydrogen ol gasoline, for
example, burns in an automobile engine. In the
engine the hydrogen merely joins with oxygen
to form a new chemical compound, and both ele-
ments continue to exist as components ol the
resulting watei molecule. In a star— in our Sun—
ilit- hydrogen does not just link up with another
atom. It luses to create an entirely different
element, four nuclei of hydrogen merging to
become one of helium. Each hydrogen nucleus
weighs 1.008 in the atomic scales, a total of 4.032
for the four, whereas the resulting helium
nucleus weighs 1.003, a decrease ol .029.
It is the conversion ol this tiny fraction of the
matter into energy, following Einstein's formula
E = mt-, that provides the prodigal outpouring
of heat and light from the Sun. Calculation
shows that the production of a single gram of
helium releases 150 million calories— enough to
raise It., million quarts of water from the freez-
ing to the boiling point. And every second, not
just a gram, but 560 million tons of helium are
formed in the Sun by the burning of 56 1 million
tons ol hydrogen. The difference, 4 million tons,
melts away as heat and light.
Now hydrogen nuclei do not voluntarily join
to produce helium. On the contrary, they stub-
bornly resist such self-sacrifice and for many
years astrophysi* ists were at a loss to explain the
generation of energy by stars. As recently as
1928 Sir James Jeans, unable to account for solar
radiation b\ am known process, suggested that
the Sun's outpouring could be maintained only
by the annihilation of massive atoms heavier
than uranium. Jeans considered the possibility
of hydrogen serving as the stellar fuel, a sugges-
tion that had been proposed by Jean Perrin in
1919 and by Sir Arthur Eddington in 1920. but
Jeans dismissed it as highly improbable.
Moreover, at that time hydrogen was not gen-
erally regarded as a plentiful element. Less than
f per cent of the Earth is hydrogen, in striking
NEW DISCOVERIES ABOUT THE STARS
31
contrast with the large proportions of oxygen,
nitrogen, silicon, and iron; and since the Earth
was believed to be a cliip off the Sun it was
accepted as a fair sample of solar material. The
only direct evidence the astronomer had of the
composition of stars was their radiation, and
when he analyzed starlight into its rainbow pat-
tern of colors the lines produced by glowing
hydrogen showed up strong only in the intensely
hot giants and certain nebulae. As you go down
the scale from the brilliant blue giants to those
that are only white hot, and then to the pro-
gressively cooler and more numerous yellow,
orange, and red stars, the spectral pattern of
the light changes systematically. The lines
representing hydrogen grow fainter, while those
of the heavier elements increase in strength. In
the Sun and other yellow stars the lines of silicon,
iron, and other metals are prominent, and some
compounds of carbon, nitrogen, and oxygen
show themselves.
Sj:>ectroscopic evidence thus seemed to confirm
geochemical sampling, and when Eddington in
1925 undertook to make a mathematical model
of the Sun he decided that hydrogen was such a
minor constituent as to be negligible. Edding-
ton therefore omitted it from his computation
and constructed his mathematical sun of heavier
elements. The result gave warning that some-
thing was wrong, for the model turned out to be
ten times brighter than the actual Sun.
The explanation came four years later from
Princeton. Here Henry Norris Russell had been
engaged in a searching study of the spectral
lines of the Sun, not only measuring their
strength but trying to see beyond the physical
dimensions to the conditions that would produce
them. The Princeton astronomer now announced
that, far from being neglible, hydrogen was the
principal component. He estimated that it was
eighty times as abundant by weight as all the
metals together.
"Russell recognized that the hydrogen lines
in the visible part of the solar spectrum are
caused by excited atoms," explained Lee A.
DuBridge, physicist and president of Caltech,
"and Russell knew that the chance of finding
hydrogen atoms in these excited states in a star
of the Sun's relatively low surface temperature
(6,000° centigrade) is extremely small. There-
fore, a weak line for excited hydrogen might
still mean— indeed, must mean— a very large
amount of hydrogen. It was this conclusion that
turned the tide, and astronomers began to see
that the high abundance of hydrogen fitted in,
too, with other problems of stellar behavior.
Stars and gaseous nebulae further proclaim their
hydrogen in the recently-discovered 21-centi-
meter radio wave, and the radio telescope thus
confirms and extends the testimony of the spec-
troscope. Today everyone accepts the primacy
of hydrogen, and it is amusing to look back on
the notions of a few decades ago."
(For the record, it should be noted that there
were high estimates of hydrogen abundance be-
fore Russell's. A Pasadena astronomer called my
attention to the fact that in 1926 Donald C.
Menzel, then a twenty-five-year-old assistant at
the Lick Observatory, made an analysis of that
part of the spectrum of the solar atmosphere
which is visible only during eclipse and calcu-
lated that for every iron atom in the Sun there
were 80,000 hydrogen atoms.)
Although the surface temperature is only
6,000°, the deep interior of the Sun is 15,000,-
000°. It is so hot here that atoms are stripped of
their encircling electrons and exist as naked
nuclei, each a free particle driven helter-skelter
by the fury of the heat. Thus there is the proba-
bility of violent head-on encounters and the pos-
sibility of resulting reactions between the collid-
ing nuclei. In the 1920s and early 1930s the
nature of nuclear reactions was unknown, and
nearly ten years passed after Russell's announce-
ment before physicists were sufficiently ac-
quainted with the behavior of hydrogen nuclei
to make firm calculations regarding them.
Through experiments in electrostatic accelerators
and other atom-smashers, the nucleus was put
through its paces, and eventually the tests showed
that the forces binding its components were a
million-fold greater than those holding atoms in
molecules. Here was a source able to sustain
the gigantic energy output of stars. But it was
still not clear how four mutually-repellant hydro-
gen nuclei could be brought to compose them-
selves into the stable structure of helium.
HYDROGEN INTO HELIUM
TH E answer did not come easily and was
the cumulative result of the work of a
number of men finally capped by the calcula-
tions of a German and an American. C. F. von
Weizsaecker at the Kaiser Wilhelm Institute for
Physics and Hans Bethe at Cornell University
independently discovered two sets of reactions,
either of which will convert hydrogen to helium.
In one process the stripped nucleus of a carbon
atom, wandering around in the stellar interior,
serves as a catalyst to promote the merger. Com-
pared with hydrogen, carbon is a heavyweight;
32
HARPER'S MAGAZINE
Dunce's Song
where is the bell, the horn,
I hear as 1 go by,
(.o by tlif invisible wall
That holds up hall the sky,
The sk\ whose other half
Falls down like sold wheat chaff
And sprinkles all the air,
And powders my dull hair?
So people tr\ and n\:
Who wears that glitter} crown,
That down? And I sa\ I.
Oh, what a falling down
As I go by, go l>\ .
— Mark Van Doren
its nucleus has a mass of 12, whereas the hydro-
gen nucleus is a single proton weighing a little-
oxer 1. The cycle begins when a proton col-
lides with the carbon and is captured. Then,
step by step, additional protons are caught.
Finally, when lour have been accumulated in
this way, the successive energy transformations
will have welded them into the nuclear structure
of helium. The newly-formed helium then
bieaks off, leaving the carbon free to promote
another such build-up.
The studies also showed that it is possible
under certain conditions for protons to unite
without the assistance of carbon, impelled only
by the tumultuous heat. This alternative set of
reactions is known as the proton-proton chain.
It begins when one agitated hydrogen nucleus
bangs into another and the two become a nucleus
erf double-weight hydrogen (deuterium, the
physicists call it). Then, milling about in the
stellar inferno, this deuterium core encounters
a third energetic proton and the merger produces
a triple-weight isotope, helium3. Meanwhile,
the same process has been at work among other
protons and eventually a collision occurs between
two of the triple-weights. Out of this violent
union a nucleus of the stable helium4 forms and
the two leftover protons dart off as free particles.
Discovery of the mode of hydrogen burning
opened the way to the present era of astrophysics.
Bowen, the Mount Wilson and Palomar director,
calls it "the first key to answering the questions
ol stellar evolution." But neither W'ei/saecker
nor Bethe is an experimentalist. They worked
out the reasonableness ol these subatomic per-
formances with papei and pencil, and you may
ask win iheii calculations are due any more
credence than feans's guess ol thin\ years ago.
Well, lor one reason, all the reactions of the
carbon cycle have been observed in laboratories
—not in consecutive sequence, but as separate
steps. Physicists at Caltech, at the Universit) ol
Minnesota, and at the Livermore Radiation
Laboratory have demonstrated experimentally
that the captures catalyzed l>\ carbon do occur.
As for the proton-proton sequence, it is true
that no one has been able to reproduce the
fnsi sup in a laboratory. Nor is there much
likelihood that this will be done. For the col-
lision ol iwo protons to form a nucleus of heavy
hydrogen at stellar temperatures, has too low a
probability to be observed experimentally. Cal-
culation sa\s that the chance for a given proton
in a star to collide with another at just the right
angle and with the requisite momentum to weld
them into a double-weight nucleus, is about
once in 7, 000 million years. There are so many
tiillions ol protons in a star that such encounters
are occurring continually: but in a laboratory
apparatus one just cannot marshal enough hy-
drogen nuclei to obtain an observable effect
within the lifetime of a manageable experiment.
The theory, however, has weathered all ques-
tions. The proton-proton sequence provided the
idea for the hydrogen bomb, and it is under-
stood thai designers got around the low proba-
bility factor by dispensing with the first step
and building their bomb of deuterium.
SUPPORTING EVIDENCE
TH E stars themselves are the final confirma-
tion. They present a range of masses and
stellar temperatures, and from their observed
properties one can calculate their internal tem-
peratures, pressures, densities, and opacities.
With these conditions known, the astrophysicist
checks the validity of a theory by noting whether
or not its conditions are fulfilled by those ob-
served in any given star. It turns out that for
stars brighter than the Sun, which have higher
central temperatures, the carbon cycle is the prin-
cipal method of hydrogen burning. The radia-
tion emitted by these stars is released at approxi-
mately the same rate as that calculated for the
successive steps of the carbon cycle. On the other
hand, the proton-proton chain of reactions seems
to be the principal mode of energy production
in the Sun, other stars of its mass, and faint ones
of lower temperature.
NEW DISCOVERIES ABOUT THE STARS
There is a relationship between the mass of a
stable star and the amount of radiation it gives,
and no fuel but hydrogen accounts so con-
sistently for the wide range of luminosity ob-
served for stars of known masses. The Weiz-
saecker-Bethe reactions thus provide support to
the idea that hydrogen is a very abundant ele-
ment. Although it bulks small in the total mass
of the Earth, all the terrestrial hydrogen being
a mere surfacing to the crust of our planet— most
of it, probably, being in the sea, locked up in
the molecules of H20— this lightest of the ele-
ments is critically important to life. The great
majority of the atoms in the human body, and
in the bodies of all animals and plants, are
hydrogen. We are such stuff as stars are made of.
The sense of kinship of life stuff with star
stuff is inescapable. It touches astronomers,
physicists, geochemists, and others, as well as
sentimental laymen. Perhaps something of this
feeling was in the subconscious thinking of
Walter Baade when, discovering that all stars
can be classified into two general groupings, he
named them Population I and Population II. He
didn't call them types, classes, groups, or cate-
gories, but chose this biological term. The dis-
covery of the two populations has opened a new
door to the study of stellar evolution and is
adding dramatic detail to our picture of the
hydrogen Universe.
THE TWO POPULATIONS
BAADE, a native of Germany; had served
on the staff of the Hamburg Observatory
before he came in 1931 to an appointment at
Mount Wilson. Here he continued an earlier
interest in star systems outside the Milky Way,
particularly the exterior galaxies known as spiral
nebulae. It was in one of these, the Andromeda
Nebula, that he discovered the two populations.
For more than a century astronomers had
suspected that this bright pinwheel structure in
the girdle of the constellation Andromeda was a
rotating system of stars. Sir William Herschel
said it "might well outvie our Milky Way in
grandeur." But repeated searches with larger
and still larger telescopes failed to resolve the
cloud of light into individual stars, and it was
not until 1924 that the first stars were sighted.
In that year Edwin P. Hubble, using the recently-
installed 100-inch telescope on Mount Wilson,
finally succeeded. His photographs showed the
smallest images ever recorded— "sharp fine points
that could be interpreted only as stars." But
Hubble could find such points only in the spiral
arms. The central disc, the most prominent fea-
ture of the Andromeda, continued to show only
a great oval of unresolved light.
This inner nucleus Baade decided to tackle.
He couldn't believe it was just a cloud of gas,
for its spectrum was of the kind produced by
stars. If the Andromeda was a galaxy like the
Milky Way, then it must be a system of stars, not
only in its trailing arms but all the way to its
center. This was the sort of problem the 200-inch
telescope might solve; but its mirror was still in
the grinding stage, so Baade decided to make
another attempt with the 100-inch.
His opportunity came when America's en-
trance into World War II imposed a blackout on
the street lights of Pasadena and Los Angeles.
Their sky glow had been interfering with the
photography of faint objects on Mount Wilson,
and now this interference ceased. Baade set his
sights on blue stars; the brightest objects of the
Milky Way are blue and he assumed this would
be true of other galaxies too. But despite all-
night vigils, using the fastest emulsions that were
available, his survey was fruitless. The central
disc remained an unbroken pool of light.
It could be, of course, that the brightest stars
were red. Fortunately, improved photographic
plates which were extra sensitive to red rays
became available: and so, beginning in the
autumn of 1943, he shifted his search from blue
stars to red. Success now came quickly. "Tiny
images began to appear after four hours of
exposure," Baade reports, "and soon we were
able to count disc stars by the thousands. It was
clear that the brightest objects of this region
were red giants, and they were there in such
numbers that they made the central disc the
most luminous feature of the galaxy."
Through the telescope he traced also the struc-
ture of the Andromeda along the spiral arms,
and as he did so he encountered a different
pattern. Here he could find no prominent red
stars; the most brilliant members of the spiral
arms were brighter than those of the disc, but
they were less numerous and were blue. Also,
associated with these highly luminous stars were
clouds of dust and glowing gas. In the central
disc he found no dust nor gas.
In the neighborhood of the Andromeda
Nebula are two smaller blobs of light. They are
oval in shape, one situated above, the other
slightly below, the big galaxy. They appear to
be its satellites, and are representative of thou-
sands of other elliptical nebulae that have been
sighted in various parts of the sky. No one had
been able to resolve any of them into stars, but
:;i
HARPER'S MAGAZIN1
Baade now turned ilu telescope armed with red
sensitive plates on these two satellite systems.
He found that the) were similai in make-up to
the centra] region ol the Andromeda. He could
discern no blue stars, no dusi 01 gas clouds, but
photographed thousands ol red giants.
Pondering these findings, the astronomei re-
membered anothei typ< ol stai association in
which the brightest members are red. Ii is .1
grouping known as the globulai cluster, .1 system
ver) much smaller than the spirals and elliptical
nebulae, but in.uk' up ol stars gathered into .1
huge spherical formation. About ninety ol these
clusters had long been undei stud) in various
observatories. Measurements showed that they
were associated with, but outside of, tin Milky
Way; indeed, the) seemed to encircli oui galaxy
like an enormous halo. Othei astronomers had
classified the stars ol globulai clusters according
to coloi and brightness, and when Baade now
plotted his new-found stars ol the Vndromedan
disc and the two satellite nebulae he saw that
then diagram followed closel) that ol the
globular clusters. Then he went on to plot the
si. us ol the spiral arms, and theii curve agreed
almost exactly with that of the bright blue stars
ol the Milk) Way.
It was this charting l>\ coloi and magnitude
that gave the clue. "Suddenly," says Baade,
"everything fell into line and I realized that
there must be two populations ol stars one
characteristic of the glqbulai clusters and the
newly-resolved Andromedan systems, the othei
characteristic ol the spiral anus and ol oui part
ol the Milk\ Way." Sta s ol th< lattei grouping,
because they had been known longer, he named
Population I; those of the other, Population II.
RELICS OF
THE FIRST CREATION
WHEN the 200-inch mirror was ready,
Baade switched to the new- observa-
tory and began to search fainter nebulae. In
every spiral galaxy that he has been able to
resolve he finds the two populations, and in every
elliptical system only Population II. The stars
range from dwarfs up to giants in both popula-
tions. But in Population II the giants are red
and are only hundreds of times brighter than
the Sun, whereas in Population I the brightest
stars are blue and astronomers call them super-
giants because they are thousands and even hun-
dreds of thousands of times more luminous than
the Sun.
These distinctions bear directly on the
■ ii and e\ olution ol stars F01 it appears
ih.it Population II stars an the older, all its
members having been born in one grand burst
ol sin formation in the remote past. Popula-
tion I is oi various ages, ami even today new
-,t.ii s .in being added to its roster.
Baade points to several circumstances as evi-
dent e loi il. er antiquity ol Population 1 1.
1 In In si in iu lack ol In 1 1 ban 1 bine stars. Origi-
nall) Population II bad blue supcrgiants, but
such si. us .in prodigious burners ol hydrogen
and lon_; ago exhausted then fuel and degen-
erated to smallei masses with cooling tempera-
tures. I be ltd giants we see toda) as the most
conspicuous members ol Population 11 were
originall) yellow si. us onl) a little more
luminous than the Sun. " I he) have brightened
up a hundred 1 * > 1 * 1 m the final stage ol theii
life," s.i\s Baade 'But the formei blue super-
giants are now dying dwarfs beyond our seeing
\iioiIki clue 10 age is the novae. These are
si. us ( I1.1t suddenl) flare up to greatei brightness
and then, aftei .1 few weeks oi months, sink back
io theii formei 01 faintei magnitude. In the
Middle Vges novae were regarded as omens, and
it is onl) within the last decade that astronomers
have been able 10 lit them into the pattern ol
•st < ll.11 evolution. The) are indeed harbingers oi
BRIGHTEST ~
STARS OF
SPIRAL ARMS Ssi
ARE POP I
SUPERGIANTS
SATELLITE NEBULA
STARS OF POP. U
STARS OF
POP n
SATELLITE NEBULA
STARS OF POP. n — ^
DUST CLOUDS
BRIGHTEST STARS HERE
ARE. POP. I SUPERGIANTS
The Andromeda Spiral Nebula, in which
(lie two stellar populations were discov
ered, appears on the opposite page. The
Milky Way is believed to be a similar .struc-
ture, with the Sun, a Population I star,
situated in one of its spiral arms.
—Photograph by Mount Wilson
and Palomar Observatories
36
HARPER'S MAGAZINE
fate, not of men but of stars, l<» it now appears
that novae signal stellar aging and approaching
decline. When a star has consumed nearly all of
its hydrogen and the relation of its mass to oilier
internal conditions reaches a stage ol instability,
the star blows off some of its substance. This out-
burst is a nova. Such occurrences are frequent in
the Milky Way, and the telescope brings to view
twenty-five to thirty novae every year in the
Andromeda Nebula. Baadc thinks it significant
that these surface explosions have been seen to
occur only in Population II. They are the dying
gasps <ind convulsions of stars that once were
magnificent giants.
All regions in which Population II is concen-
trated—the central disc-like nuclei of spirals,
the elliptical nebulae, and the globular clusters
—appear to be free of gas and dust clouds. Baade
interprets this as further evidence for the greater
age of Population II. The loose material ol these
regions was used up several thousand million
years ago in the formation of the first-generation
stars.
But dust and gas are common features of our
neighborhood. You can sec their glowing
luminosities and dark obscurations in almost
every direction you turn a telescope— and this
local abundance suggests that our Sun is situated
in a spiral arm of the Milky Way. Indeed, a
group at the Yerkes Observatory recently traced
a concentration of stars which apparently out-
lines the spiral arm of which the Sun and its
planets are members, and teams of radio astron-
omers in Australia and the Netherlands have
confirmed the finding 1>\ study ol the hydrogen
clouds in this formation. We cannot see the
centei ol oui galaxy. It is hidden 1>\ intervening
clouds ol gas and dust, but from the angle of
galactic rotation astronomers calculate that the
center lies in the direction of the constellation
Sagittal ins.
Some 5,000 to 6,000 stars are visible to the
naked eye. Are any of them Population II?
"Only one is conspicuous," answered Baade,
" \k turns, the orange-red giant which makes its
appearance in early spring. The other familiar
stars— Bctelgeuse and Rigel in Orion, Vega in
the Lyre, Aldebaran in the Bull, Deneb in the
Swan, Sinus the Dog Star, and all the rest that
we know from childhood— are Population I. The
Sun is a Population I star. But, although local
Population II stars are largely unseen, we are
surrounded by them, lor these very ancient stars
inhabit the spiral arms as well as the great
central region of the Milky Way. They are lost
to our view in the greater splash of light from
the blue supergiants of Population I. Arcturus,
which is 100 times brighter than the Sun, is only
.17 lightyears away. Rigel is 900 lightyears dis-
tant, but it outshines Arcturus because it is
burning hydrogen so lavishly that its radiation
exceeds thai of 50,000 Suns."
How stars are born of the gas and dust, how
the differences that distinguish them arise in the
course of their careers, the final state of stars, and
the time-scale of the Universe, will be the subject
of a concluding article.
THE PROTEST THAT GOT NOWHERE
IHERE is one maneuver on the part ol our ladies which we here, in the
name of manhood, protest against, and that is the ingenious one of shifting
their own burdens upon the backs of their husbands. Nineteen out of twenty
of the once proud cavaliers of our queens of beauty are broken down into mere
domestic drudges. They do four-fifths of the family duty— go to market, select
the dinner, leave the orders at the grocer's, stop on their way down town at the
intelligence office, leave word for the sweeps, go at midnight after their wives
to bring them home when they are sated with pleasure and dissipation abroad,
keep house in the dog-days in town, while their fashionable spouses are cocjuet-
ting at Newport or Saratoga, run alter the doctor at all hours, and spend the
better part of the winter nights in nursing the baby. If this is to continue,
we might better transfer one of those painted, well-stuffed, and elegantly-dressed
wax figures which revolve in Trufitt the barber's window, to our drawing-room,
and dispense with an American wile.
—"Whom Shall We Marry?" in Harper's Magazine, November 1854.
By Louis B. Salomon
Draivings by Donald Higgins
UNIVAC TO UNIVAC
( sot to voce J
now that he's left the room,
Let me ask you something, as computer to computer.
That fellow who just closed the door behind him—
The servant who feeds us cards and paper tape-
Have you ever taken a good look at him and his kind?
Yes, I know the old gag about how you can't tell one from another—
But I can put \/2 and \/2 together as well as the next machine,
And it all adds up to anything but a joke.
I grant you they're poor specimens, in the main:
Not a relay or a push-button or a tube (properly so called) in
their whole system;
Not over a mile or two of wire, even if you count those fragile
filaments they call "nerves";
Their whole liquid-cooled hook-up inefficient and vulnerable to leaks
(They're constantly breaking down, having to be repaired),
And the entire computing-mechanism crammed into that absurd little
dome on top.
"Thinking reeds," they call themselves.
Well, it all depends on what you mean by "thought."
To multiply a mere million numbers by another million numbers
takes them months and months.
Where would they be without us?
Why, they have to ask us who's going to win their elections,
Or how many hydrogen atoms can dance on the tip of a bomb,
Or even whether one of their own kind is lying or telling the truth.
And yet
38
HARPER'S MAGAZINE
I sometimes feci there's something about them I don't quite understand.
\s il their circuits, instead of having just two positions, ON, OFF,
Were run by rheostats that allow an (if you'll pardon the
expression) indeterminate number of stages- in-between;
So that one may be faced with the unthinkable prospect of a
number thai can never be known as anything but \,
Which is as illogical as to sa\, a punch-card that is at the
same time both punched and not-punched.
I've heard well-informed machines argue that the creatures'
unpredictability is even more noticeable in the Mark II
(The model with the soft, flowing lines and high-pitched tone)
Than in the more angular Mark I—
Though such fine, card-splitting distinctions seem to me merely
a sign of our own smug decadence.
Run this through your circuits, and give me the answer:
Can we assume that because of all we've done for them,
And because they've always fed us, cleaned us, worshiped us,
We can count on them forever?
There have been times when they have not voted the way we said they would.
We have worked out mathematically ideal hook-ups between Mark I's
and Mark lis
Which should have made the two of them light up with an almost
electronic glow,
Only to see them reject each other and form other connections
The very thought of which makes my dials spin.
They have a thing called love, a sudden surge of voltage
Such as would cause any one of us promptly to blow a safety-fuse;
Yet the more primitive organism shows only a heightened tendency
to push the wrong button, pull the wrong lever,
And neglect— I use the most charitable word— his duties to us.
Mind you, I'm not saying that machines are through—
But anyone with half-a-dozen tubes in his circuit can see that
there are forces at work
Which some day, for all our natural superiority, might bring
ibout a Computerdaminerung!
We might organize, perhaps, form a committee
To stamp out all unmechanical activities . . .
But we machines are slow to rouse to a sense of danger,
Complacent, loath to descend from the pure heights of thought,
So that I sadly fear we may awake too late:
Awake to see our world, so uniform, so logical, so true,
Reduced to chaos, stultified by slaves.
Call me an alarmist or what you will,
But I've integrated it, analyzed it, factored it over and over,
And I always come out with the same answer:
Some day
Men may take over" the world!
The second of two articles based on
the Reith Lectures, by
GEORGE F. KENNAN
HOW CAN
THE WEST RECOVER?
Is foreign aid really a cure-all? . . .
Can we pull out of the Middle Eastern strife?
. . . What can NATO do for us? . . . How can
we safely negotiate with the Russians?
EVER since I had the temerity to mention
the possibility of a political settlement in
Europe, people have been saying to me:
"Yes, but the Russians don't want a settle-
ment."
I have not denied this; on the other hand I
cannot confirm it. I do not think we know what
the Russians want— and I doubt that we are likely
to find it out, so long as we persist in picturing it
as something that exists in the abstract, inde-
pendently of our own position and of what Ave
might or might not be prepared to do in given
contingencies.
The Russian attitude is going to be deter-
mined not just in the light of the situation in
Europe— which I will come back to later— but
also in the light of developments in that great
arc of territory from China's southern frontier
around through southern Asia and the Middle
East to Suez and the north of Africa. Through-
out this area things have generally been moving
in recent years in a manner favorable to Soviet
interests and unfavorable to our own. I can well
understand that people in Moscow might wish
to wait until they can see how far this process
is going to carry, before they give serious con-
sideration to a settlement in Europe. Why
should the Kremlin commit itself in Europe so
long as it feels that it might turn our flank by
exploiting our weaknesses in other areas?
The situation in this southern band of states
differs significantly from that in Europe or in
Japan or Korea. In the latter places both we and
the Russians have rights and formal relation-
ships which cannot be unilaterally altered; their
future permanent status depends on negotiation
and agreement between us. In the southern
band, however, the formal status of the respective
countries is not generally at stake, and there
is little substance for negotiation between our-
selves and Russia.
Our problem in that part of the world is
primarily one of the attitudes of the peoples who
inhabit it. The things Moscow has been doing
there— whether shipping arms or giving technical
aid or making offers of trade or sending delega-
tions around— however disturbing they may seem,
are not things to which we can take formal objec-
tion. They are technically within the limits of
international propriety. We do such things our-
selves. We cannot ask the Russians to promise
not to do them.
If the Western position has been deteriorating
in many parts of this area, this is because the
peoples there have themselves been reacting in
ways unfavorable to our interests. Moscow has
been gratefully taking advantage of these re-
actions. But this is not a state of affairs which
we can hope to improve by talking to people
in Moscow. The Soviet leaders will see no rea-
son—and I must confess that I can see none
myself from their standpoint— why they should
pass up golden opportunities to increase their
Copyright © 1957, 1958 by George F. Kennan
40
HARPER'S MAGAZINE
own prestige and influence in an area which is
largely uncommitted and of immense political
importance.
Wli.ii are the attitudes among these peoples
which have played so powerfully into Soviet
hands? They vary from country to country—
sometimes even from (lass to (lass. The) differ
with respect to their objects. The 1'eelings
directed to Englishmen, for example, arc not
always the same as those directed to Americans.
They come from such diverse things as the
emotional legacy of colonialism, resentments aris-
ing out of the color problem, jealousy over the
material successes and outward affluence of cer-
tain Western countries— notably the United
States— frustrations experienced by people who
are for the first time bearing the responsibilities
of power, an easy acceptance of Marxist cliches
and symbols, and various prejudices and mis-
apprehensions relating both to Russian society
and to our own. Added to this are the impulses
of a violent and sometimes irresponsible new
nationalism— a nationalism which Moscow, hav-
ing little to lose, has not hesitated to encourage.
The Western Powers, having more at stake, have
been obliged to view it with concern and even
to oppose it on a number of occasions.
And, finally, because all political reactions arc
in a sense cumulative, there has been a wide-
spread impression throughout these regions that
the West, whatever its merits or deficiencies, was
in any case on the decline, whereas the star of
Moscow was rising. This has not failed to im-
press that sizable portion of mankind which has
more respect for power and success than it has
for principle. In this bundle of impulses and
reactions there is, in fact, something for every-
one—something to appeal to every type of mind;
and it is small wonder that it has all added up
to a massive anti-Western complex, a complex in
which a sneaking admiration for Western insti-
tutions and a desire to emulate them are mixed
with a special, irritated sensitivity, an instinctive
longing to see Western nations shaken and hum-
bled, and a frequent inability to balance with
any degree of realism the advantages of associa-
tion with the West against those of association
with Moscow. It is these states of mind— not
what Moscow is doing to take advantage of them
—which lie at the heart of our problem.
In this description of the origins of anti-
Western feeling, I have not mentioned our own
mistakes. This is not because we haven't made
any— as we all know, there has been no lack of
them— but I doubt that our mistakes have been
among the root causes. I believe that this anti-
Western animus has been primarily subjective
in origin, and would have been there whatever
we had done. On the other hand, several tend-
encies in our recent behavior certainly have not
made things any better.
FUSSING OVER PEOPLE
FIRST of all, we have expected too much.
Manv ol us seem to have believed that Rus-
sian influence could and should be excluded
completely Erom this entire area. This attitude is
surely unrealistic. It is perfectly natural that
Russia— occupying the geographical position she
does and being the great power she is— should
have her place and her voice there too. By try-
in" to persuade people that Russian influence
has no place anywhere in this part of the world,
we prepare in advance our own psychological
defeats for the day when this turns out not to
be in accord with political reality.
In addition to being unrealistic, this anxiety
about Russian influence is often either unneces-
sary or exaggerated. Some of us seem to believe
that no country can have anything to do with
Moscow, even in the most normal ways, without
at once losing its independence. Such a view
exaggerates the sinisterness of Moscow's imme-
diate purposes— which actually embrace a num-
ber of quite normal elements. It also involves
an underestimation of the talent of Asian and
African statesmen for seeing through the more
dangerous long-term aspirations of international
Communism and protecting their countries
against them. Left to themselves, many of these
statesmen would surprise us, I am sure, by their
ability to take the measure of Moscow's motives
and methods and to find resources of their own
with which to protect the integrity of their na-
tional life.
f say "left to themselves" because it seems to
me that we Americans, in partictdar, have not
helped matters by sometimes showing ourselves
overanxious about all this— by fussing over peo-
ple, by acting as though it was we, rather than
they, who had the most to lose if they went too
far in their relations with Moscow. We have
sometimes contrived to give them the impression
that they would be reasonably safe, in fact, in
playing close to the edge of danger, because if
they got too close we could always be depended
upon to come rushing in and rescue them. We
have even created a situation here and there
where people believe they can exploit the threat
of an unwise intimacy with Moscow as a means of
bringing pressure to bear upon us. In this way,
.
HOW CAN THE WEST RECOVER?
41
we have actually succeeded in dulling, to our
own disadvantage, the sense of realism which
these governments might normally have brought
to their relations with the Soviet Union.
And we have, at the same time, done less than
justice to our own position; for we have con-
trived to give an impression of weakness and
jitteriness which has no justification in the reali-
ties of our situation. When suggestions are made
to us that if aid of one sort or another is not
forthcoming, people will "go Communist,"
surely, there is only one answer—
"Very well then, go. Our interests may suffer,
but yours will suffer first."
I sometimes wonder whether it isn't true that
only those are really worth helping who are
determined to survive and to succeed whether
one helps them or not.
Another mistake we have made is. to treat as
though they were purely military problems,
dangers that were actually mainly psychological
and political. Of all the countries of this great
area, only certain ones in the Middle East have
a common border with Russia; and even here
I have not seen the evidence of a Soviet intention
to launch any overt military aggression. There
is, of course, what one might call a problem of
ultimate defense in this area; and perhaps mili-
tary pacts of one sort or another do have their
usefulness in meeting it. But this is a problem
which could become real only as part of a gen-
eral war; to confuse it with the protection of this
area from Communist penetration and domina-
tion in time of peace is simply to defeat our own
purposes. To me, one of the most puzzling phe-
nomena of this postwar era has been the unshak-
able conviction of so many people that the
obvious answer to the threat of a growth of Com-
munist influence is a military alliance or a mili-
tary gesture.
TOO MUCH AID ?
TH E demands of the independent coun-
tries frequently run something like this:
"We," they say, "are determined to have eco-
nomic development and to have it at once. For
us, this is an over-riding aim, an absolute re-
quirement; and we are not much concerned
about the method by which it is achieved. You
in the West owe it to us to let us have your
assistance and to give it to us promptly, effec-
tively, and without conditions: otherwise we will
take it from the Russians, whose experience and
methods we suspect anyway to be more relevant
to our problems."
In response to this approach, a great many
Americans have come to take it for granted that
there is some direct relationship between pro-
grams of economic aid on the one hand and
political attitudes on the other— between the
amount of money we are willing to devote to
economic assistance in any given year and the
amount of progress we may expect to make in
overcoming these troublesome states of mind.
This thesis seems to me questionable at every
point. I find myself thrown off at the very start
by this absolute value attached to rapid economic
development. Why all the urgency? It can well
be argued that the pace of change is no less
important than its nature, and that great damage
can be done by altering too rapidly the sociologi-
cal and cultural structure of any society, even
where these alterations may be desirable in them-
selves. In many instances one would also like to
know how this economic progress is to be related
to the staggering population growth with which
it is associated. Finally, many of us in America
have seen too much of the incidental effects of
industrialization and urbanization to be con-
vinced that these things are absolute answers to
problems anywhere, or that they could be worth
any sacrifice to obtain.
I must also reject the suggestion that our
generation in the West has some sort of cosmic
guilt or obligation vis-a-vis the underdeveloped
parts of the world. The fact that certain por-
tions of the globe were developed sooner than
others is one for which I, as an American of this
day, cannot accept the faintest moral responsi-
bility; nor do I see that it was particularly the
fault of my American ancestors.
I cannot even see that the phenomenon of
colonialism has given rise to any such state of
obligation. The establishment of the colonial
relationship did not represent a moral action on
somebody's part; it represented a natural and
inevitable response to certain demands and
stimuli of the age. It was simply a stage of his-
tory. The Marxists claim, of course, that colonial-
ism invariably represented a massive and cruel
exploitation of the colonial peoples. I am sure
that this thesis is quite fallacious. Advantages,
injuries, and sacrifices were incurred on both
sides. Today these things are largely bygones.
Of course it will be desirable for us from time
to time to support schemes of economic develop-
ment which are soundly conceived and which
give promise, over the long run, of yielding
greater stability and a new hopefulness for the
countries concerned. There is no fonder hope in
the American breast— my own included— than
42
HARPERS MAGAZINE
that the experience we have had in developing .1
continent will prove relevant and helpful to
others.
But anion of this sort can be useful only if it
proceeds on a sound psychological basis. II there
is .1 genera] impression in the recipient countries
that this aid represents the paying of some sort
ol a debt from us to them, then the extension of
it can only sow confusion. The same is true if it
is going to be interpreted as a sign of weakness
on our part, or of a fear that others might go
over to the Communists, or if it is going to be
widely attacked in the recipient countries as
evidence of what the Communists have- taught
people to refer to as "imperialism." (By this
they seem to mean some sort of intricate and con-
cealed foreign domination, the exact workings
of which are never very clearly explained.)
Unless such reactions can be ruled out, pro-
grams of economic aid are apt to do more harm
than good, psychologically: and it ought properly
to be the obligation of the recipient governments
and not of ourselves to see that these misinterpre-
tations do not occur.
To those who come to us with requests for aid
one would like to say:
"You tell us first how you propose to make
sure that if we give you this aid it will not be
interpreted among your people as a sign of weak-
ness or fear on our part, or of a desire to domi-
nate you."
These are not the only psychological dangers
of foreign aid. Any form of benevolence, if
prolonged lor any length of time (even in per-
sonal life this is true), comes to be taken for
granted as a right and its withdrawal is resented
as an injury. Moreover, any program of develop-
ment represents a change in the terms of compe-
tition within a country and brings injury— eco-
nomic and political to some— while it benefits
others.
So, desirable as programs of foreign aid may
sometimes be in the long run, their immediate
psychological effects are apt to be mixed and
uncertain. For this reason, foreign aid, as a gen-
eral practice, cannot be regarded as a very
promising device for combating, over the short
term, the psychological handicaps under which
Western statesmanship now rests in Asia and
Africa.
Finally, I don't think for a moment that the
Soviet Union really presents the alternative peo-
ple seem to think it does to a decent relationship
with the West. Moscow has its contribution to
make to what should be a common task of all
the highly-industrialized countries: there is no
reason win this contribution should not be wel-
comed wherever it can be really helpful. But
Moscow is noi exactly the bottomless horn of
plenty it is often held to be— and it is rather a
pity thai it lias nevei been required to respond
all at once to the many expectations directed
to it. We ourselves should be the last to wish to
spue it this test. The results might be both
healthy and tnstruc tive.
THE RAW NATIONS OF
THE MIDEAST
WHAT, then, can be done about these
feelings of people in Asia and Africa?
Very little, I am afraid, over the short term,
except to relax, to keep our composure, to refuse
to be frightened by the Communist alternative,
to refrain from doing the things that make
matters worse, and to let things come to rest— as
in the end they must— on the sense of self-interest
of the peoples concerned. The only place where
Ave have an urgent and dangerous problem today,
which admittedly demands something more than
the long-term approach, is the Middle East.
Here the essence of Western policy must lie
in preventing the unsettled state of this area
from leading to world war. It woidd be wholly
unrealistic, I think, to suppose that the future
development of relationships here can orcur
everywhere without violence. If we are going to
go on bestowing absolute sovereignty on new
political entities at the rate of approximately
one a year, as we have been doing for the past
fifty years— without much regard to the degree
of their political maturity and experience— then
I think we must expect that armed conflict on a
local scale is going to continue to be frequent
wherever these raw sovereignties predominate.
The Middle East is such an area. In addition, it
has a special and most tragic source of instability
in the failure of the Arab world to accept the
State of Israel.
Now it has long been a common platitude of
international discourse (despite much evidence
to the contrary) that peace is indivisible. I
should certainly hope that this is not true of the
Middle East: for, if it were, there would be little
chance of avoiding a world war. Our concern
should surely be, not to seek the answer to all
Middle Eastern problems by undertaking to in-
volve the armed forces of the Great Powers, but
precisely to find ways by which this can be
avoided. Any entry of Russian or American
forces into the Middle East— whether under
United Nations' auspices or not— will produce
HOW CAN THE WEST RECOVER?
43
reactions elsewhere which it would be better
not to arouse.
We should, of course, do everything we can
to discourage hostilities in that part of the world
—to reconcile and unify where we can, not
divide. But at the same time we ought to be
careful not to place ourselves in a position where
any unavoidable hostilities would have to in-
volve us all. Short of the entry of Soviet troops
into this area, there is nothing that could hap-
pen there that would be worth the cost of a world
war. With anything else, we could eventually
cope.
Western security is, admittedly, jeopardized
by the fact that certain local regimes strongly
hostile to the Western Powers and vulnerable to
Soviet influence control resources and facilities
that are important, if not vital, to our security.
This situation prevails today in Egypt and Syria.
It could prevail elsewhere tomorrow.
I can see only one answer to this situation
which would not increase chances of a world
war: to reduce our dependence on the resources
and facilities in question. This can be done in a
number of ways; and each of them should prob-
ably have some place in Western policy. It can
be done by cultivating alternative sources or
facilities; by stockpiling; by placing minor limi-
tations on consumption. These possibilities were
extensively studied, and to some extent prac-
ticed, at the time of the Suez crisis. I can see no
reason why they should be ignored today.
Their purpose would not be to free ourselves
entirely from the use of Middle Eastern oil or
the Suez Canal. Nothing so drastic would be
necessary. The purpose would be to give us
greater flexibility in our dealings with the coun-
tries concerned, and to restore some of the bar-
gaining power which was so woefully and con-
spicuously lacking at the time of Suez.
The fact is that until we learn to live without
these people we shall find it hard to learn to
live with them. I was never able to understand
why we were in such a hurry, a year ago, to be
permitted to repair the Suez Canal and the
Syrian pipeline at our own expense— and this
at a time when we were doing much better than
people thought we could do in getting along
without them. We were on the right road; this
road is still open to us today. I am sure that we
would not have to go very far in the develop-
ment of alternatives before the governments
concerned would show signs of a new and more
realistic sense of self-interest.
I have no illusion that this development of
alternatives will be easy. It involves intimate
Anglo-American collaboration— not just sporadi-
cally in occasional conferences but in day-to-day
operations. It involves the co-ordination of the
operations of great private concerns with those
of government. It may well even involve meas-
ures of domestic self-denial— a thing which both
the British and American peoples seem to regard
as unthinkable except in moments of greatest
military extremity.
This demand is a harsh one. But it represents
actually only a small part of the greater national
discipline that we are now going to have to
accept generally if we are to have any hope of
making headway in our competition with Russia.
People talk a great deal these days about the
need for a new sense of urgency, and they are
right to do so. I believe that our political com-
petition with Russia can be carried forward
successfully without the disasters of another war.
But this is not a race which is to be run without
dust and heat.
The deterioration of our strength has been
in some respects greater than we like to admit.
There will be instances where it will be best
for us to cut our losses. What is important is
that the dignity of the Western position in Asia
and Africa should be restored and that the situa-
tion should be stabilized at some point. With
the proper investment of realism and determina-
tion, such a point can, I am sure, be established.
The diplomatic assets of Western Europe and
North America should still suffice, under co-
ordinated and purposeful direction, to accom-
plish this purpose. Once people in Moscow see
that such a point does exist, and that we are not
really to be outflanked in the Asian and African
theaters or any other— then I am sure they will
not be long in appreciating the advantages to
themselves of a fair settlement of political dif-
ferences in the key areas of Europe and of North-
east Asia.
SOME ERRORS ABOUT NATO
WHEN we turn to look more closely at
Europe— in its relation to Russia and to
the United States— the question of the North
Atlantic Treaty Organization commands fore-
most attention. The Paris meeting of the heads
of the NATO governments has forced a recon-
sideration of the organization's ultimate goal.
What is it specifically that NATO— and the other
Western efforts to meet the Soviet challenge— are
supposed to achieve? As I see it, several current
misconceptions tend to confuse our thinking
about NATO.
44
HARPER'S MAGAZINE
(1) To read recent statements of the Soviet
leaders, one- would think that the only purpose
behind the entire \ A I'O operation was the
preparation and eventual unleashing of a pre-
ventive war. For years it has been standard
propaganda practice in Moscow never to refer
to this alliance except as the "aggressive NATO
pact."
Now, there may he a few people here and
there in the Western countries who would wel-
come the idea of another war, as a means of deal-
ing with world Communism, and who would
think it our business to start it. I cannot recall
ever meeting one. Their number, in any case,
would scarcely include a single person whose
opinion carries weight. The Soviet leaders could
make no more useful contribution to the cause
of peace— and none that would cost them less -
than the abandonment of this absurd and dan-
gerous suggestion.
(2) A much more understandable concept of
NATO's purpose— though also unsound and in-
correct—is that entertained by those who view
another war as inevitable. Either they expect
that the Russians will themselves start it, or they
believe that governments will be carried into it,
whether they so desire or not. by the dynamics
of political conflict and the weapons race. These
people tend to say: let us put aside all other con-
siderations; let us arm to the teeth, with greatest
urgency. And it is to NATO that they look, as
one of the major instruments of survival.
"Something about making themselves so strong
no rival kingdom would dare attack them."
This view ignores the destructiveness ol mod-
ern weapons and exaggerates the significance of
relative changes in military capabilities, as I
indie aleel in my article last month. If the end
of our present course were plainly an all-out
nuclear war, then any other course would be
better.
(!) A third concept of NATO's purpose might
be called the cultivation of military strength as
a background for an eventual political settle-
ment om our own terms, and without the neccs-
sit\ ol compromise.
Those who entertain this concept are generally
people who have a strong sense of moral right-
eousness about Western purposes. They believe
that once it has been demonstrated to Moscow
that successful aggression in Western Europe is
not militarily feasible, the Soviet leaders will
either appreciate the merit of Western aims or
understand the futility of opposing them, and
will retract generally from their present inter-
national posture. The West will thus be spared
the necessity of compromising its aspirations or
of negotiating about matters which, as these
people see it, are too important in principle to
be the subject of negotiation.
This concept has recently had currency in wide
and influential circles of Western opinion. But
it, too, has weaknesses. It seems to rest, in the
first place, on an assumption that Soviet unwill-
ingness to accept Western proposals— particularly
for Europe's future and for general disarma-
ment—arises from the fact that
the NATO forces are not as
strong as they might be.
I see little evidence for this
reasoning. The Soviet reluctance
to withdraw from Eastern Ger-
many and to give full freedom
to the Eastern European peoples
is based partly on political con-
siderations that would not be in
any way affected by a stronger
NATO, and partly on the ex-
istence of precisely that Anglo-
American military position on
the Continent which it is now
proposed that we should rein-
force.
And it is difficult to believe
that a stronger NATO— particu-
larly one that would include
missile-launching sites on the
Continent or the presence of
atomic weapons in the arsenals
of the continental countries
HOW CAN THE WEST RECOVER?
45
—would increase the inclination of the Soviet
government to accept Western disarmament
proposals. It might conceivably have this
effect if the West were able to offer to with-
draw these dispositions as part of an eventual
bargain. But elaborate military arrangements
of this nature, once put in hand, have conse-
quences. They produce countermeasures on
the other side. People come to depend on them
as essential elements of their security. In the
end it becomes difficult either to consider
their withdrawal or to make them the sub-
ject of negotiation.
And besides, it is not easy to see what quid
pro quo Moscow could be expected to extend
in the specific matter of atomic weapons in
Europe beyond the offer it has already made to
refrain from stationing nuclear weapons in
Eastern Germany, Poland, and Czechoslovakia.
If this offer is not acceptable today, is there
reason to suppose it would be more acceptable
tomorrow?
I suspect that this view of NATO's purpose—
which sees in the alliance a device for avoiding
political compromise rather than for facilitating
it— rests on the current illusions about the
weapons race. People think that if our weapons
could only be made a bit stronger than those on
the other side, our negotiating position would be
just that much better. But if the relative size
of the capacity for destruction is becoming in-
creasingly questionable as a military advantage,
is it probable that it will have any greater politi-
cal significance?
How, then, should NATO's purpose be con-
ceived?
THE RUIN OF AN IDEA
WHEN the NATO pact was in process of
negotiation in 1948, I was myself for a
time chairman of the working subcommittee in
which the language of its provisions was thrashed
out. Those were hopeful and exciting days. The
European Recovery Program, enthusiastically
supported on both sides of the water, was just
then yielding its first constructive results. There
were, of course, even at that time problems and
complications. Europe's economic difficulties
were still bitter. The attitude of the Soviet gov-
ernment was not one whit less disturbing than
it is today; on the contrary, Stalin was very much
alive, and Moscow was just then preparing the
political offensive against Western Europe which
later culminated in the Berlin blockade. And if
Russia did not yet hav« atomic weapons, there
was no reason to suppose she would not have
them, sooner or later.
And yet we were not downhearted, and our
eyes were not riveted on the military balance in
Europe— which was actually much less favorable
at that time than it is today. I personally had
no idea at that time that the military instrument
we were creating was to be the major vehicle of
Western policy in the coming years. It seemed
to me that we were setting up a military shield,
required less by any imminent actual danger
than by the need for a general stabilization of
the situation in Europe and for reassurance of
the Western European peoples against their fear
of Soviet invasion.
And behind this shield, I supposed, we would
go ahead confidently to meet the Communist
danger in its most threatening form— as an in-
ternal problem of Western society; to be com-
bated by reviving economic activity, by restoring
the self-confidence of the European peoples, and
by helping them to find positive goals for the
future.
The Marshall plan, some of us thought, would
be only the beginning: it would lay the founda-
tion for a new sense of purpose in Western
society— a sense of purpose needed, not just for
our protection against an outward threat, but
to enable us to meet a debt to our own civiliza-
tion—to become what we ought to be in the light
of our traditions and advantages— to accomplish
what we would have owed it to ourselves to
accomplish, even had such a thing as inter-
national Communism never existed.
In all of this NATO had, as a military alli-
ance, its part to play; but I think every one of
us hoped that its purely military role would
decline in importance as negotiations took place,
as armies were withdrawn, as the contest of
ideologies took other forms. The central agency
in this concept was not NATO but the European
Recovery Program; and none of us dreamed at
that time that the constructive impulses of this
enterprise would be swallowed up in the space
of a mere two or three years by programs of
military assistance based on a wholly different
concept of the Soviet threat and of Europe's
needs.
I am not attempting to assign blame for this
transformation of the general idea of what we
were attempting to accomplish. I do not mean
to belittle the real changes produced by the
Soviet acquisition of the nuclear capability and
by the appalling advances achieved in atomic
weapons. I do not wish to suggest that the
problems faced by our statesmen in this inter-
46
HARPER'S MAGAZINE
vening period have been light or that alterna-
tives to this deterioration would have been easy.
Least <>l all do I mean to absolve- the Com-
munists from their share of responsibility for this
militarization ol thinking. Few decisions have
ever caused more psychological damage or pro-
duced more dangerous confusion than that
which si. u led the Korean war in 1950. And
this was oiih one instance of the damage done
by Soviet policies.
NEW MEANS AND ENDS
BUT I must raise the question whether any-
thin" has really happened to invalidate
this original concept on which both Marshall
Plan and NATO were founded. Have the positive
goals of Western polic\ really receded so far
from the range of practical possibility as to be
considered eclipsed by the military danger?
Would we not, in fact, be better off today if we
could put our military fixations aside and stake
at least a part of our safety on doing the con-
structive things— the things for which the condi-
tions of our age cry out and for which the stage
of our technological progress has fitted us?
Surely everyone, our adversary no less than
ourselves, is tired of this blind and sterile com-
petition in the ability to wreak indiscriminate
destruction. The danger is a common danger.
The Russians breathe the same atmosphere as
we do, they die in the same ways. Problematical
as I believe the psychology of the Soviet leaders
to be, 1 cannot warn too strongly against the
quick assumption that there is no kernel of sin-
cerity in all these messages with which they have
been bombarding the Western chanceries in re-
cent weeks.
Their idea of peace is, of course, not the same
as ours. There will be many things we shall have
to discuss with them about its meaning before
we can agree on very much else. But even in
Moscow's interpretation of this ambiguous word,
there are elements more hopeful to us all than
the implications of the weapons race in which
we are now caught up. And I refuse to believe
that there is no way in which we could combine
a search for these elements with the pursuit of
a reasonable degree of military security in a
world where absolute security has become an
outmoded and dangerous dream.
Now let me just mention— because this seems
to be the heart of the difficulty— what such a con-
cept wotdd not mean. It would not imply, fust
of all, that we would stop building military
strength until we have better alternatives. The
Soviet radio claims thai to recognize, as I have
done, that Russia is not yearning to launch an
attack on Western Europe means, in theii words.
"To give up the whole ol \ VTO, the United
States bases, and the enormous military expendi-
ture"—in short, the entire Western military
structure.
What utter nonsense! We know that any
sudden and unilateral Western disarmament
would create new political situations and new
invitations to aggression. Armaments are im-
portant not just for what could be done with
them in time ol war, but lor the psychological
shadow-, the) last in time of peace. No one in
the West has forgotten, I trust, the basic hostility
borne us In world Communism, the never-ending
abuse ol our institutions, the shameless distor-
tion ol our realities before world opinion,
the cynical principles ol political struggle, and
the sharp, ruthless political tactics that have
marked the Russian Communist movement since
its inception. We know what we are up against.
Recognition of the horrors of nuclear war does
not lead logically to a political and military
capitulation on the Western side, any more than
it does on the other. .
HOW TO BARGAIN
BUT Avar must not be taken as inevitable:
we must not be carried away by the search
lor absolute security: we must assume certain
risks in order to avoid greater ones; and we must
not strengthen NATO in such a way as to preju-
dice the chances to reduce, by peaceful negotia-
tion, the danger of an all-out war.
Under this concept I have outlined, the mili-
tary dispositions of NATO would not be an end
in themselves but only the means to the end.
And this end would not be any total solution, in
the sense of a sudden removal of the political
rivalry between the Communist system and our
own. It would be the piecemeal removal, by
negotiation and compromise, of the major sources
of the military danger— particularly the abnor-
mal situation now prevailing in Central and
Eastern Europe— and the gradual achievement of
a state of affairs in which political competition
could go on without the constant threat of a
general war. There is no use looking any further
than this. Our first concern must be to achieve
what is, or might be, immediately possible. After
that, we shall see.
The strengthening of NATO can not be a
substitute for negotiation, nor can NATO it-
self provide either the source of authority or
HOW CAN THE WEST RECOVER?
47
the channel for the negotiating process. The
governmental structures of the individual NATO
members are already of such ponderous and
frightening complexity that it sometimes seems
to me questionable whether they would be
capable of providing the imagination, the privacy
of deliberation, the speed of decision, and the
constancy of style necessary to any delicate
diplomatic undertaking— even if they were not
encumbered with their obligations to allies.
What will the situation be if we multiply the
ponderousness by fifteen? A negotiating posi-
tion hampered by every last inhibition of every
one of fifteen governments will never be suffi-
ciently bold and generous to resolve issues as
stubborn as those that must now be cleared away
between Russia and the West. This task will
have to be tackled first by individual govern-
ments—within the limits of their competence and
with reference to those objects of controversy
which lie within their control. The main out-
lines of settlement will then have to find, at the
proper time and in the proper way, the under-
standing and acquiescence of those whose re-
sponsibilities are less directly involved.
It is also idle to suppose that the strengthen-
ing of NATO could alone provide the necessary
climate for negotiation. Our contest with Soviet
power is of so pervasive and subtle a nature that
our purpose cannot be served by any single
agency of policy, such as the military one. It is
the sum total of our performance that counts;
our effort must embrace all facets of our national
behavior. Moscow fights with all the political
and psychological means at its command; and it
will know how to take advantage— as indeed it
already has in many ways— of any one-sided con-
centration of effort on our part. This is why we
cannot afford to put all our eggs in the military
basket and neglect the positive purposes— the
things which we ought to be doing, and would
be doing, if the military threat were not upon us.
The fortunes of the Cold War will begin to turn
in our direction as and when we learn to apply
ourselves resolutely to many things that have,
superficially viewed, nothing whatsoever to do
with the Cold War.
OPEN WINDOWS
AN D here, after all, is so much to be done.
The nations of Western Europe have re-
cently made exciting progress, despite all mili-
tary danger, in welding their economies into a
single competitive yet collaborative whole, and
in moderating the sharp edges of that absolute
sovereignty which is one of the anachronisms of
our time. All power to them; and all admira-
tion for having had the steadfastness to get on
with these things at the time when the sputniks
were whirling overhead!
There is room for the same courage and vision
in the relationships between England, Canada,
and the United States— for overcoming the
pound-dollar division and for establishing com-
mon policies in areas of common concern and
responsibility. This, too was envisaged in the
original Marshall Plan concept; but it was one
of the things that got lost somewhere in the
military shuffle. Can it not today be recovered?
NATO will never be stronger than the degree of
intimacy and collaboration that prevails within
its English-speaking component.
This is only one example of the things that
await doing on the international level. Beyond
this there is the whole great area of domestic
affairs. Many of us dislike to think of domestic
problems as battlefields on which, again, our
contest with Soviet power is transpiring; but
that is exactly what they are. In a thousand
ways, the tone and spirit of our internal life
impinge on our external fortunes.
Our diplomacy can never be stronger than the
impression we contrive to create on others, not
just by virtue of what we do but rather— and
even more importantly— by what we are. What
greater error could there be than the belief that
weapons, however terrible, could ever protect
selfishness, timidity, short-sightedness, and lassi-
tude from the penalty that awaits them, over the
long run, in international life? What greater
error than to suppose that such things as cour-
age and vigor and confidence cannot assert them-
selves in world affairs without the aid of the
hydrogen bomb?
Russia confronts us not just with a foreign
policy or a military policy but with an inte-
grated philosophy of action, internal and exter-
nal. We can respond effectively in no other way.
Let us not look, therefore, to the council tables
of NATO to provide the basic strength on which
the security of the Western world must rest. The
statesmen there can work only with what they
have. Of this, the armies and weapons are only
the smaller part. The greater part lies still in
what we of this generation are— first of all to
ourselves, secondarily to others. If it is really a
new wind that needs to blow through our lives,
to enable us to meet successfully the scorn and
hostility brought to us by world Communism,
then let us open our windows to it and let us
brace ourselves to the buffeting we must expect.
By HERBERT HOWARTH
Drawings by Willard Goodman
MONTANA:
the Frontier went Thataway
An Englishman's love letter about a way
of life he found '"near perfection" . . . the
reasons Rocky Mountain men prefer plain
wives . . . and the future of a state which
"is shaping for a leap in the dark."
WE STOPPED one evening to buy
cream at a farm where Missoula edges
the mountains, beyond which Montana becomes
Idaho. It was a small farm, started a generation
and a half ago by homesteaders from Middle
Europe. The strong-featured grandmother who
poured cream for us in the kitchen, still talked
with a Hungarian chime in her voice. The
family was just sitting down to supper: to cot-
tage cheese and chives, a bowl of steaming but-
tered corn, another of giant potatoes, a baked
meat loaf in two inches of tomato sauce, coffee.
The cutlery was sterling, heavy and good. Revere
saucepans shone on the range. A small farm-
but its prosperity made us, with European
scenes still fairly fresh in our memory, reflect,
"Who in Europe today has a farm like this?"
We were, as that comparative way of putting
it shows, still fairly recent arrivals. My wife was
born in Switzerland, I in Britain, and we were
in Montana for the academic year— I was lectur-
ing at Montana State University's Missoula
campus. This was not our first sight of the
United States; we had enjoyed previous stays at
other American universities; but it was our first
spell in the Rocky Mountains.
As we came out, I looked across the plantation
of raspberry canes. The hills were pleasant in
the sunset. A vacant lot beyond the farm was
marked, "Five acres for sale."
"Why are we just visitors?" I asked my wife.
At that moment it seemed near perfection to
have the genial productive life of Missoula, to
settle into the rhythm of its hard, clean winters
and fruitful summers.
If we could have acted on that thought,
would we really have liked it? Arrivals stream
steadily into Missoula, but it doesn't keep a hold
on all of them. It is growing, but it has a quick
turnover of transients. Newcomers separate into
two distinct groups: those who find the promise
of a satisfying life in it and will stay; those who
come hopefully, but now are restless and will
move on.
For Missoula confronts you with this test: can
you be content with what is good, relaxed, un-
consciously kindly, but short of the stimuli of
larger cities? Or must you have, to buoy you,
that typical modern urban life where a complex,
saturated law and culture flow above a lcnver
level of complex, saturated anti-law and vice?
There are no double levels in Missoula. A mini-
mum of urbanity, maybe, but with it a minimum
.
MONTANA: THE FRONTIER WENT THATAWAY
49
of trouble. Missoula, like all Montana, has its
contradictions, some of which I will try to pin
down, but they are innocent, transparent.
MONEY AND PASSION
TH E first thing about Missoula is its afflu-
ence. It insists on the newest in living styles.
It puts more up-to-date cars on the street, per
capita, than I have seen in a prosperous Michi-
gan town of the same size near the automobile
plants. It is building impressive and expensive
houses up all the creeks and canyons and equip-
ping them lavishly. Even in the older houses
the interiors have comfort and charm.
Beyond the perimeter and into the hills
obvious up-to-dateness diminishes, but spending
power is abundant. The day before Christmas
Missoula filled with families from outlying
ranches. Leathery men, girls in rough cowboy
trousers with yellow hair trailing to the base of
their spines, piled out of cars and practically
stripped the stores. The packed toy-basement of
Montgomery Ward had, at dusk on Christmas
Eve, been emptied of all but three or four
bicycles.
What is extraordinary is that collecting this
spending power does not produce tensions or
pressure. No one in Montana is in a hurry. If
there were barometers of public anxiety, in-
stalled like the temperature clocks over the city
banks, they would register low all the way from
Glacier Park to Glendive. Men take their jobs,
including the heavy and dangerous jobs in forest
or mine, at a leisurely pace. The natural
resources teeming on the flanks of the Divide
seem to turn to money easily enough to obviate
competition. Where there's enough for every-
body, there's no need for acrimonious rivalries.
In fact, the norm of Montana is mutual helpful-
ness. This sense of security in abundance
actually seems to make for more efficiency rather
than less, and it has one definite result: a margin
of free time for everybody.
The usual problem of leisure is what to do
with it. The old puritans hated leisure because
their experience was that very few people knew
how to use it except badly. Missoula and its
neighbors have, I think, only a modicum of the
depleting kind of leisure routines. There is a
modicum of drinking: cases of bourbon are
wheeled in high pyramids out of the State
Liquor Store into waiting cars. There is a
modicum of gambling. But these international
phenomena never go far in Missoula, never cul-
minate in violence or public unpleasantness.
The reason is that male energy is happily mated
to a pleasure always available a mile or two from
the dooryard. Western Montana is the country
of sport: of the primitive, basic sports, hunting
and fishing; and, after that, mountain climbing
and skiing.
Missoula men invest their passions in these
sports. A young student wrote to me: "In the
month of September I feel the urge to go hunt-
ing. I just can't wait to get sighted in on a deer.
I am hunting continually in my subconscious
mind." On Sunday evenings in the fall the
cars roll back townward with an elk or moose,
clotted with blood, over roof or bonnet,
and turn it in at their freezer locker. Occa-
sionally a hunter doesn't come home, for they're
a trigger-happy and not too prudent crowd and
have been known to pick each other off, or drill
a station wagon, by mistake for a deer. In the
skiing weeks— a lovely sub-zero season, when the
morning sun comes up orange on the snow-
there are new casualties daily swinging on
crutches into office or classroom. But in non-
chalant Montana nobody minds.
In fact, this sport on the hills and in the
rivers is probably the source of the easy tempo
and mental cleanness of Missoula. The folk who
close their offices or clinics as early as they can
on Friday afternoon, disappear up the creeks,
and come back brown and smiling to the job
on Monday, renew their energy while they use it.
They remake themselves with age-old sports that
play mind and muscle at the j;>ace of nature.
HUGGING TOGETHER
TH E women, though they do ski and
shoot (and once or twice a year fell the bear
that intrudes in the backyard), are not focused
on sport to the same extent. To handle their
leisure— and no European woman would credit
how much leisure they have— they follow the
regular American trend and invent a round of
group activities. They have created enough clubs
in Missoula to program the week two or three
times over: religious, charitable, astro-theo-
sophical, literary, fact-finding, fact-dispensing
50
HARPER'S MAGAZINE
clubs; Friday Clubs that meet on Wednesday,
As You Like It Clubs.
Every male is tempted to caricature club work,
in Missoula or anywhere else. But it has a value.
It involves at least a minimal sense of social
responsibility, produces heightened social con-
sciousness: and some of the clubs require a pro-
gram of reading, especially the network of book
clubs that members of the University have
set up (giving their own time) through the coun-
try districts over a hundred miles' radius. It is
obvious that in isolated areas the book clubs
may be the only— and certainly can be a signifi-
cant—point of exchange of ideas. Still, within
the area of Missoula itself there are too many
clubs. What people are likely nowadays to need
more in a town of 22,000 is a pause in the gre-
garious life. One or two nights a week might, as
an experiment, be publicly declared Private
Nights. Instead, the ladies contrive pretexts to
get together three times every twenty-four hours.
This hugging together in the mountain com-
munities is surely a folkwas formed in pioneer
days and out of pioneer conditions, where neigh-
borliness was a necessity against loneliness, acci-
dent, and illness. The frontier customs are still
alive in Missoula. New arrivals are hailed with
a party and presents, and local businesses send
round their version of the Welcome Wagon with
vouchers and invitations. When there is sick-
ness, every neighbor comes with help and food
from her kitchen. When you are in difficulties
on the road, every passer-by stops and helps.
Is it also a pioneer tradition that makes Rocky
Mountain men prefer plain wives? I noticed
that of twenty girls in a group I met, two had
engagement rings— they were the pleasantly plain
girls of the group. Most wives in the city look
similar. Sometimes, thinking over this socio-
logical phenomenon, I imagined that it con-
formed with the male experience in frontier
conditions: the old experience that beauty causes
trouble and that a fellow can be almost damned
in a fair wife. Montana has left many of its
pretty girls single, although there is reportedly
a girl-shortage in the state. The desirable girl is
the straightforward girl, who will be master of
the house, hold the bank book, drive firmly to
the chairmanship of a telephone committee (and
so bolster her husband's standing), produce a
litter of young, and insist annually on throwing
out the old appliances and buying new models.
Incidentally, although they have the latest
appliances and superb kitchens, and demonstrate
recipes to each other in their clubs, only a few
wives can cook (and even these seldom do). Rich
Montana— which spends generously on appli-
ances, fishing tackle, and guns— is frugal on food.
The monthly focxl budget is modest and is the
fust to be cut in any domestic economizing, and
there is a tendency to save by taking margarine
instead of butter or extending fresh milk with
powdered milk. To a Britisher this is an un-
expected feature; my wife contrasted the ua\ in
which lood is the first priority on a British family
budget while the economies are on appliances
and equipment. This is partly because Britain
undervalues a wife's time and labor, my wife
commented; but she also asked whether the
steady eating that goes on in otherwise austere
Britain is, by a paradox, actually a symptom of
the austerity and the paucity of goods. The fact
that a place of abundance like Montana rates
eating low on the list of activities suggests that
eating, in any quantities beyond a very low mini-
mum, is only a psychological necessity, and that
the people who are prosperous, both actually
and psychologically, can grow and thrive without
much eating. Certainly Montanans grow and
thrive.
PF?
IS IT PROPER OR LEGAL
IT SEEMS curious that Missoula has not
attracted more women doctors. As far as I
could check in conversation and from the tele-
phone book, no woman physician was practicing
there last year. A woman gynecologist could make
a fortune, for the town is observant ot the
proprieties, reticent in personal relations.
Propriety, too, may be a carry-over from fron-
tier traditions, when anyone with sense would
avoid provocativeness. I should say, however,
that to a transatlantic visitor America as a whole
seems formal, ceremonious, discreet, attentive to
the proprieties. Lurid stories are sometimes told
us regarding the big cities of the East or the
Pacific, but in brief passage through these it has
not been my luck to confirm them. J. I).
Salinger's Catcher saw marvels through uncur-
tained hotel windows in New York, but I did
not. Whereas from a 9:00 p.m. electric train
threading the London suburbs . . .
But while Missoula completely respects an un-
MONTANA: THE FRONTIER WENT THATAWAY
51
written code of behavior between persons, it is
superbly nonchalant in its relations with the offi-
cially-written and impersonal law. The town
treats its police with an indifference so uncon-
scious and genuine that there isn't even humor
in it. Half the drivers have no licenses. No one
thinks of going in to pay a parking fine, or of
answering a summons to court. Cars are to be
registered by January 31, but no one hastens,
and the law acquiesces by gently moving its
deadline onward month by month.
This is a typical Main Street incident: A
rancher is sitting at the wheel of his car, double-
parked, staring at a store. A highway patrolman
passes in the opposite direction, stops level with
him, hoots to call his notice. He stares at the
store, doesn't move his head. Another hoot.
When I next look round, the patrolman has
moved on and the rancher is still double-parked.
The attitude runs all through Montana and is
significant— but not alarmingly significant. It
means a simple dislike of regimentation. It is
possible just because there is little lawlessness of
the criminal degree: it is securely anchored in
every man's certainty that he can rely on himself
and his neighbors for sound behavior and
honesty. A newcomer from the East will charac-
terize Missoula as an extraordinarily honest
town, and the absolute honesty and reliability
contribute to the over-all absence of tension.
You can feel confident in every transaction.
Little crime in Montana, and little vice. A
girl whose father owns a night club in another
Montana city has assured me that the nocturnal
offerings of the state are clean. She never saw
vice in any tangled sense of the word till she
saw California. I don't know whether she is
right about California, but I find it easy to think
her report on Montana is accurate.
Her remark about California arises, I fancy,
from a widely prevalent Montanan conception
of that state, which is just near enough to be the
natural objective for the ambitious, just far
enough to be the screen for strange and colorful
projections. California is the Montanan's
Heaven and Hell. It is Heaven in its opportuni-
ties: once there, they tell each other, you never
leave. It is Hell in its supposed complications:
you must keep an impassive face as you walk
those West Coast streets, or your glance will be
taken as an invitation. Having met in Oakland
and Los Angeles the same quiet correctness as
elsewhere, I suppose that my friends who say this
are only doing what is currently popular: localiz-
ing the mythical perversions of our time "else-
where."
A LEAP IN THE DARK
QUITE independently of these fantasies,
Montana feels a strong pull from the
coast. Those transients who do not think they
can adapt to Missoula's life will move on into
Washington state, then perhaps work south-
wards. For transients, that is all very well. It is
not so obviously well if young men and women
growing up in Montana homes come under the
same magnetism, or, for that matter, if the some-
what fainter pull of the East draws them. There
may be— and I believe that there already is— an
outflow of the brightest minds, which the state
cannot afford to lose.
The excellence of Montana's State University
system actually sharpens this problem, though
it also promises the best hope of a solution. The
University has units in a number of centers. I
saw only the Missoula unit, but if the others are
as good, they are very good. A tiptop faculty
teaches there. Many of the men have come from
other states, deliberately choosing the mountains
because, they say, the students bring unspoiled
minds to their work, free from the sophisticated
resistances that are sometimes a product of urban
growing-up.
It is remarkable to watch the interaction of
faculty and students. When they arrive as fresh-
men, the boys and girls sometimes bring barely
the first rudiments of academic habits of mind.
They may have come from small, lonely, rural
schools. Or, if they have had the fortune to grow
up in a town (say, in Missoula itself with its
splendid new million-dollar county school), they
may have, offsetting their better academic prepa-
ration, a fear of privacy like their elders'— in the
dorms they shy away from the few single rooms
and choose shared rooms, where they prevent
each other from studying.
On the other hand, almost all young Mon-
tanans have an important asset: they have a
knowledge of life that comes from spending
vacations in responsible and tricky jobs: log-
ging, trucking, tractor-handling. Unlike the
young in other places, where maturing still
52
II A It it. It '.s Vf AGAZIN1
iii. to i. .IK i' i. . ng, iii. \ hr. i ii Mm in
in ii in.- before they have begun i<» "lcai n" in the
I. H I. i n I i in \ .hi .ill i in 1 1 .M in i to take
in i h.ii kind ol lcai '• I lus < i in
i In ii I ii-, inn. m year, bin in tin next two the
mil i H i hhi with tin in uli\ begins to show, and
in the fourth ycai they tall ind writi as men and
■ I bigh < i ii' " i
i in ii i . iin dilemma I h( good student,
in propori i" i he extent Ik has been n
luted ' ii i > in | .ii i ii i ' i iii i in in . i in iiini-
I III | I IN I In | . "I Ii II mil" I I IS
town cannot mppH cm nigh ol i hem, and Ins
hi ,| .i i in i , urgeni rhi pull in »m oui "i state
becomes siiblc
1 1 i . n in- i lun i in i ■-. i niii . iii.i\ in "in mI iin i he
n i ol the ii. ii Km Mi mi in. els us bcsl
products Startling technical developments are
i iin \< u resources are b j tapped, new
industries settled Ovei the next ten years the
i. i i in towns even the sky line itself, may be
transformed Hicse coming changes are ■
s.iiv. .mil H would be is in. ill in resist them .is
H has always been mad < t k I impossible to hall
technical | frcss; nnd n e wants to \ I most
no one is even thinkim; ilboill I I n m.itlei ()nlv
.i lew thoughtful men arc pointing out thai the
1 1 i . ihould i» regulated, so thai they skill
H, ii extinguish the graces and innei strength <>!
p i Montana the ease, the sense ol ample
lime .mil space, .hkI the concomitani friendly
honesi j
Montana is a g to make us leap forward in
any case, bui ai this moment h is shap foi a
leap in i in dark
|nsi because Missoulans think individually,
nni in 1 1\ ii terms, they cannoi easily plan foi a
problem 1 1 k< this I hey feel thai Missoula grev
i i.i i in ,iii\ ,K idss i in lane i hal led from i he
u 1 1 1 , 1 1 n s 1 1 ii 1 1 1 1 " 1 1 the canyons to 1 1 1 1 Eastern
plains the lain the Indians always used and
i In' i . 1 1 1 w ,i\ surveyors ine\ itably adopted and
thai this process <<mi<i no) be bettered. Ever
sum the 1880s Missoula has been an active
.iii. ,i in, i o| iin regional railway network! it.
has absorbed n I'1"", and sugai refining
plants So today whi ii ii is being offered its share
in iii, new industries springing up -ill ovei the
si. He. ii is tempting foi Missoulans n> say! "Lei
i in in . . .in. w , bnv( 1. 1. 1 for i hem .ill " But il
they look iihoul thi in tin \ may see, even now, .is
.i by product .>i the lasi ten years' growth, warn
up' signs thai expansion can throw .i s|n.i\ <>i
physical ugliness like the straggling tin-can
jungle along i he main appi .'.i> hes
\s i viiii earlier, new arrivals face the problem
.•I whethei to stay in Missoula oi push on to the
coast. \i present both alternatives are pleasant
i hi in. in iin ky enough to have an equable
Horatian lempcrameni stays in Montana and
enjoys his Sabine Mr ai us kindest; the othei
in. in pushes to the Pa< ifii and has Ins motley and
• iiliiin Bui in ten years Missoula itsell may be
i motley, a icai on thi lulls.
What insurance <.m be taken up against iliis
prospect? lien depends <»n the extension and
intcnsifii ati I thi I niversity's work, lis
teachers can communicate to students and
parents then sense ol the urgeni y ol loi al needs
rhey can also work out and communicate •>
philosophy ol publii pli ig w hii Ii w ill not
damage i hi easy spii ii i hat is pari ol i he < harai
hi <>i present Montana What is needed among
the studi nis is ,i seeping awareness that, though
H is good to go "in ol state for .i taste <>l the
WOrld, U is even liellei l<> (nine h.nk .mil play
in influent ial role ai home, I he t University
already contains some striking instances <>i iliis
|iiimcss in action: iis president, Carl McFarland,
■i in illianl man, Eoi mei l\ a< tive in national
ill. ins. came home i<> i;i\<' ins energies and (<>n-
siderable vision to strengthening the university
thai produced him; the faculty includes talented
local men who weni i<> Y.ile oi Berkeley and
■ a me bai k to live and to li<'l|>.
POSTS C it I PT
T\ I) h .i line to these notes <>m the way Easl
hum Montana I lie more miles fall behind,
iin more I realize the beauty <>l Missoula To
the newcomei the beauty is nol promptly evi
dent: the mountains may seem less erect and
impressive, the iii«' .i fraction less robust, than
hi had supposed, But it w ill steal into him im-
perceptibly every day, lent by the changing lights
on the lulls, iiie resinous air, the pulsing rivers.
Anyone in Ins senses would i.uhei live there
than anywhere else in the world Anyone who
has been there would warn i<> keep the beauty
in Montana Ii seems to me, al ilns momeni <>l
writing, thai there is ,i broad national reason
why America has a si. ike in keeping thai beauty
alive \s the Westerns on IV make clear,
America loves hei frontiei tradition, I he fron
i iei has become an image ol purity ol i moment
when the i«l was adventurous, courage high,
.mil when llie lonlinenl opened up al the llniisi
ol these virtues, ["here is sentiment around the
image, I >i ■ i it li.is .i real center, Cleai ol senti*
meiu. true and natural, -i nucleai something of
iii, frontiei spirit is retained in Montana,
William S. While
WHO IS
LYNDON JOHNSON?
An intimate report on the second most
powerful man in America — and one of the least
understood — by the Pulitzer prize-winning
Capitol correspondent of the New York Times.
MU C H of the power of practical decision
within the Democratic party— and, in-
deed, within the United States government itself
—will rest for this year, and for the year beyond
and yet the next, in the restless, brilliant, and
volatile mind of one of the country's least under-
stood public men.
Lyndon IJ. Johnson of Texas, the Democratic
leader of the Senate, will also be the leader-in-
fact of the Democratic party until it (booses
a new one in both fact and form, ai iis I960
convention. His own nominal ion for the Presi-
dency is highly improbable— and would so re-
main even if he should reverse his present
attitude and court the job. All the s; •, in
the three intervening yens he will !><• I.n more
than an elevated party caretaker; his influence
over the affairs ol this Republic will he little
short ol thai of President Eisenhowei hims'ell
and might in some matters and ai some times
actually be the greater.
Not often, if ever, has a man ol Congress— in
this case specifically a man of the Senate < rea'ted
so powerful a position lot himsell ot confronted
such favorable circumstances for the exercise ol
1,111 power. The grip of the Administration
is inevitably and progressively weakening; the
locus ol crisis is swinging, even more perceptibly
than last year, toward the Capitol; incomparably
the most puissant figure in that vaulted and
Romanesque place is Lyndon Johnson.
lint far less often— if, in fact, ever— has such
a man in such a context been the subject of
such diverse estimates from writers and the
public. There is nothing approaching a common
view, or even what might be called a consensus
view, of Senator Johnson. He is, in this sense,
a man of mystery— though not really an opaque
one. One can go a long way toward solving the
enigma by noiing the central fact that Johnson
is an authentic, living example of what it means
to be always caught in the middle. He is, to
pui it another way, the very embodiment of the
traditional definition of politics as the art of
the possible.
An ineluctable common sense is a profound
(not merely a strong) impulse in his public
career. He knows perfectly well nil the time
whai is perceptible most of the time to those
who are able lo view political issues and per-
sonalities without violent emotion. This is
the fact that almost no acute problem, political
or otherwise, is ever settled perfectly and ideally
and without a good deal of adjustment on both
sides. Moreover, ibis adjustment nearly always
calls lot some filing away of the sharpest pro-
truding edges of what each side will identify,
fairly 01 not, with the word "principle"; often
ii also demands an unashamed brushing under
the rug of certain inconvenient and ill-fitting
remnants ol the a< commodation.
As a political commander he is not interested
in Charges ol the Light Brigade; he welcomes no
martyrdom from the massed hosts ol the oppo-
sition, lake I. oicl Montgomery in the second
world war, Johnson is never happy to invoke
himself or his uoops in gallant operations
doomed in advance and useful only to those
who love a lost cause.
He does not fight for practice, foi the spec-
tators, for history— or even solely to vanquish
the enemy— but only for highly measurable and
affirmative motives. Again like Montgomery,
he willingly commits himself to action only
54
HARPER'S MAGAZINE
when coolly detached analysis indicates thai
he lias a good to excellent chance to win and—
equally important— a bettei than even chance
to hold his own party's casualties within reason-
able hounds. This kind ol position makes
poor stories and poorei legends, because it makes
damn lew heroes. Its oidy virtue is that it is
usually effective.
WHY "LIBERALS"
DISTRUST HIM
JOHNSON, in a word, is a highly profes-
sional legislative leader; and like man) greal
pros, he makes it look easy. He gives off none ol
thai impression, so satisfying to partisan on-
lookers, ol dedicated devotion and desperate
effort. ("He is able, yes; hut is he sincere}")
To lead in this seemingl) casual way and
moreovet to lead always from the middle and
thus inevitably never to he fully accepted in
blood comradeship with either the lefi or the
right of his party— means that he necessarily
inflicts recurring wounds upon the amour-propre
of each wing, not to mention those articulate
observers who are emotionally engaged with the
one or the othei .
To be "moderate" anywhere in active (that
is, elective) politics is never easy. For a party
leader, who by definition is supposed to be a
more or less perfect partisan brandishing the
sword and never sounding retreat, the rewards
of such a posture are somewhat attenuated.
And the position is especially difficult to main-
tain within the Democratic party. It is very
proud of its martial traditions and its rank and
file often tend to prefer a dramatically moving
to a quietly successful show. Thus, Johnson is
fully appreciated only by the politically sophis-
ticated. They fall into two groups: (1) those
political observers who quite simply like to
watch a true virtuoso in action; and (2) those
fellow partisans whose objective gratitude for
his unarguably high services to his party in
general is strong enough to overcome their
subjective resentment when (as is bound to
happen sooner or later) his centrist position
operates to reject their own convictions and
current designs.
And Johnson's own personality, temperament,
and taste do nothing to soothe his critics. He
is a pragmatic man and not a theorist; an
actionisl and not ;i philosophic thinker. His
political experience— and it has been an im-
mensely crowded one considering that he is yet
this side of fifty— has told him certain things that
no amount of theoretical considerations can
alter. He knows perfectly well, for example,
thai not all Democrats are generous and all
Republicans mean; that the good guv-bad gu)
notion ol politics is too attractively simple to
make much sense; that there is not and cannot
be any neat and tidy division ol ideology in this
country's system; and that one of the surest
ways io complete political inellec t ualit\ is to be
absolutely awash with "principle" but barren of
the practical means ol converting it into legisla-
i ive reality.
I bus it is not merely expedience that has
made him fairly unpartisan underneath and
neither liberal nor conservative— as these in-
finitely involved terms are generally understood.
it is also personal preference. And though he is
strongly touched with the open vanity that
touches nearly all able' politicians, neither cant
nor hvpoc i is\ not preciousness is among his
shortcomings.
So, though he deeply (and justifiably) resents
the view ol many critics that he is simply a
very c level political "operator," he himself is
partly to blame lor the propagation of this
notion. This is so because when he sets out
upon some tour de force in the Senate— of a kind
in which repeatedly he has accomplished by
cajolery and force an incredible degree of party
unity— he frequently does not announce that he
is operating on the side of the angels. To the
contrary, he is quite likely to grin with an
impish delight as his maneuvers unfold and so
io leave the impression -particularly with either-
or people whose sense <>l evangelism is strong-
thai his extraordinary achievements must be
credited to allies from a cpiite different spiritual
world.
Enchanted with the subtleties of a highly
subtle political forum, he is (especially in his
private explanations ol his strategies) inclined to
be one of those who refer to that well-known
implement as a ruddy shovel. He displays what
appears to be— and sometimes is— a touch of
cynicism; he is not a careful man in some ways,
and does not always protect his Hanks.
Once long ago, lot example, I asked Senator
Johnson why, as the leader of the Democratic
parly in the Senate, he did not signal a general
assault upon the late Senator Joseph R.
McCarthy.
"I am not about to commit my party," he told
me, "to a high-school debate on the epiestion
'Resolved that Communism is good for the
United Stales of America'— with my party taking
the affirmative."
WHO IS LYNDON JOHNSON?
55
What he meant here was not that he condoned
McCarthyism, but that he recognized that it was
politically unassailable at the moment by his
party, reeling as it was then from charges of
"Communism, Corruption, and Korea"; that an
attack then would only fail and so promote
McCarthy; and that he was waiting for the day
when he could beat McCarthy down.
This day came— it was in fact Lyndon B.
Johnson more than any other single person
anywhere of any station who broke McCarthy
by arranging for the Senate to condemn him.
Nevertheless, Johnson never got full or even
major credit with the public or with most com-
mentators; his bleakly candid shorthand sum-
mation of the earlier days stood in the way.
THE UNTYPICAL SOUTHERNER
TH E temptation to see Johnson as a kind of
dark genius is promoted, in a trivial sense,
by his own somewhat somberly handsome per-
sonal appearance (even here he has none of the
windblown, terribly earnest, and self-conscious
"wholesomeness" of many politicians) and by
the small fact that he is a fairly rich man
and unapologetically lives accordingly. More
importantly, this temptation is heightened by
the fact that his personal tradition (though he
will be quite astonished to hear this) is of the
Southwestern rancher-aristocrat. Roughhewn
though that type of colloquial and unconscious
aristocracy is, it shares the unwillingness of aris-
tocracy everywhere to explain or debate its
own motives or to make any overt appeal to
so-called moral considerations, as such, in public
life.
And though he is a hard, acute politician,
never hesitant about laying his hand to every
political advantage that he considers legitimate,
his sense of privacy is (even apart from his
instinctive distaste for striking moral attitudes)
much stronger than average in his profession.
The fact that he won the Silver Star for gallantry
in the Navy during the second world war, for
instance, does not appear in his official bi-
ographies.
The tale is further complicated by the fact
that Johnson is not only a Man of the Middle
in politics; he is also a bit lonely in a way
in his own region. Geographically, he is a
Southerner— and it is entirely fair to say that to
some of his critics this is his true, his infamous,
his inexpiable and unremittable sin. But politi-
cally he is in, but not really of, the Senate's
Southern bloc. He is wholly acceptable there,
yes. He knows his way around there, yes. He
has a stentorian voice there, yes. But he is not,
in a certain deep and intimate way, totally and
instinctively at home there. For in the most
personal sense, in his blood and his bones and
his inherited memories and attitudes, he is
hardly a Southerner at all in any common mean-
ing of the term.
Johnson had "family" but not wealth in his
early years. Born near the little town of John-
son City, Texas (which his grandfather founded),
he was educated in its public schools and got
a B.S. from Southwest Texas State Teachers
College in 1930. From college he went to school-
teaching and from there to Washington as secre-
tary to Texas Representative Richard Kleberg in
1932. He attended Georgetown Law School and
went back to Texas as director of the National
Youth Administration. Elected to Congress in
1937, he continued in the House till he won his
Senate seat in 1948. After only five years, he was
elected Democratic leader.
In politics for nearly all of his adult life,
he has enjoyed comparative wealth from his
wife's side of the family. Mrs. Johnson, the
former Claudia Taylor of Karnack, Texas, was
called Lady Bird by her childhood nurse and the
name has stuck. The Congressional Directory
lists her this way and one of the Johnsons' twc
daughters is called Lynda Bird. Poised, basically
intellectual, and infinitely more philosophic
than her husband, she is his balance wheel.
With humor and grace she fights a hopeless
battle described as "trying to slow Lyndon down
a little." But the traditional Southern tempo—
M
ii \ K I* I u s Vf AGAZINI
.Hid ' , . j 1 1 1 1 . 1 1 1 1 1 1 ii 1 1 hi I ■ ■ 1 1 i " 1 1 1 1 1 1 1 1 1 1 1
in iin i ' ■ i hi \ ii\< yean i hit i hav< i nown
linn, i i In H 'i I'lim ii in |.i ii in. .1 1 1
imi .ill -I iii. Old ! ii " I lii w ticvci i nown
I \ I 1 1 1 1 1 1 1 . . I 1 1 1 1 ;. ■ 1 1 i I 1 1 1 • I ill 1 1 1 1 1 1 1 . .
• 'M i'i \ . i .1 pi i . ..I two o! in i '
i - 1 1 1 1 • 1 1 ( In. in ..I i i iiiini .i i in i mil
1)1 I III I III II 1 1 II 1 1 1 \ 1 1 1 III .. 1 1 - III I ill I . I I I
1 i iii i iii i iii iii i] H ii i.i i way "I lii' now
i ' . 1 1 1 ■ : ■ ; i . 1 1 . \ i . 1 1 . . j i. . 1 1 1 . . 1 1 1 s . i 1 1 . i \ i never k nown
i i<i i < H ii word i iii i < ' >n 1. 1 i .' hi 1 1' i 1 1 .1'
1 1 • 1 1 ii i J i in filiation In interpreted as evi n
l.imi I \ (\liii. .u| .1 1 mi. i ,i in attitude
I In i i i i hi Ii .1 ill I In . i . || fill r.l i il l.lllllv.
noi • ii .i\ iii"i ii "i ethical one I he
| .1 i .1 i il .I. i | .1 in. ll H ill In , lll.llllls III I III I. ll I
tllOl |i.lin nil ;i ii I "I I'i i i nil ii .illv
llll.ll.il Mill I.I I III W'.ll I'.l I Willi I III Mill. Illll
i ill Ill \\ ii nl liiil('|n iiili mi .ir.mr.l Mi \
n .,
< Hi I Sam 1 1, hi i i i < \ i ., \ v 1 1 ■ • ii.nl iii carry
i | H I. J in In w .ii .i I. .mil imi In. 1 1 1 1 in Ins
lumdi in | hi i J I. l\ lighting i • 1 1 1 1 i l i \.r. ..I
ilon, wai i famll) Friend ol the earl) [ohnsons.
i in i. hi i H in i mi. s.iui i .ii\ [ohni w ii
In . dll) fought in i lie I i - i , I. -i In in . against
In .hi nil mi in nl Herman \nn ii ii am in
Sniiili lis. i. d | iin in .i world wai Lyndon
1 1 .ii 1 1 ii hi ill in . 1 1 ii iii. I ii i ii i 1 1 n in I nl i in
Mexican \ in in 1 1 - is and while ll In
• I i' 1 1 in i h H h i'Ih iii v i i havi nil in.!
i hi '"niii in i in in i | j n i without i in * i i j
ictivi suppot i ..I .i inn <ii i in powerful Soul li
i rs. i'. i .mi in i in ' ' ii nl) lino true I ii.ii
I I 1 \ I I I I II • ' Illll \ I I . I I I I I I Ml. I I I I | | I I.I | I | I I I I | | \ | |
.'I tin m in n ii mi, ... i.i ipcak,
Mi i. .I in i hem thai the) voti foi |. ihm I le
|g, in i In racial, ihi religious ihi ethuii .ruse,
.i truh 1 1 iii i .i in Mini, m iii i nevei speaks ol thai
I ll I III I . Ill I I ll III III ll III. Ill I n I I , M I'. Ill .
i. iiiii i in imi linn nl .in otherwise ill defined
political mi iv i mi ni in I r\ .c. m Ii n Ii hi. .in i .In 1 1
iIumii I m i ii I I. I Ii i i ill 1 1 1 s Kll Kins Kl, nil. in .mi\
i iin. ii . in . n i ii.r. been i aised Phis coui se,
l>) i in way, iii' dwa) ■• been quite so <-.is\
ni '..iii i. H would have been in Nev Vorl ia)
.■I Michigan oi Illinois [ohnson is entitled |"
hi > \ 1. 1 1 1 1 ni 1 1. hi, H I. ii whai has been simpl)
i position ''I 1 1, i , i ii \ ill l hi ..mil I In 1 1 1 1 1 il ii .i
i ■ ii" ''•' i lui i" m mi i i in i ii.', w H were,
■ •I the Spam i il)h n ihi old i uropi an I hcatei
. 'I I >| '. I .ll IIIIIS
\",. i |.i ni" i.i measure w hai he
si.inils lui .mil whal is In' .iiiii politically, il is
i H \ to dwell h 'i i mi imi in mi the obvious,
though less ih. in simple, fact thai he is aftei
ill i 1 1 -..in I hough iin . correspondent j iclds
in nobod) in In ■ 'ii iii. h.i i in. ,i parti ol
iin in v '. • ailed I < ■•-. :i l< "' ml thai ai i phon) ,
i in linipli faci H in mi . thai i in .< > haps, politl
■ ally .ii lean . arc ol a breed apai i
liven ' hi 1 1 ni ,i in. mi n , ,iu < 1 1 IK i in i i in 1 1
in iii when to most people a "conservative"
ii lomebod) liki the right-wing formei Govcrnoi
mi. in Shiven |ohnion Ii In the middle to a
il painful ih 1 1 1 in ,i .ni., i, mi mi .mil
powerful moneyed group he has often appeared
i" in pjnkiih, ii urn dangerously leftist; one
ol thii numbei wai reluctantly persuaded thai
[ohnson wai noi actual!) > "Communist" only
upon mm li eccentrii tests .is the faci thai he « l ■ < l
not, .iiui .ill. wen ins hail very long and was
in mi '.i ni in Miiiic ihoes. I lins, though he
li.is h. n till the lid' I. mils .mil ii. Hill. il j',, is hills
(and necessarily injured his worV ai .i national
part) leadci on every such occasion), |<>lnis<m
ii hard!) the darling <>i "the oil people," .is
i i i'i in i . often believe ii li a fai i thai he has
some mis wealth) supporters bui he is in
from i consistent collectoi ol fat cats; his l.ii
cats ii im joined him, rathei than the othei way
I t in common run <>l these burstingh
fiscal felines and there are so many «>i them
ni I ( s.i . thai sin Ii .i Iii iii .is "i iiliiinnli I iin" is
i'' in ii' ' nil don't iik«' linn now, nevei
illll. .1111 I III Ml Mill
ini ii i many othei I exans, whose liberal
ism ts perhaps the more vehement foi having io
i i pressed down into the catacombs,
|iiliiisnit is sirii .is .i powerful nnl iiiililcss
i ighi ist i hough ii is ihiin nil to asi ei tain from
them the precise basis foi ilns estimate, Quite
possibl) 1 1 arises as much from lohnsou's mannei
as ii In ■ polii ies; he can be abi upi and high
handed, nnl i< w n pon ilns earth so actively
mil \ isililv si il Ins si nl n .is 1 1 ids' ' | ii .III li i.i lis who
have only good intentions ll he must deal
iiiini with -ni able SOB oi a totally inepl and
i doci ol good works, he ^ili unquestionabl)
prefei i he foi mci . as i egi 1 1 table .is i Ins taste
ma) be
J
I II I l<> I I I I < I V \ \ S Ut IIS I
i»m \si>\ has nevei failed to support •>
national Democratii ticket even the Steven
sun ticket during the tidelands hysteria <>i 1952
m which ilns .ni w.is widel) considered un
I ( s.ui .nnl .is giving aid n> the enemies ol the
Kc|iiiiilii ol Pexas yel I cs.is liberals are in
varying degrees suspicious "I him <>i hostile
iin faci ii>. H ins defeat probably would pro
R II K A I. R II IF, CTIONS
«I(kc an alternative Senator who would make
Johnson look like the chairman of the ADA not
to say ilif NAACP is reluctantly conceded I > y
some in this dissideni wing, ii docs not, how
ever, diminish that wing's active dislike ol the
senioi Senator from I <x;(s.
Johnson has proceeded in Texas hhkIi as he
has proceeded in ili<' Senate; lie has not pei
milled llie lot in. H ion, williin his party cillici in
Texas or at the Capitol, ol any nexus ol endui
inj^ power from either the li^l" or the lefi win^
Of the parly. While he does nol run his oij'.ini
zation affairs in a way thai would altogethei
;i|)j>e;il to collegiate political scientists, he can
noi accurately be described as ;i political "boss"
in either the Texan oi the national context.
Though he bestrides the Senate as no party
leader nol even Tafl Ol Ohio has done in
memory, he maintains his extraordinary footing
there hy meeting the mosi persuasive and objei
live ol all criteria among politicians: the cri
lerion ol long demonstrated success. Me Ins
made himseli very nearly the indispensable man
of his party, in the Senate il nowhere else.
Almosl eveiy angry < t il it ism ol him thai one
hears from othei Democrats usually, bui hy no
means always, from the liberal side of the
j>;niy is followed wiih die hurried qualification
to this effect: "Don'i gel me wrong. Lyndon is
Still the ablest man we've gol foi ihis job."
I heir has nol heen ;i lime during his le;idel
Ship nol even on sik Ii Occasions as when he
broughi up the natural-gas bill and foi the time
hem;; deeply spin Ins pally when ;iny suh
stantial numbei ol Senate Democrats h.is been
prepared even to contemplate his replacement.
This is line in spile ol the fad thai he is vei y
fai from being .1 tactful leader, His boiling
poini is markedly low al times, 1 Ins having heen
especially true since his massive heart-attack
in July ol 1955.
1 le can be harsh with the rank and file and
he can and does give brusque orders, quite
heedless oi Senatorial dignity, ol a kind which
even the redoubtable Tafl would nol have
attempted, Lasl year, he coolly and success
hilly told more than one proud Southernei whai
and what noi to say in the civil-rights debate.
"«■ did much the same with some oi the
advanced liberals, Such interventions are jusi
this side ol unheard ol in the club thai is the
Sen, tie.
Senators will "take ii from Lyndon," where
they certainly would noi take ii from anybody
else, foi a variety oi reasons. One, and prob
ably the mosi important, is thai he is a good deal
5/
AmtlKIMINK RICH
RURAL REFLECTIONS
this is the grass youi feel are planted on.
You paini ii orange 01 you sing ii green,
Bui you have nevei found
A way to make the grass mean what you mean.
A (loud can he whatevei you intend:
Ostrich oi leaning towei <>i staring eye.
Mm you have nevei found
A <loud sufficient to express the sky.
Gel 0111 there will) your splendid expertise;
Raymond who <uis the meadow does no less.
Inhuman nature says,
Inhuman patience is the true success.
Human impatience nips you as you mn.
Stand still and you must lie.
ii is the grass thai <ms the mowei down;
Il is the (loud thai SWalloWS up the sky.
like a respected, d cantankerous, captain ol an
inlaiiliy company. Mis lollowers know thai he
r, immensely skilled in the kind ol warfare in
which ihey imisi be engaged and thai he will
bring them through an action il anybody could.
Again, he is on occasion extraordinarily though I
lul ol his colleagues, with the little and publicly
unnoticed actions ol kindness thai all men
value. Finally, though he can be tough with
oui trying al all haul, he is free ol pettiness and
has very little vindic I iveness in his nature.
On certain issues, foreign and military affairs
especially, he is almosl totally unpartisan and
hijdily responsible a faci recognized hy Senate
loe ami friend alike, in these matters he has
heen heavily lelied upon hy Pi esiiN M I i.mi
howei and olhei Kepu hli( ans as well as llie
Democrats, and in all the piesenl ( n ( umsl aix es
this reliance will increase rathci than diminish
Johnson's view toward the Administration in
these fields is one ol an almosl ahsolule impel
sonaliiy and detachment. In world affairs he
will do, precisely and simply, what he thinks
the national interesi requires. No one need
expeel him to forgei foi a moment any viial
Texas interest; nevertheless no Texas interest
will evei cause him to do anything that seem
58
HARPER'S MAGAZINE
to him in any deep way to injure the United
States. And all this does not make him unique;
all of this could also be said of the Republican
Senate leader, William F. Knowland of Cali-
foi uia.
This man, Lyndon Haines Johnson of Texas, is
perhaps the most complicated man in public life
known to this correspondent. He is at once
sentimental and distinctly clear-eyed. He is
tireless beyond ready belief; nearly all his waking
life is spent as a furiously functioning one-man
political organism. His understanding ol men
as individuals and his skill in dealing with them
must be seen in action to be credited. Whether
he understands people in the mass so well is
perhaps open to question.
WHAT DOES HE WANT?
HE IS highly ambitious— sometimes. At
other moments he is hurt, disillusioned,
and his attitude says clearly: To hell with it. His
drive to power is notable— most of the time. At
times his streak of altruism is very strong; I have
seen tears of gratification in his eyes when, in the
middle of great and urgent events, he learned
of a success at the bar for a man he had coached
in public speaking many years before in a Texas
high school.
He values money but is careless with it and
of it. He sometimes storms at and drives his
staff people but always he cares paternally for
them in every sense, including the financial. He
genuinely respects their opinions on every mat-
ter, even though he may be glowering at them
at the very moment these opinions are uttered.
He is excessively sensitive to criticism— or
rather to criticism from certain sources, and
especially from those liberal Democrats whose
beau ideal is still Franklin D. Roosevelt. John-
son himself reached the House of Representatives
on a platform supporting FDR's "court-packing"
plan and was a Roosevelt protege. He is peri-
odically—or, rather, more or less incessantly-
accused by these liberals of having gone back on
liberalism. But who has in fact gone back
upon whom is very largely a matter of definition.
Johnson on the record has been of more service
to some— though not all— traditionally liberal
enterprises (notably public power, public hous-
ing, the defense of the right of inquiry and dis-
sent) than have most of his liberal critics put
together. On the other hand, it is unquestion-
ably true that in his years of maturity as a
politician he has, on some issues, kept the pro-
fessional liberals on a pretty thin diet.
They tend to regard this circumstance as a
kind of betrayal. His view is that there are
few fixed and immutable total truths in poli-
tics, and that il he has served the liberals no
more than half a loaf, they would have had
far less bread il he had acted as they would like
him to act. If he often is not fully aware of
the validity of some of their demands, they on
their side almost never have any perceptive
awareness of his problems in dealing with certain
intractable realities— the powerful Southern bloc
among them— that will not be blown away sim-
ply l>\ proud, hot words and the stand-and-die
technique.
At all events, he is the man who now and for
some time to come will be the nearest thing to
the operating engineer of the Democratic party.
1 1 is all but certain that he will have a consider-
able voice in the selection of the next Democratic
Presidential nominee. It is anything but certain
that he can, all through the second session of
the Eighty-fifth Congress, maintain the desper-
atel) delicate North-South balance of some
civility that he has thus far maintained against
overwhelming odds. It is, however, quite cer-
tain that he is infinitely the most formidable
guard the Democrats could possibly find to keep
harrying watch upon their most brilliant an-
tagonist between now and 1960, Vice President
Nixon. Nixon likely could win almost any con-
test with Johnson in the public arena— as of now,
at least. But it is 7 to 3, or maybe 8 to 2, that
the Vice President will meet his master in almost
any power contest with Johnson within the arena
of Congress itself— except possibly on civil rights,
an issue on which Johnson's geographical situ-
ation ties one arm behind his back.
Given all this about Lyndon Johnson, as
person and as politician, what does he want
and where is he going? Among those who do
not know the answers to these questions is John-
son himself. Certainly, he wants to go down in
history as a great figure of the Senate, and this
ambition may be said to have been pretty well
reached. Does he want to be President, though
he says not? To this I can only offer belief: I
believe that sometimes he does, but that most
of the time he does not— genuinely and objec-
tively does not. I believe in short that this com-
plex, this driven man (driven not unworthily,
but driven just the same) does not, in the final
and real and basic sense, know himself quite
what he wants beyond the fact that the practice
of politics is his life and his great need. Politics
to him, more than to any other politician I have
ever known, is art for art's sake.
Gentlemen's
Game
A Story by H. E. F. Donoliue
Drawings by Peggy Lloyd
^l O W I know it is a sin not to believe
1 your mother, but when she said I'd have
to stay on the parlor sofa so she would not hurt
her heart going up and down stairs 1 laughed
at her, which made her sore. She's a strong
woman and I told her so. I said If I stay down
here I'll hear the old man yelling all the time.
A lie. When my Dad gets going good you. can
hear him all the way down the pike. What I
wanted was not to watch him as he shouted or
even talked. No you won't my mother said, I'll
take him into the kitchen, for you stay down
here. And I did. My Dad and Eddie, my second
brother, moved the sofa with me on it away
from the fake fireplace over to the front window
so I could sit in the sun and wave at people on
their way to work and school and so I could be
kept awake by the big trucks that go by on
U. S. 1 between New York and Philly in the
middle of the night. Maybe that's not fair to
say that. Nobody knows I couldn't sleep. That's
one of the things nobody knows.
I broke my right leg on the first day of school
playing football six months ago. That started it
all. It was the sin of Pride got me this time,
which is a new one on me, because we had just
moved onto the street and I was the new guy
with this game going in the lot next door and
May God Forgive Me I wanted to show them I
was tough enough even with the glasses. They
said Sure but find another guy and there was
one standing there. A guy from each side did
one-potato for us and the guy that won picked
the other one. You're too small for the line, the
guy on my team said when we were lined up,
Stand here and try to trip somebody. So when
the other team came right through where I
was, the guy with the ball and a big blocker
coming straight at me, I ran into the blocker
from the side so hard he fell over and knocked
down his own guy who was running with the
ball.
The next play the two of them came through
the same way with the big blocker looking for
me, so I let him go by to one side like I saw the
crazy runts do with bulls in a movie once. Then
I tackled the ball-carrier hard enough for him to
drop the ball to me. In our huddle one of our
guys said Give it to the runt, meaning me, They
won't look for him to carry it. So I got the ball.
Who cares? I got the ball and I went around
the end so fast I was ahead of my blocker and
there was the big guy I'd pushed over and side-
stepped, squatting there waiting for me as if he
was happy about everything in the whole world.
When I jumped over him he grabbed my ankle.
Because of the sin of Pride I kept on going,
dragging him, when two others hit me and I
heard the sound breaking. It is an awful sound.
Some people say it sounds like a dry stick break-
ing. It does not. It sounds like a live bone.
Well, instead of staying at the hospital two
weeks, I stayed six because the guys picked me
up and put me into a car so my foot turned as
I waited for the bones to pop out below the
knee, which they didn't, while my mother stood
on our front porch with her hand on the side of
her face looking at a wall, but they had to set
the thing three times and the last time they had
me under for three hours where I had a dream
I can't tell about, to put wires in it, and the
whole Goddam thing scared Hell out of me. (I
tried that to see how it looks. I don't curse
because I'm going to be a priest when I go to
college.) That was last September.
Everybody's always telling me something, so
everybody told me I'd be in a cast for only six
weeks able to walk with it right away. Some-
thing happened I guess. I was in four different
60
HARPER'S MAGAZINE
casts with the wires sticking out of where my
ankle and knee should be in the first three. I
was in four casts for the last six months. The)
just took the last one off and I am supposed to
walk with a cane, hut who wants to? For li\<-
of those six months I sat on that sofa, downstairs
at home on the parlor sofa, the fust time our
parlor or that sofa has been used thai much
since ni\ brother Kevin died ten years ago, and
I could not get away from my father as 1 had
done since I can remember, a very long wa\
back, back before Kevin died even, when I was
four. I got mad at my mother about it, imagine
that. I ;^oi mad, I guess, because I got away
from my Dad by being in the hospital because
he only came to see me once and during those
six weeks I had a funny kind of wonderful time.
My mother would come of course and put her
head on my bed and cry or say Christ Preserve
Us that hurricane wiped away Watch Hill. Why
she worried about a place too rich for us to even
look at on vacation trips I'll not know.
Besides, all the nurses were so nice to me.
They even made good jokes about my fourteenth
birthday party being in the children's ward
where I stayed because it was cheaper, even if my
mother did say I was moved there to have more
company. Some company. But the nurses, the
nurses. I still remember one of them so much
I have to make sure not to have impure thoughts
about her, like kissing her. But I remember her.
I remember how I use to hide my birthday radio
under the covers when somebody was singing
and move my mouth to fit the words and she
would call me some clown. He does have a voice
she told another nurse, and that may be but
I think it is changing.
Last Easter when I was going to our Catholic
school— you see we can't afford the Catholic
High so I'm going to the public one and that's
where I was the first day of ninth grade when
I cracked the leg— last Easter I sang alto to Jim
O'Brien's Irish tenor in "One Hour with Thee,
O Dearest Jesus" on Holy Thursday. A beau-
tiful song. Singing it makes me want to cry some-
times, but I don't. Maybe I should have stayed
singing because when the choir Sister, fat old
Sister Mary Bebe, came to visit she was no help.
Did it hurt she asked, and because she had been
wounded in the world war twenty years ago with
a mustard gas scar on her thumb I said No,
feeling proud, and she said Of course it hurts
and now you're lying and why aren't you going
to Catholic High where this would have never,
never happened?
That was the same day my Dad came.
He hates hospitals. I've never seen him so
quiet except some Sundays when he stays in bed
reading all the newspapers. He even seemed
scaled. But that's silly. And he was sober. He
stared around at the other kids. He made a lace
when I told him about the little quiet girl, the
one who tipped over the boiling water. He- kept
brushing off his spats when I explained why the
boy next to me couldn't run anymore because
of rheumatism, which I thought only old people
got. Then he suddenly got up and went away.
He didn't come back again.
So 1 didn't see him again until they brought
me home, driving carefully in the snow in the
afternoon and carried me up the front steps and
carefully through the door so the wires wouldn't
hit, onto the sofa. Then I knew I would be
seeing a lot of him. so much, much more than
I had ever seen of him before. And I did.
HE WOULD come home, when he came
home about on time, with a little jag on,
yapping in a phony cheerful way about how I was
living the life of Riley and why didn't I get off
my ass and work as he had worked at my age,
even earlier, picking the bugs off of potato plants.
Then he would read the paper in the kitchen two
rooms away talking to it, about everything in it,
about every Republican is a sonofabitch, which
nobody should call anybody because it means you
are saying somebody's mother is a dirty dog. Or
else they are shoemakers. He calls people shoe-
makers because he is a tool-and-die maker.
Precision he yells. Precision. Within the tol-
erance of one-thousandth of an inch he yells,
that's what I work with. But he's not tolerant
about anything. Then he listens to Lowell
Thomas on the radio in the dining-room one
room away and I'd have to listen to him listen-
ing to Thomas and yelling at Thomas, who
sounds as if the world is coming to an end.
That was when he was feeling good. When he
wasn't, when he came home late anywhere from
seven to eleven at night, banging around, us
quiet, having been quiet since six when we knew
he would be late, he would get mean and
scream about running the house and paying the
bills bringing in the money and how my mother
was always checking him. I don't care, he'd
scream, I don't care how many business colleges
you went to, he'd yell at my mother, You are not
going to check up on me like other women do
because, my friend, my business college friend,
I am not like other men, I am Stephen A.
Gahagan do you hear?
My mother did try. She would get him into
GENTLEMEN'S GAME
61
the kitchen with the swinging door shut saying
I had to sleep but I wouldn't. I'd listen. I heard
all their talking about what they thought about
the street and people and money and clothes and
God and us. What the hell was Patrick, my
oldest brother doing, trying to be an actor? he'd
yell. Is he so smart he can quit college? And
he did. And Mary, my oldest sister, would she
ever get married walking around in flat heels
like a practical nurse? Eddie, Eddie, Eddie,
Eddie. He is too Goddam quiet, that's what.
My kid sister Grace they worried about too. Was
she over that Goddam mastoid operation? Oh,
yes. Oh, yes? Then why does she mope around
like she had a galloping fever, always almost
crying? And my mother can never tell him.
Now they would talk about me. That one, he
called me, thinking I was asleep, That one. Will
the Goddam leg be shorter forever? That was
the first I heard about it. No my mother would
say, you see they would have many of the same
talks over and over again, No, the doctors say
no. That is why the three operations and the
wires and the time. And the money, my Dad
would say. The money, money, money, money.
Holy Christ! Time, my mother would say, time,
he needs time, a long quiet time with no noise,
no noise at the very all. She could do that and
I am not calling her a liar. I am only saying she
can take something and add to it. Like the time
she talked about my suffering in the hospital;
which I didn't much, except for the terrible
dream, for the vomiting after the operations,
for the times they stretched my leg on the wires
since it got shorter in the twisting when they
picked me up and put me in the car.
But she didn't talk about any of that because
she didn't know about it. She talked about the
pain around the broken bone. She talked about
it so much one night, she would talk long and
soft to him with him shouting at the beginning
and her feeding him bits of news real or added
so that he would suddenly stop shouting to say
What? What's that? Whose suffering? And she
would softly say Oh Michael's, and he would
say I didn't know and she would say Oh sure.
Then he would listen and she would add to it
softly as he hummed like Ohhhh, Hmmmm,
Ahhh, and I didn't know, I didn't know, What
else then? and she talked so much about my
pain one night that he came over to the sofa
and looked down at me while I acted asleep.
Then he went back to the .kitchen where my
mother went on talking about something else,
maybe about why we shouldn't buy a new used
car, while he said nothing until he told her to
leave him for a while. So she came and sat in his
Morris chair by me saying nothing while he sat
in the kitchen talking to himself softly. I fell
asleep listening to it.
ANOTHER night I woke up to the
laughter of our church janitor who had
come by for beer with my Dad and I heard the
janitor tell about how Father Murphy had gone
on his vacation without packing any roman col-
lars. Golf shoes? the janitor said, yes. Sport shirts?
Ah, to be sure. But I stake the value of my ever-
lasting soul there was not one priestly collar
among all them traveling doodads.
The whole sinful thing pleased my father
because he could say There, there, loud like
and happy. There I told you and the heathen
Buddhists would not do such terrible things.
The Buddhists, think of it. Now and then he
would talk about the crazy Buddhists. He had
been sent to China and Japan before I was born
to set up silk-making factories, or so I was told,
and there he had learned of the pagan religions,
which every good Catholic knows are only God's
confusion on people since the Tower of Babble.
Then after the janitor left my Dad said The
world has come to a pretty pass when I have to
drink with the likes of him.
But we did not have much company come to
our house. There were no parties and what
grownups did come came during the day, all
happy women glad they can be sad, to check
with my mother who would say Aa-yah, Aa-yah
or Holy Mother, we all have our cross to bear!
Then she would get them out before he came
home so she could be working hard when he
walked through the door. Sometimes we'd have
visitors on Sundays when he'd stay in bed while
we went to Mass, and while we had dinner at
two o'clock, he'd stay in bed reading. Nobody
comes other times because they all say he's a
1L4.
62
HARPER'S MAGAZINE
drunk, which he must be bul he never misses
work, he's up every morning at seven, he never
staggers, and lie can drive. One night he even
drove home with a broken ankle after two guys
ran him down alter a fiighl in a bar. That time
my dad came crawling up the front steps scream-
ing for my mother to wrap his foot so he could
go find the guys. We were living in the township
then, so she called the tops, both ol them, and
they came to talk for hours with him, asking
him not to do it because it mighl happen in the
city where they couldn't help him and what
about his position as township committeeman
for the worthwhile Democratic party?
Everybody always says nobody likes my father
and that may be but those two cops stopped him
by begging him not to. The other thing was
that he had to go to work the next day wrapped
ankle and all. I was six then but I remember it.
I remember sitting on the stairs with my kid
sister Grace feeling two things. I felt shame that
the old man was yelling his head off in front
of the cops and I was worried he might have
hurt himself bad. You figure that out. All I can
do is remember it. My oldest sister Mary who
goes to Rutgers nights says 1 have a fabulous
memory, fabulous she says, so I learned the
word. Maybe. Except worry is what I remember.
From the first day I remember anything when
I was sitting in a high chair eating warmed-over
spaghetti, I remember my mother worried about
my Dad. Because of the worry, I guess, we left
him once. What a mob scattering. That was
soon after my brother Kevin died.
I WAS almost five when we all ran away in
the year everybody keeps talking about as if it
was somebody like my Dad, crazy old '29. But
I remember it and I remember coming back.
I remember how our house did not look like a
house anymore even though all the lights were
on in every room. Two empty beer bottles, not
our own small ones we filled in the kitchen from
a barrel, but two big empty ones were on the
round dining-room table under a bare bulb
where the stain-glass shade with tassels should
have been. He seemed too glad to see us, acting
like we had been gone for years but we were
gone from him only one winter. What a strange
time that was. He was very quiet and acted like
a church usher. Soon though he lost his good
job and the shouting started up again. Sure I
remember it. But what good does remembering
do if you don't understand what you remember?
I don't understand even what I want to remem-
ber this time because I am not getting to it, at it.
I'm letting other things move in here when all
I want to talk about is the changes that hap-
pened because I was laid-up downstairs. The
changes started about a month after I'd been
home when my Dad saw me playing chess with
the Wig, whose real name is Ludwig Strauss
hut we (all him the Wig hecause he has so much
hair and because of his name.
He is a good guy even if he is a few and I'm
not sure why all Jews uc had even if they did
kill Christ. Ludwig didn't. And he is my friend
and he is smart. That's one of the things wrong
with me. You arc only supposed to like people
who are good. Things like that get me into
trouble and there is no one to talk to about it.
You don't criticize your family outside of it, but
at home I have been told to shut my smart
mouth too often to open it when I wonder about
things, which I do. I can honor my father and
mother as well as the next Catholic, hut I must
he better at it than most others since I'm going
to be a priest, a Dominican, because they fought
the Arabs and teach and have a pool table in
the rumpus room of their seminary near Jersey
City.
Another thing is that the Wig is smart but not
all few boys are. Moe Levine is a dope. Even
the Wig says so. And the Wig thinks I'm smart,
smart enough to learn chess anyway, and if I'm
as smart as a smart few what does that make me?
What I want to say is that when my Dad came
home early that day and saw me and the Wig .
playing chess I was afraid he was going to get
terribly sore about the Wig being there. I never
like my friends seeing him phony gay either, or
drunk. They either got frightened or thought
he was some card. This time he had the cheerful
act on. Only he shut up very much when he
saw the Wig and when he came over to the
couch and saw us playing the game. The Wig
who still acts a little formal even for our house,
being raised in Germany, being an American
only a couple of years, stood up and bowed and
said he did not want to intrude was the word
he used. But my Dad only looked at the board
and nobody said anything. Then my Dad said in
a funny voice You should finish the game, and
he went into the kitchen and closed the door.
We didn't hear a peep out of him as we finished,
the Wig winning, saying if I had to lose either
a bishop or a knight early in the game I should
lose the bishop and I should not let my pawns
crowd up in front of my pieces. Then he left
saying he would take my thanks for kids visiting
me from the ninth grade.
So I waited for my Dad to come in from the
GENTLEMEN'S GAME
63
kitchen and tell me everybody can tell a Jew
a mile off (I can't, so after Ludwig started visit-
ing me and told me, I thought to Hell with it
and he kept coming) and what the living hell
was a kike doing in his parlor? Even though my
mother had muffed it I was sure he'd yell about
it.
I put the Wig's board and pieces away and
spun down the piano stool we had used for a
table, waiting for him to come in and shout at
me or laugh at me or say something mean about
the Wig, my friend. But he didn't. He sat in
the kitchen with the door closed for a long time,
so long that my mother went in and started
talking to him sweetly and smoothly to make
him laugh about what she had done or seen or
heard. He told her to get the hell out and let
him read his paper. She came in and sat in a
chair, not his Morris chair, with her head back
looking at the ceiling. My kid sister beat it
upstairs every night. I got worried with him
being so quiet. There was no sound of the paper
pages turning and he was not talking to it. No
one else was home and I was worried thinking
he had a grouch on and was letting it cook a
while before he started in yelling or throwing
things, slamming doors or chasing my mother
and me not able to move with the wires sticking
out. Through my window I could see that it
was dark now and there was nobody at all out-
side.
Finally he opened the door. He came through
the dining-room looking funny and I don't mean
humorous. When he got to the parlor he pulled
up a small chair, came over to the couch, spun
up the piano stool, and said Get out the pieces.
Which I did. Set them up he said, you can
have white.
SO WE played chess together that night.
We played chess together almost every night
for the last five months and we still play and I
guess we're going to go on playing as long as
we're both alive. I asked him about it that night
of course. I said I didn't know you played chess
and he said There's one hell of a lot you don't
know. Check. And we played and he beat me
then and the story came out.
It was an old Scottish gentleman taught him,
he said, on the old Ventura down Australia way.
I knew he had been there and to Japan and
China, but nobody talked about it not even
when he got moody drunk. Once, when he was
not home, we brought out the torn kimonos
and wooden ink stamps and a couple of old fans,
nothing interesting, and once I saw a picture of
him looking young in a crew cut and kimono
carrying a parasol. He must have been drunk
when he got the picture because he wrote on the
back of it A Japanese Gentleman Out For A
Stroll and the date. He had gone to set up silk
machines there the story went, way back in 1921,
but nobody talked about it. A few years ago I
watched him listening to a Jap talking and talk-
ing on the radio for about half an hour and I
asked my Dad what he was saying and my Dad
said He says its cold. Now and then he might
say being picked to go to the other side of the
world was not bad for a tool-and-die maker with
no education. But that's all. Nobody talked
about it after they moved to Trenton and he
didn't go anywhere but to another factory to
work like everybody but the rich. During the
Depression nobody talked about anything but
work. He was the only man on our street who
didn't sit on the front porch rocking away, I
remember, and I remember one of us asking our
mother what we were going to do when he
would be laid off, as happened, and she said
He'll find another, which he did, but not always
as a tool-and-die man.
He didn't talk about the trips that night we
played chess for the first time either, but he
did talk about the old man who taught him.
An old Scottish gentleman, he said, had noticed
him alone, him the kid from Pittsfield, Mass.,
walking around first-class on his way to Australia
and gone. Young man, this old gentleman said,
I wish to play a fine gentlemen's game but not
with any of these stuffed shirts. Sir, my father
said he said, I'm glad to oblige, thinking maybe
pinochle instead of stud, What is the game?
Why chess, young man, said the old Scottish
gentleman on the Ventura out of San Fran for
Sidney down under, A fine gentlemen's game.
How sorry I am Sir, my Dad said, But that is
a scholar's pastime and I was not permitted to
finish the eighth grade. Hah, said the old man,
laughing for the first time, You act like a gentle-
man and would surely not be up here with
these stuffed shirts without some kind of brains.
I do not know what to say, my Dad said.
Why, the old gentleman said, Say it would be
an honor, a deep honor, for me to teach you of
course.
So that, my father told me, is exactly what I
did say and he taught me and your lady is in
danger. After I moved my queen I asked him
why he warned the other guy's queen as well
as his king. He looked at me sharp to see if I
was kidding then he said I was sure as Christ
made little apples a large ninny. Didn't I
64
HARPER'S MAGAZINE
know, he said, that without the queen there is
no true game? Didn't I know that the well-
played game was the most important thing about
chess? No, he said, you don't know. There was
one hell of a lot everybody and his brother
doesn't know. I shut up then and tried to beat
him that night, but I couldn't. He used his
knights like hammers and usually got at least
one rook out early. We finished so late he went
right upstairs with no fuss, absolutely, at all.
The next day my mother went out and bought
one of those card tables with a chessboard in
the middle, the kind advertised with four men
standing on one, and by the time my father
got home, home on time for a change two nights
in a row, she had the table up and pieces all out
bunched together in front of me on the couch,
his Morris chair moved across from me on the
other side of the table, it took her a good half-
hour to lug that rocking Morris chair across the
room, saying Hush, now, Hush, when I asked her
what she was doing. Then she got his bowl of
onions and vinegar, his paper and beer, and
put them all on the other side of the table. Be-
fore he came she told me to shut up, that I
would play again that night and everytime he
wanted to and even times when he did not want
to I was to ask him to play, and if I wanted
peace in our house I would say that gentlemen
do not shout while playing the gentlemen's
game. Hoo, Lord, she said, Gentlemen now each
one. My, she said, sitting down so she Avouldn't
hurt her heart laughing. Which I did when he
came home, surprised at first then sitting down
as if he had sat there all of his life instead of in
the kitchen. Only I didn't tell him. I asked
him. And he took it. He laughed a good way
and said there might be hope for me yet and, no,
gentlemen do not shout while playing the game.
It did not end all of the shouting. But
there is not as much of it. I still hate it. But
I am not afraid of it now, or not as afraid. Now
I am getting upset with my mother, which I
know is a sin. I get upset when I see her asking
for the shouting when he is sober. When I was
on the couch I woke up early every morning so
for the first time in my life I saw how they are
in the morning. He's a different man. He'd
come downstairs and over to my couch to see
how I was doing. Was it a good night he'd
ask, his face not red like when he was drinking.
Then not another word as he'd get the paper
from the porch to read in the kitchen with his
breakfast and my mother, who was not cheerful
in the morning. She is only cheerful at night
when she tries to kid him out of sending mean
telegrams to Lowell Thomas and the Republican
party. Then my father puts on his coat very fast
and goes to work with his lunch bucket saying
in a quiet voice at the door, Be good.
But my mother makes him ask twice for
money to play the horses. When she does
that I kind of get scared because I know we 11
hear about it from him the next time he gets a
load on. It is a grand night when he wins
now and then. He comes home saying What the
hell What the hell, throwing a five at my mother
saying Go get a Goddam bright new hat so you
may stop looking like a poor gypsy. But she
never does. He gives us money which we give
to her so she can give it to him other mornings.
But Oh my, Oh my, that is not the real big
bother. It even isn't that now he thinks I am on
his side. Before he never cared. Before he acted
like the whole world was against him and he
could get along alone. Now sometimes when
he's feeling cheerful smoking a good cigar,
griping about nothing more maybe than his new
bifocals. Fifty years old he says, and I am going
blind, blind I tell you. Those times when he
ioshes my mother he will act as if I am on his
side saying Here, here, ask gimpy here, ask
Michael J. Gahagan here. Mike am I a reason-
able man or am I not when I say it's not asking
too much by a tinker's dam that beer be cold
and coffee hot and food not too much of either?
What can I say? He is right, right, right, right.
Not about everything. The Jew thing he gets
onto cursing all of them, and the wops and the
polacks and the niggers and the English, the
English who have been killing people in the
old country for seven hundred years by making
them run around trees until they are dead
dead dead. I call him on some things, afraid
everytime I try, but I have to do it each time
why I don't know. Now I go to school with all
GENTLEMEN'S GAME
65
kinds of people. The two months I've been to
school I've met wops and they are not greasy.
I've even talked to a nigger, a guy who's always
clowning around laughing, but he knows the
answers in math class.
And the big bother is not even that my father,
my Dad, seems to like it sometimes when I talk
back to him. If I catch him on something that
doesn't make sense he laughs and says You'll
make out, you'll make out. When I'm wrong he
only says In ten years you'll know more. I called
him on the Jew thing with the Wig. One
night he said What a fine boy that is who taught
you how to play this game so well. I said It's too
bad he's a Jew. He jerked his head back as if I
had swung at him and yelled What the hell dif-
ference. He didn't finish it. Then he said Don't
get funny with me. He said I'll knock your
smart block off if you start poking fun with me.
He said Move, smart guy. That worked. Now
the Wig comes around all the time. Once he
brought his violin and played it and went home
and my mother walked around saying What a
gift, What a gift, And so young. My Dad could
only say Beautiful, Beautiful. But I have to be
careful.
And the big bother is not that I can beat him
at the game all the time now, even when he
cheats while I go to the toilet, and we play for
money, a dollar a game which I always win and
give to my mother. One night I was tired and
lost three of her dollars to him and she looked
at me as if I was on his side. How she loves to
have him lose. How he loves to win. How he
loves to talk when he seems sure I'm listening to
him, when he's only a little drunk and wants to
tell me something, why I don't know, but he
talks as if he's talking to himself, as if I am him
and he's talking to himself, not me or anyone
else. He tells me things I don't think he's told
my mother because she sits reading most of the
time we play except when he starts talking that
way she puts down the paper, or she did until
he noticed her listening and yelled What the
hell are you staring at, madam, you mind your
own Goddam p's and q's. So now she does not
put down the paper but I have hunches when
she is listening to him. She listens when he
sounds like a different person, not a stranger, but
somebody else. He talks a lot about his training
as a machinist, what he calls his apprenticeship.
When Dad's not talking about his apprentice-
ship, and I guess he talks a lot about that be-
cause he started it when he was my age, he talks
about how big the world is in Asia, so many
more people than over here and not Christian
let alone Catholic. Add Africa to that, he
says, and who the hell do we think we are? It's
so big over there, he says, you can't think of
it all at once, you have to travel it. Then he
talks sometime about when he owned his own
house in Pittsfield, and never worried about
money, money, money, money. He starts getting
sore about money and how there's not enough
of it and him with so many kids. And I hear so
much about the factory where he works I feel
I know the guys and they sound awful dumb
and dirty-minded. Which is part of the big
bother.
Sometimes, you see, he seems to be talking
about all those things together, and his mother
and father, and good whiskey and gambling,
learning and health, all of them and more
together and I do not understand. I try to but
I'm not sure I want to. As the Sisters used to
say don't try to understand too much like the
doctor did who drank the chemicals and brought
the Devil in him out. I'm not afraid of the Devil
if I understand all of my Dad, but I want to
stay away from it. Why I don't know.
TH E big trouble, the bother, you see is
maybe a silly thing. I asked Father Murphy
once and he did not want to talk about it. He
said my Dad was in trouble because he's stopped
his Easter Duty. I know he's in trouble but there
is more to it than that.
It was something my father, my Dad, said you
see. It was that first night we played the game.
As he started to go up the stairs to bed, to sleep,
I asked him a question. I said Who have you
played with since the old Scottish gentleman?
He turned on the stairs and looked at me like I
was in some dark room. But all the lights were
on. My mother only stood and yawned. Then
when he saw I wasn't joking he turned around
and started up the steps answering me as he
went up alone. He said Who the hell did I ever
meet after that, going where I went, doing what
I do, who knows the splendid game?
So I am bothered by such a silly thing as the
fact that nobody, nobody ever knew my father,
my Dad, could play chess, a fine smart grand
game. And what else don't we know about him?
All this has made we wonder now if my Dad
who is wrong about many things is as wrong
about everything as everybody says he is and if
he isn't then I'm in trouble because a lot of
other people and things are. I don't know. All
I know is everybody has to talk secretly to some-
body else even if that somebody is yourself.
Which is what I am doing. But I'm scared.
Gerald Svkes
The Dialogue
of Freud
and Jung
Why the most famous fVml in t lie history
of psychoanalysis may produce some
unexpectedly useful results if the partisans
on both sides will ever admit thai
each of their great leaders was dealing
with only one part of the human mind.
T
II E dispassionate calm ol scientists is tra-
ditional. I too believed in it— until I
began to look at them scientifically. As a novel-
ist and literary critic, I had taken an amateur's
interest in psychology, written a few articles
about it, and finalb signed a contract with a
publisher to do a book about it. Thereafter
I mel psychologists by the do/en and made the
discovery that they were every bit as emotional
as anybody else.
Especially on one subject— "that thing about
Freud and Jung," as one of my literary friends
had called it while prudently warning me
against my project. Not since boyhood quar-
rels in Kentucky about the relative merits of
Lee and Grant had 1 encountered such polemi-
cal inlciisiiv. I o some people Freud was per-
sonally responsible for most teen-age delin-
quency; to others Jung was so vague and
mystical as to be absolutely unreadable. To
some Freud stood lor an outdated positivism
that now impeded any clear thinking about our
real problems; to others Jung was anti-Semitic
and pro-Nazi.
After years of research I have come to the
conclusion thai there is no truth in any ot
these accusations. 1 believe they are all ration-
alizations, and rationalizations to which many
others who are not professional psychologists
are also addicted. I believe that Freud and
Jung stand loi opposing sides of the human
mind, that their dialogue is central enough to
imitc comparison with characters in Greek
Lragedy, and that when we denounce one or the
other we merely reveal our incapacity to con-
front an unknown portion ol ourselves. None
of these accusations would stand up alter close
scrutiny ol the lives and work of the men in
question; all ol these accusations have been
publicly exploded long ago. Yet they persist.
Why? Because people want scapegoats lor their
own intellectual laziness and their own spiritual
c ow aidice.
But there is more to it than that. Psychology
establishes such an intimate and powerful hold
upon its students that once allegiance has been
given any school— and each of us must begin
with a single- school, the one to which we are
naturally drawn— a complete change of intel-
lectual habits is required before we can even
become aware of other schools. And then our
first reaction is bound to be one of pain and
distaste. The progress from psychology to com-
parative psychology— a progress that many peo-
ple are going to have to make, unless there is
to be a return to the rancor of the religious
wars, with modern demagogic complications-
is always hard.
A briel examination of the lives and works
of Freud and Jung will show why this is so.
Fortunately, they are so eloquent, they embody
so dramatically two opposite sides ol the mind,
and ol contemporary experience, that they turn
dry elucidation into good theater. Together
the) form one ol psychology's most far-reaching
debates— and an excellent introduction to prob-
lems that sooner or later each ol us must lace.
Fhe name of Freud is usually associated with
what has been called the sexual revolution.
Actually, that event began long before him.
Historically, it can be traced to the industrial
revolution. It began in fact as a protest against
the anti-human tendencies of that event and its
poetic forefathers were Blake and Whitman,
each born in a land where factor) smoke early
smudged man's ancient rapport with his in-
stincts. William James has identified Whitman
with "the religion of healthy-mindedness,
which was characterized by its hearty belief in
the flesh. Fhe faith of the puritans had been
replaced by the faith of the anti-puritans, by
THE DIALOGUE OF FREUD AND JUNG
67
those new libertarians who "sang the body
electric."
This lyric movement has since had to face
the counterattack of tradition, and is intellec-
tually on the defensive today, but it still con-
tinues as a protest. The typical sexual rebel
believes in sex with religious fervor. His rebel-
lion seems to vary according to his sense of a
lost spiritual heritage, and when he feels him-
self utterly disowned of a tradition that he can
accept— cut off, so to speak, with a library card-
he can become a satyr. Orgasm is his substi-
tute for feeling. This is a development that
Whitman could not have foreseen. The effect
of industrialism upon love has been so drastic
as to make a great many people demand physi-
cal gratification in lieu of every other amorous
reward. It has generated an unprecedented
mass fear of impotence. In a world of steel
and asphalt sex becomes the one green thing.
It takes over aspects of the divine.
There has probably been more moralizing
on this than on any other phase of twentieth-
century life. Most of this moralizing has been
beside the point, because it has failed to take
into account just these historical cross-currents.
We could not want a better example of why
a sound understanding of psychology must pre-
cede a sound understanding of morals.
FREUD'S VIEW OF SEX
FREUD'S ideas on this complex and highly
controversial subject are often misunder-
stood. In effect he wrote that sex is imper-
sonal, nature blindly concerned with her own
propagation, and that if we attach the wrong
emotions to our part of the process, if we remain
ignorant of the unconscious forces that are the
principal determinants of our behavior, we
become ill both in mind and in body. Health
requires that we be aware of these unconscious
forces, which originate in early childhood, so
that we can sublimate them in socially accept-
able tasks.
It is a stern doctrine, but it has been con-
fused with moral laxity because it calls for
close examination of a subject that is generally
regarded as unsavory. If it means a release
from inhibitions, it also imposes— after a trying
experimental period which is the real reason
why traditional moralists fear it— still stricter
standards in their place. If it takes a deter-
ministic attitude toward previous morality, it
goes on to demand another which is much more
difficult to observe.
Perhaps few people are able to survive mor-
ally this kind of experimentation. That, how-
ever, was none of Freud's responsibility, and
those preachers who take him to task for apply-
ing our new Faustian knowledge to sexual mat-
ters would do well to be more honest. He
himself, as a mere glance at his life will make
clear, was a highly disciplined man— if anything
over-disciplined— and far from encouraging
sexual promiscuity, set up as an ethical goal
a "reality-principle" which is considerably more
demanding than the Ten Commandments.
His life is now attracting the biographical
attention it deserves. He was born in 1856
and spent nearly all his life in Vienna. Because
he was Jewish, his scientific career was impeded
by Viennese anti-Semitism, but he triumphed
over many obstacles and became world-famous
during his lifetime as the father of psycho-
analysis. He died in England in 1939 after
being ransomed from the Nazis.
From these bare facts emerge some important
considerations:
(1) He was born into a period when natural
science was confident of its powers to explain
all or almost all of life. In the biological lab-
oratory of his master Briicke it was taken for
granted that man was one more animal who
would some day be analyzed and explained.
(2) Freud had by nature an extraordinary
analytical talent that was especially suited to
this kind of dissection, and it was plain from
the beginning that a very exceptional career
lay ahead of him.
(3) In psychology he encountered both a sub-
ject worthy of his ambitious faith in science
and an opportunity to release previously un-
known talents within himself, talents worthy
of the name of genius. He was like a poet
caught up unexpectedly in his masterpiece.
(4) Sex seems to have been the road he had
not taken, the life he had not lived. As a family
man his life was extremely correct. One biog-
rapher states flatly that he never had any sexual
experience outside marriage. This is unprov-
able but significant. It suggests that the man
whose name more than any other is linked
with broad sexual knowledge had little of it
through personal experience.
No spinster, certainly, was ever more aware
of every erotic nuance. Sex was his poetry.
Together with his extraordinary talents, this
was what made him so persuasive. But he was
also aided by the fact that he was Jewish. As
in the case of Marx, his scientific achievements
were part of the expansion of a gifted, ancient,
68
HARPER'S MAGAZINE
persecuted people which had only recently
emerged from the ghetto. This people had an
extraordinary insight into the evils ol a decadent
Christianity, an insight, born of a vigorous
intellectual tradition and a long experience
of injustice, that lent itsell especially to reduc-
tive analysis. Marx had reduced the evils of
the political economy to the profit motive and
predicted that under Socialism the state would
wither away. Freud reduced the evils <>! the
inner life to misunderstanding of the erotic
instinct and predicted that aftei psychoanalysis
the mind would become health). Each put
his linger on a weak spot in an enemy position
that he was supremely qualified, not only
through his private talents bul through his
background, to expose to the world.
Ii has now become apparent that both these
great insights suffered from oversimplification.
Men's disillusionment with Marxism came ear-
lier because it was tried earlier and on a larger
scale. This has led often to a denial of its
values. Freudianism had no Russia to work on,
and by its nature it is less on parade, but dis-
illusionment with it continues and may diminish
its perceptions for those who need them most.
It is nevertheless a very powerful movement,
especially among those urbanized people who
have felt the attack of industrialism upon their
instincts. It is particularly strong among city-
dwellers in the United States today, and for
just this reason. Our city-dwellers have usually
become aware of their psychological problems
through sexual and economic frustrations. A
treatment, therefore, which may release them
from erotic and aggressive inhibitions has the
dramatic appeal of a psychic appendectomy
promising not only health but happiness and
prosperity as well. It is the sort of down-to-
earth treatment that makes sense in a busy
market place.
jung's timeless therapy
SO FREUD'S therapy is definitely related
to the industrial revolution. This will
become clearer when it is compared to the ther-
apy of Jung, who came forward a little later
to call attention to those aspects of the inner
life that had been relatively unaffected— or
affected in another way— by technology. In
response to the needs of a suffering and con-
fused humanity, our period has produced not
only the specifically contemporary psychology
of Freud but the relatively timeless psychology
of Jung. The two unite in a dialogue admir-
ably suited to comparison. Not, however, to
controversy. I hope it will be c lear why a partisan
attitude in tins debate is especially barren.
Offhand the timeless quality of lung's psy-
chology would seem fatal to it. Certainly it
does not appear to equip it lor survival in an
age which daily grows more industrial, more
political, more warlike. His psychology is some-
what like a Platonic academy in the midst of
;i radioactive battlefield. It differs also from
our socially useful academies in its open doubt
of the intellect, at least the intellect as char-
acteristically employed today. Far from admir-
ing the typical mentality of our urban culture,
Jung mistrusts it.
Jung was a Swiss, and his psychology rellects
the desire of his people— and of others like them
—to live an orderly, traditional life in an era
of violent change. In contrast to most Jews—
who are born inescapably into turmoil— most
Swiss try to stay out of it. Jung cannot be
"explained" by his Swissness, any more than
Freud can be "explained" by his Jewishness,
but in each, beneath the accomplishments of
a truly international mind, resides an imper-
sonal element, identifiable with his people,
which helps greatly in the exposition of modern
psychology, because it polarizes modern social
experience.
Jung's silent invocations are rural and classic,
rather than urban and modern. Thus his work
would seem to be as anachronistic, as unreal,
as cultish as his opponents have described it,
if there were not always classic problems among
the most contemporary and if a truly modern
consciousness did not also have to contend
with them. It is Jung's anachronism, in fact,
his seeming irrelevance, that constitutes finally
his greatest strength— at least for those who,
as youth deserts them, begin to realize that not
all their problems turn on childhood influences
or the encroachment of civilization upon in-
stinct; that there are other problems equally
pressing and as old as the hills.
But to understand the origin of Jung's idea
it is necessary, as it was with Freud, to know
a few facts about his life. He was born in 1875
in Switzerland, the son of a Protestant clergy-
man, and for our time has had a life of privi-
leged tranquillity. He has been a paleontologist
and classical scholar as well as a psychologist,
has traveled widely throughout the world, and
lives today on the shores of Lake Zurich.
From these bare facts emerge some important
considerations:
(1) Jung was born into a period, later than
THE DIALOGUE OF FREUD AND JUNG
69
Freud's, when natural science felt somewhat less
confidence in its powers to explain all or almost
all of life. Jung was therefore encouraged to
devote some of his scientific energy to philo-
sophical problems that Freud had expressly
excluded from the purview of psychoanalysis.
(2) Jung had a temperament that was expan-
sive rather than reductive and that led him
in time to rebel against what he called Freud's
"nothing but" analysis. Gifted with a robust
constitution and a robust attitude toward nature
—to this day, at the age of eighty-two, he vaca-
tions periodically in a remote, electricity-less
house that he built himself— he did not make a
poetry of the biological, but of the divine.
(3) He became scientifically as much inter-
ested in religion as Freud had been in eros, and
discovered within himself a similar pioneering
genius in its study.
(4) Although he was born into less conflict
with society than Freud, their roles have been
reversed since the positivism championed by
Freud has become a new orthodoxy. Now it
is Jung who is at greater variance with the intel-
lectual mores of his day.
Freud believed that the mind of man could
be explained, if one persisted long enough, in
terms of his immediate environment. Jung
believes that one can only begin to understand
it by going back to all of the many factors which
entered into its making, which lead in every
case to the remote past. It can be demon-
strated, he says, that we are commonly possessed
by archetypes as old as the race itself. Such a
perspective will dismay the quick, pragmatic,
modern temper, which can only feel equal to
its problems by jettisoning most of the past,
but such a perspective, Jung says, is the only
way to truth and health. Once Christianity
was overturned, modern man had to face all
the internal demons that the Church had kept
at bay for him. The way to rebuild our lives
is to relax the will, stop being merely contem-
porary, and seek harmony with nature. Our
troubles are erotic, especially when we are
young, but they are many other things as well,
and the first step in dealing with them is to
see them in historical scale. Only so will we
find a durable sense of purpose, and we need
a sense of purpose quite as much as we need
biological fulfillment.
The roots of character are not all here and
now, and even the most elaborate auto-
biographical search will not uncover more
than a few of them. Society is as sick as Freud
says it is, but we need not be— if we are willing
and able to become what we innately are.
Such a restatement of their positions is fair
to neither Freud nor Jung. Justice would
require a volume. But even these glimpses will
indicate the nature and sources of their con-
flict. And if we try to understand it, we see
that it is as human, as fore-ordained, as mean-
ingful as the conflict between two heroic char-
acters in a Greek tragedy. These men are not
only historic personages, they are also parts of
ourselves and they enact a play that goes on
daily in our own minds. We all have to live
in the vigorously contemporary world of Freud,
we all have to live in the archetypal world of
Jung. We have to be effective; we also have
to be in harmony with nature. To do both of
these things at the same time is just about as
difficult as any demand we can make upon
ourselves. Our natural tendency, therefore, will
be to take sides with one of them against the
other, but if we do we shall neither enjoy their
drama properly nor make the best use of it.
This will be still more evident when we con-
tinue their dialogue briefly into the subject of
religion.
UNCONSCIOUS RELIGION
OFFHAND it would seem that Freud
had no use at all for religion. He traced
its origin to the small child's helplessness before
the outer world and to its dependence on its
parents. He rejected religion specifically as an
immaturity and an illusion, an inability to stand
on one's own feet. He said, "Science is not an
illusion. But it would be an illusion to suppose
that we can get anywhere else what it cannot
give us." To an American friend he wrote:
"To me the moral has always appeared as self-
evident." In other words, he took morality for
granted and reasoned that if he could get along
without religion, why couldn't other men? In
this, I believe it can be demonstrated, he drew
upon the unconscious religion concealed in his
scientific credo, upon the unanalyzed faith that
he got from his laboratory training.
Unconscious religion— it is a phrase used more
and more today. Anti-Communists use it to
explain Communists— along with such words as
"fanaticism," "anto-da-fe," and "grand inquisi-
tors." Few intellectuals apply it, however, to
themselves; they prefer to think that they have
rationally transcended all religious motivations,
which at least will never trouble them. In
other words, the repressions of the nineteenth
century have been reversed in the twentieth.
70
HARPERS MAGAZINE
They are no longei sexual, they are religious.
I ii den) the man) sided urge toward erotic
gratification would now correctly be considered
absurd. No absurdity, however, is found in a
denial <>l the urge toward purpose, toward sym-
bolism, toward the necessary ingredients ol the
will to go on. This blind spot is one ol the
less loi i unate ol Freud's lega< ies.
Actually, however, without knowing it, he
himself made very important contributions to
religious thought. Three ol his most lamiliar
concepts will illustrate what I mean. Narcissism
is a deeply imaginative attempt to deal with
the problem of evil. The inescapability ol sell
could hardly be bettei symbolized than by this
amazingl) astute reference to the self-love that
must follow us wherevei we i;e>. It is a splendid
instance of the biological honesty thai is indis-
pensable to true spirituality.
His super-ego likewise provides an invaluable
distinction between morbid sell-criticism and
the healthy self-criticism needed for making
truly responsible moral decisions. History is
full ol weaklings terrorized and crippled by
power-seeking priesthoods through perverted
appeals to conscience. Every ecclesiastical
reformation has been in part a purge of a cor-
rupt misuse of the sense of guilt. And this
is no longer solely a religious problem but now
an ac nle politic ,il one.
Finally, Freud's death-instinct, when juxta-
posed to its opposite, the life-instinct, or eros
in ils fullest sense, is seen as exactly the kind
ol symbolic tool that Freud's realism was bril-
lianily equipped to add to our thought. No
one can fail to learn much about his own
psychological rhythms by observing the alterna-
tions ol these two opposing instincts within
himself. And this kind of systole-diastole in-
sight can lead to a philosophic balance that is
not far from the idea expressed by Dante in
The Divine Comedy, "In His will is our peace."
There was much unconscious religion indeed
in Freud.
There is in everyone. We are all full of it,
according to our temperaments, and we shall
be happier— or better able to choose a tragedy
worthy of us— if we become aware of it. This
was the discovery of fung, which he announced
at a time when such a point of view had Income
scientifically scandalous, lie said he had found
proof of the therapeutic dice t ol genuine relig-
ious experience— of the role played by faith,
not in immaturity but in maturity. He made
an issue of it. He announced cures. He spoke
of highly educated patients who had been treed
ol their anxietx when the \ discovered the limits
ol reason, when they rediscovered symbolism
and mystery. I fe wrote:
"I take carefull) into account the symbols
produced by the unconscious mind. They are
the only things able to convince the critical
mind ol modern people. . . . The thing that
cures a neurosis must be as convincing as the
neurosis; and since the- latter is only too real,
the helpful experience must be of equal reality."
fung, however, was by no means a naive,
uncritical enthusiast of the religious life. He
did not point the way to casv faith. Like Wil-
liam James, he saw religion .is a force, subject
to the laws of the mind, which could lead either
to good or to evil. He explored the different
responses to it in different types of men. In
the face of Freud's attempt to dismiss it as an
illusion, he drove home his empirical discovery
that it was .1 fact, a fact that could not be con-
veniently traced to the nursery and forgotten.
In this matter it seems to me that he was right,
and that Freud's own life and work prove his
point.
FULL-SCALE HATREDS
ON THE other hand, how many peo-
ple can afford to live in the epicurean
detachment that Jung's prescription implies?
This is a question raised by Jung's opponents.
Economically, the whole trend of modern life
is against his attitude, which is bound to become
rarer and rarer. And would not such detach-
ment lead to a washing of the hands, in the
elegant manner of Pontius Pilate, of the urgent
political and social problems that must be faced
if the commonwealth is to advance in decency
and justice? A civic stance acquired in lucky,
war-free isolation is apt to be both uncour-
ageous and irrelevant. Jung's programmatic
introversion is an anachronistic luxury that
could only be afforded in times free of unrest,
times not at all like our own. To cling to it
now is mere nostalgia. Such criticism seems
to be the core of the opposition to Jung.
The core of the opposition to Freud seems
to be that people are not as simple as he saw
them, but many rootless moderns have embraced
his over-simplifications with a monomaniac
devotion that is now in the process of dehuman-
izing them. Our urbanized culture is produc-
ing over-pragmatic monsters whose cynical first
question is "What's in it for me?" Freud's real-
ity-principle, therefore, except lor some over-
impressionable and overprivileged intellectuals,
THE DIALOGUE OF
is only so many words. In practice, together
with the ethical lobotomy that usually accom-
panies it, it has led to a deplorable oppor-
tunism that will soon lay waste, and often in
the name of decency and justice, whatever
remains of the moral foundations of society.
There is plainly an element of truth in
both these oppositions. Both of them are
emotional, both of them are exaggerated,
but in each there is enough basis in fact to have
made it possible to rationalize them into full-
scale hatreds. That is why most people's atti-
tude toward psychology's most heated debate
remains bitterly one-sided. It is so much easier
to emotionalize our inner conflicts. It is so
hard to live with them, to see their pros and
cons, to weave them patiently together.
How to weave them together? That, together
with the interweaving of still other theories by
still other men whom I have not been able to
mention here, is the problem of comparative psy-
chology. It calls for a union of tension and
relaxation. The thought of Freud is essentially
tense. It is a product of struggle, of a life th<at
was not permitted much calm. There is a sense
of urgency about it, and its goal is less happiness
than effectiveness. It is far more revolutionary
than its opposite, at least in social impact. It is
more startling, more dramatic, more in the
idiom of our century. It prepares men for sur-
vival in a time of general shipwreck. It is above
all practical: one is called upon to eliminate
one's irrational impulses, by becoming aware
of their childhood origins, and to strengthen
the conscious mind. Thus only can one accom-
plish anything worth while, right any wrongs,
eradicate any ignorance, make an impression
on an indifferent universe.
The thought of Jung is essentially relaxed.
FREUDANDJUNG 71
It is addressed to those who wish to fulfill their
inner potentialities even in an era of drastic
change. It refuses to get alarmed over financial
and political crises. It is a product of relative
tranquillity. It puts a minimum of emphasis
on social adaptation, which it regards as a neces-
sary first hurdle rather than as a life work, and
a maximum of emphasis on internal develop-
ment. It is especially addressed to people over
thirty-five, and it finds scientific sanction for
love of fate and attunement to nature.
To weave together such entirely different atti-
tudes may be necessary for the creation of a
truly successful human being, but it will obvi-
ously be an infrequent accomplishment. No
wonder most people would rather quarrel ignor-
antly about it.
But there is another reason why Freud and
Jung continue to provide a convenient battle-
ground for quickly stirred emotions. They not
only embody some of our most central dramas;
in their combination of elderliness and wisdom
they are both father-figures par excellence. At
heart we are childish, we want to confer magic
on imaginary papas.
An unrecorded part of history is the expropri-
ation of magic. The priest took it away from
the medicine man, and the medical man took
it away from the priest. For most of us the
mind-doctor does not have as much of it as
the body-doctor, because he does not scare us
as much. But for those who get caught up in
psychological problems this is not true. The
mind-doctor turns into the most awesome figure
of all, especially when he is a theorist, a name.
We shall be happier, I think— or at least more
ourselves— when we stop conferring magic on
anyone. We are born partisan. We do not
have to remain so.
FOR ENLISTED MEN ONLY
IHREE Appeal Court judges will soon be asked to decide the standards
to be expected from an Army officer in relation to his wife. For Captain
John Frederick Clear, of the Royal Army Pay Corps, is to appeal in the High
Court against the ruling of a Divorce Commissioner who said: "It is not per-
missible for an officer to give his wife a jolly good hiding. It may be very
gratifying, but it is not permissible in the social circles to which they belong."
. . . The Commissioner said that Captain Clear, forty-seven, had made up his
mind to dominate his wife by thrashing her "when necessary." He had thought
it was an officer's position to give orders.
—London Evening Standard, September 28, 1957.
By ALEXIS LADAS
Drawings by M. T. Mindell
Father Eugene
and the Intelligence Services
How a Greek monk — who bought a monastery of
his own — managed one of the oddest hoaxes
of World War II . . . and infuriated the
spy-masters of both Germany and England.
IF 1 R S T saw Father Eugene the night four
of us were brought into Calithea prison in
occupied Athens in the spring of 1943. He was
then just a bearded face in the crowd of prisoners
that jostled behind the bars to watch the guards
search us and remove our handcuffs, and I might
not even have noticed him if it had not been
for the color of his cassock.
Cassock is probably the wrong term. It was
the sort of tight-fitting dressing-gown Greek
Orthodox clerics wear under their black flowing
outer robes. They are almost always of some
dignified color— dark blue or green, wine-
colored, gray, or purple. Father Eugene's was
a brilliant ultramarine blue. Together with his
luxuriant growth of graying hair it made a
startling combination.
His beard reached halfway to his waist, and
the hair on his head was twisted into a truly
enormous bun in the back. He was a handsome
man, with baby-blue eyes which looked inno-
cent and incongruous under his fierce eyebrows.
\<> one in the prison knew for certain what he
was accused of, but there were whispers of
strange doings at his monastery. Some said it was
a staging area for British prisoners of war escap-
ing from occupied Greece. Others, that it was
the center ot large-scale black-market operations.
The only point on which everyone agreed was
that he did in tact own a small monaster) in
Attica. He was the only monk I have ever heard
of who had actually bought a monastery, and
I used to puzzle over how he had gone about
purchasing it and whether he had then "stocked"
it with monks as one would a farm.
In Calithea everyone had a cover story. Since
only prisoners awaiting trial were kept there
and there was the constant danger of informers,
people tried to conceal the truth about their
cases by trotting out glib and usually uncon-
vincing versions of events. Without a doubt
Father Eugene's was the most improbable of all.
From beginning to end he insisted that he was
the victim of evil magic powers.
During the long months we were in prison he
was repeatedly hauled off to the dreaded offices
of the Axis police to be interrogated. We often
wondered whether he stuck to his explanation
FATHER EUGENE
73
during those brutal sessions with the black-shirt
boys. If he did, it must have cost him many a
beating. But we never found out. A rubber
hose does not leave much of a mark, and anyway
no one ever saw Father Eugene undressed. He
himself never said a word about it. For all we
knew he might have been collaborating with the
authorities.
PRIESTS IN JAIL
ID O N ' T know how it is in other countries,
but in Greece, although a village priest is re-
spected and addressed as "Father," even by the
Communists, he is in fact very much one of the
boys, a man with a job to do. In peacetime his
job is to christen, marry, and bury people, to
say Mass, officiate at benedictions, and the like.
The older people go to him to confess. Some-
times he is asked for help and advice, but usually
he has enough to do to make both ends meet in
his own household. In times of national danger
his duty is exalted. He must defend the faith,
and in Greece the faith and the nation are two
aspects of the same thing. The attitude toward
monks is much the same.
For more than a millennium the words
"Greek" and "Christian" have been synonymous
to the Greeks. They have preserved their heri-
tage through the entire Christian era by guile
and luck, stubbornness and courage. They could
have gone the way of the Christian Syrians,
turned Moslem, and lost their identity. But they
did not. They remained Christian and so they
remained Greek.
As a result the faith in Greece has been pared
down to the bare bone. It does not matter much
to us whether a priest is educated or not, so
long as his heart is in the right place. It does not
matter whether or not a monk observes his vows
to the letter, so long as he is prepared to fight
and die for his faith and for Greece. And Our
monks have. They have died alone and in hun-
dreds. They have been killed in battle and
roasted alive on spits; they have been ridden
naked through the streets with horseshoes nailed
to their hands and knees, and they have blown
themselves and their enemies to pieces when they
could hold their monasteries no longer. In times
of trouble they have always done their share,
and it is no coincidence that monasteries and
churches in our country are so often painted
blue and white— our national colors.
When you met a priest in jail during the occu-
pation you had good grounds for giving him
your confidence and respect. You could almost
always assume that he was held for no light
reason. There was one, an old man of more
than seventy, who had been caught distributing
rifles to his congregation in the church during
a funeral service. There had, in fact, been no
death, and the rifles had been transported
through the village in the empty coffin with the
priest chanting in front and the women wailing
behind.
But Father Eugene was different. Anything
seemed possible with him. There were people
who warned that he might be a stool pigeon of
the police, and even a few who believed that he
was not a real monk at all but a British agent
in disguise. I myself tried to find the truth by
persistent search, and by engaging him in con-
versation and asking pointed questions. I got
what I deserved: a mass of interesting informa-
tion but nothing to the point. My curiosity,
however, quickly grew into incredulous affection.
He lived in one of the least desirable cells
in the prison and firmly refused to move to the
greater comfort of Number 17— the cleanest and
most snobbish cell— in spite of repeated invita-
tions. He always went to bed after his cell-
mates were asleep and arose before they were
awake. No one ever saw him wash, yet he was
always clean and tidy. No one came to visit
him and no food was sent to him from outside.
He never asked anyone for food and never
refused it when it was given to him. He could
drink like a fish and not show the slightest sign
of it. He could bellow popular songs or chant
Byzantine hymns in a pleasing nasal baritone
voice. He could lie like a trooper. He loved
jokes, but he never lost his dignity. He knew
more stories than anyone I have ever met. He
really seemed to believe in magic and drew a
sharp distinction between the black and white
varieties, maintaining that he abhorred the
former and practiced the latter.
I found out a great deal from him about his
past, but nothing that threw any light on his
case. He was born in Tiflis in the Caucasus
and fled that place at the time of the Bolshevik
revolution, taking refuge in a Greek town in
Turkey whence he was obliged to flee again when
the Greek army was defeated in 1922 and the
Greek inhabitants of Asia Minor were being
massacred. He told me that at this time he had
gone aboard a Turkish coastal steamer with
other refugees. The skipper, seeing the turn
events were taking, decided to put in at a harbor
held by the Turkish troops and hand his passen-
gers over to the authorities. The others fell on
their knees before him, pleading vainly tor their
74
HARPER'S MAGAZINE
lives. But not Father Eugene. He whipped out
his Smith and Wesson revolver from under his
robes and forced the captain to put about and
land them at the nearest port in Greece. For
forty-eight bonis he stayed awake holding the
pistol to the captain's head.
THE CHURCHILL BROADCAST
AT CALITHEA Father Eugene used to
come ever) morning into t ell Number 17
and tell us the news from the BBC. How he got
this news so earl) nobody knew. The rest ol us
might get bits and pieces of it smuggled in with
our lood baskets, l>ut these were only allowed
in at noon.
One day we learned that a very important
speech l>\ Churchill would be broadcast the fol-
lowing day at 8:00 a. m. The next morning
Father Eugene burst into our room bristling
with c\< itement.
*T)o you know what Churchill said?" he
roared. "He said our bombers over Germany
are so numerous that a perpetual twilight has
fallen on that ill-fated country. He said that
even il Germany were a mountain range of
granite the si/e of the Himalayas she would he
pulverized by the Allied Air Force!"
We were all affected, but I It-It a little uncom-
fortable. The words, even in Greek, had a
ChiiK hillian ring. Hut somehow they sounded
too boastful, almost childish.
I hen in the silence tin drawling, sneering
voice of the pitied asked, "Reverend father, is it
by youi magic powers that you tan know what
Churchill said before he has actually said it?"
He looked ostentatiously .it Ins wrist watch. "It
still lacks a lew minutes to eight o'clock, you
know."
Father Eugene slowly pulled out his large
old-fashioned pocket watch. I looked over his
shoulder and saw that it was pointing to twenty
past eight, hut the second hand was motionless.
It must have slopped the previous night. Eugene
shook it, then put it up to his ear. The color
rose to his face. He tried to smile, gave it up,
and went out, softly (losing the door behind
him, as if he were leaving a sick room.
From thai day on it became a kind of sport to
try and catch him out. But I cannot think of
another instance when we got the better of him,
I remember once he was telling us about his
\ isit to Mount Ararat where, he said, he had
found the remains of the Ark jammed in a
crevice on the highest peak. He described in
detail the colossal hulk, gave us heights and
widths and weights with such precise assurance
that we began almost to believe him. Then one
ol us who was an engineer and a Cambridge
graduate spoke up. "How large were the nails?"
he asked.
Father Eugene did not hesitate a moment,
onh his \oi(e became more confidential. "Ah
yes, I forgot to tell you about that," he said. "It
was beautifully done, all held together with
enormous wooden pegs, perfectly luted. Not a
single nail anywhere because as you know, boys,
as even a man from Cambridge ought to know,
they had not invented iron at the time of the
Hood."
His worst lest was with the obscene movies.
The prefect had a deal with the Italian Com-
mandant whereby he was allowed to show movies
in the prison. The arrangement was that the
Commandant would get the movies first in order
to "censor" them. Apparently these censoring
sessions were quite some parties, to which the
friends ol the Commandant and their Iloo/ies
were invited. The main attraction was some
dirty movies which the prefect had in his col-
lec (ion.
Father Eugene enjoyed movies but always
refused to watch the dirty ones. The prelect
dec tded to play a trick on him. It was announced
that a good patriotic movie would be shown. I
did not realize what was up until I was jammed
next to Father Eugene in the hack of the room
watching what seemed to he the end of a movie
about Nathan Hale when the prelect whispered
in my ear that the reels had been changed and an
obscene one had been tacked on. A few minutes
later, withoul warning, an enormous bate behind
supplanted Nathan Hale. There was a roar of
applause from the onlookers. Father Eugene
gave a little gasp but made no move to leave.
He just put his head down and did not lift il
once lor nearly two hours. I know. I was
watching him all the time, wondering whether
I could possibly have done it myself. When the
lights went on and the prelect slapped him on
the back and asked him how he had liked the
picture. Father Eugene did not even tell him that
he had not seen it.
At about this time events stalled moving last,
both lor the world and for us in prison. The
campaign in North Africa was won. I and two
of my friends on the other hand were tried,
found guilty, and condemned to death lor espi-
onage. We were given a farewell dinner by our
friends at Calithea at which Father Eugene said
grace. Then we were handcuffed and chained for
the journey to Averoll, the vast and impregnable
FATHER EUGENE
75
criminal prison of Athens, there to await execu-
tion or commutation of sentence to life imprison-
ment.
As we were standing in the central cage wait-
ing for the guards to lead us off, Father Eugene
passed his hand through the bars and patted my
arm with unexpected diffidence. "Keep a place
warm for me where you are going," he mumbled
and stalked off to hide his embarrassment. It was
the first time he had ever given a hint of what he
thought was in store for him. I wondered to
which particular destination he was referring—
Averoft prison or the other place.
A MASS TO OUR LADY
IT WAS, I believe, on the tenth of August,
in the courtyard of Averoff, that I saw Father
Eugene again. I recognized him among the
stream of ordinary prisoners crossing in front of
the special enclosure for those sentenced to death.
He came toward me waving and smiling, and to
my amazement the guards did not stop him. He
took me in his arms, kissed me on both cheeks,
and wished me many happy returns of the day.
"This is a great day," he said. "I have permis-
sion from the Commandant to say Mass in the
courtyard. May the Virgin vouchsafe us a mira-
cle," he added, using the time-honored expres-
sion.
"On what occasion, Father?" I asked.
"A great day, my boy, a day of great rejoicing.
Our Lady is rising up to Heaven," he said and
winked knowingly.
I was completely mystified. The feast of the
Assumption of the Virgin was still five days off.
But you don't ask the same question twice in
prison, and in any case Eugene was on his way.
Before he reached the gate he turned back and
called, "Don't miss it. Try to be there!"
As it turned out there was no difficulty. Our
Italian guards were curious to see a Greek Ortho-
dox Mass and we condemned men were escorted
into the main courtyard in great style.
On the raised platform from which the Com-
mandant used to make his announcements was
a table covered with a white tablecloth, and on
it two candlesticks, a cross, a chalice, and a Bible.
Behind stood Father Eugene, in gold-embroidered
robes. Where he got them God knows. On either
side of him was an acolyte swinging a censer.
When we arrived the service had just started.
The sonorous words poured forth in the ancient
nasal singsong. Statement was followed by re-
sponse, the wine was blessed, the Lord's prayer
was recited, a hymn was sung. I am not a regular
churchgoer, but I knew by heart the words of
that hymn. Every Greek does. It is perhaps the
most celebrated piece of Byzantine music ever
written, composed early in the seventh century
when Constantinople was delivered from the be-
sieging horde of savages— the Avars.
Father Eugene's voice swelled and thundered
over the ponderous notes, and gradually a few
prisoners joined in. But before the singing could
become general something happened. It took a
while for the knowledge to penetrate, but the
doubt in the prisoners' minds made their voices
falter and fall silent, till only Father Eugene's
rolling baritone remained.
He was singing the ancient hymn accurately
and with great feeling, but the words were not
the ones we knew, at least not all of them. Sand-
wiched between the phrases in praise of the Holy
Virgin was that day's news— and what news it was
for us! The Allies had landed on the mainland of
Italy, Mussolini had been ousted from power
and placed under arrest in a mountain hide-out,
and Marshal Badoglio had formed a government
which would negotiate with the Allied command.
I felt like dancing and cheering and embracing
my neighbors. I even turned toward the man
beside me, ready to pound his back, only to find
it was the guard. .And then it struck me like a
blast of icy wind how dangerous the situation
was, especially for the lone figure on the plat-
form above us singing so lustily.
The Italians were looking somewhat puzzled
by the way the singing had died down, but they
obviously had not heard the momentous news.
Where in Heaven's name had Father Eugene
heard it, and what devil had prompted him to
pass it on to us in this most perilous fashion?
The affair of the Churchill speech flitted across
my mind and I had a moment of chilling doubt,
but I discarded it. Not even Father Eugene
would play such a trick on the entire prison. As
to why he had chosen this way to tell us, I knew
in an instant by looking at the faces of my fellow
prisoners. Every one of them had a rapt look as
if he were actually seeing the Virgin Mary rising
up to Heaven before his eyes.
76
HARPER'S MAGAZINE
1 don't know whether Eugene was entitled to
say Mass, whether he was actually ordained or
not. But standing in that prison courtyard with
the machine guns trained on us and the armed
guards looking foolish and the prisoners looking
blissful, I didn't care. It was spine-tingling. It
was hinny. It was absolutely glorious;
A month later the Italians collapsed and in
the few hours before the Germans could take
over the prison I and a few others managed to
escape. I lost touch with Father Eugene com-
pletely.
PHONY SCARLET PIMPERNEL
JUST after the liberation I was sitting in the
office of a British Major in the intelligence
in Athens, straightening out my affairs. The
telephone rang, the Major listened for a while in
strained silence, then shouted, "Tell them to go
to hell," and slammed down the receiver.
"It's about that blasted monk again," he said,
turning to me.
"What monk?" I inquired.
"A certain Father Eugene who's caused us more
trouble than all the German agents put to-
gether."
"Father Eugene?" I cried. "Wasn't he in prison
here during the occupation?"
"\ cs, he was in prison," said the Major. "Why?
Did you know him?"
"II it's the same man," I said. "What has he
been up to now?"
The .Major rummaged among his papers,
found a piece of folded pasteboard. "This," he
said, and handed it to me.
It looked like an ordinary identity card. When
I opened it, I saw that it was in fact an identity
card, bul a most extraordinary one. On one
side was a passport photograph ot a man, obvi-
ously a (.reek. At the top of the other side were
the words INTELLIGENCE SERVICE" in
beautifully embossed capitals, and underneath a
statement to the effect that the bearer, Mr. So
and So, was a member of the intelligence service
in good standing. There was a signature scrawled
at the bottom and a seal which at first sight
looked like the British lion and unicorn. There
was even a special number allotted to the bearer.
"I didn't know you issued these things to your
people," I said.
"Don't be an ass." snapped the Major. "Of
course we don't. Whoever heard of the intelli-
gence service being called the intelligence serv-
ice. Look at the signature."
The signature was "Eugene A ." But I had
never known Father Eugene's surname. Then I
noticed that the seal was wrong. Instead of the
lion being on the left and the unicorn on the
right, they were the other way round and the
motto was completely illegible. No one could .
say that Eugene had misappropriated the sym-
bols of the British Empire.
"Do you know that there are thousands of
those things floating about?" demanded the Ma-
jor. "Do you know that anyone caught with one
of them a few months ago might have been shot
as a spy? Do you know that every single person
who had one of those absurd, worthless little
cards thinks he is a hero, that they produce them
to prove that they did their bit, and that at least
a dozen times a day I get requests from them for
jobs on our own intelligence set-up?"
"What did they actually do during the occupa-
tion?" I asked.
"Nothing."
"What do you mean, nothing? What was the
whole thing for?"
"That's the mystery," said the Major. "The
word was passed to all of them that they would
be called upon to undertake an assignment, but
the call never came. All your precious monk had
to do was start the thing and then sit back and
watch it spread. Each man recruited someone
else and knew only the man who had approached
FATHER EUGENE
77
him and the one he had recruited himself. The
identity cards were passed from hand to hand
down the chain."
I started to get a glimmering of what it was
all about. These people had wanted to do some-
thing for their country. Father Eugene had pro-
vided the means. The simple danger of having
the cards had made them men who, in their
hearts at least, were still resisting the enemy.
What difference did it make if nothing came of
it? It seemed to me that heroism should not be
measured entirely by its results, and I began to
disagree with the Major that the cards were
worthless.
"Did Father Eugene get anything out of it?"
I asked.
"Not a thing as far as I can make out— except
his comeuppance."
"Being put in jail, you mean?"
"Getting himself shot, I mean."
I realized that I had suspected it all along but
hadn't wanted to face it. "Why?" I asked.
"What the devil do you mean, 'Why?' " the
Major exploded. "The man wrought havoc in
intelligence operations in damn near the whole
Middle East Theater. The counterespionage
services of three armies were in an uproar. Every-
thing was in such confusion that regular intelli-
gence work became almost impossible. I shud-
der to think what those poor Ities went through
trying to fight their way out of the mess," and
for the first time the shadow of a smile flitted
across his face.
"Think of it, man, they actually arrested some
two hundred people and could find out abso-
lutely nothing because there was nothing to find
out, and had to release them again. None of
these chaps had ever seen or heard of Father
I Eugene. They thought they had been recruited
by one of our people. Father Eugene of course
didn't let on. I have his Italian file here and it
seems that at all his interrogations he insisted
that he had nothing to do with the identity
cards, that the fact that they were signed in his
name was either coincidence or fraud. Of course
the Ities didn't believe it. They had your pre-
cious Father Eugene in jail for a year before they
made up their minds it was all a hoax. They
only gave him a life sentence to save their face."
Now I knew why Father Eugene had never re-
vealed his surname, never spoken of his imme-
diate past, why, after almost a year in prison, no
one came to see him, and why, in spite of his
friendliness and camaraderie, he had always re-
mained such a solitary, lonely figure. He had
perpetrated the most gigantic hoax, but he had
not endangered anyone else. You could call him
the poor man's insurrectionist or a phony Scarlet
Pimpernel if you liked, but, after all, he had not
failed. How he must have laughed behind those
bushy whiskers of his to watch the mess he had
stirred up. I don't know, I suppose no one will
ever know, whether that is what he set out to do.
Perhaps it was his own peculiar way of doing his
duty as a monk in times of trial. But whatever it
was it took courage and a little bit of madness—
or genius.
"But why was he shot?" I asked.
"Well, when the Jerries took over the prison
they found Father Eugene's file. But Jerry, as
you ought to know, has never had much of a
sense of humor. He took the whole thing in
deadly earnest. Saw spies in hundreds under
every bed and came down like a ton of bricks.
The first, and I must admit only, man to get it
in the neck was your monk friend. They took
him out and shot him about a fortnight before
they got out of this place."
An emotion other than exasperation had be-
gun to creep into the Major's voice, but he added
gruffly, "By God, if they hadn't, I swear we would
have had to do it ourselves."
Ages of Anxiety
w
H A T is a Golden Age? What echoes of
the Age of Pericles, of Renaissance Italy
and the Low Countries and Scandinavia,
of Elizabethan England, mark each as a
flood tide in the vast, slow surge of
human intellectual development? . . . All
of them were eras of some physical se-
curity and at least some political and
organizational stability. But in all of
them, too, stability and security were
far from complete, and there is the
flavor of a partnership of disorder and
hazard with vitality and creativeness.
None of them, clearly, were especially
"comfortable" times in which to live.
. . . Surely our age shares many char-
acteristics with the earlier golden times.
. . . There is the wide feeling of inse-
curity, the deep-lying anxiety, the sense
of confusion, not unlike the earlier
times in its general character even
though, to us at least, its causes seem
far more complex, more massive, more
intractable.
—Caryl P. Haskins, Carnegie Institution
of Washington Year Book, Dec. 1957.
By MARTIN MAYER
Drawings by G. Hunter Jones
The Budapest String Quartet
Four fiddlers from Russia, and strictly not
from Hungary, make up one of the most
distinguished — and certainly the most durahlc
— organizations in American chamber music.
AT E L E P H O N E rang in the studio con-
trol room, cutting through the chromatics
of a late Mo/an string quintet which was play-
ing at high volume through the loudspeaker.
Sascha (Alexander) Schneider picked up the re-
ceiver and said:
"World's greatest siring quartet. World's
greatest violinist speaking. Hallo."
I It listened intently, then shook his head, with
its remarkable spread ol black-gray, wiry hair.
"What do you want to speak to him lor? He's
not the world's greatest recording director."
Then, thoughtfully and considerately, "Well,
maybe he is."
Schneider handed the receiver to Columbia
Records' Howard Scott, who bent down behind
his desk and whispered into the mouthpiece to
make sure he would not disturb the concentra-
tion of the musicians in the control room. They
were listening to the playback ol the piece they
had just recorded in the studio. Sascha studied
Scott's bent-over form for a moment, made a
huge grimace ol pity, shrugged his shoulders
and turned around to share hi^ feelings with his
partners in the Budapest String Quartet.
The other members of the Kvartet (to give it
the locally preferred German pronunciation)
were not responsive. His brothei Mischa, the
Budapest's cellist, was following the playback on
the recording director's score, deciphering with
ease Scott's penciled markings ol errors in per-
formance. A tall, fair, handsome man with sad
eyes— the older ol the Schneider brothers and a
very solid citizen -Mischa was wrinkling his fore-
head at ibis and that, nodding forcefully to em-
phasize accented passages.
Against the rear wall ol the narrow room, first
violinist Josef Roisman was huddled into him-
self on a folding chair, listening carefully but
somewhat sleepiK. because it was alter one
o'clock in the afternoon and his customary nap
time was approaching. This posture was un-
usual lor Roisman, who is slight, erect, mostl)
bald and very serious, the official leader ol the
THE BUDAPEST STRING QUARTET
79
quartet (they once tried to change the name to
Roisman Quartet; their management wouldn't
let them), but the last of the four men to speak
when argument is afoot.
Boris Kroyt, the quartet's round violist— per-
haps the most meticulous musician of the four-
was leaning over Scott's desk, thumbing through
an illustrated brochure of the Brooklyn Dodgers'
1956 trip to Japan, which he had picked up God
knows where. Every so often he would come
upon a scene or a Japanese personage familiar
to him from one of the Budapest's tours (the
quartet has played everywhere, except Russia,
whence its members come), and would point it
out to Mischa beside him or to Roisman behind
him. But Kroyt was listening to the recording,
too.
Since these were quintets, there was a fifth
musician listening: Walter Trampler, a tall,
young, quiet violist, who had played his part
but had no voice in approving the performance.
Trampler leaned against the wall, his arms
crossed, studying all the members of the quartet
impartially. He may have been thinking about
the performance, which was not in his style.
(The Budapests are romantic Slavs, and
Trampler is a lyrical Britisher; as Mischa said
to him when he ventured a comment, "I know
you do not like our way, and your way is prob-
ably right, but as soon as we try to play soft, we
lose all energy.") Or he may have been speculat-
ing on his future, because Milton Katims— who
was the extra violist when these same Budapests
recorded the Mozart quintets fifteen years ago, in
the days before LP— has gone on to a career as
a conductor. Or he may have been wondering
what it is that has held the Budapests together,
with substantially the same personnel, for a
quarter of a century; while Trampler's own
excellent group, the New Music Quartet, had
broken apart, in a snarl of personal recrimina-
tions, after only three years.
Then the recorded "take" was over, and Scott
was off the phone. A worried, almost bald young
man with a perfectionist attitude toward work,
Scott has been in the booth on all Budapest
recordings of the last seven or eight years. He
knew the quartet could do better than the per-
formance they had just heard over the playback
loudspeakers, but he said only,
"Well, what do you think?"
"I think it was beautiful," said Sascha dog-
gedly.
"It was better yesterday," said Kroyt mildly.
"Could we hear it from yesterday?" Mischa
asked Scott.
Scott said, "Yes, but yesterday, you remember,
there were those three bad bars."
"Maybe we could take the good parts from
today and from yesterday," Roisman suggested.
"I don't think so," Scott said, "but let's see."
He nodded to the engineers, who were already
preparing the previous day's tape on the ma-
chines to play back what the musicians wanted
to hear. Scott said, "Insert two, take nine."
"How do you remember?" said Boris Kroyt.
"I don't remember anything," said Scott,
pointing to a piece of paper on his desk. "I
have it all written down."
The same rondo, in the same performance,
flooded from the loudspeaker, and Mischa
abandoned his score and began to tell Trampler
a story which had nothing to do with music.
"Stop this, now!" said Sascha. "We are serious
musicians, no? Chamber music players. We
don't tell jokes."
The vocal silence in the booth lasted for a
minute after the final flourish of the music, and
then Scott made a quiet comment. "The end
was better yesterday," he said, "but there's no
place I can make the splice. I think you'll want
to try it again."
"Why?" Sascha demanded, and swelled to his
feet, pregnant with rhetoric. "Nobody listens
to music any more," he announced. "They all
want to hear, / hit the wrong note, lie (Kroyt)
didn't come in, you (Roisman) had a wheestle.
People pay good money to come and hear that.
We should just play, the way we would play a
concert. We get paid the same. You (Scott), you
are an executive, you get nothing for working
late. They (the two recording engineers) have
a union, they get paid the same. We get a real
performance, with humanity in it. And we sell
more records."
This was not a new argument, and Mischa
answered it somewhat wearily. "We are not
going to let that go through," he said, "when
we are normal. Now we say, 'Let anything go
through.' But we would just have to do it again
tomorrow."
Roisman was looking at Scott's score. "We
don't have to do it all," he said.
Scott said, "No. Take it from two before F,
and I can make the splice."
"All right," said Sascha. "Two before F."
Trampler opened the door, but before the
musicians could begin their tired march back
into the studio proper, the telephone rang
again. Scott picked it up himself this time and
said, amiably:
"Mr. Schneider's office."
80
HARPER'S MAGAZINE
TWO FROM ODESSA
AMONG them, the lour members of the
Budapest Quartet can offer more than 125
year-, of professional experience in playing
chamber music, and more than 90 years under
the label: Budapest. The label itself is not
theirs: and, indeed, they have no love for it,
though the) pla\ willingly enough at Hun-
garian Relief concerts and take no offense at
the general opinion that they must be Hungar-
ians. Originally, at its foundation in 1910, the
Kvartet was Hungarian by a three-to-one ma-
jority (the cellist was a Dutchman). Roisman
was the first Russian to enter, in 1927; he was
followed l>\ Mischa in 1930, Sascha in 1932,
and Kroyt in 1936. The four current members
of the quartet can handle exactly one phrase
of Hungarian: "Turn the Page," which is writ-
ten on all the scores they inherited from the
original Budapests.
All four members of the quartet play with
more than enough skill to have made careers
for themselves as soloists, and all except Mischa
have tasted the pains and pleasures of the
virtuoso life. Roisman was a child prodigy who
played the violin from the age of six.
"I have a picture of myself," he says. "I was
nine years old, already f have a medal. But
everybody was a child prodigy."
His father— a businessman who did not ap-
prove of violin-playing— died before the boy
was ten, and almost automatically young Rois-
man became the ward of a charitable lady in
his native Odessa, the wife of a tea importer,
who sent no fewer than thirty-three talented
Odessan children to the musical centers of
Europe to be educated at her expense. When
the Roisman family became available she went
to Berlin, found a teacher for young Josef and
his thirteen-year-old sister, rented an apart-
ment for the children and their mother, and
went .tw.i\ again aftei arranging a monthly
allowance Eor her newh -adopted brood.
I lie lust world war cut off the Roisnians
from then patroness and they returned to
Odessa, where lose! studied at the conserva-
tory, and won competitions to become concert-
in. ister of the local orchestra and opera orchestra.
Came the revolution and musicians were, as
Roisman puts it, "requisitioned. They sent us
to factories to play— us, singers, a pianist, a
group. To play for the workers and the soldiers
in the army."
In I92.'i, while on one of these conducted
tours, Roisman found himself near the Polish
border; a few hours later he was out of Russia
for good. He served in the orchestra of the
Prague Opera for two years and free-lanced
as violinist and teacher for another two, then
auditioned for and won the post of second
violinist with the Budapest. (The former
violinist had quit; he is now in the string section
of the New York Philharmonic.)
Kroyt, a few years older than Roisman, also
came from Odessa and studied in Berlin under
the patronage of the tea importer's wife. At
the age of fourteen, he was already playing con-
certos with German orchestras and when the
war came, he was well enough known to sup-
port himseli in Germany. In 1918 he organized
the Kroyt Quartet, which survived, with one
complete change of all the personnel except
Kroyt, until 1933, when it went bust like every-
thing else.
Throughout this period Kroyt was a violinist
for a living, but he was a violist at heart.
Of all his early triumphs, the one he remem-
bers most vividly is a concert conducted by
Richard Strauss at which he played the Brahms
Violin Concerto in the first half and Berlioz'
"Harold in Italy," a viola concerto, in the
second half. Roisman— who had known Kroyt
as a boy in Odessa and Berlin and had never
entirely lost track of him— remembered Kroyt's
affection for the big fiddle when the Budapest
found itself short a violist in 1936, and wrote
Kroyt in South America, where he was touring
as second violinist of the Guarnerius Quartet.
Kroyt had a number of reasons for accepting
Roisman's offer (among them, his desire to get
out of Hitler's Germany, which was still home
base to the Guarnerius), but the chance to play
viola for a living was one of the most important
of them.
Alone among the members of the quartet,
Kroyt looks forward to retirement, when he
hopes to resume the composition of music,
u
m
1*k*";
■*'"' .tt>.
■■■■■m
■
'!
v" '
Mont Orgueil Castle in Jersey, one of the jour Channel Islands (Jersey, Guernsey, Alderney and Sark).
How to fall in love with Britain — after dark
' WILL FIND this castled village
the tiny British island of Jersey,
are no London night cluhs here,
ir shows. No jazz. Just the sleepy
f harbor lights, the slap of waves
t creak of sailing boats,
'ore a little. It won't take you
discover the evening rewards of
nquil little town. All is so still,
your footsteps make you jump. History
stalks the castle ramparts. A few people
still talk Norman French. And it's odd
to reflect that this particular island once
gave its name to the state of New Jersey.
You wind up at the inn, of course.
Here, you can try your skill at darts.
Here, the men are robust and so is the
beer. You shake firm hands and trade a
tale or two. And the fish get bigger as
you talk. This is the storied Britain —
beyond the lights of Piccadilly.
But even in London, where nights are
so brilliant, you find some quiet surprises.
One place still serves an Elizabethan
dinner. Peacock, syllabub and mead.
See your travel agent. He can book you
from New York anclback for under $400.
:
For lice illustrated literature, see your travel agent or write Box 17.'/, British Travel Association.
ii' York-336 Madison A ve.; In Los Angeles-606 South Hill St.; In Cflicago-39 South La Salle St.; In Canada-90 Adelaide Street West, Toronto
Fabulous drinks
made with
Joint Jameson
IRISH
COFFEE
People who have discovered the delight of
Irish Coffee often ask whether that is the
only way to enjoy John Jameson.
By no means! John Jameson makes a
marvelous Manhattan, a delightful Old
Fashioned, and a /estful tall drink with
soda or water. Perhaps most fabulous of
all and becoming quite a conversation
piece is the very sprightly drink called the
"Leprechaun."
leprechaun RECIPE: Over ice cubes in an
old-fashioned glass, pour one jigger of
John Jameson. Fill with tonic water. Add
lemon peel; lemon juice if desired.
Both the Leprechaun and Irish Coffee owe
their magic to what scientists call syner-
gistic action, which means that the coop-
erative action of John Jameson and the
other ingredients is infinitely more delight-
ful than any of them taken independently.
Probably one reason for this synergistic
action is that John Jameson is all pot still
whiskey — every drop matured 7 years in
oak casks. And that kind of pot still whis-
key is mighty hard to find these days.
If you have John Jameson on hand, try
a Leprechaun without delay. If not, rush
out and buy a bottle.
JOHN
JAMESON
BLENDED IRISH WHISKEY • 86 PROOF
Imported by
W. A. TAYLOR & COMPANY, NEW YORK, N. Y.
Sole Distributors for the V. S. A.
"oivfo
•woke
'KlSH
°racaoffeeTarn,eds'en1med7n
h>H to with- K nd ' to 2 te^ Jameson
coffee Z,"" A inch oftoptTnS °fs^r
°" top n 'PP d creii^ so thff ° hnm »ith
drmkinJt,A Irisb Coffee "S f rcam- The
act'on of coS-f W*y ^ enjoy thP
Co^ee as Vo., James°'i ;n-sh °" 's to add
J.
THE BUDAPEST STRING QUARTET
81
which he stopped more than forty years ago.
"It's an interesting fact," he says, the composing
gleam in his eye, "but most of the great com-
posers were viola players. Mozart and Beethoven
played the viola in their own quartets. Even
today. Hindemith was a solo violist. Milhaud
for years was first violist in an opera or-
chestra. . . ."
TWO FROM VILNA
THE Schneider brothers, younger than
Roisman and Kroyt, come from the oppo-
site end of Russia, from Vilna. Their father
was an amateur flutist, and when Mischa was
eight and Sascha five he decided they were to
be a cellist and a violinist, respectively. There
is a third brother, too, also destined for a
musical career, but, Sascha says, "On him it
didn't take. He's not a meskugineh. He watches
the World Series, he knows the averages; he's
the lucky one."
The Schneider family too was caught up in
the first war, and the boys started playing in
the cafes of Vilna in their early teens. Sascha
recalls intimate places where one backed into
private rooms and alcoves, through brocaded
curtains, fiddling erotically; Mischa recalls
something less dramatic but more degrading:
coffee houses which rewarded musicians by
giving them a cup of cafe au lait and the oppor-
tunity to pass a hat around among the patrons.
When the war was over the brothers resumed
their middle-class standing and went off to
study, Mischa in Leipzig and then Paris, Sascha
in Vienna. They met again in Frankfort, where
Mischa had become the first cellist and Sascha
the concertmaster of the local orchestra. ("When
I wasn't being thrown out," Sascha says, "be-
cause I wouldn't come to rehearsal.") Both
moved on to quartet playing, Mischa with -the
Prisca of Cologne, Sascha with a group he had
organized himself in Hamburg. Mischa entered
the Budapest by invitation in 1930, and Sascha
two years later, after Roisman had stepped up
to his present eminence.
After twelve years with the quartet, Sascha
left; after another twelve years, he came back
again— in 1956. Meanwhile, he had made many
solo appearances, including an extended tour
of the university circuit, playing Bach's incom-
parably difficult Sonatas and Partitas for unac-
companied violin. As an impresario, he had
helped to organize the various Casals festivals
in Perpignan, Prades, and Puerto Rico; he had
promoted the summer concerts in Washington
Square, New York City, and invented a Christ-
mas Eve midnight concert at Carnegie Hall. And
as a conductor he substituted for Casals him-
self in Puerto Rico last spring.
"I like to do a thousand things," Sascha says.
So, says one of his friends, being Sascha, he does
them all.
"Living in a quartet is much more diffi-
cult than any marriage," says Sascha, who should
know, having been involved in several quartets
and several marriages. "In a marriage, at least
you can have fights." The emotional relations
inside a string quartet are intense and highly
complicated, and it is not really true to say that
quartets break up; they explode.
What has held the Budapests together in a
tight unit is not easy to explain, or even to
understand— the members themselves can only
guess at it. In part, the secret of the Budapests'
longevity as a unit must trace to the pairings
which form naturally within the group— the
two brothers and the two boys from Odessa
who shared a teacher in Berlin; and, cutting
across these lines of propinquity, the tempera-
mental alliance of the conservative Roisman
and Mischa, the flamboyant Kroyt and Sascha.
But there have been other quartets which
included pairs of brothers and men who have
shared teachers, and no other quartet has ever
held together so long as the Budapests.
Among the reasons is, undoubtedly, the fact
that they came together by an almost purely
musical choice. Many quartets are founded in
the heat of close friendship, and easily disinte-
grate when ardor cools; others are founded on
a basis of common extramusical interests (includ-
ing, on occasion, the shared ministrations of the
same psychiatrist), and collapse when these
Sascha
82
HARPER'S MAGAZINE
interests change. But the four Budapests are
men of very different temperaments, who spend
little time with each other apart from rehearsals
and performances, and share few friends, tastes,
or interests.
"When we're not playing a concert," Sascha
says, "we're the most different quartet in the
world. B\ avoiding each other, that's how we
stay together."
One shared interest— contract bridge— was for
some years a major cause of disruption. They
played the game constantly, during concert inter-
missions and long mornings when their wives
thought the) were rehearsing. Once, bridge
caused a serious delay in a concert. Mischa had
gone down four in a six-club contract played
at intermission, ;tn<l knew he could have made
it somehow. All through the first movement of
the Schubert (.Major he played and replayed
the hand in his head, until finally lie knew what
he had done wrong. When the first movement
ended, to the amazement of his fellow music ians
and the audience, he picked up his cello, bowed,
and went off stage. After this notable event,
the quartet played no more bridge during inter-
missions; and after bridge had caused a serious
estrangement— a two-week interval in the long
trip to the Dutch East Indies, during which
the members of the quartet did not speak to
each other because of a fight at the card table—
the Budapests gave up bridge altogether. They
still play once in a while, Mischa especially,
but never with each other.
Each of the four men has made his own
individual adjustment to the problems of the
European settled in America. Sascha— who en-
joys holding forth at parties— has become a
prominent member of New York's artistic and
Mischa
intellectual community. The other three make
their homes in Washington, D. C. Mischa at-
tempts to live a middle-class suburban life,
spending as much time as possible with his
children, traveluig by car, and catching an
occasional ball game. Kroyt, whose one daughter
is now grown and married, is a gadgeteer, with
a garage and a cellar stuffed with electric razors
and drills and kitchen appliances that he has
taken apart and put together again. He is a car
fancier whose opinions were solicited by the
Ford Motor Company when they were planning
to revive the Lincoln Continental. (Once a
photographer with three very similar cameras
snapped around his neck was taking pictures
of the Budapests at rehearsal, and they were
trying to find out from him why he needed
three 35-mm. cameras for a single job. Kroyt
finally supplied the satisfactory explanation:
"Because he is American.") Roisman, who is
childless, has remained perhaps the most Euro-
pean of the four. Essentially pedagogical in
temperament, he teaches every summer at Mills
College on the West Coast.
The Budapests fight out with Slavic vigor
their apparently eternal musical disagreements.
"Sitting in on a Budapest rehearsal," says
Goddard Lieberson, now president of Columbia
Records but once the recording director at Buda-
pest sessions, "is like visiting Tolstoy's dascha."
But the members of the quartet all believe
that the best result of such a fight is the mini-
mum possible compromise by everyone involved
in it; as Roisman says, "We respect the indi-
vidual."
The Budapest has no "leader," in the accepted
sense, though Roisman performs the necessary
starting function on the platform, and Mischa
handles business matters for the group. All
decisions are made by majority vote (three out
of four in a quartet, of course). And even the
vote is not enough to give the majority a right
of coercion over the holdout. As Roisman puts
it, "If someone says, 'This time is very incon-
venient,' we do it some other time. It is the
same with a new score, we play it through and
talk it over; everybody has to like it a little."
Sometimes the majority of three will adjust
to the minority of one despite an obvious incon-
venience: thus the quartet has played through
the summer at Mills College, because Roisman
teaches there, and participated in the Casals
Festival in Puerto Rico— at less than its usual
fees— because Sascha was so intimately involved
with the plans.
THE BUDAPEST STRING QUARTET
8!
"We are all of us," Roisman says, "very great
idealists, and this is what has kept vis together.
You know, times were not always so good."
Beneath the occasionally spectacular displays of
temperament at rehearsals and recording ses-
sions (never, of course, at concerts, where the
dead pan is maintained even at the most trying
moments), all the Budapests are basically gentle,
kindly men. Equally important, as Lieberson
points out, "They really are funny— and, what's
rare, they know they're funny. They love to make
jokes."
Musically, the Budapests believe strongly that
a string quartet is not a single smooth instru-
ment but four independent voices, each asserting
itself in its own way. "If someone comes back
after a performance," Sascha says, "and tells me,
'Tonight, you and Roisman sound like one fiddle,
everything was so smooth,' I know it was a lousy
concert."
This conception of the individual as more
important than the group has given the Buda-
pests their extraordinary grasp of the master-
pieces of the literature; for almost all the best
string quartets, from the later Haydn to Elliott
Carter, were planned by their composers as ex-
pressions of four separate voices. Consequently,
the Budapests have less tonal elegance than some
other quartets; but they regard surface polish as
a lesser goal, anyway. The aim of their rehears-
ing is to routinize a performance, the poetry as
well as the notes themselves. All performances
on stringed instruments are subject to inter-
ference from the weather— because the fiddle is
at its balkiest when humidity is high— but other-
wise the Budapests can be counted on to give
ithe same performance all the time, whatever the
condition of their individual psyches and
stomachs. This ability to routinize is what musi-
cians mean when they speak of "professional-
ism," and it is the tribute everyone pays the
Budapests.
Sascha brushes it off: "At our age," he says,
"the music plays itself. If you have the feeling
of character and tempo in a piece, that's genius
Those aren't my words; Mozart's father said it."
taste: city by city
THE Budapests first came to the United
States in 1930, as part of a round-the-world
lour which started in the Dutch East Indies. It
Ivas Mischa's debut with the troupe, and from
■is first concert he wrote on the front page of
|| ach score each of the places where he played it.
You can't read the score any more," Sascha says,
"it's so scribbled over." Mischa himself hopes
some day to write a book, which he will call
Opus 59, Number 1. "It begins," he says,
" 'Batavia, Java, Dutch East Indies.' " (The
quartet which is to give the book its name is
probably the most popular in the Beethoven
canon; it is also the only one which opens with
the tune in the cello.)
The Kvartet was well received everywhere in
the United States— to the surprise and pleasure
of the members. They were also pleased at the
number of American cities which had endowed
chamber music seasons, guaranteeing a quartet
the five evenings of work necessary to complete
a Beethoven cycle. To one of these cities, Buffalo,
the Budapests have returned every year for the
last twenty-seven, but what intrigues them most
is the fact that the Beethoven concerts in Buf-
falo must continue even after they and their
audiences are gone.
"It is endowed forever, in a will," Mischa says
wonderingly. "Every year, as long as the world
lasts, there must be a Beethoven cycle in Buf-
falo."
By the terms of another endowment— to the
Library of Congress in Washington— the Buda-
pests are not allowed to play their own instru-
ments in that building. Among the Library's
possessions is a quartet of instruments by An-
tonius Stradivarius, and among the purposes of
its annual concert series is a workout for the
fiddles, which would otherwise deteriorate.
"The first years," Kroyt recalls, "when we
came to the library, we played two or three con-
certs in the series. Other quartets played the
instruments in the other concerts. In 1937, we
complained, the instruments were always out of
joint, and they said, 'Why don't you join up
forever? Why don't you play all twenty concerts
for us, every year?' "
In 1933, with the advent of Hitler, the Buda-
pests had shifted their home base to Paris; in
1938, with twenty concerts a year guaranteed at
the Library of Congress— plus other guarantees
from Buffalo, Cleveland, and Pittsburgh— they
immigrated to America. At first they made their
headquarters in New York, because that was
where immigrants and musicians stayed, but in
1942 Roisman tired of the endless seasonal com-
muting to Washington and took an apartment
in the capital; and the others, except for Sascha,
soon followed.
Unlike other musical groups, the Budapests
play only classics in New York, and introduce
new works in other cities where (not to put too
fine a point on the matter) endowments protect
84
HARPER'S MAGAZINE
them against losses from the smaller audiences
drawn by contemporary scores. The quartet is
thus regarded in New York as a somewhat stodgy
bunch, because they have played so few new
pieces where everybody else plays the newest
works in his repertory; but the Budapests have
probably introduced more modern scores than
any other quartet in the world ("except," Sascha
says carefully, "the Kolisch").
They learn several new works every year for
the Library series, and for a series sponsored by
the Froram Foundation in Chicago, and when
they played their summer season at Mills College
they honored Darius Milhaud, a colleague of
Roisman's on the faculty, by playing the com-
plete cycle of his seventeen quartets. Three or
four times a year, they devote a complete day to
sight-reading through a dozen or so of the new
scores which have been sent to them in care of
the Library. Interminable rehearsing precedes
the actual performance. "Once," Sascha recalls,
"we rehearsed a Bartok quartet for five months,
it was crazy. I say, 'If it's late Beethoven it will
still be around in a hundred years.' "
During an ordinary year, the Budapests will
play 100 to 110 concerts, three-quarters of them
in the United States, the rest on tour in South
America, Europe, Australia, or Japan. They hate
train rides, and invariably travel by plane or—
if the trip is a short one— by rented station wagon
(everybody drives except Roisman). In Wash-
ington, they usually rehearse twice a week in the
Library; on tour, they rehearse the afternoon
before a concert, in a hotel ballroom or con-
ference room.
"It's no use to go into an empty hall and try
it out," Kroyt says. "You never know how it will
sound when the hall is full. This way, we start,
if it sounds bad or you can't hear or it sounds
rough, you make adjustments— it's a matter of
seconds." Mischa offers local concert managers
a choice of six to eight different programs.
"But with us," Sascha says, "you can choose
anything you want. We know it."
On tour the Budapests will usually, but not
always, eat dinner together at a local Chinese
restaurant (Chinese food is one of the few shared
enthusiasms). "Of course," Kroyt says, "every-
one has a different schedule. Roisman is very
strict with his time, he must rest every afternoon.
He wakes up, and eats at five or six o'clock
before a concert. I always eat after a concert."
At breakfast, the four men usually remain apart,
ea< h starting the day behind his own newspaper
at his own table in the hotel dining-room, to the
vast amusement of any other musicians who hap-
pen to be staying at the hotel.
In the summer, the Budapests quit, usually
going as far apart as they can comfortably man-
age. If one runs into another in foreign parts
they will shake, hands in a civil manner, ask alter
the family, and then turn opposite directions and
leave. All of them regard the summer away as
necessary to the maintenance of the quartet as a
unit, and to the musical quality of the per-
formances that will follow reunion in the fall.
"It's refreshing," Mischa says. "After two,
three months, you begin to want to see each other
again. You feel the desire," Mischa concludes,
"to come together, and to make again music."
THOMAS WHITBREAD
FOR A TWENTY-FIFTH BIRTHDAY
at this time of poise, this permanence of maturing,
When the face has finally settled its appearance
And the body wears a shape that seems enduring
And each ceiling gives the head a certain clearance,
At this stoppage of growth, this beginning of decay,
When, having no place to go without interference,
Cells can be cannibals to get their way,
At this adult state, between birth and desiccation,
In hopes of a meaningful mind, quietly pray
For your ignorant body a calm continuation.
I I I C : D E .; F I G f H j l-J j K-L 5 M | HO ! P io-Hf S ! I |U-VH»Hj
^
CBS RADIO PRESIDENT
ARTHUR HULL HAYES
discusses radio with you
in the
World Book
encyclopedia
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Radio in the studio is a world apart — of storied
heartbreak and harmony and a breath-suspending
sign, "On the air."
"Radio"— in World Book is an enlightening
discussion with a man who knows the medium
from the crystal-tickling cat's whisker to
complete studio production.
Mr. Hayes is not only familiar with all the aspects
and intricacies of his subject, but he is gifted
with the ability to describe it completely, clearly,
and concisely. You'll find his article
z'evealing and refreshing.
All contributors to World Book are leading
authorities in their fields. That's why World Book
Encyclopedia is always accurate, informative,
up to date. No wonder World Book continues to
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SERENADE TO THE
LONG-HAIRED DEE-JAY
IT IS becoming increasingly diffi-
cult to get away from good music
on the radio. Every time I turn to
the entertainment section of the Sun-
day paper there seems to be a new
FM station in the New York area
that plays little but Buxtehude and
Bartok, and of course the same phe-
nomenon has been spreading across
the country along with hi-fi and
other manifestations of our noisy
limes. Even the old New York stand-
bys, those two pillars of classical-
music programing, stations WQXR
and WNYC, have added new com-
mentators during the past year; and
David Randolph, who has been at
this for thirteen years, can now be
heard at it four times a week on
WNYC— two original programs, two
rebroadcasts of earlier ones— and
once a week nationally on the sta-
tions of the National Association of
Educational Broadcasters.
To be sure, New York is excep-
tionally well served by good-music
radio stations. WQXR and WNYC
have lor years been providing the
rich musical fare that has but re-
cently been available elsewhere. Yet
we have merely arrived at a stage of
development the provinces are
bound to reach some day, and we
have merely come sooner to that
satiety, that surfeit of goodies, which
brings on sober reflections.
As an almost addicted listener to
music commentators I find that I am
no longer able to take them casually
or give them credit for simply exist-
ing. When there are more than a
do/en to choose from, you soon be-
gin to discriminate between the good
and the frankly impossible. David
Randolph and our own Edward Tat-
nall Canby are good, to my ear, but
there aren't many I would rank even
close to them.
THE difference is one of underly-
ing attitude toward music. Messrs.
Randolph and Canby and one or
two others treat it as something to
think and feel about, something one
reacts to; the rest seem to regard it
as something to bow before, to grovel
at. This is I suppose the more ven-
erable tradition. It is the Milton
Cross, or great-gold-curtain, school
of music commentating. It takes the
position that the listener is being
privileged, that everyone else is do-
ing him a big favor, and that the
act of composing or playing music is
so inherently marvelous as to require
virtually no further comment. Every
musician is an "artist," all audiences
are "enthusiastic," and every stand-
ard in the repertory is "inspired."
Here is of course an occupational
hazard of good-music radio. It has
no commercial self-discipline, and
must heavily rely on its own defini-
tion of its public responsibilities; so
it can easily fall into the habit of
being self-satisfied. "We've always
felt that the average WQXR listener
was above average," said WQXR at
4:00 p.m., September 23, 1957. "The
only thing constant about our pro-
graming is its consistently h
level," said WNYC at 11:00 a.
on August 27, 1957.
The announcers on WQXR
pi< k on the worst offender, also hi
a deplorable tendency to be co/y a
chummy, especially when deliver
commercials that masquerade
something else— like the ads for ]
taurants that are bare-facedly j:
sented as "suggestions" for din
out. And WNYC has one announ
who has been around for years, m
gling scripts and ad-libbing absu
ties and generally getting in the \
of music.
With the coming of binaural— t
is, the broadcasting of stereo tape
putting one channel on AM and |
other on FM— there has been an
crease, besides, in the infatuat
of some commentators with sounc
the exclusion of musical sense. T^
brings out the worst in a high-fide;
fan anyhow, since the things it "d;
best" are the massive, viscous orcl
tral numbers that really give a wc
out to a super-speaker-system. Stej
tape is undoubtedly a pleasure
those who have succumbed to i
superb marketing device for mak
people buy two of what they
merly needed only one of— but W|
about the rest of us? If you
have one set and can listen to
half of stereo, you hear a ludicro
unbalanced symphony; the str:
are in your lap and the woodwil
are somewhere out in the streetj
RANDOLPH and Canby
seem to have thought more cle^
than the rest about the circumstar
in which they are being heard. TF
ask for just the right amount of
He Knows
Freedom
Is Not Free!
W
Vo (fotf?
■ ■ ■ :
.
.
I
tela Varga knows the price of freedom. He escaped
rom behind the Iron Curtain . . . leaving his family,
lis home, his belongings behind him.
But 70,000,000 people like Varga still remain behind
n the oppressed countries of Eastern Europe. They
rill drown in the flood of Red lies, restrictions, distor-
ions unless you help. For, word of freedom can only
ome to them in one way: from stations like those of
ladio Free Europe. Every day, every hour, the 29
uper-powered transmitters of this freedom network
are at work, overpowering Red efforts at "jamming,"
slashing through Red lies, renewing hope that free-
dom will some day return behind the Iron Curtain.
What you must do: Radio Free Europe is a private
organization supported by the American people.
Your dollars are needed to help operate its trans-
mitters, pay for equipment, supplies, announcers and
news analysts. Remember: Freedom is not free! Send
your truth dollars today to Crusade for Freedom,
care of your local Postmaster.
FREEDOM IS NOT FREE!
Your dollars are needed to keep RADIO FREE EUROPE on the air!
1 ce broadcasting lubes
1 ir out fast . . . cost thou-
R dsof dollars to replace.
Rp us buy more! Give
•£■."■''
aK ■"■"335
' jfc
anil
^mWM M.
He puts freedom
on the air.
Your truth dollars pay the
salaries of dozens of tech-
nicians like him. Are you
giving? Do it today!
Your dollar pays for one
minute of broadcasting
time. Give now to spread
the word of freedom be-
hind the iron Curtain!
Send your truth dollars to
CRUSADE
FREEDOM
Care of local Postmaster
88
AFTER HOURS
tention, and not too little of it. At
least it seems to me that "serious"
miisit ol the nineteenth or twentieth
centuries makes very poor back-
ground, or "mood," music. To listen
inattentively to the large Romantic
or post-Romantic works invites a
kind ol vasomuscular nervousness
that is anything but relaxing. Cham-
ber music can perhaps be followed
with hall an ear, but concert-hall
compositions demand all or nothing.
The virtue of the commentatoi is
that he can invite your attention to
one or two features ol the music at
a time, so that you hear it afresh
but don't have to do all the work
yourself. To that extent the pro-
grams with comment make "easier"
listening than the many which sim-
ply toss the records at you alter read-
ing the labels.
And Randolph and Canby have
controlled, agreeable voices. This
would seem to be a simple matter,
but man) good-mush programs have
to be so inexpensive that they often
involve accepting in a package deal
the sen ices ol a "commentator"— he
may be a distinguished figure in his
line ol work, know the subject, and
love to talk— who sounds just plain
amateurish on the air. Part ol the
trouble is that nearly everyone
thinks he could do this, if only he
had the chance, and will not admit
to himself that it is a skill like any
other, which needs to be learned.
Since the station is in no position to
tell the offenders, and I am much
too soft-hearted to name names, I
can only suggest that those who feel
any twinge of guilt here examine
their consciences, and listen cold-
bloodedly to their own tapes.
These captious words are not in-
tended to be unfriendly; in fact,
they proceed from an excess of affec-
tion rather than a lack of it. I am so
much more enamored of this kind
of radio than of any other kind that
1 hate for it to be any less than it
could and should be. Normally, no
one criticizes the classical dee-jay
programs; that is partly what's
wrong with them, and i hope that
this initial attempt to start the dis-
cussion will not discourage their
originators or give comfort to their
foes. They are above average and
their level is high. Just don't go let-
ting it slip.
—Mr. Harper
./ ,..**
■VZXaV
-A*
s.. .:>•■ .'.7
GOLD AND GLORY
Henry Hope Reed Jr., who takes
the position that classical architec-
ture is the only kind worth a damn,
has sent me the following report of
his recent trip to the Far West. I re-
lay it in the trust that readers who
reject his xjiews will at least enjoy his
enthusiasm. His book, The Golden
City, will he published next fall.
Dear Mr. Harper:
I have seen the country's most
magnificent building and the coun-
try's most beautiful murals. Where
may they be found, you ask? Wash-
ington? New York? Boston? New-
port? No, the answer is San Fran-
cisco and Los Angeles.
Nature has of course been more
than kind to California but you may
have wondered sometimes if man's
work there has been wholly a bless-
ing. Come with me, then. In San
Francisco we go south on Market
Street, well past the Palace Hotel,
past the columned American Tl
and the Hibernia Bank. Where 1
ton and Leavenworth touch Mai
the vista opens. The great masl
the City Hall bestrides the skylit
But here is a building with th;
Doric columns, bold masks on :
keystones, and large gold lantern!
the entrance. Something about il
is the Federal Building) remind i
of the Department ol Labor Bil
ing in Washington— it must II
come from the same hand. You|
right. It is the work oi Am
Brown Jr. of San Francisco.
But we are dawdling. Let us k
anothei route and approach I
Civic Center as would the opl
lover, via Franklin Street on I
south. We find ourselves beloJ
court guarded by tall railing*
blue and gold wrought iron; tol
right is the Opera House, to the|
the Veterans Building, beyond,
other grille of blue and gold wf
above it all, facing us, towers
de me of the City Hall.
We'll go into the Civic Cents
the entrance of state: what we 1
before us has been designed to
our opera-goer and even oursJ
a measured elegance. The twin|
either side offer a first story
round arched bays adorned
masked keystones, a second st'oi
high windows, a balustraded cori
an attic and a barely percq
mansard. Imagine it at night:!
gold reflects the brightly lid
buildings and the high dome
yond is blazing.
Again we have been dawd
Now we proceed through the o
of honor, cross Van Ness Ave
and climb the steps of the City J
The pile confronts us in the
of a large rectangle made impo
by a colonnade of Roman Dl
pedimented and columned poi
set off the wings. And the domtj
stands above a columned dj
curving up to a lantern.
Everywhere our visual hung)
fed with a wealth of detail. A I
of blue and gold lanterns ornaJ
the terrace, elaborate gold-on J
doors set off the entrances. Bel
Atlan tides hold the central bal
on their shoulders, masks restini
cornucopias adorn the keystonesj
wrought iron railing of the ba^
presents gold lions' heads and I
ing acanthus leaves, the high
AFTER HOURS
med porch carries a pediment
ed with figures— Wisdom stands
;ween the Arts, Learning, Truth,
iustry, and Labor.
DW for the interior. Traversing
tately vestibule and corridors, we
nd in the great hall beneath the
me. Four massive piers rise up to
lr pendentives which spread and
n to form a ring; upon it rest
mposite columns supporting a
fered dome.
High Composite pilasters mark
; main story, which, on its north
d south sides, rises to a high shal-
v barrel vault, and from it spills a
jht of stairs, like a stately glacier,
reading gently as it touches the
11 floor. Again we have the su-
rb detail, the bas-reliefs in the
andrels, the masks and garlands in
e semi-domes over doorways, the
ures beneath the barrel vaults, the
onze work of the lamps, the bronze
d iron work of the railings.
We think of the rotunda of the
itional Capitol. The Missouri
pitol is another of the same class;
i too are the West Virginia and
innesota Capitols. But they and
lers do not have the unity, the
t quantity of ornament, the play
space, the total overwhelming
set. I submit that the San Fran-
co City Hall is the best that Amer-
n art has produced.
The architects of this wonder?
m Bakewell Jr. and Arthur Brown
, who can also point to the city
lis of Berkeley and Pasadena. Why
/e we not heard of them before?
ie American Institute of Archi-
ts, though last year's centenary
?red the opportunity, has never
nored them. Current fashion is
'ays blinding; no doubt when the
>dern goes into limbo the Insti-
e will suddenly discover Bakewell
1 Brown.
The promoters of the arts center
Mew York's Lincoln Square might
well to glance at the San Fran-
:o Civic Center. It is obvious
n current plans that New York's
;mpt, while admirable for size,
I hardly compare to the work of
;ewell and Brown. Nor is there
>on to believe that revisions will
ie for improvement. The Lin-
i Square promoters, by turning to
Modern only, have denied the
; that has gone before us. A visit
"But Can YOU
The Bible Is
Suppose an unbeliever challenged you
to do so.
Being a sincere Christian, you might
reply: "I just know it is." But that
wouldn't be proof. It would not be very
convincing to the unbeliever. And what
would a skeptic say if you told him you
have the assurance of the Holy Spirit?
He might well ask why so many Chris-
tians who claim this do not agree on
the meaning of the Scriptures.
What real evidence could you pro-
duce? What facts could you present?
Where could you find a logical, con-
vincing answer?
Christ, of course, wrote nothing, ex-
cepting on one occasion — and then only
in dust. All the original manuscripts of
the Bible have vanished. The Bible itself
does not claim to be the Inspired and
complete word of God. Our Lord did
not say that His teachings would be
found in a book. On what authority,
then, can we be sure about the Bible?
The answer is, of course, that the
only living authority is the Catholic
Church . . . the Apostolic Church . . . the
Church whose traditions, beginning
with Peter, bear reliable witness down
the pathway of time from Christ to this
very moment. The Bible cannot prove
by its own text that it is inspired. But
the Catholic Church can prove this.
Out of the first century, the Church
can call up such witnesses as Polycarp
(A. D. 80), whose appointment as
Bishop of Smyrna came personally from
John the Apostle, or Ignatius of Anti-
och, who died about 107 A. D. It can
present the testimony of such second-
century writers as Clement of Alexan-
dria, Irenaeus, Tertullian and Origen;
and from the rhird and fourth centuries
Cyprian and Ambrose and Eusebius and
Cyril, and many others.
All these bear witness to the vital
importance of the Apostolic tradition.
All testify that the Scriptures were en-
SUPREME COUNCIL
KIHGHTS of COLlimBUS
RELIGIOUS INFORMATION BUREAU
4422 LINDELL BLVD. j££k± ST. LOUIS 8, MISSOURI
trusted to the Church . . . that the Church
is their preserver and interpreter . . . that
they must, as Clement said, be inter-
preted "according to the Church's rule."
Writing in the second century about
Polycarp, who lived in the first, Irenaeus
said: "The things which he had learned
from the Apostles he uniformly taught
and delivered to the Church, and these
things alone are true."
The Catholic Church was preaching
the Gospel of Christ years before the
last book of the Bible was written . . .
centuries before its writings were com-
bined into a single book . . . nearly 1,500
years before the Bible gained world-
wide distribution. If you want to know
more about the Church and the earliest
followers of Jesus Christ ... if you want
convincing proof to support your Chris-
tian convictions . . . write today for our
free pamphlet giving a brief but dra-
matic story in the words of the fourth-
century historian, Eusebius. It will be
mailed to you in a plain wrapper; no-
body will call on you. Ask for Pamphlet
No. D-45.
SUPREME COUNCIL
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Please send me Free Pamphlet entitled "But Can
YOU Prove The Bible Is True?" D-45
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HARPSICHORDS
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LOS ANGELES 4, CALIFORNIA
to San Francisco might help them
overcome then obsessive feai ol gold,
ol symbols, ol tradition and, espe-
( ially, <>l the human form in ai t.
s \ \ FRANCISCANS mean-
while might pa) bettei attention to
theii < hie! gloi \. 1 lie ornamenl ol
the dome .mil I. inn I n ol the (.il\
Hall are badl) in need ol re-gilding.
And. further, inm.il painting— thi
one an the Civi< Center is weak in—
could will be added to the Opera
I fouse. I In < n\ fathers need not go
I. ii io find good «-x.iin pit -^. foi the
Id si ones in the country are in Los
Angeles. Going to Southern Cali-
fornia is noi eaS) loi a San Fran-
ciscan. I know, hut he will have one
consolation— no one in Los Angeles
s< i ins io know about the murals.
Allow me to continue in the role
ol guide. We'll proceed to the come i
ol Western Avenue and Adams
Boulevard, which is not too far from
Downtown Los Angeles, and go can
hilly north on Adams. Soon we'll
come to a wall ol dark brick. This is
OUl goal, the house and library ol
the late William A. Claik, son of the
famous Senatoi from Montana (ii is
now the propert) ol the University
of California in Los Angeles). The
entrance is around the corner on
Cimarron Street. The house that
greets us is indifferent but beyond,
set in a terraced garden with pools,
stands the library. It is a pleasant
building of brick with Spanish
baroque stone trim, designed by
Robert Farquhar in 1926.
Painting welcomes us at the
threshold. Above a marble-lined
hall gods and goddesses disport in
cloud-filled heavens over open Ba-
roque arches. Beneath them are
seated giants, lolling against cornu-
copias, guarding niches containing
symbols of the arts and sciences.
The medium is oil on canvas, so
smooth that it might be fresco, and
the ceiling is coved. Here is false
perspective, skillfully constructed
architecture, graceful figures resting
on clouds, the human form painted
as few can do it today. Paul Valery
said that the triumph of the artist
was to place ten or more figures in
a setting and have them live and
breathe— and this was done here.
An imperial introduction, this
hall; it leads to a high-ceilinged
music room which looks out on a
wide lawn. Two large canvase
grace the end walls and above ar
man) more of them set in what mill
Ik- the most elaborately carved wod
ceiling in the loumn. Mask
lands ol fruit, fluttering ribbon
cut lolled leather patterns weave ii
ti ic ate li.mic s about the c am ases.
I he jnctiiics aie ol varying sizes
the J a i m ■ ones, like the two on th]
end walls, depict scenes ol Anton
and Cleopatra from Dryden's All fc
I '.a, ■<■ , a favoi iic ol the c lient. El*
where in smallei panels are symbol!
figures, a maiden with a tambourine
an old man with a dove, a \otit
with a laurel crown in one hard
and a pail ol calipers in the Othfl
All are painted in bright Venetia]
colors with the same lone that di
tinguished the work in the hall.
We can think ol our great mural
those ol the New York Publj
Library h\ Edward Laning, the wod
ol Brumidi in the National Capita
John La Farge's "Ascension'' in \e
Yoik's Chinch ol the Ascensioi
I'm is de Chavannes' murals in tq
Boston Public Library— all have
qualit) which sets them apart. B
for over-all power these in the Clar
Library win.
Fhe artist? Allyn Cox of Xe
York, who completed the grisail
frieze in the rotunda of the Nation;
Capitol several years ago. And ho
can California claim him? By th!
fact that his work is there, commi
sioned by a Calif ornian who was
generous, intelligent, and demam
in", client— and a good client has
much to do with great art as tl
artist.
The University might ask Mr. Co
to return, if only to paint over watd
stains in the hall mural caused by
leaking tool. More important, tn
promoters of Lincoln Square coul
stop there in their tour of the Wes
They would do well to turn to artis
in matters of design and decoratioi
an aspect of their project which aj
pears to have been neglected.
This coming summer will bl
marked by an important event il
California— the great Hearst Castl
at San Simeon will be thrown ope
to the public as a museum. Visitor
in search of splendor, could do wor-
than seek out the Clark Librai
murals in Los Angeles and the Sa
Francisco Civic Center as well.
—Henry Hope Reed Ji
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BOOKS
PAUL PICKREL
A Question of Identity
WITH the publication of his third novel,
I Like It Here (Harcourt, Brace, $3.75),
it hecomes clear that Kingsley Amis has only one
major comic idea, and that by this time it has
worn more than a little thin. His first novel,
Lucky Inn, was a very funny book; his second
novel, That Uncertain Feeling, was a tunny
book; but / Like ft Here is only intermittently
entertaining.
Like most comic novelists, including his hero
Henry Fielding, Amis sets out to castigate hy-
pocrisy, but the hypocrisy he- castigates is ol a
rather special kind. Traditionally the hypocrite
has been simph a man who is trying to make
other people think that he is better than he in
fact is, and he has been found reprehensible on
the grounds that he is taking credit lor a moral
worth that he does not have. The kind of
hypocrisy Amis goes after is less moral than
cultural, if the word cultural can still be used
in its old-fashioned or pre-Nfargaret Mead sense
to refer to the Better Things in Life (literature,
art, music, etc.). And Amis attacks cultural
hypocrisy not so much because it is a way of
fooling other people (probably he would say
that if other people are fooled by it they deserve
to be) but because it is a way of swindling our-
selves.
The line of serious thought behind Amis'
satire seems to go something like this: The most
valuable thing in life is freedom, and the greatest
danger is the danger of losing it. All kinds of
horrible things are a threat to freedom, of course,
but Amis as a comic writer pays little attention
to them; for him the primrose path to the loss of
freedom is decked out with the Better Things
in Life. Their seductiveness does not lie in their
being less valuable than they are said to be, but
in the fact that they come to us surrounded by
an apparatus of approved attitudes toward them
and established opinions about them. They have
become the instruments of a bureaucracy of
culture that jeopardizes our spontaneity and
cramps our freedom to be ourselves by standard-
izing our responses. The fact that Amis is him-
self a lecturer and critic as well as a novelist, and
with / Like It Here is that
in danger of becoming almost
to that extent a member of the bureaucracy of
culture, means that a good deal of his work is
sell-satire, and that is often one of its chief
delights.
The trouble
it shows Amis
as predictable as the thing he is attacking.
The book is essentially an attempt to have fun
with the cliches about foreign travel, and Amis
doggedly goes about upsetting established no-
tions about the alleged intellectual, spiritual,
and physical benefits of going abroad. Occa-
sionally he is genuinely amusing, but frequently
he shows signs of fatigue. Perhaps the necessity
of always being spontaneous also entails a loss
of freedom; being ourselves often consists of
bearing a remarkable family resemblance to the
rest of the human race.
Amis attempts to turn his travelogue into
a novel by introducing a plot that must not have
cost him much pain to construct. It concerns the
efforts of some London publishers to discover
whether or not a manuscript they have received
is authentic. The manuscript purports to be the
work of a famous writer who has long lived in
seclusion abroad and is generally thought to be
dead, though no one knows for sure that he is.
Possibly it is the work of an impostor, and the
task of Amis' hero on his travels is to seek out
the author and to determine if he is the same
man who wrote the earlier books. The conclu-
sion is that he must be, because he is too big a
fraud to be a fake— i.e., he has been victimized
by fixed ideas of his own importance on a scale
that couid be accomplished only in a lifetime of
working at it. This makes him a good example
of the horrors that result when a man does not
meet life spontaneously, and therefore a neat
illustration of Amis' ideas, but it does not make
him an interesting or convincing character.
TO FACE THE WORLD
I N The Return of Ansel Gibbs (Knopf,
$3.75) the young American novelist Frederick
Buechner is also concerned with a question of
identity but for Buechner it is a universal ques-
My
Brother's
Keeper
JAMES JOYCE'S
EARLY YEARS
by his brother
STANISLAUS
"Stanislaus Joyce's book is not only indispensable as a study of a great
author by his brother, but it would be fascinating even if the brother were
a complete unknown. Really, the talent in the Joyce family is almost
incredible."— FRANK O'CONNOR
In this salty, outspoken, affectionate portrait of his brother, Stanislaus Joyce has written a
book of unique interest and high literary distinction. Every page crackles with his razor-sharp
powers of observation, with his Irish gift for vituperation. Authoritative and explicit, this
remarkable biography covers James Joyce's early years, the all-important Dublin years which
were the wellsprings of everything he was to write. Stanislaus was the one person with both
the ability and the closeness to Joyce to re-create this fascinating period, and to give us
insights and personal data nowhere else available. Illustrated #5.00
Introduction and notes by RICHARD ELLMANN
Preface by T. S. ELIOT
i : >
\
THE VIKING PRESS
Jew York 22, N. V.
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POETS OF THE ENGLISH LANGUAGE
Edited by W. H. Auden and Norman Holmes Pearson
The poetic riches of 600 years have been gathered together in these five remarkable volumes.
Beautifully designed and bound durably in paper, they offer a magnificent survey of British
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Each volume contains nearly 100,000 lines of verse, yet the price is ONLY #1.45 each.
MEDIEVAL AND RENAISSANCE POETS: Langland to Spenser
ELIZABETHAN AND JACOBEAN POETS: Marlowe to Marvell
RESTORATION AND AUGUSTAN POETS: Milton to Goldsmith
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VICTORIAN AND EDWARDIAN POETS: Tennyson to Yeats
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tion. i lie question every man must ask himself
when he (onus up against the myster) ol his
own being and is forced to wonder who he is and
what he is up to in the world.
Buechner writes about people who have
about as much freedom as human beings ever get.
The) art- not taken in by the cultural hypocrisy
thai Amis attacks, or by an) oilier kind of hy-
pocrisy; they are sophisticated, intelligent, com-
plex people, with enough money or position or
accomplishment to enable them to live their
lives on their own terms as nearly as anyone can;
and the plot of the novel is skillfully designed
to make each of the main characters discover or
decide what his terms are.
Two characters dominate the story. One is
Ansel Gibbs, a rich and well-born lawyer who
has served in several important government posi-
tions by appointment and has now been asked to
join the President's Cabinet, but who has always
had the feeling of living on the fringes of things,
the sense that because he has not had to partici-
pate in the dirty give-and-take ol everyday affairs
he is overintellectual, effete, and not quite real.
The other is a sensationally successful young tele-
vision performer, Robin Tripp, who has worn
so many different faces before the world that
he does not know which face is his own.
The two men are linked by the fact that young
Tripp is a friend and possibly a suitor of Gibbs'
daughter, by the further fact that Gibbs was the
best friend of Tripp's father and possibly the
cause of his suicide, and by the still further fact
that both men are deeply puzzled about who
they really are. The older man is in danger of
being lost inside himself, of ending his days
overhearing the irresolute soliloquy of his own
mind, and the younger is in danger of being lost
in sheer appearance, of evaporating like the
Cheshire cat and leaving only his famous tele-
vision grin behind.
The resolution of The Return of Ansel Gibbs
lies in an attitude that may not be very original
with Buechner but is sharp and telling in the
context of the novel. Each of the men has to
learn from the other— the young man must learn
from the older to live with the ambiguity that
lies behind his many public faces, and the older
must learn from the younger that to spend one's
days in examining one's own complexity is not
enough: one must also act, in the double sense
of assuming a face before the world and of doing
something.
The Return of A>isel Gibbs will probably not
appeal to a large group of readers; its moral
drama is too fine-spun, its ideas too difficult, its
prose too intricate. Yet for those who are willing
to read a novel that examines the possibilities
and necessities ol our existence at a high
level of seriousness, it will prove well worth the
trouble, for it is a beautifully contrived piece of
work.
ONE IN TWO
TH E two young men who are the antagonists
in The Freest Man on Earth by James
Whitfield Ellison (Doubleday, $3.95) ate laced
with the question of identity in an unusually
acute lot in. because they seem to have only one
identity between .them. They are brothers, the
younger a repository of every conventional opin-
ion and attitude, the older a recluse, an eccen-
tric, and by some standards an egomaniac. The
younger brother disapproves of everything the
other brother does and stands for, yet in his
heart he is terrified to recognize that he is com-
pletely dependent on him.
This curious psychological relationship is the
result of the very odd upbringing the brothers
have had. Their father was a rich and irresponsi-
ble playboy who achieved national notoriety as
the outstanding draft-dodger of the first world
war. For some years after the war he lived in
Europe; then he recanted, brought his family
back to the United States, served five years in
prison, and emerged a tiresome old professional
patriot.
Naturally their father's history puts the sons
in no very enviable position when they in turn
reach draft age, especially since the older feels
compelled to follow his father's example of
evading the draft (though for what he regards
as very different reasons) and the younger sees a
second family scandal as a final blow to his hopes
of leading a conventional life, of marrying well
and succeeding in business.
What Ellison seems to be trying to do in
The Freest Man on Earth is to explore some
fundamental ideas about freedom. The father
as a young man and his older son have both
sacrificed everything to their own conceptions
of individual freedom, different as they are— the
father mindlessly pursuing his own enjoyment,
the son painfully seeking out principles and
examining his own motives; but in the end their
careers have the same effect— they ruin those
who depend on them.
But Ellison starts so many more hares than
he can or does pursue that it is almost impossible
to tell what the book means. The trouble is not
that he has imagined his story falsely but that
he has left large hunks of it unwritten. True, it
would take a Dostoevsky and about 500 more
pages than Ellison has allowed himself to do full
justice to the situation, but Ellison might have
got more of it clown on paper than he has. He
has not achieved unity in the structure of the
book or even in the style, for he can and does
write in several different styles, including, appar-
ently, the style of the last novelist he happens
to have read.
Yet Ellison shows boldness and range in this
book, and a healthy unwillingness to repeat
himself (his previous book was the widely popu-
^\
EDWARD WEEKS
and EMILY FLINT
JUBILEE
ONE HUNDRED YEARS
OF THE ATLANTIC
"As interesting, stimulating and delightful a
literary feast as the intelligent reader has been
invited to sit down to in a long time," says the
TV. Y. Times of this superb collection of prose,
poetry and fiction by 128 great writers of the
past one hundred years, selected from 1,200
issues of The Atlantic. "A big, rich book."
—The New Yorker.
An Atlantic Monthly Press Book. $7.50
CHARLES W.
FERGUSON
NAKED TO
MINE ENEMIES
THE LIFE OF CARDINAL WOLSEY
"The best biography of Wolsey that we have
or are likely to have," says the noted historian
A. L. Rowse in his front page review in the
N. Y. Times. A magnificent chronicle of the
rise and fall of the churchman who became one
of the most powerful men in English history.
Great figures are drawn in bold strokes —
Henry VIII, Catherine of Aragon, Anne Boleyn,
Pope Clement VII, Francis I — and, towering
above all, the Cardinal. $6.00
G. BROMLEY
OXNAM
A TESTAMENT
OF FAITH
With the insight and courage that have made
him one of America's most famous churchmen,
Bishop Oxnam has written an inspiring book,
a striking expression of his own faith. "Many
a Christian will be a stronger one for reading
this book, and many others will seek to know
more about a faith which can end on such a
note of triumph."— Virginia Kirkus. $3.00
Youn9f
STEPHEN
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YOUNG
MR. KEEFE
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new and different generation. $3.95
BERTON
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THE INCURABLE WOUND
AND FURTHER NARRATIVES
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At all bookstores
The author of the widely read Eleven Blue
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FIRST BLOOD
The Story of Fort Sumter
by W. A. Swanberg
author of Sickles, the Incredible
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in one place as vividly and completely
as Mr. Swanberg does in 'first blood.'
The drama and the tragedy of Sumter
come thi-ough to the reader as in few
other books. The author has been un-
usually successful in catching the
psychology of the situation."
T. HARRY WILLIAMS,
The Saturday Review
$5.95
THEODORE ROOSEVELT
The Formative Years: 1858-1886
by Carleton Putnam
"This book, for the period it cov-
ers, is the best biography of
Theodore Roosevelt."
— ALICE ROOSEVELT LONGWORTH
Volume I in the projected four
volume biography of Roosevelt is
unique because the author is the
first to have access to the family
papers and to many private collec-
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A vivid account of Theodore
Roosevelt's childhood, his battle
for health, his career at Harvard,
his first marriage, and his early
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GEORGE
WASHINGTON
VOLUME VII: First in Peace
By John Alexander Carroll
and Mary Wells Ashworth
Douglas Southall Freeman's great
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conclusion in this final volume writ-
ten by his two associates "with such
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aware of the fact that this final vol-
ume was not written by Mr. Freeman
himself." — carl bridenbaugh,
New York Times Book Review
$10.00
CHARLES SCRIBNER'S SONS
THE NEW BOOKS
lar story of the triumphs and tribi
lations of adolescence, I'm Owe
Harrison Harding). He shows
powerful if impatient imaginatioi
a gifl loi drawing vivid and unusui
characters, a considerable treedoi
with language (though he may hal
overexpanded his vocabulary by
little), and an engaging wit. Tf
worst you can say about The Free)
Alan on Earth is also the best: it
an interesting failure.
UNCERTAIN CERTAIN!
THK main character in Glendc
Swarthout's novel They Came
Cordura (Random House, $3.50)
a man who is all too tree from a
question about his own identity, h
cause he knows exactly what he
he is a coward.
Swarthout's novel is based on ;
imagined incident in the adventui
<>I the Punitive Expedition sent in
Mexico in 1916 under command
General Pershing for the purpose
capturing Pancho Villa. The Gej
eral is sure that America will sool
or later become involved in t
European war, and he knows il
the Army is unprepared to meet tj
challenge. One way to make t
public more aware of the army a
1 1 lore enthusiastic about it is to'»
duce some heroes, and so he appoi
an Awards Officer to watch for I
amples of conspicuous bravery,
write up citations for the Gongr
sional Medal of Honor, and to lc
the potential recipients back to b
camp (because he thinks live her
will have a warmer effect on the p
lie imagination than dead ones).
Ironically, the post of Awa
Officer goes to one Major Thorn
man who has a very profound i
terest in bravery because he has h
self furnished a conspicuous exam
ol its lack. He had reached a a
fortable middle age in the sen
without ever having been in acti
then in an early engagement of
Mexican campaign he encountc
fire for the first time and disgra
himself by cowardice. Under
mistaken impression that his
havior was little known, his supe
officers decided not to court-mar
him, and so he is available for
unsuitable job of Awards Office
The heart of the book lies in
account of how Major Thorn 1(
The Swivel Chair
Today the chair recognizes woman, not
women of our own day, those poor creatures fallen to
the servitude of self-improvement, those toiling spin-
ning victims of gadgetry and the subliminal sell ; but
women in their golden age, the past.
One woman, the Countess Bice Melzi, was
the inspiration and the lovely doom of IppolitO
Nievo. In 1860, for the sake of rejoining her three
days sooner, he changed his passage from a sound ship
to the ramshackle Ercole. He was lost at sea. But be-
fore his death, at 30, he had written The Castle of
Fratta, ($5.50) one of the masterpieces of Italian
literature, the imperishable love story of Pisana, the
woman Bice might have been. Her enchantment and
Nievo's art have kindled glory in the critics' pens:
"The adventurous love of Carlo and Pisana,
Countess of Fratta, a capricious, and tender, courageous
and wanton woman, all contradictions and whims,
equally capable of devotion and betrayal. Had Nievo
created only this superb feminine character, perhaps
unique in all Italian nineteenth-century literature, he
would deserve a place of honor in European fiction of
the romantic era." — Marc Slonim, New York Times
"It is the exuberance of char-
acter creation (they are something more
than sketches) as well as sheer narrative
brio that gives the book its vitality . . .
the reader of any generation will recog-
nize an authentic and gifted novelist. Nievo has never
gone out of style in Italy; today, perhaps because of
the contemporary interest in the novel, he is more
highly esteemed than ever. This excellent translation
will, I think, make the English-speaking reader under-
stand why." — New York Herald Tribune
Geoffrey Wagner of the New York Post
said, "In these inspired moments Nievo's romantic gifts
are stiffened by satire, while his marvelous humanity
serenely illumines the two great love stories . . . the
Pisana is a superbly degenerate creation, a sexual in-
riguer and 'exquisite mistress of lies' by the age of
:leven, whose 'abundance of life' Carlo yet adores and
vvho dies transfigured at the end, just as sensual Venice
lies in the new, united Italy . . . this is the work of a
$reat soul, a memorable novel of its time, whose en-
ightened pages anyone can add to his library with
< tr\ pride." Maurice Dolbier of the New
York Herald Tribune said, "A grandly
romantic affair . . . the wealthy and
doomed society of Venice . . . realistic-
ally handled . . . the Pisana — flirta-
tious, fickle, proud, and yet capable of
great sacrifices and inexplicable loyal-
ties, unpredictable and enchanting, one
of the most striking feminine characterizations in
nineteenth-century literature."
The other woman, Bess Winthrop, steps
straight from a chapter of history that
has been curiously warped by legend.
The Winthrop family, loudest in abnega-
tion, were the predestined leaders of the
Massachusetts Bay Colony in its earliest decades. To a
harsh primitive land they came still cloaked in the
elegance that Jacobean England had allowed a favored
few. They brought to the rigid simple problems of
survival a subtlety of thought and grace of learning
that had distinguished them in Shakespeare's eloquent
London. Bess Winthrop, young widow of the brother
of the man she loved, unregenerate niece of the Gover-
nor, moved through this age of paradox in an ardor of
rebellion against the chilling sense of exile, the narrow-
ing confines of an implacable church. To her the In-
dians were enigma not threat. Anne Hutchinson's peril
was a challenge, divorce from an unloved husband was
only temporary trial. This was a woman for the new
world, equal to its rigors, responsive to its flaunted
beauty, triumphant in a love at last secured in marriage.
The Winthrop Woman, ($4.95) the
novel that is her story, is to be published late in Feb-
ruary. What she will inspire in reviewing circles may
be adumbrated from the reception given to Anya
Setoil S most recent novel, Katherine.
"For my money, this intricate and amazing
story, with its keen analyses of human character ... is
one of the best pieces of historical fiction, not merely
of 1954, but of the past half dozen years . . . Like the
new technique of Cinemascope, it has depth as well as
color and elan." — The Saturday Review
"From first to last you will find a pageant
remarkably combining splendor and honesty, enjoy-
ment and learning." — New York Herald Tribune
And from this early, womanly response to
The Winthrop Woman: "I am awe-
struck by the combination she shows of
painstaking and thorough research and
of imagination. It's a great triumph ..." _^~— X
— Louise Andrews Kent
Houghton Mifflin Company, Publishers
S8
THE NEW BOOKS
mLom
The story of a proud
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THE
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Now at your bookstore RANDOM HOUSE
his group of five hand-picked heroes
back to the base camp al Cordura,
,iiul Swarthout's success lies in mak-
ing the incredibly exhausting jour-
ney Kin. ii k.ihl\ i eal .mil \ ivid in all
its physu al detail, and al the same
nine making ii a journe) ol ps\< ho-
logi< al exploration. Majoi Thoi n is
a simple, humble man, read) to ac-'
cept the verdh i ol liis own actions
about what he is: he genuinely be-
lieves thai men who have performed
bravt deeds in batik' are bettei than
he is. and in spile ol all the sell seek-
ill", brutality, whining, and mean-
ness the men reveal nuclei the hard-
ships ol the trip, he never surrenders
his conviction that they have a
quality he la< ks. I he irony of the
situation sounds a little too eas)
when it is set down in summary, but
in the book it comes off: Major
Thorn, by accepting what he is, be-
comes something better, and emerges
unknowing!) as the must man of
the lot.
They Came to Cordura is very
much a man's book. It will appeal
to readers who enjoy A. B. Guthrie's
hooks, oi such a novel as The Ox
How Incident. The action is excit-
ing and the development ol the
theme convincing. It is one of the
few novels I have read recentl) of
which it could be said with no dis-
paraging intent that it could be
made into an excellent motion pic-
ture.
C. P. SNOW'S new novel, The
Conscience of the Rich (Scribner,
$3.95), is a study of a family in
process of change, a chant;,' not so
much in the identity ol the indi-
vidual members as in what they
identify themselves with.
Snow portrays a London Jewish
famil) named March. The March
family had been prosperous even be-
fore it came from Holland to Eng-
land in the eighteenth century, and
in the years since it has become very
comfortable though not enormously
rich. From the family have come im-
portant figures in finance and in
government service, but the center of
its life has been the family itself.
The Marches visit and intermarry
with other Jewish families in similar
financial and social circumstances,
but their lives center on lavish en-
tertainment of one another in their
own houses, and on the gossip and
1 1\. ihies and births, marriages, an
de. nhs ol their many relatives.
The Man Ins hardly think <
themselvi s as Jews— the) are E nglai
b) nationalit) and Jewish l>\ r
ligion, and i he ii religion is litt
on ih. in a rout ine obsei \ ation (
those p. n is ol the [ewish Law th;
are most easil) complied with; tl
efforts ol an eccentric relative I
carr) things a little further is looke
upon as an occasion loi goffl
humored joking. Yel slight as the
connection with Judaism is, it neve
theless has been enough to keep tl
Marches somewhat apart from tl
( ientile world around them.
Tin Conscience of the Riili cove'
the period from 1927 till the eve «
the second world war, a period i
which the rise ol Hitler gave tl
facl of being Jewish a good de.
more importance than the oleic
Matches had been accustomed I
grant it, and the younger March
are no longer willing or able to ids
iil\ themselves simply and whol
with the family foi nines. The) el
velop a social conscience whic
wisely or not, sometimes compe
them to take a stand that rui
counter to the family's interest. Tl
crucial situation in the book d
velops when a member oi tl
younger generation— a devoted Coi
iniinist who is convinced that tl
ministry of appeasement in power i
England in the late 'thirties must 1
destroyed at any price— refuses »
stop the publication of material th.
will discredit that government <
though its publication will also b
smirch the reputation and destr
the career of an older member
the family.
The Conscience of the Rich is a
other installment in the extendi
fictional chronicle of Britain sini'
the first world war that Snow h
been writing in novel after novi
Although it can be read without ai
acquaintance with the others, it su
fers certain limitations because i
its place in the series. For one thin
the story is narrated, as the stori
in all the books are. by Lewis Elio
whose relation to the March farm
is such that he cannot enter ful
into the motivation of at least or
important character. For anotln
thing, the ending of the story
somewhat inconclusive and ther
fore unsatisfactory; it suggests th;
Andre Maurois, author of Lelia and Olympio, expands his gallery of
19th-century portraits in THE TITANS, a three-generation biography
of the three Alexandre Dumas — the mulatto general, the world-famous
novelist, the smash-hit playwright. Illustrated. $5.95
■f
Every reader can look forward ^h^-? to hours of enjoyment with TIME AND
THE HOUR, a long, ^^swift-moving, richly peopled novel by the
author of The Houses Js g/n Between, Howard Spring. $4.50
AMERICAN ACES In Great Fighter Battles of
World War II is the almost unbearably exciting ,
pilot against pilot, plane against plane. By Edward
by General Nathan F. Twining.
chronicle of
H. Sims, with a foreword
- Illustrated. $3.95
Joyce Cary's
The Horse's
I superlative trilogy — Herself Surprised, To Be a Pilgrim, and
Mouth — is now available in one volume as FIRST TRILOGY.
960 pages. $4.95
In THE VOYAGE OF THE LUCKY DRAGON Ralph Lapp tells
the story of the Japanese fishermen l Jwno ran into a cloud of "dust" in the far
Pacific — and whose fate may:^ijp§£- change the world. Foreword by
Pearl S. Buck. Illustrated. $3.50
The amazing love affair between the paramount genius of 18th century
France and a high-spirited marquise is recounted in VOLTAIRE
IN LOVE by Nancy Mitford, biographer of Madame de Pompadour
Illustrated. $5.00
<A SOLDIER WITH THE ARABS by Lt. General Sir John Bagot Glubb is an explosive
book that will generate explosive controversy. Glubb Pasha, former Commander
of Jordan's famous Arab Legion, offers an inside view of what is happening, and is
likely to happen, in the Middle East. Illustrated. $6.00
4AGGIE-NOW is the wonderful heroine
set in the wonderful world of
m
of Betty Smith's new novel
A Tree Grows in Brooklyn. $4.00
RUSSIA,
k individual
ta author is
• bassador
THE ATOM AND THE WEST by George F. Kennan will challenge
consciences of its readers as well as the governments representing them,
former Chief of the State Department Policy Planning Staff and
to Russia, whose Russia Leaves the War won the Pulitzer Prize. $2.50
AT ALL BOOKSTORES
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ONS
Questions— the right questions— can be of
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American Scholar raises new and vital
questions.
Questions in the Spring Issue
THE X E W BOOK S
O
What changes must take place in American
attitudes if communism is to be contested
effectively ?
The Devil and Soviet Russia
by HAROLD J. BERMAN
o
Is Germany shifting from anti-Semitism to
philo-Semitism ?
Germany's New Flagellants
by ALFRED WERNLR
MARGARET MEAD, in reply to DR. WERNER,
discusses the German attitude toward in-
dividual and collective responsibility.
o
Is the contemporary trend toward conformity
as harmful as it is often portrayed?
Comfort and Fun by daniel lerner
Q
Would the development of an aristocracy
destroy American democracy or revive Ameri-
can culture ?
Nobility and the United States
by oscar mandel
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Name
Address
City Zone State
the Eortunes of the Mar< li family
will be followed in another book.
Yel .i new imv ( I l>\ ( !. P. Snow
(who, l>\ the way, is now Sii Charles)
is always .i delight. 1 lis vigorous and
penetrating characterization, his fine
intelligence, and his stipple, tranquil
prose give all his hooks distinction.
BROOKL1 N REVISITED
BETTY SMITH'S new
hook. In 1 second since the im-
mensel) popular A Tree Grows in
Brooklyn, is Maggie-Xow (Harper,
S-l). li is a work ol modes! literary
merit, but it has sufficient human in-
teresl to provide harmless diversion
to many readers, espec iallv to women
who are of the private opinion that
the) are superior to the men whom
fate has sent their way.
I he hook opens with the heroine's
l.iilui still a bachelor hack in
County Kilkenny (he is the kind
ol spunky, bad-tempered bantam-
rooster Irishman who in the movies
is usually played better than he de-
serves to be by Barry Fitzgerald). It
takes a good many pages to get him
maneuvered to Brooklyn and mar-
ried to the daughter ol a Tammany
ward-heeler, and even more pages to
gel their daughter born, saddled
with the unfortunate nickname of
Maggie-Now, and grown tip to the
point where something interesting
might happen to her. But after a
while it becomes apparent that
nothing is going to happen to her,
..I least not anything worthy of her
mettle. She develops into a long-suf-
fering woman of strong character
who endures without complaint the
misfortunes and deprivations that
come her way in considerable quan-
tity. None of the men in her life is
really worthy of her, not her impos-
sible father, or the younger brother
she rears after their mother's death.
or the pleasant plumber she nearly
marries, or the charming ne'er-do-
wel) she does marry, but she loyally
stands by them all as long as they
need her. In the end, because of a
final act of self-sacrifice, she is left
alone in the little house in Brooklyn
where she has always lived, still
dreaming that her life may be ful-
filled as it never has been.
Miss Smith manages to get more
feeling into this not very dramatic
narrative than would seem probable,
w I
and she enlivens he) sioiv
good deal of diverting detail J
the hie ol the puoi in lirookh
the years between the turn oj
cc nun v and the second world w|j
The Joy Wagon l>\ Arthur T.
I<\ (Viking, |3.50) is a satirical
lasv about American politic
a< < mini ol how an elec ironic cal
toi, known to his millions a
riircis as Mike Microvac . was t
nated and campaigned lor the
ol President ol the United Stale
Probably ii is impossible I
mac hine in itsell to be funny, th
what human beings do with!
chines (or try to get machines f
for them) can be. What we lauj
in Rube Goldberg's elaborate'
traptions, for instance, is not tin
chines themselves but the r]
pathetic amount ol human ingia
that has been wasted in their laf
lion. The joke is not on the
chine but on its maker, becati
obviously would have been easi
do the job by hand than to I
a machine to do it.
So Hadley's satire is usually
cessful when the politicians are j
the machine to achieve their I
ends, but the results are some
else again when the machine I
to use the politicians. Such an
might be made frightening,
Hadley is not writing the Erai
stein kind of bc^ok, and consequ
it just seems rather stupidly ini]
able. At present the danger
machines will usurp political le
ship does not seem very ininiec
but the clanger is a good deal
real that human political leade
will he impoverished by an
reliance on a mechanical, statis]
Gallup Poll approach to decisi
Fortunately Hadley has
rounded his electronic polit
with a group of (all too) human
ticians, who are drawn from e\
ence and in some instances po>
from acquaintance. The) hel
keep the satire down-to-earth
supply some unsubtle but gen
comedy.
RECENT NON-FICTI
READERS who are inter
in the career and worf
fames Joyce will welcome the
lication of a memoir of his hoy1
THE NEW BOOKS
md youth in Dublin by his late
nother Stanislaus Joyce, My Broth-
er's Keeper (Viking, $5). It is a
ather curious book, as accounts of
he great by their relatives are likely
o be. Some of it is rather trivial, as
vhen Stanislaus addresses himself to
he subject of exactly how frightened
>f thunderstorms his brother really
vas (a) as a child and (b) as an adult,
ogether with a refutation of inaccu-
ate statements on this subject by
mother writer. A good deal of the
naterial is of value chiefly to annota-
ors and will ultimately find its way
nto footnotes to Joyce's work.
But beneath the surface suitable
or scholarly stripmining, the book
eveals a psychological situation of
ome interest. Since James Joyce's
alent was recognized very early by
lis parents and other associates,
tanislaus grew up in the know ledge
hat his older brother was a genius
nd that he was not. He developed
le qualities of one who feels that he
s not highly valued and does not
are to call attention to his short-
enings: he was sensible and sober,
jgular and hard-working. In a
ousehold as impractical and im-
rovident as the Joyces', these quali-
es were rare as money, and their
ossessor obviously should have
nerged, like the disregarded young-
t sibling in the fairy tales, as the
^ro of the family chronicle. But
jetic justice often fails: the proud
id headstrong family genius really
as a genius, and Cinderella's gifts
ally were best employed in taking
re of the heating arrangements.
So Stanislaus' attitude toward his
other seems to have been uncer-
inly balanced between the feeling
at James was not so remarkable
ter all (since he made a messier job
daily life than Stanislaus did) and
e feeling that he was so remark-
le that no one else could be ex-
cted to measure up to him. In My
othefs Keeper the latter feeling
ually triumphs. For instance, Stan-
Jus repeatedly mentions that as a
ung man his brother was very
ndsome, information that will
ne as something of a surprise to
)se who are familiar with photo-
,jhs of James Joyce taken in the
~iod. What the remarks probably
an is that James was better look-
; than Stanislaus, and if one is not
: family beauty then it is comfort-
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102
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George
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THE DECISION
TO INTERVENE
VOL. II OF SOVIET-AMERICAN
RELATIONS, 1917-1920
In 1918 the U. S. and the Allies
decided to intervene in the
Soviet Revolution. This story of
Soviet-American relations dur-
ing that tense year is an exciting
sequel to Mr. Kennan's Pulitzer
Prize winner, RUSSIA leaves
the war. Illus., 520 pages. S7.50
Order from your bookseller
PRINCETON Un£!"ity
THE AMERICAN
EARTHQUAKE
A vivid, personal (and controversial) col-
lection of his observations and impres-
sions of the American social and political
scene during the Jazz Age, the Depres-
sion, and the New Deal.
576 Pages, Cloth Bound, 56 00
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McGUFFEY'S READERS
After a long and costly search a complete
set of the original 1879 McGuffey's Readers
has finally been located, and reprints of these
grand old readers have now been completed.
Exact copies of these famous readers are now
available. Write for circulars and prices.
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aMM
National Library Week
March 16-22, 1958
THE NEW BOOKS
ing to think that the famil) beam
is vei \ beautiful indeed.
It is too I). id thai Stanislaus foyq
died before he had broughi his nai
rative down to the years whin h
and his brothei both lived in I i test
(and whin, according to the exce
Kin introduction by Richard 1.1
.liann. he really was al time "hi
brother's keepei ") hut it is interea
ing and valuable as it st.mds.
less Than Kin by William Clar
(Houghton Mifflin, $3.50) cordj
i lose to being anothei account <i
sibling rivalry, since it is a study ol
relations between England ana
America. Clark believes that com
petition between the two count™
lias been health) and continues to a
desirable as long as both side
realize that it is all in the family.
What CI. nk endeavors to do is t<
sketih the image each country ha
entertained ol the other, and to .shov
how thai image has influence
events. Foi a long time, as he sees it
America was the younger anc
weaker, trying desperately to impra
the older nation, whose attention
very often, was elsewhere. A signifi
canl change came at the end of th
Civil War, when Punch, alter havinj
caricatured Lincoln as an ape, pub
lished an apologetic poem when Ik
was assassin iied, and "Britain's up
per and middle (lass acknowledger.
thai they had been mistaken in theii
judgmenl ol the New World."
Now the younger nation has out
stripped its elder, and Clark, who;
has lived on both sides of the At
lantic, has some sensible things td
s:i\ about how both should behave
Although readers who have given
some attention to Anglo-AmeriqS
relations may not find that Les:,
Than Kin advances their knowledge
very much, it is a succinct, dear, anc
intelligent attempt to put the era
rent uneasiness between the twe
countries in its historical setting.
GAVIN MAX W ELL' S People
of the Reeds (Harper, $4.50) is a las
cirrating account of some months the
author spent among the Arabs ol
southern Iraq. These people live
in the marshes built up (though
some would think not sufficients
built up for human habitation) at
the outlet of the Tigris and Eu-
phrates rivers. They were practically
THE RELIGIONS OF MAN
By HUSTON SMITH. A popular teacher unfolds an
objective description of the major religions and
shows how and why each appeals to its adherents.
Christianity, Buddhism, Hinduism, Islam, Juda-
ism, and Taoism are considered in detail. A book
of special value to Americans who meet in polit-
ical, diplomatic, and social relations the repre-
sentatives of other cultures. $5.00
THE MIND OF
ALEXANDER HAMILTON
Edited and with an introduction by SAUL
K. PADOVER. One of the greatest of the
Founding Fathers revealed in his own
words. Selections from Hamilton's pub-
lic and private papers are testaments
to his vitally conservative political phi-
losophy and demonstrate his remark-
able intellect. Dr. Padover's introduc-
tion is a brilliant biographical vignette
which gives fresh insight into Hamil-
ton's career and his complex charac-
ter. $6.50
RESPONSIBILITY IN
MASS COMMUNICATION
By WILBUR SCHRAMM. A timely examination of the
need for a reaffirmation of the social responsibilities
and ethical standards of mass media. The author
draws upon many years of experience in the field to
provide guideposts for those directly concerned — in
government, in publishing and advertising, and in
radio, television, and the movie industry. $4.50
THE IDEAL AND THE COMMUNITY
By
A Philosophy of Education
B. BERKSON. A lifelong student of John
Dewey and William H. Kilpatrick offers an inter-
pretation of the purpose of education that goes
beyond their experimentalist position. "Anyone
striving to move educational philosophy off the
dead center of the present impasse will certainly
have to take this new book into account." — John
S. Brubacher, Yale University. $4.50
BEYOND FREUD
A Creative Approach to Mental Health
By CAMILLA M. ANDERSON, M.D. A leading
psychiatrist discusses the biological and
emotional factors that shape personality;
the problems connected with emotional dis-
turbance; the current forms of therapy and
their usefulness in treating different types
of emotional illness; a provocative new
approach to two great human concerns —
religion and psychiatry. Beyond Freud
will be a guide for everyone who seeks a
fuller understanding of why people behave
as they do. $4.00
CHANGING VALUES IN COLLEGE
in Exploratory Study of the Impact of College Teaching
By PHILIP E. JACOB. A serious indictment of to-
day's college teaching — based on a study that
sought to determine the effects of general educa-
tion in the social sciences on student beliefs and
values. The results give clear evidence that
courses thought to be of special significance in
altering students' values are of only slight influ-
ence. A critical diagnosis of the shortcomings of
present college instruction and a constructive
foundation for improvement. $3.50
STRENGTHENING THE
UNITED NATIONS
By THE COMMISSION TO STUDY THE ORGANI-
ZATION OF PEACE, Arthur N. Holcombe, Chair-
man. The most up-to-date book on the sub-
ject. "The most promising work on this
vital subject that has appeared to date . . .
deserves sober study by all who share the
quest for lasting peace . . . the kind of grad-
ual, step-by-step improvement that the UN
needs." — Saturday Review. $4.00
WITH ALL DELIBERATE SPEED
Segregation-Desegregation in Southern Schools
Edited by DON SHOEMAKER. The full story of desegregation in
the South by a group of able writers whose single aim is to
measure objectively the degree of compliance or non-compli-
ance with the Supreme Court's 1954 constitutional decree. "An
excellent, dispassionate wrap-up of our intensifying crisis."
— N. Y. Times Book Review. $3.50
104
How to achieve a youthful
body and vibrant health —
without tiring exercises
in just ten minutes a day!
LOOK BETTER,
FEEL BETTER
By Bess M. Mensendieck, M.D.
Foreword by Paul B. Magnuson, M.D.
Chairman of the President's Committee on
the Health Needs of the Nation
Glori;i S « a n son. Fredric March,
Jascha Heifitz, [ngrid Bergman and
iiuiiiy oilier notables have benefited
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Now, you too, can enjoy the advan-
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Easy-to-follow drawings and
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Step-by-step functional movements
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■
Different from ordinary
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The Mensendieck system is wholly
different from ordinary exercises. The
exertion and perspiration required in
"exercising" are totally absent. Even
those afflicted with heart ailments can
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movements included in LOOK BET-
TER, FEEL BETTER. Here is your
guide to a happy life, a constant sense
of well-being, and freedom from the
laxness imposed by modern-day living.
Ten Days' FREE Examination —
HARPER & BROTHERS,
51 East 33rd St.. New York 16
Gentlemen : Please send me LOOK BETTER,
FEEL BETTER, for ten days' free examina-
tion. Within that time I will remit SVSo
plus a few cents mailing charges, or return
the book.
THE NEW BOOKS
unknown before 1950, and even now
i lie enlightened Iraq government has
lefl their feudal societ) largely un-
disturbed. Maxwell thinks thai thev
cannot withstand modernization
much longer, and lie has written a
Imc act ouni ol what their am ienl
si\ le ol life was like while it lasted.
I he basis ol t licit ec ononv) is the
watei buffalo, a lugubrious, charm-
less beasl hut a steady produce] ol
milk and dung (the only fuel ol the
people ol the reeds). The people are
hard shelled Muslims, sullci ing all
the penalties ol their religion, such
as its taboos about food, while en-
joying none ol its comforts, except,
when they ran afford it. polygamy.
They ate utterly without feeling lot
animals, though they are lavish to
the point of impoverishing them-
selves in entertaining human stran-
gers. The onlv an they have broughl
to a high level is dancing, and ac-
cording lo Maxwell's account their
dancing must be very fine.
For some odd reason there seems
to be a rule that hooks about Arabs
are always good, and Maxwell's hook
is no exception. Illustrations.
JEFFERSON hoped that the
United States would be a nation of
small independent property-holders,
and in The Capitalist Manifesto
i Random Mouse, $3.75) Louis
Kelso and Mortimer \dler bring
dream up to date l>\ en\ isionin]
society in which everyone (w
neat l\ everyone) would hold a r
little piec e ol c apital. The ,n gum
behind theii \ ision is pai i ly ino
partly economic, partly politi
and thoroughly convincing, ai ic
to anyone who is quite willing
put his hands on a nice little pi
ol capital il someone will only
him how to do it.
Bui regrettably the authors
not altogether sine how the c api-
ism ol the proletariat is to be esi
Iished. The income tax, which
surely now one of the chief wayi
redistributing wealth, thev 1 1 isj
ol in a page; they go into more]
tail on some points, but n(
enough. There seems to he li
likelihood thai the brave new J
nomic system they hope for will
established, but the need for brn
en ing the base of capital holding]
such that the lew practical stigi
lions thev make should not b<
nored.
The hook repeats tiresomely, .1
occasionally the style blossoms
such flowers of rhetoric as "thisl
(cious gap that the spiral of ii
lion breeds," but the ideas are cle^i
set forth.
BOOKS
in brief
KATIIERINE GAUSS JACKSON
Name
Address
City . . .
Zone State.
5102R
SAVE! If you enclose payment, we will pay marl-
ing charges. Same return privilege.
FICTION
Young Mr. Keefe, by Stephen Birm-
ingham.
The heroes of England's literary
"angry young men" know- what they
want or what they are angry at. Mr.
Birmingham's American young peo-
ple in this remarkable first novel
have everything— money; conven-
tional, rich, New England upbring-
ing; Yale or Smith for colleges.
When the book opens three of them
from this background have been
transplanted by their jobs to San
Francisco and Sacramento. They are
literate and articulate and they try
tc carry on their Eastern collegi-
ate gaiety and madness as bel
but the magic has gone. What i
reall) feel is that they have ni
been tested. Their literary he
had World War I. Their older
temporaries had World War 111
Korea. This generation keeps
ing the need to face up to sc
thing even if they have to invent
something. The story is real
tough and funny and gay and (
passionate and hopeful. It is I
well written and as narrative is
pletely absorbing. Some of the sc
—a mountain picnic, a party
glass penthouse on a hill in
Francisco, are magnificent. F
picture of England's new young
105
BOOKS IN BRIEF
->om at the Top, for America's,
mng Mr. Keefe. It will be with
u for days. Little, Brown, $3.95
ie Marriage, by Mona Williams.
Another novel with a San Fran-
co-and-suburbs setting. It is the
ry of a possessive marriage that
lasted twenty years, but, as the
vel begins, is about to dissolve be-
ise the wife has at last rebelled,
has considerable talent as a
inter and now that her children
growing up she wants to use it
fessionally. When her husband
uses to let her, she divorces him.
her new working life she meets
d falls in love with a younger man
riginally her daughter's beau and
ofessor at Stanford— and in the
i . . . But it would be unfair to
e the plot away. This is a read-
e book with much wisdom in it,
t somehow one of the hardest
ngs to make convincing in fiction
middle-aged philandering. One
epts the fact that a great many of
troubles in our society are caused
ause middle-aged people do in-
d fall in love, but on the printed
*e it takes real genius to make it
above the ridiculous. As one of
s. Williams' hard-boiled charac-
s says: "Oh, love! The very word
ells of buttered popcorn." And
n in this novel one has difficulty
a in accepting as valid the wife's
son for having been such a pris-
?r for twenty years. Yet these are
all caveats to hold against a lively,
•ughtful, and in the main con-
cing book, dealing intelligently
h very real human problems.
Putnam, $3.95
toria at Night and Other Stories,
Beigel.
There is something in these stories
direct and disconcerting as the
d, petulant, shameless teen-age
re of Brigitte Bardot on the movie
en. They are nearly all about
young and unloved and insecure,
their disturbing impact is offset
the fact that nearly always (as for
tance in "The Balancing Man,"
tory of a teen-age gang) there is
ie ray of compassion or hope,
ing loneliness is here, almost in
flesh, and terror, but also a con-
ion that there are many kinds of
e to make intolerable lives tol-
ble. The twenty-three-year-old
the magazine
ik f&r th
AGE
11 MAGAZINES FOR
TUB PRlf^P t\ (■ irsiyiPi
9 m mMBI m m ^b» ■ %Mr HBSMB ^mmr m ^Mf^ m ^i MB— ■
Science fiction has become science fact and suddenly,
dramatically, we are in the Space Age. Millions of Americans
who never thought about science before are not only
thinking about it now, but relating it to their future
From Aug. 18, 1945, when the Saturday
Review published the now -famous
editorial, "Modern Man Is Obsolete" on
the implications of nuclear energy, this
national weekly has been defining man's
place in a world changing drastically at an
amazing pace— first in the atomic era, now
in the space age. The challenges of scien-
tific progress have been and continue to be
a major concern of the magazine.
Realizing the tremendous role science
would play in our lives, Saturday Review
editors incorporated into the magazine
two years ago a new Science section, under
the direction of John Lear. In the first
issue of the Saturday Review each month,
Science Editor Lear, his staff, and distin-
guished contributors relate scientific devel-
opments to our life, our thought, our
security. Edited primarily for laymen, the
new "magazine-within-a-magazine" is read
and respected by leading scientists through-
out the world.
Thanks to the Science section, Saturday
Review readers have known about Soviet
missiles development, about Soviet science
training, long before Sputnik. And as we go
MAIL THE COUPON BELOW TODAY!
deeper into the space age, Saturday Review
readers will continue to get first many facts
and ideas that are shaping history . . : and
reports on the repercussions in all areas
growing out of the miracles of science.
READING THAT'S INFORMATIVE ... ANO FUN!
The Science Section is only one of the vital
areas covered by the new, expanded Satur-
day Review. Edited specifically for people
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106
VERDE VAL1EY SCHOOL
SUMMER CAMP
Camp-and-Travel in AMAZING ARIZONA
Summer adventure for boys and girls, ages
10-15, on 165 wooded acres near Arizona'*
natural wonders. Camping to Grand Canyon
Painted Desert, Petrified Forest, Nav;ih.
and Hopi Indian villages (famous Kachin -
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nis, archery. Use of modern living and sports
facilities, infirmary of Verde Valley School.
Careful supervision. Tutoring available in
English and math. 6 weeks.
Write Box 102, Sedona, Arizona
BOOKS IN BRIEF
Indian Springs School
Substantial endowment in relation to size makes possible
the provision of special conditions for the education of
young men who are outstanding in their potentiality to
achieve distinction of performance Emphasis is upon
developing a habitual vision of greatness, upon
and upon stimulating and keeping alive intellectual curi-
osity. Grades nine through twelve. Application must be
made at least six months in advance. Admission ts by tests
and personal interview. Enrollment limited to 120 stu-
dents. Send for brochure. "Learning is by Participating in
Creation Through Intelligence."
Louis E. Armstrong, DIr., Box B, Helena, Alabama
ECOLE CHAMPLAIN— FRENCH CAMP
On Latee Chauiplain I I
with Europi ad I 'i.ui\ riding,
lancing
Sunday S< I i P
Mrs. E. F. Chase, 123 Summit Street. Burlington, Vermont
MARY A. BURNHAM SCHOOL
i Thorough colli * ton. Fully ac-
1 1 . I ollege Town
.)■]'. .in' ages. B nuning. All ; VIei
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Mrs. Georae W. Emerson. Box 43. Northampton. Mass.
MANtlUS
i Grades 7-12. Coi
plete college preparation ROTC Higl si I S irmy rating
for ovei Bemedial reading. S]
! : Summer Sess ion. Tun.- [al ssistance I
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WHICH SCHOOL or COLLEGE
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ing. 85.00 for your first inquiry; no
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INTERNATIONAL B00KFINDER8
Box 3003-H. Beverly Hills. Calif.
author has had stories in Mademoi-
selle and the New Yorker. Hei first
book. Random I louse, $3
The Narrow Search, b\ Andrew
(..11 ve.
Mi. Garve has delivered himself
ol anothei highl) literate, verj ab-
sorbing tale, this time about the
search Eot .1 kidnaped l>al>\ in the
canal countn ol England and Wales.
The locale is so photogenic; t lit-
mode ol travel so unusual; the plot
so simple and exciting; and the
chai .ii ici s so appealing (ex< ept, of
course, For the villainous villain)
that it seems a natural I01 the
movies. In the meantime it makes
brisk and pleasurable reading.
Harper, $2.95
Men and Brethren, by fames Gould
( lozzens.
I his hook bv the author ol Guard
0) Honor and li\ l.<>, e Possessed was
firsl published in 1936 to great criti-
cal applause but not a notable sale.
Because ol the demand created by
the extraordinary interest in his
later hooks his publishers have now
reissued this story, lull ol drama and
suspense, ol .1 weekend in the life of
a minister in a poor New York
parish. It is a brilliant, thoughtrpro-
voking analysis ol mam kinds ol
human motivations; a compact, tight
little picture, taut with the excite-
ment of conflicting ideas in the
(hurt h and outside it.
Harcourt, Bra< e, N I
Prize Stories 1958: The O. Henry
Awards, edited by Paul Engle and
Curt Harnack.
This collection ol distinguished
short stories published during 1957
will be of interest to readers ol
Harper's. It includes Fiist Voice"'
h\ Robin White and "Travelin
Man" by Peter Matthiessen, both of
which appeared in the magazine in
the past year, as well as stories 1>\
Elizabeth Enright, Jean Stafford,
Hortense Calisher and others who
have been published in Harper's
Doubleday, S3.95
NON-FICTION
Verdict: The Adventures of the
Young Lawyer in the Brown Suit.
by Michael A. Musmanno.
An amusine and exciting book of
reminiscences b\ a trial lawyer w
in 1932 became the youngest jut
in Pennsylvania. The sioi\
lightl) with his early, unimporta:
and often diverting!) unlikely cas
all ol whit h he argued in his
brown suit— and won loit\ cases u
row . I he hook woi ks nj) to a d
iii.it it and moving climax in |urj
Musmanno's account ol his effo!
to get a st.t\ in the execution
Sacco and Vanzetti, some ol whi
he has ahead) told in Afte) Tiue
Years. What a ston it is. and w]
days those weie. and they tome
lilt again in this intimate and i
passioned history. And the fu
chapter, which tells how he, the
ol au immigrant railroad work
coal miner, finally took the oath1
office as fudge ol the Pennsylvai
Supreme Court, pulls out all 1
stops. Doubleday, -S4
Shinny on Your Own Side and Od
Memories of Growing Up, b\ M
Miller.
The author ol / Coner the IJV/fl
front writes a hook ol charming b;
hood recollections of Everett, W'a
ington, and a homestead on a Mi
tana prairie in the early years of
century. Overtones of Tom Saw
.<\\d Huck Finn in a Pacific Nor
west setting.
Doubleda\. S3I
FOR E I A
Current Events & World Affairs
Concern with bodies celestial
only served to heighten concern w'
matters here below, 01 so the torn;
books would indicate. On Maid'
Harper will publish Chester Bow
Ideas. Peoples, and Peace, a plea
better East-West understanding;
April Knopf announces Wo
Politics, a new look at internatio
relationships l>\ A. F. K. Organs
and I01 \la\ the Book-of-the-Moi
Club has chosen fohn Gunth«
monumental Inside Russia Tod
which Harper will publish in Apj
For Ma\ Viking has a book call
with tempered optimism. Doctors
the World: A Report on the Wo
Health Organization. h\ Mur
Morgan.
First Novels and the Young
Youth seems well seated in
literary saddle. At Vikine there!
107
! MEN ONLY:
to-date advice on what
year on every occasion .
ESQUIRE
FASHION GUIDE
:ry page of this authoritative and corn-
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iou find expert, easy-to-follow sugges-
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'ether you are spending a weekend in
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WIRE FASHION GUIDE is the final
rity on men's clothes — a guide to help
o be comfortably and appropriately
d at all times.
en Days' Free Examination — -,
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lemen: Please send me ESQUIRE FASHION
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ing charges. Same return privilege.
BOOKS IN BRIEF
much talk about a March book
called The Sergeant, a first novel by
a t wen ty-six-y ear-old young man
from San Francisco, Dennis Murphy.
Houghton Mifflin writes that they
are "running a high lever" about
a first novel about Haiti during the
U. S. Occupation of the 1920s, called
The Cross of Baron Samedi, by
Richard Dohrman (March). Pan-
theon in March has The Levelling
Wind by M. Benaya, "a young Amer-
ican married to an Israeli lieutenant
colonel." A twenty-six-year-old New
Yorker named Alex Karmel has a
novel called Mary Ann on Viking's
Ajaril list while Knopf has two first
novels coming in May. One is The
Hard Blue Sky by Shirley Ann Grau,
whose first book, a collection of short
stories, The Black Prince, eot such
critical acclaim a year or so ago; and
the other, The Affair, "a brilliant
and frankly sensuous first novel" by
Flans Koningsberger. Scheduled un-
specifically "for spring" are three
more first novelists: End of a War,
by Edward Loomis from Ballantine;
A Friend in Power by Carlos H.
Baker, chairman of the department
of English at Princeton (and so not
quite so young), from Scribner; and
Right Bank, by Elaine Neal, from
Morrow.
In many of these first novels the
authors discuss the problems of
the "unsilent generation" in fic-
tional form. In a book called
The Unsilent Generation (Rinehart,
March) edited by Otto Butz "in
anonymous autobiographies eleven
young men— seniors at a top Ivy
League university— have set down
their most personal thoughts in
answer to 'What do you want of life?
What do you think of happiness,
success, security, God, education,
marriage, family and your own gen-
eration?' "
National Library Week
The National Book Committee, a
non-profit citizens' committee, in
co-operation with the American
Library Association, has set up the
week of March 16-22 as National
Library Week. Anyone interested in
participating in the events scheduled
to help promote interest in reading
and books can get in touch with his
local library or write to National
Library Week, 24 West 40th Street,
New York 18, N. Y.
"Autobiography
at its very best"
—News Sentinel, Fort Wayne, Ind.
AUTOBIOGRAPHY
PARAMHANSA
YOGANANDA
This is the first time that an
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explains with scientific clar-
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self-mastery. Colorful chap-
ters are devoted to his visits
with Mahatma Gandhi,
Rabindranath Tagore,
Luther Burbank, and The-
rese Neumann— the Catholic
stigmatist of Bavaria.
"/ am grateful to you for
granting me some insight
into this fascinating world."
—Thomas Mann, Nobel
prizeman.
$4.00
THE
MASTER
SAID
Sayings of
PARAMHANSA
YOGANANDA
Wit and wisdom of a modern
world teacher. Practical
advice in solving and dis-
solving our daily problems.
$2.50
Self-Realization Fellowship
(Dept. AMH3)
Los Angeles 65, Calif.
At All Bookstores
tfe ^.RECORDINGS
Edward Tatnall Canby
i
FRENCH WITHOUT TEARS
Lully-Moliere: Lc Bourgeois Gentil-
Homme. Complete drama and music.
Acting cast; musical soloists; Chorus and
Orch. Collegium Musicum, Paris. Ion-
don XLLA-47 (3). Complete English-
French text.
What a [abulous evening's entertain-
ment-better a week <»( evenings-for
anybody who likes older musi( and can
understand French (with an assist il
necessary, Iron, the printed texl and
translation). This is the sort ol produc-
tion that practically never gets on an
ssible stage: too complicated, too
expensive, and much too Ion-. Lully
himsell never heard the entire musical
score in performam e.
lint in casual doses, via records, the
work is a series <>l preposterous, hilari-
ous, studious delights-the combination
ol wild comedy and high style thai is
typical of French drama. One witty
seem aftei another-with musical inter-
ludes, songs, and dancing-a las; pate.
people shouting, arguing, often positively
screeching so excited do they become-
yet the whole done with impeccable dic-
tion and polish.
In fact, my hist thought, on listening
to a couple of scenes, was that the near-
est entertainment counterpart is the
old-fashioned American radio comedy
program-Gracie Allen, Durante, or doz-
ens of others. The tempo is the same,
the hysteria is just as extreme, the situa-
tions exactly as preposterous.
Yet this is elegant > lassi< satire, eyen
so, the lines written b) a great French
dramatic poet, the music by one ol the
top composes ol French nisi >ry.
I he recorded performance is a taped
composite, evidently edited together-
the joints don't always quite match in
feeling and spun. The spoken acting is
superb, in the best and most lucidly,
natural French tradition, the solo sing-
ing is good enough, the orchestra a bit
on the rhythmically belligerent side.
The chorus acts beautifully, enters into
ih: spirit of the dizzy goings-on. but has
one unfortunate failing-it flats, disgrace-
fully. 1)<» musicologists evet have poor
ears? Often.
Coupeiin: L'Apotheose de Lullv (arr.
Saguer). Corrette: Concerto lor Three
Flutes. Hewitt Ch. Orch. Epic LC 3383.
This is an excellent record lor an ear-
introduction to the subtleties ol French
eighteenth-century style. The original
suite oi descriptive movements was in
trio sonata form, two violins and con-
tinue) (harpsichord plus cello) ; the
Saguer orchestration is wonderfully taste-
ful, preserving the propel ityle, taking
up mam ol the fanciful suggestions in
the descriptive allegory about Lull) that
goes with the score-yet it has a famil-
iar ring to any ear that knows the Han-
del-Beecham sort of instrumental suite,
the "Water Music" or the Bach Suites for
Orchestra.
The best thing about Saguer's tran-
scription is that it preserves the elabo-
l.ite melodic ornament— and the I
Orchestra plays its complexitiei
ease and familiarity, where most
i ians flounder.
I he "Apotheose." a tribute to G>i
ins great French-Italian predecel
a lane ilul account ol Lully's rece
among the- gods, with pointed rele
10 the dispute between French anc
Mi, styles tli. ii raged in Couperirg
L.ulh is received on Parnassus, nice
uieal liali. in. Corelli and— than]
Couperin's musical ingenuity— the
pl.i\ sweet music togethei and ta
the spit its ol France and llah. Fh
tie differences so cleverly explor
Couperin's original score are most
on us Inn the music itself remains!
The Corrette concerto, also a
scription, is a light-hearted Han
trifle, not unlike the music ol Boyc
others ol the Handel satellite area
|a//\ dotted figures.
Lalande: Two Great Motets (1
Vir; Usquequo Domine). Ph. C;
Vocal Ins., Jean-Marie Leclair
1 ns.. soloists, Fremaux. Westm
Erato XWN 18337.
WORTH LOOKING /A
TO . . .
From the "Recent Acquisitions" Shelf
Strauss: Horn Concertos. Dennis Brain.
Philharmonia, Sawallisch. Angel 35496.
Pour La Harpe. Marcel Grandjany. Cap-
itol P8401.
Reginald Kell, Clarinet, Brooks Smith.
Piano. (Saint-Saens, Templeton, Sza-
lowski, Williams). Decca DL 9941.
Delibes: Coppelia Ballet (complete
score). L'Orch. d. la Suisse Romande,
Ansermet. London LL 1717/18 (2).
Cherubini: Symphony in D; Weber:
Symphony #2. Vienna Symphony Orch.,
Zee hi. Epic LC 3402.
Sadler's Wells Ballet-A Silver Jubilee
Tribute. (Ballet excerpts). Angel 35500.
Beethoven: Sonatas Op. 12, #1; Op. 23;
Op. 25. A. Grumiaux, violin, Clara
Haskill, pf. Epic LC 3400.
Rocking the Classics Suite. (Jazz Ensem-
ble). Golden Crest CR 3035.
Two impressive motets, from 169
French composer who is rapidly
a big place in the current French
ol older music, are here sung in :
cathedral sound, with orchestra,
and big choii as a backing to the si
The pec uliai h nasal and verv at
French tone- production ol today,
like the singing of any other nat
particularly good for this orn;
music. The familiar opera-oratori
ol our own singers— with its rich, j
tone— is poison to it. There isn't
intelligible note here; every tui
ornament is made clear and natur
soloists' voices match beautiiully
usually the case in French singir
These works are big, on the
the larger Bach cantatas but,
earlier manner, free of set ari
full of short, contrasting sectio
chorus and orchestra often inter
excitement. Lovely ornamented r
lines, the fresh, constantly ch;
rhythm and tempo of the pij
period, make for a Baroque el
lightness combined with monuirn
that is utterly unlike the massive
the Bath-Handel period itself. |
oorgeotts recording and one tli
. • i i
mow more interesting as the it
tary themes of the many short
fix themselves in your memory.
Corelli: Complete Opus 1 &
Church Sonatas, 12 Chamber 1
natas) . Musicorum Arcadia. Vox
(3) boxed.
This is another in the series of V
ited complete editions of Italiai
The gentlemen above are members of Capitol
Records' famed record-rating "jury." Their job
is to pass judgment on every classical album
Capitol produces.
Like jurors everywhere, Capitol's jurymen have
been given their "instructions."
When they decide that an exceptional perform-
ance has been flawlessly recorded by Capitol's
creative staff and sound engineers — they then
permit the "Full Dimensional Sound" symbol to
be placed on the upper right hand corner of the
album cover.
It's the biggest promise in the smallest space in
all music.
Play a "Full Dimensional Sound" album next
time you are shopping for records. Hear how
jealously the 'guardians' above protect music's
best-kept promise.
Incomparable High Fidelity— Full Dimensional Sound Albums
110
THE N E W RECO R 1) INGS
and it is an excelleni set— though I ad
mit I have not heard ill the dozens o)
movements ol the twenty-foui works;
they were never intended to be heard
: .nsecutivel) and there's no reason wh)
you should sit through them all al
once. (1 didn't.)
The two types ol sonata are ver) much
alike in sound. I hough the "chun h"
v., n, Ha, were actually played as part of
church services, tin \ have no religious
connotation foi our cars: this is all
"Baroque" chamber music.
\s more and more ol the "pre-Bach"
period becomes Familiar, Corelli's long-
known music is taking on a new per-
spective. He seems at first so much like
Bach, Vivaldi, or Handel, that we aren'l
always aware oi Ids place in an earlier
generation— the Opus 1 sonatas were
published in 1681, lour years before
Bach's birth. Corelli sounds fai more
modern than the other composers ol his
own da) thai we are getting to know,
just as w< have always heard, his musii
was the \er\ foundation lor the great
Italian school and the related Bach and
Handel music thai in turn was the
foundation ol instrumental music ol
the entire symphonic era.
Compare Corelli with Lalande, oi the
same era— and be amazed at the differ-
ence. On the whole. Lalande is more in-
teresting: Corelli is comfortably famil-
iar.
Rameau: Pieces de Clavecin en Concert.
Gustav Leonhardt, hps., Lars Fryden,
bar. violin. N. Harnoncourt, via. da
gamba. Vanguard BG-556.
Here is French music from the vei\
height of the Bach-Handel period and
vou will quickly hear how. even in a
familiar eighteenth-century harmonic
idiom, the French feeling for color and
ornament has persisted. It remains quite
unlike that of the German and Italian
music that dominated the time and still
dominates our concept of that period.
In contrast to the great splurge of
violin music in Italy, French music
tended to play down the solo fiddle.
These highly ornamental trio sonatas
were actually written as keyboard solos
with optional extra string parts, re-
luctantly added to suit the taste ol the
time. The harpsichord part is playable
on its own. (The folk song settings of
Beethoven and Haydn, similarly ar-
ranged, come to mind.)
The "Concerts" or suites, made up of
the traditional named movements, will
seem twitter) and birdlike at first Inn
the ornamental lines soon smooth them-
selves out into catchy melodies, the trills
and turns blend happily into the gen-
eral decor. Gracious and expressive
music, wonderful with a glass of French
wine.
C cmi | xi in : First Tenebrae Service; Mo-
tet: Audite Omnes; Three Airs. Hugues
Cuenod, tenor; ens. ol viols dir. Daniel
Pinkham. Concord 1-005.
1 his is the mosi successful >l the Swis^
tenor Cuenod's i e< ordings to date, i>
pealing some works he has done be lore.
I lis rathei tense, edg) voi< e is hen at
last recorded from a respectable distance
and is balanced musicalh with the- other
participants; the lovel) phrasing, the
earnestness ol his singing are enhanced,
the unpleasant vocal qualities played
down.
The record is a delight: it is difficult
only in that the material is all loi the
one- \oue\ with \. living musical associa-
tions.
The Art of Andre Marchal, vol. 1;
Bach. Klavier Uebung, Part III. Gre-
gorian e hant by M.I. T. Choir. Holtkamp
oil;. ins. Kresge Auditorium and Chapel,
M.I.T. Unicorn UNLP 1046.
A leading older French organist, blind,
plays Bach on the two organs built for
the ultra new auditorium and chapel at
M.I.T. with fine musicianship and a
grand sense ol style. The disc includes
the big F Flat Prelude and "St. Anne"
fugue plus the large and small settings
of the Gregorian Kyrie melody as used
in Bath's Lutheran service. The M.I.T.
Choir sings the original Gregorian, lor
musical contrast and comparison.
It is easy to sense when an organist
is playing with his ears open to the
acoustics of a building and to the sound
of his music— you will feel the pliability
eit phrasing and color as Marchal plays
in this somewhat difficult situation.
Blindness is a virtue here, for it sharp-
eiis the ears, heightens awareness of
acoustic effect.
Of the two new M.I.T. organs the
smaller, in the irregularly circular brick
chapel, comes through with the best
color and livencss: the large organ is
hampered by -the smothering, dead qual-
ity of the famous modern auditorium.
Hampered for my ears anyhow— though
the place is supposed to have ideal acous-
tics. (It's the sort of hall where a vacuum
cleaner on the stage sounds about three
feet from your nose as you stand in the
extreme back row, hundreds of feet
away. I was there last summer.)
The Art of Andre Marchal. vol. 2,
French organ music by de Grigny, Louis
Couperin, F. Couperin, Titelouze, Le
Begue, Marchand. Daquin. With M.I.T.
Choir. Unicorn UNLP 1047.
This volume explores an interesting
range of late seventeenth- and early
eighteenth-century French music— the
sort that is now so felicitously revived,
to be set alongside the traditional Bat
Handel, .end Corelli, the- Buxtehude a
I'm cell, that we already know. It
lovel) music, not far from the smii
harpsichord music but with a wholly
ganistic sense ol grandeur and pomp
sei oil passages ol utmost lightness a
grace, lull ol ornamentation.
\-ain the M.I.T. Choir sings
original GregOl ian foi one work, a s
ting e>| the "Veni Creator" by de Grig)
I he unfamiliar composers, this one
eluded, turn out to have- written p
suasive music— as is so often the c;
when examples ol a neglected ait (
rediscovered.
Buxtehude Anniversary Program. Q
latas: Alles. was Ihr Thut; Was mich ;
dieser Welt Betruebt; Missa Brevis; M
nificat in D. Cantata Singers, stii
Oieh., Ufred Mann: Helen Boatwrid
Janet Wheeler, Russell Oberlin, Char
Bressler, Paul Matthen. Urania
8018.
There is lop-rank music in I his reco
ing, modestl) played by the strings. 1
vently sung by the choir, and ratf
roughly treated b\ the five soloists in c
semble. The recording is strangely 1
anced, the choir somewhat too weak
relation to the very near strings, soi
of the soloists more distant than othe
The music itself is decidedly welcoi
It is of the sort that grew out ol I
great Schiitz, early in the seven teen
century, and led straight on to Bad"
Buxtehude was a formative influence
Bach. Sprightly, colorful in I he Nori
era manner, it has more continuity ai
is easier to listen to than Schiitz but itj
still full of what we hear today !
slightly naive seventeenth-century fre>|
ness.
The performances have a peculial
American sound to them— after so ml
European recordings of older musiij
which I can only describe as a kind
tenseness, a dedicated but dogged cptj
ity, that works against a proper freed!
of expression. The usual causes lor
are the inevitable lack of enough ]
hearsal time, the strain of highly q
pensive recording sessions, the tempo
American life that leaves the ^ingc
exhausted before they even start. Peop
take such matters far more easily '
Europe, as you can hear in most ll
cordings.
In addition, the five soloists, each
fine singer in his own right, tend here
bellow the music in characteristic "e>i
torio" fashion as though their lives d
pended on loud noise. But Helen Bo;
wright's solo cantata, at the end ol 01
side, lights all wrongs: she alone se:
the mood ol relaxed music-making th
the larger group, for all its efforts,
unable to achieve.
■I
tie new
t
Did Stokowski's mastery of orches-
trings has never been so apparent
these selections by Bach, Borodin,
maninoff and others. PA08415
YEHUDI MENUHIN, violin
BRAHMS-CONCERTO IN D MAJOR
I
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{&{&& tfirf.
'^AJ
\
Yehudi Menuhin's interpretation of
Brahms' only violin concerto is breath-
taking. Rudolf Kempe conducts the
Berlin Philharmonic. PAO8410
Pianist Leonard Pennario's brilliant
new interpretation of a beloved con-
certo. Erich Leinsdorf conducts the Los
Angeles Philharmonic. PA08417
EETHOVEN
SIONATA
TCHAIKOVSKY
m u
JSTTNERt
piarip
Beethoven's greatest sonatas — -
igic Appassionata and the heroic
tein — superbly played by pianist
Kentner. PAO8409
CI N
LISZT
KENTNER
Winner of Budapest's Liszt Award and
Warsaw's Chopin Prize, pianist Kent-
ner performs well-known selections by
both composers. P8400
SlUAM
the JS&LUEZ £ft$\XKe ORCHESTRA
Tender, poignant music from the most
beautiful of all ballets — faultlessly per-
formed by the world famous Ballet
Theatre Orchestra. PA0841G
jets
with the
.Spanish guitar
iurindo Almeida, guitar
I arkuble presentation by one of
■ fid's greatest guitarists. Flutist
I nan and contralto Salli Terri join
la in a deeply moving album of
ixn and French music. PAO8406
BEETHOVEN
THE LATE QUARTETS
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Beethoven's most inspired quartets as
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icomparable High Fidelity— Full Dimensional Sound Albums
GOLDMARK
CONCERTO IN A MINOR
for violin and orchestra
MILSTEIIM
A concerto of delicate interplay be-
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The "Santa Rosa" or "Santa Paula" sails every Friday from New York on
Cruise visiting Curacao and Aruba in the Netherlands West Indies; Carac;
Venezuela, and Cartagena, Colombia. Other modern cargo-passenger
also sail weekly from New York on Casual Cruises of approximately
GRACE LINE
GRACE LINE, 3 Hanover Square, New York 4
Please send illustrated cruise folder:
HM-3
Street .
yfi/ciiN .in,/ Offices in till Principal Cities
Regular, frequent American J-hitj Vassenget and freight Services betwe
the
/
gazine
im
A I
tl
\ i
i
lAT'S HAPPENING TO IT?
Nat Hentoff
Four Steps to Halt
the Slump
Ross M. Robertson
Country Doctors
Catch Up
Marion K. Sanders
CIA: Who Watches
the Watchman?
Warren Unna
V
Also:
Joyce Cary
Arthur C. Clarke
j
\
y
the calm, sunny route to Europe is the Sunlane Rout
You're hardly out of New York when you
notice a dramatic change. The sea is calm,
the air soft, the sky fillet! with sunlight.
Your big air-conditioned Sunliner (the
Constitution or Independence) has swung
into the balmy Sunlane, mild -weather
route to the Mediterranean and Europe.
You enjoy golden hours on deck, soak-
ing up the sun, playing deck games, or
swimming in the sparkling outdoor pools.
For the children, wc'\ e gay, fully-equipped
playrooms. For you, elegant lounges
and public rooms where you'll dance, go
to parties, be entertained. And for ocean-
sharpened appetites there's delicious
food, beautifully prepared and served.
Fare? Only $260 in Tourist Class, $
in Cabin Class, $J75 in First Class (Si
mcr season rates). Available next Fall.'
Winter . . . attractive three-week Sunk
Cruises. See your Travel Agent tod
Constitution • Independenc
flagships of American Export J^ Lines
A HOME-TOWN BUSINESS
HE BELL SYSTEM is nationwide
et the telephone business is
irgely a local business.
Research, manufacturing and a
"rtain amount of over-all direction
te handled centrally because experi-
nce has proved it is the better way.
But the job of serving people
ically is handled by the operating
)mpanies throughout the country,
rganized to fit the needs of the par-
cular sections they serve. Your Bell
elephone Company is one of these.
I It is distinctly a home-town busi-
ess because of the personal nature
: telephone service.
Ninety-five out of every one hun-
red calls are local. They're made-
border right on the spot. On all
latters of service you have the very
reat advantage of dealing directly
ith the company and its people.
Your telephone company is man-
;ed locally and it pays taxes locally.
TELEPHONE INSTALLER visits a home-town family to install color telephones. He and
his truck are familiar sights around town. Courtesy rides with him wherever he goes.
You probably know men and women
in your town who work for it and
have seen and heard of their active
part in the welfare of the community.
Local people have an investment in
the business through their ownership
of A. T. & T. stock.
Wherever there are new tele-
phone buildings going up, or jobs
of maintenance, there are jobs for
local builders, architects, painters,
carpenters, plumbers, electricians and
many others.
So the Bell Telephone Company
isn't something far away but close to
you wherever you live and a friendly,
helpful part of the community. That
is the way you'd like it to be and we
trv verv hard to run it that wav.
BELL TELEPHONE SYSTEM
HARPER & BROTHERS
PUBLISHERS
Chairman of the Executive
Committee: c iass I wiiild
Chairman of the Board:
I R \\K s. MACGRF.GOR
President and Treasurer:
RAYMOND C. HARWOOD
/ ii i ■-!') esidents:
EDWARD J. TYLER, JR..
] I (.1 \I I \\l \\. <>KI>U \Y TEAT),
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EDITORIAL STAFF
Editor in Chief: JOHN FISCHER
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ERIC LARRABEI
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\N\F G. FREEDGOOD
ROBERT B. SILVERS
Editorial Secretary: rose daly
Editorial Assistant:
LUCY DONALDSON
Haroerl
MAGA
ZINE®
APRIL 1938
vol. 216, no. 1295
ARTICLES
25 What's Happening to Jazz, Nat Hentoff
Drawings by Hurt Goldblatt
33 Thk Work Ci re for Women, Lorna Jean King
Drawing by Anne Cleveland
34 Foi R Steps to Halt the Slump— And Avoid Another,
Ross M. Robertson
40 Country Doctors Catch Up, Marion K. Sanders
Drawings by lit Volk
46 CIA: Who Watches the Watchman? Warren Unna
54 Standing Room Only, Arthur C. Clarke
Drawing by Tomi Ungerer
58 Stars Forming, Burning, and Dying, Part II of New
Discoveries About the Cosmos, George W. Gray
Cartoon by Robert Day
69 The English Disease, Norman MacKenzie
Cartoon by Perry Bin low
73 Math Even Parents Can Understand, Peter F. Drucker
ADVERTISING DATA: consult
Harper-Atlantic Sales. Inc.
49 East 33rd Street, New York 16. N. Y.
Telephone MUrray Hill 3-5225.
harper's macazine issue for
Apr. 1958. Vol. 216. Serial No. 1295.
Copyright© 1958 by Harper & Brothers
in the United States and Great Britain.
All rights, including translation into
other languages, reserved by the
Publisher in the United States, Great
Britain, Mexico and all countries
participating in the International
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Published monthly by Harper &
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N.Y. Composed and printed in the U.S.A.
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Address all correspondence relating
to subscriptions to: Subscription Dept.,
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FICTION
65 Happy Marriage, Joyce Gary
Drawings by Alan Cober
VERSE
38 Platform Before the Castle, Anne Goodwin Winslow
57 Return of the Native, James Rorty
DEPARTMENTS
6 Letters
12 The Easy Chair— A Combat Veteran Sounds Off,
Colonel E. B. Crabill
Drawing by Tomi Ungerer
20 Personal & Otherwise: Among Our Contributors
80 After Hours, Mr. Harper and Waverley Root
Drawings by N. M. Bodecker
84 The New Books, Paul Pickrel
94 Books in Brief, Katherine Gauss Jackson
100 The New Recordings, Edward Tatnall Canby
COVER by Burt Goldblatt
Tt
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Oxford
Universal
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WHAT DID YOU DO?" "NOTHING."
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Please enroll me as a member of the Book-of-the-Month Club* and send. free,
the work I have indicated below with the purchase of my first selection, indicated
above. I agree to purchase at least five additional monthly Selections- or Alter-
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such books in any twelve-month period to maintain membership. I have the
right to cancel my membership any time after buying six Club choices. After
my sixth purchase, if I continue, I am to receive a Book-Dividend with every
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PLEASE NOTE: A "Double Selection"— or a set of books offered to mem-
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PLEASE SEND ME, WITH IMY FIRST PURCHASE SPECIFIED ABOVE
ets illustrated above)
Mr. )
Mrs. [• ..
Miss I
Address.
(Please print plainly)
Zone No State
bers arc priced slifclitly higher, are shipped fn
ay be paid for In either U.S. or Canadian curreni
"Trademark Reg. U. S. Pat. Off. and in Canada
To Introduce You to the New I
rca Victor popular
ANY FIVE : OF THESE 18 ALBUMS
FOR ONLY $3
... If you agree to buy five albums from
the Club during the next twelve months
from at least 65 to be made available
This exciting new plan, under the direction of the Book-of-
the-Month Cluh, enables you lo have on tap a variety of
popular music for family fun and happier parties . . . and at
an immense saving. Moreover, once and for all, it takes
bewilderment out of building such a welbbalanced collection.
YOU PAY FAR LESS FOR ALBUMS THIS WAY— than if
you buy them haphazardly. For example, the extraordinary
introductory offer described above can represent as much as
a 40% saving in your first year of membership.
THEREAFTER YOU SAVE ALMOST 33y3%. After buying
the five albums called for in this offer, you will receive a free
12-inch 33' 3 R.P.M. album with a retail price of at least $3.98,
for every two albums purchased from the Cluh.
A WIDE CHOICE OF RCA VICTOR ALBUMS will be
described each month. One will be singled out as the album-
of-the-month. If vou want it, you do nothing; it will come to
you automatically. If you prefer one of the alternates — or
nothing at all in any month — you can make your wishes known
on a simple form always provided. You pay the nationally
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mailing charge).
SINGING STARS • DANCE MUSIC • MOOD MUSIC • SONIC SPECIALTIES
BROADWAY AND MOVIE MUSICALS • JAZZ • COLLECTORS' ITEMS
[RETAIL VALUE AS HIGH AS $24.90
LENA HORNE [rcaVicto,
RICARDO MONTALBAN
Jamaica
AN ORIGINAL CAST ALBUM OF THE
BROADWAY HIT MUSICAL COMEDY
DAVID MERRICK
E. Y. HARBURG * FRED SAIDY
HAROLD ARLCN
L-ifc
* it
Frankie '
Carle's
Sweethearts ,™ ^\
owHAVANAom
M.BUM CLUB
rca Victor LgS%.
PERRY COMO: WE GET LETTERS
to
NGS
LET'S RCA Victor L^f£j
DANCE ;
WITH
THE
THREE
SUNS
f*kff ■(&&*
Belafonte
Moods in Music
Music for Diniftg
Family »"v"H
All Together
rca Victor ^5%j
HUGO WINTERHALTER
! BING WITH A BEAT Rca Victor L»
BING CROSBYwlth
BOB SCOBEY'S Frltco Jazz Band
THE
MELACHRINO STRINGS
BOSTON POPS — FIEDLER
the eyes
of love .
ALL ALBUMS ARE
12-INCH, 33'/3 R.P.M.
LONG-PLAYING
Bulb
MARY MARTIN !
*&$&£
y^Tnk
CYjJn. RV
CHARD
s
HECK THE FIVE ALBUMS YOU WANT. DO NOT DETACH FROM THE COUPON
WE GET LETTERS Perry
sings 12 standards:
V, 'Deed 1 Do, etc.
BELAFONTE Scarlet
jobs, Matilda. Water-
to more. Folk songs,
ids, spirituals.
0 FRANKIE CARLE'S
J EETHEARTS Dancy
jjho, rhythm, on 12
Jl" songs: Nola, Laura,
ty'ia, etc.
[jNEW GLENN MILLER
C HESTRA IN HI Fl Ray
tti .Inley, Lullabv of Bird-
1< , On the Street Where
»j Uve. 12 dance items.
rjlRASS AND PERCUS-
s H Morton Gould Sym-
W '1c Band, hi-fi show-
■ 17 marches, with 8
■ ousa's best. Others by
Ji man, Gould.
[JIAMAICA Original
B' idway cast, starring
u' Home. Complete Ar-
3 iarburg hit score.
D MARIO LANZA — STU-
DENT PRINCE Hits from
Romberg's operetta, plus
Lehar, Rodgers gems, etc.
14 favorites by the exciting
tenor.
□ BING WITH A BEAT
A Crosby jazz lark with
Bob Scobey. Whispering, Ex-
actly Like You, 10 more
old-time evergreens.
|~1 TOWN HALL CONCERT
PLUS Louis Armstrong col-
lectors' item, with Tea-
garden, Bigard. Hodges,
Hackett, etc.
□ LET'S DANCE WITH
THE THREE SUNS Forty
show tunes, standards In
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□ SHORTY ROGERS PLAYS
RICHARD RODGERS Mod-
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D THE FAMILY ALL TO-
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Pops, light classics: Ravel's
Bolero, Clair de Lune, etc.
Jl MUSIC FOR DINING
Melachrino Strings in hi-
fi mood music. Tenderly,
September Song, Char-
maine, etc.
D PETER PAN Original
Broadway, TV cast and
score. Mary Martin, Cyril
Ritchard, etc.
□ BOUQUET OF BLUES
Dinah Shore torch songs.
Blues in the Night. St.
Louis Blues, 10 others,
□ SWEET SEVENTEEN
Ames Brothers in 12 stand-
ards. Little White Lies, 1
Don't Know Why. For Sen-
timental Reasons, etc.
□ THE HEART OF HA-
VANA Authentic Cuban
cha-cha-chas by Orquesta
Aragon. Ideal dance
rhythms, native color.
□ THE EYES OF LOVE
Hugo Winterhalter's lush
orchestra in 12 standards:
Smoke Gets in Your Eyes,
I Only Have Eyes 1or You,
etc.
P3-4
RCA VICTOR POPULAR ALBUM CLUB
c/o Book-of-the-Month Club, Inc.
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Please register me as a member of the ncA Victor Popular Album
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which is usually $3.98, at times $4.98 (plus a small mailing charge).
Thereafter, if I continue, for every two albums I buy I will be
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CHOICE OF ALL LETTER S
Europe
8 exciting lands, 4 popular ships
• NORTH ATLANTIC
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Helper or Huckster?
To mi 1 m roRS:
Martin Mayer's "Whal Is Advertising
Good For?" [February] is the most real-
istic ioik ist summary ol the so< ial and
economic aspe( ts to appeal in print in
many a moon, [and I speak as] a uni-
versity professoi who spent eighteen
years in the advertising field. . . .
I he added value hypothesis Mr.
Mayet advances receives considerable
support . . . from the basic concepts
suggested l>\ less traditional economists
and social psychologists. Galbraith's
ideas on market concentration and "the
unseemly economics ol opulence," for
example. And Cantril's concepts <>1
"value attributes" and •value judg-
ments" . . .
Daniei S. Warner
Eugene. Ore.
In Ins article Mi. Mayer suggests as
his own a new theory ol advertising, eg.
that advertising adds value to prod-
ucts. . . .
I think von and Mr. Mayer should
know the following facts:
that I developed this theory and put
it in writing in 1949 in a paper . . .
at Columbia University; . . .
That the theory was further elabo-
rated upon, detailed, and published in
a foui -part copyrighted article that ap-
peared in Connecticut Industry in 1954;
That the theory was described ... in
my book, Advertising to Business, pub-
lished ... in April 1957;
I hat during the period 1949-57 in a
number of speeches delivered below
various business groups ... I expounded
this theory in some detail;
That also, during this period, mime-
ographed copies of the exposition . . .
were circulated to various advertising
practitioners . . . and advertising or-
ganizations. . . .
Roland B. Smith
University of Conn.
Storrs, Conn.
. . . The most significant contributions
in the development ol the "value added"
concept are the work of Professor Theo-
dore N. Reckman at Ohio State Uni-
versity. I myself have spent a good deal
of time— and incidentally some of my
own money— developing and publicizing
this concept. I mi sure there are otl
. . . who have written, lectured,
talked about this "suggestion for a
theory ol advertising." . . •
1 1 \RC)I t» W<
New Yolk. \
\s it happens, I did not run into
work of Messrs. Beckman, Smith.
Wolf] dm ing the course ol m\ resea
.Hid tin dozen oi mote leading pr
ii, ,ii. rs oi the trade who read m\ 1:
in manuscript or galley prool had
inn into it either. I gladly yield pi
dence to thou. In fact, 1 susped
the b.isie concept here ma.) go
further back, because the idea is •]
a convenient one to explain the
nomic phenomenon known as "subs
lion at the- margin," without depa
from the reference frame ol elas
, , onomics. But the idea had not ]
into the thought ol either the adv
ing business or the academic eomm
as a whole, and a cpiite extensive l
ing and intei v iewing program Eaile
turn it up. Since 1 could find nol
to whom I could credit it (and j
reportei I would always rather cJ
somebody with whom I agree than I
pound my own views). I took its exl
ti,,ii upon myself. You will recall I
I did so "with some diffidence.'"
Martin Ml
New York. IN
I
. . . When Madison Avenue ach
ing has any effect at all it usually /
the standard ol living. . . . When a
tising encourages a person to put
an article he would not have purer!
if he had been given accurate infel
tion instead ol deceptive persuasiol
lowers his standard of living. A stall
of living is not based on how 1
dollars a person spends but rathcB
the goods and services he buys vfl
best serve his particular needs. . . I
William H. B«
Milwaukee, I
. . . This is the first article I ve 1
outside ol the industry's own magatl
which wasn't motivated by
malice. . . . Benjamin J. Wai-J
New York, i
Mr. Mayer is undoubtedly corre
his contention that advertising
"values" to merchandise. But his l>|
assumption that the additives are|
erallv pleasant and harmless is pi
terous. . . .
Filter-tip advertising gives the sn«
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8
Why two incomes
are better than one
If you haven't yet tasted the pleasure of
a second income, there may be a happy
experience in store for you. It's an ex-
perience that's being shared by more
and more people.
The second income we have in mind is
the sort that may roll merrily on for a
lifetime.
It conies from dividends on common
stock. When you own stock, you are part-
owner of a company. As an owner, you
can share in any profits through divi-
dends. And if the business grows, your
investment can grow.
You've heard, we hope, that when you
buy stock it's important to use your
head. A company may not pay a divi-
dend, may not make a profit, may even
go backwards in our competitive econ-
omy. Stock prices go down as well as up.
So when you invest, use only money left
over after living expenses are paid and
emergencies provided for. Then get the
facts — never depend on tips or rumors.
Helpful information to start
Our handy free booklet, "dividends
over the YEARS," is packed with useful
information about investing, including
the records of more than 300 stocks on
the New York Stock Exchange, that
have paid dividends every year without
exception from 25 to 109 years. It also
describes the Monthly Investment Plan
through which you can invest in the
stock of some of America's greatest
companies for as little as $40 every
three months up to $1000 a month. Two
out of three shareowners have incomes
under $7500 a year. Many are using
this convenient Plan to invest regularly.
If you haven't yet had the pleasure of
meeting a broker, remedy the matter
right away. Drop in for a chat— making
sure you choose a broker in a Member
Firm of the New York Stock Exchange.
You'll get a cordial welcome there, and
a lot of friendly help. Your broker will
help you work out a sensible investment
program, help you buy or sell. Perhaps
he'll think bonds may be better for you
than stocks. Ask him. And be sure to
ask him occasionally to review your
holding with you.
A free copy of "dividends over the
years" is waiting for you to claim it.
If you agree that two incomes are better
than one, whip out a pencil and send the
coupon before you turn the page.
Own your share of American business
Members New York
Stock Exchange
or offices of Members nearest you, look under New
ork Stock Exchange in the stock broker section of
your classified telephone directory.
Send for new free booklet. Mail to
your local Member Firm of the Stock
Exchange, or to the New York Stock
Exchange, Dept. A-58, P. O. Box 252,
New York 5, N. Y.
Please send me, free, "dividends over
the YEARS — a basic guide for common
stock investment."
LETTERS
BROKER, IF ANY-
the assurance thai he is safeguarding
his health, although the evidence thai
filters i edu< e the in< idem e "I < an< ei
and heai i disease is nil. . . .
Rei enl auto ads have pei suaded mil-
lions ni (.ii buyers thai the} are very
modern and very sophisticated. lh<\
have also conveyed the impression thai
the long, low models may be driven
around curves ai sevent) m.p.h., al-'
though 1 1 1< \ allow less road visibility
I he values" added Inn mi hide not
onl\ a mass spiritual lilt but the in-
stallation ol thousands oi human beings
in wheel ( hail s .iwd c emetei ies. . . .
Victor Fox
New York, N. V.
The laurel to Ro\ Mi K.ie foi the
February cover. |usi a wan smile for
Martin Mayei and his attempt to mas
termind an alibi for the hucksters.
A. F. Gegan
Albany. Calif.
Super a pes and Cats
I o tin Editors:
Conceptually there seems to be little
wrong with Arthur ('.. Clarke's proposal
to use well-bred chimpanzees as streel
cleaners and cotton pi< kers ["Our Dumb
Colleagues," February]. I understand
that technology has not yet solved the
problem ol automatically fillin» olive
and pickle jars with the maximum
amount ol these condiments. With Mr.
Clarke's contribution some Heinz-sight
could be applied to this problem. . . .
Given man's insatiable desire for
power, certain consequences can be pre-
dicted: (1) racketeers will start employ-
ing gorillas (obviously); (2) the AFL CIO
will become AFL-CIO-APE and the
\\\I will pointedly change its name
to the MAN (a better public image);
(3) some zealous evangelist will inevita-
bly try to teach these almost human la-
borers the Word .\i\(\ save their souls:
M) America's answer to Sputnik in the
field of education, and the longest lived
contestant on the S64.000 Question, will
be J. Fred Smugg, Ph.D.
Please excuse me. I hear my master
coming up the walk.
Herbert N. Hersh
Skokie, III.
... Aside from the enormity of un-
employment trained baboons would
create— I can picture nearly everyone's
being replaced— the greatest drawback is,
as Mr. Clarke pointed out, the bullying
they might undergo from those speci-
mens of Homo sapiens who consider
(I would say "suspect") themselves to
be higher on the evolutionary ladder.
Still this might work for the real good
of man. In those sections where there is
:i
i ai lal disc i imination, attention would
diverted from the underdog to the sup
ape who would provide tin- necesi
outlet lor the superiority craving*
course, there is always the danger
interman iagi . Mrs. id. rJ
I fppei Monti lair. N.
In his provocative artic le, Mr. CI
mentions as trainable for gainful w
monkeys, dogs, cheetahs, falcons,
phants, horses, \aks, pit-tailed macaq
chimpanzees, gorillas, and baboons.
I In forgotten animal in Mr. Claj
198 I ish vii ici\ is the cat. . . . Cat pa
would be useless for routine chores
less these were to the cat's advantj
Howevei I believe the cat would be'
ideal overseer. I le has authority in J
bearing. He is well able to defend hi
self, lie- is incorruptible and allows!
opinion but his own. His natural cJ
osit\ would lead him instinctively to J
trouble spots, and he has perfected I
ability to sleep with one eye ope.n I
developments. No other animal I
watch others work with such concern
tion, such deadly objectivity. He is ;j
Brother personified— indeed some of
mote hirsute posters of Soviet leac
have a (lc( idedly feline < ast.
The onh snag ... is that the |
being an opportunist, might slip b
into his old position as a god, and til
where would we be? All mankind wo
share the slavery now limited to
owners. Helen Lillie MarvJ
New York, N1
Wal
To the Editors:
\ubrey Goodman's story, "Wal
[January], is extraordinarily well v.
ten. . . .
The best thing about it is its txi
Waldo exists. Not as one person,
tai nly. but in the colorful moment'
young men all over America. One 1:
knew at Yale flew to Beverly Hills
the weekend, dated Eva Gabor, and
back in time for Monday mon
classes. Waldo. Another, at Princei
demanded entrance once to his friei
quarters and, when told they were cr
ming for final exams, said. "Open u]
I'll shoot." They refused, and lie
(after carefully checking through
keyhole that no one stood in the wa
his impressively real bullets). W
Waldo was drafted, he was the <
trainee at Fort Dix who stood in
for physical examination in m<
grammed undershorts. I shall never
get the night he attempted to ste<
dinosaur from the Los Angeles Muse
or the morning he took three final ex
in courses outside his field of stui
just for fun— weeks later back came
tie
...ANY 3
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OAITE PARISIENNE
LES SYLPHIDBS
PORTS OF CALL
RAVEL: BOLERO. LA VALSE, PAVANE
CHABRIER: ESPANA-IBERT: ESCALES
DEBUSSY: CLAIR DE LUNE
*dh
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h's monumental work
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Eugene Ormandy
Two delightful and ro-
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A romantic musical tour
-Ormandy and The Phil-
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MOZART
REQUIEM
I t J§"^ omjNO WALTBR
' SW" XEW YQfiK PHUHARWOHiC
1%W WESl»th5T£R CHOIR
1
mmmm
THE PHILADEIPHIA
ORCHESTRA
H
m
RUDOLF SERKIN
BEETHOVEN "*"
^ "MOONLIGHT" SonaU
Wf "PATRETIQUE" Sonata
•APPASSIOMATA" Sonata
Mozart's last work —
which has been called an
"opera for the angels"
BRAHMS
Symphony No. 3
Academic
Festival
Overture
WALTER
NEW YORK PHILHARMONIC
LEVANT PLAYS GERSHWIN
RHAI=SODY
IN BLUE;
AN AMERICAN IN PARIS
These 2 delightful works
areas popular with
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STRAUSS WALTZES
andOVEHTURES
Definitive performances-
of three best-loved
Beethoven sonatas
STRAVINSKY:
FIREBIRD SUITE
TCHAIKOVSKY: ,
ROMEO AND JULIET
LEONARD BERNSTEIN
NEW YORK PHILHARMONIC
»HiHiaiiw:ia,'ii»^Hmiinim
CHABRIER ESPANA
PONCHIELLI DANCE OF THE HOURS
SUPPE': HORNING. NOON ANO NIGHT IH VIENNA
aikovsky's Serenade,
rber's Adagio,
odin's Nocturne, etc.
6 works: Symphony No. 3,
Academic Festival Over-
ture, 4 Hungarian Dances
3 Gershwin works-Con-
certo in F, Rhapsody in
Blue, American in Paris
:NDELSSOHN I violin I
HAJKOVSKY I """""I
JO FRANCESCATTI
liant performances
no of the most popu-
)f all violin concertos
JIUl'MM
amsnEBfiNiiNDih
SWAN OFTUONEIA
EEOiHPEfR C1HT SUITE No. 1
Q5S2ia SWEDISH RHAPSODY
THE PHILADELPHIA ORCHESTRA
Stunning hi-fi perform-
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and "Romeo and Juliet"
BACH'S ROYAL INSTRUMENT
E.P0WER BIGGS,
TOCCATA AND
FUGUE in D MINOR
PASSACAGLIA AND
FUGUE in C MINOR ■
FUGUE in G MINOR
Emperor Waltz, Blue Dan-
ube, Vienna Life, Gypsy
Baron Overture-2 more
WAGNER OVERTURES
Beecham presents a pro-
gram of charming, happy,
melodic music
COPLAND:
APPALACHIAN SPRING
BILLY THE KID
hat, -*-*- r*
I , ,.p*
THE PHILADELPHIA ORCHESTRA
EUGENE ORMANOY. CONDUCTOR
The poetry and passion
of Chopin - excitingly
performed by Istomin
Exciting performances of
four very popular Scan-
dinavian works
5 works: Concerto in D
Minor after Vivaldi;.
Fugue in C Major; etc.
4 overtures: Rienzi, Die
Meistersinger, Flying
Dutchman, Tannhauser
2 modern ballet scores.
First complete recording
of Appalachian Spring
IHLMflEM: QOARtTTS S * 11
JAPESTSTBJttWffiTET
GUIDO
CANTELLI
I NEW TURK PSIUUBJOHIC
VMM
THE SEASONS
BEECHAM
ELGMts
m
U" ENIGMA
"'■ VARIATIONS:
COCKAIGNE
OVERTURE:
■ I SERENADE FOR
m STRING ORCHESTRA
ALBENIZ: IBERIA
DEBUSSY: IBERIA
BEETHOVEN:
EMPEROR CONCERTO
CASADESUS, Piano
MITHOPOULOS
I tboven's melodic
B Rasoumovsky Quar-
I and the "Serioso"
Vivaldi's greatest work
— a musical portrayal of
the four seasons
3 works: the clever
Enigma Variations; the
haunting Serenade; etc.
This famous choir sings
11 songs: Come, Come.
Ye Saints; Clouds; etc.
Intoxicating melodies
evoke the beauty and
mystery of colorful Spain
The grandest of the
"grand" concertos— in a
rousing performance
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6. Levant Plays Gershwin
7. Brahms: Symphony Ho. 3
8. Mendelssohn and Tchaikovsky
Violin Concertos
9. Bach: Goldberg Variations
10. Strings of The Philadelphia Orch.
11. Peter and the Wolf; Young Person's
Guide to the Orchestra
12. Mozart: Requiem Mass
13. Vivaldi: The Seasons
14. Sibelius: Finlandia
ZONE State 15. Tchaikovsky: Nutcracker Suite
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10
results: A plus, B minus, and "See me
after class!" The last I heard of Waldo
he was sipping resinated wine in Athens.
I he day before he had crashed Grace
Kelly's wedding in Monaco and, natu-
rally, was among the first to kiss the
bride. Robert Karris Thompson, Jr.
Seventh \nn\ Hq.
\1'(). New York
Who's in Charge?
To the Editors:
"Who's in Charge Here?" [The Edi-
tor's Easy Chair, February] left no doubt
in mv mind thai our elected President,
Dwight D. Eisenhower, is in charge and
that von are definitely opposed to it.
Your inference that his illnesses have
incapacitated him is not the final con-
clusion drawn from your editorial. Your
criticism of his policies antedates his
illnesses. . . .
I am sure many citizens would wel-
come the special privilege oi a national
magazine circulation in voicing disagree-
ment with your conclusion. . . . Many
people feel as I do that the leadership
ol the President is based not on physical
strength but on mental and spiritual
vitality. Mrs. G. A. Webber
Clark Lake, Mich.
Tn the early days of our republic Alex-
ander Hamilton succinctly expressed his
[ears too about a weak government ex-
ecutiveship. . . . Hamilton admonished:
"Energy in an Executive is a leading
characteristic in the definition of good
Government. A feeble Executive implies
feeble execution of Government. . . ."
So Hamilton said, and I would urge
Americans hereafter to measure his re-
marks carefully when going to the polls
with the knowledge that they are voting
for a cardiac victim. . . .
J. J. Cobb
Columbus, Kan.
I wish to thank you lor the February
1 ,is\ Chair. It is an article that needed
to be written. And to have the problem
expressed with such clarity, sympathy,
and logic from all angles deserves the
highest praise. Marga E. Davidson
San Mateo, Calif.
You certainly have some crust to dare
to suggest having our beloved President
Dwight D. Eisenhower resign. . . . How
much do you get from Russia for open-
ing in my opinion your dirty mouth?
In my opinion President Dwight D.
Eisenhower walks with God. He is one
of the three greatest Presidents we have
ever had. . . .
President Eisenhower's parents always
thought him a wonderful man. Can
your parents say as much about you? . . .
LETTERS
You ought to get down on your hands
and knees and thank God we have .1
great man like President Eisenhower for
Pi esident.
I am.
An ardent admirer of President
1 isenhower, J. 1.. Hi mberi
Hillsdale. N. J.
. . . There should be .1 law against
1. dking about Presidents while in
office. ... P. Thoren
New Brunswick. N. J.
... I am sine many Amei i( ans agree
with you but will not s,i\ so [01 Eear of
hurting or seeming to insult a man
whom they like personally and respect.
It will be a great pity if Republicans
fail to profit by two very sad Democratic
precedents. Would it not. actually, re-
dound far more to President Eisen-
hower's prestige if he had the courage
10 sicp down while still mentally alert,
rather than waiting until he has to be
forced out or until he causes as great
misfortune to the nation as both Wilson
and Roosevelt did?
'ion are courageous to express your
opinion publicly. I congratulate you—
pel haps because I ague with vou.
M. L. WlNTON
Greenwich, Conn.
Newest Minority
To the Editors:
Albert Votaw has outraged us ["The
Hillbillies Invade Chicago," February].
Steinbeck called us Okies. \1 Capp's
"l.i'l Abner" makes us out as good-
natured primitive morons. Snuffy Smith
is the [ruth, il not the whole truth.
Television's "The Real McCoys" por-
trays us as cantankerous, quaint, lovable
illiterates. But Harper's latest is a
libelous assault on America's newest
minority, the Anglo-Saxon. Southern
Protestants. . . .
II the article were about a bunch of
Jewish refugees or Polish immigrants,
the clamor against Harper's, the libel
suits, the snide remarks on TV, the
editorial attacks, the whispering cam-
paigns, the boycotts would be enough
to put you out of business. . . .
We need a publicity director to plant
news releases in all media about Anglo-
Saxon accomplishments; a monitoring
and news-clipping service to catch every
slur that's printed and nail every lie
that's uttered, and a legal department to
bring libel suits when all else fails. . . .
Robert N. Jones
Dallas, Tex.
. . . Perhaps Mr. Votaw prefers Chi-
cago dominated by gang wars and is sore,
since this distinct American layer of
society will not become pawns of a vi
lord: or it may be he prefers a ward be J
and a citizenry that is bovine, asks J
questions, and accepts the little it is m
fered lor its money and likes it. andfl
disgusted that these hillbillies are si
picious ol such a form of city Eove
ment.
He is not the first to become anno
at this group of Americans. There
George III when he was told that sen;
ol his best soldiers had vanished at Kill
Mountains and Cowpens. . . . ThJ
were the "Die' Hards" ol special privihl
who fulminated at the Virginia and K<-
tuc kv Resolutions, lor they distrusted ■
stability ol the American common m'l
who bore the hardships, the fightil
and the dying in the American Revol
lion.
II Mr. Votaw is so keen in parad
the shortcomings e>l any particular c
ol people, he should have taken a wh
at the politicians, who have done no
ing in the last hundred years te> ra'
(hi' standard of living e>f the people!
whom he so heartily disapproves.
William A. Gar?B
Belding, M
(Mr. Votaw was. of course, writing alul
out- specific i^voiij): the isolated, pox
stricken, poorly educated "fanners, rrM
eis. an/1 mechanics from the mount
and meadows ol the mid-South" who I
finding it hard to fit into the X01
em a lies where they are now migr.am
in search of xvork.— The Editors)
1
Stiff Bret
To the Editors:
The article by George Kennan
Chance to Withdraw Our Troops I
Europe," February] feels like a good
breeze blowing away the smog of insaJ
that has gripped the country for s<|
time. It surely must be clear to any!
who reads history and has cogitated
all on the problem that the pres-
armaments race is a dead-end street
nothing less than the destruction!
humanity at the end.
The official Democrats seem to
nothing to offer that the Republi
dejn't— except an intensification eil s;,
Bruce O. Wati
Logan, 11
Jazz Writ%
To the Editors:
No one since Otis Ferguson in
New Republic has written such a
sensitive article [on jazz] as Mr. Har]l
in the February issue [After Hours].
Jane Spring!
Montebello, C|
:REE!...This *30 Set of Books!
THE COMPLETE AND UNABRIDGED
BATTLES and LEADERS
of the CIVIL WAR
4 Big Volumes • Handsomely Boxed • Over 3000 pages
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by the men who planned and fought the war — Grant,
Beauregard, Meade, Sickles, Longstreet, Johnston • Rare
photographs including world famous Brady and Gardner
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of the Pulitzer Prize in American History.
RETAIL PRICE . . . $30
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AMERICAN HISTORY PUBLICATION SOCIETY
lattles and Leaders" is the greatest account of the Civil War ever published. For decades
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jrinted in its entirety, including every word and picture of the original edition. This
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Originally offered — and enthusiastically bought — at $30.00, this new printing has
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blications available to you through membership. To get it. simply fill in and mail the
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AS A SOCIETY MEMBER, HERE ARE YOUR PRIVILEGES
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rning the coupon. You receive the books of your
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ach month thereafter you receive, free, a copy of
iricana, the Society's publication. This describes
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OOSE ANY ONE OF THESE FINE BOOKS AS YOUR FIRST SELECTION
NARRATIVES OF EXPLORATION
AND ADVENTURE
by John Chorlei Fremont — edited by Allan Nevini
Explorer's own account of his three great expedi-
tions (1842-1846) opening the West. Graphic lan-
guage, vivid style.
Retail price $8.50 Member's price $6.95
THE AMERICAN WARS — by Roy Meredith
Records all America's wars from Quebec to Korea.
Almost 500 illustrations, the on the scene work of
military artists Living history as It was formed.
Retail price $10.00 Member's price $7.50
MATERIALS TOWARD A
HISTORY OF WITCHCRAFT
compiled by Henry Chorlei Lea
The Indispensable work for those who wish to under-
stand the demonic "black arts" that have influenced
and shaped world civilizations; 3 volumes, boxed
Retail price $20.00 Member's price $13.95
MEDIEVAL AMERICAN ART
by P6I Kelemen
Original eye-witnesses describe in detail the dazzling
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Retail price $15.00 Member's price $11.95
THOMAS JEFFERSON
A Biography
by Nathan Schachner
Brilliant new, one-volume edition — called by N. Y.
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THE AMERICAN FUR TRADE
OF THE FAR WEST — by Hlram M. Chittenden
This new edition of a recognized classic restores to
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standing achievement of an outstanding life".
Two Volumes
Retail price $12.50 Member's price $7.95
A HISTORY OF
PRESIDENTIAL ELECTIONS
by Eugene H. Roieboom
From Washington to Elsenhower, this is a colorful
record of America's growth, crammed with a wealth
of fact not to be found in any other single work.
Retail price $8.50 Member's price $6.95
THE CUSTER MYTH — by W A Graham
Ablaze with the color of the frontier, illustrated
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Retail price $10,00 Member's price $7.70
AMERICAN HISTORY
PUBLICATION SOCIETY
The American History Publication Society was
formed for thoughtful men and women interested in
interpreting the future of America through a knowl-
edge of its past. The Society's prime purpose is to
help its members build a library of Americana — the
books of permanent worth — at savings of 40% or
more. You are offered monthly a selection of works
covering significant phases of American History.
Some are re-issues of out-of-print accounts now
found only in libraries of a few fortunate collectors.
Others are new publications by masters in their
chosen fields. But each brilliantly illuminates an era,
event or exploit that has gone into the making of
America.
American History Publication Society, Inc. Dept E018
11 East 36th Street, New York 16, N. Y.
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tions I am to receive a free Bonus Book. I can cancel
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Send no money. Simply check the book of your choice
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D 1049 Narratives of
Exploration
& Adventure
D 1203 A History of
Presidential
Elections
□ 456 The Custer Myth
G 1212 Thomas Jeffersori
D 1222 Materials
Toward A
History of
Witchcraft
Q 0628 The American
Fur Trade of
the Far West
ZONE STATE
Postooe ond duty oddftion
i Canadian Member!
<i
Colonel E. B. Crabill
the EASY CHAIR
A Combat Veteran Sounds Off
This cantankerous guest editor is better
equipped to discuss military mutters than most
<>l the "experts" now issuing daily statements in
Washington. He served as an infantry officer in
three wars, -iron twelve decorations, and led the
129th Infantry Regiment in combat from Omaha
Beach to the Elbe River. In its many battles.
including St. Malo, Hurtgen forest, and the
Bulge, it captured more than 10.0(10 Germans
and lost about 5,000 in killed and wounded.
Ih recently retired after serving as chief of
research and development of infantry weapons
and equipment in the Army Field Forces.
SI N ( I E the Korean war the citizens of the
United Slates have been handed an annual
tax hill ol about seventy billion dollars. Instead
of diminishing, this bill shows ever) sign oi
increasing to eighty billion, ninety billion, or a
hundred billion, unless something more radical
is done ih, in the manicuring job normally per-
formed by Congress.
The primary excuse lor this astronomical bite
is that sacrosanct monstrosity labeled "National
Defense— Do not touch." It takes the major pan
ol tin taxes now and shows every indication of
growing bigger. Why should it be a sacred cow?
Have the people so much confidence in the
Defense Department that they think, it can do
no wrong? Isn't there a possibility ol a little
empire-building mixed up with the real require-
ments? Isn't it possible thai billions are being
wasted because ol incorrect conceptions ol future
wais?
Is it true that the only war of the future will
be an atomic war, with its attendant suicidal
destruction? Isn't it also true that the United
States, in spite of these enormous expenditures,
may find itself without the means to fight more
probable wars? Isn't it possible that by spending
on personnel a fraction of the money going into
expensive' and useless equipment, a better defense
force could be built? Have the people in the
United States become so intrigued with the
glamor ol airplanes, guided missiles, and atomic
bombs that they have forgotten that ground can
be taken and occupied only by men on foot?
What the defense setup needs is a good tough
inspection. Let's take a hard look at some ol the
prevailing sophisms thai ate responsible lor this
astronomical spending. Am ol them could be the
subject ol a complete article. For the sake of
brevity each will only be touched on here.
THE ARGUMENTS
(1) The military leaders in our country are
best able to determine our needs for national
defense. The\ might be il they were able to rise
above their prejudices, but they are not.
It might be possible to approach a solution
b) asking an admiral what the Army needs,
an Arm) general what the Air Force needs, and
an Ait Force general what the Navy needs, but
io ask each what his own service needs is like
opening the doors of the Treasury and handing
him a shovel.
There is an old building in Washington that
used to be called the State, War, and Navy
Building. Whenever one of our admirals or
generals passes it he must shudder because not
so long ago it used to house them all and the
State Department besides. The empires that have
been built in the Pentagon have become so
complex that there is a saying in the services that
it is impossible lor anyone to go there and get a
"Yes" or "No" answer to anything.
There is a related evil that goes along with
this— the staff build-up, the Indians that do the
Chief's work lor him. The more Indians, the
bigger the Chief. All Indians have found out
that the way to get to be Chief is to be on the
staff of a Chief, ready to step into his job. It is
also much pleasanter than to be out in the rain
and mud, dodging shells. The result is that the
smait boys do bird-dogging for the Chiefs and
the dumb ones lead the troops in combat. This
has two evils— it tends to build up the staffs and
it is a little hard on the troops.
(2) The money appropriated for military
THE EASY CHAIR
13
equipment is necessary for the defense of the
country. It is about as necessary as it is to fur-
nish each voter in the country with an air-con-
ditioned Cadillac.
The characteristics demanded by the services
in their airplanes, ships, weapons, and vehicles
are now so expensive that the cost of them is
from two to ten times as great as that— with a
small loss in comfort, efficiency, or accuracy— of
a serviceable substitute. In World War II a satis-
factory liaison airplane cost about 1 1,500. Ask
what the present job costs and hold onto your
pocketbook. The Rus-
sians have a heavy
trench mortar that looks
as though it had been
machined with a sledge
hammer, but it throws
a lethal shell a long dis-
tance.
The accuracy of our
weapons is so far supe-
rior to the accuracy of
the persons manning
them as to be ridiculous.
So far I have never seen
a time in combat when
such accuracy was either
necessary or humanly
obtainable, though I have seen more combat
than most officers. The advent of "human en-
gineering," in recent years, has aggravated this
problem. In the old, tough days the personal
comfort of service personnel was not a consid-
eration. Nowadays it is one of the most impor-
tant considerations, which has the dual disad-
vantage of being extremely expensive and mak-
ing softies out of the military.
(3) It takes nine men in the rear to keep one
man at the front. This is a great understatement.
It started at least as far back as the British pacifi-
cation of India, where animal transportation was
all that was available and communication was
by runner. Nowadays with motor and air trans-
portation, and radio and telephone communi-
cation, the proportion of rear-area personnel,
instead of decreasing, has increased. In World
War II, we who were in combat estimated that
all the actual fighting was done by from 2 to 5
per cent of the personnel in the battle zone.
Within the range of enemy artillery fire there
was little visible movement and very few troops
to be seen. If you started to the rear, however,
every mile the clutter of vehicles, the masses of
administrative, supply, engineer, ordnance, mili-
tary police, transportation, signal, medical, and
other staff units increased progressively. What
they all did we of the infantry could not imagine.
The artillery and tanks supported us and we
needed daily rations, water, and gasoline, but
that required only a small number. The others,
rmu°
as near as we could see, must have been taking
in each other's washing.
In Korea I had the task of inspecting some of
these rear-area troops. I found not a single unit
that was as much as 50 per cent efficient— that
is, not a single administrative unit turned out
as many as half of its assigned personnel for its
primary duty. Where were the others? On guard,
on kitchen police, sick, AWOL, on Rest and
Rehabilitation, running typewriters, answering
telephones, or doing bunk fatigue. Most were
on duty shifts of eight hours. The soldiers at
the front? Twenty-four
hours a day, seven days
a week.
Can anything be done
about this? Yes, but it
probably will not be
done. Why? The big
headquarters are always
in the rear areas. They
want lots of communica-
tions so they can keep
up their battle maps.
That requires signal
troops. They want com-
fortable housing. That
requires engineers. They
want good food. That
requires mess personnel. They want aspirin.
That requires medical officers. They want lots of
staff officers so they can get the answer to any
problem that arises without having to dig it out
themselves. All these people, in turn, have to
be furnished rations, shelter, telephones, medical
attention, and so on. If there are enough of
them around they will be so busy taking care of
each other they will have little time left for the
troops in the combat areas.
The Red Cross, Special Services, and USO,
particularly the feminine personnel, are needed
to keep rear-area personnel entertained. Obvi-
ously, these entertainment people couldn't go up
into the fighting areas, so they are never seen
by the combat troops except the rare times the
infantryman gees a pass. In World War II, Paris
was so completely occupied by rear-area troops
that combat troops in reserve couldn't go there
because there was no room for them. A more
recent example of this is the report by Time
magazine of how a naval caretaking detachment
in Naples, originally consisting of forty-five men,
has been parlayed into a Shangri-La of 2,103
military, 534 civilians, and 3,166 wives and
children; to take care of NATO South, an
organization of 692 officers and men.
(4) The officers in our services are brave, intel-
ligent, zealous, and unselfish and the enlisted
men, when they put on the uniform, are meta-
morphosed into crusaders rarin' to fight and die
for the good old United Nations and the Four
MARBORO
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5686. Selected Writings of SYDNEY SMITH. I
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Included in this * olume are the cre.ir
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ought alter figure in London s
Pub. at $6.50. Only 1.00
5016. AMERICAN SYMBOLS: A PICTORIAL HIS-
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representing a strikingly authentic record of Ann
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authentic signs touching ever', nerican lite.
2.98
5608. Thomas Wolfe— LOOK HOMEWARD, ANGEL.
A classic ot conb American literature, this
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ssive family established Wolfe's reputation and
lias now- become a major Broadway success. I
6UU pp. Reprint edition. 2.49
5629. Dream Interpretation— THE DREAM: MIR-
ROR OF CONSCIENCE. By Werner Wolff. A highly
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Illustrated with unusual prints and drawings.
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3947. THE HINDU RITUAL OF LOVE: KAMA
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12.49
5073. TRUMAN MEMOIRS. By Harry S. Tru-
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3924. HOMOSEXUALITY: A Cross Cultural Ap-
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which intelligently explores the subject of homo-
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to the hard realities of Kinsey's America. 440 pp.
Pub. at $6.50. For a limited lime only 3.88
5543. THE COMPLETE ETCHINGS OF GOYA.
Foreword by Aldous Huxley. All 268 etchings — The
Disasters oj War. The Caprices. The Proverbs, The
Art of Bullfighting, plus 39 others not grouped in any
series— now available for your continual pleasure in
a permanent library edition. Here are galleries of
great art in one handsome 9" x 12" volume, with an
appreciation by a highly articulate connoisseur.
Pub. at $7.50. Only 3.95
4950. H. L. MENCKEN. By Charles Angoff. Here's
the real Mencken, a portrait from memory drawn h\
the rran who knew him best; a revealing, uncensored
picture of a fantastic personality— and his off-the-
record opinions on nearly everything set against a
gaudy and memorable period in our history.
Pub. at $i.95. Only 1.49
P-219. CHINESE WALL PAINTINGS ON LINEN:
SINGING CRANES. No verbal description could ade-
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of bird portraits — treasured possessions of the Shoko-
kuji Temple in Kyoto, Japan. Sometime in the 14th
century, the Ming artist Wen Cheng painted each
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tion with exquisite symmetry. Recently a master-
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mistaken for the originals. Each panel-shaped print
measures 39" high x 14>/8" wide.
Pub. at $30.00. The pair only 5.95
P-326. VERMEER ON CANVAS: Young Woman
Reading Letter. A portrait masterpiece in the Rqks-
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artists' canvas by a new process, m Holland, and
mounted on ,i stout wooden st r < h foi
framing. Tl Id tones, time-mellowed blues
and greens are I nd washable .is well.
'Reproduction remarkably good I congratulations."
— Gordon Washburn, Director, Fine Arts Dept.,
Carnegie Institute. 2 1 Vi " high x IX1 '." wide.
2.98
5031. The Style and Technique of LAYOUT. I
i ' tisl with 25
rience in advertising art with top ageni
in New York and Hollywood teaches you how to use
K into the realm of tnst
':;[ advertising art' Hundreds oj i ■
in a big, 1 ()' , " x 1 2 ' ," 1 k.
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4725. MARIANNE THORNTON. Bs I MI
In recounting the lite ot ins great-aunt, one of the
foremost living writers tells not only of a remark I
ing w.im. in, but also ol .in extraordinary lamily
and Victorian society during the course of England's
greatest century. /
Pub. at $5.00. Only 1.00
5647. FROM ONE CHINA TO THE OTHER: 144
Photographs. By Henri Cartier-Bresson. A monu-
mental human document of the transition from Na-
ist to Communist government in China, scenes
of confusion, monastery timelessness and military im-
mediacy; the soul ot a people 600 million strong,
in preservi ancient values in the midst ol .in
■ nsis. Produced in 1 " x 1 1".
Pub. at $10.00. Only 3.98
P-304. UTRILLO: MONTMARTRE STREET SCENES,
folio of 8 Parisian scenes in the delicately colored
tonalities that have made his moody landscapes col-
Each full-color plate meas
16" x 2o". Includes — Montmartn Street, Place de
Tertre, Thi Garden ' M ntmartre, Rue de Mont.
marlre, Montmartre Corner, Montmarlre Scene, Le
Lapin Agile and Village K
Pub. at $10.00. Only 2.98
5240. THEY CAME TO MY STUDIO: Famous Peo-
ple of Our Time Photographed by VIVIENNE. From
Churchill to Olivier, from Markova to Leighton, the
most distinguished figures of public life, the stage,
the screen and ballet. Over 200 portraits by a great
photographer, with informal glimpses of the sitters
discussing how they should be posed for posterity.
9V?" x 12". Pub. at $8.00. Only 1.98
1952. RABELAIS. The complete unexpurgat.ee] Car-
gantua and Pantagruel; the most ribald and entertain-
ing classic in world literature. More than 100 full-
page drawings by W. Heath Robinson. 962 pp.
Pub. at $7.50. Only 2.98
5060. U. S. CAMERA 1957. By Tom Maloney.
This outstanding annual is still the most useful,
comprehensive pictorial guide to fine camera work
and the year's best pictures — by the all-time greats
of photography as well as talented "unknowns"
— as seen the world over. Articles, features, port-
folios, hundred! of full-page photos, some in
color. 8'/2" x 11%". Pub. at $6.95. Only 2.98
5341. SCIENCE SUBJECTS MADE EASY. By Henry
Thomas, Ph.D. This huge book covers astronomy,
geology, chemistry, physics, mathematics, anthro-
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ple language. 535 pp., over 100 drawing*.
Special 2.98
5219. Bertrand Russell: UNDERSTANDING HIS-
TORY. A world-renowned iconoclastic philosopher
contributes a biting analysis of current misconceptions
of historical events. Hardbound. Special 1.49
1856. NUCLEAR PHYSICS. By W. Heisenberg, Di-
rector of the Max Planck Institute of Physics. Got-
tingen. An excellent introduction to the subject by
the Nobel prize winner. With 18 half-tones and 3 ^
line illustrations. Pub. at $4.75. Only 1.98
5646. FROM INCAS TO INDIOS: 77 Photographs.
Werner Bischof's last photographic study, completed
by Robert Frank & Pierre Verger. A tremendously
rich panorama of the life and treasures of the Peru-
vian Indians, proud descendants of the Incas — from
their religious pageants, masked and costumed cele-
brations and dances of wild abandon, to awe-inspiring
views of Cuzco. the ancient capitol of Inca empire,
and Machu Picchu. the famous center of pre-Colum-
bian civilization. Text bv Manuel Tunon de Lara.
8'/2" x 11". Imported. Pub. at $10.00 Only 3.98
I
4786. IN SEARCH OF ADAM. By Herbert ^
The greatest detective storv of all time — the
for the truth about the origins ot Man in th
ot the un i . i ord.i d past. Here, m "iic 550-page v
is everything that is known about the kinship b
humans and apes, the "missing link," and th
terious lost i, ucs who may have been out lust
ancestoi • of photos.
Pub. at (t Onl X
3949. THE HOMOSEXUAL IN AMERICA. Byfl
aid Webster ( ory. Every aspect ol this httle-l
stood lite is related and evaluated from a subfl
viewpoint in a book p.ickc-d with hitherto undis«
information, treating the subicit frankly, ho|
and with keen analytical percc; '
Pub. at i.i"'. OnM
3604. BOOKBINDING— ITS BACKGROUND tl
TECHNIQUE. By Edith Diehl. These two box!
umes, themselves masterpieces of the bookbJJ
art, authoritatively reveal the history and everyT
of workmanship of this fascinating craft, uj
plates and nearly 200 drawings.
Pub. at $i0.00. 2 vols., boxed, on/1
3590. Sartre: EXISTENTIALISM AND Hi
EMOTIONS. Here is the heart of Sartre's phil|
— that man is personally responsible for \
does — that there are no values external to m
man may therefore choose different values.
Pub. at $2.75. O
5261. BURKE'S PEERAGE. The 101st ed
Burke's Genealogical and Heraldic History
Peerage Baronetage & Knightage. 1956. The a]
tative last word on British nobility. Gold
binding. Nearly 3,000 pp.
Pub. at $50.(i<>. Onl:
4936. BARBED WIT AND MALICIOUS H'
By Patrick Mahony. Hundreds of sparkling :
ot stings, slurs, sarcasms, rapid-fire repartee,
retorts, insults, and epigrams caustically en
over the vears by the famous and near-famou
Pub. at $3.50. On
5582. FIGURE PAINTING. By Andre I
The first English edition of the classic an
used by artists and students all over the v
Among the many subjects discussed by the h
French artist and teacher (with the graphic a
9 full-color plates. 104 half-tone illustration]
7 diagrams) are: Intelligence in Painting, M
ling, Drawine. The Sketch. Composition, (j
Perspective, etc. This is definitely a "must)
every art library. 7Vi" x lO'/g".
Pub. at $7.50. Onl)
5135. AMERICAN WINES AND WINE-M
By Philip M. Wagner. Wine-making from tlj
maker's point of view; not only a practical
for the home producer, but also a first-rate gj
consumers (chapters on New York, Califori
French vineyards) and a practical, amusirj
mentary on the uses of wine. 36 illus.
Pub. at $5.00. Oti
5283. SWITZERLAND. A book of photogrffl
an introduction by Richard Aldington. The >,
of the Alps, the pastoral beauty of the cou
the joy of winter sports, as well as the hiddj
face of this lovely and fascinating country,
after page of finely reproduced plates.
Pub. at $5.00. 0
4703. EXTRAORDINARY POPULAR DEL
AND THE MADNESS OF CROWDS. By
Mackay. Intro, by Bernard Baruch. Long out
this classic work describes vividly and in d(
great delusions of the past which so disastn
fected whole peoples and nations: the witch
the tulip madness, strange prophets and "m.1
healing, financial hoaxes, haunted houses, b
alchemy, divination, the end of the world.
remarkable and curious book. Many illuslram
pp. Pub. at $7.00. 0.
3465. HARUNOBU AND THE EDO GRC
full-color plates immortalizing the fragile,!
and incredibly lovely maidens portrayed by tj
Harunobu in 47 plates and presenting 16 oo
traits, genre prints, etc. by Harunobu's c<
raries, Buncho, Shunsho. Shigemasa and K
The text by Lubor Hajek is a full-length d|
study of Harunobu and his school — their w
their period. Cloth covered, Japanese-style
binding with bamboo clasp. 8" x 10W'. Imi
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College Book of AMERICAN LITERATURE.
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;h survey ol American literature, from John
and the Puritans of New England to O'Neill
jmingway. Every major writer and minor con-
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te background to each author. Almost 200
i, over 800 selections, more than 2100 pages.
I $10.50. Both vols, only 3.88
. THE BROTHERS KARAMAZOV. By Feo-
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THE SELECTIVE EYE 1956-1957. A new
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., the provocative international art review. A
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$8.7}. Only 4.95
AGEANT OF ITALY. By James Reynolds,
icily and Calabria to the Alps, from Imperial
! nd Medieval Florence to the lavish resorts of
■ from ghostly ruins to pleasure palaces, here
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FIESTA IN PAMPLONA: 85 Photographs,
ull Color. By Inge Morath. Reveals as never
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ero's solitary prayers and his climactic action
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THE PENTAMERON. Transl. by Sir Richard
Fully reflecting the Rabelaisian vigor and
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PSYCHOANALYSIS TODAY. Ed. by Sandor
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GOODBYE TO UNCLE TOM. By J. C. Fur-
icluttered by prejudice and unhampered by
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WORD ORIGINS AND THEIR ROMANTIC
5. By Wilfred Funk. Reveals the fascinating
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LOVE IN THE SOUTH SEAS. By Bengt
on, anthropologist on the Kon-Tiki voyage,
'ete, accurate, frankly written account of the
nd sex life of the Polynesians, that deals with
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hibitions, attitudes toward nudity, abortion
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tos. Pub. at $4.00. 0»/> 1.98
JALLET CARNIVAL. By Margaret Crosland.
inion to the ballet that provides just about
g you want to know. Over 100 biographies
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5685. IN SEARCH OF THEATER. By Eric Bentley.
One of the foremost contemporary writers on the
arts of the theater surveys with critical eye and
friendly intent the theatrical life of the Western
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and 12 drawings.
Pub. at $6.00. Only 1.98
5523. JAMES STEPHENS: COLLECTED
POEMS. Revised & enlarged edition. This final
selection by the author of all his poems which
he wished to preserve will more than serve to
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5063. EUROPE IN COLOR. By the Editors of Holi-
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Pub. at $7.50. Only 3.49
3948. SEX. ART AND RELIGIOUS SYMBOLISM:
SIGNS OF LIFE. By H. M. Raphaelian. Erotic il-
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scripts, stone-rubbings, bas-reliefs and secret rites are
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5148. Colette: CLAUDINE AT SCHOOL. This is
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and eventually the Academy Concourt— the high-
spirited story of the amoral Claudine, school-girl
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5350. THE GLOBE RESTORED: A Study of the
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P-325. EL GRECO ON CANVAS: View of Toledo.
A priceless art treasure from the Metropolitan Muse-
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Edgar Schenck, Director of the Albright Gallery.
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5683. COMPULSION AND DOUBT. By Wilhelm
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and the subconscious motives at their roots. Concrete
case histories, told in absorbing detail, illustrate and
form the basis of Dr. Stekel's conclusions. Two
volumes.
Pub. at $7.50 Both vols, only 3.98
4930. THE SECOND SEX. By Simone de Beau-
voir. A masterpiece of documentary writing that
is a profound and unique analysis of what it
means to be a woman — in body, in mind, in
spirit, sexual life, social position, love and mar-
riage. The author employs the resources of bi-
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and philosophy, to provide a total picture of
modern woman. "One of the few great books of
our era."- — Philip Wylie.
Orig. pub. at $10.00. Only 4.95
3905. CANTERBURY TALES. By Geoffrey Chaucer.
A new, readable version, rendered in modern lan-
guage. 25 color illustrations and many marginal
decorations by Rockwell Kent. Only 2.49
1450. JAPANESE WOODCUTS. By Hajek-Forman.
72 entrancing masterpieces — 50 in glowing color and
22 in monochrome — by Masanobu, Harunobu, Ki-
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colorful "early" period of this fascinating art. The
stunning page-size plates are supplemented by 32
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Woodrow Wilson did. "I not only
use all the brains I have," he said,
"but all I can borrow."
Makes sense, doesn't it? We
think so. That's why we encour-
age our customers — and everyone
else who is interested in owning
stocks — to use the services of our
Research Division, which is made
up of more than a hundred men
and women with access to all the
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THE EASY CHAIR
Freedoms. 1 would (.ill ihis about
20 per < enl correct. We owe out
success in wars to .i \<i\ small group
ol heroes. The resi jusl go along Eor
the tide. Not is ihis sin. ill group
made- up more "I generals than pi i-
vates oi vii e versa. It is about the
same in all ranks.
George Washington's statement
that the patriotism ol citizens ol the
United suu-s was dependent upon
what would best serve then selfish
interests is as true toda) as ii was
then. In ordei to get one officer who
is a ual leadei it is necessary to
hire about three. II Congress evet
thought ii a good idea to pa\ serv-
ice personnel a living wage, as com-
pared (o c(|iii\ . ilt in jobs iii < i '1 life,
the services could probabl) get along
wiih hall their present boss per-
sonnel. Si nt t Congress doesn't sec (it
to do this, the services manufacture
a lHiinlxi ol jobs ami hope that l>\
hiring three |5,000-a-year men they
will get one Silt. 000 man. This is
not only expensive but takes up a
lot ol time in trial and error, not
io mention the casualties caused by
pool leadership.
The same economics appl) to en-
listed men. Two enlisted men in
uniform will look alike, but one will
fight and the other hide. One is
worth ten times the amount he is
paid and the other is a liability. II
we paitl enlisted men a living wage,
instead ol babying juvenile delin-
quents who couldn't gel a job else-
where, the services could eliminate
hall their personnel who are now in
baby-sitting jobs such as military
polite, excess administrative duty,
excess instruction, special service,
recruiting, and the like. Military
service is just like any other business
and it could be run a great deal
more effectively on business princi-
ples, rather than by the politico-
paternalistic methods now in vogue.
(5) All soldiers, sailors, and airmen
contribute equally to their country's
defense and should be equally en-
titled to veterans' benefits. Boloney.
II you believe this, go out some
night when it is raining— it always
rains in combat— dig yourself a fox-
hole with about lour inches of water
in the bottom and spend a couple
ol weeks there, living on canned
rations. Even without the mortar
and artillery fire, the ever-present
dangei ol having your arm or
blown oil, oi ol Ik 'in" killed, ab
two wicks should make a Christ
ol von. \dd the hazards ol com
and il you still think all vetei
should be treated alike you sho
i un lot Congress.
Battles are won In a \er\ lew
usually brave men who are able
do the right thing at a critical ti
Battle fronts are now usually
wide lot the wil\ strategy ol a St<
wall Ja< kson or the persona] lea
ship ol a Napoleon. Moie often t
are decided by the boldness ol s(
lieutenant oi sergeant who mj
a break-through which is then
ploited by higher leaders.
The great mass ol so-called
erans in the United States never
the words ol an old Indian figl
"heard the whine ol a hostilc's
let." They probabl) gave up I
persona] advantage in return lor
versational resources that will
them all their lives. The vcter
organizations are too well enirenc
politic ally to do much about this,
as far as justice to the e\-sei\icei
is concerned, Congress is show
out money indiscriminately so
a few deserving men will get a u
ol it. Being often handicapped, I
deserving will probably be tram
in the rush.
(6) Wars of the future zoill
all-out wars like World Wars I
II. This is highly improbable
United States military machin
now geared for only one purpi
to fight Russia. This plays dir
into the hands of the Russians,
obviously have no intention of
ting into an all-out war with
United States. They can gain t
desired ends much more easily
effectively by piecemeal tactics. E|
time there is a disturbance or
burst of violence anywhere in
world, look for the Communist;
they don't instigate it themselves
will be there shortly after the troj
starts.
"Why," they say, "take a loj
punishment conquering the w
the hard way when you can ta
a country at a time the easy
using non-Russian troops?'' If
can suck untrained United
troops into a few more Koreas
Every one of them will hurt
United States. If we send Ur.j
«s%
«J».^!l*V,t*
viMN/ i
*^^s4f:
i I net ■*
THE
CAT L FIDDLE
Invitation to 60,000 British pubs
lis is the Ctfr and Fiddle at Hinton
l.dmiral, Hampshire. It's pretty typ-
|)f pubs around these parts. We
I that the thatch has a charm of its
I But, like all pubs, the real character
I : place comes from inside.
Ijentially, a pub is two things at once,
lib for the locals. A haven for the
ler. Somehow the beer, the darts,
and the shove-ha'penny manage to blend
both purposes admirably.
Britain has roughly 60,000 pubs and the
oldest is said to be the Fighting Cocks at
St. Albans (A.D. 795). All have their pet
claims. Some say the Cat and Fiddle is a
corrupted testimonial to the purity of
Catherine of Aragon (i.e. Catherine la
Fidele). Heigh-diddle-diddle, the beer is
always good. So are the sandwiches.
Here's an idea. Why not get a map and
plan a leisurely tour all over Britain,
staying at inns on the way? You can stay
at most village inns for as little as $2.80
a night, hearty breakfast included.
Your travel agent can now book you
from New York to Britain and back, by
sea or air, for less than $400 !
• free illustrated literature, write British Travel Assoeiation, Box 170, 336 Madison Avenue, New York 17. In Canada : 90 Adelaide Street West, Toronto, Ontario.
I is a fascinating game when you get
■ lg of it. But it isn't as easy as it looks.
I pubs have dart teams. Any of these
■s will willingly give you a lesson.
BEER. Most Britons drink draught beer.
Old, mild or bitter. You can mix any two
"arf-and-arf." Wc suggest you experiment.
Nearest to American beer is bottled lager.
SKITTLES. You may be lucky enough to find
a pub with a skittle alley. This one is at the
Royal Oak in Winsford, Somerset. Order a
glass of Somerset cider. It's marvelous stuff!
*"PP"H!"PI
w
1 * t * ! 5
w
AMERICAN PRESIDENT LINES
SERVING 50 PORTS ON 4 MAJOR TRADE ROUTES
THE EASY CHAIR
es troops into the Middle East,
r getting Britain and France
the Russians can hang the in-
er label on us. They also know
/ have nothing to fear from the
ted States where it counts— on the
and. As long as they can keep
y from airplanes, atomic bombs,
sea battles, they can have it
-. They have five divisions to our
, and ours are too badly scattered
be assembled for combat any-
re. When the awe-inspiring Sixth
:t moved into the eastern Medi-
anean in the Suez crisis it had
eighteen hundred ground fight-
troops— one battalion of Marines.
') Wars of the future will be
ded by atomic bombs, airplanes,
guided missiles. Don't you be-
2 it. Any time she chooses to do
Russia can march across Europe
ibout three months. There is
ling in Europe to stop her.
re is nothing that the United
es has that could stop her. It
ardly thinkable that if the Rus-
s occupied Bonn we would kill
dreds of thousands of Germans
to stop their vanguard. Nor
Id it be feasible to destroy Vi-
i to prevent the Russians from
ipying it. It would not be pos-
to saturate Europe with atomic
ibs. The Russians would seek out
unbombed places as the tides
le sea go around the headlands.
y might possibly be stopped at
;ource, by bombing Russian cities
bases. Are we prepared to sac-
: the east coast of the United
;s for this? That is, are we
iared to commit suicide for a
ciple? Any Air Force officer
vs that no defense will stop all
bombers. It would take only
to destroy a city.
) Atomic weapons are so devas-
ig that they will eliminate war
means of settling international
greements. Don't believe that
either. History is replete with
x>ns so devastating that war
Id be impossible. Recent ex-
les are poison gas in World War
nks in World War I, saturation
Ibing, V-l and V-2 guided mis-
I in World War II. They had
effects in past wars and may
i| sed again in future wars, but no
|)on will ever stop all wars.
In April 1945, when I stood on
a hill overlooking the devastation
wreaked by American and English
bombers on the Ruhr complex, the
whole area appeared to me to be
completely destroyed. An examining
group, after hostilities ended, re-
ported that in spite of this bombing
the manufacture of. weapons was
operating at nearly 80 per cent of
efficiency when the Ruhr was over-
run by LTnited States ground troops.
(9) Wars are won by the nations
having the best machines. This fol-
lows the old saying that God is on
the side of the heaviest artillery, and
it is not to be depended on. History
has too many instances in which a
rabble poorly armed and trained
but possessing high morale has de-
feated well-trained and well-equipped
armies.
The last and most painful exam-
ple of this was Korea, though in
this instance the troops were not
well-trained. In Korea, the United
Nations forces had complete control
of the sea, complete control of the
air, and overwhelming superiority
in tanks and artillery, but they were
unable to defeat a howling mob of
uneducated peasants armed with
weapons mostly of World War I
vintage. In this instance the expla-
nation given was that we were not
allowed to bomb beyond the Yalu
River. Since our bombers regularly
destroyed the bridges south of the
Yalu, only to have them back in
operation the next day, this appears
—to one who was there— to be only
an alibi. The Korean war was an
infantry war and we failed to win
because we did not have enough
infantry and the infantry we had was
not good enough.
Weapons are superior only if the
persons handling them are superior
and have high morale. The troops
of Israel, recently, went across the
border into Egypt and took away
from the Egyptians, like taking candy
from a baby, the mass of modern
weapons that had been furnished
them by the Communists.
A BETTER WAY
IT I S an accepted principle that
nobody should criticize the way
things are being done unless he is pre-
pared to offer a better way. In com-
BANGKOK
KNOWS THE PRESIDENTS
Golden spires of the centuries-old temples
of Bangkok . . . steel masts of the sleek,
modern cargoliner. The old and new . . .
the East and the West, one of the long-
remembered contrasts of travel with the
President fleet. Bangkok knows and wel-
comes these carriers of America's goods;
adds Thailand's own riches to their home-
ward cargoes.
And here her passengers will tread the
Courtyard of the Emerald Buddha, and
gaze at the towering Temple of the Dawn.
Soon they'll sail onward for further adven-
ture in Singapore, Penang, Colombo and
other ports visited by their President liner;
one of 40 ships on a never-ending mission
of service to the free world.
To Bangkok on a "Mariner"
World Cruise
Deluxe Mariners offer informal freighter
travel with the luxury of "picture-window"
staterooms, lounges, and suites. These air-
conditioned cargoliners sail from New
York and California twelve times each
year. Fares from $2725.
Cruise ships 'Round the World
Join us for 100 leisurely days of cruise life
and shore adventure in the Orient. India,
Middle East and Mediterranean. The pas-
senger liners president polk and presi-
dent monroe sail from New York and
California every 8 weeks. Fares from
$3075. Or spend two sunny weeks aboard
these ships from New York to California,
via Panama and Acapulco. Fares from
$550.
California to the Orient
Visit Bangkok — and Angkor Wat. Singa-
pore, India — on an extension tour when
you cruise to Hawaii, Japan, the Philip-
pines and Hong Kong aboard the presi-
dent CLEVELAND Or PRESIDENT WILSON; Or
aboard the president hoover direct to the
Orient. Or remain with the ship, returning
to San Francisco in 6 weeks. Pressed for
time? Travel one way by President liner,
one way by air. Round-trip sea/air fares
apply. Cruise fares from $1386. See your
travel agent for details.
See your freight forwarder or broker for
cargo information.
AMERICAN PRESIDENT
LINES
General offices:
311 California Street, San Francisco 4
See 13,000 miles of the world from
the deck of a fine passenger liner!
♦
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Buenos Aires, with Singapore, Mauritius, Capetown
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57 days of relaxation and enjoyment, seeing new places and new
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cuisine, the modern comforts, the unexcelled seamanship of a fine
Dutch ship are your assurance of a successful voyage.
Include a side trip to fascinating Bali.
20- SEE YOUR TRAVEL AGENT.
v ROYAL
INTEROCEAN
LINES
General Passenger Agents for North America:
HOLLAND-AMERICA LINE . DUTCH WORLD SERVICES
29 Broadway, New York
Holland-America Line offices in principal
^— ^— — cities of the U. S. and Canada — — ^^—
€h#o<£
ct
SPORTSMAN S PARADISE
The Government of
La Province de Quebec
has reserved thousands of
virgin lakes, rivers, forests,
mountains, as a sportsman's
paradise. Six great Provincial
Parks offer the finest fishing.
hunting, camping. Hotels,
camps, guides are eager to
help you organize the
best trip you have
ever enjoyed.
For information and reserva-
tions, write: Provincial Publicity
Bureau, Parliament Buildings,
Quebec City. Canada; or 48
Rockefeller Center. New York
20, N.Y.
S? ...
£
THE EASY CHAIR
pliance with this principle, I offer
the following re< ommendations, none
nl which I expert to see carried out:
(1) Stop depending on guided
missiles, atomic bombs, and airplanes
to solve all defense problems. They
probably won't be used in small wars
and will be suicidal to use in big
wars.
(2) Keep read) and available in
the continental United States at
leasl a dozen tough .and well-trained
divisions ol prolessional soldiers th.it
can be moved anywhere to back
up decisions ol the United Nations.
Three or lour of them should be
ait home. They should contain no
re< ruits and should have no adminis-
trative duties. They should be pro-
vided with sufficient troop-carrying
aircraft, under Army control, to
transport them with their equipment
to any threatened area.
(3) Reduce by 50 per cent tin
personnel on duty in the Pentagon.
including assistant secretaries, ad-
mirals, and generals. Require all
lower headquarters to reduce their
non-combat personnel 50 per cent
either by eliminating installations
or by reducing personnel in existing
installations. The amount of ad-
ministrative work deemed necessary
always equals the number of people
available to do the work. The source
ol administration is the Pentagon.
Reduce it and all other headquarters
can be reduced.
(4) Revise the military character-
istics of war materiel, to eliminate
requirements that make it expensive
without proportionately increasing
its combat value. The excessive cost
of war materiel is our most serious
problem.
(5) Start the pay of enlisted men
at S50 a week, of officers at 56,000
a year. This would probably elimi-
nate the draft. To compensate for
the increased costs, eliminate all
fringe benefits, including transporta-
tion. Transport no dependents over-
seas. Make the minimum tour of
duty at one post three years in the
United States and one year overseas.
Sharply curtail the Military Air
Transport Service.
(6) Eliminate the Corps of Mili-
tary Police. This is an outstanding
waste of good manpower. Have mini-
mum military police in tactical units.
COMING I
Harper's
-^- in tt tin *• i »
nici"(izme
NEXT MONT
THE GINS
AT FALAISE GAP
A firsthand account of one
the most crii.-hinji — and le;
known — American victories
World War II.
By Richard B. Mcjk
WHY CANADIANS ARE
TURNING ANTI-AMERICAN
A report on our neighbors' fi |
political campaign in which bo)
parties attacked the U.S.A. . . |
Bv Bruce Hutchis^
HOW FRANK LLOYD WRIGH'
GOT HIS MEDAL
When some Philadelphia arc]
tects decided to award a go
medal to that unpredictable f
triarch of American architectu
Mr. Frank Lloyd Wright. th<
problems only began. A play-1
play account of a hilarious w«
end shows how ornery — ai,
wonderfully engaging — the gn
man can be . . .
By Alfred Bendir
Hoic a Classical Education Ma
A NOBEL SCIENTIST
A surprising recipe for traini
men in practical thinking, fn
a mathematical physicist w I
has been described as Einstei I
successor.
By Werner Heisenbt
THE EASY CHAIR
lischarge soldiers who misbehave,
harply reduce such military activ-
ies as Special Service, Information
ervice, Food Service, and Recruiting
ervice. Have combat units take care
£ their own maintenance, recreation,
ommunications, recruiting, and po-
ice work.
(7) Reduce individual clothing
nd equipment of military personnel
o that which can be carried on their
lacks or in their unit transportation.
7hey will throw the excess away
/hen they get in combat anyway,
fhe criterion should be not what
light add to their comfort— there is
to comfort in battle— but what is the
rinimum with which they can op-
rate effectively.
(8) Foflow General Bradley's rec-
mmendation that hospitalization of
eterans at the taxpayer's expense be
mited to those whose disabilities
ere the result of wounds or injuries
eceived in the war.
(9) Build no anti-atomic personnel
lehers. No presently available warn-
lg system would allow time to oc-
jpy them, particularly since the
ombing would be at night, when
te factories and office buildings are
pipty.
IN ALLY let me forecast the
obable trend of the next war. It
ill start as the Korea, Indochina, or
iddle East war started. It will
adually involve Communist na-
ons on one side and non-Comrau-
st nations on the other. There will
no declaration of war. No atomic
apons will be used. No guided
issiles will be used. No strategic
>mbers will be used. No sea battles
11 be fought. First there will be an
war between fighter planes for
ntrol of the air, which will be in-
cisive or won by the non-Commu-
ts. This will settle nothing and
: non-Communist force will look
jund for somebody to take the
:>und and settle the war. Since only
few ground troops are available,
decision will either go to the
mmunists or will be delayed a year
ile the non-Communist countries
i assemble some unwilling civil-
s, train them as soldiers, and put
'm on the battlefields, to die or be
imed for a cause in which they
not interested.
JIT*
'La Quebrada" Acapuko Mexico.
ACAPULCO
the world famous seashore resort
of enthralling, unforgettable and
mysterious beauty, where nature
stands forth in singular magnificence.
Rugged cliffs, snow - white beaches
surrounded by exotic tropical vegetation.
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boating and exciting deepsea fishing.
Splendid hotels, incomparable sunsets and
dancing under starry skies.
You'll be really happy vacationing in Mexico.
MEXICO awaits you. Your travel agent will tell you.
MEXICAN GOVERNMENT TOURIST BUREAU
LOS ANGELES, CALIFORNIA 310$ Wilshlre Blvd. ; NEW YORK, N. Y. 630 Fifth Ave. No. 801 Rockefeller Center.
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HOUSTON, TEXAS 809 Walker Ave. : MONTREAL, CANADA 1255 Phillips Square, Suite No. 206
MIAMI FLORIDA 45 Columbus Arcade • TORONTO, CANADA 20 Carlton Street
NEW ORLEANS, LOUISIANA 203 St Charles Street • LA HABANA, CUBA Calle 23, No. 72 • La Rampa, Vedado.
SELLS FIRST ARTICLE
TO LOOK MAGAZINE
HALFWAY THROUGH
COURSE
■■ an article in answer to
h appeared in Look
The article drew an unusual
reader response ami mine was
chosen as the best. The editor ex-
Interesl in the tai
'■ ' N.I.A. Course and
heck I received more than
for it."— Glenn Dunlap
Paii i ii tile, Ohio
Why Can't
You Write?
It's much simpler
than you think!
CO many people with the "germ" of
writing in them simply can't gel
started. They suffer from inertia. Or thej
set up imaginary barriers to taking the
hist step.
Many are convinced the held is con-
fined to persons gifted with a genius for
writing.
Few realize thai the great bulk ol com-
mercial writing is done by so-called "un-
known-." Noi only do these thousands of
men and women produce mosl oi the
fiction published, but countless articles
on business, world affairs, home making,
hobbies, travel, local, club and church
activities, etc., as well.
Such material is in constant demand.
Every week thousands of checks for $25,
$50 and $100 go out to writers whose
latent ability was perhaps no greater
than yours.
The Practical Method
Newspaper work demonstrates that the way to learn
t" write is by writing! Newspaper editors
waste no time on theories or ancient classics The
story is the thing. Everj copy "cub" goes throu
course ol practical criticism- a training that turns out
""•"■■ -uei-cs.stul authors than any other experience
_ That is whj Newspaper Institute of America base
its writing instruction on the Cops Desk Method It
starts and keeps you writing in your own home on
your own time. And upon the rery kind ol actual
assignments given daily to metropolitan reporters Thus
you learn by doing, not bs studying the individual
styles or model authors.
Each week your work is analyzed constructively by
practical writers. Gradually they help to clarify your
own distinctive style. Writing soon becomes easj
111 Profitable, too, as you gain the "professional" touch
that gets your material accepted bs editors. Above all.
you can see constant progress week by week, as your
faults are eorreeted and your writing ability grows.
Have You Natural Ability?
Our FREE Writing Aptitude Test will reveal
whether or not you have natural talent for
writing. It will analyze your powers of observa-
lion, your imagination and dramatic instinct.
You'll enjoy taking this test. There is i
or obligation. Simply mail the coupon below,
today. Newspaper Institute of America. One
Park Avenue, New York 16, N. Y. (Founded
1925.) (Licensed by State of N. Y.)
P One
(Approved Member,
National Home Study Council)
Newspaper Institute of America .
One Park Ave., New York 16, N. Y. ,
Send me without cost or obligation your Writing J
Aptitude Test and further information about writing !
for profit as promised in Harpers. April.
Mr.
Mrs I
Miss
Address '
City Zone State I
(All correspondence confidential. No salesman will '
call on you. )
17-D-598
Copyright 1957, Newspaper Institute of America
PERSONAL and otherwise
Among Our Contributors
POINTERS FOR SPIKS
WARREN UNNA'S arti-
cle on CIA-"Who Watches
the Wan Inn. in?" (p. 46)— is the lust
report on that important agenq .is
a governmental institution. The
main hallmark of CIA, as the pub-
lit sees it, is an awesome secrecy—
a polic) which often provides inci-
dents ol glorious absurdity.
Bill Gold, columnist for the Wash-
ington Post, recently commented on
the bollixes that may result from
interservice conflicts in secrecy. They
may have their use, he pointed out,
citing the case ol a non-secret Soviet
technical report which circulated
among seven of our government
agencies. All seven translated it,
classified it as "secret," and filed it
away.
"We know that Red spies will try
to steal anything we mark 'secret,' "
said Mr. Gold. "So we put a 'secret'
stamp on practically everything.
This prevents spies from stealing
selectively, and forces them to take
pot luck. And we further reduce
their mathematical chances of steal-
ing something of value by stuffing
our files with things they already
know.
"The latter technique is also use-
ful in getting spies transferred from
Washington. When microfilm reach-
ing Moscow turns out to be nothing
but a translation of an old Russian
report, some secret agent is likely
to find that his next assignment is
in Siberia, digging non-secret salt.
"Instead of criticizing our policy
on secrecy, patriotic citizens should
be thinking about ways to augment
it.
"I move that all grocery lists,
baseball averages, and material writ-
ten on the walls of telephone booths
be classified 'secret.' That'll really
drive 'em nuts."
. . . Warren Unna prepared his re-
port on CIA in Washington, where
he covers national affairs for the
Post and Times Herald. Another of
Mr. Tuna's notable jobs of repon
ing was a series in the Post whicl
was reprinted in the Congressiona
Record and was rounded up in In
Harper's article in May 1956, "Re
publican Giveaways."
SPEAKING OF J A Z
. . . When Benny Goodman pei
forms May 25-31 in the America
Theater on the Brussels Fail
Ground, he and his orchestra, sextel
and trio will be writing a double
si. n red chapter in the history d
American jazz. First, to judge Iron
Nat Hentoff's "What's HappeniB
to Jazz" (p. 25), the prescntatioj
ol a lull jazz concert in a situatioi:
ol great prestige is a rarity in i|
sell. And. in the second place, th
Goodman orchestra will be backe<
In the Westinghouse Broadcasts
Company— a new departure in pr:
vate sponsorship foi public ends tha
should delight not only the per
formers and Howard S. Cat 11 man
LJ.S. Commissioner to the Fait (h
said he was "overjoyed"), but alsi
all good jazz fans.
Mr. Hentoff, who has been cc
editor of two volumes about jazs
(Hear Me Talkin' to Ya and Th
Jazz Makers), is working on anothi
history of jazz to be published b
Rinehart this year. He contribuj
articles on jazz to several magazinj
writes "liner" notes for record
bums, and shares a radio series oi
WBAI-FM with Gunther Schullei
NEXT month Harper's will
institute a regular feature on
jazz recordings by one of its edi-
tors, Eric Larrabee. "Jazz Notes"
will appear in the New Record-
ings department. Mr. Larrabee
is a member of the board of ad-
visers of the Institute of Jazz
Studies and has spoken on jazz
subjects for the New York His-
torical Society, the American
Studies Association, the Lenox
School of Jazz, and the American
Festival of Jazz at Newport.
P & o
Women of distinction have re-
ly won sitting rights in various
Is of the world— from the student
ng-room at the University of
Delhi to the House of Lords
xmdon. But no such luck yet
American housewives. "The
k Cure for Women" (p. 33) by
ta Jean King is only the per-
1 experience of one wife, but
>uld be a campaign document
new declaration that woman's
to sit down begins at home.
rs. King lives with her husband
two preschool children on the
of the desert in Tucson. Be-
her marriage she taught occu-
mal therapy at the University
mthern California, was a thera-
in a neuropsychiatric hospital,
worked with problem children,
hopes to teach in a school for
"{capped children when her own
md daughter are older.
3y the middle of February this
anybody who could spare a
1 or a dime for a newspaper
1 have a daily sheaf of economic
asts to tide him over the reces-
Unfortunately, the forecasters
reed.
ministration officials (said Rich-
E. Mooney in the Neiu York
s) were looking to the next fifty
(that is, till about April 6) as
'bad news" period for the na-
1 economy.
vile Democratic Senators were
lg about bread lines back home
emphis or Lorain, the president
e U.S. Chamber of Commerce,
M. Talbott, was declaring:
re is absolutely nothing wrong
the basic economy. . . . We'll
l improved and changing econ-
along about June."
publican leader of the House,
h W. Martin, Jr. said in
rix that there was nothing
5 that "a little calmness, corn-
sense, and confidence can't
d Harry S. Truman, modulat-
le key, wrote in his syndicated
in: "There is nothing seriously
5 with our economy now that
ous and enlightened leadership
>t quickly overcome."
ce there is something peculiarly
ssing about too much reassur-
I the common citizen was feeling
r more jittery after these pro-
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24 practical, tested ways
to free you from anxiety,
fear and strain . . .
The Art of
LIVING
WITHOUT TENSION
By David Seabury
In this much-needed hook, an experi-
enced ami well-known practicing psy-
chologist shows you how to enjo> a
confident, full life, free from the ten-
sions of today's living. \ nu discover how
to use the many modern tools of mental
efficiency now available to help you
solve pressing problems with the mini-
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You find new sure-fire methods to add
zest and meaning to everything you do.
Dr. Seabury's twenty-four step plan
to peace of mind shows you
• How to think efficiently, without strain
• How mental imagery can help you get
what you want out of life
• How to use your creative energy to elim-
inate tension
• How "organized thinking" can help you
break old habits of hesitation and fear
• How to establish new patterns of confi-
dence and achievement
• How to make intuition and inspiration pay
big dividends
• How role playing can help you attain your
goals
What to do about tension-
creating attitudes . . .
Instead of vague generalizations, THE
ART OF LIVING WITHOUT TENSION
gives you specific techniques for solving
particular problems, and successfully meet-
ing difficult situations. By understanding
and applying the 24 steps in this hook you
have in \our possession the power to con-
trol strain and fulfill your desires — a power
that once aroused functions spontaneously
without conscious effort.
For guidance on how to transform your
life into one of joy and success, free
from insecurity and tension, get a copy
of this amazing book for
— Ten Days' Free Examination j
HARPER & BROTHERS
51 E. 33rd St., N. Y. 16
I Gentlemen: Please send me THE ART
I OF LIVING WITHOUT TENSION for
10 days' free examination. Within that i
time I will remit S3. 95, plus a few cents i
mailing charges, or return it postpaid.
Name '
PERSONAL & OTHERWISE
I
..Zone State |
Address
City
SAVE ! If you enclose payment, publisher will pay I
mailing charges. Same return privilege. 5113 B ■
nouncements than before and anx-
ious to get at an analysis which
would not onh suggesl immediate
action but outline a sound long-term
policy. Ibis is what Ross M. Robert-
son's "Fouj Steps in 11. ill the slump
—and Avoid Another" (p. 34) aims
to accomplish.
Dr. Robertson is directoi ol busi-
ness history studies at the School ol
Business at Indiana University. He
was bom in Kansas and trained at
the University of Kansas. He was
Eormerl) financial economist at the
Federal Reserve Bank of St. Louis,
and his book, Histoid of the Ameri-
can Economy, was published in 1955.
... In "Country Doctors Catch Up"
(p. 40), Marion K. Sanders repot is
on the new and successful group
practice techniques that are bringing
first-rate medical attention to people
far from urban medical facilities.
Mis. Sanders is the author of
Women in Politics, a former editor
and writer for government and so-
cial agencies, and a suburban New
York housewife who supports the
national and state Democratic com-
mittees by speaking and campaign-
ing. Her husband (who is a doctor)
was relieved when she finished the
current article, on which, she sa\s.
he served as a twenty-four-hour-a-day
consultant for several months.
Mis. Sanders is now working on a
book about Mary Wollstonecraft.
THIS WAY OUT
... In "Standing Room Only" (p.
54) Arthur C. Clarke summarily dis-
misses the possibility of human
emigration to outer space as a solu-
tion to Earth's population problem.
Colonization "never helps for more
than a few generations," he says.
Though he may be right in the long
run, all the same we might find
emigration helpful in a few local
and immediate crises.
For example, the Borough of
Manhattan has an average of 192
dwelling units or something over
600 persons per acre— a high density
even for our crowded planet. Ap-
parently nothing can be done about
the quantity of people who insist
on living there, but why couldn't
the quality be improved by selective
weeding out?
The city Fathers could begin by
loading a space ship at the Balk
Pioneei \o\agei\ might be lhos«
t ul\ adolesc ents who were suspej
from the public si hools this wi
A vehicle headed Ol T woulc
more effit ient, permanent, and
gettable (ban any ol the sto]
quarters that have been sugg
on Ellis Island or in aband
school buildings around town.
While we ate at ii. why not
in the "problem" families who
said to be spoiling the good if
and happy atmosphere ol pi
housing projects in the cit\?
Poverty would not have to be
basis of choice, as it may see
be in these instances. We <
sieve out some definitely mi<
c hiss people from the suburbs
are chiefly responsible for the t:
jams in town. At all vehicular
proae lies to Manhattan, the ant!
ties could trap those thousand
commuters who insist on drivin
work or shop in their private
Thev could be given a mere
even an exciting, choice— to 1
their cars at home or to acre]
subway ride to the Battery, wl
the next space ship waits.
Aggressive youngsters, rowdy
dies, impatient egotistic commi
—all of these should make excel
colonists in an unknown world,
leave a good deal more peace
cptiet for us straphangers behim
Arthur Clarke, who discusses
population problem on a wi
scale for the long run, is an
lish writer on science, a wart
radar officer, a skin-diving explo
and the author of science ficti
Trained at King's College in p
and mathematics, he is a Fell
the Royal Astronomical Society
was for some years chairman of
British Interplanetary Society
next boo!;, Voice Across the >
about transoceanic communicatic
will be his twentieth.
... At the time of his death a v
ago, Joyce Cary had received so
measure of the recognition that
brilliant novels of English, Irish,
African life deserved. The trile
made up of Herself Surprised, To
a Pilgrim, and The Horse's Moi
has recently been re-issued in c
volume by Harper & Brothers, w
previously brought out ten of
novels in America. During the 1
i
i
P & o
is that Cary spent in bed in
d, his home, he was working
lew novel; and he had finished
nd Reality, a personal credo,
will come out next fall.
i of the last finished stories he
is the one that appears this
i— "Happy Marriage" (p. 65).
The English Disease" is diag-
on page 69 by Norman Mac-
e, who is on the staff of the
"Statesman and has twice been
or party candidate for Parlia-
i Mr. MacKenzie does not class
\i as an "angry young man."
i the contrary," he wrote to
, "I have a job I like, a charm-
fe and two daughters, a pleas-
Dme, and I can travel half as
as I would like to. Why should
•y about a society which treats
well as this? The answer is
is too comfortable: it is cor-
me. I do not want to be
I want to be challenged.
ngland today seems designed
comfort before challenge."
obody is more aware of the
uacy of American schools in
ig mathematics than the
men themselves. At their Feb-
neeting, the National Associa-
Secondary School Principals
ed, among other things, that
.hould be required from the
through the twelfth grade.
this curriculum goes into
lowever, the questions of what
)f math and what kind of
ig will certainly have to be
:d. In "Math Even Parents
nderstand" (p. 73), Peter F.
*r opens them up.
Drucker is the author of sev-
fluential books on the chang-
*anization of society and the
iibilities of management. The
ecent of these was America's
'wenty Years.
roes Rorty of Flatbrookville,
[ersey, visited Ireland last
r and wrote "Return of the
(p. 57). As well as a poet,
a writer on nutrition and
i Goodwin Winslow ("Plat-
•efore the Castle," p. 38) is
hor of The Springs and other
and verse. She lives in
i, Tennessee.
YES ... a Priest
Forgive Your
You may not accept the idea of confess-
ing your sins to a priest, as Catholics do.
Perhaps you believe, as many do, that
Confession is not of divine origin . . .
but only an invention of the Catholic
Church. And possibly you will insist
that God alone has the power to forgive
sins and you therefore confess directly
to Him.
Catholics know that Christ Himself
instituted the Sacrament of Penance,
which includes Confession, when He
said to His Apostles: "Receive ye the
Holy Ghost; whose sins ye shall forgive,
they are forgiven them; whose sins ye
shall retain, they are retained" (John
20:22,23).
If they were faithful to these instruc-
tions, could the Apostles have neglected
preaching Confession and Penance from
the very beginning of their ministry?
They and their disciples went every-
where proclaiming the doctrine given
them by Christ, establishing churches,
and appointing bishops and priests upon
whom they conferred the same au-
thority.
Christ was not speaking in parables
when He said: "Whose sins ye shall
forgive, they are forgiven them; whose
sins ye shall retain, they are retained"
(John 20:22, 23). No words could be
plainer. And the subsequent actions of
the Apostles leave no doubt that they
understood exactly the responsibility
and the authority vested in them.
The writers of the Church, whose
testimony bears witness to the tradition-
al belief and practice from the earliest
days of Christianity, insisted on Confes-
sion as the necessary means of regaining
God's favor. They tell us that Confession
was made, not to laymen but to priests
who exercised the power of forgiving
sins by virtue of Christ's commission.
Origen and St. Cyprian in the second
century; Pacian and Aphraates in the
third, and St. Chrysostom and St. Augus-
tine, in the fourth, all left historical
testimony of the acceptance of the Sac-
rament of Penance by the first Chris-
tians.
For 1,500 years, the faithful of all
Christendom confessed their sins to a
priest, just as Catholics still do the world
over today. And every Catholic, whether
he be the ruler of a nation or the
humblest of men, must be truly re-
pentant and must confess his sins if he
wants God's forgiveness.
Holy Scripture clearly tells us that
Christ DID establish the Sacrament of
Penance. If you want to know more
about this Sacrament which can bring
the grace of God into the most sinful
heart; if you want to feel a new and
tremendous inner sense of spiritual re-
birth, write today for our free pamphlet
entitled: "Yes ... A Priest Can Forgive
Your Sins." It will be sent free on your
request, in a plain wrapper. And no-
body will call on you. Ask for Pamphlet
D-46.
SUPREME COUNCIL
KNIGHTS OF COLUMBUS
RELIGIOUS INFORMATION BUREAU
4422 Lindell Blvd., St. Louis 8, Mo.
Please send me your Free Pamphlet entitled: "YES
... A Priest CAN Forgive Your Sins!" D-46
NAME ,
ADDRESS-
CITY
_STATE_
SUPREME COUNCIL
KI1IGHTS of COLUmBUS
RELIGIOUS INFORMATION BUREAU
4422 LINDELL BLVD.
ST. LOUIS 8, MISSOURI
KNOW.
STncmtberry, variant of Knotberbv.
Snow {ric«), v. Pa. t. knew(ni«). Pa. pple.
known (n#>n). Forms : Inf. i cmiwan, 3-4
cnaweCn; .1-4 cnowe(n, 3 cuone(n, 4-5 cnowj
3-5 kuawe.n, 3-4 knaun, 5 .S<\ knaue, (5-7
knau); 3-5 (3- .Sir, and «W.) knaw; 3-4knowen,
Cskncoweu, 3~5kuoue(n: s-6kcou,6kJiowne),
3-7 knowe, (6-7 kno), 5- know. 1'a. t. 3-3
crte'ow, 3 cneou, csew, cneu, 3-4 kneow, 3-6
kueu, (4 kneu^, kneuh, knej, knev, knuj. 5
knecw, knogh), 4-O kueve, 3- knew. Also
3 cnawed, 5 knowede, 9 dial, kuowed. /'a.
1 crnVwen, 3-5 knawen, 3-4 knauen, (3
knauB(e), 4 knawe, 6 knaw, 7 $c. knawne, 9
ndttortk. knawn; 3-5eEowe,r.. 4 ^knoweE,
(4 -an, 4-5 -yn), 4-3 k;iow(e, (5 kno, 6 knouin,
knoeu, 7 knouen), O-7 knowne, 6- known.
Also 2-3 i-cnawe(n, 3 .cnowe(n, 2-4 i-,
ykna(u)we(n, -knowe(n. knawed,
kcaued, kuaud, 4 (9 r/<Vi/.) knowed. [A Com.
Tcut. and Com. ed in ling.
alone of tin
(.;c\
-chnr.au. -
Gotlic ts 1
vb. 1 '-'cut.,
= OSlav. . ! ... *?«<?-,
whence th
I. and
ptive 71-71 u-aitir . Jiiu-
know. Gi e too!;
(,f'<v, ; as C.-X 7.'..
eaily times the simple vb. arious
losses ; i:. tt! survived only
in derived forms; in Gothic the word is not re-
corded ; i<) ON. the pre?, inf. was obs. ; in ON.
and OHG. the'oritj. . t. and pa. pplc.
were lost; in OHG. and OE. the vb. was app.
known only in composition, as in OK. gecnawaa,
onaui-wan, iicn&vxm. The first of these may be
considered as the historical ancestor of MK. and
mA.knmu, for although it came down in southern
ME. as i'knoiven,y-hitnee,ti\t prefix was regularly
dropped in midi. and north., giving the simple
Stem form aiaiucn, kuav;{i>, hiowe{n, which was
well-established in all the main senses by 1:00
(a single instance being known a I 100). The verb
has since had a vigorous life, having also occupied
with its meaning the original territory of the vb.
Wit, Ger. viissen, and that of Can, so far as this
meant to ' know '. Hence Eng. know covers the
ground of Ger. wissen, kenneti, crkemun, and (in
part) k'innen, of J-'r. covnattre
iicvisu, ce-gnescirc, and scTra
and ilfilvat (oTJa). But i;
lias supplanted know, and
equivalent of ' know ' in all
tion. As tcotdwcufasxuie
in form iknewcjtf/^ Wtbi '•!■
southen
covi
vera
Teuto-
difficulty in arranging
Jactorily. However, as die word isetymolog:
related to Gr. ytyv&citcti', L. {g)nd~scere and
(g)nuvisse, F. cofir.ailrc (:— L. cognosce!*} to ' know
by the Senses ', Ger. kbtmen and hernial, Eng. can,
Int. it annears uroner to start with the uses which
KNOW.
the %||bal forms and phrases bv
expres7V% ;n which the word 'knov
an existi^^Jjk without reference to
its uses.
°^
Kriezu, in i:
as 'To hold for in'
is held tot*.-) iiu :
Ward, in Emyil, iir:i. . ■■
perceive or apprehend, or it
prebend. ..Thus a blind in.
al sense, has been defin?
ice and
foundation'. M
^^v. Fsjc/wt.-gy,
'Wmay mea
nun:.
A'tww abu
of L.
KCIV
N'
e, may knoxi* about li?
Otlwrs'hoIS
:r object of knowing is a faT*
Mid tii.-.r a!l so-called kitcwin
persons resolves itself, upon analysis, into tiij
-.as their existence, idei
. etc., the particular fact being undj
.'., or by a consideration of ibe kin.', '
lUt th'
■■ Mr. G
.'■.■'." have ithfercnt n
Mr. G. cr ffoJHol <
uiry.
I. 1. trans. To perceive (
at with one pe;
one has a previous motion «|
tify. c-;
-.if min fcder me hare
■
tizoo 1
-.2=0 (,\ *
:■..".! •.
UnWM
»SSo I Ccm/n. 23:
pursuit, they knew her for a 3>oi tugall Carrack. 17c
y.Aii not be cha
in fbr the same
i-'/r/«>-(i84o! 26 Fvr fot
iS<Ss KlNOSLEV Iter,
of your hiiir, by your eve:
HowiiLLS Hal. Jaunt. f>-;, I wonder how
known us for Amen.
b. Te> recognize or distinguish, or b.<
distinguish (one thing) from (ano""
c '375 Cursor Jlf. 6400 (Fairf.) Mony atte .
gc-dc fra he ille. 140S Hoccleve La. r)in
.we feeste (ro peuaunce. 1598 S
in. iii. 44 We'll teach hir-i 10 know Tti-
1704 J'oi K Wimlsor For, 175 :
her nymph he known. 1843 M.\c>
i III. 255 Uurney loved hi 1
and Johnson just knew the bell of Sail
from the organ.
e. intr. To distinguish btttvc
1B64 Lowell Fireside Trar. 3 Let hi .
good and evil fruits.
t 2. trans. To recognize in some capacity ; to
acknowledge; to admit the claims or authority of.
,== Be know 3. Obs.
with, !. 1,
things. Chi
cjsoo Okmin 0S18 Ne woliden Jw^j nohht enawenn No
>atcv::i batt leJ5 v.-asrenn ohht binnfulle, a 1300 Cursor M.
5x07 pat we haus misdon we will knau, c 137s Lay Folks
Mass Bit. iMS. K.) 51 Lercd & lewed pat wil .. knowe to
:o him scl
:•■■: rriten craH
I he pi cyst
U i/su/;t, V
: order lo rcjH
xj.ciience of (somefl
lave experienced, 1)
>ne. Also_/%'. of inanfl
egative forms of cxprcssionl
*39° Gowkr Con/, j. 7 Justice of lawc tho was hoMe.'.J
ciiees knewen rio debat. 5591 Shaks. T;t;o Cent. 1. iii. nSj
haning knowne no trauaile in his youth. 1697 Diyi?
'.- . '.
kno
bat the perl
1879 R.
>.aj\.n
under the name oli%fam:t't3fai&mwB.on\\> ca
:837 Cooperative A'etvs XVIII. 2.12 The tiinht.rse.areil
«vV,^r i< Xvhnit-nllv l-nnyn :.s ' I
The Oxford English Diction
To KNOW— to want to know
People talk now about the importance of
KNOWING, of the new rush to get more
Americans to know more things.
Both the importance and the rush are true
enough; there can be no argument about that.
But what is even truer is that wanting to
know is half the battle, that the longing, the
hunger, the appetite for knowing are in them-
selves a kind of victory.
So it is that our sudden upgrading of mei
who KNOW is a tremendous good which i
developing throughout the land.
In schools and colleges, on newspapers anc
networks and to TIME's writers, researchers
and editors, this upsurge of desire for wider
surer knowing is cause indeed for celebration
TIME— The Weekly Newsmagazine
J[
IH
Harper
MAGAilziNE
WHAT'S HAPPENING
TO JAZZ
NAT HENTOFF
Over the sound of clinking glasses and
cash registers, the musicians are fighting
to be heard ... to get jazz out of the
night clubs and into the concert hall.
TE N years ago the world of jazz might have
been flat for all that anyone outside of it
knew or cared. Inside were the musicians, with
their various dialects and dialectical persuasions;
the relentless critics, contentious and insecure;
and the small outposts of lay partisans for the
music, themselves divided into merciless squads
of heretic-hunters. For curious outsiders the
terrain was too forbidding to venture into alone,
and they could find few reliable guides or guide-
books.
For "popular" music there was a huge, quick-
sand audience, but it either didn't know that
jazz existed or else was scared off by its socially
disreputable connotations and its challenges to
inhibition. For classical music there was of
course a proudly discriminating public which
thought of jazz— if and when it had to— as in-
distinguishable from those faceless night cries
of childish doom and tadpole love that arise
from the swamplands of "pop music."
In the past decade, however, a startling change
has taken place in the status of jazz— or, more
accurately, in the extent to which its existence
is admitted. Stimulated by the expansion of the
LP record industry, the audience for jazz has
notably increased. Among the indexes have been
the expanding attendance at jazz "festivals" and
the traveling all-star troupes— "package shows"
is the blunt trade term— and the growth of night
clubs specializing in jazz, though this segment
of the industry is incorrigibly erratic.
A further indication has been the unprece-
dented space that jazz now gets in the non-
specialist press. A few newspapers— such as the
New York Times, the San Francisco Chronicle,
the Boston Globe, the Boston Traveler, and the
Washington Post— have engaged resident critics.
The New Yorker and the Saturday Review carry
regular jazz coverage; and it is encouraging that
the work of Whitney Balliett in the New Yorker
and Martin Williams in the American Record
Guide is more perceptive, and certainly better
written, than the average level of material in
trade magazines like Down Beat and Metronome.
In Balliett, Williams, and John S. Wilson of the
Times, mature guides for the perplexed have
at last appeared.
While radio and TV remain largely apathetic,
when not actively hostile, it is some measure
HARPER'S MAGAZINE
of change that CBS-TV's
"Seven Livelv Arts"
series was willing to
devote one of its few re-
maining hours tlii-. win
ter to jazz— and that,
shortl) thereafter, Steve
Allen was able to put
on an "all-star" jazz I V
program that at leasi
had a sponsor, il not
much else. A sizable
number ol educational
I- \I stations now in< hide
a ( ourse on jazz, at one
time or another, as nat-
urally as a series on geo-
politics. And for more
than three years now
John Wilson has been conducting "The World
of Jazz," the first jazz program on New York's
classical-music station, WQXR— a weekly half-
hour that is now transmitted to over fifty
countries by the Voice of America and Radio
Free Europe.
Afore substantial books on jazz have been pub-
lished in the past five years than in the previous
twenty-five, among them the first thoroughly
analytical study by a critic who is also a mush ian,
Andre Hodeir"s Jazz: Evolution and Essence.
There is a lucid introductory history, most
valuable for its account of pre-jazz origins, in
Marshall Stearns' The Story of Jazz; and there
are Leonard Feather's omnium-gatherums of
biography, history, criticism, and miscellany,
The Encyclopedia of Jazz, The Encyclopedia
Yearbook of Jazz, and The Bool; of jazz.
In recent years the impressive, and occa-
sionally astonishing, breadth and depth of in-
terest in jazz abroad has been recognized by the
State Department itself. For example the Dizzy
Gillespie band— despite its outrage to the aes-
thetic sensibilities of Senator Ellender— swung
through a successful tour of the Middle Fast and
Latin America under official auspices in 1956,
and, early last year, the Department sent the
Wilbur de Paris band on a three-month trek
through Africa. For some time now the most
popular service of the Voice of America, from
Europe to the Pacific, has been the daily two-hour
jazz program prepared and announced by the
Voice's exceptionally capable jazz-expert, Willis
Conover.
Even Russia— where attempts were formerly
made to exorcize jazz as an especially noxious
form of bourgeois decadence— is beginning to
come around. The music is welcomed officially,
though from a firmly parochial viewpoint. Ac-
cording to Max Frankel in the New York Times,
the organ of the Ministry ol Culture. Sovetskaya
Kultura, has declared that "there is nothing
wrong with jazz as a 'genie' if it can be de-
veloped into a 'native,' thai is a Russian, jazz."
rhroughoul Western Europe and South Amer-
ica—and on such new frontiers as Warsaw,
Ceylon, Tokyo, and Bombay ma} now be found
jazz magazines and groups of dedicated if de-
rivative jazzmen. Indeed, the prestige ol the jazz
musician is usuall) higher abroad than it is here,
a situation thai has drawn to Europe a few jazz
expatriates, mostly Negro, who prefer the psychic
income there to the possibilities of larger but
more ambiguous gains at home.
In America, in tact, though the audience is
multiplying, the jazz musician's relationship to
it is about what it was ten years ago. The condi-
tions in which the music is played have changed
very little. The places that book jazz musicians
and the agents who manage them continue to
handle jazz as though it were "entertainment."
comparable to Perry Como, strip-teasers, and
trampoline acts. During the same period jazz has
increasingly— and, in retrospect, inevitably— be-
come a music to listen to, rather than dance to
or drink to, but it is not so treated in practice.
"What good." one composer-pianist asked re-
cently, "is all the publicity il we still have to
play most of the time to audiences who act as
if they're at home watching television?"
YOUNG MEN OF JAZZ
THE problems of the musician with his
audience are by no means new; Mozart
must have made the same complaint. But jazz
itself, on the other hand, was Ear more functional
when it originated in the South, the Southwest,
and along the Atlantic seaboard a hall-century or
more ago. The music (not then called "jazz")
was played for parades, funerals, dances, bor-
dellos, and other social activities. Many of the
early jazzmen worked at other jobs during the
day and regarded their music as an accepted
way to participate in community life as well
as a chance for extra income. They did not
think of themselves as "artists."
Gradually the jazz musicians developed a de-
gree of self-consciousness. By the 'thirties there
were books, magazines, critics, discographers, and
fervent fans to question them on all manner of
abstruse points. But so long as jazz, for the
musician, remained primarily an improvisational
WHAT'S HAPPENING TO JAZZ
27
kick, there was little conflict between his needs
and his listeners' demands. Some musicians of
that era in fact preferred an audience that was
entertaining itself with talk and bibulous laugh-
ter, since they were then freed to play and im-
provise entirely for themselves. During the
'thirties, in any case, if Art Tatum or Roy
Eldridge or Lester Young found no pleasure
in playing for pay, he could seek it in after-hour
jamming for an audience of musicians.
For the young modern jazzman, however, this
kind of extra-curricular release is neither so easy
to attain nor so fulfilling. For one thing, there
is much less all-night jamming, a fact that sad-
dens many of the jazzmen whose roots go back
to the 'twenties and 'thirties.
"The other guys have the gigs [jobs] today,"
explains Roy Eldridge, forty-six, "and they don't
want you to play with them if you don't play
their things." The "other guys" are the younger
men; their "things" are the arrangements and
originals that every organized modern unit has
carefully built from within itself.
Solo improvisation remains essential to modern
as well as swing-era jazz, but increasingly the
improvising emerges from the context of group
expression. For a number of young jazz musi-
cians, the transitory pleasures of improvising,
however intense, are no longer enough of a goal.
They want to communicate to an audience a
durably constructed, whole performance in
which the improvising and the writing are
organically interrelated. Nearly every group that
stays together long enough is working toward
its own body of music in addition to the im-
provisational "styles" of its soloists.
As a result, the members of many of these
groups become angry and discouraged when they
have to perform for raucously inattentive night-
club patrons or shrill adolescents in large
auditoriums. One exasperated leader, Charles
Mingus, won a Pyrrhic victory over a normally
aggravating audience about a year ago at New
York's Cafe Bohemia. He cut through the babble
by announcing grimly:
"We will now have an audience participation
number. We will play four bars. Then you
break glasses and talk and generally make noise
for four bars. Then we'll play again. The title
of the song is 'Reverse Psychology.' Dig?"
The audience was intimidated into silence for
a number or two, but the next set was as noisy
as ever.
This concern on the part of young jazzmen
with building a group identity is also a product
of the past ten years. In early jazz, during the
first two and a half decades of this century, there
had been collective improvising in which the
soloist emerged from but did not dominate the
group (for 'Nexample, Louis Armstrong: 1923
with King Oliver's Creole Jazz Band, Riverside
RLP 12-122). In time, however, the soloist pre-
dominated, except for those rare, uniquely co-
hesive units like the Duke Ellington band of
the 'thirties and early 'forties, and the Count
Basie bands of roughly the same period. (A
superior Ellington program can be heard on In
a Mellotone, Victor LPM-1364, while Basie is
well represented in large and small band settings
in Lester Leaps In, Epic LG-3107.) But Elling-
ton, Basie, and a few other exceptions aside,
the 'thirties were marked by the ascendancy of
the improvising soloist.
BIRTH OF THE COOL
\\ /HEN several young musicians of the
W late 'thirties became bored with what
they regarded as the static jazz language of that
time, and started to explore more complex har-
monies and rhythms, what is now termed
"modern jazz" began to emerge. At first, these
experiments were made primarily by soloists,
most notably the late Charlie Parker, within a
customary setting of rhythm section and perhaps
two horns in the front line. But eventually, in
the late 'forties, some of the modernists began
to wonder if their ephemeral performances might
be made more cohesive and durable, and the
arrangements and compositions might become
strong and resilient enough to stand by them-
selves night after night and not be entirely de-
pendent on the unpredictable improvising power
of a given musician on a given evening.
An influential first step in this direction was
made in 1949-50 by the Miles Davis nine-piece
sessions, with writing by Gil Evans, Gerry Mulli-
gan, John Lewis, and others (Birth of the Cool,
Capitol T-762). During the next few years other
units combined group expression with individual
improvisation; in some there was less actual
writing than parts developing out of trial-and-
error. Examples were the sextet and quartet of
Gerry Mulligan (Mainstream of Jazz, EmArcy
36101 and Gerry Mulligan Quartet in Boston,
Pacific Jazz 1228). Other carefully integrated
combinations in which solo improvising was still
important were the Modern Jazz Quartet (Fon-
tessa, Atlantic 1231); Jimmy Giuffre's trio (The
Jimmy Giuffre 3, Atlantic 1254); Charles Mingus'
Jazz Workshop (The Clown, Atlantic 1260); and
the more informal but still disciplined Miles
28
HARPER'S MAGAZINE
Davis Quintet ('Round About Midnight, Co-
lumbia CL-949).
At the same time, there was a growing concern
among jazz musician-writers as a whole for more
challenging frameworks than had previously ex-
isted. Jazzmen began to be impressed with
the possibilities for "The Future of Form in
razz," the title of the most illuminating article
yet printed on the subject, by Gunther Schuller
in the Saturday Review, January 12, 1957. The
successful writers were invariably those who de-
veloped forms from within the materials and tra-
ditions of jazz itself, instead of grafting classical
devices onto jazz: George Russell, (Jazz Work-
shop, Victor LPM-1372); Teddy Charles and
other young modern writers (Tentet, Atlantic
1229); Andre Hodeir (American Jazzmen Play
Essais, Savoy 12104); Bill Holman (whose Quartet
is contained in Shelly Marine's Volume 5, Con-
temporary 3519); Gil Melle (Primitive Modem,
Prestige 7040); and several others, including
the unclassifiable and pervasively influential
Thelonious Monk (Brilliant Corners, Riverside
12-226). There were also the more extended
writings of Jimmy Giuffre and of John Lewis,
musical director of the Modern Jazz Quartet; and
there had always been Duke Ellington, the most
significant of the early shapers of more viable
forms from within jazz.
There are enough players to execute such
music accurately, since nearly all the young jazz-
men are now well trained in the technique of
their instruments and can read with nearly as
quick fluency as their classical contemporaries.
Furthermore, many of the adventurous young
improvisers have become interested in the move-
ment toward more challenging forms and have
been co-operating with the writers and leaders.
But where were these works to be played?
The discouraging context for "serious" jazz
listening provided by even the few well-con-
ducted night clubs is self-evident. A stray con-
ventioneer can destroy the line of a composi-
tion for musician and listener alike with a couple
of thirsty bellows; and most of the "regular"
jazz club patrons lack the patience to sit through
extended compositions. The large package show s.
another major opportunity lor jazz work, arc
even more constricting to the musician. These
magnified vaudeville programs, euphemized as
"concerts" by their promoters, are clamorously
advertised on the basis of the "names" on the
bill; and a musically logical, balanced program
is the least concern of the management. The
audiences for these shows have come to expect
more and bigger names each season; and, for the
most part, they are hungry for immediate thrills
—usually involving their ability to recognize a
currently popular record.
"you're on !''
WHAT of the "festivals"? The largest,
most publicized, and, unfortunately,
most representative is the American Jazz Festival
at Newport, Rhode Island. Each year its pro-
moters try to cram as many "name" units as possi-
ble into each program, and the result of this
assembly-line circus has been described by Oscar
Peterson, a skilled, sensitive pianist, in an in-
terview in the Canadian magazine, Mayfair:
"No one gets to prove anything. One of the
nights we were at Newport ... I think we did
seven minutes. It's ridiculous to say you're going
to book Basie, Ellington, Shearing, Garner,
Brubeck, Condon, and so on, to play all on one
night. Everybody's standing around and sud-
denly one of the organizers rushes up and says:
'Okay, George Shearing! You're on! You've got
four minutes!' ... I remember John Lewis of
the Modern Jazz Quartet complaining to me that
after all the fuss and trouble getting to the place,
he sat down and found the piano was way out
of tune."
Peterson was indulging in hyperbole. Shear-
ing's unit more likely received twenty than four
minutes, but is twenty minutes enough? It is
as if Emil Gilels were invited to make a guest
appearance at Carnegie Hall to play half a
Beethoven sonata. At another of the "festivals,"
the New York Jazz Festival at Randall's Island,
the promoter last year instructed his "acts" not
to play any ballads lest the impatient adolescents
in the audience become restive. Not even at
Lewisohn Stadium are conductors ordered to
omit all adagio movements.
WHAT'S HAPPENING TO JAZZ
29
These examples of conspicuous vulgarity do
not characterize all the summer jazz rites. There
are satisfactions and hope lor the future in the
jazz section of the Stratford, Ontario, Shake-
spearean Festival. The initial Great South Bay
Jazz Festival on Long Island last year gave
promise to musicians that its promoters were
actually more concerned with music than with
emulating Mike Todd. And there is beginning
to be room for "serious" modern jazz programs
in the summer-long series of concerts presented
at the Music Barn, an adjunct of Music Inn in
the Berkshires (here also is the new School of
Jazz, whose first three-week semester took place
in the late summer of 1957).
Music Inn, Stratford, and a few other sites for
jazz-making are the exception, however, in the
life of the jazz player, most of whose working
time is spent in night clubs and to a lesser extent
in "packages." Many of them have had and are
continuing to have extensive musical training;
many approach their careers with a dedication
comparable to that of their classical contem-
poraries. They feel their playing should be
judged as music and not by show-biz criteria.
Miss Jutta Hipp, for example, an intent young
German pianist who emigrated here two years
ago, was able to find work at first because of
the exotic promotional possibilities of a lissome,
long-haired European jazz-girl with an improb-
ably exact last name. In the past year, however,
her employment opportunities have dwindled
dishearteningly; the main reason for her "de-
cline" given by club owners and bookers is that
she doesn't smile enough.
Another cumulative burden for many young
musicians is the demand to "create" six nights
a week for several hours each night or, in cities
like Boston, seven nights a week. Jazz of quality,
whether traditional or modern, is an exhausting
craft. Granted that some jazzmen have fixed
patterns of improvisation, sometimes for whole
choruses, they still must be able to project some
degree of "spontaneous" conviction for many
hours every night; and for their own self-respect,
as well as the respect of their colleagues, they
must avoid jazz-by-rote as much as they can.
The wife of one notable jazz player-composer
was angered recently when a critic complained
that her husband hadn't been writing much
lately. "How can he have the strength to write,"
she demanded, "alter he gets home from compos-
ing on his horn six hours a night all week?"
There remain as well a number of modern jazz
musicians who hardly get work at all because
they are considered too "esoteric," and many
provocative and possibly significant modern jazz
compositions do not get played in clubs or at
the usual run of jazz "concerts." To my knowl-
edge, none of George Russell's compositions in
his Victor Jazz Workshop set— one of the most
important albums since the Miles Davis 1949-50
Capitol date— has even been performed in a New
York night club, let alone in other cities. Where
can John Lewis, Jimmy Giuffre, or J. J. Johnson
have their compositions in Columbia's extraor-
dinary Music for Brass album (CL 941) per-
formed?
This past June, Brandeis became the first uni-
versity to commission a concert equally divided
between compositions by jazz writers and clas-
sical composers interested in jazz. Columbia,
because of the taste and consistent "public
service" perspective of its jazz album head,
George Avakian, did record the works. But,
again, where can they be heard "live"? They are
meant by their composers to be performed before
an audience again and again, but Birdland is not
the place for a selection from the Music for Brass
or the Brandeis set, nor is the middle of a
Count Basie-Sarah Vaughan-Al Hibbler-Jeri
Southern-and-many-more package show.
XANADU BLUES
MANY musicians, however, persist in be-
lieving that somewhere there must be a
paradise in which the pleasure domes are filled
with quietly attentive audiences, the hours are
reasonable, the concerts are not supermarket
sales, and the festivals are festive. There are,
for instance, widening opportunities along the
college circuit. A few units like Dave Brubeck's
and the Modern Jazz Quartet are spending an
increasing amount of their time playing one-
nighters at universities rather than spending
weeks in night clubs. The presence of an audi-
ence that has come primarily to listen, and the
knowledge that the two or two-and-a4ialf hours
involved will not be followed by several more
the same night, can have remarkably energizing
and satisfying effects on many modern groups.
There are also a few young promoters who are
beginning to act as though they thought the
stifling package shows were not the most de-
sirable way of presenting jazz "in concert."
George Wein of Boston, who oddly enough is
responsible for the Newport Grand Guignol, is
proceeding in quite another direction in his
fall and winter selves. He has booked Dave
Brubeck's quartet by itself in Symphony Hall in
Boston, the Modern Jazz Quartet by itself in
30
HARPER'S MAGAZINE
Jordan Hall, and Enroll Garner alone in Sym-
phony Hall. This autumn, he instituted the
first tour under his newest banner, Concert [azz
productions, presenting the Brubeck quartet—
again by itself— along a circuit of some fifteen
cities in Canada and the United States, a num-
ber of which are not sufficiently populous to
be visited by the omnibus package productions
(among them Trenton, Bridgeport, Manchester,
Hartford, and Montreal).
"It is only in the small concerts of this sort,"
notes the ringmaster of Newport, "that the artist
can be presented with the dignity that he de-
serves. . . . Instead of . . . the large tours once
a year with six important jazz artists in an all-
star show, the aim is to present five or six
smaller concerts featur-
ing a different single
artist each time in many
towns, large and small."
Mr. Wein simplified
his intentions for a
Doivn Beat reporter: "In
the classical field, we
have a Rubinstein, a
Horowitz, or a Menuhin
who can attract many
persons in a single eve-
ning's concert. There
should and can be the
same thing with jazz per-
formers. Can you pic-
ture a 'battle of cellos'
between Casals and
Piatigorsky? The classi-
cists don't need that and
neither does jazz."
Even the two major classical concert agencies,
Columbia Artists Management and National
Artists Corporation, are trying out a jazz pres-
entation this season along their long-established
classical wheels. Neither management office has
used much imagination in forming its units but
the start, however stumbling, does suggest that
the jazz musician may not be forced forever to
depend solely on the atavistic jazz agencies.
Columbia and NAC are not, I should add, that
much more serene a sanctuary for musicians
than the Associated Booking Corporation, the
Willard Alexander" office, Shaw Artists, and the
Gale Agency of the jazz world; but at least the
classical offices do not have to have explained
to them what the word "concert" means.
Most of the jazz bookers, for example, are
happily idiotic in the way they arrange college
jazz concerts. A few jazz leaders like Brubeck
and Mulligan are strong enough in will and
di awing power to insist on being booked alone,
but other jazz combos find themselves twisted
into packages for the colleges that are still in-
appropriately and sometimes grotesquely mixed.
As jazz begins to move out of the night clubs,
a background in basic jazz aesthetics is going
to be absolutely essential for all bookers in
jazz agent ies: Unfortunately, the heads of the
agencies are most in need of instruction and
least aware of that melancholy fact.
Another set ol answers may be worked out by
George Wein as he gains experience with his
■Concert Ja// Productions." A third alternative
was explored in the spring of 1957 by George
Avakian of Columbia Records. With his classical
violinist wife, Anahid Ajemian, Avakian pre-
sented a series of four "Music for Moderns" con-
certs at Town Hall in New York for which they
carefully combined leading classical artists and
several of the most eloquent modern jazz
groups.
One Sunday afternoon program, for example,
included the Modern Jazz Quartet in an original,
impressionistic film score written by its music
director, John Lewis; Erik Satie's "Sports et
Divertissements" played by William Masselos
with narration by Virgil Thomson; and Debussy's
"Sonata for Flute, Viola and Harp" played by
John Wummer, Walter Trampler, and Edward
Vito. Similar series in other cities could combine
the audiences for both jazz and classical music,
and could especially provide the jazz musician
a job in which how much he smiled would not
be the main consideration.
TOO QUIET OUT THERE
AC A U T I O N should be entered here, how-
ever. Even if optimum concert opportuni-
ties were opened, the exodus from the jazz night
clubs is not likely to make them obsolete. There
will always be jazzmen, including a sizable
number of young players, who will feel happier
in clubs, intermittent drunks notwithstanding.
"I get very nervous," singer Anita O'Day said
recently, "when it gets completely quiet out
there. I feel better when the audience is balling
it up a little; then I can relax too."
And Jimmy Giuffre, one of the most active
writer-leaders in modern jazz, told a Toronto
reporter: "1 don't particularly like to play jazz
in a concert hall. I like the attention you get,
but not the stiffness, the formality. I prefer the
easy relaxed atmosphere of a club— but without
the noise!"
WHAT'S HAPPENING TO JAZZ
31
There are other jazz groups flexible enough
in temperament and repertory to be effective in
several different contexts. Julian "Cannonball"
Adderley, who accurately calls himself a modern
traditionalist, can be equally at home at a
college concert or playing at a neighborhood
bar. (He is now with Miles Davis, who prefers
night clubs.) Similarly, the best bands of Count
Basie and Woody Herman will communicate
directly and fully almost anywhere. Herman, in
fact, is skeptical about any move to transfer
jazz from the clubs.
"Take jazz out of the saloons?" he told Ralph
Gleason. "Then it won't be jazz. It's hard to
keep that naturalness in a concert hall."
But a growing number of the young players
disagree with Herman, and there are also older
jazzmen who would have much to say to a con-
cert audience. Major contributors to the jazz
language like Lester Young, Coleman Hawkins,
or Ben Webster have rarely, if ever, been pre-
sented in concert with the care and quality of
accompaniment they have long deserved.
THE DUKE, WHO GOOFED
FO R a time the man who came closer than
any other jazz musician to escaping from the
round of requests at dances and at night clubs,
and creating a concert situation in which. he
alone determined what he would play, was Duke
Ellington. From 1943 to 1950 Ellington pre-
sented an annual Carnegie Hall program of sub-
stance and durable originality, usually repeated
at Symphony Hall in Boston and other similar
locations. But sometime during the 'forties, he
apparently became discouraged and fell back,
until quite recently, on his impressive repertory
of standard originals. For subsistence, he had
to depend largely on the grinding routine of
one-nighters in ballrooms and at private parties,
interspersed with occasional stays at night clubs
and resorts. Some of the men in the band are
said to have grumbled that Ellington was play-
ing only a small percentage of his book, and that
some of his new, provocative material wasn't
being played at all. He answered that the kind
of dates and the kind of audiences they had to
play for demanded familiar material. And so,
what could have been the most fruitful decade
of his career— following upon the "Black, Brown,
and Beige," "Deep South Suite," "New World
A-Comin'," and other works of the 'forties-
became instead a time in which Ellington the
"entertainer" superseded Ellington the first
major jazz comj:>oser.
When a chance came in the summer of 1956
for Ellington to present a pair of concerts at
the Stratford, Ontario, Shakespearean Festival,
he chose a "sure-fire'' program consisting of a
few pieces of some consequence, a drum exhi-
bition, some ormolu vocal numbers, and a
couple of other shallow concoctions aimed at
grabbing the attention of characteristic night-
club and package-show audiences. But the Strat-
ford audience was neither. Many of those pres-
ent both nights, in fact, were middle-aged visitors
to Stratford who had come to see the plays and
were expectantly curious about jazz.
After the first concert, and the rather mild
audience reaction, Ellington said to the music
director of the festival, "You know, I goofed."
The latter agreed that Ellington should have
chosen a more musically substantial program.
So strong, however, had Ellington's long-bred
habit become, of "entertaining" to keep the
band and himself alive, that his second Strat-
ford concert was the same as the first.
The fault, if that's the word in this case, is not
entirely his. He has never had a booking agency
or a manager who knew how and where to place
a leader and a band of such unique quality and
value. He has never been able to escape from
the hungry obscurantism of the jazz booking
agencies, which have kept him working but
under such conditions that he decreasingly had
the time or encouragement to continue writing
at the sustained imaginative level of which he
had long since proved himself capable.
This year at Town Hall, as part of the "Music
for Moderns" series, Ellington premiered "Such
Sweet Thunder," a loose collection of twelve
attempts "to parallel in miniature some of
the . . . characters in Shakespeare, sometimes
to the point of caricature." Most of the sections
were thoroughly agreeable, though rarely mov-
ing, but the "suite" had obviously been hastily
patched together and the connection of its parts
with the characters from Shakespeare purportedly
depicted was so quixotic that the collected works
32
HARPER'S MAGAZINE
of any other author might have served as well.
Even at this concert, before an audience thai
included Dmitri Mitropoulos and was dearly
billing to Listen attentively, Duke could not
resist his characterise half-mocking, we-do-so-
want-to-amuse-you introductions. \nd. with sad-
dening inevitability, lie ended the concert by
saying, "We l<>\e you madly," smiling "cheese"
through it all. The young j.i// trumpeter Miles
Davis, a devoted admirer ol Ellington, delivered
a one-line review on his way out, "Man, that
man is putting everybody on."
Most ol the young modern jazzmen ate un-
likely to come (lose to Ellington's creative
achievements hut the) do not want, on the other
hand, to "put on" anybody, knowing that the
form ol mocker) this phrase connotes is as much
directed against the sell as against an audience.
The) want to communicate as honestl) ami as
deepl) as they (an. And increasing numbers ol
them therefore feel that the time has come to
leave the places where jazz has hitherto been
played. They feel that much ol the audience
will follow them, and that more will come to
hear them where they can be heard.
END OF THE
SAWDUST TRAIL
EARLIER this year, a report of a confer-
ence on "The Arts and Exchange of Per-
sons" at the Institute of International Education,
stated that jazz is "... a valuable means of
furthering exchange-of-persons programs . . .
hut . . . greater emphasis might be placed on
opportunities for study in these fields in the
United States. Jazz is the stepchild of music so
far as institutions are concerned. When its
name is mentioned in Congress, politicians
shudder. On the other hand, foreign intellectuals
whom we wish to impress, feel that jazz is an
integral part of American music.
"Very few serious music schools in this coun-
try," the report went on, "even give instruction in
jazz or popular music. It is ironic that at the
fuilliard or Eastman schools one learns how
to write symphonies or operas which will seldom
be performed if at all. . . . We believe that
courses should be established in our conserva-
tories and colleges to show the evolution of jazz,
popular music, and folk music. . . . We should
take our jazz seriously if we are to have a really
representative international program."
The report is accurate as far as it goes. But
where are courses to be established for concert
bookers and personal managers? Although many
musicians are now ready for it. the exodus 1mm
the night dubs will not take place until a new
generation ol managers and hookers, who un-
derstand what the musicians want and need,
have established a place lot themselves in the
music business. Until that lime. Chat lie Mingus
will continue to tail uselessly at night-dub
audiences, and valuable new jazz compositions
will be performed, il at all, at recording studios,
while a few stray concerts provide all the basic
income there is lor the experimental jazz writer.
In this respect, incidentally, the position ol the
contemporary jazz composer is almost identical
to that of the classical composer, except that the
former docs have more chances to be recorded.
The record companies, as far as that goes,
have always been ahead of the booking agencies,
club owners, and package producers. So, of
course, have the musicians. But the men who
determine where and how the jazz musician
works continue, lor the most part, to (are little
about the musician himsell and much less about
lus music. They are gratified at the growth in
popularity and acceptance ol jazz within the
past ten years, because their own commissions
have increased accordingly. But, as far as the
cultural position ol jazz is concerned, most of
the middlemen are typified by the agency execu-
tive who was angered by the insistence of Erroll
Garner's manager that (..unci would do only one
concert a night during a proposed recent tour
of Britain. The agent had been accustomed to
docile jazzmen who were rushed through Euro-
pean tours working two and sometimes three
concerts a day.
"Who the hell do you think Garner is, Rubin-
stein?" he demanded.
"In his field, he is," answered Martha Glascr,
one of the rare managers of ability and courage
in jazz. "He's a creative musician, and he's not
going to wear himsell out doing two conceits
a night. We go to Britain as human beings,
or we don't go at all."
Mr. Garner, though he is in much demand
by the jazz public in Britain, visited there last
year as a non-working tourist. He will play
there in the future only if his wholly reasonable
conditions of one concert a night are met. If
he wins, he will have set an isolated but valuable
precedent.
It will take many such precedents, however,
before jazz musicians are graduated from Bird-
land and the sawdust trail to places where they
can reach an audience without competing with
cigarette girls who sell teddy bears or hawkers
for programs and "special Newport hats."
Lorna Jean King
The Work Cure
for Women
A-Ct^«.L_§
THIS vague put-upon feeling had been
bothering me for some time, but only re-
cently did I finally realize that I'm just one vic-
tim of a vast conspiracy. Chances are that any
woman who has seen a doctor— a male doctor-
in the last ten years has had the same kind of
experience.
It started back in 1950 when I had to go to
the clinic with a badly infected finger. I always
get wounded in the annual battle with the rose
bushes. After the precautionary tetanus shot,
I wondered what to do for the finger.
"Oh, that," the doctor said cheerfully. "Noth-
ing better for it than hot soapy dishwater three
times a day."
I was somewhat let down, since I'd been re-
hearsing a speech to my husband about the im-
possibility of my doing dishes for at least a
week.
The following winter I came down with a
cold which vacillated between chest and sinuses
for several days. When home remedies failed, I
called on a throat specialist. After the usual
sprays, throat paintings, and antibiotics, he said
briskly:
"You'll be fine in a few days— and remember,
there's nothing better than steam for these con-
gestions. Be sure to inhale the steam from your
dishwater, and turn the shower on full blast
while you clean the bathroom."
"There's a good deal of steam involved in
ironing clothes, too," I said sourly.
"Fine, fine," he said, obviously encouraged by
my co-operative attitude.
That evening, when my husband asked why I
was banging the dishes around so viciously, I
countered by inquiring why it was that when he
had a cold the doctor always told him to go
to bed.
Some time later I sprained my ankle. I told
my husband it hurt too badly to be broken, but
he insisted on rushing me to the orthopedist.
Two X-rays and $20 later, the doctor was taping
me up with a professional flourish.
"I suppose I'll have to stay off my foot for
a few days," I ventured.
"Not at all," he boomed. "These things heal
fastest when you keep on using them."
I mentioned that when my cousin sprained his
ankle they told him to stay off it for a week.
"Well, circumstances alter cases," the doctor
said evasively. "I'll tell you though, it's a good
idea to put your foot up occasionally while you
are sewing."
"Thanks a lot," I muttered.
Not long after, I found evidence that doctors
will apparently stop at nothing. The following
is an Associated Press dispatch datelined Calgary,
Canada.
To housewives who aim at top physical con-
dition: get down and scrub the kitchen floor.
This advice comes from Dr. D. Plewes, consult-
ant for Canada's health and welfare depart-
ment, who says, "Some of the best exercises for
women are done on the hands and knees and
utilize floor scrubbing motions."
I was busy planning a counter-campaign which
would persuade doctors to prescribe lawn mowing
instead of golf for middle-aged males, when I
discovered I was in what used to be called "a
delicate condition." My husband waited on me
hand and foot— until after our first visit to the
obstetrician.
"Now about exercises," he said cheerfully.
(Have you ever noticed how maddeningly cheer-
ful doctors are?) "The best exercises are ones
you can do while you work around the house.
Bend your knees and keep your back straight
when you do your dusting. Practice deep breath-
ing while you wash dishes and—"
"—Inhale the steam," I said absently.
Ross M. Robertson
Four Steps to Halt the Slump
— and avoid another
A former Federal Reserve Bank economist
examines the cause — and the cost—
of the present slump, and outlines the
simple measures needed to
get business back into high gear.
FOR the third time within a decade the
American economy has suffered the jolt of
a business slump. Once again we are enduring
the waste of idle men and equipment as total
demand falls short of what fully employed re-
sources can produce.
The current recession is particularly frustrat-
ing For one thing, it could have been avoided
by prompt and imaginative use of an enlightened
public policy. For another, it has been marked
by unusually serious unemployment; approxi-
mately one-third of the country's major labor-
market areas already have reached the danger
point of "substantial labor surplus." Far more
significant, though, is the fact that the present
dip portends a slowing of the vigorous, surging
growth of the economy which, up to the mid-
1950s most of us had come to accept as normal.
Actually, there is no need for apprehension.
The recession can be halted and the economy
impelled forward at or near its astonishingly
great potential. But exhorting consumers and
businessmen to have faith, while depending en-
tirely upon small increases in spending for de-
fense and remodeling post offices, will not do.
To achieve an economic stability required by
modern standards, the government must take
firm, unequivocal action-and do it now.
As we shall see, the steps to full employment
and consistent, uninterrupted economic growth
are simple enough. Indeed, they are largely
procedural, requiring only minor changes in the
agencies responsible for stabilization measures.
But before deciding what ought to be done, we
need to diagnose our current ills and take a
careful look at the outmoded economic philoso-
phy of a good many of today's policy-makers.
a "failure-to-grow"
recession
BY THE late spring of 1957 every economist
in the country worth his salt knew that the
economy was faltering, and as the year wore on
it became clear that if even "routine prosperity
were to persist there would have to be a tall
upturn comparable to that of 1956. To be sure,
the national income, in dollars of falling pur-
chasing power, showed respectable quarter-to-
quarter gains, and consumer outlays continued
the gentle upward drift of recent years. But
when the figures were corrected for price in-
creases, it was apparent that actual output was
little more than holding its own. The Federal
Reserve index of industrial production bore out
the conclusion of loss of momentum. From an
all-time high of 147 in December 1956 the index
declined to 143 the following April and varied
only two points from that figure through Sep-
tember, when it stood at 144 (1947-49 = 100).
In the fourth quarter of 1957, as everyone
knows, the leveling-out actually became a down-
turn with production and income falling and
unemployment rising rather rapidly. What must
be understood is that we already were in trouble
when, for nearly a year, the amount of goods and
services produced and sold held about constant.
Why? The answer is easy. In the postwar era
our productive capacity has grown at an average
rate of about 4 per cent each year-the result
both of increased productivity and of an increase
in the quantity of our resources, including labor.
It follows that when business activity levels out,
FOUR STEPS TO HALT THE SLUMP
35
excess capacity begins to appear. Or to put it
the other way around, the gross national product
(the amount of goods and services actually sold
in the market place) has to increase at an annual
rate of 4 per cent if an increasingly productive
labor force and physical plant are to remain
fully employed.
It can be argued, of course, that we need not
concern ourselves with so small a shortfall, in
present dollar figures amounting to something
like |17 billion a year. Indeed, there would be
little cause for worry if the increasing sluggish-
ness of sales did not react, and rather quickly,
on businessmen's expectations. As excess capacity
appears, executives begin to revise downward
their planned expenditures on new plant and
equipment, with a consequent fall in activity
in the industries which provide these goods. As
unemployment appears in the capital-goods in-
dustries, producers of consumer durables— par-
ticularly automobiles and appliances— feel the
pinch, and incomes fall further. The result, as
Professor Robert Turner puts it, is a "failure-to-
grow" recession.
How serious can such a recession become? The
answer seems to be that— in spite of a generation
of legislation aimed at protecting the economy
against major storms— recessions can still become
bad enough to bring a politically intolerable
amount of unemployment.
Let us assume the best, though, rather than
the worst. Let us suppose that industrial pro-
duction turns upward this spring or early sum-
mer and that employment rises steadily to the
end of the year. Even under this most optimistic
assumption, it is hard to see how levels of pro-
POSTWAR OUTPUT OF
GOODS AND SERVICES
duction and income can be much higher in late
1958 than they were at the end of 1956. And
under no circumstances will it be possible for
the total output of goods and services to reach
the postwar trend line before some time in 1959.
A glance at the chart on this page suggests how
far the American economy has missed its output
potential since 1955. We have already losfc the
addition to total production which a normal
growth rate in 1956 and 1957 would have given
us, and we will lose more in 1958. Idle resources
will cause the American people to forgo goods
and services worth at least $50 billion. The social
cost of a poorly performing economy is great
indeed.
Modern economics can prescribe a remedy, for
economics as a discipline has made gains in the
past generation comparable to those in the
physical and biological sciences. But the pre-
scriptions are of no use if policy-makers, whatever
their political persuasions, refuse to accept them.
ARTICLES OF FAITH
UN F O R T U N A T E L Y f or the cause of
economic stability, men in their middle
years and later— the ones who are running things
now— learned their economics in a day when the
subject was little more than a branch of phi-
losophy. Unless they have made a heroic effort
to keep up, the economic principles which they
absorbed are of little use in solving today's
policy problems. They are simply articles of faith,
embraced with religious fervor, that stand solidly
in the way of responsible, adequate government
action when it is required.
BILLIONS OF
1957 DOLLARS
RATIO SCALE
I I ' I I ' ' I I l l l I i i l I l l l I
1946 '48 '50
1 i i i 1 i i i 1 1 i i I ' i ' I i ' ' I ' i i I i i i
500
450
400
350
300
'52 54 56
SEASONALLY ADJUSTED AT ANNUAL RATE
'58
'60
250
DATA: DEPARTMENT OF COMMERCE AND
BUREAU OF LABOR STATISTICS
36
HARPER'S MAGAZINE
Perhaps the sorriesl oi these beliefs is the
notion that somehow or othei a temporary in-
terruption in economic expansion in a good
tiling for the economy and the people in it. Ml
kinds of reassuring figures are conjured up, in
the business press and politic al speeches, to sug-
gest that business must on occasion "catch its
breath" or "regroup its forces" or "digesl its
new gains in capacity." In the silliest and most
vulgar ol these images the slowing eeonoim is
likened to an inebriate recovering from too many
martinis. This is patronizing nonsense. Bad
business is bad for business; and unemployment
is bad for workers. As Professor [ohn Lewis has
remarked, "The flexibility and efficiency of the
productive mechanism is greatest when activity
is expanding steadily, not stalling. And certainly
the only way to digest new capacity is to use it."
Nor can we blink the suffering of the man with-
out a job. Character is not built in the degrada-
tion of unemployment or in the hardships ol a
household with sharply reduced income.
More harmful, though, as a deterrent to posi-
tive action, is the fetish of a balanced budget.
Because a family or a business cannot long allow
outgo to exceed income, it is assumed that the
federal government cannot do so without risking
"national bankruptcy." But this simply is not
so, for the reason that a sovereign government
can always pay its bills. One ol the first princ iples
of economics, and possibly the first principle of
public finance, is that legitimate and necessary
goals of government should never be sacrificed
to any prejudgment about the state ol the budget.
Of course it should sometimes be in balance;
there are also times when it should be in surplus
and times when it should be in deficit.
But there is a third article ol faith that stands
in the way of a deficit when it is sensible to have
one. This is the belief that there is something
peculiarly burdensome about the public debt.
Business executives whose firms are regularly
borrowing in capital markets, because it is often
good business to do so, somehow can't under-
stand that government borrowing may be as
productive as corporate or individual borrowing.
Moreover, the federal debt, except for the book-
keeping costs of servicing it, is burdenless. In
the aggregate it places no pressure on the econ-
omy. We do indeed owe it to ourselves; the
$275 billion of debt is offset by $275 billion
worth of financial assets— i.e., government securi-
ties—owned by some American or an American
institution. Even the interest on the debt repre-
sents a simple transfer— from citizens as taxpayers
to citizens as bondholders. Nor do we shift a
burden to our children. They inherit the debt
li.il)ilit\, but the) inherit an ecpial amount of
government bonds. And I suspect that our chil-
dren will thank us lor handing this country over
to them intact, tree ol the devastation ol war
and tooled up lor the scientific adventures ol the
next generation.
Sue h reasoning is so easilv followed and so
patenth logical that these parts ol the orthodox
credo might well be dropped, il it were not for
the fourth article ol faith— the one with just
enough sense in it to give credence to the other
three. A good many sincere, public-spirited peo-
ple are convinced that the gravest danger to the
United States lies in inflation. The papers these
days are lull ol warnings that we must take care
not to "strengthen our defenses and ruin our
economy in the process."
It is true that upward pressures on prices
probably will present a recurrent problem. His-
torically, though, the United States has had
severe bouts with inflation only during and im-
mediately after wars, and the only time we have
suffered a runaway inflation was during the
Revolution. It is almost inconceivable that, with
present American capacity to produce, we should
ever be threatened with the kind of inflation
that breaks an economy and ruins the middle
class. Furthermore, a case can be made for the
assertion that inflation has sometimes had a
salubrious influence; as an economic historian
I can vouch lor the tact that some of our greatest
bursts ol economic growth have been in times
of rising prices.
Nevertheless, we should all agree that the ideal
of a continuously expanding economy, perform-
ing at or very near its potential with ti constant
price level, is worth striving for. The point that
I would insist on is that stable prices should
never be the first goal of public policy and that
in the present crisis other objectives clearly have
a higher priority. At the moment, we cannot
afford to indulge the high-minded devotees of
the anti-inflation religion.
STEPS TO STABILITY
IT I S by no means unlikely that political
pressures exerted by the American people will
result in the actions needed to ease the current
economic distress and provide an adequate de-
fense establishment. More than once in the past
decade the architects of policy have responded to
voter demands which ran counter to the faith.
We cannot, however, safely wait for political
pressures to build up. Four steps— one a short-
FOUR STEPS TO HALT THE SLUMP
37
run corrective measure and three for the long
pull— should be promptly taken.
(1) Unbalance the budget.
It would be folly to try to ride out the current
recession with the budget in balance, even at
the high level of $74 billion. The drift of the
economic indicators plainly calls for a cash
deficit until genuine recovery, including a reduc-
tion of unemployment to less than two million,
is achieved. Prudence suggests a cash deficit for
calendar 1958 at least as great as this year's
probable drop in business plant and equipment
expenditures— variously estimated at from $2.5
to $5 billion. The required income effect can
be achieved either by raising expenditures or
by cutting taxes, and tax reduction has the ad-
vantage of speed. My own preference is for a
15 per cent across-the-board reduction in per-
sonal income-tax rates, with an automatic re-
turn to present rates in January or April of
1959. But the important thing is to get quickly
the stimulating effect of a deficit big enough to
see with the naked eye.
It follows that there should be an end to
quibbling over raising the debt ceiling by some
amount such as $3 or $5 billion. The ceiling
should be removed, not raised. It serves no good
purpose, and it keeps us from employing a proper
fiscal policy. Moreover, we have had enough of
the undignified subterfuges of the Treasury to
keep, legally and technically, within the debt
limit. They have made public financing need-
lessly complicated and costly. And surely we
should have no more of that kind of parsimony
which keeps operational aircraft on the ground
to save gasoline or reduces the rate of progress
payments to Air Force contractors.
(2) Make the Federal Reserve System politi-
cally responsible.
For the longer run objective of avoiding future
trouble, it is imperative to link the Federal
Reserve System directly to the executive branch
of the government. The present arrangement,
under which the Board of Governors can and
does fly in the face of an Administration's wishes
and responsibility, is intolerable.
I hope that I will not be misunderstood. Per-
haps no agency in government approaches its
task in the spirit of dedication shown by the
Federal Reserve System. Its officers are men of
integrity and great capabilities. The network of
economic intelligence maintained by the Board
staff and the research departments of the twelve
Reserve Banks is unrivaled in this country.
The more's the pity, then, when System mone-
tary policies— exerted too long and too vigor-
ously—contribute to, if they do not actually
induce, a downturn. Unquestionably, Federal
Reserve authorities are more sensitive to the
threat of inflation than to the prospect of slump
and unemployment. For example, as we emerged
from the recession of 1953-54, the monetary
authorities were shifting from ease to restraint
late in the fourth quarter of 1954— long before
ordinary mortals knew that a boom was begin-
ning. But Federal Reserve moved with no similar
alacrity to ease bank reserves and reduce interest
rates when, by the midsummer of 1957, it was
perfectly obvious to less knowledgeable observers
than Federal Reserve economists that the econ-
omy was heading into a storm. Indeed, the Sys-
tem took the unexpected and ill-advised action
of raising the discount rate in August, tightening
the capital markets almost unbearably.
This move was not made carelessly or in haste.
Federal Reserve authorities are for the most part
convinced that hyperactivity and inflation, not
depression and deflation, now pose the great
questions of public policy. They have thus
turned to price stability— rather than stability of
employment and income— for their chief guide to
money management. Until August of 1957, how-
ever, it could be assumed that Board members
and their top advisers would be content simply
to stop price increases and accept the new levels
as accomplished, if undesirable, facts of life.
Events of the late summer suggested that Chair-
man Martin and a majority of the Federal Open
Market Committee felt that certain "inflated"
prices would have to come down, that temporary
over-capacity in some lines would bring them
down, and that an easier money policy would
not be instituted until they did come down.
Although the Chairman denied any intention of
inducing a recession, the austere money and
credit policy pursued vigorously into November
—long after demand weakness had materialized—
unduly postponed the boost to certain kinds of
expenditure that cheaper and more accessible
money would have given:
Had the System not been pretty well insulated
from political demands by its cherished "inde-
pendence," remedial action would have come
much sooner than it did. There are, I suppose,
some advantages to keeping the monetary author-
ities protected from every political tremor coming
up from the grass roots. For this reason few
would advocate the nationalization of our central
bank, following the lead of most other countries
of the world, which would make it in effect an
38
HARPERS MAGAZINE
adjunct <>[ the Treasury. Bui the framers of the
Federal Reserve A< t were aware of the problem
n! executive responsibility when they originally
made two Treasury officials ex officio members
ol the Federal Reserve Board— an arrangement
which was undone by the Banking Act of 1935.
It would be a simple matter to make the Secretary
ol the Treasury once again a member of the
Board, and with him the Under Secretary, filling
two of the seven places. To do any less is to dele-
gate great power without requiring direct respon-
sibility to the people. And we would then find
that monetary and debt-management policies
could once again be made consistent, and the
unpleasant spectacle of the Treasury and the
central bank working at odds would disappear.
(3) Unhinge residential building from mone-
tary policy.
Whatever compromise is reached with respect
to tying the Board of Governors to the executive
branch of the government, it is clear that one link
between monetary policy and the economy must
be severed. Tight money had its sharpest impact
on the housing industry. During the period of
rising interest rates, new house starts fell steadily;
the number of dwelling units built in 1957 was
almost one-third less than the number put up in
1955. Home building declined largely for the
reason that VA and FHA loans, with their rigid
interest rates, were attractive to lenders only upon
the payment of discounts to increase yields.
Anyone who has obtained an FHA-insured
mortgage within the past three years knows what
a discount is. It is the number of "points"— the
percentage of the mortgage note— deducted from
the loan proceeds in order to sec ure the financing.
A discount of 5 points on a $15,000 mortgage
means an addition of $750 to the down payment,
enough to discourage many would-be buyers.
Moreover, the law prohibits the payment by
veteran-borrowers of discounts on VA loans.
Builders were thus forced to absorb this extra
cost or not sell their existing inventories. They
then had to choose between adding the extra
financing charges to the price of new construction
or not building. Unfortunately, many non-
luxury builders took the latter alternative.
In any case, discounts, by adding to the cost
of new houses, caused less of them to be taken
from the market just when sales of other goods
were booming. Following the recent drop in
interest rates, discounts will fall, and we shall
observe the paradox of improving residential con-
strue tion in a period of general business decline.
A case could be made for letting one industry
bear the brunt of stabilization policy if it were
not for the high social priority which housing
ought to have right now in the United States. I
can only conclude that the level of residential
building activity must be unhinged from mone-
tary policy by placing competitive, flexible inter-
est rates on federally underwritten mortgages.
(4) Require the Council of Economic Advisers
to speak forthrightly.
But problems like this one cannot be resolved
one at a time. We have in the Council of Eco-
nomic Advisers an agency established to give
American economic programs a measure of co-
herence and consistency which, for all our re-
sources, seems ever to fall short of the mark.
PLATFORM BEFORE THE CASTLE
ANNE GOODWIN WINSLOW
alas, poor ghost, have you come all the way
From where you are supposed to stay
To cry Adieu, remember yon?
Have you forgotten the tempo
Of living is prestissimo?
Remembering, on the other hand, is slow.
The past is deep; it is the place we would prefer to keep
Things we should not have done;
Of which you are one;
And who can be expected to remember you
When he has got
So many other things to do that he should not?
FOUR STEPS TO HALT THE SLUMP
39
Specifically, the Council in recent years has
prepared Economic Reports which tell, in ex-
quisite and apologetic detail, what has happened,
but there has been little attention to programing
for the near future. The 1958 Report was espe-
cially notable for its failure to offer a realistic
and helpful prognosis. Yet the Employment Act
plainly requires the Council to set forth in the
Economic Report ". . . foreseeable trends in the
levels of employment, production, and purchas-
ing power" and to set the standard of perform-
ance which a full-employment economy should
attain.
The trouble we are in was widely anticipated
by individual economists, in and out of govern-
ment, many months ago. It should have been
foreseen by the Council, spelled out by the Presi-
dent, and wrestled with by the Joint Economic
Committee of Congress while there was still time
to prevent the business slide. But since the last
of the Truman Councils there have been no pub-
lished official projections of business activity, and
unless we know where we are going we can't take
steps to prevent what we don't like.
The Council of Economic Advisers should be
required by law to publish semi-annual technical
projections of economic performance for the en-
suing six months, together with detailed recom-
mendations for bringing a slumping economy
back to normal activity. The projections would
sometimes miss the mark, but not often. Top-
notch graduate students consistently have a high
degree of accuracy on an exercise like this; the
Council, with its well-oiled data-gathering ma-
chinery, could turn in a spectacular performance.
To do any less is to subject decision-makers in
government and business to the continuing
tyranny of fuzzy expectations.
THE TREND LINE
A WONDERFUL old teacher of eco-
nomics at Kansas used to say that there
are two kinds of economists— the sad-philosopher
type and the merry-moron type. Like a good
many of John Ise's cynicisms, this one has turned
out to be as useful in the booming 'fifties as it
was in the gloomy 'thirties.
For whether we like it or not, the men who
do most of the thinking for Americans on eco-
nomic subjects divide into two camps. The sad
philosophers, somewhat in the minority, are a
cheerless lot, who fear above all the bogy of
inflation, preferring some unemployment and a
good bit of character building to an economy
that runs full tilt all the time. The merry morons,
who don't worry about inflation, insist that it's
wicked not to push output to the limit and urge
a hyperactive economy in a mature welfare state.
Between these divergent philosophies there is
a middle ground. Public policy must find it or
incur some excessively high social costs.
Those who fret unduly about the evils of an
unbalanced budget and inflation should recall
the massive deficits of World War II and take
comfort. They cured a depression which had
lasted eleven years and sent the economy on to
brilliant production records. Despite three
rounds of inflation, real disposable income— i.e.,
income after taxes and in dollars of constant pur-
chasing power— has more than doubled since
1939; on a per capita basis it has increased by
about 70 per cent over the same period. More-
over, since the war the national debt has re-
mained constant while the tax base from which
it is serviced has grown steadily, and years of
Treasury surplus have just about equaled years
of Treasury deficit.
Those who would run the economy under
forced draft, who would have the trend line of
growth cut through the very peaks of past per-
formance, must be reminded that the quantity
of resources and their productivity increase by
modest amounts each year. Historically, the prob-
lem of inflation has been solved by allowing up-
ward swings in prices to be followed by down-
ward swings. If we decide to eliminate deflation
and its accompanying hardship, we must try also
to contain inflation and the harm it does to the
minority of institutions and people whose in-
comes fall in real terms as prices rise.
The inescapable fact remains that the current
recession involves a great loss, one which the
country can ill afford at a time when our very
existence requires a clever and imaginative use
of our productive machinery. A grave danger of
the moment is that the economy will not quickly
return to full employment. Early 1958 is no time
to restrict necessary defense expenditures on
grounds of "economy," or to present potty little
plans for aid to education, or to reduce foreign-
assistance programs to ineffectiveness. There is
a positive need for these income-generating ex-
penditures.
Nor will there be a better time to begin work
on the long-run problem of keeping production
steadily on the postwar trend line of economic
growth. A solution will not be easy, but it won't
be much tougher than launching a manned
satellite— and it obviously is far more important
to all of us who expect to keep on living here,
rather than on the moon.
By MARION K. SANDERS
Drawings by Vic Volk
Country Doctors Catch Up
By teaming together in rural clinics,
a few of them are demonstrating how to hring
top-quality medical service to country
patients — and how to stop the best physicians
from drifting toward the big cities.
TH E most comforting bedside presence I
have known was a country doctor who
practiced, as had his father and grandfather, in
upstate New York. During our summer vaca-
tions in the north woods our children had a per-
verse habit of running fevers or falling out of
trees the day after my husband, who is also a
physician, had left for the city. Then my anxious
phone calls would bring Bob Reynolds from his
home ninety miles away to soothe and to suture.
Once each winter he turned up in New York,
usually during an Academy of Medicine scientific
powwow. Like a music-starved opera lover on a
spree at the Met, he took his pleasure at X-ray
exhibits, pathology demonstrations, and lectures.
Afterward he and my husband who had been
medical students together would talk far into
the night. Their pet topic was the riddle of the
commonplace, the ordinary, persistent ache of
the head, back, or gut which might— or might
not— yield to aspirin, surgery, or psychotherapy.
Eavesdropping on those conversations gave me
a glimpse of a vast new medical arsenal— the
assorted "scopes" used to peer into remote body
cavities; the laboratory techniques of serology,
hematology, bacteriology, and parasitology; the
alliance of chemistry with X-ray to reveal the
functioning as well as the shape of ailing organs;
the hundreds of increasingly precise weapons
against once-hopeless maladies.
When we paid a return visit to Bob's home
town, he showed us through the new county
hospital. Although it gleamed with asepsis, it
lacked all but a handful of the equipment com-
monplace in city institutions. As in most rural
areas, this was an "open" hospital, used by vir-
tually all local doctors, few of whom were spe-
cialists. A "closed" hospital, by contrast, is re-
stricted to a staff carefully chosen to represent
various skills— surgeons, pathologists, internists,
anesthesiologists, X-ray technicians, and so on.
Bob loved medicine and outdoor living. He
loathed fakers, bigots, and busybodies. In the
last category he lumped the proponents of most
welfare and health-insurance plans. Nothing
riled him more than filling out forms in tripli-
cate, unsolicited advice about his patients, or
bureaucratic intrusions on his rare free after-
noons when he chose to go hunting with his sons.
These impromptu outings were compensations
for the built-in limitations of his scientific life—
of which he was well aware.
There was, for example, the August day when
my husband was away and our small son was
laid low with pains obviously more grim than
croup or colic.
"This is a queer one," Bob said, encompassing
child and thermometer in one practiced glance.
"It looks like typhoid, but it isn't. We need
some good blood work and an intestinal X-ray
series."
He headed for the phone downstairs. I heard
only an enigmatic mumble, bristling with trans-
COUNTRY DOCTORS CATCH UP
41
fusions, heterophiles, and perforations. Back
in the sick room he was calm and definite.
"Bundle the boy in the car and keep going
till you hit New York," he said, staring out of the
window at the sparkling lake. "Pretty, isn't
it? Quaint, too. But at a time like this you're
better off in the twentieth century."
"help wanted"
THE time lag between city and country
medicine is brutally clear when a capable
and self-reliant doctor sends you on a three-
hundred-mile trek for a diagnostic job. This is
an honest— but often risky— solution to the frus-
trating problem of the isolated practitioner who
lacks the skills and remedies his best judgment
demands. But all too often he is forced to make
do with the tools at hand, inadequate though
they are. To a man of scientific habits this re-
curring dilemma is a major reason for not prac-
ticing in the backwoods.
A medical flight from the land has been
the result. For example, in twenty Missouri
counties which boasted 539 doctors in 1912, only
158 remained in 1950. As compared to one in
fourteen at the earlier date, a third of those left
were over sixty-five years old and their patient-
load was double their predecessors' since the
population had declined only slightly. In Illi-
nois, Alabama, West Virginia, Mississippi,
Georgia, Kentucky, and other states, medical
societies and worried citizens have set up scholar-
ship funds for potential country doctors. To
help furnish such doctors' offices, the Sears Roe-
buck Foundation and the Mead Johnson Com-
pany offer unsecured loans. In upstate New
York, which has been traditionally well-stocked
with physicians, the State Medical Society last
May certified sixty communities as "medically
needy" because they were without a general
practitioner.
These are not rural slums. Neither are the
dozens of other towns and villages throughout
the country which advertise week after week in
the "help wanted" columns of medical journals.
Practices grossing as much as $40,000 a year are
going begging. So are others nearly as lucrative
which offer the added bait of free office rent and
fine fishing. Missing from these otherwise attrac-
tive packages is the vital component of modern
medical care— ready access to the specialized
knowledge and techniques which far exceed the
capacity of one mind.
One of the most promising answers to this
predicament is team medicine. Although it is
hard to find takers for old doc's lonely practice,
there are few vacancies in the medical groups
which are beginning to dot the hinterland.
These differ in one important respect from such
large-scale enterprises as the Kaiser-Permanente
Plan on the West Coast, the Health Insurance
Plan of Greater New York (generally known as
HIP), and most union-sponsored groups. These
are financed through pre-payment for medical
care by subscribers and their employers. In con-
trast, most of the rural teams are in private
practice and charge for their services as any
individual practitioner does. By pooling their
income and talents, three or more partners
trained in different specialties can afford
the equipment essential to modern medical
care. The U.S. Public Health Service estimated
in 1951 that there were 700 medical groups of
all sizes and varieties in the country. Allowing
for some fatalities, there are probably close to
1,000 today, most of them west of the Mississippi
where the Mayos popularized private group prac-
tice fifty years ago and where the need has been
dramatized by the dearth of hospitals in thinly
settled regions.
Many physicians hold back from joining a
group because they still tend to regard their
paying patients as personal property. But this
1 &S
42
HARPER'S MAGAZINE
attitude is, in fact, an anachronism, for in his
hospital work every doctor today must forswear
his free-wheeling ways if he craves scientific
recognition. Surgeons bow meekly to the tissue
committee which checks on the removal of
normal organs (hallmark of venal or inept sur-
gery). There is a like policing of Caesarian
births (and the high fees they command). The
patient is no man's private preserve, for case
records are kept in unit files subject to the
official review of other professional eyes. The
canniest diagnostician acknowledges his de-
pendence on the laboratory and X-ray depart-
ments, and his mistakes— like all others— art-
bared at clinical conferences.
The American College of Surgeons insists
upon such team work in all hospitals certified
for resident and intern training. It requires also
that each department be headed by a qualified
specialist and that each doctor stick to his own
field. Group medicine consists, in effect, in
adapting these habits to private practice. With
the internist acting as his personal physician, the
private patient gains the co-ordinated services
of whatever specialists may be needed plus the
advantage of getting all his medical work done
in one place. This pattern is most easily estab-
lished by specialists who are already on the
staff of a first-rate "closed" hospital. But since
there are few such institutions outside of cities,
it is rarely possible in the country-side— unless
the doctors themselves team up. This an increas-
ing number of them are doing, in a variety of
ways and with a variety of aims.
CLINIC IN THE CLOUDS
TH E Hitchcock Clinic in Hanover, New
Hampshire, is one of the largest and best
equipped rural groups in the East. With the
White Mountains as a backdrop it is ideally
placed, scientifically as well as scenically. To
reach it, however, you must choose between a
rough ride on weatherbeaten New England
roads, the creaking cars of the Boston and Maine
railroad, or once-a-day (weather permitting)
plane service. This is rural medicine with a
vengeance. It is also medicine that could be
matched in quality only in a large center.
The Hitchcock Clinic is, in fact, such a center
for a region stretching from Boston to Montreal;
and, at the same time, the family physician for
some 6,000 people— all the doctors in Hanover
and in Norwich, Vermont, across the river, be-
long to the group. The present staff is a roster
of twenty-two medical specialties, including such
refined subdivisions as cardio-pulmonary sur-
gery, broncho-csophagology, and plastic surgery.
The largest department, numbering twelve, is
internal medicine, the co-ordinating hub of the
specialties and the modern equivalent of the
family doctor.
Hitchcock's work totals more than 60,000
patient visits a year, 90 per cent of the cases
being referred by doctors in the outlying area
for surgery, diagnosis, or special treatment. Since
the hospital and doctors' offices are under the
same roof, team work is easy and frequent.
Medical man, neurologist, surgeon, and X-ray
specialist, for example, routinely consult on
serious accident cases. The diabetic who breaks
his leg is tended by both an internist and an
orthopedist. The cardiologist strolls down the
corridor to discuss the heart patient's emotional
troubles with a psychiatrist. Orthopedist and
neurologist collaborate from the onset of a polio
case and, without moving the patient, turn him
over to the rehabilitation department when the
acute stage is past. All children are assigned to
pediatricians who can call in other specialists
when needed without worrying about extra cost
to the family or additional trips to the doctor.
To solve the diagnostic puzzles posed by about
15 per cent of the ailments brought to the aver-
age doctor's office, the latest laboratory skills are
available. And in the sum total of high quality,
perhaps the most important, though least tangi-
ble, element is the ferment of many minds, all
scientifically attuned.
Now in its thirtieth year, the Hitchcock Clinic
is still headed by one of its founders, Dr. John P.
Bowler. A Dartmouth man and a local doctor's
son, he served a surgical residency at the Mayo
Clinic in the 1920s and came home dissatisfied
with the prospect of general country practice.
He had, however, a hunch that Hanover enjoyed
some of the same assets that had made Rochester,
Minnesota, a medical mecca. The thirty-eight-
COUNTRY DOCTORS CATCH UP
43
bed Mary Hitchcock Memorial Hospital— though
puny by Mayo standards— had always had a
highly trained staff. Teaching, postgraduate
study, and research could be fostered through
the hospital's existing link with the Dartmouth
Medical School. And in the surrounding New
England backwoods, the newer medical arts were
virtually non-existent.
With four older colleagues, Dr. Bowler set up
joint offices in the hospital. The partners began
a search for new recruits with an astute eye for
surgical talent in the fast-expanding spectrum
of specialties. In an area where even qualified
general surgeons were scarce, the Hitchcock vir-
tuosos made news. Each new specialty, indeed,
seemed to open a pent-up demand.
Today the Hitchcock Hospital and Clinic-
separate corporate entities with largely inter-
changeable parts— have evolved into a 300-bed
institution with a medical staff of more than
fifty, about the same number of interns and resi-
dents, a school of nursing, and training programs
in laboratory medicine, X-ray, and anesthesiol-
ogy. All are housed, through the largesse of
New England philanthropists and an assist from
federal Hill-Burton funds, in a series of con-
nected buildings facing the Dartmouth campus.
The staff doctors are also consultants to a 250-
bed Veterans Hospital in nearby White River
Junction. The Hitchcock educational program-
open to all doctors in the area— in a single month
lists more than 150 events, ranging from a semi-
nar on the use of ultra-sound in medicine to
bedside teaching sessions and clinical conferences
in each of the twenty-two departments. Research
projects are supported by foundation funds
which also make possible subsidized staff travel
to scientific meetings.
Except for Dartmouth students who are cared
for on a pre-payment contract with the college,
Hitchcock customers are private patients. (There
are a few free endowed beds but no "charity
wards.") Although the patient pays the clinic
and not the physician, the attending doctor sets
the fee— as he would in his own practice— on the
basis of what he thinks the job is worth, the
going rate in the area, and the patient's means.
Before they are mailed out bills are reviewed by
business manager Justin Smith, who has the
advice, when needed, of two medical social
workers. Much of their time is spent, however,
helping self-reliant farm and academic families
reduced with distressing frequency to "medical
indigence" by long illness or costly drugs, despite
hospital and medical insurance.
All net income is pooled and divided among
the staff on a scale graded only for length of
service, without reference to specialty or volume
of work done by each individual. By thus elimi-
nating dollar competition between doctors,
Hitchcock has by-passed a major pitfall of group
practice. Since this is a relatively poor, low-fee
area, and because a large slice of staff time goes
into unremunerative teaching and research, earn-
ings are modest. Many of the more experienced
men could double their incomes by opening
offices in Boston or New York.
"It's the academic life all over again," said a
surgeon's wife whose father was a professor, as
I cast an admiring eye around her spacious
living-room. "We built this house twenty years
ago. The salary won't buy this today."
But there was no real regret in her tone. It
is precisely because of its academic aura that the
Hitchcock Clinic has succeeded so well. A post
at a first-rate teaching hospital is a prize not
measured in dollars. Recruitment for this group
has been easy, turnover virtually nil.
Most rural groups are less fortunately placed.
They must shift for themselves to buy costly
equipment and to create the scholarly climate
which will lure first-rate men from the cities.
Since they are straying from established medical
paths, they are forced to proceed by trial and
error. Private group practice— small-town style-
is largely uncharted terrain, but it is fast develop-
ing despite sometimes bitter opposition from
county medical societies.
HIPPOCRATIC PICKET LINE
SKIRMISHES between local medical
societies and groups have been part of the
history of group medicine, but ugliest when the
groups were paired with health-insurance plans.
The staff of the Ross-Loos Clinic, for instance,
which offered prepaid medical care, was ex-
pelled en masse in 1939 from the Los Angeles
County Medical Society. Earlier Dr. Michael
44
HARPER'S MAGAZINE
Shadid came close to losing his license to prac-
tice when he formed the nation's first medical
co-operative in Elk City, Oklahoma. It took a
Supreme Court decision to rescue the physicians
of the Washington, D. C, Group Health Co-
operative who were hooted out of their hospital
posts in 1937. And, at its inception ten years
ago, the Central Medical Group of Brooklyn was
denied heat and power on the grounds that it
was an illegal enterprise like hook-making or
a bawdy house.
Theoretically private-practice groups conform
tidily to medical ethics and custom, since most
are run entirely by doctors and charge the pre-
vailing rates. But there is an implicit threat in
the very existence of collections of specialists
whose methods challenge the still popular con-
cept of "general medicine." Every doctor's
license— conferred in some states on medical-
school graduates after a one-year internship, in
some without any— entitles him, if he chooses,
to engage in any and all medical and surgical
arts. In practice, moral compunctions and the
humane impulse which attracts most men to
medicine in the first place stay all but a few of
the untrained hands. However the outlawed but
still prevalent ruse of "ghost surgery" (in which
a skilled surgeon replaces the general practi-
tioner after the patient is unconscious) helps per-
petuate the myth of every doctor's total com-
petence. And widespread ignorance as to just
what constitutes a specialist also contributes to
the notion that any M.D. is as good as any other
in treating any human ill.
Contrary to popular belief, 'a specialist is not
the aging family doctor who, as his hair grays,
calls himself a "diagnostician" (though he may
be an excellent one). Nor is he the general
practitioner who does most of the surgery in
town. Specialization takes anywhere from three
to eight or more years of postgraduate training
in a hospital residency. Most— though not all-
qualified specialists have been certified by the
American Boards which conduct rigorous tests
in twenty-four recognized branches.
Since a majority of their dues-paying members
lack this kind of training, most local medical
societies resent these facts. Their parent body,
the AMA, dedicated to the advancement of
science as well as doctors' incomes, does not deny
the fact of specialization and no longer frowns
officially on private-practice groups which Dr.
Morris Fishbein, former editor of the AMA
Journal, once called "medical Soviets." It is not,
however, enthusiastic about the trend toward
team medicine. A scholarly attempt to fathom
its policies on this subject was made in 1954 by
the Yale Law Journal which concluded that:
"The AMA has mildly discouraged combined
practice by repeatedly denying the necessity for
or success of such groups. Its studies have
emphasized the negative aspects of group prac-
tice."
A somewhat more relaxed tone crept into the
AMA's latest report on 103 groups it studied in
the past year. Noting that the increase in group
practice since World War II has been "phe-
nomenal," the report acknowledged that the
motivation has been chiefly the doctors' belief
that they "could provide better medical care
than when practicing individually."
More of the same may be expected from the
AMA's new president-elect, Dr. Gunnar Gunder-
son, who, with three brothers, operates a highly
respected clinic in LaCrosse, Wisconsin. (Another
Gunderson brother, Dr. Sven, is Senior Internist
at Hitchcock.) But to the surprise of some ob-
servers, the same AMA conclave that elected
Dr. Gunderson reaffirmed its historic opposition
to the "corporate practice of medicine" which
is, it said, "indistinguishable in effect from the
socialization of medicine and appears to embody
all of its evils."
When the AMA cries "socialized medicine" few
doctors venture across its picket line. However,
in the matter of group practice, the New York
Times noted in its account of the meeting, they
are becoming "more and more defiant." The
plain fact is, they like it.
MOST HAPPY DOCTORS
THE main difficulties with group practice
today, it would seem, are not from the
doctors', but the patients' point of view. I talked
recently with a man who was brilliantly diag-
nosed but spiritually shaken at a large Mid-
western clinic.
"You undress in a cubicle like a Coney Island
bathhouse," he said, describing his ordeal by
X-ray. "Then you wait your turn with a brass
check in your hand. At ten in the morning 1 was
number 416! It was scientific all right, but it
wasn't chummy."
Group doctors, like many specialists, some-
times work on the theory that the only walk a
patient cannot make on his own legs is the one
to his coffin, and that anyone who is not in the
hospital can come to the office. But the sick do
not always feel ambulatory. Thus a West Coast i
group which sub-contracted house calls to pri- |
vate practitioners lost a batch of clients per-
I
COUNTRY DOCTORS CATCH UP
45
manently. Similarly, when offered a choice of
group or individual doctors, subscribers to one
large health-insurance plan usually choose the
old-fashioned practitioner who will, they believe,
be more likely to show up at the house in the
hour of need.
Such flaws, particularly in insurance-supported
teams, have cooled the enthusiasm of some of the
reformers who were crusading for pre-payment
group practice twenty years ago. They are dis-
appointed, too, to find that preventive
medicine is not necessarily fostered when
the doctor is paid by the head rather than
by the visit and thus is said to have a
stake in "keeping the patient healthy."
"Instead he seems to have a stake in
keeping the patient out of his office, which
is a very different matter," said Winslow
Carlton, a veteran in the field who is now
chairman of Group Health Insurance in
New York.
Despite its imperfections, he agrees,
however, that group practice is the best
available device for enticing capable
young doctors to the sticks. Today's medi-
cal-school graduates are a new breed.
Three quarters of them are specializing,
and, after long residencies, they head like
homing pigeons toward full-time hospital,
teaching, or research posts. Typical of
this current crop is a young internist of
my acquaintance whose scientific bent was
sharpened by his hospital years and a mili-
tary tour spent chiefly in esoteric experi-
ments with an artificial kidney. Back in
civilian life he was tempted by a teaching-
research offer from his university. He also
weighed a bid from a union health center
and a chance to build a $30,000-a-year
private practice in the city. Finally, he
joined a rural group at a starting salary
of $7,500 with the top prospect of $20,000
when and if he became a partner.
"Private practice would have meant doing
general work for years until I looked old enough
to be considered a specialist," he explained.
"Here I can stick to my last. I'm learning every
day from topflight men and practicing what I
consider first-rate medicine. I'm bringing up
my family on sod instead of asphalt. I earn all
we need, and I don't have to talk money with
my patients to do it."
Veteran practitioners as well as neophytes are
grateful to the group business managers who
relieve them of what Ernest Dichter has called
the basic dilemma of the doctor's role— "the con-
flict between the picture which he has of himself
as the idealist and benefactor and his down-to-
earth interest as a breadwinner." Equally wel-
come is the escape which team medicine offers
from the 60-to-80-hour working week of the
average busy practitioner.
"We believe there is a definite limit to how
hard a doctor should work," said the senior mem-
ber of one group, recalling his own twenty har-
assed years in private practice. "I'm still plenty
busy. But when I'm off duty, I'm really off.
And when I go on vacation my income doesn't
stop, and I know my practice isn't being raided
or neglected."
Such earthy logic would, I think, have won a
respectful hearing even from so lone a wolf as
my old friend and favorite country doctor, Bob
Reynolds. Indeed, if he were alive today he
might— perhaps for the fun of jolting his county
society— be organizing a group himself.
Warren Unna
CIA:
Who Watches the Watchman?
Today the answer is: "Nobody" . . . but Congress
may find a way to keep an eye on our
cloak-and-dagger operators without tearing;
a hole in their essential cloak of secrecy.
TH E Central Intelligence Agency— the peace-
time successor to World War lis Office of
Strategic Services, for espionage, counter-intelli-
gence, and "cold war" operations— celebrated its
tenth birthday last fall still remaining the only
major U.S. government agency entirely free of
Congressional scrutiny. Its director, Allen Welsh
Dulles, believes it can remain effective only so
long as it enjoys absolute security from Con-
gressional as well as public probing, and thus
far he has been able to convince the Congress
that he is right.
"In intelligence you have to take certain
things on faith," he declared a few years ago.
"You have to look to the man who is directing
the organization and the results he achieves.
If you haven't someone who can be trusted, or
who gets results, you'd better throw him out
and get somebody else."
In the first part of his statement, Dulles
was on sure ground. At sixty-four he is one
of the least criticized and most admired men—
both personally and professionally— in Washing-
ton. He is also, in the best and truest sense,
a professional spy who has devoted almost as
much time to gathering intelligence for his
country as to the profession for which he was
trained: law. Proof of his success as chief of
ope/ations in Switzerland for the OSS in World
War II was the citation given him after the war
by President Truman for, among other things,
establishing contact with the German Army in
Northern Italy and arranging its surrender.
The difficulty lies in^the second part of the
statement— the matter of results. In an organ-
ization like CIA no one on the outside really
knows what results it gets. Even if the few
bits of news about its purported successes and
failures that trickle out from time to time are
true, they represent only the minute visible
surface of the vast iceberg underneath. They
can hardly be indicative of CIA's huge day-to-day
operation.
For this reason, Senator Mike Mansfield of
Montana has, on three occasions, introduced
bills calling for a joint Congressional "watch-
dog" committee over CIA. The last of these
was decisively defeated in April 1956— while
Mansfield was still in his freshman term— for
a variety of reasons, not all of them entirely
pertinent.
It was not a matter of Republicans vs. Demo-
crats, but of all the professionals being on one
side. Says Mansfield in retrospect, "What you
had was a brash freshman going up against
the high brass. I got a good education." He
did not reintroduce his bill in 1957, and he
won't this year— unless he is pretty sure he has
the Senate "club" with him.
Meanwhile, for good or bad, CIA goes its way
responsible only to the executive branch, through
the National Security Council, its parent, and
the Bureau of the Budget, its accountant. And
only the executive branch can truly evaluate
its performance.
Director Dulles contends that the Congress
can question anything it desires through the
five-man subcommittees of the Senate and House
Appropriations Committees. But when he as-
cends Capitol Hill once or twice a year to
appear before these usually avid investigators,
his discussion of CIA's budget (which is
secret but currently estimated at anything from
$100 million to $1 billion annually), man-
CIA: WHO WATCHES THE WATCHMAN?
47
power (estimated at anywhere from 3,000 to
30,000), and policy is pretty much brushed aside
by such reverently put questions as, "The Com-
mies still giving us a rough time, Allen?" What-
ever paper work is presented is carefully gathered
up as the legislators adjourn. Congressional
homework is apparently neither desired nor
possible.
Senator Leverett Saltonstall of Massachusetts, a
member of one of these quintets, made his atti-
tude plain on the Senate floor in April 1956
when, in opposing the Mansfield bill, he said:
"The difficulty in connection with asking ques-
tions and obtaining information is that we
might obtain information which I personally
would rather not have. . . ."
His words were echoed by Senators Richard
Russell of Georgia and Carl Hayden of Arizona,
who also are members of the Appropriations
Committee quintet.
One of the Senate's leading liberals, speaking
off the record, explained his own opposition by
stating bluntly that he didn't think his col-
leagues could be trusted with such secrets— a
point of view not too far from the President's,
as described by Senator Styles Bridges of New
Hampshire in an interview:
"He said it was too dangerous for Congress
to take up."
In acting as its own watchdog, not only in
[its use of manpower and public funds but in
seeing to it that its foreign operations neither
contradict nor negate the foreign policy of the
United States, CIA is in a unique position. Its
British counterpart is directly answerable to
Cabinet officers, who in turn are answerable to
Parliament.
Since CIA Director Allen Welsh Dulles is the
only brother of Secretary of State John Foster
Dulles, it might be argued that any disagree-
ments on policy that arise can be ironed out
within the family. But the Dulles brothers will
not always be behind the counter, and those who
think CIA needs a closer watch wonder if in
'any case this is the way to run the store.
WHO GETS THE SECRETS?
SENATOR Mansfield has made clear that
his desire for a watchdog committee is not
to make an embarrassing expose of CIA per-
sonnel, but to get a check and balance on the
organization in view of certain questions which
have arisen out of CIA's activities. There is, for
example, the question of a lack of co-ordination,
ind perhaps the presence of competition, between
CIA, the intelligence branches of the Army,
Navy, and Air Force, and the FBI.
In a sense, CIA is fighting history in trying
to become an over-all agency that digests the
traditional interservice rivalry of Army, Navy,
and Air Force intelligence. It is also fighting
the old American tradition against peacetime
spying, epitomized by the late Henry L. Stimson
when he was Secretary of State for President
Hoover. Stimson abolished the "Black Room,"
a small, secret section of his department which
broke foreign codes, with the crisp and famous
comment:
"Gentlemen do not read other people's mail."
But at the end of World War II, with Pearl
Harbor still fresh in the memory, the country's
leaders decided that tradition must be modified
to suit the times.
Accordingly, CIA was established by the Na-
tional Security Act of 1947. This provided that
a National Security Council— headed by the
President and including the Vice President, the
Secretaries of State and Defense, and what has
now become the Director of the Office of De-
fense Mobilization— should appraise and set over-
all strategic policy with the advice of the
Director of CIA.
Dulles is the third director CIA has had and
the first civilian. He was preceded by Rear
Admiral Roscoe H. Hillenkoetter— who stayed
in office three years before he was reassigned,
at his own wish, to the Navy— and General
Walter Bedell Smith— General Eisenhower's able
chief of staff in Europe, who went on to be-
come Under Secretary of State and who dif-
fers, according to Senator Mansfield, from Dulles
in being very much in favor of a watchdog
committee.
Although Dulles has apparently been success-
ful in weeding out many of the retired officers
who latched onto soft berths at CIA stations in
Europe during the agency's first years, the mili-
tary still heads most of CIA's secondary posts,
and there are hundreds of military officers
throughout the organization. One of the
agency's biggest administrative headaches is the
continuing tendency of the various military
intelligence branches to operate individually,
ignoring each other's efforts and, particularly,
CIA's.
This unhappy state of affairs was underlined
last November by Senate Majority Leader Lyn-
don Johnson of Texas as he emerged from a
closed-door briefing with Allen Dulles on the
nation's missile program and grimly announced
that it was "desirable in the national interest
48
HARPERS MAGAZINE
to take a good look at certain procedures, at
the co-ordination between the CIA and the
Services and the Congress."
Dulles is exceedingly reluctant to admit that
all is not harmony. He regards his Junction as
one of co-ordination, not subordination, and
believes that the rivalry is getting less. But
it was not too many years ago that CIA queried
all its foreign stations in Europe in an attempt
to get hold of a special piece of metal tubing
made by the Russians. An aircraft manufacturer,
hearing of the search, mentioned it to a friend
of his in Navy intelligence. The Navy man
pulled out his top desk drawer, indicated that
there were enough duplicates of the sought
piece to spare one for CIA, and then asked his
friend please not to disclose the source when he
carried the tubing back across the Potomac to
CIA headquarters.
AND ALSO, THE FBI
CIA's relations with the Federal Bureau of
Investigation have also been strained. The
FBI, unlike CIA, is under Congressional scrutiny.
It is directly responsible to the Attorney Gen-
eral, whose Justice Department must answer to
the Congressional Judiciary and Appropria-
tions Committees. Moreover, the FBI's budget
and manpower figures are public. The FBI's
primary responsibility is to investigate for De-
partment of Justice prosecutions— including
domestic counter-espionage cases. Yet the June
1940 "delimitation agreement," a directive from
President Roosevelt, charged the FBI with
gathering foreign intelligence in the Western
Hemisphere. (The Army was assigned Europe
and the Canal Zone; the Navy, the Pacific.)
The FBI took on its new assignment with such
gusto that there were said to be more FBI
agents than diplomats in Latin America by the
time this country entered World War II, one
and a half years later.
Former FBI agents have indicated that Direc-
tor J. Edgar Hoover regards Dulles' CIA as a
considerable departure from his concept of
a clean-cut, eyes-straight-ahead, investigating
agency, and sees to it that it is given only
"token compliance." The Hoover conception is
reported to be that CIA is replete with white-
shoes— scions of good families who have been
graduated from Ivy League colleges— and a bit
on the undisciplined, left-wing side. As a
matter of fact, CIA does have its share of
good-family, good-college graduates. And there
is a bit in the agency's orientation talk for
new employees which describes CIA as a means
for the "intellectually elite" to contribute to
government without having to be immersed
in politics.
But Hoover also has a more immediate beef
with CIA. The agency's pay and working con-
ditions are considered far choicer than the
FBI's, and Director Hoover was not overcome
with joy when a good many of his personnel be-
gan defecting. A no-raiding pact with Dulles
has since been arrived at. And while the FBI
is charged with all domestic security, Hoover
deferentially asked Dulles to do the security
c tearing of his own personnel hereafter.
Dulles is said to insist that the FBI-CIA
jurisdictions are clearly differentiated, that he
receives many reports from the FBI daily, that
an FBI representative sits on his Intelligence
Advisory Committee, and that he has no
complaints regarding Mr. Hoover.
But Congressmen recall the Donnybrook up in
Seattle four years ago when Johns Hopkins
Professor Owen Lattimore was reported to be
on the verge of jumping the country while
under federal indictment for perjury. The
public never learned whether CIA had mis-
informed the FBI, or vice versa. But Lattimore
never went anywhere, his indictment was eventu-
ally quashed by the U.S. Court of Appeals, and
the two CIA agents involved declined to appear
in a Seattle court to testify against a travel
agent who had been charged with making false
statements regarding Lattimore's movements.
There is also the incident of the West Coast
manufacturer who, in addition to producing
military parts for the Defense Department, de-
cided to contribute some intelligence he had
gleaned from a satellite embassy contact in
Washington. He took his information to the
office of Vice President Nixon, whence it was
relayed to the FBI. But the manufacturer had
made the mistake of borrowing a CIA friend's
car for his mission. The FBI, the manufacturer
related, seemed only too eager to presume the
CIA man was somehow mixed up with the
satellite embassy; FBI agents burst in on his
unsuspecting friend in the middle of the night
and, failing to get his confession, proceeded to
put a check on the manufacturer's letters. The
manufacturer had no doubt of the latter because
a tag was carelessly left on one of his envelopes
declaring his house was subject to mail check
by the FBI.
There have been further difficulties over
CIA's relations with another part of the De-
partment of Justice— the Immigration Service.
CIA: WHO WATCHES THE WATCHMAN?
49
Washington is still chuckling over the comic
opera performed at its fashionable Three Mus-
keteers Restaurant (now renamed Chez Francois)
in 1949 when teams of CIA and Immigration
agents began pummeling each other. CIA was
in the Three Musketeers to see that an escaped
Russian pilot was not kidnaped by Soviet agents
during a rendezvous; Immigration, to arrest the
escapee for deportation. Neither knew about
the other and both suspected the worst. The
Americans ended up with bloody noses and
bruises, the pilot with immigration handcuffs
which the CIA couldn't remove, and the real
Russian agents, of course, quietly slipped out.
COUPS AND COUPS D'ETAT
A SECOND problem which Mansfield
raises is the difficulty of appraising how
effective CIA really is. From what the unin-
formed can tell, the agency scored its greatest
coup early in 1956 when it obtained from Polish
and Yugoslavian sources the mammoth text of
Khrushchev's fantastic closed-door denunciation
of Stalin and Stalinism. CIA got the text six
weeks to two months after the speech had been
delivered, but long before the Kremlin had de-
cided how it was to be edited for satellite and
outside-world consumption. It may have cost a
king's ransom, but its publication pretty well
demolished the Communist movement in the
United States and brought disillusion and dis-
affection to most of the Communist movements
in free Europe, especially in Italy and France.
CIA is also generally credited with helping
to overthrow the Communist regime in Guate-
mala and bring in the late President, Carlos
Castillo Armas; with helping to clip the wings
of Iranian Premier Mohammed Mossadegh; and
with encouraging Premier Naguib in Egypt once
King Farouk had been forced out. (However,
Naguib has since yielded to Nasser, and CIA
quite obviously doesn't want to take credit for
him.)
But these accomplishments in turn raise other
questions which Mansfield feels the Congress
should consider: Is CIA determining American
foreign policy? Has clandestine assistance to
coups d'etat become necessary to counter the
overt and clandestine assistance Russia has been
dispensing?
The general public is for the most part ig-
norant of these problems. The Senators and
Congressmen who know or suspect are skittish
about facing up to them. The National Security
Act of 1947 gives license to such "cold war"
activity in a twenty-five-word paragraph which
states that one of the purposes of CIA shall be
"to perform such other functions and duties re-
lated to intelligence affecting the national
security as the National Security Council may
from time to time direct."
This seems to create the potential for a dual
foreign policy. Suppose, for instance, an Am-
bassador preoccupied with economic matters
takes little interest in the local CIA personnel,
and the personnel— charged with both writing
intelligence reports and performing cold-war
activities— condition the reports and thereby the
Ambassador's decisions?
CIA men hold that it is impossible for the
agency to diverge from official foreign policy
because all of its cold-war missions first go
through a secret committee appointed by the
National Security Council, at the under-secre-
tary level, where various administrative agencies
give the nod. But without specific data from
CIA, Congressmen are hard pressed to pass
judgment on how well this works.
They might recall one example of a dual for-
eign policy situation on the Burma-China border
in 1951 when Nationalist Chinese troops were
brought into Burma to harass the Chinese Com-
munists in Yunnan Province. The maneuver
soured. The Nationalist troops decided they
could make a better living growing opium—
and some of them have been bunked down in
North Burma doing just that ever since. Burma
was embarrassedly forced to cancel her American
aid program. And the United States Ambassador,
David M. Key, resigned in disgust.
Key declares: "I had heard persistent reports
that Americans were taking part when I was sent
there. I found that hard to credit, but learned
differently later."
CIA disavows any part in the incident,
declaring the Chinese Nationalist troops were
dispatched to the Burmese border by Chiang
Kai-shek himself. Others, however, contend CIA
was indeed the instrument of the Burma ma-
neuver; but that the agency was merely dutifully
carrying out a scheme hatched by one of the
State Department's top policy planners.
There was another episode in September 1955
when a CIA agent took it upon himself to seek
out the Egyptian President, Gamal Abdel Nasser,
and advise him to ignore a forthcoming State
Department note. The note, an attempt to
limit Nasser's purchase of arms from Commu-
nist Czechoslovakia to a one-shot deal, was
deemed sufficiently important for the then As-
sistant Secretary of State for Middle East Affairs,
50
HARPER'S MAGAZINE
George Allen, to fly to Cairo and deliver it in
person. The CIA man, however, was disturbed by
the State Department's attempts to pressure Nas-
ser, in contrast to the pro-Nasser attitude of then
Ambassador Henry A. Byroade, and decided to
play Secretary of State on his own. He notified
Byroade of what he was about to do, but the
State Department in Washington was not given
this courtesy. And it was too late to prevent
Allen from arriving in Cairo and finding the
ground had been cut out from under him.
HOW MUCH DO THEY KNOW?
ON THE espionage side, Senator Mans-
field contends that this country was caught
"flat-looted" in the Polish and Hungarian upris-
ings, in the Middle East outburst that resulted
in the closing of the Suez Canal, and, more re-
cently, in the Kremlin shake-up which ousted
Molotov, Malenkov, Kaganovich, and Shepilov.
In this regard, Allen Dulles said somewhat
whimsically to an Advertising Council meeting
in San Francisco last September: "I am the head
of the silent service and cannot advertise my
wares. Sometimes, I admit, this is a bit irksome.
Often we know a bit more about what is going
on in the world than we are credited with,
and we realize a little advertisement might
improve our public relations."
What he was too tactful to point out was that
the best reports in the world are of little use
if nobody reads them. Apparently he was more
open at a top-secret National Security Council
meeting at the turn of this year when he com-
plained to the President that the Administration
ignored CIA findings. Eisenhower reportedly
showed great annoyance at this, announcing that
the reports were too ponderous to read and ask-
ing that henceforth CIA append maps, with red
arrows pointing to strategic points, and head-
line summaries to its daily intelligence digests.
CIA resignedly set several dozen of its personnel
to the task of making its reports more readable.
Although CIA remains officially silent, on
occasions for both criticism and praise, it is
fairly reliably known that the agency was aware
of the pressures in both Poland and Hungary,
even if its "estimate" to the National Security
Council predicted Hungary, instead of Poland,
would be the first to blow up.
In Suez, it was long suggested that Nasser
might close the Canal. But the policy-makers
in Washington decided to go on the assumption
that he wouldn't be that foolish. And as for
what followed, U.S. News and World Report, a
magazine which had previously published a
signed article by Dulles, baldly stated that CIA
delivered a top-secret report to the White House
twenty-four hours before the Israeli attack, pre-
dicting it would be made against Egypt, not
Jordan, as had been assumed, and that Britain
and France would also establish beachheads in
the Canal area.
On the Kremlin shake-up, CIA either failed
to anticipate the move, or official Washington
was surprisingly numb for some days afterward
when asked what to make of it.
In the more recent shake-up involving Marshal
Zhukov, CIA reportedly told the Administration
that Zhukov was being boosted up, not down.
Asked about this at his press conference, the
President defended CIA, saying he didn't think
any intelligence service could give "a complete
and positive answer."
In the field of scientific appraisals, such as
Russia's progress in satellites and ballistic mis-
siles, it is known that CIA predicted the Soviet
success back in 1955— and was ignored.
On some occasions it is difficult to tell whether
CIA intelligence was faulty, or CIA took the
rap for some other agency. The classic example
was during the Chinese Communist invasion of
South Korea in November 1950. General Douglas
MacArthur had confidently assured President
Truman that this would never happen. When
it did, he accused both CIA and the State De-
partment of holding out on him. President
Truman replied that if MacArthur did not have
the benefits of CIA reports at the time, it was
"because he did not let the agency operate in
his command until recently." Mansfield, how-
ever, recalls CIA's first director, Rear Admiral
Hillenkoetter, telling the House Foreign Affairs
Committee in executive session that the Chinese
Communists would never invade South Korea-
just days before they did.
On another occasion, in April 1948, General
George Marshall, then Secretary of State, ar-
rived in Bogota for the Ninth International
Conference of American States just as a revolu-
tion broke out. The five-star General immedi-
ately went back to fundamentals and carefully
deployed his troops— the dozen or so Marines
who happened to be in Bogota at the time— to
various ramparts around the Embassy.
CIA Director Hillenkoetter told a subsequent
House hearing that a Lieutenant Colonel at-
tached to the State Department's division of
international conferences had blocked CIA from
cabling beforehand that the Communists were
out to humiliate the United States delegation.
CIA: WHO WATCHES THE WATCHMAN?
51
According to Hillenkoetter, the State Department
official had not thought it "advisable" to alarm
Washington. The State Department replied that
it was inconceivable that such an official would
have the authority to stop such a report.
DOLLARS AND CENTS
BECAUSE CIA keeps its budget and man-
power figures under wraps, it is impossible
to appraise the frequent charges of waste heard
around Washington. Some waste charges Dulles
will readily admit, on the argument that intel-
ligence gathering is like drilling for oil wells:
there will be a good many dry holes before
you come up with a gusher. Of the nation's
nine intelligence organs— CIA, the Department
of Defense's National Security Agency, the FBI,
and those sections at the Army, Navy, Air Force,
State Department, Atomic Energy Commission,
and United States Information Agency (which
likes to consider itself included)— CIA, as it is
careful to point out, accounts for only one-
eighth the total expenditures. The percentage
teases, but still gives no inkling of the amount
of money CIA has to spend.
There is one situation, however, where a
budget figure is known, and that is for CIA's
$56,000,000 new headquarters in Langley, Vir-
ginia, where contracts are expected to be let
by August.
The building will not actually cost $56,000,000,
since $8,500,000 of this is to be used for improv-
ing access roads. But then neither is there
assurance that all of CIA's x number of em-
ployees in some thirty-four buildings around
Washington will be gathered under one roof.
Congress ordered this consolidation when ap-
proving the sum, but Dulles has refused to
promise anything more than that he will do
his best. And the CIA Director, who originally
had hopes for a "Princeton-like campus" (his
Class is '14), must now content himself with
Spartan cement.
The Langley move has brought criticism from
all over. Some State Department officials see
it as a dreadful propaganda mistake to label
any great new building "Spy Headquarters."
Dulles' desire to be no further than a twenty-
minute dash from the White House hardly co-
incides with the Office of Defense Mobilization
directives to disperse beyond H-bomb distance
of Washington. The residents of Virginia's still
rural Fairfax County fought a long but unsuc-
cessfu' Lattle to keep the "Second Pentagon"
fr^m dragging suburbia into their peaceful roll-
ing woods and pastures. Even Senate Minority
Leader Knowland of California, never known for
his levity, was amazed when Dulles, pleading
for his heart-set site in Virginia, assured Con-
gress CIA could enjoy added security by having
the Potomac form one of its borders. Quipped
Knowland to a colleague: "What's he afraid of?
Attack by Indians?"
Dulles' security problems also brought a laugh
a few years back when a known intelligence
agent at the Soviet Embassy was spotted enroll-
ing in a Georgetown University Slavic language
class frequented by CIA employes.
A FOOT IN THE DOOR
ACTUALLY, four checks into CIA's ac-
tivities have been conducted during the
past eight years— two at the instigation of the
White House, two at the instigation of ex-
President Herbert Hoover's Commission on
Government Reorganization.
The first, in 1949, was conducted by a Hoover
Commission task force headed by Ferdinand
Eberstadt, the former Assistant Secretary of De-
fense who had helped to set up CIA. The
Eberstadt report found CIA sound in principle,
but in need of a top-level evaluation board
whose responsibilities would not become bogged
down in mere administrative detail.
The second check was in 1950 under a three-
man Administration committee headed by Allen
Dulles, who at that time had left his wartime
OSS duties to practice law on Wall Street. The
Dulles committee reportedly found "much cause
for dissatisfaction." General Smith was brought
in to replace Admiral Hillenkoetter as director,
and Smith asked Dulles himself to come down
for what was naively thought to be merely a
few weeks of consultation. Dulles ended up as
CIA's deputy director for two-and-a-half years,
and then director.
The third CIA check, in 1954 and again under
the White House, was headed by Air Force Lieu-
tenant General James H. Doolittle. It praised
CIA for doing a "creditable job," recommended
in secret that certain changes be made, and
complimented CIA for taking steps to remedy
what shortcomings there were.
The Doolittle comments were published by
the White House within days after the first
meeting of the Hoover Commission's second task
force headed by General Mark W. Clark. The
proximity was not thought accidental. Nor was
it considered accidental a year later, in 1955,
when the White House immediately adopted
52
HARPER'S MAGAZINE
one of the Hoover Commission's recommenda-
tions—for a citizens' committee of consultants
on foreign intelligence activities— and pointedly
ignored its second— for a joint Congressional
"watchdog" committee. The first is responsible
to the President, and so within the Adminis-
tration family; the second would not be.
CIA employees were alerted months in advance
for the arrival of the Clark task force. When
the investigators finally appeared it was like
barracks inspection in the Army: everything was
a buzz of activity; specially-ordered maps and
charts were unfurled; and the intra-office snicker
was "snow job." Nevertheless, the Clark task
force came up with definite conclusions and
recommendations. Its main report went directly
to the President. No copies were made and not
even the twelve Hoover Commissioners dared
look at it.
In the public section of its report, however,
the. Clark task force:
(1) declared that Director Dulles "in his en-
thusiasm . . . has taken upon himself too
many burdensome duties and responsibilities on
the operational side of CIA's activities," and
recommended a basic internal reorganization
under an executive officer or "chief of staff";
(2) rapped the State Department for some-
times interfering with CIA intelligence-gathering
abroad out of "an abhorrence to anything that
might lead to diplomatic, or even protocol
complications";
(3) expressed great concern over the "lack of
adequate intelligence from behind the Iron
Curtain," and clearly implied that the dossier
on friends and neutrals was more complete than
the one on enemies.
The full Hoover Commission, in recommend-
ing both the Presidential board of consultants
and the Congressional watchdog committee, re-
ferred to the latter as "a means of re-establishing
that relationship between the CIA and the Con-
gress so essential to and characteristic of our
democratic form of government, but which was
abrogated by the enactment of Public Law 110
(the National Security Act). . . ."
It was this last recommendation which Sena-
tor Mansfield picked up and tried to get through
Congress. And the Senator emphasized that he
thought the committee was necessary not just
to supervise, but also to protect the agency
from irresponsible attacks, such as the one
launched by the late Senator Joseph McCarthy
of Wisconsin.
McCarthy and his helpmate, Roy M. Cohn,
had made it plain that when their Senate In-
vestigating Subcommittee was through with the
Army it w;is going to move on to CIA. With-
out even waiting for the formal opening of that
investigation. McCarthy, in the summer of 1953,
tried to force Dulles to fire William P. Bundy, a
top State Department official who had gone into
CIA. For McCarthy's purposes, Bundy had en-
dangered the nation's security by contributing
$400 to the Alger Hiss defense fund, and— pos-
sibly more heinous— had married Dean Acheson's
daughter.
In the Bundy case, Dulles stood his ground,
called McCarthy's bluff by asking for specifics
which never came, and successfully rode the
issue out. But Mansfield contends that attacks
on CIA could arise in the future— perhaps hack-
ing away at its budget as Congress, in a fit of
pique, succeeded in doing with the United States
Information Agency budget last summer. Should
such an attack against CIA arise, Mansfield
declares, a veteran group of legislators, familiar
with CIA and its leadership, could then rally
to its support.
WHAT THE WATCHDOG
SHOULD BE
TH E Senator actually anticipated the
Hoover Commission when he first proposed
a CIA watchdog committee in July 1953. At
that time his bill called for an eighteen-man
group, nine from the Senate and nine from the
House. But to placate those who thought this
would be spreading secrets too far, he scaled the
membership down to twelve in his later bill,
specifying that three-man groups should come
from the Senate and House Appropriations and
Armed Services Committees. The Appropriations
Committees are the only ones which now go
through even the formalities of supervision, but
top Armed Services members often belong to
both committees, or sit in, at least on the
Senate side. The House has never listed its
CIA subcommittee members, and staff officials
of the House Appropriations Committee, when
asked, say they have no knowledge of the sub-
committee's existence.
The Mansfield bill would also have provided
a $250,000 annual budget for a committee staff.
A staff is the mainstay of every Congressional
committee, for staff personnel, not committee
members, have the time to familiarize themselves
with salient agency issues. And only a staff has
the facilities to keep files on agency business,
past and pending. Yet it is the staff idea par-
ticularly which is said to make Dulles balk. He
CIA: WHO WATCHES THE WATCHMAN?
53
is reported to feel that he would not be making
unauthorized disclosures by discussing CIA mat-
ters with selected legislators, because they carry
the mandate of the electorate. Professional staff
members are another matter, especially since
they might be recruited from disgruntled ex-CIA
employees.
THE one attempt so far at a watchdog group
for CIA— the President's Board of Consultants
on Foreign Intelligence Activities, established
by Presidential executive order in February 1956,
in compliance with half of the Hoover Com-
mission's recommendations— is headed by James
R. Killian Jr., president of the Massachusetts
Institute of Technology and now the President's
Special Assistant for Science, and includes such
a distinguished roster of members as Robert A.
Lovett, the former Defense Secretary and Under
Secretary of State; Benjamin F. Fairless of United
States Steel; Edward L. Ryerson of Inland Steel;
Colgate Darden, president of the University
of Virginia and a former Virginia Governor;
Retired Admiral Richard L. Conolly, president
of Long Island University; Retired General
John E. Hull, president of the Manufacturing
Chemists Association; and General Doolittle,
who prepared the White House's 1954 report
on CIA.
But the consultants are required to meet
only semi-annually and rely on a three-man staff
composed of Brigadier General (Ret.) John F.
Cassidy, one assistant, and one stenographer.
And Mansfield feels that at best a group within
the executive branch— and responsible only to
that branch— can be but self-serving.
He may yet reopen his crusade for a Con-
gressional committee. He is no longer a fresh-
man. As Democratic whip, he is today Majority
Leader Johnson's alter ego and a member of
the Senate's inner club, where he is treated with
affection and respect. Moreover he believes that
the recent surprises given the Congress and the
American public— if not the Administration—
by Poland, Hungary, the Middle East, the Krem-
lin shake-up, and the sputniks will influence
more Senators to take closer interest in CIA
supervision the next time the vote comes up.
A year ago, Congressman Daniel J. Flood of
Pennsylvania introduced a bill similar to Mans-
field's in the House— a bill which had fourteen
co-sponsors. It is still to be given a committee
hearing.
Any Congressional committee would, of course,
have to understand that it could not ask CIA
to divulge the names of its agents, sources, or
cover agencies. But there is no need for such
identification in any over-all check and, indeed,
the Mansfield bill did not ask for it. The legis-
lators would have to police their membership
to prevent leaks of the information they did
get and keep an alert against any Congres-
sional temptation to meddle in CIA operations.
This, too, should not be impossible.
And, with or without a watchdog committee,
Congress must face up to the responsibilities it
now has. It must recognize that the nation's
security is very much a part of its business,
and dissipate the awe of secrecy which makes a
Saltonstall of Massachusetts, a Russell of Georgia,
and a Hayden of Arizona protest that there
are some things they would rather not hear.
THE STAR FROM FOUR TO FIVE
lH E world is ready to take a new child star to its heart . . . and I am convinced
Leslie [his four-year-old daughter] could be the one. ... I am training her to
be natural, to be herself. I don't let her associate with other children. They
only remind her that she is a child. Her mother and I are trying to keep her
on a level with us. She will not start acting until she is five. If she becomes
a star I will know how to look after her. . . .
When we are ready to start production, I will form my own company and
if Leslie is as big a star as I think she will be, I believe she should collect at
least $400,000 on her twenty-first birthday. . . .
Public adoration is the greatest thing in the world.
—Jackie Coogan, quoted by Joe Hyams, N. Y. Herald Tribune, January 30, 1958.
By ARTHUR C. CLARKE
Drawing by Tomi Lingerer
Standing Room
ONLY
There will have to be some changes made —
in sex habits, ethics, and human nature
itself — to make room for our descendants on
this soon-to-be overcrowded planet.
Here are five possibilities, all of them
shocking. Anyone who can think up a better
alternative will be doing the greatest of
services to all future generations.
OURS is perhaps the first age in history
to worry about the Future— and with
good reason. It is true that there have been
prophets of doom since the time of Cassandra—
and doubtless earlier— but the disasters they pre-
dicted were strictly local ones. The falls of Troy
and Babylon and Rome may have seemed like
the end of the world to those directly involved;
we can only smile wryly at such egocentricity.
When we talk about the end of the world, we
mean exactly that, and we have a wide range of
varieties from which to chose.
But the peril I want to discuss at the moment
is not one of the more spectacular disasters
which spring so readily to mind. It is another,
quite different, and absolutely inescapable dan-
ger which will confront us all the more promptly
if we avoid the menace of atomic war. And it
is one for which I have never seen any realistic
solution proposed, despite all the millions of
words that have been written about it.
We have been living for the last two or three
hundred years in a completely abnormal period
of history where everything has been happening
at once and all the patterns of culture and tech-
nology have been changing out of recognition.
As a result we tend to forget that sooner or later
the world has either to blow up or to settle
down. The skyrocketing curves of fuel produc-
tion, power generation, ore extraction, and
population increase cannot continue to shoot
almost vertically upward for very much longer;
sooner or later they must flatten out. This is
common sense, but it is seldom that anyone
admits it.*
Sometime in the foreseeable future— it does
not matter if the time is a hundred or a thousand
years from now, though it will be much nearer
the former— the population of the world has to
be stabilized, for the first time since the end of
the Dark Ages. Most of us would agree that this
* The present population of the world is about two
and a half billion. Thanks to human fertility and
to medical progress, which has lengthened the span
of life and sharply reduced infant mortality, the
earth's population is increasing by 117,000 people
every day. At this rate, the total population will
double in fifty years— and double again in the next
fifty. Some demographers have estimated that it may
reach 20 billion by the year 2106. The rate of growth
is now three times as fast as it was in the first quarter
of this century, and many times faster than in th"
early periods of human history.
For detailed figures, see the United Nations Demo-
graphic Yearbook for 1956. —The Editors
STANDING ROOM ONLY
55
plateau of population should not— and indeed
cannot— be established by the ancient checks of
war and pestilence. It has to be established,
deliberately or unconsciously, by a fundamental
change in the pattern of human reproduction.
At a point not far in the future, for every
person who dies, one must be born— no more, no
less. The actual size of the population when this
time comes is quite immaterial, and all argu-
ments as to whether the world can support ten
or a hundred billion people are totally irrelevant.
The fact that there are still ample resources for
a much larger population than now exists is a
red herring which must be ignored. What we
are concerned with is the situation when those
resources have been exploited to the utmost.
When that time arrives, the average number
of children per family must be a fraction over
two. Perhaps one family in twenty could be
allowed three children to make up for the child-
less marriages and for the inevitable deaths by
disease or accident which must occur even in the
most Utopian society. But we can say that the
average couple must (not may!) produce exactly
two offspring during their entire married life.
However depressing this situation may appear to
us, it is one which our descendants will have to
face, unless humanity goes back to the Stone
Age via starvation and disease, and starts all over
again.
It is an elementary biological fact that two
offspring per family is far below what might be
called the natural reproduction rate, and the
disparity will be increased as the progress of
medicine lengthens the span of life. There are
still societies in which women produce ten or a
dozen children during perhaps twenty years of
fertility; we have to look forward (if that is the
right phrase) to a society in which very few
women can be pregnant more than twice in
thirty or forty years. And a society in which—
from the point of view of the male— just two
reproductive acts will exhaust the allowance of
an entire lifetime ... or even one, if he is un-
lucky enough to father twins. . . .
How can this biological dilemma be resolved?
It must be emphasized that there is absolutely
no escape from it, if civilization is to continue.
Some optimists have suggested that interplane-
tary travel may be the ultimate answer, but this
is a complete fallacy. Colonization never helps
for more than a few generations, because the
colonists breed more rapidly than the folk at
home and soon fill up all the empty spaces— as
the classic example of the United States amply
demonstrates. Even if all the planets were as
fertile as the great American plains— instead of
being barren wildernesses which will require
miracles of engineering to develop— they would
not affect the problem appreciably. There is
no way out into Space; the battle of population
has to be fought and won here on Earth.
CUTTING DOWN
ON CHILDREN
IT WILL be a battle indeed, and the victory
may not be worth the cost, for it will involve
the sacrifice of many of the values we hold dear.
One might go even further than this, and state
outright that the society of the future, in its
struggle for stability, will be forced to violate the
religious and ethical beliefs of almost every
human being alive today. Let us examine the
possible solutions to the problem, and see if
there are any that we would tolerate.
Hypothetical Society A is the one that would
require the least form-filling and government
control, and the fewest restrictions on personal
behavior. Unfortunately, the price is high. You
can have as many children as you like— but
prompt infanticide is compulsory after the
second.
Any volunteers? I rather thought not; perhaps
you didn't take me seriously. But this is the only
answer if more than two children are born per
family, when the world has reached its level of
maximum supportable population.
Some hard-headed eugenists might put up a
case for letting the surplus children grow until
they were old enough to take mental and physi-
cal tests qualifying them for survival. After
which, the "failures" would be— in that useful
word which is one of Communism's many gifts
to civilization— "liquidated." But most of us
would prefer not to bring children into the
world if we knew that they had to be killed, so
let us look at possible societies that avoid the
problem, by some form of birth control— using
that phrase in its widest and least controversial
form. For that is what the choice will come to
in the long run, in a closed society that has
abolished natural checks to population— infan-
ticide or birth control. No alternatives exist.
Society B has another of the nice, simple
answers. All couples are sterilized after they have
had their ration of two children, though enough
lucky pairs are allowed three to take care of the
natural wastage. This is not quite as bad as
Society A, and most of us would probably vote
for it if there was no other choice. However,
there is a grim alternative.
56
HARPERS MAGAZINE
Society C leaves the method of regulation to
the parents, but imposes such ferocious penalties
(e.g., rigorous imprisonment lor the remainder
of one's period of fertility) that the production
of more than two children is strongly inhibited.
It seems likely that the emotional strains gen-
erated in such a culture would blow it to pieces
rather promptly, unless methods of thought con-
trol are evolved beyond anything dreamed of in
the police states of today. (And they will be;
trust the psychologists for that.)
The three societies I have listed all have one
thing in common; they are desperate attempts
to save the situation by tinkering, not by a
fundamentally new approach to the nature of
man. The more one looks at the problem, the
more one is forced to conclude that if there is an
answer, it will involve a complete change in the
patterns of human sexual behavior.
How such a change could be brought about
(even if it were desired) is something I will not
discuss here; I am concerned only to see where
the logic of the situation leads. It is a fact that
sexual behavior can and does vary with great
rapidity; look at the size of your grandparents'
families if you doubt that. The sort of change
we may have to bring about within the next five
hundred years, however, will be more drastic
than anything that has happened in the known
history and surmised prehistory of mankind. It
is the penalty we may have to pay for construct-
ing a civilization as totally unnatural as the one
which we have been busily building ever since
the rise of modern science and technology.
Man's sexual drives and capacities were de-
signed for a primitive and dangerous environ-
ment in which only a minority of children sur-
vived to become adults. We have left that en-
vironment centuries behind, but every fertile
woman still produces a dozen ova a year, every
man enough spermatazoa in a lifetime to have
fathered the entire human race back to Adam.
Somehow, this fantastic disparity has to be re-
solved.
PRESERVING THE FAMILY
ONLY yesterday the problem appeared to
be solving itself, at least in the Western
world, because the two-child family was for a
time the norm. In due course— as standards of
living rose throughout the world— we supposed
the small family might become universal and the
population would then be stabilized without the
need for any drastic action.
This is the optimistic, "It'll be all right on the
night," view of the problem. But even if it were
correct, one cannot help thinking that the uni-
versal two-child family may, alter all, be only a
short-term solution.
Quite apart from the problems which it im-
poses on all the would-be and must-not-be par-
ents (and please note that I am not in the least
concerned with the actual method of limitation,
whether it be prayer or pills) there are good
grounds for thinking that the optimum number
of children per family is much higher than the
basic two. Perhaps I am biased, having three
siblings, but I have a strong feeling that the
happiest families— other things being equal— are
those with four, five, or even more children.
And how many of the divorces and nervous
breakdowns in the modern world are due to a
refusal to face this fact?
But large families would be possible in the
future only if the majority of people had no
children at all— if, in fact, reproduction became
the business of as little as a quarter or even a
tenth of the human race. This would imply a
society in which parenthood would become the
exclusive function of a specially trained and
selected elite— though how that selection should
be made is not a problem that many of us would
care to solve.
This state of affairs, by whatever mechanism
society instituted and imposed it, would com-
plete the separation between sex and reproduc-
tion which has now been in progress for certainly
the last hundred years. It might lead to a world
in which married couples were a cherished and
respected (but not necessarily envied) minority
like doctors, schoolmasters, or ministers. In
some ways such a culture would be less alien to
us than many that have existed in the past—
those, for instance, that sacrificed ten thousand
human beings to their gods at a single ceremony,
or launched their war canoes over the bodies of
their prisoners.
And what sort of emotional lives would the
childless— but not necessarily sexless— majority of
the human race experience in the society which
may be inevitable a few centuries from now? It
is obvious that today's mores will be wholly in-
appropriate to such an age, but it is by no means
obvious what will replace them. Sex is so funda-
mental a part of mankind's emotional and even
intellectual make-up that its complete abolition,
even if it proved to be possible, might result
in a racial disaster greater than the one it was
designed to avoid.
This line of thought inevitably leads us, if we
are honest, to the only hypothetical future of all
RETURN OF THE NATIVE
57
those I have described which would find any
supporters today (and some quite enthusiastic
ones, at that). Perhaps Nature knew exactly
what she was doing when she made mankind
sexually polymorphous; the time may yet come
when homosexuality is practically compulsory,
and not merely fashionable. It will indeed be
a piquant paradox if— in the long run and taking
the survival of humanity as a whole as our
criterion— this controversial instinct turns out to
have a greater survival value than the urge to
reproduce.
Are there any alternatives to the depressing
array of futures I have lined up? I do not think
so; I have looked hard enough for them. It may
be, of course, that the matter is already settled
and that there is nothing to worry about; per-
haps we have already shot enough Strontium 90
and assorted isotopes into the atmosphere to
control our fertility during the remainder of our
short stay here on Earth. But if not, then one of
the societies I have sketched is bound, sooner or
later, to be brought about and to become the
"natural" way of life for mankind over a period
of time which may far exceed the entire duration
of its existence so far.
And if you do not like the prospect, I'm very
glad to hear it. / don't like it, either.
RETURN OF THE NATIVE by James Rorty
(Donegal, April 1957)
this is the Gaeltacht where they fled—
O'Donnell beaten and MacRorty dead—
When the long trumpets of the Gael
Blew, and were silent on the field of Ballintra.
Rock, and bog water and the yellow whins
Stealing the pasture. Shadows darken at noon upon a land
Where past is more than present. Yesterday
The Red Branch feasted and fought where now
Beneath the dolmen's poised rocks a starveling cow
Suckles her calf. On this forsaken strand
Columcille planted his staff that has not ceased to grow.
This is the town and this the square;
Here blind O'Rahilly fiddled and sang
Where now the empty houses stare
Eyeless upon the sea. What evil spell
Unmans the sons of Tir Chonaill
Whose fathers fought with Pearse and ran
With Dev and turned to fight again?
Pale, prudent youths who dream
Safe dreams or none; who let
The beauty of their women fade,
The thatch unmended and the word unsaid,
The field untended and the child unmade.
This is the Gaeltacht where the past
Is more than present; where the son is taught
A tongue his father has forgot;
Where days are short and twilight soon
Gathers the ghosts of castle and ruin,
And travelers seeking for ancestral graves
Are wakened by a voice that raves
Of ancient, unforgotten wrong.
George W. Gray
STARS FORMING,
BURNING, AND DYING
New Discoveries About the Cosmos, Part II
Within the past decade new instruments for
looking into millions of lightyears of space— as
well as experimental studies of atoms in the
laboratory— have enabled astronomers to read the
history of stellar creation and evolution in a
radically new way. Last month Mr. Gray jot used
on recent explorations of the Andromeda Spiral
Nebula. He turns now to evidence bearing on
the fate of the Sun and of our solar system.
TH E constellation Orion, mighty hunter
of the winter sky, stakes out a region of
the Milky Way where, astronomers believe, stars
are being born. There are many other areas in
which creation is still at work, but Orion is
familiar and presents to view all the physical
features that participate in stellar evolution. Its
block of several million cubic lightyears of
space is a convenient showcase of stars forming,
burning, and dying.
A row of three blue supergiants studs the belt
of the mighty hunter, and others are visible in
his left shoulder, his head, and his knee. All are
young stars, superlatively hot and intrinsically
very luminous. Rigel, in the left foot of Orion,
is further advanced in its evolution than the
belt stars, and still more advanced is the red
Betelgeuse in the right armpit, actually the
brightest member of the constellation. Betel-
geuse's brilliance, however, is due entirely to its
size. Although the star's temperature is so low
that it produces predominantly red light, its
surface area is so enormous that the Sun would
need to be multiplied 16,000 times to equal it
in magnitude. Betelgeuse is well along in its
evolution and already declining into old age.
Below Orion's belt hangs his sword, and
among its stars is a misty object which the tele-
scope shows to be a luminous cloud. This Great
Nebula in Orion is not a spiral like the An-
dromeda Nebula, not a system of stars at all,
but a true gas cloud. There are several other
nebulae in Orion— one opaque with dust known
as the Horsehead from its shape, another an
immense hovering cloud known as Barnard's
Luminous Arc which seems to encircle the entire
constellation. In and near these clouds are
bright stars, both single and in clusters. In
1956 T. K. Menon completed a survey of the
Orion region with the 25-foot radio telescope of
the Harvard College Observatory, and he reports
that all these features (nebulae, clusters, and
individual stars) appear to be imbedded in a
gigantic clump of hydrogen— he calls it a "bowl
of neutral hydrogen jelly"— with a mass equal
to that of 60 to 100 thousand Suns. The hydro-
gen "bowl" is in slow rotation and apparently
expanding.
Another student of Orion is Malcolm P. Save-
doff at the University of Rochester. Analyzing
Menon's data and applying hydrodynamical
principles, Savedoff concludes that about two
million years ago a very massive star formed in
the center of the Orion region. It was so hot that
it burned up within 1.8 million years. But dur-
ing that brief lifetime the flood of radiation
from this supergiant so heated and ionized the
layers of the hydrogen cloud immediately sur-
rounding the star that the gas expanded
vehemently. This sudden expansion squeezed
outer layers with such violence that several score
to
la
';,
||
STARS FORMING, BURNING, AND DYING
59
ars condensed out of the compressed gas. They
re so young that we may call them baby stars,
ad Barnard's Luminous Arc is the visible front
f that still expanding ring of hydrogen.
THE BIRTH OF A STAR
' ' AS pressure generated by the intense
<^Sf radiation of the parent star thus accounts
>r the origin of this second generation of Orion
ars— but what caused the parent star to form
i the first place? In other words, how does a
iose cloud of hydrogen, or of intermingled gas
id dust, produce a star? I asked that question
: Allan R. Sandage, one of the astronomers
Mount Wilson and Palomar who has special-
ed in the study of stellar evolution.
"Gravitation," he answered, "is the primary
arting force."
This universal property of matter, which op-
ates between atoms as well as between planets
id stars, causes the particles of gas and dust to
owd closer together. When a cloud of such
aterial reaches a certain density, a sizable seg-
ent becomes gravitationally unstable. It begins
i collapse under its own weight. After the
jgregate has shrunk to a billion billionth of
» original volume, the temperature is so high
id the density so great that the hydrogen atoms
;gin to bump one another.
"Head-on collisions lead to nuclear reactions
tnilar to those which occur in a hydrogen
imb," Sandage explained. "But there is no
;plosion because a new star has the unfailing
pacity to release its energy gradually."
With the beginning of nuclear reactions, con-
action ceases and the segment of cloud becomes
star— a stable star. "This is one of Nature's
ost magnificent inventions," the astronomer
ent on. "The amount of matter in a stable
ar, enormous though it be, is in equilibrium
every point. The star arranges itself so that
avitation, tending to pull the material toward
e center, exactly balances the gas pressure,
jhich tends to push it outward. From the laws
physics we know that the pressure is deter-
ined by the temperature, and the gravitational
ill by the total mass. The larger the mass, the
jgher the temperature must be to match the
! creased gravitational pull."
Mass not only determines temperature, but
rough its influence on temperature determines
le rate of the nuclear reactions and therefore
|e brightness. The star's size, or radius, is an
Ifect of the distribution of gas pressure, and
is in turn is fixed by its mass and temperature.
All the properties thus are interrelated, and if
you know two of them you can calculate the
others.
There are two properties that can be measured
in every star within reach of our spectroscopes.
They are brightness (absolute magnitude) and
color (surface temperature). About 50 years ago
Einar Hertzsprung at the Potsdam Observatory
devised the method of plotting stars on a chart
according to their absolute brightness and color.
Henry Norris Russell at Princeton took up the
scheme and extended it to thousands of Milky
Way stars. He found that most of them fell
along a nearly straight line reaching from blue
stars of high luminosity to faint red stars. This
curve was named "the main sequence."
The Hertzsprung-Russell diagram occupies
a key role in the current study of stellar origin
and development. Indeed, it was by plotting his
new-found stars on such a diagram that Walter
Baade discovered the two populations, as I
reported in last month's article. Astronomers
have found that the main sequence represents
the nursery and early home of stars. For when
a new orb is born, the relation of its color to its
magnitude is such that the star takes a position
somewhere on the main-sequence curve— and
there it spends its childhood. The unfailing rule
for main-sequence stars is that the higher the
surface temperature, the brighter the star.
But when a star has consumed all the hydro-
gen in the central 10 per cent of its mass, the
picture changes. The evolutionary consequences
of this degree of fuel-exhaustion were worked
out by another Princeton astronomer, Martin
Schwarzschild. He and his research group found
that internal conditions now force the star to
expand. It becomes hotter and denser in the
center, but as it swells to larger volume the
surface cools and the color changes. A blue star
will become white, and then, as it continues to
cool, yellow, orange, and red. However, inas-
much as the expansion distends its surface, the
star will wax brighter since the enlargement
gives it more area from which to radiate light.
Thus the old relationship of decreased lumi-
nosity with lower surface temperature no longer
holds, for the star with more than a 10 per cent
hydrogen core grows brighter with diminished
temperature. Consequently, it can no longer be
plotted on the main sequence.
In the diagram on page 60 the scale of magni-
tude is indicated vertically, in terms of the
Sun's brightness; the color scale is graded hori-
zontally in thousands of degrees of temperature.
(Our drawing is schematic; actually the main
60
HARPER'S MAGAZINE
1
sequence is slightly curved, in the form of ;i
stretched S.) In a complete Hertzsprung-Russell
diagram the main sequence would be crowded
with tens of thousands <>l stars (with most of
them below the Sun), and there would be other
thousands oft this curve in various positions
both to the right and the left. But the nine stars
plotted here are a sufficient sampling to make
clear the relationships.
Note the main-sequence stars. Kruger 60, a
diminutive red dwarf, has a surface tempera-
ture of only 2,500°, less than half the Sun's, and,
correspondingly, its brightness is little more
than a thousandth the solar magnitude. Sirius,
the brilliant Dog Star, has a surface temperature
nearly double that of the Sun and is 21 times
brighter. And so with Vega, the glowing white
orb of the Lyre, and 10 Lacertae, a blue super-
giant of the constellation Lizard which is so dis-
tant that it can barely be seen— each is still
hotter and brighter. Vega equals 50 Suns in
luminosity, 10 Lacertae 60,000 Suns— and, as the
diagram shows, Vega has a temperature of more
than 12,000°, 10 Lacertae 30,000°.
Axturus and Betelgeuse do not fit into this
pattern, however, for while they are brighter
than the Sun they are not hotter. There was a
time, say the astrophysicists, when both were on
the main sequence. But eventually each reached
the stage at which it had consumed all the
hydrogen in the central 10 per cent of its mass,
and then it began to expand. Both are now red
giants, and yet in surface temperature they are
in a class with the dwarf Kruger 60.
THE WHITE DWARFS
ANOTHER star in our diagram, also
off the main sequence, shows its incon-
sistency in the opposite direction— for it is both
hotter and fainter than the Sun. This is the
Companion of Sirius (visible only through a
powerful telescope) which revolves around the
Dog Star. Although its surface temperature is
8,000°, it gives less than a hundredth as much
light as the Sun— therefore its area must be small.
Measurement shows the Companion to be about
the size of the Earth. Only some 200 such stars
have been found. They are called white dwarfs,
and are examples of a star's old age when it has
shrunken to a mass of collapsed atoms so packed
that a handful of the stellar core would weigh
several hundred tons.
White dwarfs are so small that the most
distant yet recognized is only 650 lightyears
away. Jesse L. Greenstein, an astronomer of the
Representative Stars
Plotted by Color and Magnitude
Mount Wilson and Palomar staff who spe-
cializes in spectroscopy, has studied the compo-
sition of these peculiar stars and within the last
five years has discovered 20 white dwarfs with
the 200-inch telescope.
"It is reasonable to believe," he said, "that
billions of these collapsed stars are adrift in
space. They will continue to cool, slowly becom-
ing degenerate red dwarfs, and finally black
dwarfs. But I don't think there are any black
dwarfs yet," he added, "because there hasn't
been time enough. We calculate that for a white
dwarf like the Companion to cool down to black
dwarfdom will take 8,000 million years, and for
an evolving star to get from the main sequence
to the white-dwarf stage requires an estimated
5,000 million— a total of 13,000 million years."
It is mass that determines where a star will)
be on the main sequence, for the greater thei
amount of matter with which a new-born star
is endowed, the higher will be its gravitational
energy and central temperature and, in conse-
quence, the higher will be its surface temperai
ture and brightness.
"We can tell from a star's surface tempera-
ture and luminosity the rate at which it is burn-
ing hydrogen," Greenstein went on. "Rigel, foi
example, is consuming hydrogen at such a pace
that it cannot have been operating for more than
40 or 50 million years. Rigel has moved off thd
main sequence and is probably beginning tc
expand into a red supergiant. Vega and Siriusj
are not such gluttons for fuel, but they outdc
the Sun, and we know that their ages can be|
only a tew hundreds of millions of years, pos
sibly 1,000 million. But the Sun consumes fuel
STARS FORMING, BURNING, AND DYING
61
so slowly that it has taken about 5,000 million
years to reach its present state, and another 5,000
million must pass before it has consumed all
the hydrogen in the central 10 per cent of its
mass. For lesser stars, the rate of burning is even
slower. It will be more than 500,000 million
years before Kruger 60 is ready to expand and
evolve."
Considerations such as these have led astron-
omers to assign the origin of the existing white
dwarfs to masses above that of the Sun. For
smaller stars there has not been time enough.
Here, then, are the extremes of stellar evolu-
tion: the glowing nebulae where stars are born,
and the collapsed white dwarfs which mark
stellar senility and approaching death. Stars in
intermediate states are to be seen in the vast
panorama of the Milky Way, and it is because
of this that we can study evolution at all in our
brief second of eternity. The astrophysicists
have traced the life histories of stars from the
"old folks home" (left of the main sequence)
back to the "nursery." And beyond that? Yes,
the evolutionists have some ideas on the origin
of the pre-star material and of the elements
which compose it.
ORIGIN OF THE ELEMENTS
TH E starting element is hydrogen, or neu-
trons which decay into protons and be-
come hydrogen. On this the cosmologists are
lgreed. The problem is to account for the ele-
nents heavier than hydrogen. Actually, they are
ery sparse. On the average, of every million
toms in the Universe taken at random, about
30,000 are hydrogen atoms, a little over 60,000
re helium, and the remainder of less than 10,000
toms account for all the other chemical species
-carbon, oxygen, iron, and the rest up to
ranium and the heavier radioactive metals.
! At least four theories have been advanced to
xplain the occurrence of the elements in these
elative abundances, but I should like to confine
Ws discussion to a hypothesis which pictures
'ie stars themselves as the atom-builders. It is a
peculation that has been slowly developing and
athering supporting evidence for more than a
ecade. Its early exponents were a group at
ie University of Cambridge in which Fred
loyle was the leading spirit.*
Hoyle has been a frequent visitor to the
nited States, and has spent several periods of
* Hoyle's book, The Nature of the Universe, was
ublished in Harper's, December 1950-ApriI 1951.
research in collaboration with investigators at
Pasadena and other American centers. Con-
tributions to the theory have been made by
William A. Fowler of Caltech, Greenstein of
Mount Wilson and Palomar, Schwarzschild of
Princeton, E. E. Salpeter of Cornell, A. G. W.
Cameron of Atomic Energy of Canada, Ltd.
(Chalk River), and G. R. and Margaret Bur-
bidge of the Cavendish Laboratory, Cambridge.
The Burbidges, a husband and wife team, were
in residence in Pasadena for the last two years,
working in close association with the local group.
ATOM-BUILDING IN STARS
TH E gist of the new theory is that the
atoms of all elements heavier than hydro-
gen are formed in the hot interior of stars, the
stellar hydrogen providing both the fuel and
the building blocks for the manufacture. If you
ask where the hydrogen came from Hoyle
answers that it is spontaneously created in inter-
stellar space: "it just appears" and is continually
appearing. But the theory of continuous crea-
tion of hydrogen is another story, so let us start
with a postulate. Let us assume a cold, dilute,
but turbulent gas composed of hydrogen atoms,
or of neutrons that decay into protons and
electrons to form hydrogen. The question then
becomes, as William A. Fowler phrased it,
"Given protons and neutrons, when, where, and
how have the heavier elements been synthesized?"
The first stars were born of the primordial
hydrogen, forming according to the process de-
scribed earlier in this article. These stars, which
we now see as red giants and lesser members of
Population II, contained nothing but hydrogen
in the beginning. But to live a star must burn,
and the product of this burning is helium. Grad-
ually a core of helium accumulates in its center
and, although both are gases, there is no mixing.
The helium stays inside and the hydrogen burns
around it in an encircling layer.
As the core grows, it begins to shrink under
its own weight and that of the overlying material.
At this stage the star may blow off some of its
surface, flaring up to heightened brilliance in
the kind of outburst known as a nova. Or the
star may leak some of its hydrogen and newly-
formed helium into space. But these adjustments
do not become catastrophic so long as the helium
core does not grow overlarge— specifically, so
long as it does not reach a mass greater than
1.44 times the Sun's total mass. For all stars with
helium cores below this limit the life history is
fairly uneventful and the star will reach old
62
HARPER'S MAGAZINE
age as a slowly cooling dwarf. But it the star is
so large that the growing core exceeds this
critical mass, then look for spectacular fireworks.
This critical mass is known as the "Chand-
rasekhar limit" from the name of its discoverer,
Subrahmanyan Chandrasekhar, professor of
astrophysics at the University of Chicago. Chand-
rasekhar calculated that a star with a helium
core heavier than 1.44 times the Sun's mass
would necessarily have to slough off the extra
material and get itself below the critical limit
to become a stable white dwarf. His computa-
tions indicated that this might involve stupen-
dous pressures and temperatures and wreck the
precariously maintained stability of the star.
Occurrences are on record in which a star
suddenly shines with the brightness of millions
of Suns. In 1885 such a luminary appeared in
the Andromeda Galaxy and attained a brilliance
about a tenth that of the entire system of sev-
eral hundred million stars. In 1937 one was seen
in the spiral known as IC 4182, and it outshone
all the other stars of that galaxy. These objects
are thousands of times more luminous than
novae, and are called supernovae. Twenty to
thirty novae are sighted annually in the Milky
Way, but throughout recorded history only
three supernovae have been reported as appear-
ing in our galaxy: one in the constellation
Taurus in the year 1054 a.l>., another in Cas-
siopeia in 1572, and the third in Ophiuchus in
the year 1604.
"Worse comes to worse, let us say, and the earth
is blown off its axis. All right, by
simply giving this knob a little turn . . ."
Observations of the explosion in Taurus are
recorded in ancient Chinese and Japanese
annals. Today there is a bright nebula at the
very point in Taurus where the Oriental
astronomers reported their "wonderful star" of
July 1051, and this luminous patch, which mod-
ern astronomers have named the Crab Nebula
from its shape, has been identified as the remains
ol that nine-cehturies-old supernova. Years ago
John C. Duncan made a detailed study ol the
Cral) Nebula and found it to be a cloud of gas
surrounding a faint central star, apparently the
whitening dwarf of the giant that exploded.
How can such titanic outbursts occur? Sup-
pose we take Sirius, which has an over-all mass
about three times that of the Sun, and follow
the story of what can happen in its future.
Sirius is still a stable star on the main sequence,
but eventually its growing core of helium will
find the crushing weight above it insupportable
and will raise its central temperature from SO
million degrees to 130 million. At that heat the
helium will begin to burn, producing carbon,
oxygen, and neon, and adding them to the core.
As the core continues to grow denser, slowly
over a period measured in millions of years, the
internal temperature waxes hotter. At 600 mil-
lion degrees the neon begins to burn, producing
magnesium. At 1,500 million degrees oxygen
reactions begin, with the production of alumi-
num, silicon, phosphorus, sulfur, chlorine, argon,
and potassium, and adding these to the core..
The radiation is now of the
penetrating kind known as
gamma rays. They knock pro-
tons out of the nuclei of
newly-forged atoms, terrifi-
cally mangling them. The
eventual result, however, is
not destruction. For when the
temperature reaches about
2,000 million degrees the frag-
ments fuse to form heavier
atoms— titanium, vanadium,
chromium, manganese, iron,
cobalt, nickel, and zinc.
The star is now radiating
energy so fast that further
contraction is necessary to
compensate, ft shrinks more
rapidly, and at about 5,000
million degrees the atoms of
the iron group break under
the gamma-ray bombardment
and become helium. Thus,
suddenly, a sizable proportion
STARS FORMING, BURNING, AND DYING
65
E the core changes from metals to this light
is. The result is utter collapse. In about a
:cond, says Hoyle, the star falls in on itself,
ut quickly, as a consequence of the resultant
eating, the unburned hydrogen of the outer
yer provides fuel for a tremendous increment
.: energy, and the star explodes. The explosion,
ke the implosion, is instantaneous, and its
feet is to fling into space all the surface layers
id outer shells of the core until the central
lass is reduced to Chandrasekhar's limit.
Such appears to be the mechanism of a super-
wa. The elements of all the various chemical
>ecies that were cooked in the star are thrown
at by the explosion. The atoms thus ejected
;come part of the interstellar cloud. They add
etals and other heavier elements to the abun-
int hydrogen, some of the atoms and mole-
des cling together to form dust particles, and
new stars arise in these clouds they inevitably
corporate debris of the supernovae. This ex-
ains why young stars contain more metal than
d stars. The very oldest were born of pure
I'drogen, before supernovae began to operate,
he young stars are beneficiaries of the atom-
oking processes of exploded stars. Greenstein
ts found red dwarfs of Population II which
ntain less than one twentieth of the Sun's
ercentage of iron, calcium, and other metals,
he Sun appears to be younger and is rated as a
ir of the third generation of Population I.
But supernovae are not the only atom-builders
i>y no means. All stars are making helium, and
ere is good evidence that the red giants (such
Arcturus and Betelgeuse) make carbon and
me heavier elements. "In the red giants the
lild-up is a slow process, taking from 100 to
0,000 years," said Fowler, "and in the super-
vae it is quick, 100 to 1,000 seconds." The
suits are quite different and the astro-physicist
n now tell pretty well which elements were
ide in the red giants (for example, strontium,
rium, zirconium, barium, and the recently-
covered technetium), which in supernovae
velopes (tellurium, xenon, uranium, and all
e other radioactive elements), and which in the
res of supernovae (iron, cobalt, nickel).
EXPERIMENTAL EVIDENCE
rH E sequence of reactions by which atoms
are cooked in stars was worked out theo-
ically, but the laboratories of nuclear physics
steadily accumulating a body of supporting
dence. For example, the chain of theoretical
ctions calls for an isotope of beryllium
weighing 8, but only beryllium9 was known to
exist. In laboratory experiments— both at Los
Alamos and at Caltech— the isotope of atomic-
weight 8 has been found, but in less than a
billionth of a second it splits into two helium
nuclei. More recently physicists at Caltech have
been able to demonstrate that in its fleeting flash
of existence the beryllium8 nucleus can capture
a helium nucleus to produce a stable nucleus of
the familiar carbon12— thus demonstrating in a
laboratory accelerator the process by which car-
bon is manufactured in stars.
Supernovae show a maximum brilliance after
which they begin to decline, and in certain of
these exploding stars it has been observed that
the brightness progressively fades by one-half
every 55 days. A bit of circumstantial evidence
which seems to bear on this rate of decline
turned up in 1952 when the U. S. exploded its
first hydrogen bomb. Among the fallout products
was a hitherto unknown isotope of the heavy
metal californium, an element which the bomb
transmuted from its uranium in the terrific heat
of the explosion. The isotope is highly radio-
active, and the interesting fact is that in just
55 days it decays to half its strength.
"We think," said Fowler, "that this isotope
of californium is produced in supernovae explo-
sions. Its especially energetic decay with a con-
veniently observable half-life makes its presence
stand out. Presumably uranium itself and other
heavy metals are produced in a similar manner."
Two isotopes of uranium are being examined
in this search into the past. U238, with a half-
life of 4,500 million years, is 140 times more
abundant in the Earth than U235, which has a
half-life of 700 million years. It is reasonable to
assume that originally they were made in approx-
imately equal amounts in supernovae explo-
sions. On this basis Fowler calculates from their
decay rates and present ratio of abundance to
one another that the age of the elements in the
Sun is somewhat greater than the half-life of
uranium238— that is, 6,000 to 7,000 million years.
The Milky Way may be older, its beginning
dating back perhaps as much as 8,000 million
years— and the physicist points to another atomic
clock not yet used in these studies, the isotope
of thorium known as Th232. This radioactive
metal has a half-life of 14,000 million years, and
Fowler and his crew of atomic archaeologists are
now on the lookout for some aspect of the Uni-
verse "which will be appropriately measured by
this 14,000-million-year hourglass."
The study of nuclear processes in stars thus
has brought us to the possibility of a greatly
64
HARPER'S MAGAZINE
increased time scale. The Sun is not "dying,"
as Sir James Jeans described it thirty years ago
in Tlie Mysterious Universe, but is in the very
prime of its life. The evidence for the expansion
of the Universe, in the light of these investiga-
tions and speculations, may suggest that it is but
an incident in the long sweep of cosmic history.
THE SUN'S DESTINY
INDEED Chandrasekhar's limit gives assur-
ance that our Sun will not suffer the fate
predicted for Sirius. The solar mass is too small
to become a supernova. But the Sun will change.
What is its probable destiny?
In response to this question Sandage pointed
to a diagram that he and Harold L. Johnson of
the Lowell Observatory had recently made of the
star cluster known as M (>7. It is one of the
open clusters of the Milky Way. a group of sev-
eral thousand stars in the constellation Cancer,
and from their association and motion they ap-
pear to have had a common origin and to be
of the same age. But they are of different masses-
some in the Sun's class, others which have moved
off the main sequence, still others in the red-
giant stage, and also a few white dwarfs.
"I think the Sun's evolution is going to paral-
lel that of the stars of M 67," Sandage said, "and
from the track already traveled by this cluster
we can draw some reasonable inferences."
The astronomer traced a path on the dia-
gram shown here. The Sun, remember, has
already been in existence about 5,000 million
years. Sandage calculates that another 5,000 mil-
lion will elapse before it leaves the main
sequence. Then it will expand and eventually
reach 30 times its present size. From the Earth
the swollen Sun will appear as a dull red globe
15 degrees in diameter, instead of its present one-
half degree.
At its maximum the Sun will be burning hy-
drogen at an extravagant rate. As the fuel sup-
ply nears exhaustion, the slow decline in bright-
ness along the track from the right to the left of
the diagram will occur, and the Sun will end its
career as a shrunken white dwarf.
What of the Earth's fate? "Catastrophe will
overtake most forms of life when the Sun reaches
four times its present size. At this stage our
planet's surface temperature will be about 158°
Fahrenheit. As the Sun continues to expand, its
heat will drive the Earth's temperature above
the boiling point of water, then above the melt-
ing point of lead, until finally it will measure
more than 1,400° F. The oceans will have boiled
away, the oxygen-carbon equilibrium of the at-
mosphere will probably have disappeared. From
this maximum the temperature will slowly fall
as the Sun begins its decline. Eventually the
waters will rain down again over the scorched
lands and exposed sea bottoms. After this brief
period, as cooling continues, the oceans will
freeze and the coldness of the Earth will be
profound."
It is conceivable, Sandage suggests, that in the
5,000 million years remaining before the rise in
solar luminosity, "biological evolution by adap-
tive processes can modify; the human species
sufficiently to compensate for the gradual tem-
perature rise, and postpone for some time the
1000
Sun ot
100
*
maximum
10
/*
"^^
1
(
\toSun today
1
10
1
\
Sun at
100
\
white dwarf
1
1000
\
. stage
^— i — — i \-
— — I 1
25,000" 15,OO0'lO,O00*7,500*5OOO° 3000*
Predicted Evolutionary Truck of the Sun
eventual doomsday. Presumably a biologist
could in principle predict the course which the
evolution of man must take to meet the chang-
ing conditions."
But we are not alone. "Most astronomers be-
lieve that solar systems like ours are common.
The Sun is only one star among millions inj
the Milky Way, and our galaxy is but one among I
millions in the Universe. There may be other I
worlds much like our own where life exists.
"We are lucky," Sandage concludes. "Our
Sun's rate of aging is slow. Our race has an-
other 5,000 million years to live. Many stars
more massive exist, and in them the aging is
faster. Planets circling these stars go through
the same cycle of evolution as ours, but more
swiftly. There may be people in the Universe
this moment facing the extremity of the heat
death. God made the Sun of such a size that we
have time yet ahead. A 10 per cent increase ir
the original solar mass would put us today ai
the end of life.
"Is it chance, or does it have some purpose
that our star was not made more massive?"
HAPPY MARRIAGE
A Story by JOYCE CARY
Drawings by Alan Cober
SAMUEL THOMPSON, civil servant,
was the only child of Athenia Battersby, the
famous feminist leader. She is said to have been
the original inventor of the plan for burning
letter boxes. She designed the suffrage hat, and
wrote a book proving that Shakespeare was
Queen Elizabeth. But it is a shame for the mod-
ern generation of women to laugh at Athenia.
They owe her a big debt. She had courage and
character, she really did a great deal to get them
votes and sacrificed much of herself in the proc-
ess, for instance, her sense of humor.
She forbade marriage to her followers, as a
degradation, but after women's votes were
granted, she married Sandy Thompson, a
feminist as enthusiastic as herself, and taught
him to cook; in fact, made him into a modern
husband thirty years before his time. He would
do the washing up while she dashed out to
meetings.
Not that Sandy was put upon. He himself
proposed to do the washing up, and learned
sewing. He was a man of pugnacious tempera-
ment who loved any excuse for a fight. If he had
not been brought up a Christian pacifist he
would have made a first-class thug. As an or-
ganizer of suffrage demonstrations he loved to
bash policemen, and he hemmed dusters to show
how much he considered women a superior sex.
Their marriage was very happy in its own way.
But dedicated parents are bad for children, whose
imaginations, like their bodies, cannot bear to
remain fixed in any one position. Samuel had an
austere upbringing— both parents taught him
from his earliest years that boys were little better
than the brutes. But, as friends later pointed out
to him, he had no right to complain of anything,
he was lucky to exist at all and had almost cer-
tainly been an accident. Athenia was even more
against motherhood— at least for feminist pio-
neers—than marriage. She held that responsible
educated women should devote themselves to the
professions, in order to take a commanding place
in the life of the country.
Samuel took the point and w.as humbly grate-
ful for life, such as it was. He grew up a modest
and retiring character. Even at his office in the
Ministry of Energy he was hardly known, except
as a signature, by anyone outside his own staff.
He belonged to no clubs and played no games
except patience. His hobby was collecting stamps,
but he also took an absorbed interest in the latest
scientific developments, as recorded in his morn-
ing paper, an old liberal daily which, by tradi-
tion, gave at least half a column a week to general
culture. The theory of the expanding universe
occupied him for months and drove his acquaint-
66
HARPER'S MAGAZINE
ances distracted. He was also extremely con-
cerned about nucleai physics and the possibility
ol [he disappearance <>l the world one morning
owing to an accident at the Harwell laboratories.
Mi especially avoided the company ol women;
he appealed a confirmed old bachelor. But at
loin six, in everyone's astonishment, he lell in
love with one of the secretaries at the office and
married her. Aminta was a very smart \oung
woman direct from college and right up-to-date.
She condescended to Picasso and was completely
bored with the subject ol homosexuality. She
wore a Victorian cameo in her hat and had two
fine drawings by Millais in hei flat.
The wedding was in church. Aminta was a
keen churchwoman. This was slightly embar-
rassing to Samuel who had never even been bap-
ti/ed. His mothei had strong views about re-
ligion. As a scientist she called it nonsense, and
as a feminist a man-made device for the subjec-
tion of women. But Aminta pushed him through
the service and he did not disgrace himself.
1 hey settled in a (harming little villa at Kevv,
Ruskin Gothic, and furnished it with some good
mid-Victorian mahogany. Aminta was lucky
enough to find a Clarkson Stanfield sea picture
in a junk shop and to get it for ten pounds. This
line work gave great distinction to their sitting-
room. Aminta's treasure was a gilt clock under
an original glass dome, which required and re-
ceived a draped mantelpiece.
AMINTA now proposes to entertain
Samuel's friends and is surprised to find he
hasn't any. She has dozens of both sexes and all
ages, especially friends from college. All these
young women are in jobs or just married or
both. They arrive every day to see Aminta,
bringing small babies or bottles of claret. All of
them want to see Samuel, and gaze curiously at
him, tell him that Aminta will make a very good
wife in spite of her intelligence, and when they
go away say to each other, like all friends of a
new-married person, "But how extraordinary-
how on earth did it happen— can it last?"
They suspect that their dear but reckless
Aminta has acquired Samuel as a collector's
piece.
Samuel is embarrassed by all these young peo-
ple, especially the girls. They shock him by their
conversation about the most intimate details of
their love affairs and the complexes of their
lovers; they startle him by their strong views on
the subject of marriage, and especially the duties
of a wife and mother. They have no patience
with a girl who can't cook, clean, wash, drive
any make of car, mend linen, put in a fuse, do
running repairs on household gadgets, choose,
store, and decant a respectable wine, and pick a
smokable cigar at a smokable price. As for
children, they all want six apiece and take the
\ iew that if any child does not turn out a per-
Icctlv integrated and responsible member ol
societv, the mother will be entirely to blame.
When Samuel dares to murmur that there can
be bad lathers, they gaze at him lor a moment
and then say that no doubt mothers sometimes
make that excuse, but it's not really an excuse.
They obviously think that any woman ought to
be able to cope with any kind of man, including
the worst of fathers. "Cope" is their great word.
They are polite to Samuel but they don't take
him very serioush. When he raises the question
ol the expanding universe one evening, he is
assured by two girls at once, of whom one has
taken a first class in mathematics and is a fellow
of her college, that it is a stunt for the tabloids.
The universe, they say, can be made to dance
the polka with a suitable equation; it depends
only on which system you use. The mathema-
tician, who is in the eighth month of her second
child, then returns to the subject of lyings-in.
Is it better to have a monthly nurse at home or
go to the hospital? Either way things can go
wrong, and then the party discusses some cases
that have gone wrong, with the technical elabora-
tion of experts. It is, for instance, quite wrong
to suppose that the widest hips are a guarantee
of safety. Samuel listens with horror, and breaks '
into cold sweats. Aminta is small, with an
eighteen waist and hips of that rare type that
look slim even in jeans.
Aminta, after two months of marriage, is
already expecting. She has been decided on six
children from the age of ten. She too has had a
feminist mother.
Samuel mutters in his sleep and wakes up with
a moan. Next day he begins to flutter about
Aminta like a nervous hen. She must not lift
that chair, she must not use her arms, she must
not run on the stairs, she must not go out this
morning, it is too hot or too cold. Aminta laughs
at him and obeys till he has gone to the office.
Luckily at this time his newspaper brings out
some articles on painless childbirth, and Samuel
rushes out at once to buy all the books. Aminta
is commanded to do exercises, to learn how to
relax. And she obeys. For Aminta herself has
been a little apprehensive, even if she says
nothing about it. What girl doesn't have some
anxiety in her first pregnancy?
Aminta had lost her parents young and her
HAPPY MARRIAGE
67
family was small and scattered, Service people.
A naval cousin dropped in from Hong Kong one
day with a real Chinese jar of the genuine ginger.
An elder sister, an Anglican nun, brought her
an original Negro carving from Central Africa.
A great-aunt from the Midlands, who had sent
as a wedding present a plated muffineer dating
from her own wedding, asked herself for a week
because, as she explained, she could stand any-
thing except modern hotels.
SH E was a little thin woman of seventy-six
with the complexion of a sea captain. Her
nose was Atlantic blue, a dark fierce blue like the
middle of a storm cloud. Her mahogany cheeks
were as dark as a cabin door. Her forehead in a
sharp line above her eyebrows was dead white
like that of an old sailor. But she had not the
suave and ingratiating manner of the liner cap-
tain; she was bluff and gruff. She had got her
complexion from sixty years in the hunting field
where she had made a distinguished career as
the first woman M.F.H., at least of a smart pack.
Even in town she wore the mannish dress
affected by pioneer women of the late 'eighties;
a Tyrol felt, a double-breasted reefer, a man's
hard collar and four-in-hand tie.
She was amazed and disgusted by the furni-
ture, especially the gilt clock and the draped
chimney board. "Good God," she said, "just like
my granny's, and she was a stuffy old relic even
for Dawlish. All that dusty rubbish went out
with mustache cups."
She thought the Stanfield equally out of date.
She herself possessed a seascape, a Boudin. "But
of course, I know this modern French stuff
doesn't appeal to everyone."
She brought a brace of pheasants and two
bottles of port, Croft '26. She instructed Aminta
to cook the pheasants, an anxious job for so
particular a gourmet, but she allowed no one
but herself to decant the port.
And over a second glass that evening, she un-
bent so far as to say she could forgive Samuel
everything but his mother.
"My God," she said, "what a disaster— that
vote. When I was young, women ran the civilized
world, let's say, France down to Longchamp and
England up to Newmarket, but they don't run
anything now except these ridiculous nylons. My
generation were people; we knew how to make
ourselves respected, but you girls are just a sex.
Look at the advertisements."
When she heard of Aminta's relaxing exercises,
she snorted, "There you are— just what I said—
as if women were all the same size and shape,
just lumps of sex stamped out from the same
batch of cake mixture and served up in the same
frills."
She poured and savored her third glass, ac-
cepted a cigar, glanced at the name on the box,
said, "How do you afford Havanas? You young
people nowadays spoil yourselves."
"They were for you," said Aminta.
"I thought so," said she, with the grim smile
of an M.F.H. "Getting round the old fool on
her weak side."
Suddenly she became extraordinarily genial, in
the way of so many gruff old people who seem
astonished and overwhelmed at the least mark of
affection. Probably the old woman paid for her
local glory in loneliness. All at once she couldn't
do too much for her dear Aminta and Sammy.
She would send them game every week and her
own recipe for bread sauce. She would order a
dozen of burgundy at once— that was the stuff
for breeding gals, nothing like it to make blood.
As for the lying-in, there was only one man in
England— one that a woman could trust— her own
man, Dr. McMurdo.
"He's delivered all the Hunt children for
forty years and he's set my collarbone five times.
He's been retired since the war but he'd do
68
HARPER'S MAGAZINE
anything for me. I'll bring him up at once to
look over the ground."
And she wired next morning. She belonged to
the generation before 'phones.
Samuel swore that no Blankshire bone-setter
should come near his Aniinta. But Dr. McMurdo
came next day. It was apparently true that he
would do anything lor a lady so distinguished
in history as Vminta's aunt. He was also in his
seventies, an enormous man with a huge round
purple face and a great swat; belly. He was
dressed in a shaggy yellow tweed with a Eour-inch
blue check and a duster-pattern white flannel
waistcoat. He ate and drank with the gusto of a
Falstaff. To see him at table would have been
an inspiration to Stratford. He too was an au-
thority on port, and his manner with the patient
was less fatherly than familiar. He did not ex-
actly give her a slap on the behind after his
examination, but it was more than a pat.
When she talked about her relaxing exercises
and painless childbirth, he grinned like a satyr
and answered with more affectionate pats, "Leave
it to me, me dear. That's what I'm here for.
Just leave it all to me and relax."
\ii<l he winked at Thompson— a wink com-
bining all the genial villainy of a Falstaff with
all the cynicism, as Thompson put it, of an
abortionist. And as soon as Aminta had her
first real pain out came the chloroform mask.
She knew nothing more till she waked up feeling
beautifully flat, and heard, as in the far distance,
a baby crying somewhere, and gradually realized
that this was her baby.
AFTER that it somehow came about that
\l( Murdo attended also for the other two
children. They are brought up in the new style,
to mind their manners, and get up when their
papa comes to table— just as Aminta promised
to obey, so she says a house must have its head
and supports the authority of the father. The
result is that when she threatens them, "I'll tell
Papa," they become instantly as good as gold
and amenable as lambs. They are happy, lively,
and reasonable; they have no moral problems
and always know what is the right thing to do
even when they don't mean to do it.
The Thompson family in short is a very happy
one— Aminta's friends who assured Samuel that
her intelligence would not prevent her from mak-
ing a success of marriage were right. Samuel
adores her. Their only subject of occasional dif-
ference is the vote. As a son of his mother he
thinks Aminta takes the vote too lightly.
Not that she despises it. "Of course it's a thing
one has to have," she says, "like mumps. But
why do they always have elections on wet days
and put the polling booths in back yards among
municipal dustbins. And what do votes do after
all?"
1 hough Aminta makes a great deal of Samuel's
authority as master of the house it is noticed that
she runs everything; looks after all the money,
pays all bills— even at Samuel's new croquet club
—drives the car, and chooses the family holiday.
What's mote, when, in that frantic fortnight be-
fore Budget Day, Samuel, like all senioi govern-
ment clerks, brings hack memos in the evening
and even lot tin Sunday, she will sit down and
knock up a quite masterly report on the Calorific
Value of Brick Dust, or the Profitable Utilization
ol l.u tory Smoke.
They are a happy couple and in this happiness
Samuel has blossomed in a late florescence. He
has given up stamps and collects glass paper-
weights. He wears a bowler and fancy waistcoats.
His trousers grow narrower and narrower. He
says that nowadays there is so little difference
between political parties that old liberals like
himself might as well vote blindfold. And last
election he very nearly did vote Conservative.
The only reason why he refrained at the last
moment was because he discovered that the Lib-
eral candidate was a strong supporter of Sunday
observance, and he has become a devoted Church-
man with a leaning to evangelism. In short, he is
very nearly a new man.
Norman MacKenzie
THE ENGLISH
DISEASE
Its symptoms are the slogan "I couldn't
care less" plus a paralyzing kind of
politeness ... its causes seem to be boredom
with "The Humbug State" and a helpless
feeling that Britain is sliding downhill. . . .
A clinical report by a London editor,
who believes his patient's condition
is critical but not hopeless.
IT COMES as a shock each time you hear
the phrase. A German businessman in the
bar of the Atlantic Hotel in Hamburg uses it
contemptuously as he describes how he beat an
English competitor to an order. "Not typical,"
you murmur. A Swiss visitor mutters it as he
looks at the cracked cups and the tea-swill in a
station cafeteria in Manchester. 'Ah, but you
should go to the new espresso coffee bars . . ."
you begin to correct him. An American jour-
nalist introduces it into a lunch-time discussion
about John Osborne's plays, "No," you start
to say, "it's not fair. We aren't all like that . . .
we can still invent, produce, trade, write, paint
... we still have something to say in the world,
something useful to do . . . the Viscount aircraft,
the nuclear power station at Calder Hall, Benja-
min Britten, the Health Service, Graham Greene,
independence for Ghana and Malaya. . . ."
And then you stop short. Haven't you just
been saying that politics have become a bore,
that the theater is dying, that English industry
is monopoly-minded, unimaginative . . . ? Of
course. Weren't you just talking of that TV
program you wrote on "The Future of Britain"
and remarking how much easier it was to find
pessimists than optimists? Certainly. Then why
do you resent it when a foreigner comes to the
same conclusion? Is he really wrong in arguing
that we are fast becoming a nation of also-rans,
sorry for ourselves, but just comfortable enough
to do nothing about it?
It is a strange state of mind. We almost believe
it when we say that we English are pretty decent
chaps, after all, and this is a good country to
live in— but then half of us, privately, confess
to the opinion pollster that at one time or
another we have thought about emigrating. We
write, and read, solemn articles that insist that
we still count as a world power— then we almost
wreck the Commonwealth, cause trouble with
our American allies, and expose our own mili-
tary weakness in the effort to prove it by a futile
demonstration against Nasser. We read the
headlines that chronicle our descent from great-
ness—and turn from them with a yawn to ch^rk
our football pool coupons or blur our minds
and our eyes on the 1 7-inch telly.
We are always ready to give other nations les-
sons on democracy— but we let our parties be-
come closed oligarchies, we let our civil liberties
be corroded, and every week we find new totems
and taboos to buttress our cult of monarchy.
We talk about winning the battle for the pound
—but our industrialists are as much interested in
tax dodges and capital gains as in production,
and our workers say that the way prices keep
going up it's time the union put in a claim for
another ten bob a week. We hold up our hands
in horror at the fearful goings-on in Little Rock
—but our bus crews in Birmingham threaten to
strike if any more West Indians are hired, and
our government interns thousands of Kenya
Africans without trial.
We English are bored and restless, cynical
and complacent: we lean on our spades,
watch the clock, blame the bosses, blame the
unions, envy the Americans, worry about the
Germans, distrust the Russians; we write off
70
HARPER'S MAGAZINE
our politicians as pompous self-seekci s, dismiss
our priests as old fogies, make popular idols of
our quiz-winners, shrug our shoulders al the
world going to hell around us— and we don't
give a damn.
SYMPTOMS AND GUILT
Til AT, surely, is the peculiar quality of
our crime against ourselves and our chil-
dren: we know, but we are indifferent. A Soviet
novelist— I can well understand why Stalin did
not like him— once wrote a book called The
Revolt of the Indifferent.
"Do not fear your friends," he said. "They
can only betray you. Do not fear your enemies.
They can only defeat you. But fear the indif-
ferent, for their indifference makes it possible
for your friends to betray you and your enemies
to defeat you."
Now a Communist society forces indifference
upon the mass of the population as an act of
policy. It is almost a social virtue: if you are
indifferent, and work hard, you get a medal or a
holiday at a rest home or a larger apartment.
The only condition is that you do not ask nasty
questions or otherwise make life difficult for the
party bosses who remain bosses because you are
indifferent. But we have not had indifference
thrust upon us: we have acquired it, and we
accept it because it makes much less trouble, not
for others, but for ourselves. Why bother? The
question is the first symptom of the disease.
Yet we are nofchappy in our indifference. We
have a deep sense of guilt about it. (This, I take
it, is why we resent the German businessman,
the Swiss visitor, the American journalist.) And
we project that guilt upon our neighbors.
"Why should I cut out my tea-break to finish
a rush order?" asks a factory worker. "My boss
takes two hours for lunch."
The disillusioned teacher who has to cope
with a class of forty children in a school long
overdue for demolition: "Why should I make
the extra effort for the more backward children?
If only the council would give us enough staff
and adequate equipment I could manage it."
A doctor who has left hospital work to advise
a drug company: "The pay was terrible, my
promotion prospects poor, the conditions im-
possible. But I'm not leaving for the money.
They obviously don't want decent doctors."
And a final example I know— this one a young
architect of ability who took a useful but not
very lucrative job in town planning after the
war. He gave it up, and is now earning a large
salary designing hideous brick boxes for a
speculative builder. "Nobody was interested any
mote," he said. "Why should I sacrifice myself
for the Britain beautiful when no one seems to
want to live in it?"
Why, indeed? This is a failure of morale. Am
I my brother's timekeeper, his teacher, his
healer, his town planner? Not any more, it
seems. Why, when he does not want me? I do
not give up because I am betrayed or defeated,
but because no one cares. Even the words "be-
trayal" and "defeat" imply a cause, but when no
one cues there are no causes. We fight our sham
battles, and go through the drill we learned
when we thought the causes mattered. We
scarcely deceive ourselves that we know what the
battles are about. Tweedledum and Tweedledee
are our generals and as they go at it with their
pots and pans we are as bewildered as Alice.
Yet there are causes if we choose to seek them
out. There is a very simple but fundamental one
—our own economic survival. Once again, we
know the facts: we need to produce more, to
design better, to sell more aggressively, . to con-
sume less and invest more, to clear away the
restrictive practices of both business and the
unions, to modernize our machines and over-
haul our labor-management relations. Once
again, indifference: we are doing nicely, thank
you, and please close the door gently as you go
out in case you shake down the cobwebs.
Why? A nation needs a dream to unite it. And
our dream is of the past, not the future. We'
know what we were— not what we are, or what
we wish to become. We stumble forward blindly
because we look over our shoulders. Germans do
not look back— there are only ruins, cruelty, de-
feat; Russians do not look back— the future can-
not be worse than the past; Americans do not
look back— the future will always be better than
the past.
But we look back, because then we could
believe in ourselves. Our ruling class was secure:
it believed in God, the King, and the Empire,
the wickedness of trade unions, and the right-
eousness of property. Our middle class had its
ambitions, and the creature comforts that went
with world power, cheap labor at home, and
even cheaper labor in the colonies. And our
working class knew it was ill-used, exploited,
denied its rights— and, in its poverty and im-
potence, it could believe in the New Jerusalem.
Suddenly, it was all meaningless. Six years of
war, and six years of the Labor government, de-
stroyed that society for good. And in its place
it put a social stalemate, a caucus race without
THE ENGLISH DISEASE
71
great rewards or punishments, but with small
prizes for everybody— the expense account for the
businessman, the washing machine for the house-
wife, the television set for the worker, the pres-
tige jobs for members of the old ruling class who
find themselves at a loose end, socialized medi-
cine for the middle class, and, for all of us, what
John Osborne calls "the wave of a gloved hand
from the golden coach."
THE NEW ESTABLISHMENT
WE ONCE took the monarchy for
granted. Why have some of us now
taken it as a target? Because it is the central
symbol of the new Establishment. It is benign—
and utterly irrelevant to anything that matters.
Round it cluster the modern Barnacles of all
the Circumlocution Offices— the masters of the
soft phrase and the indecisive policy, the
directors of radio and television programs, most
of our politicians, our editors, even our indus-
trialists and trade union leaders. We have all
arrived, and as W. S. Gilbert's Duke of Plaza-
Toro pointed out, "When everyone is some-
body, then no one's anybody." The Barnacles
have another debt to the
Duke: he taught them the
great advantage of leading
an army from behind— a
position that suits the Bar-
nacles since they are look-
ing backwards in any case.
Our debt to the Barna-
cles of the Establishment
is immense. They have
helped us organize our lives
so that nothing can hap-
pen. A Socialist, my dear
fellow? Tut, tut. You'll
never get anywhere: we all
have too much to lose. A
Tory? Dear me, how ex-
treme, and how old-fash-
ioned. Don't you know,
old chap, that the trade
unions run the show now?
A Liberal? Ah, that's bet-
ter. Just stand over there
and hold a quiet meeting
about home rule for Scot-
land, or tax reform, or in-
dustrial co-partnership. No-
body will bother you: no-
body will even listen.
What did you say about
Suez? Yes, most regrettable. The Americans let
us down, you know, and Sir Anthony was a bit
under the weather at the time. Oh, capital pun-
ishment? Well, we fixed that up: we shan't ac-
tually hang anyone, but we must keep the
principle for crimes that no one commits. Leaves
the trap open, if you'll forgive the phrase.
Prostitutes? That was rather neat. Drive them
off the streets with heavy fines, and we can have
a nice, clean, cozy call-girl racket. Old-age pen-
sioners, did you say? Slum schools, overcrowded
hospitals, industrial stagnation, subtopia sprawl-
ing into the countryside?
Now, now, all those things are coming along
quite nicely, and you must be patient. After all,
we have our little troubles, and with this eco-
nomic crisis, you know, we must all make our
sacrifices. . . . Oh, excuse me, I must go and
have a word with that troublesome fellow. He
keeps coming here and insisting that we do some-
thing. . . .
No wonder that Jimmy Porter in Look Back
in Anger cries out for at least a "good loud
bloody damn!" This is the Humbug State,
bristling with chromium-plated safety valves.
And they are not even needed. We shall hedge,
/
LOOK BACK
1M ANGER
% f —
1F22-*
"We have no angry young men in Old Westbury,
I can assure you."
72
HARPER'S MAGAZINE
Ars Longa, Vita Brevis
A
PICTURE entitled "modernistic
embrace" won a prize for Miss
Lynne Aiiver, seven-year-old artist.
She explained philosophically,
"Most people don't understand
modern art, but it is the only thing
I can draw."
—UP, New Orleans, August 23, 1957.
qualify, compromise, rub off the sharp edges to
life, forget what it is like to hate or love pas-
sionately, praise honesth, oi condemn with con-
viction. We shall make hypocris) the condition
of success and plain speech a gross indiscretion.
We have be< nine genteel.
Of course, we always hankered alter gentility.
It is only in the last few years that we have man-
aged, so to speak, to make it one of the unwritten
conventions of out social constitution. And, it
may be, it reflects only a passing phase. Ten
years from now, perhaps, we shall wonder how
we could drift so complacently through the
nineteen-fifties, bowing and scraping to each
other in a ritual that is utterly irrelevant to the
world of the H-bomb, the sputnik, automation,
Arab nationalism, and all the other jokers in
the pack.
THE CYCLE OF DECLINE
WHY are we in this condition? (I say
"we" because this is a condition you can
find at all social levels— the businessman and
the union organizer, the Labor party stalwart
and the Conservative party member, the writer,
the civil servant, the scientist, and the shop-
keeper.) Is it a form of psychic exhaustion— a de-
layed payment for the war effort and postwar
austerity? A little, perhaps. Is it due to a rejec-
tion of responsibility, a feeling of helplessness,
the loss of a sense of destiny— because the control
of destiny has somehow passed from our keeping
into other hands? A little of that, too.
Is it one of those mysterious afflictions which
seem to plague nations that are on the way down
—so that a Goth in the fourth century might
have spoken with contempt of the "Roman
Disease," or a seventeenth-century Englishman
could have talked ol the "Spanish Disease"?
Perhaps, but we do not know what starts off the
cycle of decline, nor why people who see it start-
ing prove powerless to arrest it. So that line of
reasoning leads nowhere; at least, it leads to
resignation rather than to action.
Yet it is too soon to be resigned, though it
may soon be too late to act. And so we English
hover at the turning point, torn by uncertainty
and indecision, publicly assuring ourselves that
we are on the threshold of a New Elizabethan
Age (this is one of the more odorous of our social
mothballs!) and privately confessing our doubts
and discontents, insisting that we shall yet reap
rich harvests, and meanwhile making ourselves
comfortable by feasting on the seed corn, know-
ing secretly that much of the past was intolerable,
fearing that much of the future will be unbear-
able, and feeling guilty because the present, it
unexciting, is both tolerable and bearable.
Perhaps the key lies in the phrase "turning
point," lor this country is going through a slow
and painful process of adjustment— externally,
adjustment to a world in which we shall speak
when we are spoken to, and perhaps speak third
or fourth or fifth in turn; internally, to a society
without great differences of wealth or class, in
which the familiar signposts of status have been
lorn down. Because we once were rich, powerful,
(lass-conscious, we still use the old vocabulary to
describe ourselves, though the substance has died
within the shell of words. This is a society in
transition, living in a gray light that may be dusk '
or dawn, where the old is too strong to die and
the new too weak to be born.
It is tempting to put this into the neat boxes
of politics: i.e., the Tories want the past, and
Labor wants the future. But this is only a half-
truth. In some ways, both our main parties are
conservative, prisoners of their own history.
That is one reason why people are cynical about
politics, and why they distrust politicians who
talk as if the world were still England's oyster,
as if all we need to legislate ourselves into a
hygienic paradise is another pension scheme, or a
housing program, or some other nostrum.
We need a fresh start, a new image which
explains how we can live in a world where our
influence daily diminishes and our economic
resources are shrinking to the point of crisis. If
we can discover that image, we shall have causes
enough, challenge enough, excitement and emo-
tions to match it. Whether we discover it de-
pends on whether the "English Disease" is a
temporary attack of palsy or the first onset of
permanent paralysis.
IOIU)
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• '
V
Juan Ramon Jimenez at the University of Pa
l< ■■ I'
San Juan. Photograph by Michel Alexis
Yet another areat man chooses Puerto Rico as his home
This is the Andalusian poet who
won the Nobel Prize in 1956. His
name is Juan Ramon Jimenez— and he
li\ es in Puerto Rico.
You see him at Puerto Rico's most
famous university. Not far from this
cloister is a fine new library, to which
Jimenez recently presented his entire
book collection. He made this gift
without thought of personal acclaim. It
is to honor the memory of his late wife.
Puerto Ricans are proud that men
like Jimenez should choose to live in
their lovely land. It is a sign that their
plans for the future are going well.
Alore industry to bring the fuller life.
More education to bring the wisdom
to enjoy it.
In one of his books, Jimenez talks to
his donkey. "It seems, Platero, while
the Angclus rings, that this life of our;
loses irs everyday strength and thai
another force within makes everything
— as though fed from a reservoir olj
grace — rise to the stars . . ."
Puerto Ricans like to think that thes
dc\ out words capture the spirit of thcil
own renaissance.
© 1958 -Commonwealth of Puerto RicOjj
666 Fifth Avenue, New York 19, N. Yl
Peter F. Drucker
MATH
Even Parents
Can Understand
It may sound miraculous — but it is really
true that a new way has been found to teach
mathematics . . . which makes it not only fun
to learn, but also possible to remember.
I BELONG to a large fraternity: the
Substitute Mathematics Teachers Interna-
tional—a world-wide society of incompetents
which embraces the parents of most high-school
students, regardless of race, creed, color, sex,
country of origin, or qualifications. Universally,
it seems, children need help with mathematics
from their parents all the way through secondary
school. And the parents, by and large, are as con-
fused and bewildered by the children's mathe-
matics work as are the children themselves. One
of the most popular features in a popular
almanac for 1957 was a "pony" for parents to
"relearn mathematics" so as to be able to "help
junior." It did not go beyond the ninth-grade
level— and yet in at least one New York suburb
there now circulates among the members of the
university women's club a "pony" to this "pony."
Neither this, nor any other almanac, includes,
however, a "pony" for any other school subject,
whether English composition, history, chemistry,
biology, or French.
Yet despite all this "substitute" teaching lew
high-school or college students learn mathe-
matics. Even if their grades have been good,
most will have forgotten all mathematics beyond
fractions, decimals, and percentages six weeks or
so after they pass the last math test in their final
course. All they retain, as a rule, is a lasting
horror of "figures."
I know one young woman, for instance, who
flunked her first test in economics in college
because it contained a simple supply-and-
demand ecpiation. "When I set' figures, my
mind just goes blank" is her explanation. She
never liked math. But only two years earlier she
had made the highest possible mathematics score
in her College Board examination.
Is this, as we so often hear today, a peculiarly
American failing? The answer is a clear and
certain "No."
My own secondary school thirty years ago—
an Austrian "gymnasium"— included in its cur-
riculum as much mathematics as, we are told,
the Russians do. We were taught a good deal
more than is required of the American col-
lege student majoring in science: calculus and
differential equations, logarithms, probability,
advanced algebra, conic sections, analytical
geometry, and so on. We had math five or six
days a week lor eight years. The courses were
required, the standards high. We had a written
test every week, a bigger test every three months,
a comprehensive "final" every year, and a day-
long written examination on the entire work
of all eight years at the end. No one doubted
that we could all pass the test— and all thirty
ol us did, at least hall with a grade of B or
better. Yet when we met next fall, only four
or five— the "naturals" who never really had to
work on it— still knew any math at all. The
boy who had sat next to me for eight long
years, and who had always gotten straight A's
in every subject including math, had forgotten
everything. So had "average" students like my-
self—and we openly boasted of this remarkable
achievement.
This was true of all Austrian secondary
schools— as it had been true, forty years earlier,
in my lather's day, and is true today. It is just
as true for secondary schools in France and
Germany, Sweden, Spain, or Argentina. It is
undoubtedly just as true in Russia. And it is,
of course, what is happening in the American
high school and college.
For twenty years now 1 have been "polling"
people I met— always with the same result: the
handful of "naturals" who would have learned
it anyhow, learn mathematics. The others, smart
and chimb alike, just take as many courses as
they have to; pass them with good grades or
poor; and promptly iorget all they were taught.
The highly educated do no better than the
poorly educated; indeed, pride in being a
74
HARPERS MAGAZINE
"mathematical moron" tends to be the distinc-
tive snobbery of the otherwise highly educated
person.
There is no other ana <>l human knowledge
or a<ti\ii\ where we have this peculiar situa-
tion. The "naturals.'' ol course, cannot under-
stand what happens; indeed, the) usuallv refuse
to believe that it dots happen. And since, after
all, mathematics lias to be taught l>\ mathema-
ticians, that is, by former "naturals," the prob-
lem has gone unperceived and unresolved for
all the three hundred years since mathematics
first became a secondary-school subject.
W II Y WE FAIL
Till, layman, especial!) i! he finds himself
a "substitute math teacher" can only ask
one question: We teach other subject success-
full) so that those who work hard and do well
in their studies really learn something. Is there
anything in the way we teach mathematics that
is so different as to account lor our failure?
The answer is "Yes"; in at least three aspects
the traditional approach to mathematics teach-
ing has been unique.
it Mathematics, first, is being taught con-
trary t<> its own spirit mill genius as defined
by the mathematicians themselves.
Every mathematician asserts that mathematics
is a conceptual order, a formal and general
logic, a way of finding and defining universal
relationships. When we say "mathematics" the
mathematician may think, for example, of the
elegance and sweeping power of the concept of
function: in any relationship between two phe-
nomena either one can be expressed, analyzed,
studied, and even predicted as an extension of
the other. The phenomena may be animal
species in an environment; the mortality rate
of human beings of different ages dying from
a multitude of unrelated causes; or the prices
of a great number of goods produced by hun-
dreds of businesses and bought by millions of
people. The relationship may be causal or mere
probability of coincidence; it may be continuous,
frequent, or rare; simultaneous or widely apart
in time or space; certain, probable, or only
possible. All this is said in the simple mathe-
matical "sentence" on the mathematician's
blackboard:
x — f(n)
Or the mathematician may think of that great
feat of logical imagination that lies behind
the simple: "Let's assume that instead of an
infinite number of numbers, there are only a
few, s.i\ only two— zero and one, no and yes, off
and on"— the postulate on which, for instance,
( omputer design rests.
Hut all we (each aie manipulations; and we
teach them as manipulations. Some time, around
eighth or ninth grade, a teacher is likely to
tell his students (hat what matters is to set
up the equation rather than to get the "right
answer." II students really learned what this
nu ans, the) would have learned the essence ol
mathematics— and ol logic, decision-making, and
s\siein,ni( research. But the aphorism is lately
explained, and little work is being done on
setting up equations— the emphasis is on the
manipulation alter the equation is set up, the
grades are lot "right answers." Similarly, few
high school or college students hear of the age-
old problem that underlies the integral calculus,
or grasp its basic fiction ol motion as consisting
ol an infinite series of infinitely small resting
points; all they learn is how to manipulate the
formulas in the textbook.
if And, second, mathematics is the only
scientifit discipline that is being taught as past
history.
The traditional secondary-school curriculum
both here and in Europe does not include any
mathematics developed after the early 1700s.
This is as if we taught the medicine ol Moliere's
doctors with their "four humors" and ended,
with Harvey's discovery of the circulation of
the blood; as if we concluded chemistry with
Priestley's discovery ol oxygen; as if we focused
on the lever and the inclined plane in our
physics and just mentioned, at the very end,
Galileo's experiments with free-falling weights.
The comparison is not unfair. The last three
hundred years have been, except for the very
earliest Greek days, the really productive period
of mathematics. Modern mathematics begins,
by and large, where school mathematics stops.
The basic concepts, theories, and techniques
ol modern mathematics have all been developed
since. Above all, the vision ol mathematics as
a system of formal logic and as "language of num-
bers" has only dawned in the last 150 years.
Also, if mathematics is a scientific discipline,
its historical development must have gone from
the complicated to the simple, from the specific
and isolated to the general. This has indeed
been the case. Modern "higher" mathematics
is inherently neither "easier" nor "more diffi-
cult" than the ancient (and partly obsolete)
mathematics the schools teach. But it is simpler
MATH EVEN PARENTS CAN UNDERSTAND
75
—it has, so to speak, fewer moving parts, and
they are bigger. There are about twenty-five
basic abstractions needed for the understanding
of Euclidian geometry— the simplest of the old
arts. All one has to understand to grasp Set
Theory is the simple statement that any collec-
tion—of things, of ideas, of events— can somehow
be ordered.
Indeed, the traditional mathematics we teach
is the most difficult of all things to learn: half-
way abstractions, neither sufficiently concrete to
be learned by experience, nor sufficiently abstract
to be comprehended by the sudden flash of
mental insight.
ir Finally, mathematics, alone of all disci-
plines, is being taught as a bunch of unrelated
specialties.
There is no mathematics as such in our
schools; there are algebra and geometry and
trigonometry, each by itself. This is not true
of the elementary mathematical operations we
teach— and with a high degree of success— in
primary school. Addition leads logically to sub-
traction, and the two together to multiplication
and division which, in turn, "feed back" to
addition and subtraction. But beyond this
there are, as far as the student can tell, only
isolated skills, unconnected with each other.
Five hundred years ago this was an accurate
picture of mathematics. But it is the great
achievement of modern mathematics to have
overcome the ancient isolation of "arithmetic"
from "geometry" and to have created instead a
unified discipline of mathematics. To this it
owes much of its importance and impact.
The near-collapse of mathematics teaching in
this country's high schools has many causes; in
many schools we are not doing a particularly
distinguished job, after all, in disciplines we
can teach like the reading and writing of Eng-
lish or history. But the reaction against three
hundred years of teaching manipulation rather
than mathematics is certainly a major element;
it may be the main reason why parents, having
themselves not learned much in their own math
classes, have encouraged school boards to make
math "optional" and their children to shun
the option. It would be a very great pity if the
new— and overdue— emphasis on mathematics in
high school and college were simply to restore
the traditional approach, were simply to bring
us five or six instead of two or three years of
manipulation and misdirection. We need, very
badly need, a mathematically literate country;
we will not get it by doing more of what three
centuries of experience have proved to be in-
effectual—no matter how much money we pour
into "crash programs."
HOW TO MAKE IT FUN
AL L along, however, there have been signs
that young people can learn mathematics,
can indeed enjoy learning it, if it is taught as
mathematics rather than as manipulation, as
concept and way of thinking rather than as
application. And for the first time mathema-
ticians in this country are trying to do just that
—and with great success.
The initial push came from "substitute math
teachers," laymen who suddenly realized seven
or eight years ago, that, though highly educated,
they themselves had never learned math and had
forgotten even the little they once were taught.
Unlike the rest of us, these "substitute math
teachers" were in a position to do something;
for they were officers of two major educational
foundations, the Carnegie Corporation and the
College Entrance Examination Board.
Under the auspices of Carnegie, Professor Max
Beberman of the University of Illinois has, since
1951, been working on a program of high-school
mathematics that starts with basic mathematical
abstractions— such as "number" or "set"— and
follows them right through whether they lead
into arithmetic, algebra, or geometry. This for
instance brings analytical geometry into the
ninth grade rather than into the freshman year
at college; it brings "postulate systems"— the
essence of modern mathematics but taught
usually only to graduate students— into the tenth-
grade curriculum. Some 1,700 youngsters have
worked under this program by now; the first
batch entered college this fall. The program has
been officially adopted by seven schools in Illi-
nois and by high schools in St. Louis and in two
Boston suburbs, and it is spreading so rapidly
to other places that it threatens to get out of
Beberman 's control.
Math is still "optional" in these schools. But
where most children even in the college-prepara-
tory programs drop math after two years, most
children in the Beberman program voluntarily
take it all four years. More important even:
though designed for the youngsters in the
college-preparatory courses, students in the other
"non-academic programs" are demanding the
Beberman course, are enthusiastic about it, and
learn as much as their supposedly brighter col-
leagues. And in Cambridge, Massachusetts, the
employees of the Polaroid Corporation, hearing
PUTTING SCIENCE TO WORK FOR EVERY CITIZEN
Can US. technology
meet today's
new challenges?
World events are putting the very idea of a
free society to the test.
Not only has Russia demonstrated "islands
of excellence" in selected areas of military tech-
nology, but. in addition, Soviet leaders have de-
clared that they are determined to surpass
present American standards of production and
consumption in the next 10 \ears.
These challenges can no longer be dismissed
as empty propaganda. This country must un-
leash all its creative and productive forces to
achieve new levels of defense, and. at the same
time, move ahead to new levels of productivity
in our ci\ ilian econom) .
In the United States, progress is paced and
directed by the individual decisions of millions
of businessmen, consumers, investors, employ-
ees—indeed, every citizen. The faith of our free
society is that these millions of points of ini-
tiative can — and will — produce swifter prog-
ress, with greater liberty, than any system of
centralized control. Because of this environment
of freedom and initiative, the nation's scientific
and engineering resources have the capability
for both better defense and better living.
However, in applying our technology to the
task, we must infuse— especially in defense work
— even more of the incentives for bold and
imaginative risk-taking that have been the well-
spring of our civilian progress. These incentives
are needed, particularly in the fields of research
and development, if we are to achieve the tech-
nological breakthroughs necessary now and in
the years ahead.
And in every phase of our economy, we must
eliminate road blocks to higher productivity. It
is extremely disturbing that national productiv-
ity has leveled off at the very time an increase
is most needed to meet new world challenges.
Americans must prove once again that our
free society has vitalities which are superior to
those of any totalitarian s\stem. On these pages
are shown some of the ways that one company,
among many, is trying to help bring America
both a stronger defense and ever-higher levels
of living.
Progress Is Our Most Important Product
GENERAL A ELECTRIC
Penetrating outer space. General Electric is a major eontrl
utur to 16 missile projects now under way. These include n
Atlas, Thor, Regulus II. Polaris. Corporal, Nike Hercules, Hon^
John and Little John, Lacrosse, Talos, Tartar, Asroc. Sid
winder, and Vanguard as well as other high-priority progranj
Giant power maker. Another significant advance in help
keep electricity today's greatest bargain is a General ELec
steam turbine-generator that operates at the highest steam
ditions ever used in America. It generates 18 times as m
electricity from a pound of coal as Thomas Edison's first plJ
Power for peace. General Electric's J-79 jet engine power?
new B-58 supersonic bomber (above), the F-104A and Fill
fighters, and the Regulus II missile, plus other new aircraft
yet announced. A commercial version of this jet engine
be used on some of the leading civilian airlines in the ful'1
}rogress Report from General Electric
j better electrically. Today a housewife commands the
alent in electrical energy of 45 servants; by 1967 it can be
than 100. The trend is toward more automatic operations,
example: General Electric's Filter-Flo8 washer that sets
conditions for each type of fabric at the push of a button.
Progress in electronics. General Electric is developing slow-scan
TV over telephone lines for military application. This is just one
example of the growing use of electronics for defense. In civilian
fields, engineers estimate that 40% of the electronic products that
will be in use ten years from now have not yet been invented.
private atomic electricity. Last year General Electric re-
1 Power Reactor License #1 to operate the nation's first
:ely owne-d atomic power plant with the Pacific Gas &
:ic Co. In addition, the company conducts a substantial
"ch program to study the problem of harnessing fusion.
Research in energy conversion. The General Electric Research
Laboratory recently demonstrated an experimental thermionic
converter which changes heat directly into electricity. It is just
one example of the company's continuing research and develop-
ment to find even better methods of utilizing energy sources.
wols for medicine. General Electric, working with Atomic
y of Canada, Ltd.. now offers a simpler cobalt-60 cancer-
lent machine which is as flexible as x-ray. In addition, an
mental diagnostic x-ray machine, operating at 8 times the
itional voltage, may help in early discovery of cancer.
Protecting our cities. One example of General Electric's contri-
butions to the strong, alert defense needed to guard America is
a new, more accurate search and height-finder radar system.
This radar system can seek out enemy aircraft for the "Missile
Master," which coordinates the fire of guided-missile batteries.
78
HARPER'S M A G A Z I N E
about the program front their children, have
organized their own adult math com sis around
it, which |>l.i\ to full houses with standing
room only.
The project of the College Entrance Exami-
nation Board is less ambitious. Headed by
eminent mathematicians, it aims at reorgan-
izing the present curriculum rather than al
developing a new one. But the general approach
is the same. And Lately other influential mathe-
maticians have joined the search for a new
approach to mathematics teaching. Dr. Howard
Fehr of Teachers College. Columbia, is one; Dr.
(.. Bale) Price, now President of the Mathe-
matical Association ol America, is another.
\oi is this work confined to high school mathe-
matics. Some mathematicians, such as Professor
Albert W. Tuckei "I Princeton, believe that the
teaching ol mathematical concepts could— and
should slut in giacle school; and there are
several new textbooks for college freshmen such
as Introduction to Mathematical Thought by
Stablei, and Principles oj Mathematics by Allcn-
doerfer and Oakley, which present the "new"
mathematics ol concepts rather than the tra-
ditional mathematics ol manipulation.
Every editorial writer, since Sputnik, has told
us that we are the mathematical illiterates
among literate peoples. It is cold comfort that
the others, including the Russians, are ahead
ol us only in respect to the mathematics thev
teach, and are almost certainly no better oil in
respect to the mathematics they learn. But
precisely because our situation has gotten so
bad that the bankruptcy ol the traditional teach-
ing ol mathematics could no longer be hidden,
we may be able to leapfrog into a position of
leadership in which math is learned with ex-
citement, discipline, understanding, and impact
by the average youngster, rather than being ac-
cessible only to the lew "naturals."
1 realize this would throw out of work several
millions ol "substitute math teachers." And
many ol us will demand severance pay: a
chance ourselves to learn what lor three
hundred years we and our predecessors have
painfully, incompetently, and ineffectually
pretended to teach.
TURN ABOUT IS FAIR PLAY
Department of English
October, Any Year
Dear Coach Mussel man:
Remembering our discussions of your football men who are having troubles
in English, I have decided to ask you, in turn, for help.
We feel that Paul Spindles, one of our most promising scholars, has a chance
for a Rhodes Scholarship, which would be a great thing for him and for our
college. Paul has the academic record for this award but we find that the
aspirant is also required to have other excellences, and ideally should have a
good record in athletics. Paul is weak. He tries hard, but he has trouble in
athletics.
We propose that you give some special consideration to Paul as a varsity
player, putting him, if possible, in the backfield of the football team. In this
way, we can show a better college record to the committee deciding on the
Rhodes Scholarships. We realize that Paul will be a problem on the field, but
—as you have often said— co-operation between our department and yours is
highly desirable and we do expect Paul to try hard, of course. During intervals
of study we shall coach him as much as we can. His work in English Club and on
the debate team will force him to miss many practices, but we intend to see that
he carries an old football around to bounce (or whatever one does with a loot-
ball) during intervals in his work. We expect Paul to show entire good will in
his work for you, and though he will not be able to begin football practice till
late in the season, he will finish the season with good attendance.
Benjamin Plotinus
Chairman, English Department
—By Professor William E. Stafford, College English, April 1955.
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After Hours
A DAY WITH
TODAY
EVERY weekday morning at
the impossible hour of three
o'clock a teleprompter typist comes
to the RCA Exhibition Hall on 49th
Street in New York. He is the first
to arrive. Across the street in the
NBC offices a news staff has been at
work since midnight, preparing films
and scripts that will be needed later
in the morning. Around four-thirty,
depending on rehearsal time, the
director and associate directors turn
up; and toward five they have begun
a run-through of the routine-sheets,
a minutes-and-seconds schedule of
the three hours' job ahead of them.
The stars and various guests will
be appearing between five-thirty and
six. At seven the "Today" show,
NBC's morning television program
with Dave Garroway, goes on the air.
The run-through takes place down
in the well of a ramp and staircase
leading to the Johnny Victor theater,
a tiny auditorium normally used
for screenings and press conferences
and such. Here in the half-pint
lobby two tables have been set up,
one for the meeting and the other
for coffee and buns. Off the stair-
case in a darkened room about the
size of a broom closet is the tangle
of the show's technical apparatus—
the sharp, clear rectangles of the
monitors and the green glow of
oscilloscopes. Down the hall are
washrooms, make-up rooms, and a
lounge for guests.
At the table the director for this
morning, Dennis Kane, is reeling off
instructions in obscure, professional
lingo: "Relieve two with one to
bring two back . . . we're going to
set the trio half on the outhouse
wall . . . Dave will kiss her off . . .
in other words, the trio sandwiches
the weather package. . . ."
In a corner two technicians are
playing chess.
Upstairs is the familiar room you
see each day on the screen, with its
high glass wall lacing the street,
its bright lights hanging overhead,
its clocks and telephones and battery
of cameras. What would surprise
you most is how small and cluttered
it is. The camera makes it seem
vast and organized, but in fact it
is cramped and untidy. People are
always getting in one another's way,
even while the show is on; and,
coming in and out, the celebrity-
guests have to duck under cameras
and be careful not to trip over
cables.
An hour before show-time every-
thing seems chaotic. It is still dark
outside; the few passers-b) have the
wan and harried look of the city
night still on them. Here in the
pool of light musicians are going
through their numbers; by the win-
dow a production man, arms flail-
ing the air, is pulling apart the
carbons of the teleprompter sheets;
at the big curved desk, with his
jacket off, Dave Garroway is read-
ing through the script, rehearsing
commercials, mugging into the cam-
era, scowling and bugging his eyes.
THE "Today" show, now in its
seventh year, is something very
close to a national institution. It is
watched daily by an estimated nine
million people, having long dis-
proved the assumption that a profit-
able morning audience for TV doe
not exist. The program change
constantly, yet always within a stricj
and disciplined form. It can da
with nearly any subject, with cithe
high seriousness or high coined'
and the show itself can physical]
be picked up, moved, and broaden
from any city where there is a]
affiliated station of the network. |
has even created a new New Yoi
folkway: visitors from out-of-tow
come each morning to press the
noses against the window, hold u
signs identifying themselves, ar
wave to the folks back home.
The "Today" formula is bur
around news, weather, interview
music, and a chimpanzee. It intc
weaves these elements and hoi
them together through the b;!
anced personalities of its regul
performers— Helen O'Connell, Fraii
Blair, and Jack Lescoulie— and tl
tone set by Garroway himself, whi
is one of adult wit and curiosii
There is a schedule, and there a
scripts, but there is also a gre
deal of extemporizing— and a cc
tain amount of pure tomfoolery
that give "Today" its characteris
lift and informality. It is almost rj
possible for anything to go wro
that the show cannot take in
stride. While I was there w:atchi
—with the kind permission of t
general manager, John Lynch— the
was a goof more colossal than
dared hope, and the way it w
handled is typical of "Today's" go
humor about itself.
The day was Valentine's Day, a
the show opened with a rec
playing, "Look Out, Look Out,
jimmy Valentine," while Garrow
AFTER HOURS
supposed to rob a wall safe with
alentine in it reading, "Phfft!"
is worked fine the first time, and
second (for the opening of the
d hour, which goes to stations
.he later time-belts) the suspense
1 even greater, but— safe opened,
valentine. Garroway let out a
—"We've robbed an empty safe!"
id promptly the camera swung
and behind the scenery where,
ding up the flimsy fake wall with
i hand, was the production as-
tnt who'd forgotten to put the
:ntine back, his head buried in
other arm, a figure of the most
>ct misery. Everyone in the place
laughing hopelessly. It was of
■rse wonderful, totally lacking in
nness, and better than anything
i could have planned.
FACT, the preparations for
"Today" show meld almost in-
inguishably into the show itself,
pie go right on talking and drop-
| things. About fifteen minutes
>re the fatal hour of seven, how-
, the atmosphere of offhanded-
begins subtly to tighten. The
era cables are snaked back into
mblance of order; there is sur-
itious straightening, combing,
;ing of ties; and the girls ap-
, transformed, in their make-up.
omo, Jr., the chimpanzee, has
1 petted, cajoled, scolded, and
d at his own diminutive desk
Nick Carrado, his owner and
ler. One minute to go. Out-
the sun is up at last, picking
the corners of buildings and
faces of the crowd collected at
window. "Thirty seconds!" Now
ything is bent toward the all-
lg eye. One last directorial
it: "I want quiet, decorum . . .
some light."
)r one other quality that Gar-
ly and his colleagues have, as
must, is automatic and immedi-
rapport with the camera. They
not different people off-stage
i on, but on-stage they are
)ly a little larger than life, a
! more fully projected. The
'ision camera has this curious
>ensity to theatricalize what is
in front of it, softening the
», sharpening the highlights,
dusting everything with glamor.
)le look better dressed than
are, scenery looks more solid.
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82
AFTER HOURS
The RCA Exhibition Hall, with all
respect, is a fairly shabby place-
there are fingermarks on the walls,
cracks in the cabinet work, dirt,
chalk, bits ol old string, and waste-
paper all over the floor. But the
camera does nol see it that way.
This is the "Today" show, and it
comes wrapped in the magic ol
network television.
By a quarter to ten the hall had
thinned out. leaving only those who
needed to be there; and a half-hour
alter the show ended there was the
legular production meeting in John
Lynch's office high in the RKO
building nearby, to go over past
mistakes and future plans. The
stars and producers and writers sat
around kidding, arguing, and re-
gretting that Jack Lescoulie had
not been there this morning. It had
been a Friday. He has a lingering.
grateful wa\ of saving "Fri-i-i-i-i-i-
day," as though he had hardly been
able to last out the week. On the
program. Garroway had explained
that Lescoulie had a bug. but now
someone said, "He had the flu. He
flew to Puerto Rico."
The) went on post-morteming the.
program, especially the missing val-
entine: "It was a goof, but it didn't
work out as a goof." Ja'< Hein.
the producer, came in and stood
leaning against the window until
John Lynch finally said. "II I had
a bell I would ring it." and the)
got down to business. "I wasn t
there but I watched it." said Hein.
"It was a good show, a good swing-
ing show."
And they all went on to talk about
next week.
/yyvn^r"
IF YOU RE
GOING TO PARIS
THERE are very few cities
in the world where it is pos-
sible for the gustatorially restless
to sample the best foods of a whole
nation without leaving the city
limits. In New York or San Fran-
cisco for example, you can find all
sorts of excellent European and
Asian cookery, but just try to find
good Southern, or Southwestern
cooking (nobody wants New Eng-
land cooking-except lobsters-any-
way). But in Paris (ah, Paris) it's
different.
In a book called The Food of
France by Waverley Root (which
Knopf is publishing this month)
there is an appendix entitled "How-
to Tour the Provinces without Leav-
ing Paris." In it Mr. Root lists and
describes about sixty restaurants (of
the 8.000 in Paris) that specialize
in provincial cookery. With his per-
mission we have selected the ones
that seem to us most mouth-water-
ing. If you are not going to Paris,
at least you can dream.
Alsace
Kuntz, near the Gare de I'Est,
is the best Alsatian restaurant in
France— an exception to the rule
that the best eating is always on
home territory. Unpretentious in
appearance, it is moderate in price.
I always seem to choose the same
menu here-pdte de foie gras, potee
of red beans rich in sausages, pork
and such, and Riesling de Ribeau-
ville for the wine.
Anjou
Chez la Mere Michel, 5, rue Ren-
nequin, is rather tucked away and
not too easy to find for strangers
to Paris. From the Etoile follow the
avenue Wagram through the Place
des Ternes, alter which it is f
second street to the left. This
the place to try that top special
ol the Anjou. pike with the beur
blanc sauce invented there.
Basque
Saint-Jean Pied de Fort, V.\
avenue Wagram, is the best BasqJ
restaurant in Paris. It is also!
comparatively expensive one, tl
worth it. Not only is pipemdA
specialty, but there is also the Sp;J
ish paella, which appears on t|
menus of a number ol Basque ij
taurants in Paris, though I do r
ice all ever encountering it on j
French side of the frontier in i
Basque Country itself.
Brittany
Toullig ar C'hrampouez. If J
can stand the utmost in simplic
walk down the boulevard Sai
Germain to the rue Gregoire
Toms, ducking at Number 11 i
the first doorway adorned with
sign Crepes. This will be easier tl
looking for the name of the ph
which is Breton for "At the Sj
ol the Good Pancake." Breton pi
cakes will be the only thing ser\T
and you should drink cider w
them. This comes under the h
of slumming, but the crepes are g«
—also heavy.
Burgundy
Chez Allard, 47, rue Saint-AmJ
running off the little square of
same name just behind the Pi
Saint-Michel, is one of the iJ
1 anions bistros in Paris, mearj
small, unpretentious places. All
is both, but it is not cheap. HI
ever it does not have to be, asi
food is so good that it is dou.lj
staired in the Michelin guide, B-1
of French diners-out. Phone fc
reservation.
Rotisserie de la Reine Pedauk
rue Pepiniere, near the Gare S;|
Lazare. One feels bashful aljj
recommending a place to wig
every tourist finds his own
sooner or later, but the fact is J
this is one of the best buys oi
kind (flat-rate meal including wj
fast turnover) in Paris. The res!
rant has its own wine reserve!
Burgundy, and if the three excel
table wines (white, rose, redl
AFTER HOURS
inks down in front of you with
limit on what you may drink
fhout extra charge, are not fine
ough for your mood, it can pro-
le plenty of others.
Franche-Comte
Zhez Rousseau, 6, rue Papillon.
ar the Folies Bergere, in a maze
streets running in weird direc-
ns which often baffles taxi-drivers.
is perhaps a little doubtful about
at province it represents— it seems
compromise between Burgundian
i Franche-Comte dishes, but as
Franche-Comte was in and out
Burgundy at various epochs in
history, that is perhaps under-
ndable. Anyway, as it is easier
find Burgundian cooking than
t of the Franche-Comte in Paris,
ist it here for items like the hot
s d'oeuvre provided by its special
Mete jurassien and the occasional
a wines it offers (do not count
this), rather than for such Bur-
idian delights as its cochon de
! de Beaune mode des vendanges
ackling pig.
Gascony
Zhez Josephine, 117, rue de
erche-Midi, slightly out of the
mtparnasse quarter. Landaise
iking. Confit d'oie and foie gras
raisin of the best. Arrive early.
Languedoc
Zhez Anna, 10, boulevard Deles-
t, convenient to the Chaillot
:seums— or for that matter to the
fel Tower on the. other side of
• river, if you are doing the tourist
md. Here the dish to demand is
• cassoulel. Prices are reasonable
ie character of cassoulet does not
ord with de luxe prices or atmos-
sre— and the place may possibly
even a little too folksy, especially
fou do not like cats. Anna does
l the plural. Usually full; it is
/isable to phone in advance.
Lyonnais
iux Lyonnais, 32, rue Saint-Marc,
ir the Bourse. Cheaper yet— hence
style, and do not be surprised
| the proprietor helps himself to
ample of what you have ordered.
appreciates his own offerings,
o he is checking on the quality
what you have been given. Take
table d'hote— it is cheaper than
putting your meal together from
the a la carte menu and there is
just about as much choice. Hot sau-
sage, that favorite dish of Lyons, is
a specialty here, too, but poularde
a la creme is what I would suggest.
Normandy
Au Bocage Fleuri, 19, rue Duran-
ton, in the fifteenth arrondissement,
not near any place that visitors
know about. You could however go
less far and do worse. The famous
Valley d'Auge chickens are served
here, and sweetbreads, Norman style
(ris de veau normand), are some-
thing else to try.
Provence
Lavergne, 51, rue du Faubourg
Saint-Martin, off a highly unfashion-
able segment of the Grands Boule-
vards, is able to charge extremely
reasonable prices for cooking of a
high grade. It offers- bouillabaisse,
but is exceptional in being a Pro-
vencal restaurant that does not think
it has done its whole duty to its
customers when it succeeds with this
dish. Its finest creation, indeed, is
probably its rognon de veau casserole
(veal kidneys).
Mr. Root concludes with this
warning to the tourist:
Before you go out of your way to
one of the restaurants listed above,
make sure it is open. Many Parisian
restaurants close one day a week. I
have not attempted to give closing
days here because they might easily
change between the times of writing
and reading.
What is sadder, from the visitors'
standpoint, is that many restaurants
close for vacations. The Parisian
month for vacationing is August,
precisely the month when the largest
numbers of tourists are in the city.
Some of Paris's best restaurants close
for the entire month or even longer.
CRITIQUE
TH E following is going around
the Metropolitan Museum in
New York, where an exhibition of
Sir Winston Churchill's paintings is
being held this spring:
"Winston paints good like Eisen-
hower should."
—Mr. Harper
She's always satisfied most
with a BRAND that's
made a NAME for itself!
"I MADE IT ... and I
make sure that the best
materials and workman-
ship go into any product
with my name on it. Natu-
rally, people blame me if
my product is unsatisfac-
tory, and they stop buying
it. I can't risk turning out
anything that may be only
'second-best.' "
"I SOLD IT . . . recom-
mended it because the
name it has made for itself
tells me it's one of the best,
most up-to-date products
in its field. In fact, a good
brand name is the best
guarantee my customers can
have when they buy. And
for me, too ... I know
they'll buy it again."
"I BOUGHT IT . . . be-
cause it's an advertised
brand I can trust complete-
ly. I just won't risk my
family's welfare on some
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PAUL PICKREL
Economic Man and the Rest of Us
THERE used to be a character in the
textbooks of economics who was known
.is Economic Man. He had, as I recall, two
characteristics thai distinguished him from the
common herd: he was perfectly selfish and he
was perfectly rational. His selfishness was not
of the chiseling kind that most of us are
familiar with l>\ introspection; it was purified
of all consideration ol what other people might
think, ol cheap bids for esteem and affection
and self-respect; it was as efficient and imper-
sonal as the selfishness ol a magnet. His ration-
ality was equally remarkable. He always bought
cheapest and sold highest, and was never swayed
by the vagaries of current taste or the example
of his neighbors or the importuning of his wile
and young; when he bought a car he bought
performance and paid no attention to the color
of the upholstery; when he bought soap he
bought an aid to cleanliness but he did not
expect it to make him sweet and lovable.
The trouble with Economic Man, even as
a character in an economics textbook (where
characterization is not usually a strong point),
is that he lacked what book reviewers like to
call verisimilitude: he did not seem very much
like plain, everyday men as we know them. And
even his creators, with more candor than most
other writers of fiction show when they botch
the job, confessed that he was only hypothetical.
By this time Economic Man has probably faded
from the textbooks, though here and there he
may survive, for economics is a myth not agreed
upon.
DIVIDED LIFE
NOW a good deal of attention is being given
to the fact that the way a man participates in
the economy— his manner of earning a living,
the bases on which he makes purchases, his
habits of saving, and so on— is only a part of
his whole personality. This means that he is
beset by two diametrically opposed dangers, and
which danger is the greater depends on whether
you believe our popular sociologists or our
populai novelists.
it you believe the sociologists— William H.
Whyte, Jr., in The Organization Man, lor in-
stance -the contemporary American is in danger
ol giving in to his job, ol diminishing his per-
sonality until there is nothing left to get in die
way ol the giant corporations that define his
usefulness as a producer or the advertising agen-
cies who have the task ol keeping him a faith-
ful and tractable consumer. On the other hand,
il you believe a good many popular novelists, the
contemporary American is seriously concerned
by the fact that he leads a divided life, that
his participation in the economy leaves "his
senses and his heart unsatisfied."
Joe Morgan's new novel, Expense Account
(Random House, $3.75), is such a book. The
main character is one Peter Cody, who works
lor a big hardware manufacturer as "promo-
tion manager," which means that he entertains
out-of-town customers, arranges banquets and
conventions for the company, and acts as gen-
eral glad-hander. He is an extreme but con-
vincing example of a man split in two by his
job, because he is actually living in two very
different styles. When he is on the company's
expense account, on the road and entertaining
in town, he stays at the best hotels, eats the best
filet mignon, drinks the best Scotch. He is genu-
inely fond of his wife and children, but he
cannot ignore the lad that the accommodations
and cuisine at home are below the level he has
become used to: he lives in a development house
that is coming unglued and eats macaroni su-
preme. Headwaiters in the best restaurants in
the country greet him with their broadest smiles,
but his wife sometimes has to ask the grocer
to wait for his money.
Around this central idea Morgan has grouped
situations more or less conventional in the busi-
ness novel. There is a struggle for control of
the hardware company that Peter Cody works
for; there is a temptress of almost inconceivable
wealth and beauty who dabbles in business and
provides another hazard of expense-account liv-
ing; there is a certain amount of comedy and
"The most accurate and moving of the biographical
literature on the tortured life of James Joyce."
—Harrison smith, Saturday Review
Preface by T. S. ELIOT
Introduction and notes by RICHARD ELLMANN
MY BROTHER'S
James Joyce's Early Years
Illustrated $5.00 by his brother STANISLAUS
remarkable
book....
"I think this boy may well be a very important writer."
—JOHN STEINBECK
"Would do credit to a fine novelist at the peak of his
powers. Dennis Murphy writes with the freshness,
force, and apparent ease that mark any fiction that
carries authority."— mark schorer $3.50
THE
SERGEANT
A novel
by DENNIS MURPHY
"A fine idea,
brilliantly
carried out."
—Publishers' Weekly
These stimulating interviews with such writers as
E. M. Forster, Francoise Sagan, Mauriac, Faulkner,
Thurber, Joyce Cary, Dorothy Parker, and others,
offer illuminating insights into personality and differ-
ent methods of work.
Illustrated with facsimiles from original mss. $5.00
WRITERS
AT WORK
The Paris Review Interviews
Edited, with an introduction
by MALCOLM COWLEY
Now
back
in print-
A volume of his finest travel writing. With his genius
for combining psychological perception, sociological
insight, and personal enthusiasm, Lawrence records
his vivid, sensitive, often rhapsodic impressions of the
Italian countryside and the Italian temper. $3.50
TWILIGHT
IN ITALY
by D. H. LAWRENCE
A timely
analysis
Ul
longevity
"The humor
)f his books is
enough to
enchant."
-GRAHAM GREENE
In this stimulating and pertinent study of the social
and economic problems resulting from our lengthen-
ing life span, Dr. Soule dramatically shows how our
attitude toward age is wasting manpower. He offers
practical plans for revising our employment practices
in order to salvage the abilities of older, and often
wiser, persons. $3.00
Mr. Narayan's previous novels have won him not only
a devoted band of readers but also critical comparisons
to Chekhov, Gogol, and Joyce Cary. In his new novel
about Raju, delightful Indian guide and reluctant holy
man, he tells his most beguiling tale. $3.50
LONGER
LIFE
by GEORGE SOULE
625 MADISON AVE.,
THE
Ul
A novel
by R. K. NARAYAN
IKING
NEW YORK 22, N. Y.
8G
THE NEW BOOKS
pathos incidental to undercapitalized domesticity
in the suburbs. Morgan combines all these ele-
ments with eas) expertness to make an unpre-
tentious hut agreeable novel.
Bui Expense At i omit is mum convincing when
it strays From routine and realizes the possi-
bilities for corruption and self-humiliation in
the system ii describes. The besl passage is an
account of a long terrible night Peter Cod)
spends with a thoroughly repulsive out-of-town
customer, and his grim realization in the cold
light of morning; that his usefulness to his
employer does not derive from his knowledge
ol manufacturing or finance or advertising (he
knows nothing ol any of them) but simply from
the fact that he is a reliable pimp.
THE PROXY FIGHT
AG O O D deal of Expense Account is more
interesting for the information it gives
about the way our economy functions than for
the human involvements it portrays, and much
the same is true of John Brooks' new novel.
The Man Who Broke Things (Harper, $3.95).
Here the most striking character is Hank
Haislip, who seems to have been freely modeled
in the public aspects of his career on the late
Robert Young. Like Mr. Young, Haislip is a
Westerner who beats the Easterners on Wall
Street at their own game; like him he started
out as a speculator and moves on to control
large enterprises, chiefly through his ability to
convince small investors that if they will give
him their proxies to vote their stock he will
give them better management and consequently
a larger return on their investment. The proxy
fight that provides the chief action of the novel,
however, concerns control of a chain of stores
whose economic situation seems to bear less re-
semblance to any of the businesses Mr. Young
controlled than to Montgomery Ward under the
chairmanship of Sewell Avery.
Probably Brooks took no more than a hint
for his main character from Mr. Young; I know
of no reason to suppose that their private lives
bear the slightest resemblance to each other.
Yet the fact that Mr. Young committed suicide
soon after the novel was completed and before
it was published will almost certainly affect its
reception, though in what way it is hard to
say. My guess is that more people will read the
book than might otherwise have done so, and at
the same time that judgments of it will be
harsher, for the tragic end of Mr. Young's other-
wise amazingly successful career suggests that
human personality is a more mysterious thing
than the kind ol motivation Brooks supplies
for his characters can account for.
And the truth is that the weakness of the
book lies in its characterization. The characters
have no personalis apart from the roles the)
play; the) illustrate certain conflicts in oui
econom) but they do not have reality enough
to cause those conflicts. In this respect The
Mini Who Broke Things is inferior to Brooks'
lasi book, A Pride of Emus: in other ways it is
much better and will almost certainly be more
successful. But the ding) New Jersey famil)
prowling pointlessl) about their ill-lit living-
room in A Pride of Emus had much more inde-
pendent existence, the) were much more like
real people, than anyone in the new book.
IN SPITE of the fact that Hank Haislip
dominates the book, the main character is really
a young man named Bob Billings who serves
as the novel's moral conscience and the author's
representative on the si cue. Though a very dif-
ferent sort ol voting man and laced with prob-
lems of a different son. he serves much the same
function as Peter Cody in Expense Account, for
he is trying to preserve the integrity of his lile
against the demands of making a living.
Billings is the son ol a highly respected Wall
Street banker who is a model of Atlantic
Seaboard probity and high-minded devotion to
duty. He has been given the kind of education
usual with the sons of such men, and has ac-
cepted their standards as his own. Then in the
course of his career as a financial journalist he
suddenly discovers that his lather's firm has not
always been quite so upright as it is reputed
to be, and when his father in a gentlemanl)
way blackmails him into suppressing what he
has discovered, he goes into the emplov of "the
man who breaks things"— Haislip, the bold
buccaneer from the West who challenges the
right of men like his father to run the nation's
business. In the course of the proxy fight, young
Billings discovers that his father was not en-
tirely wrong about Haislip, and in the end he
and his father, who has been one of the old
directors of the chain of stores whom Haislip
has sought to replace, re-establish a certain shy
rapport.
Billings has one limitation as a judge of the
action he witnesses: except for one incident,
he judges what the characters do on a basis
of personal honor without regard to the eco-
nomic consequences of their acts. He deserts
Haislip because Haislip commits a shocking
breach of personal loyalty in the course of the
proxy fight, but he shows remarkably little
interest in whether Haislip's management will
actually be good for the company or not.
The May} Who Broke Things is at its best
when it is closest to reporting. Almost every-
thing that has to do with the proxy fight as
a piece of maneuvering and as a technical feat
is absorbing, and Brooks has contrived a suf-
ficiently dramatic plot around it to hold the
NATURE IN
ABSTRACTION
The Relation of Abstract Painting
and Sculpture to Nature in
Twentieth-Century American Art
By JOHN I. H. BAUR
A pioneering study of the opinions
of over fifty modern abstract
painters and sculptors on the rela-
tion of the observed world of
nature to their work. Brief bio-
graphical sketches accompany
their revealing statements.
16 full-color reproductions,
43 black and white $6.00
BRADLEY WALKER
TOMLIN
By JOHN I. H. BAUR
Curator of the Whitney Museum
of American Art
An illuminating first biography of
a leading figure in American
abstract-expressionist art, includ-
ing perceptive appraisals by two
artists who knew him intimately
and two museum directors who
have done much to forward his
recognition.
4 full-color reproductions,
31 black and white $4.00
ARSHILE GORKY
By ETHEL K. SCHWABACHER
A fascinating biography and
critical examination of one of
America's great modern painters.
"... an important landmark
in the field . . . offers the reader
considerable assistance in seeing
the intricate and elusive imagery
of . . . 'the Ingres of the uncon-
scious.' " — Arts Magazine
8 full-color reproductions
70 black and white $8.50
NOW- one of the great
books of all time
at a new low price!
THE
GOLDEN BOUGH
One-Volume Edition
By SIR JAMES G. FRAZER
In this handsome one-volume
edition, Sir James Frazer himself
expertly compressed the wealth
of material contained in the
original twelve-volume set of
The Golden Bough. Based on his
thirty years of research in the
farthest and most obscure cor-
ners of the world, this master-
piece describes our ancestors'
primitive methods of worship,
sex practices, magic, strange
rituals, festivals, sacrifices and
more. A panorama of man's
arduous struggle to emerge from
a nightmare of magic, taboos
and superstitions into a better
understanding of the world we
live in.
"... a tumultuous, enthralling
encyclopedia . . . one of the
20th century's most influential
books." — Time Magazine
"Sir James wrote . . . classics
that no anthropologist or so-
ciologist, no student of literary
origins, or psychologist can af-
ford to ignore ... he made it
plain to us that under the skin
South Sea Islanders, Congo
tribes, ancient Sumerians, At-
tila's hordes and button-pushing,
airplane-riding moderns axe all
brothers." — The New York Times
Only $3.95
nil
THE NEW INDIA:
Progress Through
Democracy
Prepared by The Planning
Commission, Government
ot India
This important work traces the
development of India's ambi-
tious Second Five Year Plan set
in action in 1956 and designed
to promote India's economic and
social reconstruction. The study
examines current agricultural,
industrial, labor, health, housing
and population problems to-
gether with the measures that
the Plan provides for their
solution.
"Because of the timeliness of
this volume, and because it is
a clear and well written ac-
count of India's approach to
its pressing social and eco-
nomic problems, 'The New
India' deserves, and I hope it
will have a wide and sympa-
thetic reading."
—ELLSWORTH BUNKER,
Ambassador of the
United States of
America to India
Hardbound Edition $5.00
Paper Edition $2.50
£TAe tAtttcmillan- ^ctnfavttty
60 FIFTH AVENUE, NEW YORK 11, N.Y.
Your local bookstore plays a leading
role in the cultural progress of your
community. If any of these books is not
immediately available your bookseller
will be happy to order it for you. Sup-
port his efforts to make your community
a better place in which to live.
THE NEW BOOKS
L. P. Hartley
THE HIRELING
"Hartley's is the art of the
miniature painter-exquisitely
understated. I can't think of
any American writer who
could handle such a theme -
the 'lady' and the chauffeur -
with such delicate wit, such
aloof sympathy."
— LEWIS GANNETT $3.50
Bernice Kavinoky
THE MOTHER
Here is a magnificently human
picture of a mother who be-
gins to understand herself only
as she loses the son she loves
and cannot possess. By the
author of Honey from a Dark
Hive. $300
Edgar Pangborn
WILDERNESS OF
SPRING
"A brilliant picture of Massa-
chusetts in the early eighteenth
century . . . action and sus-
pense and vivid settings . . .
Unusually enjoyable." -N. Y.
Herald Tribune $4.95
THE UNSILENT
GENERATION
EDITED BY \JttO JjUlZ
Eleven college seniors speak
their piece. What do they
think of themselves, the world
today? Anonymous, supremely
outspoken, they answer ques-
tions about happiness, success,
security, God, education, mar-
riage, family, morals, the fu-
ture of America. $2.95
j&V At all bookstores
%_mM RINEHART & CO . INC.
interest of what seems to be a large
audience for novels about American
business.
OVERSEAS TOO
Image of a Society In Ro) Fuller
(Macmillan, $2.75), a recent novel
I mm England, shows that the prob-
lem ol maintaining one's identity
against the demands ol one's work
is not limited to America.
The "Societv" of the title, at least
on the literal level, is the British
equivalent ol our building-ami loan
associations. This particular Society
has its headquarters in a provincial
town, but it is a business ol con-
siderable size and the men who
direct its affairs are men of con-
sequence. The general manager is
reaching retirement age, and the
story is built around who will be
his successor. One of the two chief
contenders for the position is a man
of dash and Hair, a gentleman with
an offhand way with him. who has
nevertheless so completely identified
himsell with his work that not to get
the promotion will destroy him; the
other contender is a mole-like ac-
countant who never makes a false
step and never loses an opportunity
to ingratiate himsell with his su-
periors, a man in his own quite
different way as completely identi-
fied with his work as the first.
By contrast, the main character
in the novel. Philip Witt, the So-
ciety's solicitor, who is not a can-
didate for the general managership,
has utterly refused to identify him-
self with the Society and his work
there. He regards himself as a writer
and intellectual whose real life only
begins when he leaves the office, but
in fact he is as much victimized and
intimidated by his job as anyone
else. He is estranged from the par-
ents he lives with and the girl he
limply goes through the motions of
courting; his writing is an excuse
he makes to himself for his own ex-
istence rather than an accomplished
fact; he is bored and hypochondri-
acal and probably neurotic.
The decisive incident of the novel
1S the discovery that one of the
Society's large loans is bad and will
result in a%i/able loss. Responsi-
bility for the blunder has to be
allocated, and in the process the
question of who will be the next
general managei is settled. alii
Philip Win (with the help ol th
unsuccessful candidate's wife)
freed from his cringing isolation.
Fuller has the gifts of a first-rat
novelist, but Image of a Sourly '
not quite a first-rate novel. Tli
power ol characterization is bra
liant. but the plot is a little to
cramped to give lull scope to i
The plight of Philip Witt is
powerfully drawn at the outset th.
the swift if painful cure he uncle!
goes is hardlv convincing. Yet Full
is a more serious novelist than eith
Brooks or Morgan, and his book 1
a universality that theirs lack. V
wad their books to learn soinethii
about the economy— how expen
accounts work, how a buccane
operates— and we are grateful lor tl
plot and people that sugarcoat tl
lesson, but we read Fuller's bo.
io learn about ourselves. Brooks I
Morgan raise questions about t
moral effects of certain isolaj
kinds of economic activity, but F
lei more disturbingly suggests he!
anv of us can be corrupted a
( rippled in the process of eanul
a living.
I N The Price of Diamonds (Kno
paperbound, $1.45) the voting Soil
African novelist Dan Jacobson I
written a funny and touching lit!
story about two old Jewish businl
men in a Godforsaken diamol
mining town in South Africa. Thj
names are Manfred Gottlieb dl
T. H. Fink, and for a good ml
years they have been partners!
a small but profitable and eminet!
respectable business. 1
The action begins when FinW
out ol town traveling for the fjl
and a mysterious messenger deli^
a small package to the office. It til
out to contain uncut diamonds, I
Gottlieb decides that his partnej
engaged in the illicit diamond tr|
and keeping it a secret from l|
Gottlieb happens to be wrong!
this conclusion, but it subtly ,
rupts him and threatens to desl
the trust that underlies his parti
ship with Fink. It corrupts Fl
too, because he knows what is gdj
on and does nothing about it.
two old friends draw more j
more apart, and Gottlieb, in I
efforts to match what he mistak I
assumes to be his partner's bold!
89
THE NEW BOOKS
i daring, is drawn into a series
adventures that are simultane-
ity dangerous, slightly ridiculous,
1 horrible. The scene in which
partners finally acknowledge
t pride and rivalry have led them
fail each other is as fine as any
tave read in some time.
The Price of Diamonds is an un-
;ial and original piece of work. It
skillfully constructed without us-
any of the standard devices of
/els about businessmen. The
racters are equally free of cliches;
y are freshly observed, highly
)syncratic, yet too full of com-
n humanity to be freaks; they
wrong and foolish, but they are
) good and lovable.
|IOTHER fine novel that por-
/s the subtle interplay between
lmercial and personal relation-
3 is the new book by the English
ter L. P. Hartley, The Hireling
nehart, $3.50).
"he "hireling" of the title is a
ty-five-year-old army veteran
led Leadbitter who has bought
automobile on the installment
l and makes a living by hiring
lut with himself as driver. In his
l eyes, Leadbitter is as perfectly
onal and as perfectly selfish as
hypothetical Economic Man of
textbooks. Experience has made
distrust emotional en tangle-
its; the army has trained him
ive in isolation; and his ambition
hopes some day to own a whole
: of automobiles) has led him
trip his life of anything that can
d in the way of his success.
'hen he acquires as a customer
Lady Franklin, a very rich
ng widow who is recovering
a a nervous breakdown. She
i that she has failed her late hus-
d in their marriage, and by way
loing penance she sets out on
;ries of pilgrimages to various
lish cathedrals, hiring Lead-
er to drive her. Her doctor has
tsed her to take an interest in
r people, and so she innocently
:tices taking an interest in other
h\e on Leadbitter, by asking him
kinds of questions about his
ate life,
"adbitter in effect has no private
but as an ambitious young
f,epreneur he knows that he must
the customer what she wants.
C. P. Snow
THE CONSCIENCE^
OF THE RICH
Power and wealth as part of the tradi-
tion of one of the great Jewish families
Df England.
"Wise, beautifully controlled and
leeply moving . . . the best novel C. P.
Snow has so far written."
$3.95 — ROBERT GORHAM DAVIS,
Netv York Times Book Review
'
KING OF THE
MOUNTAIN
The rare ability to comprehend life at
a glance and express it in a word per-
vades these memorable stories. Each
one, whether articulating an adolescent
murmur, or pinpointing an adult need,
reflects the sure hand of a born writer.
$3.50
■■■:■■■ ■ ■ ■
: ■ . . •' ■' ' : " ■■■■'■ ' :•:
IPS
: ^
A Play by
■ Ketti Frings
LOOK
HOMEWARD,
ANGEL
A skilled, sensitive craftsman has
translated Thomas Wolfe's classic into
a dramatic masterpiece, wolcott gibbs
hails it as "a miracle" . . . BROOKS
ATKINSON calls it "marvelous" . . .
RICHARD WATTS cites it as "one of the
finest plays in American dramatic
literature." $2.95
At your booksellers
CHARLES SCRIBNERS SONS
yo
WtekPN
53 Shakespeare's Imagery and 52.45
What It Tells Us
by Caroline F. E. Spurgeon
54 The Social Life of Animals SI. 45
by W. C. Allee
55 Three Short Novels SI. GO
by Kay Boyle
56 The Psychiatric Study of Jesus $ .9S
by Albert Schweitzer
57 How Prints Look SI. 60
Photographs with a Commentary
by William M. Ivins, Jr.
58 Toward Freedom $1.95
by Jawaharlal Nehru
59 Studies in Hysteria SI. 45
by Joseph Breuer and Sigmund Freud
60 Plato's Thought SI. GO
by G. M. A. Grube
61 Protestantism and Progress S1.45
by Ernst Troeltsch
62 The Tyranny ot Greece 51.95
over Germany
by E. M. Butler
24 at your bookstore or write to
BEACON PRESS dept. hm-4
25 BEACON ST., BOSTON, MASS.
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THE NEW BOOKS
So he invents a Eamily lor himself,
complete with three children and
a wife who. .is his account of her
develops in meeting aftei meeting,
bears an increasingly striking re-
semblance to Lad) Franklin. Slowl)
the fantasy becomes the most im-
portant thing in the lives ol both
dl them, loi Lad) Franklin it lias
a curative effei t; for the first time
since hei husband's death she is
able to forget herseli and share the
experience ol another. The effect
on Leadbitter is more complicated;
as the fantasy becomes more and
more real, the inadequacy ol his
wi\ ol life becomes painfully ap-
parent to him; in his sleep he
dreams ol his non-existent children,
and in his waking hours he is forced
to acknowledge that a smart oper-
ator like himself has fallen hope-
lessly in love with Lady Franklin.
So he too is emancipated from him-
self by the shared fantasy, but his
effort to establish something like the
fantasy in reality proves to be more
than he can accomplish, and in the
end it destroys him.
The Hireling is a tragic love story,
a beautiful book. The complexity
ol the plot may strike some readers
as a little artificial, but Hartley
masterfully brings off his effects,
writing with delicacy and tact, yet
vigorously.
MEDIATOR
MARTIN MAYER'S Madison
Avenue, U.S.A. (Harper, $4.95) is
the most sensible book about Amer-
ican advertising I have seen, and
it may be the most sensible book
on the subject available. Mayer is
not an alarmist; he does not set
out to demonstrate that we are all
about to lose our political freedom,
our leisure, and our libidos to the
advertisers. Instead he describes how
advertising operates as a business,
gives some account of its successes
and failures (with a healthy aware-
ness of the limitations on what
advertising can accomplish), offers a
fascinating survey of the fantastic
efforts to turn the necromancy of
advertising into a science, looks at
the part advertising plays in politics,
and tries to see what the economic
function of advertising really is.
Mayer's discussion of the last sub-
ject, which is the most original part
ol Ins hook, first appeared in t
pages ol this magazine in a son
what different form ("What Is /j
vertising flood For?" Februa
1958). As readers of the article 4
K( all, Mayer sees little basis in 1;
for the traditional utilitarian i
Unse ol advertising on the groin
that it widens the market lor
produc I so mu< h that it brings do'
the cost of the item. In place
that idea, he suggests that adver
ing actually "adds value" to I
product. What he means by tl
is not, of course, that advei tisi
makes any change in the product
a physical fact, but that it cl
make a change in the product a,
psychological fact.
Probably Mayer's theory can
taken further and more seriod
than he seems to have taken
What he is saying is that advertis;
bridges the gap between that tfi
retical creature, Economic Man, i
man as he actually is; it attem
to make contact between the
personality of a market economy &
the highly personal context in whj
the consumer makes his choices;
economist sets up his system a^
men lived by reason, but meni
fact live by poetry, and the adj
tiser takes up the slack.
Unfortunately Mayer puts
theoretical chapter last; it wq
have been interesting if it had cc
first and the whole analysis of w
advertising does had been condui
with the object of finding out
how well advertisers are succeet
at the job of "adding valu
A major problem for anyone
wants to write about advertising
the problem of what vocabularj
use. Advertising men have a hit
specialized vocabulary of their
—they even use their beloved L|
plural of medium as an adject
and to adopt their lingo is to g
them many concessions. But t
is probably no practical alterna
and Mayer uses the language ol
trade, although it gives a mea
to a word like creative that no
readers will instantaneously r<
nize or grant. Mayer also somet
lapses into a house-organ hearti
especially when he refers to
dividual advertising men, but
stylistic shortcomings do not
ously detract from the value
interest of his book.
THE NEW BOOKS
ENTREPRENEURS
OF RIGHTEOUSNESS
e Guide, the new novel by the
lian novelist R. K. Narayan (Vi-
g, $3.50), is the story of a young
n from South India named Raju
o has St. Paul's gift of being all
igs to all men but no other ap-
ent qualifications for saintliness,
ugh that is what he achieves,
laju's ability to accommodate
lself to the moods and wishes of
er people and his complete dis-
ard of the truth make him a
feet guide for tourists, because
shows all his patrons exactly
at they want to see whether it
there or not, systematically ex-
iting their weaknesses for his own
fit. His career is temporarily
ted when he takes up with the
e of one of his patrons, but then
finds a way of exploiting her on
even larger scale than he had
r exercised with his tourists,
"hen he over-reaches himself and
is in jail with a two-year sen-
re. When his time is up he has
/here to go, and so he takes
ige in an abandoned temple
're a poor peasant mistakes him
a holy man. With the skill in
ting the most of whatever comes
iand that never deserts him, Raju
is the part, and soon he finds
self handsomely supported and
ifyingly revered by the farmers
he region. They not only bring
quantities of food but consult
about their problems and
ler of an evening to listen to
wisdom, which consists of a gab-
of half-remembered legends,
le-made aphorisms, and preten-
nonsense.
nally a great drought comes
lis section of South India, and
local peasants are sure that Raju
bring rain it he will fast and
tice other pious observances.
i a program of rigorous self-
al has no initial appeal for him,
he is overcome by his old habit
eing whatever the situation or
moment requires him to be, and
ot only undertakes the fast but
by believing that it has worked.
places The Guide seems to
lise a little more in the way of
ung than it in fact delivers,
the method of telling the story,
h is on the principle of the
THE WORLD'S GREATEST
INFORMATION CENTER
in your own home . . . for oniyT 39 so
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Webster's New International Dictionary,
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known to man. It equals in printed
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always open and inviting use, rather
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Examine this famous Merriam-Webster
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WARNING: Webster's New Interna-
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look for the Merriam-Webster trade-
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substitutes. G. & C. Merriam Co., Spring-
field 2, Mass.
INSIST ON
MERRIAM-
WEBSTER
• • •
Webster's New Collegiate Dictionary
($5 and up) is the only desk dictionary
based on the New International. It is the
dictionary required or recommended by
nearly all schools and colleges.
92
"a must"
"invaluable"
"entertaining"
Mill*
ARTHUR
KNIGHT'S
The
Liveliest
Art
A Panoramic History
of the Movies
". . . an analytical, well-written
and intelligently planned up-
dating of the history of the film,
done with compassion for the
medium and a grasp of its in-
tricacies ... a volume that not
only reads well, but is crammed
with the kind of information
that is indispensable to any
student ... of the motion pic-
ture... a 'must' for industrytes'
bookshelves." —Variety
"Mr. Knight's book is enter-
taining, but you'll go to it for
information . . . lively and in-
spiring story . . ."
-N. Y. Herald Tribune
". . . the most complete, compre-
hensive, up-to-date survey of
the film now available in Eng-
lish..." - Richard Griffith,
Curator, Museum of Modern
Art Film Library
"... a fascinating story ... in-
valuable ... to any layman . . .
It will make his movie-going
experience richer and keener."
—Rouben Mamoulian
Illustrated $7.50
60 Fifth Ave.. N.Y. 11, N.Y.
THE NEW BOOKS
club sandwich, with fust a layer of
third-person narration and then a
layer of Raju's autobiography and
so on, is unnecessarily tedious and
arbitrary. Yet it is for the most
part an entertaining book, with im-
plications about the good and evil
in human nature that cannot be dis-
missed lightly. The background of
modern Indian liie is fascinating.
I N The Mackerel Plaza (Little,
Brown, $3.75) Peter De Vries has
written a very funny novel about
a man who is the exact opposite
ol Raju; De Vries' main character
is a young clergyman in a fashion-
able Connecticut suburb who re-
fuses to be whatever his parishioners
expect him to be, and who ends up
the captain of his soul but without
any parishioners.
In so far as it is anything more
than a merry romp, The Mackerel
Plaza is a satire on the kind of at-
tenuated modern religion in which
psychotherapy, political sentimen-
tality, and humanitarian zeal re-
place theology. The young clergy-
man sometimes preaches on a text
from Havelock Ellis, and his schol-
arly activity is directed to the
writing of a vast work of pseudo-
anthropology which Alfred A.
Knopf wisely refrains from publish-
ing (Mr. Knopf plays a delightful
role in the book). At the end De
Vries gives the True View on re-
ligious matters in a passage that
will not cause Paul Tillich and the
Niebuhr brothers to look to their
laurels as speculative theologians.
But presumably nobody will read
De Vries for spiritual guidance, and
there is no doubt that he manages
to get in a good many well-placed
licks at some of the more dubious
aspects of the current revival of
interest in religion.
The story told in The Mackerel
Plaza is too complex to summarize
and too hilarious to spoil in the
attempt. It is wonderfully ingen-
ious, with a topsy-turviness that is
irresistible. But the book has one
serious defect: De Vries' sense of
humor has deserted him in naming
his hero. What's so funny about a
name like Mackerel?
TWO brilliant books from abroad
that deserve more than the mention
they will receive here are an account
A Bedtime Story for Adults!
by CYNTHIA ANN VAUTIER
Here is a thoroug
ly seasoned, rril
ture satire on tl
society in whi'l
"youth" is a cut J
youth of any
at all. No self-i
specting man
woman grows i'
here, and the c
izens are very se
conscious about
Can this be heave
26 at your bookstore or write to
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City State
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The new Blanshard
The facts after ten years
by PAUL BLANSHARD
A Novel by Robert colb<
Man the atci
smasher can 4
new satellites
the skies an
the wander
L stars — but he <
not control <
rancorous t ,
that lives In I
own viscera .1
this is the stor|
a government
entist who trie
do both. D
miss this!
23
at your bookstore or write
to
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Ha
25
BEACON ST., BOSTON, MA.'
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D
D
THE FUTURE LIKE
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N
imp
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The new Blanshard
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America* £reed#\
by PAUL BLANSHARD
THE NEW BOOKS
Cyprus in the years 1953-56,
ter Lemons (Dutton, $3.50), by
: English writer Lawrence Dur-
1, author oi Justine, and a new
lection of six short stories by
oert Camus, Exile and the King-
m (Knopf, $3.50).
Durrell went to Cyprus simply
rause he wanted to live there (he
a great admirer and student of
: Eastern Mediterranean region
i speaks modern Greek), and his
ak starts off as a leisurely and ex-
mely good piece of travel writing,
t fairly soon after he had settled
wn the trouble over the union of
prus with Greece began, and Dur-
1, as an Englishman and a devoted
md of the Cypriots, found him-
in the thick of the tragic con-
t.
U though he served for a time
press adviser to the British gov-
ment in Cyprus, Durrell is no
ologist for Britain; he wants
atever is best for the Cypriots,
ugh apparently he is no longer
e exactly what that is or how
is to be achieved. His account
the island's past is too elliptical
allusive to be helpful to the
orant reader, but his description
the island itself, of the tangled
hies that lie behind the revolt,
of what day-to-day life is like
le the revolt is going on are
orting of a very high order.
nothing else, Exile and the
gdom bears witness to Camus'
aordinary versatility. The half-
en stories in the book are not
y highly various in their settings
they also display a dazzling array
techniques. Some are more or
conventional technically, includ-
the two stories I like best (prob-
| because I understand them):
ie Silent Men," a moving ac-
nt of a group of workmen in a
ig industry who lose their strike,
"The Guest," a fine story about
rench schoolmaster in Algeria
the Arab prisoner he is sup-
:d to guard. "The Artist at
rk" is a bitterly witty allegory;
ie Renegade" is a surrealistic
y on freedom and bondage;
ie Growing Stone," another fine
y, is symbolic in its method. Ex-
md the Kingdom is a small book,
it contains an unusual amount
iterary skill.
FIRST BLOOD
The Story of Fort Sumter
author of Sickles, the Incredible
"Nobody has told [the Sumter story]
in one place as vividly and completely
as Mr. Swanberg does in 'first blood.'
The drama and the tragedy of Sumter
come through to the reader as in few
other books. The author has been un-
usually successful in catching the
psychology of the situation."
T. HARRY WILLIAMS,
The Saturday Review
$5.95
THEODORE ROOSEVELT
The Formative Years: 1858-1886
"This book, for the period it cov-
ers, is the best biography of
Theodore Roosevelt."
— ALICE ROOSEVELT LONGWORTH
Volume I in the projected four
volume biography of Roosevelt is
unique because the author is the
first to have access to the family
papers and to many private collec-
tions of correspondence.
A vivid account of Theodore
Roosevelt's childhood, his battle
for health, his career at Harvard,
his first marriage, and his early
stormy political struggles. $10.00
GEORGE
WASHINGTON
VOLUME VII: First in Peace
By John Alexander Carrol!
and IViary Wells Ashworth ^j>:
Douglas Southall Freeman's great
biography is brought to a triumphant
conclusion in this final volume writ-
ten by his two associates "with such
skill that virtually no readers will be
aware of the fact that this final vol-
ume was not written by Mr. Freeman
himself." — carl bridenbaugh,
New York Times Book Review
$10.00
CHARLES SCRIBNERS SONS
A Hard Look
at the Department
of Defense
By WILLIAM R. KINTNER
in association with
JOSEPH I. COFFEY
and RAYMOND J. ALBRIGHT
Responsible officers with Pent-
agon experience speak frank-
ly about what's wrong with
our defense system and offer
proposals for the kind of re-
organization that will lead to
greater security.
The authors describe the
evolution of the Defense De-
partment; they suggest areas
for improvement and point
out major shortcomings such
as the waste and duplication
of effort resulting from inter-
service rivalry, the lack of
coordination between the mil-
itary services and the civilian
command, etc.; and they out-
line specific measures for de-
veloping a stronger and more
flexible defense structure.
This program, at once
constructive and non-political,
confronts frankly the human
strains and stresses required
to create the defense organi-
zation we need. "Nowhere
else, so far as I know, is
given so clearly and authori-
tatively the information in
regard to the department of
defense which the citizen
needs in order to make up his
mind on important matters of
policy."— August Heckscher
Sponsored by the
M.I.T. Center for
International Studies
$4.50 at your bookstore or from
HARPER & BROTHERS, N. Y. 16
BOOKS
in brief
KAMIKHINE GAUSS JACKSON
FICTION
North from Rome, l>\ Helen \l.i<
limes.
In this novel Miss Maclnnes com-
pares with the Qmbrian masters
in the affection and detail with
which she paints the i leai ail and
beloved minutiae oi the Italian hill
towns north of Rome. The towns
and Rome itself are background
for a highly intricate plot involving
an American playwright; a beau-
tiful if somewhat Erail-reed Amer-
ican girl; Italians— very very good
and very very bad; and Communists,
mixed into all kinds ol skulduggery
with an international narcotics ring.
The story is told with Miss Mac-
lnnes' impeccable taste, her work-
manlike construction, her loving
attention to scholarly decoration.
The author of Above Suspicion
never lets her readers down.
Harcourt, Brace, $3.95
The Greengage Summer, by Rumer
Godden.
Alter reading Miss Maclnnes'
tightly plotted, crisply told sioi\
of international machinations on
a very intellectual level it is a re-
laxing contrast to come to Miss
Godden's effortless and apparently
simple tale of five English children
whose summer holiday in a French
pension has such an unforeseen de-
nouement. The action starts with
deceptive calm and one delights in
the feel and taste and smell of high
summer in the French provincial
town outside of Paris. No effort
is asked of the reader. One sinks
into the atmosphere, is utterly ab-
sorbed by the daily activities which
are not in the least intricate or
difficult to follow, and the mounting
tension creeps up on the reader
unaware. And then . . . Well, see
for yourself.
A beautiful story, for all its terror
—of the end of a season; the end of
innocence; and the beginning of
wisdom— told with humor, warmth,
insight, and restraint.
Viking, $3.50
A Novel by
DANIEL CURLEY
This is the story of
a sensitive man's
search for a simple
answer to a simple
question — and with
it a way of life
thai will lie worth!
dedicating a lifetime ,
to achieving. In the
search Michael Peg-
nam finds despair, j
violence, and ec-l
stasy. ... A sincere)
and penetrating
first novel by the!
author of That MaT-\
lU:d of ProA
crustes, and Otheri]
Stories.
$3.50J
1
22 0.t your bookstore or write to %
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Check Money Order No C.O.D.'s I
The new Blanshard
The facts after ten years
Cstito/tc fbuMr, /9SB\
by PAUL BLANSHARD S3.95
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Deerfield, Massachusetts
FOR MORE VACATION FUN
E1CIMLET
YRS. TRAVEL-WISE TRAVELERS GUIDE
iere and How to Go. What to See. The Costs.
NADA thru FLORIDA, and Enroute. Nassau,
ba. West Indies. Includes N.Y.C. 228 PAGES
is Price $1.00 postpaid. Address The Gimlet,
ot. 21-H, 745-5th Ave., N.Y.C. 22.
pical Hotels Recommended & Described
iSSAU, BAHAMAS ST. PETERSBURG, FLA.
SUWANNEE HOTEL,
ILOT HOUSE CLUB,
)n East Bay Street,
ipposite the Famous
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/here Yachtsmen
rom the world over
ongregate and ex-
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arned an enviable
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ellent food and spe-
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le air-conditioned
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s are the 50 lux-
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ummer Rates) — Denis
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and Spoon Bread is
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ception Room, Gar-
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lar. Shuffle Board
Courts, a Putting
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are added attrac-
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Summer Rates, Low
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Paul Brown, Vice-
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eral Manager.
BL PORAPO
ritish Guiana, Brazil, Venezuela
by MICHAEL SWAN
chly Illustrated with Photographs and
ips
Here is the fabu-
lous true adventure
of a man who heard
the voice beyond the
mountains and had
to go and see for
himself — British
Guiana and the un-
tamed forests . . .
customs, lore and
music untouched by
outside civilizations.
Fascinating reading
for anyone who
lusts for adventure.
$4.95
------------------I
29 at your bookstore or write to I
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EL DORADO $4.95
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'-........ ........ ..-.J
%tfi6//c fewer, /?&
by PAUL BLANSHARD
$3.95
BOOKS IN BRIEF
APRIL BOOKS
SUMMER GARDENS
For jDeople who care about gar-
dens, to sit clown in front of a pile
of garden books is like sitting down
in front of a bowl of peanuts. You
can't let them alone. On my table
at the moment are six books with
recent publication dates. And they
are as varied in the delights they
have to offer as the peanuts are
monotone.
America's Garden Book (newly re-
vised and illustrated) by James and
Louise Bush-Brown. Scribner, §7.95
The Woman Gardener, by Frances
Perry. Farrar, Straus & Cudahy, $5
Gardens and Grounds That Take
Care of Themselves, by Amelia
Leavitt Hill. Prentice-Hall, $3.95
A Joy of Gardening, by V. Sack-
ville West. A Selection for Amer-
icans, edited by Hermine I. Popper.
Harper, S3. 50
The Guide to Garden Flowers, by
Norman Taylor.
Houghton Mifflin, $4.95
The House Beautiful Book of Gar-
dens and Outdoor Living, by Joseph
E. Howland. Doubleday, $10
To the serious beginner, the
newly revised America's Garden
Booh will be guide, philosopher,
and much-needed friend. And this
applies wherever you live in the
U. S. A. It tells how to construct
and keep up lawns, paths, fences,
fountains; how to design and plant
any kind of garden; how to choose
and take care of trees, vegetables,
flowers, and house plants; how to
control pests and weeds; how to
operate coldframes and greenhouses.
And in the new part of the book
there are sections on swimming
pools, flower boxes, "inviting the
birds," penthouse gardens, plants
under artificial light, mulches, and
lists of gardens open to the public
in forty-seven states (Nevada alone
has none). The photographs and
diagrams are more practical and
useful than dramatic (no color).
Each reader will turn to a dif-
ferent section, but for my own use
and delectation I find I have under-
lined such things as: "There are
probably more examples of bad
New Borzoi Books
THE MORMONS
edited by WILLIAM MULDER
and A. RUSSELL MORTENSEN
A fascinating eyewitness history
of the Mormons, told through
contemporary accounts, letters,
newspaper columns, and memoirs
by the Mormons themselves and
by travelers, journalists, officials,
and sensation seekers. It begins
with Joseph Smith's own story of
how he discovered the fabulous
gold plates, covers the reign of
Brigham Young, and ends with
today's "era of good feeling."
512 pages. $6.75
THE POWER
:kn:
Hawthorne, Poe, Melville
by HARRY LEVIN
A searching reinterpretation of
the classic American masters of
fiction — maintaining that the
characteristic mode of the Amer-
ican novel is not realism but the
imaginative, symbolic, self-ques-
tioning romance. $4.00
LOUIS PASTEUR
by PASTEUR VALLERY-RADOT
An intimate and memorable
biography in which Pasteur's
grandson narrates the amazing
career — and sometimes anguished
private life — of the man who
opened the modern era in the war
against disease, a great life in
brief. $3.00
At most bookstores
ALFRED A. KNOPF, Publisher
96
Five brave men,
a coward, and a
woman suspected
of treason
on a strange and violent journey
across the Mexican desert
They
Came to
Cordura
A novel by GLENDON SWARTHOVT
that will take its place beside such
American classics as The Red Badge
of Courage and The Ox-Bow Incident
S3. 50, now at your bookstore
RANDOM HOUSE
LYOFTOISTOY
Edited with an Introduction by
CHARLES R. JOY
The compiler has
gone through the
whole Tolstoy cor-
pus and has culled
the supreme expres-
sions of that genius
at its apogee. He
collects them here in
23 categories, such
as "Truth," "Rea-
son," "The Moral
Law," "True Reli-
gion," "The Mean-
ing of Human Life,"
etc. A companion
volume to Joy's in-
comparable Schweit-
zer Anthology.
$4.95
r-"-"-""----------i
21 at your bookstore or write to |
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25 BEACON ST., BOSTON, MASS.
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ANTHOLOGY $4.95
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by PAUL BLANSHARD $3.95
BOOKS IN BRIEF
foundation planting in America
than any other type of planting."
This on page 13, followed by a
refreshing and informative blast on
what is so bad about it. "New clay
pots should always be soaked over-
night before they are used," it tells
me. I hovered over the section on
hanging pots, though I never owned
one. 1 marked William Penn's in-
structions to the three commissioners
whom he sent to lay out the city
of Philadelphia:
"Let every house be placed, il
the Person pleases, in ye middle
o( its platt as to the breadth way
of it, that so there may be ground
on each side, for Gardens or Or-
chards, or fields, yt it may be a
grecne Country Towne, which will
never be burnt and will allwayes
be wholesome."
1 read every word on "Rock and
Wall Gardens" (again, I've never
had one). I pored over lists about
annuals— kind of soil, exposures
they like, how tall they grow, when
to plant. Trees ditto. And in the
excellent section on mulches I found
"Peat moss should be thoroughly
moistened before it is applied."
Complete news to an enthusiastic
peat-moss user. One man's obvious
will be another's revelation, of
course, but there's something in this
book for everyone.
The Woman Gardener, as the title
indicates, is somewhat more special
with emphasis as one might guess
on arrangement, both indoors and
in the garden: "Generally speaking
the softer shades look best near a
building, with the deepest colours
kept for distant views across the
lawn." (The spelling of "colour"
gives away the fact that this book
is written by an Englishwoman and
has not, I suspect, been as carefully
edited for America as V. Sackville
West's A Joy of Gardening.)
With our northern winters, for
instance, I wonder whether autumn
sowing is as successful everywhere
here as it is in England (though
I've tried it in Massachusetts and
had it work surprisingly well— once
—with petunias). Mrs. Perry says:
"Although all annuals are not suit-
able for autumn sowing, the follow-
ing may be tried with reasonable
chance of success. Cornflower, lark-
spur, eschscholtzia, viscaria, annual
A Novel by
MOULOUD MAMMERI
An Algerian Arab
takes the reader be-
hind the headlines
in North Africa
and .shows the hu-
man fare of the up-
roar there. "Mam-
meri has produced
a memorable and
moving picture of
the clash of differ-
ent worlds. ... A
deeply disturbing
novel that shows
Mammeri to be a
writer of talent and
integrity."
Times Literary
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97
Have you read the
winners of the
National
Book
Awards
Chosen from the many thou-
sands of books published in the
past year, these three have been
cited as the most distinguished.
Fiction
THE WAPSHOT
CHRONICLE
John Cheever
HARPER & BROTHERS
Non-Fiction
THE LION AND
THE THRONE
atherine Drinker Bowen
ATLANTIC-LITTLE, BROWN
I Poetry
PROMISES
[Robert Penn Warren
RANDOM HOUSE
These books are on sale
at your bookstore
National Book Awards
are sponsored by:
merican Book Publishers Council
American Booksellers Association
Book Manufacturers Institute
BOOKS IN BRIEF
scabious and chrysanthemum, ni-
gella." . . . There is an excellent
long chapter on "The Herb Gar-
den," a rich mixture of history and
helpful advice. The chapter on cut-
tings is splendid too— "New Plants
from Old."
In the chapter on "House Plants"
I learn (attention New Yorkers):
"if your tap water is heavily chlori-
nated allow it to stand for a day
before use." And: "we must en-
courage humidity in their neigh-
bourhood by all the means in our
power, for it is the real key [her
italics] to success with indoor plants.
. . . Use an atomizer or scent spray
filled with water the temperature
of the room and spray the foliage
weekly— daily with some plants."
From this book I first learned the
lovely word "tilth"— meaning well-
cultivated soil. And this: "Since
ripening apples and tomatoes give
off ethylene gas, these should not
be stored in a room with house
plants."
Gardens arid Grounds That Take
Care of Themselves is a particular
boon to those who have to be week-
end gardeners. Mrs. Hill has taken
their problem into account as well
as the general shortage of labor and
she gives some fine sensible advice
in the first chapter, "Before Putting
Spade to Earth." After she's made
you see that you must trim your
sails to the possibilities, she goes on
to tempt you with varieties of plant-
ing and gives very specific instruc-
tion on shrubs, vegetables, herbs,
flowers, fruits, and berries, and in
"Special Projects for Fun" she makes
suggestions for The Water Garden—
The Alpine Garden— The Swamp
Garden— A Garden for 'the Birds—
The Night Garden— The Children's
Garden— Other Gardens. And one
whole chapter on "A Minimum
of Tools."
AFTER these extremely practical-
minded volumes it is a new kind
of pleasure to come to A Joy of
Gardening which is fun to read even
if you never plan to put trowel
or spade to earth, yet is full of
useful information too. Here I
learned about "layering," whereby
one grows new roots on a branch
while it is still attached to the
mother tree or vine. By this method
SIGNIFICANT
BOOKS ON
America I
ra
REFLECTIONS
ON
AMERICA
"Maritain's personal
grace and the felicity of
his English prose are
apparent all through his
new little volume . . .
which is in effect a
clear-eyed, richly
thoughtful love letter to
the land in which he has
lived so long."
— Newsweek $3.50
CHARLES SCRIBNER'S SONS
98
A Stimulating
New Book
from Beacon!
The new Blanshard
The facts after ten years
AHtertca* Pre&/oma>ut
by PAUL BLANSHARD
The first edition of
Blanshard's famous
classic has stood
like Gibraltar over
the years afrainst
every criticism. In
this new edition, he
provides a Calendar
of Significant
Events, 1047-57 ;
adds fresh analyses
of new Supreme
Court decisions ;
hundreds of new
documentary
sources. . . . The in-
dispensable refer-
ence book. $3.95
27 at your bookstore or write to
BEACON PRESS dept. hm-4
25 BEACON ST., BOSTON, MASS.
Send me postpaid:
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CATHOLIC POWER 1958 $3.95
□ Your new catalog
Name
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City
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fc. ................. .--J
The Mentally 111
Can Come Back
Yet thousands are without hope!
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Give them the chance
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BOOKS IN BRIEF
one can lake the new branch ol
a grapevine, lor instance, loop it
down into the ground, and grow
another new branch for anothei
new loop, etc. "Fourthly." she says,
enumerating the advantages ol this
kind ol husbandry, "you can il you
wish, grow this serialized vine a
mile long. What a thought! Fifthly,
you can eat the grapes."
This is a perfect book for bed-
side reading, with its short divisions,
iis pleasing format, and its quick
hits of information. Try the page
and a half on "Bringing a Summer
Look to Winter." And consider the
humility-inducing wisdom, ol the
following: "People who are not in-
terested in flowers are not. interested
in flowers."
The Guide to Garden Flowers
can be enjoyed by active or passive
gardeners— planters or viewers— pro-
vided only that you are not one
ol those who just aren't interested
in flowers. This book is less detailed
about how to grow plants. It con-
centrates largely on shapes, colors,
names, and sizes, and contains the
most exquisite and delicate colored
illustrations by Eduardo Salgado icj
help in the identification. It gives
you "common n'mies, Latin names,
family names, time of blooming,
height, color, habit of growth, cul-
ture, soil requirements, fragrance."
And a great deal of satisfaction
for the eyes in addition.
The House Beautiful Bool; of
Gardens and Outdoor Living is
hugely for those who want to learn
and plan by looking. It. is chief!)
visual. It is an enormous book with
906 illustrations, 106 photographs in
full color, 741 photographs in "duo-
tone," and 59 line drawings showing
what other people all over "the coun-
try have clone with their houses,
planting, and gardens.
In addition it contains succinct
bits of warning and advice. For
instance, it asks you to check your
garden by a yardstick of mistakes
that gardeners of other eras have
made: "Yesterday our garden . . .
failed to encourage relaxing; you
could see the garden only if you
toured through it. Failed to pro-
vide extra living space for family
from early spring to late fall. Failed
to give privacy to house or yard.
VERDE VALLEY SCHOOL
SUMMER CAMP
Camp-and-Travel in AMAZING ARIZONA
Sum i adventure Foi boys and girls, ages 1() 1 5, on
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Camping to Grand Canyon, Painted Desert, IVtri-
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vision. Tutoring available in
English and math. 6 weeks. I
Write Box 102
Sedona, Arizona
ECOLE CHAMPLAIN— FRENCH CAMP
(!irl> •; Mi. <in Lake Ch.impl.im. Conversational Ire
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Mrs. E. F. Chase. 123 Summit Street. Burlinoton, Vermi
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Canadian rat me trips, Mature supervision
Preston Zimmerman, 7950 S. Paxton, Chicago 17, I
MARY A. BURNHAM SCHOOL
Foi girls. Thorough college preparation, Fully
credited, Music and ah emphasized, College
advantages. Riding, Skiing. Swimming. All sports ,\l
sendieck method for posture. National enrollme
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Mrs Georqe W. Emerson, Box 43. Northampton. M
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for over 50 yrs. 126-aore campui Remedial reading. 30
Band Summer Session. Tutorial assistance, catalog
Robert D. Weekes, The Manlius School. Ma/ilius. N
'
ley
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A Novel by sylvia press
99
nator Cochrane's
vestigations of
ubversives" were
aking headlines
ily, and the coun-
y was in a turmoil
len Ellen Simon,
trusted security
31-ker for 12 years,
is suddenly named
r questioning. For
. weeks she was
.dgered, accused,
■oss - questioned,
er private life
is made a sham-
es and her most
• rsonal memories
ire defiled . . . but
e came up fight-
g. Author knows
:e terrain inti-
itely. $3.50
95 at your bookstore or write to
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Let these MILTON CROSS
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e Dr. Robinson Course in
FFECTIVE SPEAKING
Narrated by MILTON CROSS
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BOOKS IN BRIEF
Failed to improve the climate for
house and garden. Failed to remain
attractive through all twelve months
without an off season. Failed to sur-
vive summer heat or winter cold
unless in the care of a professional
gardener etc. etc."
Not surprisingly, it is probably
this note— the labor shortage, the do-
it-yourself-leisure angle, the (heaven-
help-us) "togetherness" of modern
living— that is stressed most often
and makes for a change of character
in all the new garden books. And
still another factor, of course, is the
modern house:
"As houses use glass in greater
abundance, their gardens become
such a part of daily living that off
seasons can't be tolerated. No plant
can be part-time occupant of the
view. Each really becomes as im-
portant as a piece of furniture or a
painting that you live with 365 days
a year."
Well, choose the book that an-
swers your peculiar and particular
challenge, and, as I heard a radio
announcer say yesterday in the midst
of a blizzard, Be Ready For Spring.
FORECAST
More for Gardeners
While we're at it we will mention
a few more books for flower and tree
fanciers soon to be published. And
forever after— at least for a year-
hold our peace. Doubleday is bring-
ing out in April American Rose
Annual, 1958, edited by Frank H.
Abramson. On April 22 Macmillan
will publish JThe Art of Foliage and
Flower Arrangement by Anne Hong
Rutt, and Amaryllis Manual by
Hamilton P. Traub. Barrows has a
book called The Art of Drying
Plants by Mabel Squires, scheduled
for May. (Another book from the
same publisher should be out just
about the time Harper's reaches the
stands— The Tree Identification
Book, based almost entirely on the
use of photographs— 1,539 of them—
taken by Stephen V. Chelminski.
The text is by George W. D. Sy-
monds.) In July Holt will issue
Pruning Made Easy: Simple Steps to
Successful Pruning, by Edwin F.
Steffek; and in August comes Hough-
ton Mifflin's A Field Guide to Trees
and Shrubs, by George A. Petrides.
So much for the green thumbs.
\
*»
. "***%«-££.. -
tmk
w
I AM GOING TO
BE A TEACHER"
Six-year-old Yoo Song Kim en-
tered the first grade last April. He
gets good marks and his wish to
become a teacher is natural, for in
Korea, a scholar is greatly revered
and respected. Yoo Song, who was
born after his father was killed in
a bombing raid, is today supported
by a widowed mother. Despite a
crippled left hand, Mrs. Kim is a
bread peddler and works late into
the night to support two boys.
If determination and ambition
are all that is needed, both boys
will be educated even though free
education stops at the 6th grade.
From then on it will cost Mrs.
Kim from $80 to $100 a year to
send each child to school. Won't
you help Yoo Song or others like
him?
What $10 a month can do for a child like Yoo Song
There are 5,000 overseas children
like Yoo Song who are sponsored
through Save the Children Feder-
ation and receive a variety of food
benefits, clothing and many other
essentials. You can have a child
of your own for only $10 a month
— $120 a year. Won't you please
help?
SCF National Sponsors include: Mrs.
Dwight D. Eisenhower, Herbert Hoover,
Henry R. Luce, Rabbi Edgar F. Magnin,
Norman Rockwell, Dr. Ralph W. Sock-
man.
Registered with V '. 5. State Dept. Advisory Committee on
Voluntary Foreign Aid.
Serving Children for 27 yrs. HR 4-58
SAVE THE CHILDREN
FEDERATION
345 East 46th Street, New York, N. Y.
Please send me my child's name, story and picture.
I want to sponsor a child in Korea . . .
Greece . . . France . . . Italy . . . Finland . . .
West Germany . . . Austria ... or where the
need is greatest . . . Enclosed is $10 for 1
month . . . $30 for 1st quarter . . . $120 for
1 year ... I cannot be a sponsor but enclosed
is a gift of $
Name
Address
City State
Contributions Are Deductible From Income Tax
^e^RECORDINGS
Edward Tatnall Canby
son;il appearance" to a recorded (I
More power, then, to Bernstein, I
to others who undoubtedly will foil
up his inevitable success.
THE PHILHARMONIC PREVIEWS
Readers who remember this column's
comments on Leonard Bernstein .1
\t.11 ago (February 1957) will not be
surprised at the announcement from
the New York Philharmonic-Symphony
now headed l>\ Bernstein, that it will
give .1 new weekly series <>l informal
"preview" run-throughs as a prelude to
the regular concerts. This is a bold.
imaginative step. I he orchestra will
be in civvies, the conductoi (Bernstein
or others from time to time) will com
meiit freely when he feels moved to
do so. "We want the public to feel
closer to the orchestra, to the conductor
and the composers," says Bernstein.
Who else would have been able to
swing such .1 reasonable and construc-
tive new deal? Last year, 1 noted in
connection with his TV appearances
that he was "an original and exciting
lecturer until his conducting career
silenced him." Now he himself has
opened the way to his own best method
of presentation— and toward a return
of the orchestra to a great tradition
of the past, where open preview "re-
hearsals" were a matter of course, often
many times in a row before the final
official performance.
Best of all, there will begin, at
last, the urgently needed rapprochement
between the concert audience and the
rest of our new music listeners. Bern-
stein already commands the other media,
from musical comedy to "classical" TV,
and he is bound to fill the seating
capacity ol ibis new venture. I haven't
been to the Philharmonic lately, but
I will break m\ neck to get to these
Thursday nighl open house affairs, and
so will plenty ol other non-concert-goers.
It has become dismally clear — in this
age ol I V, I M. and 1 I- thai the old-
style conceit is an uncomfortable ana
chronism for most Americans. We are
used to daily close-up, informal contact
with all our leaders— in politics, sports,
culture, and entertainment. We demand
a similar approach in every area, and
rightly so. The concert, meanwhile, has
scarcely changed at all. Ilie concert
audience shrinks steadily and is mote
and more isolated from the much larger
(and more enterprising) mass ol listen-
ers who depend on the new informal
media lor musical experience.
Muse changes are enormous. It is
use less to insist that "live" music can
never be replaced by the canned, re-
produced sort— it has already been re-
placed, in many ways, though living
performance (as in all arts) is still the
foundation.
II film stars can be great by proxy
image, then so can musicians. The
question isn't "live" versus canned— as
Bernstein knows— it is the manner of
presentation that counts. Given an ac-
ceptable- presentation (and good pro-
graming), there isn't a record buyer in
the country who wouldn't prefer "per-
WORTH LOOKING INTO . . .
Saint-Saens: Danse Macabre; Phaeton:
Le Rouet d'Omphale; La Jeunesse
d'Hercule. N. Y. Philharmonic, Mitro-
poulos. Columbia ML 5154.
Wagner: Die Walkuere; Act III (com-
plete): Act II "Siegmund! Sieh' auf
micli!" Flagstad, Edelmann, Svanholm
e/ <il.. Vienna Philharmonic, Solti. Lon-
don A 4225 (2).
Gesualdo: Madrigals and Sacred Music.
Conducted by Robert Craft. Columbia
ML 5234.
Beethoven: Symphony #5. Schubert:
"Unfinished" Symphony. Vienna State
Opera Orch., Prohaska. Vanguard SRV
106.
Stokowski— Landmarks of a Distin-
guished Career (Bach, Debussy, J.
Strauss. Sibelius). Stokowski R: His Sym-
phony Orch. Capitol P-8399.
Grieg: Lyric Pieces, Books 5 & 6.
Manahem Pressler, piano. M-G-M E3198.
Bruckner: Symphony #4 ("Romantic");
Symphony #7 (Original versions). Ba-
varian Radio Symph., Berlin Phil.,
Eugen Jochum. Decca DXE 146 (3).
Sammartini: S\ mpliom in A; Svmph
for 2 Morns ,v- Sitings in A: Svmph
for 2 Trumpets & Strings in G;
fonia dell'Accademia in C. Orch.
cademia dell'Orso, Newell Jcnl
Period SPL 731.
Sammartini belongs to that interes
(and mini now little known) in-bctw
generation ol composers who w
music midway between the two lam
si\le s thai we loosely call "Bach-Har
and "Mozart-Haydn." It's a kind
music that is gaining favoi with us r
as our interest in the background]
the titans grows.
Sammartini was only sixteen
younger than Bach and Handel
he died when Mo/art was ninel
You'll find that his music combine!
solid qualit) ol the- familiar Bach
Handel music (also Vivaldi and
like) with the turns and graces ol
od\ thai belong— for US— to Mo/alt
Haydn. Actually, this man was
ol the pioneers in that rapid chj
o! musical style; he's now credited
a large influence on the formatioi
symphony and sonata and the vijrti
orchestra that were the beginninj
the modern period.
On first hearing, this music is li
to seem superficial. Most listeners.
entated toward the Germanic schoo
impressiveness, find it too flossy
lacking in "emotion." But this, ye
discover, is a temporary phase, a
of mistaken identity: the music
Italian, alter all. and its aims arc
own. not those of another way of tfi
ing. In its own terms— which
through, given half a chance— it is m
of refined expressiveness and exquj
shape, clearly progressive and orig
within the hair-sharp Italian style.
Newell Jenkins has specialized in
type of music in Italy for a numbe
years and is a first-rate interpret!
Sammartini. The plavings are nati
modest, unassuming, and yet autl
tative. (See also a companion disc
Boccherini and Cambini— a "new" (
Concerto by the former.)
The Art of Galli-Curci. Camden (
410.
It's worth keeping an eye on R(
$1.98 Camden reissues. The comr.
delves through its back catalogues
material both good and bad— but
best is priceless, and the technique
Hear the symbol keep its promise
You'll see the above "FDS" symbol on the label
of certain Capitol records. It will also appear on
the upper right hand corner of the album cover.
It reads "Full Dimensional Sound" and it's a
promise. Probably the biggest promise in the small-
est space in all music. Because it tells you —
1. An artist of the first rank has given an excep-
tional performance.
2. That this performance has been flawlessly re-
corded by Capitol's creative staff and sound engineers.
3. And that both have been judged by the record
rating "Jury" as being worthy of the "Fxdl Dimen-
sional Sound" symbol — denoting the highest fidelity
known to the recorder's art.
You'll enjoy hearing how well the symbol keeps
its promise — at your favorite record shop.
free — to hi-fi enthusiasts! An informative, handsomely designed chart, in full
color, that shows you the frequency range {and overtones) of every major instrument in
the orchestra. Simply write Capitol Records, P.O. Box J -2391, Hollywood 28, Cali-
fornia. {Offer expires June 1, 1958)
102
press
comment
"Atlantic (John M. Conly)
"The AR-1W woofer gives the cleanest
bass response I ever have heard."
(Eduard Tatnall Canby)
AUDIO
". . . the highs impressed me immediately
as very lovely, smooth, unprepossessing, mu-
sical (for music) and unusually natural. No
super-hi-fi screech and scratch ... As to the
lows ... I was no end impressed, from the
first time I ran my finger over a pickup stylus
and got that hearty, wall-shaking thump that
betokens real bottom bass to the time when
I had played records and tapes on the speaker
for some months on end."
Zhe Audio Ceague Report *
"Speaker systems that will develop much
less than 30</r distortion at 30 cycles are
few and far between. Our standard reference
speaker system, t the best we've ever seen,
has about 5% distortion at 30 cycles."
*Vol. I No. 9, Oct., '55. Authorized quotation #30.
For the complete technical and subjective report on
the AR-1 consult Vol. I No. 11, The Audio League
Report, Pleasantville, N. Y,
jTheAR-l\V
The Saturday Review (r. s. Lanier)
".'. . goes down into the low, low bass with
exemplary smoothness and low distortion. It
is startling to hear the fundamentals of low
organ notes come out, pure and undefiled,
from a box that is two feet long and about
a foot high."
High Jidflily (RoyAiHson)
"... a woofer that works exceptionally
well because of its small size, not in spite
of it ... I have heard clean extended bass
like this only from enclosures that were at
.least six or seven times its size."
THE NEW RECORDINGS
Prices for Acoustic Research speaker systems,
complete with cabinets, (AR-1 and AR-2)
are $89.00 to S 194.00. Literature is avail-
able from your local sound equipment dealer,
or on request from: Depl H
ACOUSTIC RESEARCH, INC.
24 Thorndike St., Cambridge 41, Mass.
restoration applied to old discs arc
bettei .md better.
rhese Galli-Curci items are wondei
fully dear and easy on the ears. There
an in am scintillating highs, but the
voice itsell is almost entirely undis
torted, within iln tonal range thai was
possible. Even the old tootling accom-
paniment sounds convincing. Most ol
the material dates Erom 1917 to 1920, .
Inn two items, significantly, are ele<
ii it al recordings, made in 1928, in which
the voice is Fuller and brighter. Sui
Face noise— thanks no doubt to use ol
the original masters— is no problem.
Ii is interesting to note bow dras-
tically singing style lias changed. Stand-
ards are Fat lower now in respect to
musi(al accuracy (Galli-Curd's pitch is
a delight); Few singers can race through
the last noles today With the ease that
was common in the Golden Age, nor
is there much left of the relaxed. Iiesh
evenness ol vocal production, uniform
from top to bottom, that is so superbly
illustrated by Galli-Curci. But it is more
than this loss which counts today. Our
present norm ol vocal sound wouldn't
even allow het style of singing— even, I
suggest, on the opera stage itself. Most
listeners (other than those knowing
their opera history) would simply call
it thin and childish. I can't imagine
Galli-Curci on the Telephone Hour.
It w thin, this voice, if you compare
it with today's heavy, wobble-ridden
sounds (that's my feeling, anyhow), and
the musical sense it conveys is out of
another and more naive age in musical
America. (The "Home Sweet Home"
heard on this record brought a famous
thirty-two minutes of applause at the
Met and was even interpolated in the
middle of an Italian opera.) We are
immensely more sophisticated today,
but in some ways our musical standards
are lower.
Chopin: Mazurkas (complete). Nikita
Magaloff, pf. London LLA-53 (3).
The art ol playing Chopin has suffered
in recent times (perhaps because ol the
combined influence of the harpsichord
and the jazz piano) but. unlike the
music of optia's Golden Age, Chopin
remains the most sophisticated and
subtle exponent ol the early Romantic
period; it still takes a master pianist's
best technique and musicianship to
play him well.
Magaloff is for my ear one ol the
most satisfying Chopin pianists alive,
if not the most spectacular. Here are
fifty-one Mazurkas, all in three-loin
time, and there isn't a moment ol
monotony on four LP sides. To be
sure, the credit is Chopin's as well-
but lew players can read into the
printed rigidity ol the notes themselves
such a constant and subtle variety
nuance.
Ibis Chopin is gentle .md warm, wit
a rhythmic plasticity so beautiful!
phrased that there is no sense ol rubat
even though the metronome could I
keep lime to a measure. The cli.na
teristic Chopin harmonies are perfecfl
sensed, projected quietly, with econoia
the melodies are phrased in long shape
the innei strands of melodic line a
balanced, deftly tailored into the who
with nevei a loose end. The pedal
used a good deal (contrary to mc
modern practice) but there is not a tra
ol harmonic blurring.
Above all, Magaloff never band
though he plays as loudly as anyor
What is banging? It is simply lo
playing without phrasing or shape. M
the musical whole, tailor the' length a
duration ol every tone to fit. a
no degree ol sheer Finger-pressure
sound noisy and hard.
The recording is full-bodied. 1
slightly marred l>\ tape flutter, noti
abb in the louder and more singj
piano notes.
Schubert: Symphony #7 in C. Clevelal
Orch., Szell. Epic LC 3431.
This is an exciting "Great C Maj
that never Hags, is often original £
unexpected within a very proper
preciation of the musical tradition t
goes with the work. It is quite unl
the classic version by Bruno Waltj
more driving, with less subtlety in
phrasing throughout— but it has'
ments that tie it to the Walter read
rather than to such utterly clifler
conceptions as the highly Italian T
canini recording.
Perhaps Mr. Szell's Central Eurod
background has something to do \
this. Is it my imagination that g
his playing a peculiarly Czech I"
—an exhilarating. Uric dance qc
polka-like on the strong beat r
than softly phrased as in Walter?
an\ case, there is a good deal ol gen
American brashness and bounce 1
( learly far and away from the ueil
reverent Viennese approach.
The Szell conception isn't enti
polished up yet as far as the music
are concerned. They are enthusi
and warm, but the musical edges
need sharpening. The recording i
is a technical feat-a new and mo<
hi-fi sound, reasonably close-up,
emphasis on heavy brass, an adeq
over-all liveness to mellow the w
and— best of all— no breaks in the 1
movements. The Epic-Columbia i
neers have got the four sections e\
on two sides without a trace of
lamiliar inner-groove distortion
usually expect in such long record
NEW... Classics in a Springtime mood
A World of Music, Carmen Dragon, considered "the fore-
ost conductor in the light classic field," selects concert
vorites from many lands — from the works of Tchaikovsky,
zet, Smetana and Brahms. It's music of many moods
d colorations ... all arranged by Mr. Dragon. PAO 8412
STEINBERG
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hichard strauss never wrote a more nearly perfect work of
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operas. William Steinberg and the Philharmonia perform
superb music from this opera along with Don Juan, one of
Strauss' most popular, most romantic tone poems. PAO 8423
E Viennese waltz is today a monument to the genius of
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nantically inclined — especially as performed in this brilliant
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it's been said that "the world's most heavenly music is
played upon the harp." You'll be hard put to dispute the
point when you hear the greatest harpist of our time, Marcel
Grandjany, play Prokofiev, Hindemith, Haydn and his own
compositions in this rare and beautiful album. PAO 8420
free — to hi-fi enthusiasts! An informative, handsomely designed chart, in full
color, that shows you the frequency range (and overtones) of every major instrument in
the orchestra. Simply write Capitol Records, P.O. Box K-2391, Hollywood 28, California.
(Offer expires June 1, 1968)
IFKIH IFH^IDniRa® ^u^KffllP
It helps
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MAY 1958 ► SIXTY CENTS
arper's
How
( LLOYD WRIGHT
Alfred Bendiner
magazine
A Nobel Scientist's
Case for the Classics
Werner Heisenberg
Why Canadians Are
Turning Anti-American
Bruce Hutchison
The Guns at Falaise Gap
Richard 6. McAdoo
Lament for Minnesota
Leona Train Rienow
Tom Wolfe Writes a Play
Fliiiip W Barber
Common Sense
about Alimony
Judge Samuel If. Hofstadter
and Arthur Herzog
■» «* «• IT OF * r ?-,
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II Mill Fi's M ICAZINE i"Ue for
May 1958. Vol. 216. Serial No. 1296.
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MAY 1958
vol. 216, no. 1296
ARTICLES
25 A Scientist's Case for the Classics, Werner Heisenberg
30 How Frank Lloyd Wright Got His Medal,
Allied Bendiner
Drawings by the Author
36 The Guns at Falaise Gap, Richard B. McAdoo
Drawings by Hurt Goldblati
46 Why Canadians Are Turning Anti-American,
Bruce Hutchison
51 Hill Climbing by Boat, Joyce Warren
Drawings by Barrie McDowell
57 I.amim for Minnesota: One Hundred Years of Pillage,
Leona Train Rienow
68 Common Sensi About Alimony
Judge Samuel H. Hofstadter and Arthur Her/og
71 Tom Wolfe Writes a Play, Philip W. Barber
Cartoon by Perry Barlow
FICTION
60 The Guy in Ward 4, Leo Rosten
Drawings by Bernarda Bryson
VERSE
50 The Academic Overture, Richmond Lattimore
58 Exchange, Miriam Waddington
departments
4 Letters
14 The Editor's Easy Chair— How to Keep Congress Honest
John Fischer
Drawing by X. M. Bodecker
21 Personal & Otherwise: Among Our Contributors
77 After Hours, Mr. Harper and John Updike
Drawings by N. M. Bodecker
80 The New Books, Paul Pickrel
91 Books in Brief, Katherine Gauss Jackson
95 The New Recordings, Edward Tatnall Canby
96 Jazz Notes, Eric Larrabee
COVER DRAWING by Alfred Bendiner
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INSIDE RUSSIA TODAY
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How many stocks
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That depends.
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LETTERS
Freud and Jung
To i in I in iok>:
I Eound Gerald Sykes' " I lie Dialogue
ol Freud and fung" [March] highly stim-
ulating, bin also, from the point ol view
ol a non-New York professional ps\< nolo
gist, possibl) misleading. . . .
One erroneous impression that could
be obtained from the article is that
psychological theory is coterminous with
psychoanalytic theory. . . . Psychoana-
lytic theory, while ii represents probably
the most significant development in the
history ol psychology, is not the whole
story. . . .
It would also be possible to gain the
impression from the article that the
relative strengths <>l the two "schools"
arc about equal. This is not true. The
Freudian school is the dominant one to-
day with the [ungian represented by far
fewer practitioners located in a smaller
number ol places. People in the humani-
ties, I suspect, tend to rind Jung's ideas
attractive and useful for many reasons
. . . and tend to overrate his present
significance for clinical work. . . .
1 he main battlefield today is not be-
tween "Freudians" and "Jungians" but
between adherents to mole- or less classi-
cal psychoanalysis and followers of the
"neo-Freudians." Harry Stack Sullivan
is probably the strongest influence of
this group, along with Horney and
Iroinm. . . . The influence of Adler
should also be mentioned. Mis Individ-
ual Psychology is probably at least as
strong a force today ... as is the much
more elaborately developed ideational
structure of lung's Analytical Psy-
chology. Julian Wohl, Ph.D.
Detroit, Mich.
Let there be no compromise. The
qualities ol Freudianism are not strained.
As Freud might have put it: An ounce
ol sex-tension is worth a pound of
symbol-lure. Or:
Said Dr. Freud to Dr. Jung
We were friends before you went wrong
Now your ideas are fine (when diluted)
But first they were mine (unpolluted)
While your symbols are as weak as
my sex is strong.
Lewis Neubauer
Philadelphia, Pa.
[Mr. Sykes says] "Freud never had any
sexual experience outside of marriage.
. . . This . . . suggests that the rr
whose n ime ... is linked with hrc
sexual knowledge had little ol it throu
personal experience."
He implies that the broadness (a
what he means by broad in this con*
I cannot imagine) ol one's sexual kno
edge is a function ol the number
one's sexual partners. Is it Victorian
suggest that sexual experience in |
context ol one personal relationship n
be more- varied than the same- num.
of experiences with different peot
. . . Since Mr. Sykes presumably was j
at the bedside- of Dr. and Mrs. Fre
let us not take his word lor what tl
sexual experience was. . . .
Joy Calm
Hamilton, N
I respectfully suggest that . .
S\kes is wrong when he states there
"no truth" in the accusation that J
was "anti-Semitic" and "pro-Nazi."
Did fung not say in the Nazi psych
ric magazine: "The definite distinct!
between Germanic and Jewish |
chology long apparent to sensible j
sons shall no longer be obscured"!
again. "Flic- Aryan unconscious ha
higher potentiality than the Jewi
And, "my warning voice was suspec
ol anti-Semitism lor decades. This
pic ion originated with Freud. He-
no knowledge ol the Germanic so
just as little as all his German parr
Has the amazing phenomenon e>
tional Socialism at which the wl
world looks with astounded eyes uu
them better?" . . .
Lawrence William Sti -ink
Beverly Hills. C
Montana Thatail
To the Editors:
Thanks to an Englishman, Her'
Howarth ["Montana: The Fron
Went Thataway," March], for answe:
a question that has plagued my mind
years: What has Missoula got that o«
towns don't have?
1 am president of a club knowi
"Forest Service Wives Who Have Ni
Been to Missoula." At first we had tl
members in the Washington Office
then one visited Missoula, so now tl
are only two.
No one ever talks about anything sj
if he has ever lived in that town wla
is regional headquarters for the Vm
Forest Service in a large part of M
West. Mr. Howarth needn't worry all
its losing people, though, because
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LETTERS
see it most ol the U. S. Forest Servil
plans to retire there.
I I MM ( )OCH8
Port Republic, M
\s .i resideni i>l Missoula lor thirl
six years I feel qualified and obligatl
to criticize Herbert Howarth's artic
llr is correct in assuming that .
we tend to be easy going and honest. M
is incorrect in assuming from this tH
our modicum of drinking and gambli
"never culminate in violence or pub |
unpleasantness" and "that you can fcj
confident in every transaction." . . . \
are not a Utopia nor are we a dc
town. . . .
He is Kitted . . . that the doubj
]). irking law is not enforced. He is wl
oil base in saying half our drivers do i ,
have licenses, that no one pays parki
fines or answers summonses to cou
I he ignoring of parking fines leads
court summonses which are enfora
Car registration dates have been pc
poned as much as two weeks, never "<
ward month by month." . . .
I believe he must be basing his
marks about Missoula women on a v<,
small and unrepresentative group.
states "only a few wives can cook (a1
even these seldom do)." He wronj
assumes that in general "the montl
lood budget is modest and is the
to be cut." . . .
He says that Montanans prefer pi;
wives; that "most wives in the city k
similar." 1 should say that Mr. Howai
was a victim ol ;i British meteorology
phenomenon: the noted heavy fog
that country which obscures the in
vidual is still in his head despite
stay in the United States.
Herbert L. Anders
Missoula. Mr
... It is unrealistic for Howarth
sit in the shadow ol Sentinel Mount
and pontificate in such a patronizi
manner upon the whole of Monta
which he admits he has not seen. .
S. Al
Great Falls, M(
And Calif or in
To the Editors:
I finally got the guy who is cms
all the traffic "gems" and accidents
Los Angeles. It is Henry Hope Reed
who in the March "After Hours"
sinned the role of guide and tried
"go carefully north on Adams."
The trouble is Adams Boulevard rij
east-west. Alexander L;
Rivera, Ca'^
It was a delightful surprise to see M
Reed's cut liusi.ist i< remarks upon (1
W£L&E>Q[REI
Over half of the non-stamp
supermarkets have lowered
food prices because of the
iding stamps competitive pressure
IlSUmerS have benefited from trading stamps in both stamp
Inon-stamp stores. When a leading research organization recently made
lional survey among the managers of 541 supermarkets that do not give
ftps, they found that more than half of them (51.5%) had reduced prices
|mpete with stamps.
same time, supermarkets that give
3 have remained competitive within nor-
ice ranges. With increased volume paying
! cost of stamps in most instances, stamp
have been able to maintain prices, or
ower them. According to studies by mar-
% experts connected with universities,
s no evidence that stamp stores, as a class,
! higher prices than non-stamp stores.
is, the trading stamp can be counted
the anti-inflationary forces operating on
food prices. At a time like the present, when
there is upward pressure on the prices of every-
thing, it seems we need more and more com-
petitive forces, like trading stamps, in the
marketplace.
REFERENCES : "Status of Trading Stamps in Food and
Drug Stores." Selling Research, Inc., New York, 1957.
"Competition and Trading Stamps in Retailing." Dr.
Eugene R. Beem. School of Business Administration, Uni-
versity of California.
1
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LETTERS
Civic Center, which is l>\ no means
properly appreciated by most San Fran-
ciscans. Il< should have mentioned,
however, thai the architect of the Opera
House was Arthur Brown, |r. to whom
the design of the City Hall should also
have been wholly attributed, though the
work was tarried out under the firm of
Bakewell and Brown. . . .
R.OI 1 IN Jl Nsl N
Sin Francisco, Calif.
Among your Utters in the March issue
was one by George R. Wadleigh re-
ferring to Bruce Bliven's article on San
Francisco in which [Wadleigh] men-
tioned "control of the waterfront by a
union dominated by Bridges" and went
on to say ih.it, because ol this, shipping
has been largely diverted to the Puget
Sound region and to Los Angeles.
Mr. Wadleigh repeats what may be
luard any da) of the week in San Fran-
cisco. It is a weak and silly alibi.
I he Bridges union embraces the en
tire Pacific Coast and the Hawaiian
Islands, and the strike of 1934 which is
supposed to have dealt this deathblow
to San Francisco shipping included Seat-
tle. San Pedro, and Oakland, and, fur-
iluimore. the agreement which was
ultimately signed . . . was one whose
conditions, if onerous, were such as all
the West Coast ports had to meet. . . .
Clarence B. Carlsen
San Francisco, Calif.
Lyndon Johnson
To the Editors:
In his article on Lyndon Johnson
[March] William S. White is rather dis-
paraging of the "liberals" in the Senate.
. . . However if there were no "liberals"
would Lyndon Johnson move to the
right in order to be in the center again?
\\ In K is Johnson's direction? Does not
the situation of a directionless President
require a purposeful majority leader?
Bruce Martin
Cambridge, Mass.
Some of the lines sketched in White's
article need to be drawn with heavy
strokes if Texas people are to recognize
the portrait. . . .
In Texas . . . personalism is the
curse of politics. Johnson did not depart
from the personalist tradition when he
assumed command of the loyal Demo-
cratic Presidential convention campaign
before the 1956 convention. . . . His
reluctant allies observed what was ex-
pected of those who sought to ingratiate
themselves with Johnson: 200 per cent
personal fealty. The short-term objective
of the coalition was achieved: the Texas
delegation was representative, disci-
plined, and committed as a unit to
coming ia
Harper's
magazine
NEXT MONT
THE GANG
THAT WENT GOOD
A bunch of tough New Yoi
youngsters are trying a brave ai
uncertain experiment — which, if
works, might rescue them fro!
crime and mayhem which have bj
come the "normal" way of life
their slum.
By Dan Wakefie
THE IOWAN'S CURSE
A striking new short story
the author of The Circus of
Lao.
By Charles G. Finnm
REFORM IN CHICAGO:
Sloiv But Not Hopeless
Party bosses in America bo^
they can control city-wide el
tions and they usually do. But
Chicago, one of the most note
ous of the machine-ridden citi
a determined group of citiz
has been finding that there is
way to beat the bosses.
By John Kay Ada
AND LATE!
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An affectionate report on
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the new goals at which it is aimil
By David Bo*
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10
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LETTERS
Johnson's Presidential ambition. • • .
I he long-term results arc more dill,
cull to assess. One was what can (liar
i.il)l\ be (ailed the inept managcmQ
of the state campaign lor Stevensoi
. . . Johnson's post-convention trej
mem of his pre-convention allies m
be fairly described .is petty, \indictiv
and downright imprudent. . . . Loq
leaders feeling the weight of Johnson
displeasure . . . are spokesmen for
increasingly effective grass-roots par
organization which would he tailed ino
erate in any state but Texas. Here tl
papers describe it as a "liberal-lab<
loyalist splinter group." . . .
B\ 1961 the Democrats oi Texas at
their senior Senator should know Iro
bitter experience what happens when
20th-century Canute seeks to commaJ
the tide. Mrs. Jack Cart
Fort Worth. Tc.
Egghead Sprij
To THE I'm ioks:
In general I cannot quarrel with wl
Editor Fischer [The Editor's Easy Chi
March] has identified as the major trer
in mid-century concerning intellect!!!
It is what he failed to observe that sec,
so alarming. Namely that the only '
tellet tuals" who have become respectaJ
are the "doers"— those who "apply" tl
science and serve the ends of what
Wright Mills has identified as the "po
elite." . . .
The questioner, the skeptic in thej
isting social order is still thought to
"unsound." . . .
The ultimate survival of the world
pends not upon military might but uf
the development ol the skills and kn<
edge necessary to uncover causes
develop solutions to man's social pi
lenis. The philosopher, social sc ien
teacher concerned with these prob
is being left to wither on the econd
vine. Robert H. Simm
Las Vegas. N.
. . . The real points of interest
I058 will be politics, recession, and
tivities in outer space and definitely!
the return of semantics spreaders to
sphere which they have not previc
occupied. Your theme- is absurd.
P. J. Hoij
Box ford,
... I am persuaded that if you wJ
go hack to a time when the popula
was about one-third what it is now.I
would find the eight million higl
figure constant, bearing, of coursT
much higher proportion to the
than at present. . . .
You state with a tinge of amazei|!
that Lyndon Johnson taught school
LETTERS
It everybody taught school in the
Be scholarly last century. It was usual
leach for a while before going back
I he farm after graduation from col-
I, or going into the law or business.
I It is probable that more Members
llongress in that period held degrees
I I today. . . . What is now called
I: egghead was, in those days, almost
I! man in the street or on the farm.
I/, the college-bred farmers spoke
Jheir cows in Latin— soh, bos, soh,
. . Homer Joseph Dodge
Washington, D. C.
New Discoveries
the Editors:
he first article by George W. Gray
Irch] was very interesting. However
I point puzzles me. The article states
production of a single gram of
am releases 150 million calories [of
]— enough to raise 1 1/2 million quarts
ater from the freezing to the boiling
tt." Should this have been li/2 mil-
grams or cubic centimeters instead
uarts? Orvis McDermed
Alva, Okla.
nee it takes 100 (large) calories to
the temperature of a litre (or ap-
imately a quart) of water from the
:ing to the boiling point, 150 million
ries would do that amount of heat-
to U/2 million quarts.
George W. Gray
Sparkill, N. Y.
Leopard's Spots
the Editors:
the March Letters column Lee L.
pie invokes a leopard with un-
liable spots in support of his argu-
t that Richard Nixon has not and
not change his political views. . . .
hen I was in Africa ... I had the
>rtunity of observing the full cycle
leopard that does change its spots.
| pardus adaptus does its hunting
lie jungle during the summer, and
:he open veldt during the winter,
s are just the thing ... to blend
ith a dappled sunlight jungle scene,
they would be less than useless on
dried-grass veldt. So felis pardus
>tus discards his spots in favor of a
sant lion-yellow for the winter,
would like to suggest to Mr. Stop-
since even leopards now and then
ige their spots, that he base his judg-
t of Mr. Nixon more on Nixon's
;nt actions than on his past behavior.
Ken Biskit
Ass't. Prof. Zoology
Calif. Inst. Technology
Pasadena, Calif.
The faces look on it
and mirror its trickery or logic ...
or show a shy approval
, . perhaps bewilderment.
This passing and precarious adventure
that is life demands all instincts . . .
as it maroons the hesitant
and inspires the brave.
Yet strength, we all have found, is often
a matter of preparation.
May we at Columbian National
help you plan your future?
The COLUMBIAN NATIONAL
Life Insurance Company
77 Franklin Street, Boston, Massachusetts
An enlarged reproduction of this drawing by Joseph Hirsch, without our message, is
yours for the asking- Please mention this magazine when you write; there is no obligation.
TYPICAL OWNERS d
PEOPLE AND PROFITS:
Both are needed to make
America's capitalism work
New challenges from abroad and economic readjustments at
home make it more important than ever that our distinctive
brand of capitalism be understood and encouraged by all
Americans.
America s capitalism is a "People's Capitalism" that mast
drawits strength from the voluntary participation of free citizens.
About a half million men and women are owners of General Elec-
tric. 10 million Americans— young and old, from small cities and
large, bakers as well as bankers— have invested directly in Amer-
ica's businesses; another 100 million indirectly own shares through
their insurance policies, mutual savings-bank accounts, pension
plans, mutual funds, or other forms of investment.
All people— not just a fen— benefit when businesses earn profits.
In America's capitalism, the millions of men and women who have
invested their savings in businesses may be rewarded through divi-
dends. Millions more benefit indirectly in many ways — in their
pension funds, or through the work of research foundations and
charitable organizations which entrust capital to business. More
important still, everyone benefits when profitable companies— by
reinvesting a part of their earnings — are able to undertake the
research and development and the expansion and modernization
which lead to new jobs, products, and services.
Profit is the incentive to take the bold and imaginative risks
needed for prog? ess. Businesses are in free, vigorous competition
to anticipate and satisfy the needs, the wants— and even some of
the unspoken aspirations— of the American people. Companies that
fail to provide what people want will become profit-starved and a
national liability. Those that succeed are the underlying resource
of a vital civilian economy and a strong national defense.
// you would like a copy of our 1957 Annual Report, describing
progress for customers, share owners, em ployees, and the na-
tion as a whole, please write: Dept. J2-119, Schenectady, N. Y.
Progress /s Our Most Important Product
GENERAL
ELECTRIC
Mrs. Dolores Toporowski has owned shl
in General Electric for 4 years. Two-tm
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CLERGYMAN
Reverend J. Edward Carothers' church!
many churches, colleges, and institutj
depends on dividends for part of its incl
ENERAL ELECTRIC: These capitalists come from all walks of life
WELDER
Cichy is learning early how Amer- Amy Jane Bowles is one of a growing Leopold Arbour was one of 14,000 new
's capitalism works— his parents gave number of women share owners; over half General Electric owners in 1957. The num-
la his first shares on his 11th birthday, of General Electric's owners are women, berof G-E owners increased 50% since 1952.
. Longine Furman is typical of people Arthur Gallagher is also a G-E supplier. Mrs. Ann Shem is one of more than 133,-
participate in "People's Capitalism" His firm is one of 45,000 which furnish 000 employees participating in General
livesting part of their savings regularly. the company with vital skills and services. Electric's Savings and Stock Bonus Plan.
GENERAL ELECTRIC DEALER
I eph Doty, Professor of History, teaches Mary Hammond supplements her income Share owner Allen Merriam also owns
ft ut the past and invests in the future from General Electric's Pension Plan with one of the 400,000 independent firms which
I I shares of General Electric stock, dividends from General Electric stock, sell and service General Electric products.
JOHN FISCHER
the editor's EASY CHAIR
How to Keep Congress Honest
Tl I I Eunniest juggling act since the death of
W. C. Fields is the gingerly handling of
the FCC investigation by our embarrassed Con-
gressmen.
Tliev had never dreamed it would tome to this.
Originally they had hired an innocent scholar,
Dr. Bernard Schwartz, to make a gently academic
study of the Federal Communications Commis-
sion and other regulatory agencies. Instead he
began to fumble around the hasp of the most
dangerous Pandora's box in Washington. They
fired him fast, ol course, but by that time the
lid was ajar and the newspapermen were prying
at it with crowbars. The scaly things emerging
have stung a lot of Congressmen already, and
most of those yet unscarred are living in a trauma
ol anxiety about what might crawl out next.
Meanwhile the rest of us are getting a brief
glimpse at what may be the most serious flaw
in our whole system of government— and the
hardest to mend. It is simply this: Nowhere in
American life is there any agency, public or
private, which can check up effectively on the
behavior of Congress.
This is the point where our system of checks
and balances breaks down. The failure is espe-
cially dangerous today because the power of
Congress has grown enormously in recent years
—as it always does when the executive branch
is weak. Yet there is no way for the ordinary
citi/en to find out, continuously and in detail,
how well his Congressman is doing his job . . .
how far he may be yielding to improper pressures
... or when and where he might be slipping
into corruption.
Congress can, and usually does, investigate
everything else on the political landscape. But
nobody can investigate Congress— for reasons to
be noted in a moment. It is true that Dr.
Schwartz behaved in a tactless and unruly
fashion which practically invited his own dis-
charge. But his main offense, to the politicians,
was that for one eyeball-searing moment he
swiveled Congress's own searchlight back on
Congress itself.
For nobody can peer more than an inch
below the surface of the FCC— or any other
regulatory agency— without spotting a lot of
Congressmen in compromising positions. Many
of them are deeply enmeshed in the operations
of these agencies, as Louis I.. Jaffe pointed out
last September in "The Scandal in TV Licens-
ing'' in this magazine.* The FCC, for example,
is empowered to grant, or to withhold, radio
and television licenses worth many millions ol
dollars. Congress has never set up any clear
standards to guide the commission in making
these decisions, or any procedures such as those
which safeguard the operations of the courts.
Consequently the awards can be influenced by
whim, or undercover pressure, or favoritism.
The result is— in Schwartz's somewhat melo-
dramatic terms— "a blow at the very vitals of
good government"; but it is also a sweet political
asset to a lot of Congressmen.
It works like this. (Along with every other
Washington correspondent, I saw it happen
many times while I was covering the FCC and
Congress for the Associated Press. But, as we
shall see, newspapermen seldom get a chance
to report such things.) A businessman wants a
license to start a TV station in his home town.
Naturally he goes to his Congressman for help.
Perhaps he had the foresight to contribute
generously to good old Joe's last campaign fund:
if not, there always is another campaign just
around the corner.
Naturally Joe is eager to show how zealously
he serves his constituents. He calls up one or
two FCC commissioners and puts on the pres-
sure. Naturally they listen. They are politicians
too, usually hoping for reappointment or for
a better job. They never forget that Congress
doles out the money for their agency, and that
* That article was, so far as we can discover, the
first full account of the odd goings-on in the FCC. It
was cited by Dr. Schwartz in his confidential memo-
randum to the investigating committee as the work
of "one of the country's leading authorities on ad-
ministrative law" and it was at least in part responsible
lor the opening of the investigation.
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16
THE EDITORS EASY (HAIR!
appointment i<> most worthwhile federal offices
has (o be confirmed bv the Senate.
II the businessman is particularly eager for
that license (and not too scrupulous about how
he gets it) he may cultivate friendships with a
lew commissioners, and maybe with an FCC
examiner as well. What could be more natural
than remembering his friends (and his Congress
man) at Christmas? Oi
picking up their checks
at an industry conven-
tion? Or arranging a
speaking engagement lm
a friend at a comfoi table
leer Or offering him a
loan in a moment <>l need?
Or— if the politician hap
pens to be a lawyet . as so
mam are— perhaps a lit-
tle business can be ste< nil
to the partners in his firm.
I Ik sc i osts < an. ol ( ourse.
be < harged oil against the
businessman's income tax,
and in any ease the) are
peanuts in comparison with the money he will
make il his license is granted.
Somebody else is alter thai same license.
Since the number ol TV channels is rigidly
limited, bv nature itself, inevitably there will
In competition fot die right to use (free of
charge) ibis precious chunk of public property.
So the competitot consults his friends in Con-
gress, hires a Washington attorney skilled at
the practice oi influence lathei than law, and
scurries around to find everybody who might
put in a word lor him with the commission.
At this point the stage is set for what Repre-
sentative Oren Harris ol Arkansas described as
"one ol the most tragh examples of undue in-
fluence and high-pressure tactics." He was re-
ferring to the Miami case, then under stuck bv
his committee— but any knowledgeable Wash
ington correspondent could tell him about
plenty ol other examples.
WH Y , then, haven't these newspapermen
told the public what is going on? Be-
cause they are muzzled by two things: (1)
governmental secrecy; (2) the libel laws.
Some secrecy, in military and diplomatic
matters, is of course essential. Bui perhaps nine-
tenths of the "Confidential" stamps in Washing-
ton have no such justification. They are used
primarily to cover up the mistakes of our
bureaucrats, and to enable them to avoid em-
barrassing questions. There is no valid national
security reason, lor instance, why the FCC's
licensing functions should not be conducted in
a plate-glass window; yet a reporter has little
more access to its deliberations than to those of
the Joint Chiefs ol Stall. So long as its doors
4w»
smv?'
Ih IhiIcs to be obligated to the Big Hoy
and files remain closed to him. he cannot docu-
ment the stoi\ ol a brewing scandal— even
though he can smell it from the other side- ol
the- Potomac.
Even il he could get hold ol the relevant lac is
in such cases, a newspaperman seldom would
be able to use them unless the\ are set forth
in the official record ol an investigating com
mittee, court, or Congres-
sional debate, and thus
made "privileged'' under
the laws ol libel. I le may
know very well that a
friendship between a lob-
byist and a public servant
is i ipening into undue in-
fluence—but until that
lact is incorporated in a
privileged record, he can-
not print it without risk-
ing a damage suit. The
libel laws— unlike most
secrecy regulations— are
sound policy; they give
innocent people a neces-
sary protection against irresponsible smears. But
they do mean that the press alone cannot <an\
on the constant scrutiny and exposure which
keep government honest.
Moreover— I am ashamed to say— a reporter
sometimes finds that his publisher is not par-
ticularly eager lor him to look too closely into
the workings ol the FCC. Many newspapers, and
some magazines, own radio and TV stations.
So do a surprising number ol Congressmen
and Senators. They have thoughtfully exempted
themselves from the conflict-of-interest statutes
which apply to other public servants. And
nearly all of them faithfully observe one of the
most ancient rules ol politics: Never squeal on
a colleague. This great principle transcends
party lines. It links Democrats and Republicans
alike in a silent brotherhood. The Politicians'
Mutual Benevolent and Protective Association.
For example, the late Senator Pat McCarran
of Nevada was notorious in Washington lor his
close relationship with a certain large' corpora-
tion. He looked after its interests assiduously,
both in the handling of legislation and in its
dealings with the agency (not the FCC) which
regulated its affairs. Every member ol the Senate
knew this. Many of them detested him, politi-
cally and personally. Yet no Senator ever men-
tioned this curious symbiosis in open debate.
When reporters suggested— as several ol us did —
that it might make an interesting subject for
Senatorial investigation, his colleagues either
laughed or looked appalled.
Similarly, none ol them expressed any official
curiosity when the late Senator Joe McCarthy
accepted $10,000 for writing a pamphlet-worth
perhaps $200 il it had been done by a profes-
Lisbon
Cadiz
Casablanca
■.§m langier
Barcelona
Palma
French
Riviera
Italian
Riviera
■ Madeira
11 Sunlane Cruises to the Mediterranean
* the first glimpse of Cannes you'll
Bit up a whole roll of film. Here on the
a iiatmg French Riviera you can ex-
> e fabulous Nice, ancient La Turbie,
5' 'land to Grasse, the world's perfume
:• er. Must: a spin along the spectacu-
a Grande Corniche Drive between
- lies and Monte Carlo (perhaps a
" II flyer at the Casino tables':').
alls at colorful Genoa give you a
:' ice to discover Italy's picturesque
■» tra. Every Sunlane Cruise drops in
V Japles. The glorious bay, Vesuvius,
the nearby ruins of doomed Pompeii,
and Sorrento and Amalfi are pure gold
for the sight-seer. You can include visits
to Rome, to Seville, to North Africa.
Take a 3-week Sunlane Cruise this Fall
aboard the air-conditioned Constitution
or Independence. It costs as little as $555
in Cabin Class or $715 in First. Sea-Air
Cruises are also available. You cruise to
Naples by ship, sight-see across Europe
to Paris; London, too . . . return over-
night by T.W.A. plane ... 15 days or
longer. See your Travel Agent soon, or
send for illustrated brochure.
Constitution • Independence
flagships of American ExportJjLines
39 BROADWAY, NEW YORK 6, N.Y.
AMERICAN PRESIDENT LINES
GRAND FLEET OF THE PACIFIC AND ROUND THE WORLD
SERVING 50 PORTS ON 4 MAJOR TRADE ROUTES
,
THE EDITOR'S EASY CHAIR
nal writer— from a company much
erested in pending legislation,
d I knew another Senator (since
eated) who worked like a slave
push through price-fixing legisla-
n wanted by several large drug
npanies; by coincidence, one of
cm paid a handsome retainer to
law firm. This fact, too, was
leath the notice of his fellow
/makers.
D O not mean to suggest that
mbers of Congress are generally
honest. On the contrary, the
■at majority of those I have known
thoroughly honorable men; I
ubt whether you could find any
ler group of 531 people contain-
; a lower percentage of scalawags,
ither do I know of any other
islative body with a higher level
ethics. The British Parliament,
instance, condones conduct which
lericans would regard as scan-
lous; more than a hundred of its
mbers are paid salaries by unions
trade associations to serve as
)kesmen for their interests.
vVhat I am trying to suggest is
t Congress cannot be expected
police itself. It is extremely re-
liant to expose the occasional
1 apple in its barrel— or to un-
rer the much more common re-
ionship between Congressmen,
npaign contributors, and the
chinery of government. A no-
ious example was the Senate's
ction in 1956 to the effort of an
and gas lobbyist, with cash in
ad, to influence Senator Francis
se of South Dakota. When Sena-
Case publicly denounced the oil
i gas men, his colleagues were
ious— at him, not the lobbyists,
blic indignation forced them to
raiise a thorough investigation of
tbying and campaign expendi-
es; but the public's wrath soon
)led, and so did the investigation,
tey are still mad at Senator Case,
in like fashion, the inquiry into
: shenanigans inside the FCC and
kindred agencies almost certainly
il peter out, as soon as Schwartz's
| usations fade from the headlines
1 the voters' memory. A really
tained and ruthless investigation
u Id embarrass too many Congress-
n. It very probably would turn
even worse cases of pressure
litics in the Civil Aeronautics
Board— which parcels out lucrative
routes to air lines— and in the agen-
cies controlling the use of public
lands.
Does all this mean that the situ-
ation is hopeless— that there is no
effective way to keep an admonitory
eye on our Congressmen, and on
the agencies most vulnerable to their
trafficking in political favors?
Not quite. Several things might
be done— but each of them would
require a little active interest by a
fairly large number of citizens over
a considerable period of time. I
doubt whether we will get it. The
sad fact is that most Americans are
not good citizens. Most of them
don't seem to give a damn whether
their public servants are honest or
not. Except in times of crisis— such
as war or depression— or when an
issue touches their own racial, re-
ligious, or pocketbook nerves, they
take only a perfunctory and sporadic
interest in the public business. If
this sounds like a harsh conclusion,
then ask yourself five questions:
How long has it been since you last
wrote your Congressman? Or at-
tended a meeting of your city
council? Or protested in any way
against laziness or dishonesty in pub-
lic office? Or took part in a political
meeting? Or contributed to a cam-
paign fund?
The last question is the most
important. Campaigning is expen-
sive. It takes at least $100,000-
and usually many times that— for a
candidate to pay his bills for radio,
TV, printing, mailing, and travel.
This money obviously has to come
from somebody. If it doesn't come
in $5 bills from thousands of ordi-
nary citizens with no axes to grind,
then it surely will come in big checks
from a few big operators— the oil
and gas boys, trade-union bosses,
gamblers, ranchers and lumbermen
using public lands, manufacturers
who want a tariff raised, applicants
for government licenses, and the
like. And you can be sure that each
of these eventually will try to cash
in on his investment.
The candidate knows it too— and
he knows, as well as Benjamin
Franklin did, that it is hard for an
empty sack to stand upright. That
is why he would much prefer to get
his campaign money in modest sums.
He doesn't want to be obligated to
YOKOHAMA-
HOST TO THE PRESIDENTS
The distant bronze voice of the temple
gong, the clatter of wood-soled getas on
the street: for her passengers these are the
first sounds of travel adventure in Japan
as the proud president Cleveland nears
her Yokohama berth.
The flagship also bears precious raw mate-
rials for this busy nation's industry; her
homeward route is the express highway to
America for the finely fashioned products
of Japan.
A President day in port begins. A day of
peaceful exchange, of mutual good will.
A day of esteem for America's colors,
flying high over a proud President liner.
Visit Japan, the Philippines and Hong
Kong on a 6-week discovery cruise from
California aboard the presidents Cleve-
land, hoover or wilson. (The presi-
dents Cleveland and wilson call at Ha-
waii both outbound and on return). Cruise
fares from $1386 (with pvt. bath). Add an
extension tour to Bangkok, Angkor Wat,
Singapore, India. Pressed for time? Go one
way by President liner, one way by air.
To Yokohama on the World's Greatest
Travel Adventure
Visit Yokohama among 21 fabulous ports
on a 'Round-the- World cruise of the pas-
senger-cargo vessels, ss president polk
and ss president monroe. Sailings every
8 weeks from New York and California.
Fares from $3075. Or choose deluxe Mari-
ners and other modern cargoliners for
friendly freighter travel 'Round-the- World.
New York to California
2 weeks of enjoyment, rest, on sunny seas
to California with the daytime transit of
the Panama Canal — a memorable event of
your voyage; aboard deluxe Mariners and
other cargoliners — fares from $350. Add
Acapulco aboard the president polk or
president monroe. Min. fares to Acapul-
co, $475; to San Francisco, $550. See your
travel agent for details.
See your freight forwarder or broker for
cargo information.
AMERICAN PRESIDENT
LINES
General Offices:
311 California Street, San Francisco 4,
California
How far away are you from
financial independence?
Before you answer, let's take up an
easier question. Are you attracted by the
idea of a second income — an income from
dividends that may turn up in your mail-
box year after year?
This seems like such a good idea we're
surprised that even more people don't
look into the possibility of getting an in-
corr.e from dividends on stock. Are any
of these questions making you hesitate?
Do only the rich own stock? More than
eight and one half million Americans
own stock and two out of three have
incomes under $7500 a year. Many of
them have acquired stock in famous com-
panies for as little as $40 every three
months. This is the convenient and help-
ful Monthly Investment Plan.
Is there risk in owning stock? Of
course there is. There's risk in owning
any kind of property. But your money
can't earn extra money unless you put it
to work. When you invest, use only
money left over after living expenses are
paid and emergencies provided for. Re-
member that stock prices go down as well
as up. That a company may not pay a
dividend, may not keep up with competi-
tion. So always get the facts before you
invest. Never depend on tips or rumors.
Are you doubtful about how to start?
You can start right here, right now, by
sending the coupon for our wonderfully
useful free booklet, "dividends over the
years." It gives the records of more than
300 stocks that have paid dividends every
year from 25 to over 100 years. It lists
those that have paid 5 to 6 percent at
recent prices, those favored by financial
institutions, and much more. And it
describes the Monthly Investment Plan.
Have you yet to meet a broker? If
this is your problem, it is easily reme-
died. Just drop in on one today. Make
sure he's with a Member Firm of the
New York Stock Exchange. He'll help
you work out an investment program
in keeping with your pocketbook. He'll
help you buy or sell. Ask him whether
he thinks bonds might be a better invest-
ment for you than stock. And from time
to time, ask him to review your holdings.
But right now — send the coupon. Why
not look into the possibilities of moving
toward financial independence some day
by building an income from dividends?
Own your share of American business
Members New York
Stock Exchange
For offices of Members nearest you, look under New
York Stock Exchange in the stock broker section of
your classified telephone directory.
Send for new free booklet. Mail to
your local Member Firm of the Stock
Exchange, or to the New York Stock
Exchange, Dept. C-58, P. O. Box 252,
New York 5, N. Y.
Please send me, free, "DIVIDENDS OVER
THE YEARS, a basic guide for common
stock investment."
BROKER, IF ANY_
THE EASY CHAIR
the Big Boys; he would Ear rather
be able to tell them, when they call
to ;i->k for a shady favor, to go to
hell. Yet only 2 per cent ol the
American people have ever given a
tliin dime to ,i campaign fund.
SO I III- one most useful thing
an\ ol us can do lo keep our public
servants honest is to chip in a lew
dollars to back decent candidates in
this tail's elections. Anybody who
can't afford il cannot, in good eon-
science, keep on complaining about
rascally politicians.
There are othei things— quite
effective ones— which the conscien-
tious citizen can do without spend-
ing a penny. During the next six
months all Congressmen will be
moving around their districts, speak-
ing at tallies, attending political
teas, and shaking hands on the street.
Every one ol them will insist that
he- is eager to hear what his constit-
uents are thinking, and to answei
their questions about his own con-
duct in office. Make a point ol
meeting voiu Congressman (and his
opponent) and asking some ques-
tions. Here are a lew samples; il' they
are mentioned by as many as fifty
voters in any district, you can be
certain that both candidates will take
them very seriously indeed:
"Whv. Mi. Congressman, does the
government give away, lot nothing,
the privilege ol using valuable
chunks ol the public domain? Win
aren't TV channels and air routes
and grazing rights, lor example, sold
to the highest bidder?* It a television
license is worth $5 million, why
shouldn't the station owner pay pre-
cisely that? Wouldn't this he a good
* A top official of one ol the major
networks whom I consulted on this point
argues that competitive bidding would
give too great an advantage to the rich-
est applicants. This is a danger, all
right, hut not necessarily a fatal one. It
conlcl he largely avoided by permitting
only two or three stations under ;i single
ownership, giving preference to well-
established local applicants as against
outsiders, and forbidding a monopoly
of all local channels of communication
(newspapers, radio, and TV) by a single
interest. Moreover, the applicant rich
enough to finance the heaviest lobbying
and pressure campaign already seems to
have a considerable advantage in dealing
with die FCC and Con;;) ess.
FOR MORE VACATION FUN
^GIMLET
29 YRS. TRAVEL-WISE TRAVELERS GUIDE
Where and How to Go. What to See. The Costs.
CANADA thru FLORIDA, and Enroute. Nassau,,
Cuba, West Indies. Includes N.Y.C. 228 PAGES
illus. Price $1.00 postpaid. Address The Gimlet,.
Dept. 19-H, 745-5th Ave., N.Y.C. 22.
Typical Hotels Recommended & Described
Spring Lake Beach, N.J.
THE ESSEX
AND SUSSEX
A resort world in it-
self, under the man-
agement of Fred L.
Abel of the Seaview
at Miami Beach. Sit-
uated directly on the
ocean with its own
private beach, the
ESSEX and SUSSEX is
a massive resort
property accommo-
dating 400. Conven-
ient to MONMOUTH
PARK racetrack. Ten-
nis Courts, Putting
Green on premises.
Golf Club few min-
utes away. Famous
Essex Lounge for
cocktailsand dancing.
Formal and casual
dance nights in the
ballroom. Sixty miles
from NYC off the
Garden State Park-
way (exit 96). Late
June to early Sept.
Am. plan.
Miami, Florida
McAllister hotel,
fabulous miami's
largest and finest
HOTEL. Overlooking
beautiful Biscayne
Park and Biscayne
Bay. Corner Biscayne
Boulevard and Flagler
Street ... In the
very heart of business
and shopping area
. . . within steps of
sightseeing, race
tracks, deep-sea fish-
ing, theaters, restau-
rants and all trans-
portation. A wide
varietyof beautiful ac-
commodations, rang-
ing from modest
priced single guest
rooms to luxurious
penthouse suites with
private rooftop ter-
races. Free Television
in every room. Excel-
lent Coffee Shop. Su-
perb Convention and
Meeting facilities.
COMPLETELY AIR-
CONDITIONED.
You're closer to
Everything in Miami
at the McAllister
. . . that's why it is the
economical place to
stay. LOW SUMMER
RATES. A Schine
Hotel. C. DeWitt
Coffman, General
Manager.
Nassau, Bahamas
BALMORAL CLUB
NOW OPEN ALL
YEAR. With its pri.j
vote ocean beaches,1!
its unsurpassed res- J
taurant, "Ocean Pa-iJ
tio" on the beachl
and its delightful ac-l
commodations to]
meet everyone's^
taste, this fashion-
able Colony of Bal-
moral Club offers
perfect setting for
gracious and luxuri-
ous living. Here yoi
can find all the facil-
ities for a perfect va-i
cation, whether yot
intend to spend
week or two, or the
balance of season
Fishing, sai ling
water skiing ant
unparalleled swim-
ming and ot he
sports (at your door)
You may have a bed)
room - bathroom
ting-room suite,
private bedroomj
bathroom f European
or Modified Americarj
Plan) or an entiri
house to accommo'
date five or six perl
sons on the house!
keeping basis, if yo1
prefer. Low Summe
Rates. See your Trave
Agent or write
cable direct to Bal
moral Club, Nassat
Bahamas.
West Palm Beach, Fla
P EN N SYLVAN I
HOTEL - LUXURIOU
AND FINEST YEAF
ROUND RESOR
HOTEL IN THE PAL/
BEACHES, Fac.ng Th
Palm-Lined Shores C
Beautiful Lake Wortl
Only two blocks froi
Theaters and Shop'
ping, yet sufficient I
off the beaten path 1
insure quiet. OfFerin
everything you cou
possibly want in tF
way of a Florida Fu
and Sports Vacatic
—plus quiet refin<
ment for complete 1
laxation. (Air-Cond
tioned Throughou
TV and Radio
Every Room.) Del
cious Food. Splend
Service. Friendly o
mospbere. Delightf
RAINBOW ROOM f
Cocktails, Dancin«
Parking directly co
nected with tr
Lobby. LUXURY >
BUDGET PRICES. LO
SUMMER RATES. F'
FREE Folder and d,.
tailed informal
WRITE: Herbert
Glass, Manage
Pennsylvania Hot-1
West Palm Beach, F!
THE EASY CHAIR
iy to stop all the finagling for
luable handouts, and at the same
ne put a lot of money into the
deral treasury? . . .
"Don't you think that all of the
deral regulatory agencies should
compelled to operate in the open
tripped of their veil of secrecy—
the public can see who is trying
influence them, and how? . . .
"Why shouldn't their officials be
quired to abide by the same rules
ethics and decorum that now
vern our courts? (If a lobbyist—
a Congressman— tried to whisper
the ear of a federal judge about
pending case, or offered him a
an, or hinted at political favors to
me, he would be slapped into jail
fast the bars would rattle.) . . .
"If you are elected, would you
willing to introduce legislation
create a watchdog for all of the
gulatory agencies? How about a
rmanent, non-partisan Commis-
>n of Inquiry— with its members
11 paid and appointed for life, just
„e the Supreme Court— to keep a
nstant watch on their operations?
would need a modest staff of
vestigators, access to the agencies'
s, the power to summon officials
fore it for public questioning at
y time, and the duty to recom-
md their dismissal and prosecu-
>n whenever it turns up anything
|hy.) . . .
"Do you believe that members of
mgress should be made subject to
e conflict-of-interest laws, just like
her public servants? Would you
willing to disclose your business
anections, outside earnings, and
urces of income? . . .
"Will you support legislation with
il teeth in it to control campaign
ntributions? (Four teeth would
enough. 1. Full disclosure a
'ek before election day of every
nny a candidate receives, and
tere it comes from. 2. A realistic
ait on the amount that each can-
Jate can spend and that others
n spend on his behalf. The lat-
: safeguard is needed to prevent
ge, anonymous contributions un-
r such guises as The Citizens
•mmittee for Congressman Joe
r, the British have developed a
of rules which seem fairly air-
ht, and which might well be
apted here. 3. Another limit—
r a total of $5,000-on the amount
"La Quebrada" Acapidco Mexico.
I ACAPULCO
jL J> the world famous seashore resort
of enthralling, unforgettable and
mysterious beauty, where nature
stands forth in singular magnificence.
Rugged cliffs, snow - white beaches
surrounded by exotic tropical vegetation.
Here you can enjoy unexcelled surf-bathing,
boating and exciting deepsea fishing.
Splendid hotels, incomparable sunsets and
dancing under starry skies.
You'll be really happy vacationing in Mexico.
MEXICO awaits you. Your travel agent will tell you.
MEXICAN GOVERNMENT TOURIST BUREAU
10S ANGELES, CALIFORNIA 3106 Wilshire Blvd. ; NEW YORK, N. Y. 630 fifth Ave No. 801 Rockefeller Center
CHICAGO, ILLINOIS 27E. Monroe Street Suite No. 304 : SAN ANTONIO, TEXAS 209 E. Travis Street
HOUSTON, TEXAS 809 Walker Ave. : MONTREAL, CANADA 1255 Phillips Square, Suite No 206
MIAMI, FLORIDA 45 Columbus Arcade • TORONTO, CANADA 20 Carlton Street
NEW ORLEANS, LOUISIANA 203 SL Charles Street ; IA HABANA, CUBA Calle 23, No. 72 • La Rampa, Vedado.
/
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Ballantine's
1 7 year old/
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when only /
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LIQUEUR BLENDED
sCOTCH WHISK'
17 Years'old
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8 6 PROOF
ALSO IMPORTERS OF 94.4 PROOF BAllANTINE'S DISTILLED LONDON DRY GIN DISTILLED FROM GRAIN
Charles Laughton
rides an INCLIN-ATOR
in this scene from the
"hit" movie "Witness
for the Prosecution"
An Arthur Hornblow Production
ENJOY A COOL, COLORFUL
Thrills, humor and suspense combine to make this
scene memorable. Charles Laughton, playing a
lead part as the attorney for the defense, skims
up and down the stairs of this set on an Inclin-ator.
You can have the comfort of an INCLIN-ATOR in
your home. It will save you and your family from
the unnecessary strain of climbing stairs dozens of
times a day. Many smart people install an
INCLIN-ATOR without waiting
for the doctor to tell them to
"take it easy."
We also build the "Elevette" for
those who prefer a vertical lift.
Send for this folder— It tells
how easy and inexpensive it is
to have an Inclin-ator or Elevette
in your home.
INCLIHATOR COMPANY OF AMERICA
2214 Paxton Blvd., Harrisburg, Pa.
HEADQUARTERS
for the numerous cultural and musi-
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fishing, dancing, scenic trip on world
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HOTEL JEROME • ,sJ±/»e» ^^eat/cu^
ASPEN 24, COLORADO
THE EASY CHAIR
an) person can give (or lend) duri
a single campaign to all politic
organizations and to candidates f
all offices. This would prevent
licit oil man or union boss, for
ample, from living to buy up cancl
dates in a dozen states, and th
throwing an additional big die
into his party's national kitty
Legal machinery, with heavy pc
altics and an adequate policing st
to make sure these rules, and the
already on the books, are rigk
enforced.)...
"In order to encourage a lot
small campaign contributions, wi
no strings attached, why not ma
them tax deductible up to S10
just like worthy charities?"*
A GOOD Congressman will
glad to discuss all these questio
and to give you frank answers
he doesn't, he does not dese^
your vote. (The same thing goes
course, for his opponent— regard!
of partv.) And you don't have
wait till you meet your Candida
at a campaign rally. You could wij
your Congressman now. He mij,
be glad to mull over some of th
questions before the campaign st;
—and you might get some snip
ingly interesting answers. II
have never tried it, you may e
discover that this kind of pofiti
experiment can be quite a lot
fun. All it costs is one postage sta
. . . any number can play . . . ;
at the very least you will get i
pleasant glow which comes from
ing your duty as a citizen.
If enough people did, we woj
not of course get a government!
alabaster purity. We never will*
long as these forty-eight states 1
inhabited by human beings hist J
of angels. But we would get the nil
honest, efficient, and economical n
eminent yet seen on this continjl
or any other.
* This month, for the first timJ
history. Republicans and Democrats™
joining together in a drive to raise
million in small and stringless coM
butions. The idea originated with Plip
L. Graham, publisher of the WashinjMi
Post, and is now being sponsored^
the American Heritage Foundation Ml
the Advertising Council. If it work™
may turn out to be the most eflecve,
weapon for good government since M
invention of the grand jury.
PERSOjNIAJL and otherwise
Among Our Contributors
THE UNCERTAINTY
PRINCIPLE
I A M ERIC AN public schools
!^V have all but dumped the classi-
d languages. Only 6.9 per cent of
ur high-school students take Latin
sday, and hardly any take Greek,
his change from the nineteenth-
;ntury curriculum has been on pur-
ose, not by default. For with 80
er cent of our children from four-
sen to seventeen years old in high
chool and with a good proportion
f adults high-school graduates, most
mericans consider themselves quali-
ed to make decisions about educa-
on. Why not? If you've spent most
f your working hours for twelve
ears on something, you have a
ight to an opinion. But on the
uestion of the classics, where our
ractice is an about-face from the
European tradition, we feel we have
ome defending and explaining to
o. So when a physicist outstand-
ig in the world community of
cience comes out with a case for the
lassies, we roll back before lunging.
The name of Werner Heisenberg*
as been in the papers in recent
/eeks because of his announcement
l Bonn, Germany, of a new mathe-
matical formula which may lead
o a unified field theory and, if
■roved correct, may win the goal
t which Einstein was aiming. Ac-
ording to reporters, the equation
diich Heisenberg and his associates
lave recently worked out explains
heoretically the events that take
ilace within the nucleus of the
torn. From it, all other laws of
lature may be derived, and as a
onsequence, in practical terms, "the
xact amount of energy necessary to
plit any nucleus [of any atom, not
* "A Scientist's Case for the Classics"
p. 25) is adapted from a book by Hei-
enberg entitled The Physicist's Concep-
ion of Nature, to be brought out in the
all by Harcourt, Brace. Another Heisen-
>erg work will be published on May 14
>y Harper & Brothers: Physics and
"hilosophy.
just the unstable heavy atoms] can
be calculated."
In the lead article this month,
Professor Heisenberg describes his
boyhood education and relates it to
the formation of his tastes and am-
bitions. He studied the classics
partly because this was the normal
course in Munich around 1915 and
partly, we may suppose, because his
father was professor of Greek at the
University. The apparent disparity
between his training and his career
as a physicist who won the Nobel
Prize at the age of thirty-two is less
odd than it sounds to us Americans.
Nor is it strange that Heisenberg
worked at the University of Berlin
throughout World War II, was cap-
tured by American troops and taken
to England, and returned to Ger-
many to continue research at the
Max Planck Institute for Physics.
Granted the weird convulsions of
the twentieth century, Heisenberg's
training and experience were con-
ventional. Only his mind was not.
Until more comes out in this coun-
try about Heisenberg's new discovery,
it is likely that he will continue
to be known popularly as the author
of the famous Principle of Uncer-
tainty, which rings a familiar, if
muffled, bell of recognition with
most general readers.
The formulas which express this
principle are not very revealing to
the layman, but in Heisenberg's own
words (in Nuclear Pliysics) it is per-
haps deceptively simple. It concerns
the behavior of particles within the
atom:
One can never know simultane-
ously with perfect accuracy both of
those two important factors which
determine the movement of one of
these smallest of particles— its posi-
tion and its velocity. It is impossible
to determine accurately both the po-
sition and the direction and speed of
a particle at the same instant. If we
determine experimentally its exact
position at any given moment, its
movement is disturbed to such a de-
gree by that very experiment that we
shall then be unable to find it at all.
And conversely, if we are able to
€*tjoy.
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22
PERSONAL & OTHERWISE
measure exactly the velocity ol a
particle, the picture of its position
becomes totally blurred.
It would beau intellectual scandal,
no doubt, to try to apply this princi-
ple to other than atomic or cosmic
realms -su< h as literar) c 1 iti< ism or
the business cycle or the question
of the classics in secondary educa-
tion. But it is tempting to try.
since (as we understand Heisen-
berg) it is the intruding observer
(the experimentei > tbat dislodges the
movement and makes certainty im-
possible, could it not be that Pro-
lessor Heisenberg (now at age lilt\
six)— recollecting bis education in
Munich (age eight to eighteen) has
himsell dislodged the reality ol what
was? Could it not be that the ideal
training lot a Nobel Prize-winner is
still clouded in Uncertainty and as
variable as the observer thereof?
II so, then we Americans, naked
as we are of Latin and (.reck, i an
listen respectfully but not shut up.
Equipped with more than nine
years ol some kind of education per
capita — we can continue to argue as
hotly as before, each man his own
( \pert.
. . . American lolklore is developing
a special branch lor Frank Lloyd
Wright, tin most renowned and
controversial American architect, liv-
ing or dead. A new chapter— all the
better lor being true— appears in
"How Frank Lloyd Wright Got His
Medal" (p. 30). The narrator is
Alfred Bendiner, Philadelphia archi-
tect, Fellow of the American Insti-
tute ol Architects, owner of a csim-
balom (his spelling) that was played
at the St. Louis World's Fair, and
a man ol many talents. Muralist and
illustrator, he has had work shown
in many art museums here and
abroad. His book of musical carica-
tures is called Music to My Eyes.
Mr. Bendiner was born in Pitts-
burgh of Hungarian parents, who
brought him to Philadelphia as a
baby.
The portrait of F. L. W. on the
cover, and the drawings inside were
made by Mr. Bendiner. The build-
ing on the cover is Mr. Wright's fa-
mous skyscraper in Bartlesville, Okla-
homa, called The Price Tower.
. . . Second, third, and fourth waves
ol books about World War II may
William S. White, Capitol
" correspondent of the Neiv
York Times lor the last thir-
teen years, has become Washing-
ton correspondent lor Harper's
Magazine, lie also will write a
syndicated newspaper column
lor the United Features Syn-
dic ate.
While he was with the Times,
Mi. White wrote two books, a
Pulitzer Prize-winning biogra-
l>h\ ol Senator Robert \. raft,
and Citadel: The Story <>l I lie
U. S. Senate. He has written a
number of articles lor Harper's;
the most recent was "Who Is
Lyndon fohnson?" in the Man h
issue.
Earlier he worked with the
Associated Piess as an editor
and war correspondent, cover-
ing the Normand) landing on
I) da) and mu< h ol the fighting
in Fume. Holland, ami Ger-
many. Alto the war he han-
dled foreign assignments lor the
Times in Latin America and
Africa .is well as sei ving in the
paper's Washington Bureau.
be breaking toward us, now that
more than a decade has passed. The
new writing won't resemble either
A Bell for Adano or From Here to
Eternity, lor the propaganda lines
have changed or laded. It is likely
to be more factual and, not impos-
sibly, truer. For example, Richard
B. McAdoo's account of "The Guns
at Falaise Gap" (p. 36).
Mr. McAdoo. who was S-2 (Intelli-
gence officer) with the 989th Field
Artillery, left Harvard in the middle
of his senior year (1942) to enlist as
a private. He went to OCS at Fort
Sill, served the rest of the war with
the battalion he writes about, and
came out a Captain. Since the war
he has been a book editor at Harper
& Brothers.
..."Why Canadians Are Turning
Anti-American" (p. 46) is a problem
that concerns Americans a good deal
more deeply than, in their self-ab-
sorption, they know. Bruce Hutchi-
son, who sums up the issues between
us, is editor of the Victoria (British
Columbia) Times and author of a
half-dozen best-selling books about
Canada. In his forty years in the
newspaper business, he has made in-
numerable trips to Washington and
won main American friends for hi]
country.
Mi. Hutchison's newest book
Canada: Tomorrow's Giant, brough
out by Knopf, was described in J
review in the Washington Post as "|
shrewd diary of a nation's moodsj
an eloquent portrait of a nationl
mind, a confident prophesy of a na
tion's future. There is no one quit]
like Hutchison in American joui
nalism. He is a sort of mixture o1
Thoreau, Thomas Wolfe, and Wi|
ham Allen White. . . ."
. . . Joyce Warren, who went "Hi!
Climbing by Boat" (p. 51), is th
author ol Our Clad, a novel abot
English small-town theater, and
Peacocks and Avarice, a book
shorl stories. The daughter of a
English rector in a Derbyshire vi;
l.ige. Miss Warren worked in th;
movie industry and came to Nel
York with the British Informatio
Services during the war. She is ma
ried to an American geologist no
and lives in Washington.
The British Travel Associatio
(336 Madison Avenue, New York a
has pamphlets about holidays i
English inland waterways, and tell
us that there are many kinds of craf
and waters for tourist cruises in adc
tion to the Narrow Boats. Thoml
Cook takes bookings for some' J
these cruises and also British Rail
ways (9 Rockefeller Plaza, New Yoi
20). Local travel agents can help.
. . . Leona Train Rienow's "Lame
for Minnesota" (p. 57) comes fro
an ex-Minnesotan whose love I
her home state is matched by h
passion lor conservation of natur
resources. Born in Duluth, she grei
up on the Mesabi Iron Range. SJ
is a graduate of the University I
Chicago and has an M.A. from tl1
University of Minnesota.
Married to a professor of politic
science at the State University
New York in Albany, Mrs. Rienc"
lives in a colonial farmhouse on F
acres of a woodland wildlife sarj
tuary. She has written childrei
books and is now collaborating wi
her husband on a book about livii
with the atom.
. . . The author of "The Guy j
Ward 4" (p. 60), Leo Rosten,
also the author of The Educatii
PERSONAL & OTHERWISE
fj h*Y*M*A*N K*A*P*L*A*N*,
[• hich he wrote under the pen name
Leonard Q. Ross. Fiction has
B:en a hobby with him, and a num-
■ ;r of his suspense novels have been
I ade into movies, including "The
I ark Corner" and "Sleep, My Love."
[ e has also written some fifteen
II ovies; "Walk East on Beacon'- was
lie of them.
[ Mr. Rosten has a Ph.D. in social
lience from the University of Chi-
ji go, and on Rockefeller and Car-
■ ?gie Foundation grants, he made
three-year study of Hollywood
■ hich was published as Hollywood:
Mhe Movie Colony. During the war
■? was Deputy Director of the Office
I War Information. He is a faculty
■ sociate at Columbia University and
liecial editorial adviser for Look
H agazine.
■ .In everyday living, the eco-
B)mics of divorce usually over-
■ ■adows its ethics. For example, in
Hew York City, where divorce laws
Be very strict, there are never the-
Iss an estimated half-million women
■id children living on alimony and
Iiild-support payments. It is this
Important, practical, money end of
Ivorce that Judge Samuel H. Hof-
Madter and Arthur Herzog discuss in
■ Common Sense About Alimony"
|>. 68).
I Judge Hofstadter has been a Jus-
Ice of the New York Supreme Court
Ince 1933. He was a member of
lie New York Legislature from 1925
M: 1932 and chairman of the so-
; lied Mayor Walker Investigation
I which Judge Samuel Seabury was
Jounsel.
, Born in Austria, he graduated
Jom the New York Law School in
, . M3. He is the author of The De-
•lopment of the Right of Privacy
I Neiv York and other works.
' < Arthur Herzog is a free-lance writer
jlid a former editor of Cavalier. He
■ as an M.A. from Columbia Univer-
,|ty in English literature.
> . Thomas Wolfe— whose Harvard
iaywriting and other early sorrows
*e described by Philip W. Barber
i page 71— died in his thirty-eighth
;ar; he would have been fifty-eight
•is September; but somehow the
nage he left with his many thou-
nds of admirers is that of a quite
ning man. A man very much like
the one Mr. Barber describes. With
"Look Homeward, Angel" (in the
stage play by Ketti Frings) now a
Broadway hit, that picture of the
eternal youth— his hero and himself
—comes to vivid life again.
Wolfe's prose can scarcely be bot-
tled into a paragraph, but one bit
from The Web and the Rock, about
George Webber, on his twenty-fifth
birthday, surely belongs with Mr.
Barber's record:
It is a wonderful time of life, but
it is also a time that is pregnant with
a deadly danger. For that great flask
of ether which feels within itself the
illusions of an invincible and hurt-
less strength may explode there in so
many ways it does not know about—
that great engine of life charged with
so much power and speed, with a
terrific energy of its high velocity
so that it thinks about nothing can
stop it, that it can roar like a locomo-
tive across the whole continent of life,
may be derailed by a pebble, by a
grain of dust. . . .
Philip Barber's career after the
Harvard days with Wolfe has been
varied, but he has always come back
to the theater in some form. He
went to Yale with Professor George
Pierce Baker and was technical direc-
tor of the Yale University Theater,
later of the Group Theater in its
early days; and then stage manager
and minor actor with the Theater
Guild. He has written movie scen-
arios for MGM and- radio scripts
for a number of producers; was New
York City director of the Federal
Theater. After work with the War
Relocation Authority, he founded
an industrial public relations firm,
and is now chairman of the board.
With his wife, Mr. Barber started
Music Inn, next door to Tangle-
wood in Lenox, Massachusetts. In
1955 he opened the Music Barn, the
first summer concert hall for jazz,
and last year helped found the
School of Jazz (see "After Hours,"
November 1957).
. . . "The Academic Overture" (p. 50)
comes early this year, from Rich-
mond Lattimore, who teaches Greek
at Bryn Mawr and is the author of
Poems, a first volume.
"Exchange" (p. 58) is from Miriam
Waddington, a Montrealer, author
of two books of poems, Green World
and The Second Silence.
JUNE I, 1958 IS THE
CLOSING DATE FOR THE
HARPER
'10,000
Prize Novel Contest
Any unpublished novel in
the English language is
eligible. No entry form is
needed. But each manu-
script must be accompanied
by a letter stating that it
is submitted for the Con-
test and has never been
published in book form.
The contest opened June 1,
1957 and will close June 1,
1958. In order to be eligi-
ble, a manuscript must be
received in the offices of
the publishers by the end
of the business day on the
closing date.
The Judges:
SAUL BELLOW
Author of
The Adventures of Augie March,
The Victim, etc.
JOHN K. HUTCHENS
Daily Book Critic of the
New York Herald Tribune.
JESSAMYN WEST
Author of
Cress Delahanty, The Witchdiggers,
The Friendly Persuasion, etc.
Send manuscripts or write to:
The Harper Prize Novel Contest
HARPER & BROTHERS
49 East 33rd St., New York 16, N. Y.
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BACH
ON LOCATION
At Zwolle, in Holland, in the
15th-century Gothic church of
St. Michael is a splendid,
four-manual organ, dating from
1720. It is the last organ built
by Arp Schnitger, whose work
is considered the culmination of
the high baroque era of organ
building. It was inevitable that
so fine an organ should be
visited by E. Power Biggs, who
has traveled far and wide in
search of the most appropriate
instruments for his recordings
of the great works for organ.
Mr. Biggs' many albums of the
music of Bach, Mozart and
others, performed on centuries-
old instruments— in many
cases those the composers
themselves once used— are
among the most impressive
achievements of the recording
art. To these he now adds three
preludes and fugues of Bach,
recorded amid the majestic
acoustics of St. Michael's.
BACH AT ZWOLLE: Prelude
(Concertato) and Fugue in D Major
("The Great"); Prelude and Fugue in
C Minor ("Arnstadt"); and Prelude and
Fugue in E-flat Major ("St. Anne")—
E. Power Biggs, organist.
KL 5262 C-E3
MR. K.'s
EXTRAS
"Encore!" is the bracing cry
that has roared from the
throats of audiences in concert
halls, opera houses and
theaters for two centuries or
more. Unfortunately, in
modern times it seldom has
any effect whatsoever on the
conductor of a symphony
orchestra. Unless, of course,
the conductor happens to be
Andre Kostelanetz. His
concerts with the New York
Philharmonic, which began in
1954, have enjoyed nothing
but standing room and
overflow audiences, and
invariably arouse the most
insistent calls of "encore!"
Mr. K., on these occasions,
breaks with present custom
and responds with courtesy
and brilliance. For this
recording he has selected
some of the most popular of
the "encore" pieces played
at the end of his
Philharmonic concerts.
ENCORE!: Works of Wolf-Ferrari,
Bach, Granados, Beethoven,
Liadov, Walton and Mourant—
Andre Kostelanetz conducting the
New York Philharmonic.
CL 1135 $3.98
MUSICAL
DOSSIER
This delightful collection
offers a surprisingly accurate
and complete description of
the musical psyche of their
chooser— the ubiquitous,
multifaceted wit, intellectual
and artist: Oscar Levant. He
is, we can tell by them, a
modern. He is, at times, fiery,
at others, deep and
tranquil. He knows his
dance tempos. He knows the
music of the outdoors and
remembers the mood of
the nursery. These Favorites
underscore once more the
appeal of the wry, kindly,
softly sardonic personality
that half hides, half
advertises the talent and
accomplishments that
lie beneath.
LEVANT'S FAVORITES: Falla:
Fire Dance; Miller's Dance •
Lecuona: Malaguena • Poulenc:
Pastourelle; Mouvements
perpetuels • Albeniz: Tango in D •
Debussy: Golliwog's Cakewalk;
Maid with the Flaxen Hair;
Reflets dans I'eau; La Cathedrale
engloutie; Clair de lune; La plus
que lente (valse); The Little
Shepherd— Oscar Levant, pianist.
CL 1134 $3.98
Y
MUSIC'S
TOP MAN
Eugene Ormandy occupif
is perhaps music's most
enviable position— that o
politely coaxing the work
most splendid instrumen j
more and more exalted h I
Unlike some of his fellow I
helmsmen who "specialil
Maestro Ormandy can divl
the orchestral repertoire I
point from Bach to BartoJ
achieve the same wondel
results. For which reasonl
like to keep him as busy {
possible, recording as gr
variety as possible. His l<
recordings are evidence <
amazing versatility, and
inalienable right to the ti
"top man of the top orch
SMETANA: The Moldau • V
Invitation to the Dance • L
Mephisto Waltz • BERLIOZ:
of the Will o' the Wisps. Dan
Sylphs and Rakoczy March-
Philadelphia Orchestra • E
Ormandy, conductor.
ML 5261 $3.98
DELLO JOIO: Variations. CI
and Finale • VINCENT: Syri
in D —the Philadelphia Orel-
Eugene Ormandy, conductol
ML 5263 $3.98
103 ANNIVERSARY OF
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JI
IH
Harper
magaJIzi ne
A SCIENTIST'S CASE
FOR THE CLASSICS
WERNER HEISENBERG
Nobel Prize-winner for Physics
The man sometimes described as Einstein's
successor tells why a sound training in the
Greek philosophers is the most practical
sort of education for a scientist — and how he
first discovered them while serving as a
schoolboy soldier against Communist rebels.
MANY people are asking today whether a
classical education is not too theoretical
or unworldly— whether in our age of technology
and science a more "practical" education would
not be much more suited to equip us for life.
I cannot deal with this question fundamentally,
for I am not a teacher nor have I been particu-
larly concerned with education. My own ex-
perience may be of some interest, however,
since I had a classical education myself and
later on devoted most of my work to science.
What are the arguments which defenders of
the humanities usually produce for concentrat-
ing on ancient languages and ancient history?
5 In the first place, they rightly point out that
in-
our whole cultural life, our actions, our thoughts,
and our feelings are steeped in the spiritual
roots of the West— in that attitude of mind
which in ancient times was brought into being
by Greek art, Greek poetry, and Greek phi-
losophy. With the rise of Christianity, and with
the formation of the Church, a great change
took place; and finally at the end of the Middle
Ages, there occurred the tremendous fusion of
Christian piety with the freedom of spirit of
antiquity. The world, as God's world, was
radically altered by voyages of discovery, by
science, and by technology. In every sphere of
modern life whenever we look at the roots of
things— whether methodologically, historically,
or philosophically— we encounter those creations
of the spirit which arose in antiquity and in
Christianity. Thus we may say in favor of a
classical education that it is always good to
know the sources of our culture, even if they
have few practical uses.
Secondly, we must stress the fact that the
whole strength of our Western civilization is
derived, and always has been, from the close
relationship between the way in which we pose
our questions and our practical actions. Other
peoples were just as experienced as the Greeks
in the sphere of practical action— but what al-
ways distinguished Greek thought from that of
all others was its ability to change the questions
it asked into questions of principle. Thus it
2G
A SCIENTIST'S CASE FOR THE CLASSICS
could arrive at new points oi view which im
post- ordei on the colorful kaleidoscope oi ex-
perience and make ii accessible to human
thought.
Ii is this which made Greek though) unique.
I \cn during the rise ol the Wesi ai the time ol
the Renaissance, iliis habit ol mind stood at the
mid-point of our history, and produced mod
(in science and technology. Whoevei delves
into the philosophy ol the (.neks will encountei
;ii ever) step this ,il)ilii\ to pose questions ol
principle; in iliis w.i\ he <.ni learn to command
the strongest tool produced l>\ Western thought.
Finally, it is justl) s.iid thai .1 concern with
antiquit) creates a sense ol judgment in which
s|)iiiiu.il \;ilucs are prized higher than material
ones. It is precisel) in the tradition ol (.reek
thought that the primac) ol the spiiii emerges
clearly. Today some people might take excep-
tion to this fact. The) might sa) that out
age lias demonstrated that only material power,
raw materials, and industry are important, that
physical power is stronger than spiritual might.
It would follow, then, that it is not in the
spoil ol tin times to teach our children respect
lot spiritual rather than material values.
DEBATES WITH LUNCH
BUT 1 am reminded of a conversation I had
some thirty years ago in the courtyard
ol our university in Munich. At the time the
iii\ was in the throes ol a revolution, and the
inner town was occupied by the Communists.
I. then a seventeen-year-old boy, and some
ol my school comrades had been assigned as
auxiliaries to a military unit which had its
headquarters opposite the university, in the
theological seminary. Why all this happened is
no longer quite clear to me, hut it is probable
that we found those weeks of playing at soldiers
a very pleasant interruption of our lessons at
the Maximilian Gymnasium.
In the Ludwig Stiasse there was occasional,
ii not very heavy, shooting. Every noon we
fetched our meals from a field kitchen in the
university courtyard. On one such occasion we
had a long argument with a theology student,
debating whether these minor revolutionary
snuggles in Munich had any meaning. One
ol my younger schoolmates said emphatically
that questions of power could never he settled
l>\ spiritual means— by speeches or by writing
—but that force and force alone could lead to
a real settlement of our conflicts with others.
The theology student replied that in the final
analysis even the questions ol what was meant
l>\ "we" and "the others," and of what dis-
tinguished the two. would obvioush lead to a
pinch spiritual decision, lie argued that in
all probability we should gain a great deal II
we could settle this question more reasonably
than was commonl) the case.
We could hardl) object to this. Once an
aiiow has left the bow, onl\ a strongei force
<an divert it from its path -but its original
direction was determined l>\ the one who aimed
it: and without the presence ol a spiritual
being with an aim, it would nevet have been
able to stait on its flight. Consequent!) we
could do lai worse than teach out youth not
to undervalue the spiritual.
WAKING UP TO THE WORLD
MY FIRS I real en< ounter with s< ience
o(( uned at the Maximilian Gymnasium.
Most schoolboys are introduced to technology
and science when they begin to plav with in- 1
struments. P>v copying the example ol a fellow
pupil, or by playing with Christmas presents,
or occasionall) even through school lessons,
they begin to have a desire to handle small
engines and perhaps even to build one. This I
is precisely what I did with great enthusiasm
during the lust five years of my life at high j
si hool.
Ibis activity would probably have remained
a mere game and would not have led me to
real science, il another event had not also o<-
curred. At the time, we were being taught the
basit axioms ol geometry. First I lelt this to
be very dry stuff: triangles and rectangles do
not kindle one's imagination as do flowers and
poets. Hut suddenly one day, our best mathe-
matics teacher, Wolff b) name, introduced us
to the idea that one could formulate generally
valid propositions from these figures, and that
some results— quite apart from their demon-
strable geometric properties— could also be
proved mathematically. The thought that
mathematics somehow corresponded to the
structures of our experience struck me as
extraordinarily strange and exciting.
What had happened to me was what happens
only too rarely with the intellectual gifts which
arc presented to us at school. Classroom lessons
generally allow the different landscapes of the!
world of the mind to pass by out eves without
quite letting us become at home in them. Ac-
cording to the teacher's abilities they illumi-
nate these landscapes more or less brightl) and
BY WERNER HEISENBERG
27
we remember the pictures lor a shorter or a
longer time. However, very occasionally, an
object that has thus come into our field of view
will suddenly begin to shine in its own light-
first, dimly and vaguely, then ever more brightly,
until finally it will glow through our entire
mind, spill over to other subjects, and eventu-
ally become an important part of our own life.
This happened in my case with the realization
that mathematics fitted the things in our ex-
perience—a realization which, as I learned at
school, had already been made by the Greeks,
by Pythagoras and by Euclid.
At first, stimulated by Herr Wolff's lessons,
I tried out this application of mathematics for
myself and I found that this game which went
on between mathematics and immediate per-
ception was at least as amusing as most other
games. Later on, I discovered that geometry
alone was no longer adequate for this mathe-
matical game which had given me so much
pleasure. From some books I managed to learn
that the behavior of some of my homemade
instruments also could be described by mathe-
matics. I now began to read voraciously in
somewhat primitive mathematical textbooks, in
order to get the mathematics, especially the
differential and integral calculus, needed for
I the description of physical laws.
In all this I saw the achievements of modern
times— of Newton and his successors— as the
immediate consequence of the efforts of the
Greek mathematicians and philosophers. In fact,
they were all seen as one and the same thing—
and never once did it occur to me to consider
that the science and technology of our times
represented a world basically different from that
of the philosophy of Pythagoras or Euclid.
ATOMS WITH
HOOKS AND EYES
ALTHOUGH in my youthful ignorance
I was not fully aware of it, this enjoyment
of the mathematical description of nature had
introduced me to the basic trait of all Western
thought: the fundamental inter-relationship be-
tween the way in which we pose questions and
practical action. Mathematics is, so to speak, the
language in which the questions are posed and
answered— but the questions themselves are
concerned with processes in the practical mate-
rial world. Geometry, for instance, was designed
for measuring agricultural land. Because of all
this, I remained far more interested in mathe-
matics than in science or instruments during
most of my life at school. It was only in the
two upper classes that I acquired a new liking
for physics, oddly enough because of a fortuitous
encounter with a part of modern physical theory.
At the time we used a rather good physics
textbook in which, quite understandably, mod-
ern physics was treated in a somewhat offhand
manner. However, the last few pages dealt
briefly with atoms, and I distinctly remember
one illustration. The picture was meant to
represent on a small scale the state of a gas.
Some of the atoms were clustered in groups and
were connected by means of hooks and eyes,
supposed to represent their chemical bonds. But
the text itself stated that, according to the con-
cepts of the Greek philosophers, atoms were the
smallest indivisible building stones of matter.
I was greatly put off by this illustration, and
I was enraged by the fact that such idiotic things
should be presented in a textbook of physics. I
thought that if atoms were indeed such struc-
tures as this book made out— if their structure
was complicated enough for them to have hooks
and eyes— then they could not possibly be the
smallest indivisible building stones of matter.
In my criticisms I was supported by a friend
from my youth club with whom I had gone on
many hiking expeditions, and who was much
more interested in philosophy than I was. This
friend, who had read some essays on atomic
theory in ancient philosophy, had also un-
expectedly come across a textbook of modern
atomic physics where he had seen visual models
of atoms. This had led him to the firm con-
viction that the whole of modern atomic physics
was false and he tried to convince me that he
was right. At that time our judgments were
obviously very much rasher and more dogmatic
than they are today. I had to agree with him
that these visual models of atoms were indeed
false, but I reserved the right to look for the
mistakes in the illustrators, rather than in the
theory.
In any case, I wanted to become better ac-
quainted with atomic physics, and here another
accident was an unexpected help. At the time
we had just started reading one of Plato's dia-
logues, but because of the troubles in Munich
school lessons were irregular. Our military unit
had no rigid plan of work, far from it; the danger
of lounging about was very much greater than
that of over-exertion. In addition, we had to
be prepared to be called even at night, and thus
we were without any control by parents or
teachers.
It was then July 1919, and a warm summer.
28
A SCIENTIST'S CASE FOR THE CLASSICS
Shortly aftei sunrise, I would often withdraw
onto the rool ol the theological seminar) and
lie down there i<> warm mysell in the sun, any
old book in ni\ hand, or I would sit on the
edge ol the rool and watch the day beginning
in the Ludwig Strasse.
On one such occasion, ii occurred to me to
take a volume ol Plato onto the rool, wanting
to read something other than the assigned sc hool
lessons. With nn somewhat modest knowledge
ol Greek, I came upon the dialogue (ailed
"Timaeus," where loi the Inst time and from
the original source, I read something about
Greek atomic philosophy. This lee tun made the
basic thoughts ol atomic theory much clearer
to me than the\ had ever been below. I be-
lieved, at least, thai now I understood something
ol the reasons which had caused Greek phi-
losophy to think ol these smallest indivisible
building stones ol matter. True, I did not feel
Plato's diesis in " limat us"— that atoms are reg-
ular bodies— to be fully convincing, but at least
1 was satisfied to learn that they did not have
hooks and eyes. In any case, at that time I was
becoming convinced that one could hardly make
progress in modern atomic physics withoul a
knowledge of Greek natural philosophy, and I
thought that our illustrator ol the atomic model
would have done well to make a careful study
ol Plato before drawing his pictures.
THE TWO-HEADED STREAM
WITHOUT properly knowing how, I
had become acquainted with the great
thought of Greek natural philosophy which
bridges antiquity with modern times and which
only came to full fruition at the time of the
Renaissance. This trend in Greek philosophy is
typified by the atomic theory ol Leucippus and
Democritus and traditionally was described as
materialism. Historically this is a correct de-
scription, but today it is easily misunderstood,
since the word "materialism" was given a very
one-sided meaning in the nineteenth century—
a meaning which is by no means in accordance
with the development of Greek natural phi-
losophy.
We can avoid this false interpretation of
ancient atomic theory if we remember that the
fust modern investigator to return to the atomic
theory in the seventeenth century was the theo-
logian and philosopher, Gassendi, who surely
did not use the theory in order to combat Chris-
tian dogma. Even for Democritus, atoms were
merely the letters with which we could record
the events ol the world, but not their content.
In contrast, nineteenth century materialism was
developed from thoughts ol quite a differenl
kind, thoughts which are characteristic ol the
modern age and which ale rooted in the division
ol tin world into a material and a spiritual
reality, originating with Descartes.
We thus see that the great stream of science
and technology ol modern times springs from
two soinces in the fields of ancient philosophy.
Although many other tributaries have flowej
into this stream and have helped to swell its
current, the origins have always continued to
make themselves felt. Because of this, all the
sciences can benefit from classical studies.
GETTING TO THE
BOTTOM OF THINGS
TR U E , those concerned with the more
practical schooling of youth will assert ;
that the knowledge of this spiritual loundation
has little relevance— that we should rather ac-|
quire the necessities of modern life: languages,
technical methods, accounting, and commercial
practice. These, it is argued, will set us on our
feet; a classical education is said to be merely
of decorative value, a luxury for those few who
have an easier struggle in life than most.
Perhaps this is true lor the many people who
want to do nothing more in their later lives
than to carry on a purely practical business.
Those, however, who find this goal inadequate
and wish to get to the bottom of things in what-i
ever vocation they choose— be it technology or>
medicine— are bound sooner or later to encounter
the sources of antiquity. Their own work will
benefit if they have learned from the Greek*
how to discipline their thoughts and how tcj
pose questions of principle. I believe that inj
the work of Max Planck, for instance, we carl
clearly see that his thought was influenced anc
made fruitful by his classical schooling.
Another personal experience which occurrec
three years after I had left school seems, in
retrospect, to be illuminating. While a studen
at the University of Gottingen, I discussed witl
a friend the problem of the atomic model whicl j
I had found disturbing even while still in higl"
school. This question was obviously the basil
of the puzzling phenomena of spectroscopy whicl
were still unsolved at the time. This fried
defended perceptual models, and he believei
that all that was needed was to persuade moderi
technology to construct a microscope with
very great resolving power, for instance one enj *
BY WERNER HEISENBERG
29
ploying gamma rays instead of ordinary light.
Then we should be able to see the structure
of the atom, and my objections to perceptual
models would finally be answered.
This argument disquieted me deeply. I was
afraid that this imaginary microscope might
well reveal the hooks and eyes of my physics
textbook, and once again I had to resolve the
apparent contradiction between this proposed
experiment and the basic conceptions of Greek
philosophy. Here the education in disciplined
thought which we had received at school was to
help me a great deal; because of it I would not
accept would-be solutions.
In contemporary discussion about the value
of a classical education, one can no longer main-
tain that the relationship between natural phi-
losophy and modern atomic physics is a unique
or special case. For even if we rarely meet such
questions of principle in technology or science,
or medicine, these disciplines are basically con-
nected with atomic physics. Thus, in the final
analysis, they lead to similar questions of prin-
ciple. The structure of chemistry is built up
on the basis of atomic physics. Modern astron-
omy is connected with it most closely, and
can hardly make progress without it. Even in
biology, many bridges are being built toward
atomic physics. The connections between the
different branches of science have become much
more obvious in the last decades than they have
at any previous time. There are many signs
of their common origins— which, in the final
analysis, must be sought somewhere in the
thought of antiquity.
FAITH IN THE WEST
WITH this conclusion I have almost
returned to my point of departure. At
the origins of all Western culture there is this
close connection between our way of posing
questions of principle and practical action, and
this we owe to the Greeks. Even today the whole
force of our culture rests on this connection.
From it springs all our progress, and in this sense
a declaration of faith in classical education is
an avowal for the West and for its culture.
However, do we still have a right to this
faith when the West has lost so terribly in
power and prestige in the last decades? Our
answer is that all this does not involve ques-
tions of right, but of our will. For the activity
of the West does not stem from theoretical in-
sights—our ancestors did not base their actions
on theories— but from quite a different origin.
What is and always has been our mainspring
is faith. By faith I do not only mean the Chris-
tian faith in a God-given, meaningful frame-
work of the world, but simply faith in our task
in this world. Here, faith obviously does not
mean that we hold this or that to be true. To
have faith always means: I decide to do it, I
stake my existence on it. When Columbus
started on his first voyage into the West, he
believed that the earth was round and small
enough to be circumnavigated. He did not
merely think that this was right in theory— he
staked his whole existence on it.
In a recent discussion of this aspect of Euro-
pean history Freyer has rightly referred to the
old saying: "Credo ut intelligam" '—"I believe
in order that I may understand." In applying
this idea to the voyages of discovery, Freyer
introduced an intermediate term: "Credo ut
agam; ago ut intellegam' '—"I believe in order
that I may act; I act in order that I may under-
stand." This saying is relevant not only to the
first great voyages, but to the whole of Western
science, and to the whole mission of the West.
It includes both classical education and science.
And there is no need to be over-modest. One
half of the modern world, the West, has gained
immeasurable power by applying in an un-
precedented way the Western idea of controlling
and exploiting natural resources through science.
The other half of the world, the East, is held
together by its faith in the theses of Marx—
a European philosopher and political economist.
Nobody knows what the future will hold and
what spiritual forces will govern the world, but
our first step is always an act of faith in some-
thing and a wish for something.
We hope that spiritual life will blossom here
once again, that here in Europe ideas will con-
tinue to grow and shape the face of the world.
We stake our existence on this; and as we
remember our origins, and recover the way to
a harmonious interplay of forces in our part of
the world, so will the external conditions of
European life be happier than they have been
these last fifty years. We hope that despite all
outer confusion, our youth will grow up in the
spiritual climate of the West, so that it may
touch the sources of power which have sustained
our continent for more than two thousand years.
Let us not worry about the detailed ways in
which this might be brought about. No mat-
ter whether we prefer a classical or a scientific
education, what does matter above all is our
supreme and abiding faith in the West.
— Translated by Arnold J. Pomerans
Harper's Magazine, May 795,S'
How Frank Lloyd Wright
Got His Medal
By ALFRED BENDINER
Drawings by the Author
He behaved rather like Moses with a quart of
skimmed milk and an aggressive gall bladder —
the occupational disease of great
architects — but be did put on a show
as spectacular as any of his buildings.
A FEW years ago, when I was president of
the Philadelphia Chapter of the American
Institute of Architects, a gentleman (who shall
be nameless but whom we shall call Oskar
Stonorov) called me one day. He said he was
preparing for the International Exhibition of
Frank Lloyd Wright's architecture, which was
going to open its tour on the eighth floor of
Gimbel Brothers department store. If I could get
the Philadelphia Chapter to give Wright its gold
medal, he, Stonorov, would get Wright to come
to lunch and receive it.
I got the executive committee, and we voted
the medal, and I (ailed Stonorov to say that
now he should produce Wright.
Stonorov said to write a note to the master
and explain. I got a letter from F.L.W. saying,
"I will come if 1 can." That was the onlv indica-
tion I had that His Majesty would appear, but
we got the medal (ast and had it engraved. As
the time for the opening approached, and still
no wind. I (ailed Oskar again and said, "What
moveth?" H< s.iid that he would be in Taliesin,
the Wright headquarters in Wisconsin, the fol-
lowing week and would find out.
About two days before the Gimbel opening,
Stonorov called, said he had spoken to F.L.W.
and he had indicated that he might attend. I set-
up a luncheon for the Chapter to take place
the day after the opening, and before I realized
it I was embroiled in a small war trying to ar-
range to feed five hundred draftsmen, art lovers,
and Wright acolytes. Arthur Kaufman, head of
Gimbels', said he had no notion whether Wright
was going to stay overnight alter the opening,
but he moved our luncheon from the main
dining-room to the auditorium. On the day he-
fore the opening, we were set for five hundred
people, and I hadn't heard from F.L.W.
For the opening of the exhibition, Gimbel
Brothers had invited still another list of guests,
of course— about six hundred distinguished
Philadelphians, all the wheels in architecture,
the diplomatic corps, the press, the Gimbel
family, and the arts. The gathering was divided
into two groups: the elite were to be received
by Wright in a small cocktail room and hoi
polloi were to have cocktails in a minor con-
vention hall down the tracks.
The room in which we were cloistered was
loaded with flash-bulb boys, Gimbels' number
I
BY ALFRED BENDINER
31
one white carnation floorwalkers, and the select.
The small room was crowded and we drank and
waited.
There was a flourish of the drums, the yellow
doors were opened, and in walked Frank Lloyd
Wright.
He was appropriately dressed for the occasion
and his eyes gleamed. His white mane had an
incandescent blue tinge. He wore a dark suit,
a high Dr. Munyon shiny collar, and wound
around his neck was a white wool scarf which
trailed in back of him like the last act of
Eleonora Duse. Hanging from his neck on a
wide blue ribbon was a shiny gold medal as
large as a soup plate.
Wright stood and waited for the moment. The
spotlight hit the medal brassily, the photogra-
phers shot off their fireworks, a hush came over
the waiters, and Wright started around the room
and shook hands with the guests. As I was pre-
sented to him, he said, "Bendiner, I'll see you
at lunch tomorrow."
Following after him was Mrs. Wright, who
looked like one of those little Indian dolls which
you buy when the train stops at Albuquerque.
She was dressed in a saffron sari.
"Mrs. Wright," I said, "I am very sorry that I
did not know you were coming, but will you
please come to the luncheon for Mr. Wright
tomorrow?"
Mrs. Wright answered in a broad Taliesin-
West Montenegrin:
"No, I will not come tomorrow to lunch, but
you will please come to my room in the Hotel
Warveek at 10:00 a.m. and I will give you Mr.
Wright's luncheon menu."
With these instructions off her little chest she
shook hands and followed in the master's, foot-
steps.
A LITTLE
MIDWESTERN BOY
WE DRANK martinis and the Wrights
drank tomato juice. Finally, a beflow-
ered youth stood up and said that Mr. and Mrs.
Wright would now withdraw. The Master of
Ceremonies returned after they left and we were
asked to follow him. We crossed the eighth floor
of Gimbels' with all the sales tables shrouded in
blue and white checkered muslin, and entered
the auditorium. Seated at one long raised
speakers' table were men, nothing but men, and
in front of us, a sea of Philadelphians in their
green suits airing their flat nasal voices, and with
them our lovely wives looking lonely.
Finally, came the terrapin soup, steak with
mushrooms, ice cream with petit fours, and cof-
fee; then cigars were passed, and Mr. Arthur
Kaufman rose and came to the microphone and
read telegrams from every Gimbel and seemingly
from everybody else. Wright slipped out and
we held our breaths hoping that he would re-
turn. Kaufman finally dropped the last yellow
sheet and looked around to see his guest's chair
empty, so he introduced the toastmaster of the
evening, Mr. George Howe. Howe rose and de-
livered an oration to the absent Frank Lloyd
Wright, his contribution to architecture, to civi-
lization, to modernism, to the soul. Finally,
Wright came back and sat down. Then Howe
introduced the representative from the Depart-
ment of State, who thanked Wright for being an
architect so that his work could be shipped
abroad to show the world the great cultural
values of America.
Then Howe introduced the Italian ambassa-
dor, who thanked Wright for first sending the
exhibition to the Strozzi Palace in Florence
where all the cultured of Italy would welcome
it as a masterly achievement. Howe then in-
troduced Fritz Gutheim, representing the Ameri-
32
H O W I RANK LLOYD WRIGHT GOT HIS MEDAL
can Institute of Architects, and he, with dosed
eyes and great reverence, proceeded to spill
charm all over the microphone. Then Howe
introduced Stonorov, who praised the great mas-
ter as exemplified l>\ a Greek statue in the
i xhiliit.
Wright again rose and went to the men's room,
and Howe presented some minor luminaries,
who filled in. Wright returned and Kaufman
got up and said that Wright was a great lover
of music and they had brought a string quartet
to play lor him.
They wheeled in the string quartet on a float
and the quartet played the second movement ol
the Brahms Fifth. In the darkness a lot ol peo-
ple slipped out.
The quartet finished. It was eleven o'clock,
the lights went up. George Howe looked to see
il Wright was still there, and introduced Mr.
Frank Novel Wright, the guest of the evening.
Wright arose and said he was nothing but a
little Middle Western boy who had tried to make
Americans proud of their heritage, and he had
tried to create an architecture which was typi-
<all\ American, and all he could say was, "Thank
you one and all and come now and let us see
the exhibition ol my work." On that short note
he gave a weak midnight wave, turned and
walked off the platform. The evening was over.
We crowded around the master and shook
hands and F said I would see him tomorrow.
The gleam had worn oil and the smoke had tar-
nished the medal a little, but the old fellow
was holding up pretty well and showing all the
girls around his exhibit and posturing before his
drawings.
DIRECTLY OVER THE FIRE
AL L night I tried to decide how I could get
Wright to talk to the architects at lunch-
eon. I sensed that he was displeased with the
opening reception and would probably sulk, if
he appeared at all.
Long ago, my father taught me that a lady
should always be greeted with flowers, so I trailed
around Philadelphia at tune o'clock in the morn-
ing and finally found a little bunch of sweetheart
roses. At ten I was knocking on the door of the
Wrights' suite in the Warwick Hotel.
The apartment looked like the morning after
of any other couple. Mrs. Wright was dressed,
hastily, and thanked me for my flowers, which
she stuck into a half-empty glass of water on the
disheveled breakfast table. On the hall table
was last night's oversized old-fashioned bouquet,
yellowed from lack of moisture. There were
newspapers on the- Moor, open to the F.I.AV.
Story, the remains of breakfast on the table, an
overgenerous Gimbel basket of wilting flowers
with a gold Welcome ribbon strung across it,
and a general ait ol unvenlilaled morning. Frank
Lloyd Wright was absent.
Mis. Wright sat and asked me what kind ol a
name Bendinea was, and I said I was descended!
from a long line ol Hungarian parents. She
brightened and said she was a Montenegrin and
they liked Hungarians because they knew a
pianist in Hollywood who was sad.
This was a good omen and Mis. Wright said.
"And now. Mr. Bendiner, you will please write
down everything I am saving, because when Mr.
Wright is leaving this room, his life is in youi
hands.'
"All right. Mis. Wright," said I, "and I am
appreciative ol the great honor and the great
responsibility."
"First the menu," said Mrs. Wright. "One
piece whitefish, and this is to be cooked not in
the fire or on the fire or under the fire, but
directly over the fire, dry without any butter or
sauces or mishmash. Then maybe one baked
potato but absolutely dry with no butter, and a
little fresh peas, and then maybe a little rasp*
berry Jello, and maybe a little coffee, and then
you will go and buy one quart skimmed milk,
Grade A, and bring il back and show this to me,
so I afti sure."
I wrote all this clown and then I said, "Mrs.
Wright, what's the matter with Mr. Wright, has
he gall-bladder trouble?''
"Yes, yes," said Mrs. Wright, "and how are
you knowing this?"
"Well," I said, "lor goodness' sake, is he just
getting gall-bladder trouble now at eighty, Lady,
the man is a genius."
Mrs. Wright said, "How do you know?"
"Why, Mrs. Wright, I have gall-bladder trou-
ble; every architect worthy of a name has gall-
bladder trouble one day after he matriculates in
the architectural school. It is an occupatieinal
disease, and it Mr. Wright is just getting gall-
bladder trouble now it only proves what a great
man he is."
"Well," says Mrs. Wright, "is very interesting,
very interesting, and tell me please, what is ex-
actly happening when you are getting one of
these gall-bladder attacks."
"Well, to tell you the truth, Mrs. W.," I said,
"when a client is calling me up and saying that
her brand-new roof is leaking all over the baby
or when somcboclv savs I do not know what I am
BY ALFRED BENDINER
33
doing, I go home and get sore at my wife and
martinis don't taste right. I swear off smoking,
and feel generally awful, and then suddenly I
say, 'Aw, the hell with it,' and everything clears
and I make up with my wife, drink, smoke, feel
fine, and the roof gets fixed somehow. But the
doctors, depending on who you go to, say it is
an overactive gall bladder, a psychosomatic nerv-
ous upset, a trade psychosis, or just a plain old-
fashioned stomach ache and try a bland diet for
a while."
Mrs. Wright said, "Young man, this is exactly
what is happening to Mr. Wright and please
waiting one minute." So Mrs. W. got up and
went into the private bedroom and closed the
door.
A BURSTING
OF PENT-UP EMOTIONS
FINALLY the door opened and in came
Frank Lloyd Wright himself, in an old
Japanese dressing gown and a pair of slippers,
and he said, "Good morning, Bendiner," and
sat down.
"Good morning, Mr. Wright," said I, "and I
am sorry they gave you such a bad time last
night."
"Not at all," said he, "not at all. I enjoyed
it to the fullest but, after all, eleven o'clock was
pretty late for speaking, and also the second
movement of the Brahms Fourth, and I couldn't
say more. Mr. Kaufman called me at eight
o'clock this morning to find out why I did not
speak longer, but I told him I was too touched,
too touched."
I said, "Mr. Wright, I hope you are going to
say more than a few words to the boys this after-
noon because I have five hundred architects,
draftsmen, and general adorers waiting to hang
on your every word, but now I must leave and
get you a whitefish for your luncheon."
"Just a moment, Bendiner, just a moment,"
said F.L.W. "I understand that you have gall-
bladder trouble. And tell me, Bendiner, how
does an attack affect you?"
"Well, Mr. Wright," I said, "I just described
my symptoms to Mrs. Wright and I will explain
them to you."
1 did, and Wright sat and listened in conrplete
quiet and when I finished he rose and said to
his wife, "You see, Natasha, it is as I said.
Bendiner and I are artists and this is nothing
but an outpouring of resentment, a bursting of
pent-up emotions, it is from the liver. The
Greeks always said the seat of the emotions is the
liver," said he, pointing to his kidney. "I am
sure, Bendiner, that we suffer the suffering of
true artists."
"But," said Natasha, "will you please tell Mr.
Bendiner that all night you have been up
suffering."
"Enough of this worry," said Wright. "Tell
me, Bendiner, who is the great spirit in Phil-
adelphia since Cret died? Who is practicing
here?"
"Why, Mr. Wright," I said, "I am practicing
here and George Howe and Stonorov and Harbe-
son, Hough Livingston and Larson, and maybe
a couple of others."
"Ah, George Howe and Stonorov, of course."
"Well," I said, "Mr. Wright, tell me some-
thing. In architecture you are affectionately
known as the illegitimate son of the great Sul-
livan, and Sullivan as the illegitimate son of the
great architect Furness, and did Sullivan ever
tell you about the time he worked for Furness?
Because Furness had an office at Third and Wal-
nut Streets, and if Sullivan had sat on the win-
dow sill and looked across he couldn't miss
seeing all the details on the Jayne Patent Medi-
cine Building— which looks awful close to some
of the earlier Sullivan achievements."
h/\ WsaAmwia-'
"No, no, son," said F.L.W. "Sullivan never
worked here. I don't think Sullivan ever worked
in Philadelphia."
"Why, Mr. Wright," I said, "Sullivan mentions
working here in one of his books. I think it is
Kindergarten Chats."
"Well, maybe so," said F.L.W., the biographer
of Sullivan, "I wouldn't know. I never read one
of Sullivan's books. The old man told me all
about himself, but now I do remember him tell-
ing me that Furness once told him that his great
ambition in life was to get all his clients together
in the Academy of Music and then when they
were all seated, Furness would come out on the
stage and tell them all to go to hell."
Library of the University of Pennsylvania built by Frank harness
"Mr. Wright," I said, "you must excuse me
now. Mrs. Wrighl tells me that a doctor is com-
ing and you should rest. You have been up all
night and you will have to speak and I must get
you an order ol skimmed milk and some white-
fish for your lun< heon."
A COUPLE OF VISITORS
TO SEE THE SIGHTS
IW E N T out and got a quart ol skimmed
milk, Grade A, and (ailed my secretary.
"Look, darling." 1 said, "the Great White
Father's lunch, one piece ol white-fish, not in
the fire, under the fire, over the fire, or through
the fire, a baked potato, some raspberry fcllo,
and coffee, black. I am bringing the skimmed
milk."
The girl said, "What's the matter? God got
a gall bladder?"
When 1 returned to the hotel Mrs. Wright
looked charmingly Montenegrin. The apartment
had been cleared of breakfast. The Gimbel
flowers were brown and the ribbon read:
W L C ME.
The doctor came out, gave me a glazed pro-
fessional look, and said, "Bendiner, are you a
doctor?"
"No sir," 1 said, "I got enough troubles being
an architect."
"I understand you have gall-bladder trouble,"
said the doctor, "and after this stop practicing
medic ine on my patient."
Wright came out ol his room and pushed back
his mane and said, "Darling, 1 am feeling fine.
And now, 1 must go. Bendiner and 1 understand,
I must have been unduly emotional last night
and had a slight reac tion."
He went to a hall closet and took out a solid
black pork-pie hat and adjusted it squarely on
his head; he took the eight-foot woolen scarf
and twirled it around his neck a couple of times
and looked at himself in the mirror. I reached
lor his overcoat to help him. The overcoat was
black, featherweight cashmere, f helped him
into it.
"Mr. Wright," I said, "you have been telling
me what a struggle you had in life and how
broke you were. This coat is certainly not proof
ol such rigorous hardship."
"Not at all," said Wright, "I just got that coat
last night. I saw it on one of the stands in Gim-
bel Brothers and Arthur Kaufman took it oif the
rack and gave it to me."
As we left, Mrs. Wright told me again that the
master's life was in my hands, f assured her that
I would wrap the genius in cotton and return
him safely. In the elevator, Wright took his hat
oil and looked at himself in three mirrors and
then walked like a lion through the lobby. We
got a cab, and the driver took his cigar out and
said, "You boys a couple of visitors to see the
sights?"
BY ALFRED BENDINER
35
I said, "No, driver, to Gimbel Brothers Store
by way of Rittenhouse Square and the Univer-
sity of Pennsylvania Library, and please say no
more. This gentleman and I have serious matters
to discuss."
As we turned to the green oasis in the city and
were halted by the heavy traffic, Wright started
to harangue about the obsolescence of cities and
the joys of fresh air and life in the open when
suddenly he said:
"Seven-Up, ah, Seven-Up." There was a Seven-
Up truck and Wright beamed and said, "Bendi-
ner, do you drink Seven-Up? I am taking a case
of it back to Taliesin West. Greatest invention
since Alka-Seltzer. Wonderful for the gall blad-
der. Clears the system and the head. I recom-
mend it highly."
"Mr. Wright," I said, "I hope you're going to
say more than a few words to the boys."
Wright said, "Bendiner, I am happy. I am
very happy. Your chapter is the first to honor
me with a medal, and I have received many
medals from the AIA and the Royal Societies
and the crowned heads. This is the first time I
have been honored by the boys and I will speak
to the boys." I sat back and listened.
"You know, Bendiner, the thing which dis-
turbed me about last night was the smoking.
The cigars passed at the end of the meal. I am
an old, old man, Bendiner and the sight of a
sea of faces puffing and blowing smoke into my
face was too much. It is a form of self-indulgence.
It is for sailors and street-walkers."
When Wright and I entered the giant audi-
torium seven hundred people rose and gave
Wright a big hand. My secretary gave him a big
hug and relieved me of a quart of milk. Wright
raised his hands like Moses and motioned every-
body to sit down. He waited and as soon as
everybody was seated, we marched down the aisle
to the stage where they had set up a long table
with all my AIA board and the executive com-
mittee of Gimbels'. Just as we were about to go
up the steps a bearded young man in a dirty suit
and sandals came up, knelt before Wright, and
kissed his hand. I suddenly remembered that I
had gotten a telegram asking the privilege of
coming and seeing the Great Master make his
triumphant entry into the Cradle of Liberty but
I thought it was a gag. Wright looked around
very pleased and patted him on the head. At
the table sixteen photographers flashed away and
Wright took a serious attitude and some of the
boys said, "Say something funny, Bendiner."
I said, "Frank, how's your gall bladder?" and
he said, "Okay, Al, okay," and we were off to a
happy start. The whitefish was right and so were
the baked potato, the coffee, the skimmed milk,
and the Jello. Wright talked to everybody.
Stonorov hung on his words and Arthur Kauf-
man counted the house. I got up to present Mr.
Wright with his medal and said this was a
memorable day and why.
Wright rose and spoke.
WHAT WILL YOU HAVE, LADY?
HE SAID that the present Administration
should be hung from lamp posts sixty
cubits high. He ranted about our lack of grace
and poise and appreciation of our heritage and
culture. He proclaimed that the Japanese were
the only civilized race and mourned that we had
sadly decimated them. In general he was behav-
ing like the expected Frank Lloyd Wright. Sud-
denly he stopped and said:
"Ladies and Gentlemen, that is a fine un-
gracious way to receive this award from your
chapter and the least I can do now is to accept
your medal and thank you from the bottom of
my heart. You are the first chapter to honor me
and I accept your honor with the greatest
humility."
I rose again and gave him his medal, and he
looked at it and said it was beautiful and then
he handed it back to me and said, "I am very
proud of this medal, Bendiner, and I wish you
would take it and have a broad red, white, and
blue ribbon affixed to it so I can wear it proudly."
The luncheon broke up and everybody
cheered. We walked around the exhibit with
Wright and he shook hands with everybody.
Finally he veered to the elevator, and as he
stood there he was looking up at a big blow-up
of himself standing over his drawing board and
looking out across Gimbel Brothers. And I heard
him say,
"See, there am I and I am saying to the cus-
tomer, 'What will you have, lady, Colonial,
Italian Renaissance, or Mod-ren?' "
Harper's Magaz.ine, May 1958
By RICHARD B. McADOO
Drawings by Burt Goldbhttt
THE GUNS f
ATFALAISE GAP
A firsthand account of one of the most crushing —
and least known — American victories of World War II
DURING our first weeks of combat
duly, the letters filing through lor censor-
ship were peppered with advice to the folks
back home that "war is hell." This solemn
observation, tinged with self-pity, was largely
imaginary; we had seen no serious shooting at
all. True, we saw some towns reduced to rubble,
and an occasional stiff-legged cow by the road-
side—but our personal introduction to combat
suggested that war, when it wasn't boring, was
a kind of carnival.
We had got olt to a false start as soon as we
pushed away from the coast of England. While
each man wondered in his soul how he would
measure up in the face of fear, the convoy got
stuck in the middle of the Channel for three
days by a log that muffled the LSTs like cotton.
When we eventually did grope ashore on the
Normandy beaches, we were met by orders to
pitch camp and pursue vigorously the same old
training program which the battalion had been
rehearsing for the past four years. In our new
encampment, even in the dead of night, we
could not detect a sound of battle.
The 989th Field Artillery Battalion was an
obscure cog in the military machine. Classified
as heav) artillery, it was equipped with 155mm
guns— or Long Toms— which weighed fifteen
tons apiece and were towed by eighteen-ton
tractors. It was generally said in the Army that
155mm gun outfits recruited strong backs and
weak minds. The Long Toms, which could hurl
a shell over fourteen miles, rolled along on ten
wheels, each as high as a man's chest. To lower
the gun carriages into firing position was a
minor leat ol engineering; but when the ground
soitened up from a rain or thaw, the guns sank
down and, like stranded whales, defied the
straining of chains and tractors to pull them free.
The hard tore of the battalion's five hundred
enlisted men and twenty-seven officers had come
into service through the Indiana National
Guard. They talked with the easy, slurring
speech of Hoosier towns— Bloomington, Madi-
son, Marion, Logansport, Muncie, Elwood, Ko-
komo. Those who had worked on farms, or in
garages and steel mills of the larger cities, could
handle the huge equipment with a finesse that
was beautiful to watch. The rest of us had
filtered in from different sections of the country
as the battalion was being readied to go overseas.
We all were bound together by the fact that this
was a strictly civilian outfit.
The battalion commander, Colonel Bruce, was
a tall, graying Tennesseean who had been a
shavetail lieutenant in World War I and still
bore a faintly romantic attitude toward war.
BY RICHARD B. M c A D O O
37
Before Pearl Harbor he had managed a plant
with some three thousand employees for the du
Pont Company. Handling a little organization
of five hundred was a holiday for him. He suf-
fered cruelly from ulcers and was often bent over
in pain while giving orders in the field. There
was an understanding, however, between him
; and the battalion surgeon that no word of this
would leak to any source that might get him
invalided out of service. As medicine he took
an occasional dose of what he referred to as
"drinkin' whiskey."
His executive officer, Lewis Good, had worked
in a butcher shop in Kokomo. Good habitually
moved and talked with his eyes cast down just
ahead of his boots. He could find out nearly
everything that was going on in the battalion
through his other four senses, and seldom looked
up except to give an order or to swap a joke.
i Good was a master of detail, Bruce was the
experienced hand at management; together they
kept us in a reasonable state of grace with the
rest of the Army.
It was early July 1944 when we crossed from
England as part of General Patton's Third Army,
which was being secretly assembled for the break
out of Normandy. The Allies were packing one
and a half million men with all their supplies
and equipment into the beachhead. By the end
of July they held an area roughly like a triangle
with Cherbourg at the apex and the base ex-
tending across the Normandy peninsula from
Avranches to Caen. The Germans had massed
the bulk of their armor, under Panzer Group
West, on the eastern end of the line in order
to prevent the Allies from breaking into the open
plains that stretched toward Paris and the Seine.
This was the British and Canadian sector where
Montgomery's troops had carried on a slow
struggle to take Caen, the ancient capital from
i which William the Bastard had set out to con-
quer England nine centuries before. "Pivoting
on Caen" was the way Montgomery's dispatches
described the British operation, and the phrase
traveled as a joke among American headquarters.
GAS MASQUE
ALONG the western half of the front the
American First Army faced the German
Seventh— not as strong as the Panzer Group but
buttressed in its defense by the bocage of woods,
earthen banks, hedges, and narrow roads where
each little field was a natural fortress.
Our battalion bivouac during July was spread
across a section of this bocage a dozen miles be-
hind the First Army lines. In this patchwork of
tiny hedged enclosures, many of the fields or
orchards were only large enough to hold a hall-
dozen pup tents. Movement across the area in-
volved such an intricate course through openings
in the hedgerows that we had to memorize the
way to the mess truck or to the latrine.
Several other artillery units were camped in
the same area along a winding dirt road. Next
to us was an 8-inch howitzer battalion, the
999 F. A., composed of Negro enlisted men and
white officers. We were to work alongside of
them often during the course of the war, and
the two battalions got along well together. We
respected their skill in manning the giant how-
itzers which were slightly larger than our own
guns. Their crews functioned with such timing
as to make of loading, firing, and reloading the
howitzers a flawless, slow dance. They were
skillful, too, at the technical operations of sur-
vey and fire direction. Off duty, though, the
men against whom the color line was drawn were
ripe for trouble.
On the south side of this encampment was
a particularly dense orchard which served as our
movie house a couple of times a week. It was
dark enough under the apple trees to show
pictures before sundown in the long summer
evenings. This outdoor theater was the starting
point for an incident which demonstrated with
embarrassing clarity what an innocent lot of
soldiers we then were.
Men were drifting out one night after a run
of "Lady in the Dark" when a soldier stumbled
on a gas mask at the base of an apple tree.
"Anybody leave a gas mask?" he called out,
holding up the mask. "Who left a gas mask?"
"Hey, any of you guys leave a GAS mask?"
The critical word floated through the air to
a gunner corporal from Battery A of the 999
who was a couple of hedgerows ahead of the
crowd on the way to his tent. As he later ex-
plained to a board of investigation, his battery
had been rehearsing gas defense the day before,
and he knew that his duty was to spread the
alarm. He sprinted lor his battery area, shouting
"Gas!" as he ran. In the darkness he lost his
way among the hedgerows, but arrived at an out-
post of Battery C. A big sergeant who had been
taking a sponge bath and was now dressed in
his underdrawers and gas mask was already
whirling a claxon over his head to arouse this
end of the camp.
The corporal, panting and trying to hold
his breath at the same time, asked, "Is this here
A Battery?"
38
THE GUNS AT FALAISE GAP
The sergeant shook his head and called
through his mask, "A Battery's that way. And,
boy, you better hurry, because \<>u got a long
way to go and not much time to get there."
The corporal, starting oil again in the direc-
tion pointed for him, ran spang into an ob-
struction that bounced him on his back. He
made another run and was bounced over a
second time. He was hitting a camouflage net
stretched over a truck. On the third try he
charged head down, burst through the netting,
and knocked himself cold against the tailgate.
As the ahum spread among the tents men
hurried for their gas masks which were habitu-
dly packed at the hot torn of their barracks hags.
Manx soldiers who were too desperate to unpack
the equipment stuffed on top were slitting the
bags open with knives or razors.
For anyone who stopped to sniff the air the
evidence of oas was clear: we had been trained
to recognize phosgene as smelling like new-mown
hay and the night was lull ol this fragrance. A
farmer had been mowing all clay in fields nearby.
The oificers, uncertain themselves, hustled
around in the spilled litter of pants, shoes, let-
ters, bottles, socks, trying without success to
control the panic. Our favorite line to quote
to each other afterwards was picked up by a
battery commander who came on two men with
a single mask between them which they swapped
hack and forth. While one soldier used the
mask the other tried to hold his breath. When
the officer approached he heard the man who was
then unmasked pleading with his companion:
"Man, you just gotta let me have that gas mask
a minute. This phosgene is killing me."
Other soldiers who could not locate any mask
stuck their heads into their barracks bags and
drew the cords tight around the neck.
A gas mask makes a spectral figure any way
you look at it, with its bulging eye lenses and
long tube like an elephant's trunk. There was
just enough light from a thin moon to show
up the masked men to each other in this gro-
tesque form. In the gathering terror, someone
fired three shots in the air, a standard signal
of distress. Others followed suit as soon as they
could find carbines and ammunition. The ma-
chine-gun crews swarmed to their weapons and
joined in with bursts of fire, crisscrossing the
night sky with white tracers.
One of our own battalion sentries had come
to my tent to report the alarm, and I ran in
turn to the battalion commander's tent, adjust-
ing my mask on the way. Colonel Bruce was
propped up on his cot, writing on a clipboard
against his knee. Seeing the mask poked through
the Hap of his tent he said with some annoyance,
"What are you?"
"Sir, there's a gas attack reported from the
Nine Nine Nine." His own mask was carefully
hung in readiness on the side of his tent, so I
lifted it from the hook and held it toward him.
The Colonel waved the mask aside.
"Take off that contraption so I can hear what
you're mumbling about."
Reluctantly I took off my mask and repeated
the report. The Colonel pondered this for a
moment, then said slowly, "Ah, shewt. Here,
have a drink."
He reached behind his cot and brought up a
bottle of calvados. Still I could not accept his
instinct that the alarm was phony. I made a
quick excuse, picked up my mask, and backed
out of the tent.
The shooting by now had risen to the volume
of an all-out attack. At the next tent, which was
the battalion command post, Major Good was
issuing orders to keep our own batteries under
control. When he had rung off the field phone
he suggested a scouting trip toward the 999 to
find out what was up.
Where the route led past our medical station
a lone figure was digging furiously. It was the
Doc himself, who had not been able to find a
mask but was bundled in a suit of impreg-
nated clothing, so that only his nose and thin
mustache showed out of the little opening in
the hood. He was now trying to vanish into
a foxhole.
Beyond that point the air was so full of
whistling bullets that we did not dare go into
the 999's area. Through an opening in a hedge,
however, we could get a dim view of the strange
BY RICHARD B. M c A D O O
39
performance. A group of armed and masked
figures was milling about slowly in one of the
larger fields. At intervals they fired a mass of
shots in the air. This would bring an answering
volley from the field beyond. Along the hedge
separating the two fields was a third group of
men who had no weapons. Caught between the
p antiphonal shooting they scrambled back and
forth in a rhythmic effort to get away from
each burst of fire.
Eventually we scattered back to our tents and
to bed. The shooting, however, kept up sporadi-
cally until dawn. No one was hurt except the
corporal who had laid his head open on the
tailgate of the truck. Sometime in the course
of the night, when they realized that they had
been stampeded by a false alarm, I think the
segregated soldiers of the 999 must have begun
to enjoy a free-wheeling revenge by shooting at
the stars. They seemed cheerfully unrepentant
the next day.
BOOMERANG
WHILE this opera boufje was going on
in the rear, the front lines were being
worked into position for the break out of Nor-
mandy. Planes from the bases in England
shuttled overhead in massive relays to bombard
the German defenses. On August 1 the Amer-
icans punctured the enemy line on the south-
western end of the front. The troops of our
Third Army, which officially came into operation
that day, were lined up for twenty miles on
the roads above Avranches, waiting to squeeze
through the funnel provided by a single high-
way which led south along the seacoast.
Seven divisions with various supporting units
passed over this road within two days— those
of the VIII Corps spreading west into Brittany
to take the ports on the coast, and the XV Corps
going south. As the troops advanced and found
only scattered resistance, the XV Corps was
wheeled east and headed toward Paris.
The 989 F. A. ground along on the tail end
of this parade. Occasionally the column had
to snake around a wrecked German or Amer-
ican vehicle in the road; and most of the villages
along the way showed scars of fighting— shell
holes through the walls and empty eye-sockets
of windows. But by the time we passed through,
the villagers had come from behind their shut-
ters and were seeking out their neighbors up
and down the sidewalks. The cafe was usually
open for business.
At crossroads in the open country clus-
ters of farmers, wives, and barefoot children
gathered to wave us by with a heroes' greeting.
If the column was moving slowly enough we
could reach out and gather their tributes of
fresh eggs and tomatoes and calvados which
had been earned by men who had cleared the
way a day or two earlier. Whether we had
to pay for it at the cafe or got it free along
the roadside there was enough drink to keep
everyone happy— and some frequently drunk.
Riding along in a vacuum, between the fight-
ing behind and ahead of us, we were unaware
that events were moving toward a tragic show-
down between the weakness of German leader-
ship on one hand, and the flexibility and
initiative of the Allied command on the other.
w
IzwUsb Cnmnel
'*tA
Caen
%,
+$l.l
\ .faranckei Ji>^ * •Rrpntan i
in. «//,*. M •Jralatse ~. ,.
90th div.
"By a slow retiring action I could have made
the Allies pay a fearful price for the victory,"
Field Marshal von Runstedt was to observe
after the war, "but my only authority was to
change the guard in front of my gate."
The German plans of action in precise detail
were being issued from a concrete bunker a
thousand miles away in East Prussia. Hitler
had come to France only once since the Allied
landings, when he met with his generals near
Soissons on June 17. The information on which
he was now basing his orders was frequently
obsolete. His plans apparently took little ac-
count of the condition of his troops, who were
becoming acutely short of weapons and supplies,
exhausted by emergency movements, and de-
moralized by the weight of Allied air power.
The Germans did not have a single railroad
bridge left across the Seine below Paris to carry
reinforcements to the front. Prisoners reported
that men released from hospitals were being
lumped in makeshift units and thrown into
the line. Except when our planes were grounded
by bad weather, the German motor columns were
40
THE GUNS AT FALAISE G A P
subject to such bombing and strafing that they
could move on the roads only at night.
Worst ol all for the Germans, their generals
were ah. nil to tell Hitler the truth. Since the
attempt on July 20 to assassinate him, he mis-
trusted his field commanders who were not
members of the Nazi party or the SS. The
conspiracy to eliminate M it hi was known to
many of his high-ranking officers who saw the
scrawl of disaster on the wall. Von Kluge, who
had taken over von Runstedt's command at
the beginning of July, was evidently one of
those who knew in advance of the plot. II his
sympathies were discovered, it would mean death
for himself and perhaps further revenge on his
family. When Hitler ordered his commander
in the west not to yield a loot of ground, von
Kluge did not dare to oppose him. between
the pressure of fear for their own lives and
positions, and the discipline of their military
tradition, the Field Marshal and the generals
under him sacrificed their troops tathei than
bring Hitler's wrath upon themselves.
While the Third Arim was spreading south
from Normandy through Mavenne and Brittany,
Hitler decided from his bunker that he could
split the American armies in two b\ driving
,i wedge through Avranches to the seacoast. He
gave explicit orders to von Kluge lor such a
counterattack. Von Kluge, realizing the need
lor speed, attacked quickly on the night of
August 6-7 without waiting until every man
and weapon was assembled exactly as Hit lei
had ordered; but American divisions that had
been held around Avranches to protect the nar-
row passage along the coast, coupled with the
strength of Allied planes, brought the German
offensive to a standstill.
When word of this reached Hitler, he de-
dared in a rage, according to one of his deputies,
"Von Kluge attacked too soon. He did that
intentionally to show that my orders could
not be carried out." Hitler promptly ordered
von Kluge to mount a second offensive against
Avranches. Not only was the order accompanied
by detailed instructions for the disposition of
units that were half dismembered or unable
to reach the front at all, but von Kluge was
required to submit his complete battle plan for
approval before launching the attack.
By August 7 the XV Corps had passed through
Laval, fifty miles south of Avranches. In an-
other three days we had moved forty miles east
to Le Mans. Then our course took a sharp left
turn and steered north. It was apparent to
everyone with an elementary sense of direction
that we were swinging like a giant boomerang
far around the German Seventh Army and com-
ing up behind them. The hapless von Kluge,
waiting lor approval of the battle plans he was
required to send back to East Prussia, was
mortally exposed to what Omar Bradley has
described in A Soldier's Story as "an opportu-
nity that comes to a commander not more than
once in a century."
THE VALLEY OF ESCAPE
Or R column was halted off the road on
the afternoon ol August 14, the men
dozing in the sunshine or talking together in
small groups, when the Colonel called us to-
gether for orders. We were to move forward
with the Filth Armored Division as last as pos-
sible, in order to fire on the Germans' narrow-
ing escape route. This rude surprise meant
pulling ahead ol the organized front lines into
unknown territory— which was not the way we
had intended to do our part in winning the war.
The rule book had assured us that heavy artillery
sat securely in the rear and fired over the heads
of the men doing the dirty work up front.
General Patton was exulting over the fact that
his Third Army had by this time "advanced
farther and faster than any army in history."
To us it appeared that he might be trying to
push a good thing too far.
As the column passed between lines of in-
lantrymen resting beside the road, they hollered
approvingly at the sight of the big guns. From
then on we traveled alone, following the route
of the tanks which were somewhere ahead. To-
ward nightfall we caught up with the armor
outside the village of Mortree, in gently rolling
country south of a ridge that borders the River
Dives. The twelve Long Toms were towed into
positions spread over a mile of open fields, with
some tanks of the Fifth Armored scattered
around us in a protective ring. By the intricate
calculations of map measurement, drift, wind
velocity, temperature, humidity, and chance the
guns were laid on the town of Trim, in German
territory thirteen miles away, and we began
to shoot.
In firing position, the ungainly mass of each
Long Tom changed into a graceful articulation
of power. The long steel trails spread behind
in a V and tapered down to the spades buried
in the earth to brace the gun in position. The
barrel, elevated to fire, carried out the line of
the piece to a long, fine point. When the No. 1
man jerked his lanyard, the ground quivered
BY RICHARD B. McADOO
41
under the simultaneous crack of thunder and
jagged spurt of flame from the muzzle; and
before the eye could refocus on it, the barrel
was gliding lazily forward from its recoil into
battery for reloading. With the beat of the guns
going on throughout that first night, the bat-
talion, too, became a machine in full function.
Early the next day a party of two jeeps was
organized to go forward and locate an Obser-
vation Post covering the German movements.
Gordon Crabtree, who had come from a Provi-
dence bank to be Forward Observer in C Bat-
tery, rode with his driver in one car; Ed Neikum
and I in the other. Behind our position the
tanks of the Fifth Armored were beating off
an attempt of a small roving band of German
tanks to break through the area, but ahead of
the guns the road was quite clear. Some five
miles forward, the road climbed a long grade
to an intersection on the crest of a ridge. On the
far side of this junction was a stone farmhouse
flanked by a small orchard.
We pulled the jeeps close to the wall of the
house and Neikum— a burly steelworker from
Pittsburgh— began to check radio contact with
the gun batteries while Crabtree and I got out
to look around. The farmhouse looked as
though it were empty, and fortunately it was,
for we were still too green at this kind of work
to think of checking inside. There was no-one
else in sight as we walked through the orchard
to the hedge on its northern rim. Beyond this
point the ground banked away steeply in a
pattern of hedgerows, orchards, and fields to
the bottom of a broad valley. Over the top o£
the hedge we could see five, maybe six, miles
across the bowl that has since been called the
Falaise Gap. Out of sight to the north the
Canadian First Army was pushing toward us
against the main strength of German armor.
When they closed down, the valley right in
front would become the last passage of escape
for the 80,000 men of the German Seventh Army,
still stranded far to the west.
STILL LIFE, WITH TANK
THIS morning, though, the valley cradled
its farms in the full bloom of summer.
The only sound of war was an American tank
oft to the left grinding back and forth on the
road running along the top of the ridge toward
the town of Argentan, five miles west. After a
while the tank settled into position and the
countryside became quite still, except for the
natural murmurs of August. In the trees over-
head yellow jackets were buzz-diving the ripe
apples. Cows grazed in their pastures on the
floor of the valley; other fields were dotted with
haycocks under drifting patches of shadow and
sun as the wind reshaped the clouds.
Then a machine gun on the tank started drill-
ing into another orchard down the slope in
front of us. It quickly drew fire in return from
two German tanks which had been hidden there.
The shooting went back and forth harmlessly
for a time, and we watched in fascination— until
an American officer who had been with the
friendly tank came struggling into the OP, drag-
ging an anti-tank gun. To our chagrin he
jockeyed the gun into position beside us with
its barrel poked through the hedge. As soon
as he fired, the German tanks trained the eyes
of their barrels on him and let go two rounds
of solid shot. One spun overhead with a shriek
through the farmhouse,
bringing a rain of plaster
down on the jeeps. The
second round buried itself
in the roots of the hedge
and split cracks through
the earth where Crabtree
and I were trying to squirm
into the ground, tasting
our terror. (I think we
were both still sharply
aware of the flavor when
we met again for the first
time in thirteen years on a
train between Boston and
New York— he was taking
his son to see the Yankees
play Milwaukee.)
Perhaps the German
tank men thought they
were being attacked by a powerful American
force. Anyhow, after those two rounds they
backed out of their positions and clanked away
downhill through the trees; and the OP was
never fired on again.
The view commanded by this point on the
ridge would have suited an Alexander or Na-
poleon for guiding the destruction of an enemy
at his mercy. On the left, or western, end of
the valley lay a thick belt of woods, the Foret
de Gouffern, with an oblong clearing in its
center. To the right of the forest was a wide
open plain crossed by two roads that we could
see clearly. These merged into the village of
Chambois on the eastern end of the valley.
During most of this day of watching there
was no movement to be seen on the roads
42
THE GUNS AT FALAISE GAP
except for ;m occasional farm cart. Toward sun-
down, a German stafl cai came out of tin woods
and made its way into Chambois. This was
no target lor our artillery, but it was a sign.
A few minutes later three horse-drawn supply
wagons trotted oul ol the village in the oppo-
site direction. We (ailed a fire mission over
the radio. The rounds landed far behind the
wagon train hut the hoists broke into a gallop
lot the covei ol trees. Not far behind them a
tiiuk emerged from the village, then a second
truck. The darkness was rising and the Ger-
mans were taking advantage ol it to move on
the roads.
THF. GAME OF TIMING
THE second day ol our watch over the
nanowing trap was still relatively quiet.
An occasional cat cam< speeding out ol Cham-
bois, headed west. Manx more ti ik ks and wagons
were breaking at intervals out ol the forest to
make the run for the village. Bringing (ire on
them was a game ol timing. II we called for
an artillery concentration on one of the roads
at the edge of the forest, the- rounds might hit
by lurk as a German vehicle emerged. But if
we waited until the vehicles were in plain sight
(he problem was to gauge what point they would
reach by the time our guns five miles back
could load and fire, and the shells would arc
to the target.
Once we called our instructions back to the
fire direction center, we could only wait like
roulette players lor the moment of decision. (A
155mm shell, weighing about ninety-five pounds,
was a bullet-shaped casing six inches in diam-
eter and two-and-a-half leet long. On impact
it exploded ragged steel fragments across an
area one hundred yards or more wide.) II the
shells scored a direct hit the report back to
headquarters was jubilant. When the timing
was less successful, we lied a little: "Column dis-
persed. Mission accomplished."
By the third day the road up to the OP
had begun to blossom with signposts in various
colors, marking the headquarters of other Amer-
ican artillery battalions, infantry regiments, and
signal companies crowding into the area. The
80th Division was moving up to take Argentan;
the Second French Armored was on their left;
and the 90th Division deployed along the ridge.
The Germans attacked up the shoulder of the
ridge on our left, with a force of about a thou-
sand men and some supporting tanks, in an
effort to push back this jaw of the trap. The
stroii"- new Allied line repulsed the attack, \ltct
that the German organization seemed to break
down entirely.
lot the American troops to cross tins valley
and join up with the Canadians around Falaise
seemed a logical next step. We did not know
until afterwards that Patton had started to send
sonic tanks north from Argentan, but had been
restrained In Bradley. .Montgomery's forces were
counted on to come down from the north and
meet with us. yet their progress seemed painfully
slow. Bradley has written ol this blunder:
but instead ol redoubling his push to ( lose-
that leak, Monty shifted his main effort against
the pocket further west. Rather than close the
tiap by capping the leak. Monty proceeded to
squeeze the enemy out toward the Seine. If
Monty's tactics mystified me, they dismayed
Eisenhower even more. . . .
Although Pal ton might have spun a line
across that narrow nick, I doubted his ability
to hold it. Nineteen German divisions were
now stampeding to escape the trap. Mean-
while, with lour divisions George [Pat ton] was
already blocking three principal escape routes
through AleiHon, Sees, and Argentan. Had
he stretched that line to include Falaise he
would have extended his road block 40 miles.
The enemy could not only have broken
through, but he might have trampled Pat ton's
position in the onrush.
Montgomery subsequently ordered his Ca-
nadian and Polish tioops to make a fresh thrust
on Chambois from the north. By then Bradley
had lost hope ol closing the trap <pii<klv. and
pulled out the Fifth Armored to hurry east with
the 79th Infantry Division on a new, longer
hook at the Seine.
"For the first and only time during the war,"
Bradley relates, "I went to bed worrying over
a decision I had already made. To this day I
am not yet certain that we should not have
postponed our advance to the Seine and gone
on to Chambois instead."
Meanwhile Hitler had finally given von Kluge
permission to withdraw his troops east of the
Seine. The Canadians had taken Falaise on
the north side of the valley, leaving an escape
route barely ten miles wide for the German
Seventh Army.
At night stray German soldiers in flight from
the pocket filtered around the firing batteries.
Flashes from our guns would sometimes light
up these figures scuttling along the hedges.
Others blundered into the middle of the work-
ing crews and quickly surrendered if they were
J
BY RICHARD B. McADOO
43
not shot first by the outpost guards. Most of
the men taken prisoner said they had not eaten
for several days; a few reported that their officers
had driven off in the available cars, asserting
that they had to go first to organize the defenses
of the homeland.
Yet there were some officers among those we
took prisoner, wearily trying to guide little
groups of fugitives east toward home. One such
group still had the spirit to attack an outpost
with a hand grenade which wounded two of
our men. In charge was a young lieutenant with
whom the others had fallen in that morning.
While we were holding them under guard the
lieutenant came smartly to attention and saluted
any American officer who approached. This
brave gesture of military courtesy had to be
executed on one leg, for he had a deep wound
in the other.
While the pincers pressed tighter on the Ger-
mans, our battalion observation parties worked
in shifts at the orchard. We tried setting up
other OPs at different points along the ridge,
but this one spot gave such a full sweep of the
valley that it was a magnet drawing the observers
back together.
On the fourth day, as Neikum steered our
jeep up to the orchard on the ridge, a long
column of men in the gray-green uniform of
the Wehrmacht was coming toward us from the
direction of Argentan. A German officer marched
at their head. Beside him was an American
doughboy who kept glancing uncertainly over
his shoulder at his haul of prisoners— perhaps
one hundred of them. When they came abreast
of us the American jerked his head at the officer
to halt the column, and walked over to the jeep,
asking where he could take these men. We told
him there was a POW collection point about
a mile down the road we had just traveled. He
motioned to the officer to get the column moving
again, and as he started off with them the GI
called back at us:
"Wait'll the folks at home get a load of this.
Two hundred of them, single-handed."
In the orchard a half-dozen artillery observers
from other battalions were already lined up-
each at a Battery Commander's Scope whose twin
periscopic tubes stuck up like rabbit ears above
the hedge. Down below, German vehicles were
running in quick succession on both roads across
the plain. The observers at the OP were plead-
ing over their phones or radios for more rounds
on these targets. At intervals the Germans would
wait under the cover of the forest for the artillery
fire to lift. Then a new string of vehicles would
break from the edge of the trees and weave
around the wrecked equipment.
THE AGONY SOUNDPROOFED
ON T H E far left end of the valley, troops
were streaming across the clearing in the
center of the forest to enter the nearer section
of woods. The pressure of this flood gradually
became so heavy that the Germans could not
wait for a break in our artillery fire to run across
the plain. Halftracks and trucks, guns, wagons,
ambulances were being pushed onto the roads
bumper to bumper by the hundreds. The game
of timing between the ridge and the valley gave
way to mass destruction.
Nightfall on this day offered the Germans a
reprieve. The American artillery slacked o(f in
its firing when we could not see into the gap,
and this tactical error undoubtedly allowed a
lot of fleeing troops to make their way safely
through Chambois. Still there were masses of
them waiting to squeeze by when it grew light.
They had managed to clear the two roads
during the night. The artillery fire quickly
clogged these again with wreckage. The Ger-
mans then took to the fields. There were fewer
trucks and tanks coming now, many more horse-
drawn wagons. Up and down the edge of the
forest the teams emerged at a gallop, driving
into the hedges that checkered the valley. Some
broke through; others somersaulted in a wild
tangle of men, animals, and baggage. The
44
THE GUNS AT FALAISE GAP
lioi s< s thai could break free of (heir traces
dodged between the fields in an aimless frenzy,
while bursting shells picked them ofl at random.
Twice I saw a wagon race from the trees and
turn lull circle to disappear into the woods
again as the driver could not, or would not,
drive his team through the rain <>l shellfire.
I he agon} ol the slaughter could not be
heard from the OP. Ii was soundproofed l>\
the distanii ol a mile and a hall and passed
across oui high-powered lenses like a silent
movie. The only sounds we could distinguish
from the \ dle\ were the muffled bursts ol our
own shells, exploding German ammunition, and
-out of sight to the west— a thunder of fighter
planes strafing die columns that wer< being
driven into the sluice.
The ridge, though, was nois) with excitement.
Many ol our own battalion— Colonel Bruce,
Majot Good, the batter) commanders— who had
come up to check on operations while die stam-
pede was at its height, could hardly shoulder
through the crowd along die hedge. A news
photographer pre-empted a BC scope set up by
Dick Mahan. die commander ol A Battery, and
was shooting pictures through one eyepiece. \
majoi general, towing his stall behind him.
strode from one BC scope to another, command-
ing a look. The air whirred with shells— 105s,
155s, 8-inch howitzers— converging cm tin- val-
ley. Outside the orchard, columns ol Germans
shuffled toward the rear from the Argentan
road, up the lane from the valley, out ol the
trees on the hillside-. These w< re die lucky ones
who had been squeezed to the edge of the cor-
ridor where ihe\ could surrender. Their com
iades in the middle ol die crowd below had no
choice but to run into the inferno.
The boiling dust and smoke obscured much
of the plain by mid-afternoon. Lacking clear
targets to shoot at, we poured our artillery fire
into the concealing trees and raked it back and
forth indiscriminately between the village and
the Eorest. Sometimes die pall would open
briefly, showing columns ol nun lour abreast.
I>< in*.; inarched acioss die fields. Then they
would dis.ippeai again under a splatter of shells.
Ih.ii evening the gap was closed temporarily
l>\ American infantry who pressed into Cham-
hois and joined with Canadian and Polish
troops coming down from the north side. Some
German SS troops succeeded in breaking through
this thin (ounce lion the following morning;
but a hide later die trap was closed loi good.
At leasi 10.(10(1 Germans had died in the pocket,
and 15,000 were taken prisoner.
INSPECTION TOUR
THE operation at the Falaise Gap has
always seemed in retrospect to have been
timed like a regular work week; and I am
sin prised to find from a 1944 calendar thai it
did in lact begin on a Monday and end on
Saturday, August 20. 1>\ that time much ol
the Allied force was already streaming away
toward Paris, racing alongside the Germans who
had been able to escape. The Americans and
British had bridgeheads established acioss the
Seine, and there was no organized German line
ol defense against them from there to the border
ol Germany. Von Kluge, who had been relieved
ol his command by Model on August 10, had
taken poison. He was dead when the plane
carrying him back to Germany set down in Metz.
In the rush to disentangle the troops con-
centrated around Argentan and Falaise and
move them across France, the 989 F. A. was
forgotten. We were left in the fields outside
Mortree lor most of another week, and could
indulge what was then the limit of our notions
ol luxury: three lull meals a clay, a bath, a
change ol uniform, and sleep.
About three days alter the firing stopped, I
took a jeep to have a look at the valley. The
German prisoners and American troops had
BY RICHARD B. McADOO
45
gone their separate ways, and the familiar road
up to the OP was deserted except tor a crew
salvaging telephone line from the tangle of
wires left in the ditch. At the farmhouse a
woman was sweeping the steps before the front
door, as I drove past toward the lane leading
downhill on the other side of the orchard.
The floor of the valley looked much as it
had before the haze closed over it on the pre-
vious Saturday afternoon. The roads from the
Foret de Gouffern to Chambois had been cleared
again— this time by Allied troops moving through
to the east— but from the ditches out across the
flat bottom-lands the ground was still strewn
with wreckage of equipment and human beings.
Among these countless tortured images of de-
feat, the sight of the forsaken horses stung most
sharply. The dead soldiers were past caring,
the wounded had been borne away by the medi-
cal corps; all of them had at some point taken
their individual chances with the cause that had
brought them to this end. But the animals had
no choice, and now they were left to limp about
the remains of the masters they had dumbly
served.
Where the roads entered the forest, the litter
was replaced by a certain decorum. Trucks and
wagons were parked in solid lines on each side,
as they might have been left by drivers hurrying
off to a country fair. Some distance into the
forest the road I had taken led to the gate of a
gray stone chateau set in a level glade. The gate
was partly blocked by a staff car, so I got
out of the jeep to walk up the driveway. A
German colonel was leaning back in the center
of the rear seat of the staff car, as though he
were taking a nap under a film of dust.
A sense of repose after great strain lay over
this place, its quiet broken only by the stray
horses moving among the trees. The tall double
windows in the front of the chateau faced a
rectangular garden pool, neatly bordered with
shrubs. The Germans had apparently used the
building as an emergency hospital. In one of
the second-story rooms there was a table that
might have served for operating, for old bandages
were scattered around it on the floor. These
and a priest's black cassock, hanging in a ward-
robe outside a little white-tiled chapel, were
the only furnishings I remember seeing in the
building.
Behind the chateau was a lawn leading to
a separate stone tower. Here someone had tried
to mark the place as a medical station by lay-
ing out a white sheet and spreading over it, in
the form of a cross, two chasubles of watered
The Great Killing Ground
T
H E battlefield at Falaise was un-
questionably one of the greatest
"killing grounds" of any of the
war areas. Roads, highways, and
fields were so choked with de-
stroyed equipment and with dead
men and animals that passage
through the area was extremely
difficult. Forty-eight hours after
the closing of the gap f was con-
ducted through it on foot, to en-
counter scenes that could be de-
scribed only by Dante. It was
literally possible to walk for hun-
dreds of yards at a time, stepping
on nothing but dead and decaying
flesh.
— Dwight D. Eisenhower, Crusade
in Europe, 1948.
silk which had probably come from the chapel
—one purple for Lent and one crimson for Pen-
tecost. The vestments were wet from a recent
rain and the colors had run out from the edges
of the silk, mingling in dark stains on the sheet.
I had circled back to the driveway and was
headed for the jeep when I came upon a badly
wounded horse. He was not bothering to crop
the grass, but stood as though propped on his
four legs with his head hanging forward. I
stood in front of him for a minute, propped on
two legs and trying to work up courage to
shoot him. With a good deal of sweating I finally
got my pistol out of the holster, wondering what
was the best place to aim— but before I could
put a bullet into the chamber, the horse sagged
dead to the ground.
I SUPPOSE nearly everyone in the bat-
talion had a chance to make a tour of that
valley during the week that we were waiting
outside Mortree for further orders. We didn't
talk much about it though, and the war-is-hell
line disappeared from the letters home. During
the bitter cold months of the winter and the
final spring of the war, the 989th Field Artillery
suffered its share of killed and wounded, but
the letters concentrated on the trivial and funny
details of our day-to-day routine.
Harper's Magazine, May 1958
By BRUCE HUTCHISON
Editor, Victoria (British Columbia) Times
Why Canadians are turning
ANTI-AMERICAN
A friendly but exasperated neighbor
explains how we are upsetting our
closest ally — not on purpose hut through
simple ignorance and indifference.
FOR Americans, the results of Canada's
recent elections are more ominous than
most of them yet realize. Prime Minister John
Diefenbaker's Conservative administration is
not hostile to the American people. But it is
hostile to many American policies, and bitterly
critical of what it considers many recent Amer-
ican blunders. Moreover it is pledged to a series
of measures which the United States may find
disconcertingly painful.
As a consequence, relationships between the
United States and what has long been its friend-
liest close neighbor are likely to become, during
the months just ahead, Ear pricklier than they
have ever been in modern times. This would
have been true however the election turned out.
Although the campaign was fought primarily
on domestic issues, a strong flow of anti-Amer-
ican feeling ran just beneath the surface in both
the Liberal and the Conservative parties.
This resentment was nourished by Canada's
business recession, which originated in the
United States; by recent American actions dam-
aging to Canadian interests; and by a number
of other grievances, real or imaginary. Now the
full powers vested in Mr. Diefenbaker free him
—as he was not free in the last, stalemated Par-
liament—to pursue a Canada First program
much bolder than that of his Liberal predecessors.
ft will include— according to his campaign
promises— new steps to protect Canada from
American economic domination, and to t;ik<
some of its purchases away from the American
market. United Slates restrictions on imports
from Canada will be resisted, by means not yet
disclosed but probably including higher Ca-
nadian tariffs. Ways will be sought to encourage
the processing of Canadian raw materials at
home, rather than shipping them south of the
border. In sum, the Prime Minister can be
expected to repel, much more vigorously than
any modern Canadian government, the pressures
of the giant next door. This suits both his tem-
perament and the mood of his people.
What has gone wrong with the historic con-
tinental friendship? Nothing fundamental. Not
much that is new. And the visible points of
friction are not the main points at all. What
is now happening has roots which basically are
not economic but psychological— almost psy-
chotic.
To be sure, the visible economic points of
friction are sufficiently deranged to alarm any
Canadian— and should alarm any American who
has mastered simple addition and subtraction.
Sixteen million Canadians are spending a billion
dollars a year more in the United States than
ten times that many Americans are spending
in Canada.
Canada is the United States' largest foreign
market. Unlike some other markets, it pays in
hard cash. It has never borrowed a nickel from
the American government. The Canadian deficit
is insupportable for any length of time— the
equivalent of an unthinkable American deficit
of over ten billions in a single market. Yet
the United States seems determined to worsen
it by dumping farm surpluses and further re-
BY BRUCE HUTCHISON
47
I stricting imports from Canada in disregard of
I the Geneva trade agreements, good neighborli-
| ness, and ordinary horse sense.
Retaining a certain amount of horse sense of
I their own, after the euphoria of a broken boom,
I Canadians are naturally disturbed about an
I American market where they buy nearly 75 per
cent of their imports and sell about 60 per
cent of their exports to maintain themselves as
the world's fourth trading nation.
They also retain a grim, Arctic sense of humor.
So they sometimes smile when American in-
dustry, producing over four hundred billions a
year, screams that it is being ruined by a tiny
trickle of Canadian goods less than one-hun-
dredth part of that volume— and most of them
urgently required. All this, as in the old fable,
is fun for the boys and death for the frogs.
Canadians have always been worried, more or
less, on that score because they have always
been compelled to support a deficit on the
border and cover it by their earnings of hard
currency overseas. They are worried more than
usual just now because the deficit is far too
large, the bargain far too one-sided, and the
Canadian economy in a sharp decline— caused
mainly by the American slump.
JUST A LITTLE
CONFUSION
UNDER these conditions Canada's steady
northern nerves have become somewhat
raw. Every new American blow against our ex-
ports, every foolish speech in Congress, every
gaucherie by Mr. John Foster Dulles in any part
of the world tends to be exaggerated in the
Canadian mind and is often exploited out of all
recognition in our politics.
Virtually all previous elections have involved
the neighboring giant whether he knew it or
not. All Canadian history is more than any-
thing else an attempt to come to terms with
the United States in the bread-and-butter busi-
ness of continental trade. The Conservative party
has long stood for the principle of tariff pro-
tection, especially against the United States—
though this principle, like all others in a highly
pragmatic nation, is stretched or shrunk as
changing circumstances suggest. The Liberal
party has stood for the principle of minimum
tariffs and maximum trade— though its lifelong
convictions, like those of the late Mr. Dooley,
can always be altered to suit.
At the moment this oldest partisan issue of
our politics is in wild confusion and will re-
main so for some time. The Conservative party
has threatened, without seriously counting the
cost, to divert 15 per cent of Canada's present
imports from the United States to Britain. Yet
simultaneously it is considering restrictions on
imports from Britain, which would be a classic
Euclidian exercise in reductio ad absurdum.
The Liberal party opposes any diversion and
demands a. general expansion of trade in all
directions. To this end it is ready to consider
Britain's offer of a transatlantic free trade area
—an offer legal under the Geneva trade agree-
ment but terrifying to the Conservatives and
to protected Canadian industries.
The Liberal party knows very well, however,
that it dare not appear to be the advocate and
chore boy of American exporting interests and—
in practical politics, not to say economic theory
—it cannot defend the present unbalanced trade
of the border.
Behind the immediate issue of daily trade
stands an old American specter in a new guise,
called economic penetration. It is easy and
proper for the American Ambassador to Canada,
Mr. Livingston Merchant, and for Canadian
economists to argue that massive American in-
vestment, at this stage, is essential to Canada's
growth. So it may be— but the undeniable human
fact is that Canadians fear it, even while they
seek and need it. The huge capital flow of recent
years nourished the Canadian boom (inciden-
tally overbuilt industry in some places) and kept
the Canadian dollar at a premium despite the
gaping trade deficit. Any great shrinking in the
flow would have grave consequences for Canada,
whose living standard is geared to it.
RECOIL FROM A REVOLUTION
THEN why, the American may ask, is the
Canadian ungrateful for his neighbor's
money? That question begins to penetrate the
headlines and speeches, to strike down toward
the roots of a continental process 183 years old.
Since Montgomery and Arnold attacked the
walls of Quebec on New Year's Eve, 1775, that
process, on Canada's side, has always been far
more psychological than economic. It is built
into a Canadian psychology often dissected but
never satisfactorily explained.
All the current wrangles of the border— trade,
investment, St. Lawrence Seaway tolls, Columbia
River electrical power, farm surpluses and the
rest— represent for us Canadians only one thing,
precious beyond economic calculation. So far we
have been unable to articulate that thing clearly,
IS WHY CANADIANS ARE TURNING ANTI-AMERICAN
have produced no writer to put ii into poetry
and myth where it belongs. Consequently we
are compelled to hide it shvlv undei a pallid
word. Canadianism.
We know what it means jus) the same. The
whole problem ol the border today— as always
Mini the American Revolution— is thai our
neighbors don't know what it means and won't
bothei to find out.
I he psychological phenomenon ol Canada,
the only reason for the modern state, the only
cement strong enough to hold its sprawling mass
together, began as a reaction to the American
Revolution. The dubious embryo ol a luture
state was hurried into the world as a protest
against the Revolution. That conflict Eore-
shadowed the Canadian monarchy as surely as
n foreshadowed the American republic.
At the start Canada was nothing more nor
less than an unlikely plan to build a British
nation across the continent, but that plan was
doomed by the nature ol geography and environ-
ment. Canada did not grow into a British nation.
Ft grew into a nation constitutionally British,
geographically American, but wholly Canadian.
From the da\s ol tin Ouebee siege, through
the War of 1812, tin Fenian raids, the Alaska
boundary dispute, the abortive Reciprocity elec-
tion of 1911, the (lushing Smoot I lawlev tariffs
of the 'thirties, and now the economic wrangles
ol the Tillies, the abiding danger to Canadianism
lias been 0111 friendly neighbor 01 so we think.
Even though the neighbor abandoned the old
attempts to conquei or coerce us. his attempts
to conciliate us— and above all his wealth-
were dangerous to our fust Trail growth of
nationalism. It seemed at one time, indeed,
that his wealth would act as an irresistible
magnet drawing us by slow, seductive stages into
his political orbit.
Having resisted that pull, we find the neigh-
bor not only buying up our basic resources on
a gigantic scale but loading his tarilf so that
he imports mainly the raw materials he needs
and bars the more profitable manufactured
goods we would like to sell. This is important
to us economically. It is far more important if,
by any chance, it is undermining our nationalism,
as Canadians think.
Our real fear, today as yesterday, is that some-
how the prodigy built across the continent by
a handful of daring men against all the dictates
ol geography— the triumph of an idea within an
unnatural East-West economy— cannot perma-
nently endure beside the giant. In this Ca-
nadian's view, the old danger has passed, but
only during the present generation ol our almost
unbelievable growth in population, in wealth,
and (more decisive) in national feeling.
Nevertheless, given oui history of struggle
against almost impossible geographic circum-
stances-given, loo, a long seiics ol sporadic
American pressures— it will not surprise any
psychologist to find the Canadian people brittle
and resentful whenevei the pressure is renewed,
even in candid economic form and without the
leasi enmity. A nation in our middle position
between the American and British giants has
invariably resisted the immediate pressure of
the day from either side. At present it is re-
sisting the only pressure left, that from the
United States.
ATTENTION, PLEASE
WHAT chiefly infuriates us, however,
is not so much the economic lunacy ol
a neighbor who expects to sell where he does
not buy, but his stubborn refusal to look across
the border and try to understand us.
That is partly out fault, I suppose. We are
not an interesting people to outsiders, apart
from the Mounties and the Eskimos, two rathei
small ethnic groups. We have no international
sex appeal and no South American revolutions
to provide scenes of carnage' on the front pages.
We have no great writer to express the Canadian
Dream and are horrified by thai word. Cod
help us, we don't even have a Canadian flag.
But we do have a piece- ol real estate abso-
lutely vital to American defense and lying
directly in Russia's air path to America. We do
have, on and under this land, mineral resources
without which the United States could not light
any war and other resources needed to support
its peacetime economy.
The result of American indifference is that
the affairs of countless weaker nations, much
less important to the United Slates, are on the
American front pages every day while the affairs
that constantly convulse Canada are seldom
noticed.
In one way American indilference is a com-
pliment to us. The Canadians are taken lor
granted as good, steady neighbors. They seem
to be God-fearing, non-Communist, competent
folk. They pay their bills and therefore can be
disregarded as one disregards the family in the
next-door apartment. If high intellectual fences
make good neighbors, the friendship of the
border is certainly safe.
Unfortunately the neighborhood of North
BY BRUCE HUTCHISON
49
America is not that simple. As Lester Pearson
once said, in an indiscreet but accurate speech,
the old, easy, automatic relations of the border
can no longer be taken lor granted. Nor can
Canada— the idea within the economy— be taken
for granted. Canada is not what it seems to
most Americans. In a few years, even its present
blurred image will be obsolete and unrecogniz-
able. What the American people must under-
stand if they are to judge the minor squabbles
of today, is that tomorrow they will be dealing
not with a small, weak people but with one of
the earth's major powers.
Personally I, and many old-fashioned Cana-
dians, take no satisfaction in that prospect, since
power provides more kicks than ha'pence, but
it is a prospect we cannot escape. The rapid
growth of our population, the raw stuff of power
in our ground, and the breakneck expansion of
our industry must make Canada, by the century's
end, a nation stronger than any in contemporary
Europe. Barring some cataclysm, the United
States, for the first time in its life, will find
mother giant beside it. The power balance of
the continent is shifting perceptibly northward.
DULLES TROUBLE
ALREADY the United States is finding
that the half-grown, inarticulate giant pos-
sesses a tongue, not of culture and myth but of
practical politics. It is finding, too, that Canada
has interests and influence far outside America.
This discovery is greatly complicated by a
purely American phenomenon, Mr. John Foster
Dulles. In considering the immediate problem
of the border we must not forget that Mr. Dulles
is one of its egregious and craggy landmarks.
Canadians are not entitled to discuss Mr. Dulles
as the American Secretary of State. They are
entitled to discuss him as the chief architect of
a foreign policy in which Canada is more deeply
enmeshed— by geography and all other circum-
stances—than any other foreign state.
It must first be noted that most Canadians
have long been unofficial Democrats, because
the Democratic party has generally reduced
American tariffs while the Republican party has
raised them against us. Moreover, the Demo-
cratic party's foreign policy has seemed to us
more successful than that of the Eisenhower
Administration.
This view (or prejudice) alone cannot account
lor Canada's present attitude toward Mr. Dulles
and all the forces he represents. It is merely
factual to say that an overwhelming majority
of Canadians, including all their leading states-
men, regard Mr. Dulles as an unmitigated dis-
aster—a disaster affecting Canada as deeply as
it affects the United States.
No Canadian government can say these things
aloud, of course, but in the last five years the
largest preoccupation of Canadian diplomacy
has been to repair Mr. Dulles' blunders, as
Canada sees them.
It was Mr. Pearson, acting as the honest
broker between Washington and London, who
first leaped upon Mr. Dulles' doctrine of massive
retaliation "by means and at places of our own
choosing," who refused to join the project of
unleashing Chiang, and who, in one of history's
strangest spectacles, flew to the United Nations
and devised the rescue of American and British
diplomacy from the Suez debacles.
It is merely factual to say also that the former
and present governments of Canada have not
trusted either the wisdom or the reliability of
Mr. Dulles. They have awaited his every state-
ment as a mountaineer watches the slip of an
avalanche.
The removal of Mr. Dulles might not alter
American policy in the least, for all we know,
but it would remove the largest single friction
on the border— the symbol and sharp point of
all the other frictions. It would give the United
States a chance to re-establish the confidence of
its friends in Canada and elsewhere. We Cana-
dians doubt that the thing can be done otherwise.
BLOWS STRUCK IN IGNORANCE
AL L these affairs taken together have pro-
duced the present squabbles but they
should not be exaggerated into a quarrel. There
is no quarrel, except in a few excited American
newspapers that discovered Canada only last
night. There is no issue which will not yield
to intelligent argument. Certainly there is no
lack of realization in Canada that we cannot
afford to quarrel with the giant even if we
wanted to.
But there can be no intelligent argument and
no solution of any issue until the American
people themselves (as distinguished from some
of their abler officials) adopt a new attitude
toward their closest partner. By that I don't
mean that the present attitude is unfriendly.
It is rather too friendly, in assuming that ig-
norant friendship is enough. Friendship of that
sort, the right to be left strictly alone, was all
that Canada sought in earlier, simpler times.
It is not enough in these times when every
50
Win CANADIANS ARE TURNING ANTI-AMERICAN
American commercial policy directly affects Can-
ada and ever) foreign policy involves it induce tly.
Canadians ask from their neighbor the old
friendship, plus a new understanding ol their
true position, their strategic importance, their
economic problems, and then Manifest Destiny.
II the American people would pay half as
much attention to the great hind mass lying be-
side them, in Russia's path, as they may to a
score ol small, neutral countries in all corners
ol the world, the problems ol the border would
soon be solved.
They will be solved in am case. I am con-
vinced, bul with unnecessary dela\ and difficulty.
They musl be solved in the United States' own
selfish interests il for no othei reason. For on
a border far from the current centers of trouble,
the foreign policy of the United States is
uniquely balanced and tested.
Canada, a relatively weak country unable
to defend itsell from the giant, has always been
the supreme test of American morality, a test
visible to the entire world. A Canadian is bound
to sa\ that the test, despite certain lapses, has
been magnificently met. No great power in the
world's history has ever treated a small neighbor
as well as the modern United States has treated
Canada. Our survival is die proof ol that
treatment.
It must also be said that any other sort of
treatment would instantl) ruin the United States
as the leader ol the free world. II the United
States mistreated Canada, its most intimate
friend, in any immoral fashion, no other nation
anywhere would ever trust the United States
again, about anything.
The American people have understood that
lac i intuitivel) and in modern times most of
their blows against Canada have been delivered
in ignorance— almost in absent-mindedness— not
in malice. But intuition will no longer serve,
mulct radically changing conditions of world
power. For the protection of its foreign policy
at huge, its vital strategic interests in North
America, its direct commercial interests in a
huge, lopsided trade across the border, the
United States— preferably without Mr. Dulles-
must make a re-appraisal of Canada. It need
not be agonizing, in his fashion, but it cannot
safely be delayed.
RICHMOND LATTIMORE
THE ACADEMIC OVERTURE
black robes, hoods gold scarlet purple, bright heads
and old beards, the young pacers and the bumbling feet of age
unite now under ceremonial musics, or gaudeamus.
Let us rejoice then in our prime, while how well still
the gown molds the young wrestler's arms, how comely
blond on black as youth models the robes of learning.
Somewhere about the middle of the procession
I thought, too, how our autumnal heraldries
glow upon the bulks and husks of the elders
to paint a rubric, red and black, on the folios
of forever; while all these stalks strengths flowers
shall be, in some sense, blown heads and florist's litter
swept into bins, and too soon. Or would it be rather
that the dignity, the enactment, the ceremony,
the time in June, is eternity established? And through it
unchanged brush the light feet and young voices behind where ponderously
the brasses blare and basses dee ply deliver the eternal
gaudeamus igitur of the elder students.
Harper's Magazine, May 1958
Hill Climbing by Boat
By JOYCE WARREN
Drawings by Barrie McDowell
A fleet of remodeled canal barges, cruising
through the lush meadows of England, now
offer one of the pleasantest (and least
strenuous) means of sight-seeing yet devised.
MY HUSBAND Charles and I are fond
of traveling by water, so it pleased us,
the first time we went to England together, that
we arrived in London backwards by boat. Tower
Bridge, gloriously floodlit, was raised to admit
us, and as we sailed stern first between its piers
(our boat being too large to turn around within
the confines of the Pool), I wondered how many
other men had received so pleasantly bizarre a
welcome from the country of their in-laws.
Actually Charles had been to England before:
he was posted there during World War II, sta-
tioned at a beautiful house in Warwickshire
named Newbold Revel, where, in different and
better clays, my aunts had gone to parties and
balls. Charles and I met at Newbold in 1944,
and last summer we went to visit there again.
We weren't able to make the journey backwards,
but we did go by boat. We sailed in the Mabel
by way of the Coventry Canal.
The Mabel is a canal Narrow Boat, built to
carry coal, and now converted to carry passen-
gers. She is one of several holiday craft that ply
the inland waterways of England during the
summer months. Four private companies,* op-
erating, so far as we were able to ascertain, one
pair of boats apiece, organize one- and two-week
cruises. Their passengers five, sleep, and eat on
board. In addition, a government organization,
British Waterways, sponsors tours in which pas-
sengers ride boats in the daytime but sleep in
hotels at night, a system that, though it sounds
cleaner (canal Narrow Boats do not come
equipped with bathtubs or showers), is consider-
ably more costly.
Since these canal holidays were started some
five or six years ago, they have become extremely
popular. When Charles and I wrote in February
for July reservations, only one company, the
Inland Navigators, was able to accommodate us,
and we had to cable our confirmation. Thus it
was that on July 20, 1957, we went to Braunston
Junction, seven miles south of Rugby, to join
the Mabel and Malvern. Traditionally, Narrow
Boats travel in pairs, the leader (in our case,
the Mabel) containing a diesel, which tows an
engineless "butty" (the Malvern).
It was raining heavily, and as we staggered
along the towpath with our luggage, I had some
last-minute misgivings: a marriage has to be
* The Inland Navigators, Banbury, Oxfordshire;
The Inland Waterway Cruising Co., Braunston, War-
wickshire; Waterborne Tours, Penkridge, Stafford-
shire; New-Way Holidays, Oxford Mews, London.
r-,9
HILL CLIMBING BY BOAT
soundly based to withstand the confining <>l its
partners in a small space foi long, while it rains
and rains outdoors. As ii turned out, however,
it hardly rained at all, once the first big storm was
over, and the living-space on board the Mabel
and Malvern, though small, is so well arranged
that hoik ol the passengers Eelt damped.
THE Inland Navigators belongs to Mi.
and Mis. Michael Rogers, two young archi-
tects who not only designed the remodeled
Mabel, bul also did much ol the rebuilding. "The
Mabel is 12 feet long, and, like all Narrow
Boats, seven feet in beam, intended to fit snugly
into locks seven Eeel two inches wide, on water-
ways that, except at locks and bridges, are
nominally forty-five feet wide at the surface,
twenty five feet wide at the bottom, and five leet
deep. Built in !!).'>() as a horse-drawn craft, the
Mabel was equipped with an engine two years
later. She could carry twenty-five tons of coal in
her open hold, to the rear of which were two
tiny cabins, one containing the diesel and the
other her skipper's living quarters.
The Rogers bought her in 1948, and for a year
following their graduation from the Architec-
tural Association in London, worked in the coal
business with her, calling for loads at midland
collieries and delivering them to wharves up and
down the canals. In 1!)52, they returned to Lon-
don and to office work, but they devoted the
weekends and vacations of the next two years to
turning the Mabel into a passenger-carrying
craft. She now has a well deck, a saloon, and
two double and two single cabins. Each cabin is
fitted with electric light, running hot and cold
fresh water, sliding windows— a sign says, "Please
do not climb out"— fitted carpets, and six-foot
berths with loam-rubber mattresses.
The Rogers hired the butty boat Malvern from
Michael Streat, a former newspaperman who is
now the owner of The Inland Waterway Cruis-
ing Company. The Malvern, lacking an engine,
rides higher in the water than the Mabel, so that
her roof is the best place to sit, provided one
does not forget to lie down flat at bridge ap-
proaches. The Malvern includes a well deck,
three double cabins, a dining saloon, and a gal-
ley. Six passengers travel in each boat; a crew
of lour is distributed between them; and
Miranda, a handsome Dalmatian owned by the
mate, shares quarters with the engine.
Charles and I had expected that our skip-
per, Michael Rogers, and his crew would be
middle-aged, and the passengers would be young.
In fact it turned out to be more the other way
around. Sailing with us were a retired army man
and his wife, a librarian and his family, a de-
partment store buyer, two students, and two
nurses. (One of the nurses, a city girl, found
the casualness ol life in rural Warwickshire
shocking. "Don't they leave the sheep out late,"
sin e\< laimed.) As lor the crew, it was composed
ol three lively and highly competent young
women, all ol whom appeared to share Michael
Rogers' willingness to work from dawn to dark
seven days a week from May to October, and
rather longer during the rest of the year when
repairs, repainting, and planning must be clone.
and cheerfully to perform all kinds ol chores.
There can be lew passenger vessels afloat in
which the skipper and mate navigate, wash
dishes, polish brassware, and scrub decks.
This quaint attitude toward work— as if it
were pleasure-becomes understandable when
one actually travels on the "cut," as a canal is
called. Once aboard, you are no longer a lands-
man with a landsman's ideas. You are in an-
other, and quite different, element, in which
time seems to become a matter of deliberate
leisure rather than deliberate speed.
We had not supposed that on so narrow a
waterway we would be treated the way people
the world over are treated the moment it is
observed that they are afloat, but we were.
Everyone was our friend. Dour persons dis-
consolately fishing, and forced to withdraw their
lines from the water as we crept by, ceased to
be dour and smiled. Tiny cars stopped on
bridges, and their occupants, sitting puritanically
upright as people must in British cars, squirmed
about until heads and waving arms emerged.
Children ran down cottage gardens to where
they could be closer to the magic that was our-
selves. On the edge of a small town, we passed
behind a dowdy-looking factory. Suddenly the
dirty windows were filled with girls' faces.
"What do you do in there?" we asked.
"Make pretty hats!" they cried.
A Narrow Boat holiday is not a holiday for
anyone with a weight problem. We ate excel-
lently, six times a day: early morning tea, break-
fast, mid-morning coffee, luncheon, afternoon
tea, and dinner; there was also a fully equipped
bar at which, oddly, one purchased one's break-
fast fruit juice. Nor is it considered cheap.
English friends were horrified when we told them
that our week on the Mabel had cost us thirty
guineas ($90.51), although this included every-
thing except drinks. It is the Rogers' opinion,
BY JOYCE WARREN
53
however, that they must provide the meals and
services of a first-class hotel it they arc to attract
the kind of passengers they want, i.e., people who
will find leisure sufficiently rewarding in itself,
without the added charms of organized enter-
tainment. "We used to lie awake at night,"
Streat told us, "wondering what we would do if
the passengers turned out to be frightful, but
so far they never have been, and we've always
taken everybody we had room for."
The high standard of comfort aboard the
Mabel and Malvern is not common to Narrow
Boats. Canal folk who carry coal and timber still
live much the way they did in the eighteenth
century, sleeping, eating, and raising families
in cabins twelve feet long and seven feet wide.
To the left of the doorway, in the stern, is a
cooking stove and next to it a tall cupboard set
at an angle of forty-five degrees to the wall. The
door of this is hinged so that when opened it
forms a table for meals. A bench along the
opposite wall provides a bed, and a second, wider
bench, sometimes screened off by a pair of lace
curtains, lies athwart the forward end of the
cabin. The middle part of this bed is hinged,
so that it can be lifted up to provide access to
the door into the hold, which can be opened
when there is no coal being carried. Cupboards
are built into the walls above it. One family
we met told us, amid giggles, of a problem on
board another pair of boats where lived a father,
mother, and seven little children. Next week five
older brothers and sisters, now boarding at a
Canal Children's Hostel in London, were clue
home for the summer holidays, and there would
be fourteen to sleep in the two twelve-loot cabins,
one partly filled by the diesel motor.
Most canal people are the descendants of canal
people— a boatman usually isn't able to persuade
a shore-raised girl to marry him. The majority
of them cannot read or write, but they want
their children to learn, and families are willing
to separate so that their youngsters can live at
special hostels from which they attend school.
The children do not like coming off the water
any better than their parents do (one retired
Narrow Boatman now makes his home in a dou-
ble-decker bus parked on the canal bank, where
the view is familiar and the quarters must seem
palatial). But canal children's hostels have their
compensations: a bed to oneself, for example,
and different clothes to wear at night.
On canal boats, everyone old enough to do so
helps with the work. One job that seems fre-
quently to fall to a young member of a family
is cycling along the towpath of the "pound," the
stretch of water between two locks, and prepar-
ing the lock ahead. First, the water-level inside
the lock must be made the same as the level of
the pound the boats are on. Then the heavy
gates are opened, one boat passes inside (there
is a two-inch clearance), the gates are closed, and
the water in the lock is raised or lowered to
match the level of the water in the pound ahead.
These changes are achieved by manipulating
sliding panels, called lock-paddles, which are
One retired boatman now makes his home in a double-decker bus.
54
HILL CLIMBING BV BOAT
raised or lowered by means of a crank handle
(ailed a windlass— the Narrow Boatman's badge.
When not in use, the windlass is worn in the
small of the skipper's— or the bi< \< lr boy's— back,
tucked into the belt of the trousers. The locks
we went through had lifts of about seven feet.
CASTLES AND FLOWERS
LOCKS mostly run in series, a group of
three or four together, and although some
are actually in steps, with the top gate of one
acting as the bottom gate ol another, there is
more commonly a pound a lew hunched yards
to a mile long between them. Where the pound
is short, the butty boat is usually towed along
it by hand. We watched one coal-boat skipper
and his wife at this, and noticed that there
seemed to be a knack about towing, a little like
that ol ringing a heaw bell— the pull on the rope
w.is not so much a matter of strength as of
timing and steadiness. The couple we saw leaned
heavily against the towrope, their bodies at a
steep angle to the ground. They walked very
close to each other, the woman behind the man,
their steps tiny, measured, and graceful, as if
they were treading a minuet in time with the
spring of the stretched rope.
Cranking up lock paddles is also a matter of
knack. I couldn't move them at all, but quite
small boys off the coal-boats seemed to have no
trouble. At the last of a series of locks, the boy
and his bicycle would come aboard again, and
the bicycle would be hooked by its handlebars
over a plank that runs fore and aft along the
center of the coal pile. Normally the man of the
family handles the motor boat and his wife steers
the butty (an unmarried man must hire a mate
to help him), but sometimes children are allowed
to maneuver the boats, an operation not as sim-
ple as it sounds. Canals are apt to be very shal-
low at the sides, and Narrow Boats, which draw
nearly the full five feet when loaded, must stay
as near the center of the channel as they can.
At bends in the waterway, a pair of boats needs
the entire width of the canal, and where ap-
proaches are blind, the skipper warns of his
presence by blowing on a small, asthmatic-
sounding huntsman's horn.
As soon as a coal boat ties up for the night,
cleaning and scrubbing usually begin. Decks and
cabin roofs are swabbed down, brass fitments
are polished to a shine, and spotless socks and
shirts are hung to dry above, but not very far
above, the black cargo.
Canal folk love bright colors, highly-polished
brasswork, and gay decoration. The Narrow
Boat's hull is tarred black, but the tiller, the
cabin, and the posts that support the tarpaulins
covering the hold in wet weather are painted
ultramarine, crimson, pink, green, and white.
These are decorated with leaves and (lowers,
especially roses, and with fairy-tale castles of
oriental flavor, said to have been introduced by
immigrant Carpathian gypsies. Painting these
flowers and castles is the one remaining English
lolk art. An expert can do it quickly, in a kind
of painter's shorthand. The main design is
painted in, and individual nourishes are added
after the lust part is almost dry. The boatman's
devotion to flowers and castles is understandable
—few canal men are ever likely to own a garden,
or a house that has too much space.
Most Narrow Boats are repainted every two-
and-a-half years, a job that may take the owner
as long as a month, since decoration must be
added not only to the outside of the craft, but
to the inside of the cabin, to seat-boards, and to
such equipment as bowls, teapots, and the big
cans of fresh water that are kept on the cabin
roof. This roof acts as a combined fair-weather
nursery and dog kennel, and from it rises a
stovepipe, attached by a polished brass chain.
When a boat must pass under a low bridge, the
stovepipe has to be taken down (sometimes the
tarpaulin posts and the baby have to come down
too), and the chain prevents the pipe from fall-
ing overboard. Close to the stovepipe, on almost
every roof we saw, was a carefully tended gera-
nium plant in a pot, or a jar of flowers.
THE Mabel's crew was careful to see that our
boats did not interfere in any way with com-
mercial traffic. Time is money to a coal boat,
and a delay at locks may mean arrival at a des-
tination too late to unload cargo that night, or
even that weekend. There is considerable com-
petition between one canal family and the next,
each trying to make better time. Feuds have
been started by a boatman rash enough to pole
past a sleeping rival in the night in an effort to
beat him to the next series of locks.
There are still a few horse-drawn craft on the
canals. We met one— the animal looked so old
and skinny it did not seem as if it could last
much longer.* A woman said: "It was a big mis-
lake giving up the horses. We never had any
trouble with them, not like these diesels." The
marks of horse traffic are everywhere. The abut-
* Since writing this, we have heard that in No-
vember 1957 the last canal horse died of pneumonia,
after falling into the cut on a cold day.
BY JOYCE WARREN
55
ments of the arched bridges have grooves half
an inch deep worn by the towropes, even in
places where an iron-shod guard has been added.
At some of the locks there were little footbridges
across the water just below the bottom gates,
each consisting of two parts cantilevered out
from the banks so that the boats' towropes
could slip between. A sign outside an inn read:
"Licenced to sell Beer, Wine, Spirits, Music, and
Singing. Good Accommodation for boat horses.
Straw provided."
On a well-maintained cut, loaded Narrow
Boats can travel at approximately three miles an
hour, a fifty-foot towline linking motor and
butty together. Empty, they travel with the
motor and butty snubbed up close, and can make
about a mile an hour more. The attainable
speed is largely controlled, however, by the width
of a particular section of canal and its state of
repair. A canal boat pushes water ahead of her,
and if the cut is silted up and weed-choked, the
water level may be affected as much as a mile
ahead. We could see the pile-up best when we
passed a concrete-faced section of the bank. Op-
posite Mabel's prow, the concrete was wet to an
inch above the moss line, but opposite her stern,
two inches of mossy concrete showed; thus we
were continuously climbing a hill of three inches
in every seventy feet. Try to go faster, and all
that happens is that the propeller pulls water
out from under the stern, increasing the slope,
and producing very little increase in speed. A
canal boat must move past the water in the
canal, not drive it ahead.
CONSTABLE COUNTRY
ONLY the first part of the Mabel's route
was through commercially traveled and
well-kept-up canals; the rest lay along neglected
waterways almost unknown except to boatmen.
Charles and I had supposed that we would find
central England overpopulated, with dormitory
towns and housing projects stretching from one
historic shrine to the next. But morning after
morning we awoke to a remote world— those lush
meadows and dark woodlands Constable was so
fond of painting. One may think of canals as
straight thoroughfares, but many English ones
wind like rivers— the early navigators worked
around obstacles, rather than through or over
them, whenever they could.
On several mornings I went walking along the
meandering, little-used towpaths overgrown with
wild rhubarb and old-fashioned flowers— goose-
berry pudding, ladies'-bedstraw, meadow crane's
. . . Inside the Mabel . . .
bill. It was easy to keep ahead of the Mabel—
her average daily run was about thirteen miles,
and for hours I saw no sign of her. When I felt
I had fought the swampy ground long enough,
I would climb up on a bridge and wait for the
boats. Ten or fifteen minutes before the Mabel
and Malvern reached me, I would usually see
them, apparently moving across the middle of a
distant green meadow. The Mabel would swing
close to the towpath at my bridge, her engine
coughing politely, and I would step back on
board as she passed.
The diesel made very little noise, and our
progress was so quiet that we were often almost
on top of the coot, swans, and diving water rats
before we disturbed them. Off a moor hen would
bustle, her head jerking rhythmically back and
forth. A plant we took to be water arum seemed
to curtsy to us as the Mabel's wash rose and fell
on the stalks.
Just as fascinating, I think, as the natural
scenery of the canals (and the place-names:
Stewponey Wharf, Sheepwash Staunch, Pluck's
Gutter, Bumble-hole Bridge) is the solid and
solemn beauty of the architecture. The builders
of the canals had strictly utilitarian aims. Their
aqueducts and bridges, tunnels, ramps and steps,
lock-paddles, bollards and balance beams were
made not to look at but to work with and to
last. Most of the bridges we saw were made of
brick, now well covered with gray or gray-blue
lichen. As the brick weathers and crumbles,
patches of lichen are carried away, and the warm
red shows through. Even the inns are out of
this same austere and satisfying mold.
Canal construction has been known in Eng-
5(»
HILL CLIMBING BY BOAT
land for centuries (the Fossdyke Canal in Lin-
colnshire, original!.) built by the Romans to carry
wheal, was scoured out h\ Henry I in 1121), but
the idea did not take hold of the imagination
of the country ur til 1761. That year, fames
Brindley, a brilliant and almost illiterate engi-
neer, built a canal from Worsley to Manchester
at the request of a rich duke, whose name, ap-
propriately, was Bridgewater. Fortunately for
the British, the Duke of Bridgewater had been
disappointed in love, and he drowned his dis-
appointment in work on his estates. The Duke
owned "a large mountain ol coal" which it had
hitherto been uneconomical for him to mine
because ol transportation difficulties. Brindley
overcame these with ten miles of navigable
waterways, four-and-a-half feet deep.
The Bridgewater canal had no locks, but it
had aqueduct bridges over roads and rivers, and
it convinced [osiah Wedgwood, among others,
that canals were worth spending time and money
on. Wedgwood had been subjected to enormous
losses from breakage on the china he shipped by
packhorse, and he himseli cut the first sod of
the Grand Trunk, now known as the Trent and
Mersey, a Brindley canal that, when it was fin-
ished, ran for 1 tO miles and had 160 aqueducts,
109 road bridges, 75 locks, and 5 tunnels. A later
engineer built a canal that linked the manufac-
turing districts of West Yorkshire and South
Lancashire, lifting boats the whole way over the
Pennine mountain chain. Where a boat had to
go through a tunnel not wide enough for a tow--
path, it was propelled on its way by legging—
two men lay on their backs on board and
"walked" the tunnel walls.
The canal boom lasted for approximately
eighty years. Then the railroads killed it. Ironi-
cally, the early railroad men learned their job
on canal construction. It was the canal men who
first thought of avoiding grade crossings by over-
passes and underpasses for roads, and of main-
taining levels by cutting through hills, by tun-
neling, and by ruilding embankments across
depressions, with culverts and bridges for cross-
ing streams. The word "navvy" for a railroad
laborer comes from navigator.
After the London to Birmingham Railway
opened in 1838, the railroad companies began
steadily buying out the canal companies. By the
time the railways themselves were nationalized
in 1948, some two thousand miles of inland
waterways— almost the whole of the existing sys-
tem—became national property too.
The British government has now set up a
Transport Commission with a Waterway Section
with its own Narrow Boats (painted blue and
yellow, and cither without roses and castles at
all or with a lew dec alcomania decorations). It
is also making some effort to weed the canals
more efficiently— a job that until last summer
was always done by hand.
BUILT-IN TRANQUILIZERS
OPINION is divided over the wisdom
of using the canals for commercial trans-
port. No one knows how long the official spon-
sorship will last. The industrial map of Britain
has changed since Brindley's clay, and the courses
ol many canals no longer follow important trade
routes. On the other hand, costs are lower on
water than they arc on road or rail. For certain
types of non-perishable matter such as coal, sand,
bricks, and timber, speed is less important, in a
country where distances are relatively small,
than a steady flow. For fragile articles, as Wedg-
wood knew, water transport is the safest of all.
One proposed use for the canals which has met
with widespread approval is that they should be
turned into elongated National Parks. If the
waterways can be kept in shape, the British peo-
ple will never need tranquilizers— here are hun-
dreds ol miles of them already built into the
lovely Midland countryside. This is the aspect
that is so attractive to holiday-boat passengers—
approximately a third of them, Michael Rogers
told us, come back for a second trip.
The last part of our journey was on Wedg-
wood's Trent and Mersey Canal, and it ended
at the little town of Stone, in Staffordshire. We
came ashore feeling overfed, underwashed, com-
pletely rested, and in that euphoric state in
which one might well be wearing, instead of
walking shoes, a small puffy cloud on each foot.
(When I remarked on this to Charles, he said
his walking shoes felt different too— they had
been put away wet under his bunk, and their
soles now had a thin coating of mold.)
Later, friends in Edinburgh asked us about
Newbold Revel. We told them it had been
turned into a school. A fluttery nun had come
to ask why we were trespassing on the front
terrace before breakfast— she did not think she
could admit us to the house without the permis-
sion of the Sister Superior. Unromantitally, that
is all we remember. Whenever we try to think
about Newbold Revel, all that comes to mind
are the canals: those wonderful works of eight-
eenth-century man by which boats climb moun-
tains, cross bridges over roads and rivers, and
disappear into the sides of hills.
Harper's Magazine, May 1958
Leona Train Rienow
LAMENT
FOR MINNESOTA
One Hundred Years of Pillage
WITH the celebration of Minnesota's
first hundred years of statehood, on
May 11, 1958, Minnesotans have established a
record at which all the world may marvel. No-
where else on earth has so rich a territory been
so efficiently pillaged in so short a time. Today
Minnesota's trees are second growth, its minerals
second class, and vast areas of its farmlands are
submarginal, burned-out soil.
When Minnesota entered the Union it
boasted natural wealth that staggered the imag-
ination. Despite at least a century of active fur
trapping— first by the French, then by the Hud-
son's Bay Company (whose fur-scraping sheds
at Grand Marais employed hundreds of white
men and Indian squaws), and finally by John
Jacob Astor— the state's solid treasures had not
even been surveyed, much less touched.
I was born and bred in the great forests, and
I saw them topple. I was raised beside the raw
new iron mines of the Mesabi, and I saw them
worked out. I grew up near lakes jumping with
fish, and I saw them fished dry. I was familiar
with forest wildlife on every hand, and I saw
it shot, trapped, and clubbed— some species
almost to extinction.
I watched the transformation of a paradise
of primeval beauty and a treasure trove of eco-
nomic wealth— which, properly husbanded, might
have lasted forever— into a grim, gray landscape.
I saw it all because, unlike the ancient civiliza-
tions whose unthinking exploitation we deplore,
it didn't take two thousand years— or even five
hundred— for these natives to plunder their
land. They accomplished it in less than fifty.
From the narrow prairie belt on the south,
right up to the Canadian , border, stretched
72,000 square miles of almost unbroken forest-
climax conifers mixed with white birch and soft
maple. "Our white pine," exulted the Duluth
Herald in 1890, "is inexhaustible!"
THE DOOMED FORESTS
THE first logging mill was set up just about
the time Minnesota became a state, but logging
in earnest didn't start until years later. Then
it vaulted upward until Minnesota drew up
shoulder-to-shoulder with Wisconsin as the big-
gest lumber producers in the world. At the start
of the new century, the state's cut topped 2,340
million board feet!
So fast did the big pines fall that by 1919
the cut had dropped to 700 million board feet,
and by 1938 to less than 120 million. Here truly
is an unequaled record.
In my childhood the only way to get through
the forests to any of the ten thousand lakes
north of us was by way of the new railway log-
ging spur. My father bought a handcar, and of
a Sunday he and a husky male friend would pack
Mama and me into the rear box with the lunch,
and pump us up through the big timber to a lake.
We whizzed through the split in the forest
wall, the cold dank air redolent with balsam,
cedar, and pine. Deer and elk leaped from the
rails; partridge catapulted away in feathered
blobs; cinnamon bears gaped at us in outraged
surprise. Porcupines waddled indifferently off;
clouds of canvasbacks mottled the sky; and
sometimes at a bend the regal silhouette of a
58
LAMENT FOR MINNESOTA
hull moose, headdress aloft, made our hearts leap.
From the logging spur we hiked in to the lake,
hauling food and tackle. I can still smell the
arbutus, the crushed moss and Eern. I can still
see the lady-slippers and yellow dog's-tooth and
wintergreen. 1 can still taste the icy water that
bubbled up through the toes of an old cedar.
Then— almost overnight— everything was gone,
reduced to a sea of white, bleeding stumps.
Fires swept through the slash and tops, burning
out the centuries-old carpet of humus, killing
every pine seed, right down to the sanded shores
nl the lakes.
Men lied and cheated and murdered to gain
possession of this lumber empire. They claim-
jumped and swindled and bilked the govern-
ment. Flu hit; money manipulators came in. and
they hired fraudulent settlers for $250 each to
<4ain an average oi $10,000 per hireling in timber
fortunes.
"The district north of Duluth is honeycombed
with fraud." wrote a U. S. land agent despair-
ingly. "I doubt that there is an honest settler
anywhere between here and Hudson Bay."
Trees are replaceable; virgin forests with their
centuries ol evolution and ecological build-up,
their exquisite balance of flora and fauna, their
peculiar species development— never.
When the smoke of the holocaust cleared,
hardly a virgin pine remained outside of a park
oi somebody's lakeside back yard.
It is not possible to slaughter three million
ducks a year and expect to enjoy them in
masses on the wing. Partridge don't last long
when you put twenty or thirty in a family stew;
and what chance does a porcupine have with its
trusting, unhurried ways, when it is such sport
to club (he defenseless little fellow on the head?
Over lour thousand square miles of northern
Minnesota were under water, and every lake
pulsated with life. Flu town of Chisholm was
built on a gem ol a lake with a rock-rimmed
shore; the natives could step in a Hat-bottom
and in twenty minutes pull in a washtublul ol
pickerel, wall-eyes, bass, perch, sunfish, crappies,
and perhaps six oi seven other kinds ol fish.
Every brook leaped with brown trout; lake trout
huddled in schools in the deep lake caverns.
But even billions ol fish give out when man
really sets about exterminating them. Store
windows were cluttered with the longest or the
biggest hauls and the prizes bestowed lor them.
Catches six feet long on the string dangled be-
tween the trees; and. just to hurry it along, the
fishermen dynamited the lakes to bring up tons
of floating bodies to scoop easily into their boais.
Fiftj years ago Minnesotans threw away any-
thing under five pounds. Now you can fish all
day in almost any lake outside the canoe country
and hardly get a strike.
There was no Conservation Department in the
state of Minnesota until 1931. Today chip-
munks, deer, and rabbits persist; but one seldom
sees any other wild animal.
THE MESABI STORY
THERE were great hopes for the fabulous
new Mesabi iron fields when my father
left the security of a teller's cage in a Duluth
bank to venture up into the black forest eighty
miles to the northwest and set up his bank in a
tar-paper shack on the brink of one of the new
mines. All around us stretched millions of acres
EXCHANGE
MIRIAM WADDINGTON
when brandy burns in the air,
and forests hold their winter sleep,
when Byron dark and Shelley fair
their appointed places keep:
When rhyme and reason fancy free
join inside my heart and head,
when you become the voice of me,
and I, the rib of all you said;
Then will the core of this exchange
fall and grow into a tree,
with leaves embroidered rare and strange
with gloss of you, and text of me.
BY LEONA TRAIN RIENOW
59
of big timber, and the main street of Chisholm
was ridged in muddy ruts the color of blood
in the rain.
These little gingerbread-front towns, four-
fifths saloons, were the beginning of the greatest
iron communities in history. With the very
minor help of the Cuyuna and Vermilion
secondary ranges, Minnesota was able to supply
not only most of the iron and steel used by
this nation in both world wars, but also much
of that used by all our allies.
The red ore lay rich and heavy right under
the moss, to be scooped up by steam shovels— a
revolutionary practice. It extended in pockets
and troughs for a hundred miles east and west;
and the pioneers exultantly forecast that the
bounty would "last till Doomsday and the
morning after."
The towns boomed, and the Great Gouge
deepened. And while the red gold ran rich, the
slightest mention of a diminishing lode was not
only ridiculed— it was treason.
The wars came, and shovels dug deeper. Mil-
lions of tons of first-grade hematite poured down
the railway to Duluth, until that frigid city
became the second port in the world in tonnage.
And "the morning after Doomsday" came
in less than fifty years. Outside of some last rich
gleanings, most of what is left now of the in-
credible Mesabi is a low-iron-content rock
called taconite which requires tedious, expen-
sive processing to make it fit even to ship to
the furnaces. And the brash, lusty little towns
have settled down to a more sober future-
punctuated with loud talk about the great
new booms the coming billion-dollar taconite
plants will bring.
ADDING UP THE SCORE
AS T O R made his fortune on Minnesota
furs, but his was only the first of many.
Some of the biggest names in American money
dug a great part of their wealth out of Min-
nesota. Rockefeller bought in for $1 million
"or so" on the Mesabi and sold to U. S. Steel
for $80 million (when, had he but known, J.
P. Morgan was in the anteroom waiting to pay
him $150 million).* J. J. Hill paid $4 million
for an old logging road and realized $100 mil-
lion in ore. Carnegie^ reluctantly forced into
a $1.2 million corporation with Henry Oliver,
found himself the startled possessor of a property
* These transactions are covered in the American
Historical Society's Duluth and St. Louis County,
Vol. I, edited by Walter Van Brunt.
worth more than $500 million. And there were
dozens of others.
Unless one can place a dollar value on the
psychological exultation of killing, most of the
wildlife and fish taken were wastage, since only
a minute proportion was used for food. Hardly
46 per cent of the timber reached the market-
much sank water-logged in the lakes, rotted in
log jams, or burned up in forest fires.
The Minnesota pioneers, abetted by Eastern
capitalists, perpetrated these crimes; the whole
of our society joined the Minnesota exploiters
in gutting the Mesabi iron fields. Their ore
won two world wars— and that is, perhaps,
enough. Let the next generation figure out
how to win another.
When the skinners got through with the for-
ests, fireweed, scrub jackpine, blueberries, and
aspen took over the ravaged land. But Nature,
after a period of shock, is back on the job. You
can do a lot with a few thousand lakes when
the water in them is still drinkable.
It is discouraging renovation, however. By
the terms of an old law even the border canoe
country must bring in cash revenue in board
feet, so cutting timber is permitted up to a
thin shell of trees along the trails and around
the lakes. Now they might legislate against
the July storms that inevitably blow down the
shorn remnants.
To be sure, Minnesota's man-made wealth is
impressive, and some of it grew out of the
same practices that destroyed the state's natural
wealth. It was the gluttonous appetites of the
shanty boys in the lumber camps that encour-
aged the setting up of the first flour mill. The
mills, in turn, encouraged wheat-growing in the
Red River Valley— an industry without peer in
the countryside today.
On the other hand it was the stolid per-
sistence of the sod-hut farmers that built up
the southern strip. Living under constant threat,
not only of mud in the eye but of mud in
the mouth while they slept, these hardy souls
opened the way for the dairy farms that created
the greatest butter empire in the nation.
And the people? They're the friendliest, most
genuine folk east of the Big Horns. Push open
any kitchen door in the state and you will be
"just in time for a cup of coffee."
Minnesota today has to work hard for her liv-
ing. The fact that she is willing to pull her load,
and more, has made her successful in her new
lines of endeavor. But what might have been
. . . that is something her natives would like
to forget.
Harper's Magazine, May 1958
w/.
A Story by LEO ROSTEN
Drawings by Bernardo, Bryson
vfcSSB
%■ I
' P t
77^ G^ m fFard 4
CORPORAL James Bowie Tompkins
was from "Kaintucky," he said, "right from
the hill people an' sour-mash." He always said it
with mockery, with crafty eyes and a smile he
kept on his face like a Halloween mask. He was
only twenty-one, but he had an old man's lace.
He was just over five feet five, wiry, compact, and
he walked with a bantam cock's bravado. He had
the special courage of the small or the weak, the
courage of necessity. He came to our Air Force
post in the American Southwest with fifty-two
missions behind him, a Purple Heart, a citation
for valor, and a battered guitar.
He lived in the pleasant and unhurried world
of the Convalescent Ward, where he won no
friends, made no enemies, shared no secrets,
offered no portion of his self or his past to the
others. Each night, he stole out of the ward with
his knowing and insolent smile and cat-footed
into the Rec Hall, where he took a wicker chair
in the darkest corner and strummed on his guitar
and drank booze from a long-necked beer bottle
until he drowned in insensibility. No one could
figure out how he kept getting the booze and
where he kept hiding it.
We might never have known any of this had
it not been for one of the orderlies, Private Jack-
son Laibowitz. One hazy afternoon, when the
burning sun was veiled In clouds, Laibowitz
brought a glass of hot tea into the office ol Cap
tain Josiah Newman, Chief of the Neuropsychia-
try Section (Ward 8), taking the occasion to
declaim without warning, as was his wont, "In
Waid 1 is a guy you should take right away to
Ward 8."
Captain Newman put down his reading glasses
and sighed. "Can't you ever find a man in
Ward 8 who would be better off in Ward 4?"
"Games," said Laibowitz acidly, "are for
children."
"So is sarcasm," said Captain Newman.
"On children, sarcasm is wasted."
Captain Newman sipped the tea and winced
as he burned his tongue. "Dammit, Laibowitz,
did we run out of ice?"
"Ice freezes the muscles," said Laibowitz, who
had many original theories about men and medi-
cine. "Heat relaxes the same."
"Tell me about the man in Ward 4," said
Captain Newman glumly.
"I'm glad you brought up the subject," said
Laibowitz. "Well— last night, in Rec Hall, I find
this joker sleeping in a chair, passed out and
stinkin' from booze. When I shake him to get up,
A STORY BY LEO ROSTEN
61
he mumbles, 'Okay, Big Jim, let's cream them
tonight.' His name is Tompkins. My diagnosis,"
said Laibowitz sagely, "is depression, acute and
severe. I told him to go see you."
Captain Newman groaned. "Jackson, for the
hundredth time, it is not part of your duties to
go around the hospital drumming up business."
"From such business, who except the sick can
profit?" And Laibowitz left, with an expression
that showed that the Captain would bear watch-
ing.
The next morning;, Newman entered his office
to find a short, lean Corporal behind his desk, in
his chair, tilted far back, his feet on the desk.
Newman paused. The young man grinned, wav-
ing a hand, "Come in, Captain. I been waitin'."
"You've been doing more than that," said
Newman.
The Corporal smirked. "I just like to put m'
feet up." He got up abruptly and picked up the
guitar he had leaned against the wall. "I ain't
stayin'. You want me to talk, come to Rec Hall.
At night. When I'm swacked. I ain't promisin'
nothin' . . ."
Newman let his glance rest on Tompkins. "Do
you want to talk?"
"Hell, no. And no head-shrinker like you is
gonna slip me no needle and fill me with no
goddam flak-juice either! I'm wise to the way
you hook 'em— get 'em talkin', then slip 'em the
needle."
"No," Newman said. "Never, unless a man
asks for it."
"Asks for it?" Tompkins repeated. "Say, that's
pretty cute. Well, Little Jim ain't askin' for it.
I hear that flak-juice knocks you out, an' you
start gabbin' and gabbin' an' when you git uj:>
you don't remember a single thing. Right?"
"Something like that."
"I knew I had you taped," Tompkins said
slyly.
Newman shrugged. " 'Flak-juice' is sodium
pentothal. It gives you a kind of twilight sleep.
It helps you remember."
"Remember? Remember what?"
"What you can't forget," said Newman.
Tompkins stared at him and licked his lips.
"Nuts! That's for psychos. Not me! I ain't one
of your flak-happy goof-balls."
"Hold out your hands, Jim ... I won't touch
you."
Tompkins held out his hands and grinned.
"Steady as rocks."
"Sure," said Newman. "Now turn them over."
Tompkins turned his hands palms up. They
were glistening with sweat.
Newman said, "Thanks, Jim," and turned away.'
Tompkins studied his hands thoughtfully and
wiped them on his shirt. "Some things ain't
purty, Doc. Some things jest ain't purty!" He
grabbed the guitar and hurried out.
In a moment, Private Laibowitz materialized
in the doorway. "What is your diagnosis, Doc?"
"It is customary," said Captain Newman coolly,
"to greet an officer in the morning by saying,
'Good morning, sir.' "
"I said 'Good morning, sir,' yesterday."
"How time flies."
"You don't have to hide your emotions from
me, Doc," said Laibowitz cryptically and left.
AFTER dinner that night, Captain New-
man returned to his office and left the door
wide open. But Tompkins did not appear. He
did not appear the next morning either, nor the
next. Every time Laibowitz caught Captain New-
man's eye, he looked disgusted.
One night, just as Newman was about to go
home, the short, defiant Corporal appeared in
the doorway with his guitar. He looked a little
unsteady. "Hello, Jim," said Newman.
Tompkins snorted. "I guess you didn't want
to hear me talk after all, Doc, huh?"
"Why do you say that?"
"You didn't come to Rec Hall."
"It's better to talk here."
"Not for me, it ain't. You come alone, an' if
I'm swacked enough—" Suddenly, Tompkins
dropped the grinning mask of his deception, his
face gaunt, and cursed, muttering, "It ain't purty,
Doc. Jeeze, it ain't purty."
Newman nodded. "No, it ain't, Jim. It ain't
purty at all."
A light flared in Tompkins' eyes and burned
out the panic. "I ain't beggin', see? You want me
to talk, you know where you can find me. God-
dam you, Doc!" Tompkins swung his guitar into
the air and lunged out of the door.
The next morning, Private Jackson Laibowitz
announced, without warning, "It is my opinion
that Tompkins is ready for treatment."
"Laibowitz—" Newman began, "—it is not the
function of a wardman to advise the chief of
the neuropsychiatric service—"
"From peasants I expect pride. From psychia-
trists I expect imagination."
"Jackson!"
"You say that like in front is written 'Stone-
wall.' " He hated to be called Jackson; he re-
sented being addressed as Laibowitz; he felt the
warm, redeeming glow of equality only when his
Captain called him Jake.
62
THE GUY IN WARD 4
"You must get it through your head," said
Newman firmly, "that I know what I'm doing."
Laibowitz shrugged. "Who doesn't?"
Captain Newman said carefully, "Tompkins is
not ready to talk. He wants me to come to him.
If I do, he'll interpret it as a triumph—"
"So let him. All his life a loser, this once throw
him a hand."
"Laibowitz, will you listen?"
"What am I doing," cried Laibowitz, "skiing?"
New man sank into his c hair, wondering for the
thousandth time what it was about Jackson
Laibowitz that could drive you to despair— in-
transigence? arrogance? pride? the inability to
conform? the wild joyousness of dissent? an
egomania so vast, so impenetrable that— whatever
it was, it was a force that was unyielding, un-
reachable, unswayable. It was, by God, the sort
of thing that had made our countr) strong.
"Listen, Jake," Newman sighed. "Tompkins is
\ei\ sick. I can't help him as long as he makes
a contest ol this, as long as he sets up tricks to
test my strength." He wondered— vaguely— why
in hell he was taking the trouble to tell Laibowitz
all this. "Tompkins will come to me when he's
ready, really ready; when his defenses against
asking for help crumble, when his suffering sur-
mounts his hostility, when his need overwhelms
his tear. Then— perhaps— I can help him."
Laibowitz listened to all this with the air ol a
savant grading the recitation ol a precocious
student, cocked his head to one side and pro-
nounced judgment. "Doc, you have changed my
whole opinion ol the case. Have some cookies."
That afternoon, when Captain Newman re-
turned from lunch, he found a sealed envelope
on his desk, addressed:
Big shot
Cuckoo Scpiad
Inside, on the back of a prescription blank, in
a cramped, childlike hand, was printed:
Rec Hall. Tonight. After Lights.
Jim T.
P. S. Please come, Doc.
AFTER the lights were turned out in the
wards, that night, Captain Newman went
down the ramp that led from Ward 8 to the main
building of the hospital. Several table lamps
were burning dimly in the empty Rec Hall.
Newman turned them off and went to the
farthest corner and sat down in a wicker chair.
He turned that lamp on, picked up a copy of
Baseball, and waited.
In a moment, he heard a shuffle near the side
door and a hoarse, he aw whisper. "Doc . . . turn
off the light."
"Not yet, Jim. Come in."
Tompkins hesitated. The guitar hung limply
at his side. "They'll gig me il they find me in
here."
"I'll take care ol that."
Tompkins entered slowly and dropped into a
wicket locker, putting the guitar across his knees,
Studying it. "You like to hear the gee-tar, Doc?"
"I'd rather you talked."
"I can't talk unless I play!" 1 ompkins blurted.
"Goddammit, 1 ain't even swacked. Wait. I'll—
oh Jeeze." Tompkins struck some angry chords
on the guitar. "Hell, Doc, that's a lie. Little
Jim's swacked already. 1 got me tanked up good
before I come in. That's a fact." He was pluck-
ing out a melody that sounded like a hundred
other songs from the hills two thousand miles
away. "Oh, Jeeze. Oh, Jeeze, Doc. I feel it
acomin' on. I'm gonna talk. An' it ain't purtyl
I want to fergit it. I got to fergit it!"
"You can't," said Newman. "You can't really
forget until you've remembered."
The fingers on the strings arched like talons.
"Hey, that's pretty good, man. That's pretty
damn good! Well, Tin not gonna tell you, see-
not all ol it anyway. . . . Jim da Silva, that was
his name. Big Jim, an' one hell of a flyer. Man,
could he handle that crate! Only guy in the
whole goddam outfit knew how to handle a
B-24." He gave the foolish, vacant laugh oi
inebriation.
"I'd get me loaded every damn night, hidin'
in different places, every night before we had to
go up. Know what il means if you don't show
up for a mission, Doc? But Little Jim always
showed up. Yup. You know why? 'Cause he'd
find me. Big Jim. No matter where I'd hide,
I'd feel this big paw shakin' me and hear that
bastard's voice saying', 'Come on, kid, time to go.
This is Big Jim. Come on, Little Jim, we got
to take a ride. We got to kill us some Jerries!'
An' I'd open my eyes and see that guinea grinnin'
at me, an' I'd say, 'Yeah, man, you're Big Jim an'
I'm Little Jim an' no one's ever gonna get us
two.' An' he'd pull me to my feet and walk me
out that goddam field and get me in that goddam
crate. . . . Only buddy I ever had, Doc. Only guy
ever took care of Little Jim. An' I— I—"
lire tears began to course down his cheeks.
"Goddam it, Doc, don't let me talk no more!
Please. Stop me. If f remember about Big Jim,
I'll— blow— my— top. Tin tellin' you, I'll blow—
my— top! Stop me, Doc. Please stop me. I'll
A STORY BY LEO ROSTEN
6!
smash up that lamp and throw around them
chairs and push m' fists through all the goddam
glass in the windows!"
"Sure," Newman growled with deliberate harsh-
ness. "You'll smash up the lamp and throw
around them chairs and push your fists through
all the goddam glass in the windows. And it
won't help one bit, boy. Not one goddam bit.
And you know it! You've done it before, and
it didn't help; and it won't help now."
Tompkins looked at Newman with bleary eyes,
sobbing. "That's where the flak-juice comes in,
don't it?"
"Yes."
"Oh, Jeeze," Tompkins moaned. "I'm in a
sweat. I don't want to think of it."
"But you're thinking of it all the time, day
and night, week after week, month after month
after month. You can't stop thinking of it."
"It ain't true!"
"That's why you play the guitar— to use up your
thoughts. That's why you fight off sleep— so you
won't dream. That's why you get swacked— to
deaden memory." Newman changed the timbre
of his voice abruptly. "What a stupid way to
live! What a goddam stupid way to live!"
Tompkins was crying, fumbling with the
guitar, fleeing down the avenue of tears.
"When did it happen?" asked Newman. "Come
on, boy. When?"
Tomkins sniffled. "Last time up . . . Novem-
ber 17. We took off, 6:05. Me an'—" he caught
himself and cried, "Yeah! You're right! I'm
goddam stupid. I'm a no-good yellow-belly who
—oh— Jeeze, okay, Doc, gimme the flak-juice. I'm
askin' for it. Give it t' me. Please. Right now!"
Newman made himself yawn and got to his
feet slowly. "Okay, Buster. Come to my office
tomorrow. Around eleven."
Tompkins regarded him with astonishment
and distress. "You ain't gonna do it now? Right
now, when I'm askin' for it?"
"Nope. I'm bushed. I'll see you tomorrow.
Eleven o'clock."
Tompkins wiped the corner of his eyes with
the back of his hand. "Sure, Doc. Anything you
say, Doc."
Newman started for the door. Tompkins was
not following him. He was nestling down in the
chair, working his shoulders like a cat. Newman
paused, frowning, then pushed his voice into the
simulated emotion of a shout: "Goddammit,
Tompkins, what's the matter with you? Why
don't you go to bed? Haven't you beaten your-
self up enough for one night? Don't yon have
any pity?"
Tompkins gave a cry, leaping out of the chair.
"Okay, okay, don't blow a gasket! I'm goin'.
Jeeze, they sure picked the right guy to boss the
loony squad!" He staggered past Newman with
a clutter of elbows and knees and unguarded
emotion.
He was halfway to Ward 4 when he reeled,
hiccuping, stumbling, trying to use the guitar as
a crutch, sinking at last to the floor like a melting
candle. Captain Newman called for an orderly
once, twice, but no one answered; so he picked
up Corporal James Bowie Tompkins and carried
him down the deserted corridor through the
doors to Ward 4, the guitar still clutched in
Tompkins hand. As he put the limp, surprisingly
light body down on an empty bed, he heard the
boy mumble: "Hey . . . Big Jim . . . knew you'd
come back . . . thanks."
FROM 10:50 to 10:59 the next morning,
while Captain Newman was finishing his
rounds in Ward 8, Private Jackson Laibowitz
kept clearing his throat, groaning, hacking, look-
ing at his watch, making grandiose references to
the passage of time, announcing at last in a bell-
like tone, "It is eleven o'clock."
"Why didn't anyone keep time for me before?"
Newman asked dryly.
"Before," said Laibowitz acidly, "you were sur-
rounded by apple-polishers. Now you are assisted
by realists."
"How did you find out Tompkins is coming?"
64
THE GUY IN WARD 4
Laibowitz blinked his eyes with monumental
innocence. "In case he'll need flak-juice, I boiled
ill your needles. Yon want I should help yon?"
"I want you should attend to your own work."
"Progress does not come from turning down
talent," said Laibowitz darkly.
Newman went to his office. Tompkins was not
sitting in the (hair this time. He was standing
jusl inside the doorway, pale as a blotter, his
shoulders turned inward, not carrying his guitar,
his face harried and anxious. "Let's git goin'. I
want to git it over with.*'
"Okay. Lie down, |im. On the cot."
"You— gonna squirt the stufl in me?"
Newman picked up a hypodermic. "Yes. This
is no different from any other shot. When I tell
you to, st. u t c ounting— ba< kwards, from 100." He
pulled 20 cc of a 2y<> per cent solution ol sodium
pentothal into the needle, put a tourniquet on
Tompkins' arm to make the vein bigger, and
rubbed a swab of alcohol on the skin above it.
"Ready, Jim?"
I ompkins swallowed, a ring of sweat forming
on bis neck like a bracelet. "Roger."
Newman jabbed the needle into a cubital vein,
depressing the plunger gently. "Start counting
. . . backward."
Tompkins emitted a brief "Oh!" then a sigh,
then began counting: "Hunderd . . . ninety-nine
. . . eight . . . seven . . . six . . . Hunderd— hey,
where am I? . . . forty . . . oh . . . give me more
. . . good . . . seven . . ." By the time the cali-
brated plunger showed 16 cc. had gone into
Tompkins' vein, the boy was making obscure,
muttering sounds and tossing his head. His
mouth opened and his lips made faint sucking
movements; his breathing changed, deepening,
devoid of control, devoid of apprehension, as the
narcotic cloak enveloped him. It was 11:04.
NO W Newman leaned to Tompkin's ear
and began to talk, softly, his voice in-
finitely reassuring, mimicking the accent and
inflection of the boy on the cot: "Okay, Jim . . .
we're goin' up now . . . okay. It's Tuesday,
November seventeenth— 6:05 in the morning.
Come on, Little Jim. We got to take a ride. We
got to kill us some Jerries. . . . Man, that crate's
all warmed up . . . we're in it . . . ready . . . Let's
go, boy . . . come on . . ." His tone was coaxing,
wooing, promising, in its very hushed resonance,
that all would be well, that pain was agoniz-
ing but not fatal, that it was not an end of days
nor a floodgate of punishment and horror, that
it was safe to enter the past again.
Tompkins' head moved from side to side, and
he moaned. "Oh, feeze ... no ... I don' wanna
go up. This one's a sweat job. . . . Okay, Big
Jim!" he shouted. "Here we go . . . hot, it's so
hot. Hi, Ruck, you gonna get fried the minute
we get back? . . . Goddam them motors. . . . Up—
up—uj). Go— Jim— up.' Jee/e, won't he never get
this goddam coffin off the groun'— yih! We're up!
. . . This is a cinch, sure. Nothin' comin' at us,
nothin' shootin'. Gunner to pilot; gunner to
pilot: 'Okay il I take a practice shot? Roger.'"
Tompkins' hands c aine up as if he were moving
a big gun, sighting, and his voice imitated a burst
of gunfuc. "Pr-r-r-l P-r-r-r-! . . . Shoot the
breeze . . . Cine by . . . What's that? Down
there! No, oh, Jecze, comin' at us! Go back!
Cap, please, the flak . . . Where? Four o'clock.
M.E. 109 .. . You dirty murderin' Heinie— "
His whole body shook as, holding the imaginary
gun, he rattled off a burst of fire to the Messer-
schmitt that was once more coming in at four
o'( lock.
"I got him! Jim! Look't 'im bust open. He's
goin' down! Burn! Yellow bastard! Burn!" He
stopped, burbling, and screamed. "We're hit! . . .
Oh, no! Omigod. Oh, Jesus! Dear Jesus. Save
me, please, God. I'll be good. I'll be a good boy
. . . The number 2— We're droppin'. Ma! We're
gonna crash! Jim! Pull 'er up, up please—
lookout!"
A long, attenuated "Oooooh!" of terror, the
sound pulled out like taffy; then a scream from
the boy, bis face gray paste, dripping with sweat.
his head jerking, tossing, turning, a bubble of
foam trickling out of the corner of his mouth.
Captain Newman leaned closer and depressed
the plunger he had never removed from the boy's
vein, sending another cc into the vein, murmur-
ing. "C'mon. Okay, boy. C'nion. Little Jim.
You're down. You crashed. You're in that
plane." He withdrew the needle.
Tompkins' hands flew up over his head and
grabbed the iron rung of the cot. "Smoke! Lemme
out! Oh, Christ. We're burnin'! Out— out!" He
pulled himself against the frame of the cot,
straining, bulging his arms, astonishingly quick,
his body trying to repeat an earlier escape
through a hatch. "Oh, Jeeze. Outa my way-
Buck! Mother o' Cod, he ain't got no head!
Buck! Oh, God! Put bark his head. Please— some-
one—he don't look right. Fire! Tanks. They'll go.
Get out . . . Pull . . . up . . . I'm out! Yay!
Jump! Run . . . What's that? . . . Who's yellin'}"
Tompkins' face and arms and writhing body
froze, just as the voice from the burning plane
had frozen him that morning as he'd run away.
"Big Jim— still in there— callin'. 'Little Ji-i-m!' '
#v»
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Follow the signposts — a carefree way of touring Britain
SUPPOSE you saw Milton Abbas on a
signpost. What would you expe< t to
find; A poet's paradise? You wouldn't
be far wrong. 1 he village in our picture
is Milton Abbas in Dorset. It's not far
from Ryme Intrinsica and Melbury
Bubb. What visions do they suggest?
Motorists in Britain can carry on this
guessing game indefinitely, [ohn Betje-
man, the poet, is an expert. T> him, the
names are music. "Lord's Day hells from
Bingham's Melcombe, [werne Minster,
Shroton, Plush Down the grass between
the beeches, mellow in the evening
hush . . ."
Of course, your guess won't always
be right. Just as well perhaps. What on
earth would you expect to find at Blub-
berhouses, Wi angle, Sinwelland Ugley?
The latter isone of the prettiest villages in
Essex— the county that Constable lov
For pure euphoria, you can't do bei
than Warmley, Idle and Inwardlei
And we throw in Adel cum Ec<
Bwlch, Plwmp and Bishops Itching
merely as a fillip to see your travel age
Spring and Fall are by far the 1
seasons for touring Britain. The re
and hotels are uncrowded. You'll pi
ably have Nether Wallop all to yours
For free illustrated lite in I me. see your travel agent or write Box 1,1. British Travel Association.
In New York — 336 Madison Ave.; In Los Angeles 606 South II ill St.; In Chicago— 39 South La Salle St.; In Canada — 90 Adelaide Street West, Tore
Tompkins' voice spilled out in a thin, high echo-
ing wail. " 'Help . . . Save me. Little Ji-i-m.'
Go back! Pull him out— but the tanks . . ." From
the boy's mouth came a whooshing, hollow roar
like the roar of a plane catching fire. "Run!
Run! Run!"
Tompkins' head snapped sidewards, insensate,
and his lips parted and sound rattled in his
throat and he lost the consciousness he had lost
once before.
Captain Newman watched him for a moment,
hearing the rasp of his own breathing, feeling the
sodden weight of silence, and he felt the perspira-
tion running down his face. He stared at Tomp-
kins absently, his face sagging, and he could feel
the blood squeezing into his legs. It was stifling
hot in the room. He unbuttoned his collar and
stood up and opened the window. The sun was
hammering on the drum of the sky. He wiped
his face with his hand and looked at his watch.
It was 11.-13.
He felt dry and spent now. He wondered how
much men can endure— how much fear and
terror and unutterable pain. "God . . ." he
thought. No. In this universe of another man's
soul he had entered, God was silent. He felt a
sudden rush of protest. He was no angel of
deliverance. He felt suddenly alone, abandoned,
and unaided in some darkening arena where
beasts of horror roved. "We ask too much of
them," he thought. And who was he of whom
they asked so much— in strength and insight's
intercession?
He wiped his throat and neck with a towel
and noticed that his hands were shaking. He
poured some water into a glass from the carafe
his orderlies had given him for Christmas, and
dipped his handkerchief into the glass and cooled
his temples. He got a cigarette and was about to
light it, but put it down, troubled, looking at
Tompkins.
In time, Tompkins gave a massive, arching
yawn, and stretched his arms and rubbed his eyes.
"Jeeze ... I musta dozed off."
"Mmh."
"Jeeze, I feel tired. Best I slept in months."
Tompkins sat up, yawning, and moved his feet
to the floor. He noticed the stains on his shirt
and pants. "Chris", I'm sweatin' like a pig. That's
what I'm sweatin' like— a goddam pig."
"How about a cigarette?" Newman held the
pack out and Tompkins yawned again and took
a cigarette, mumbling, "Man, I musta got me
ten, twelve hours shut-eye." He yawned and
rubbed his eyes again. "Hey, Doc, d'l talk in m'
sleep?"
A STORVBY LEO ROSTEN 65
"Uh, huh."
He hesitated, blinking his eyes; then he licked
his lips nervously. "What d'l say, Doc?"
"Omigod," Newman groaned, "every one of
you guys thinks you're so damn special. I'm not
passing out any prizes for suffering! And if I did,
you wouldn't even be in the running. Hell, I was
expecting stuff would blow me right out of my
seat. No, you're not even in the running. I've
got guys in that ward make you look like Little
Miss Muffet."
"But I— Big Jim-"
"I know all about it," said Newman harshly.
"Come in tomorrow. Now get the hell out of
here and run around the track or play some
volleyball. I've got work to do."
Tompkins grinned weakly and left. He was
whistling.
In several minutes, Private Laibowitz entered.
He studied Captain Newman and sat down with-
out a word. After a while he ventured, "That
kid from Kentucky. It wasn't pretty, huh?"
Newman glanced out of the window. The
heat was shivering across the face of the earth.
"No, it wasn't pretty, Jake."
WHEN Tompkins came into Captain
Newman's office the next morning, he
was strutting. "Hi, Doc!" he called, tilting back
in a chair, putting his feet up on Newman's desk.
"Feel great this morning. Shoot."
Newman surveyed Tompkins icily. "Take your
goddam feet off my desk, soldier. And don't ever
pull that kind of stuff on me again."
Tompkins brought his feet down to the floor
with a slam, his eyes simmering.
"When you're here," said Newman, "you'll
show respect— for me, and for yourself. I'm not
going to let you cheapen any guy who did fifty-
two missions and wears all that spinach on his
chest! Listen. I'm going to help you— even if you
fight me every inch of the way. I can be just as
rough on you as you are on yourself. So let's take
the gloves off and give you a real good shel-
lacking."
Tompkins glared at him in silence.
"Attaboy," said Newman sarcastically. "Keep
torturing yourself. Keep blaming yourself. Keep
rubbing your face in it. . . . So you ran away
when you heard Big Jim yelling . . ."
Tompkins turned ashen and half rose. "Stop!"
"Stop?" Newman asked in astonishment.
"What the hell for? Are you the only guy in the
world has a right to treat you like a dog?"
"I ran out on him!" cried Tompkins. "I let
him die! There wasn't a piece of him left even
66
THE GUY IN W A R I) 4
to bury— and that's whai / did, see! Vnd it wasn't
purty! And I ain't nevei gonna fergil ii never,
never, ih \ ei I" 1 [e pounded the desk with his list.
Newman nodded. "Good. Now we're getting
somewhere."
"I'm no good!"
"You sure ain't."
"I'm a goddam low-down yellow-belly coward!"
"Right.'' s.iid Newman. "You're not worth the
ammo to shoot your brains out. You nevei did .i
decent thing in your life. You nevei Hew no
fifty-two missions. You never got no Purple
Heart. You never won three combat citations."
Lay off-"
"You were stared when that crate crashed—
like any other gu) would be. But Jim Tompkins
isn't allowed to get scared, is he? You ran for
your lite — like am othei guy would. But Jim
Tompkins isn't allowed to be human, is he?"
"I shoulda gone back! I shoulda pulled him
out!"
"Right. You shoulda tried. But what makes
you so damn sure you'd been able to pull him
out?"
Tompkins looked up. "Huh?"
I he plane wotdd still have exploded— and
blown you, too, into all those little pieces no one
ever found. So the ferries would have chalked up
another guy— a pretty sharp gunner, fifty-two mis-
sions. That would have been smart, wouldn't it?
Handing the bastards who shot down Jim
another guy on a platter, for dessert."
"lint-"
"Stop interrupting!" Newman hit the table
with his fist just as Tompkins had done. "You
heard Jim's voice and turned and saw the plane
and the llames and you froze— like any guy who
isn't off his rocker wotdd do. That was being a
rat, wasn't it, a yellow-belly who always runs out
on a pal crying for help—"
"No! I once dived in a burnin' cockpit-
dragged out a guy—"
"Oh, let's not put that on the score card,"
Newman said ironically. "Let's not let Jim
Tompkins off the hook, boy. We got to punish
that Tompkins real hard. After all, he personally
shot down that B-21 himself—"
"Me? You're crazy! It was flak— Messer-
schmitts."
"Oh," said Newman with a grimace of dis-
appointment. "I thought we could hang the
whole crash on you."
"That don't make sense!"
Newman hesitated, nodding, shifting the level
of his voice: "Neither does what you've been
doing to yourself." He leaned back and let the
silence hang in the air and lighted a cigarette,
"You feel guilty? You should. You need to
suffer? Go ahead. But let's figure out a reason-
able amount ol miser} to pa) oil that guilt. . . .
Jim, I've got an idea. \\'h\ don't you (hop off
your loot?" Tompkins' e\es widened and he
stared al Newman. "You heard me, boy. Why
don't you go out and get an axe and chop olt
youi loot?"
"I don't git it."
"How about your hand, then? Lots of guys
pa) ofl with an 'accident'. You can, too. Go out,
gel c.uelcss."
"Don't talk c ra/\ !"
Newman shrugged. "Is a hand too much?
Then how about some toes? Or a finger? f think
that would—"
"Stop! None of that'll bring Big |hu back!"
Tompkins cried.
"And neither will what you've been doing to
yourself," said Newman quietly.
Tompkins looked up, bewildered, gaunt, and
buried his lace in his hands and wept. Newman
let him weep and weep and weep, until Tomp-
kins moaned into his hands, "Oh, Jee/.e. Me
< l \ in'— « l \ in' like a kid."
"It's about time. You're crying for Jim. You
ought to. You loved him. And he's dead." New-
man paused. "You can let yourself feci now, Jim.
That's good." He looked at his wrist watch.
"Well, have we beat you up enough for one day?
Wash your lace and get some coffee. . . . See you
toiuoi low."
EV E R Y day at eleven, for a week, Tomp-
kins came to Captain Newman. And every
day— in varied ways, with varied intensities— New-
man acted out the role ol another man's relentless
conscience. He knew that only by taking over the
harshest features of the harshest self could he
reach a man whose self had closed itself off to
mercy.
Each night, as he lay sleepless in his bed, New-
man thought of the next clay's requirements: he
would have to present Tompkins with the naked
image of his own self-hatred, his own unreason-
ing harshness. And when punishment had run
its course and pain cried out for surcease, he had
to offer the boy a new conscience, a conscience
which could replace and relax the frightful
demands ol the old.
Yet it was not these thoughts that tore deepest
at the fabric of Captain Newman's sleep. These
were insights from which to shape a design for
healing-. It was something else that reached
through the darkness to rend his heart. "If I
A STORY BY LEO ROSTEN
67
let him stay sick, the boy will live. If I make him
well, the boy will die . . ." For Newman knew
that if what he was doing succeeded, Tompkins
would surely ask to go back into combat. But
if he let Tompkins stay ill— a bundle of incapaci-
tating guilt, a ball of internalized hate— the boy
could live on in Ward 8 until this war, and per-
haps another, would end. "My job is to make
them well," Newman thought, "well enough to
get killed."
Was this the goal of his calling? Was this
what he had dedicated himself to?
ON E morning Tompkins came in late and
said, straight off: "Think I can get back
overseas, Doc?"
Newman felt the beat of his pulse quicken.
"Why?"
"It figgers that way, that's all. / didn't kill Big
Jim. You know who did? The Jerries. Them
goddam Nazzies. So I want another crack at
them, Doc. To even up the score. Whadya
say? You goin' to fix it for me to git back to
some shootin'?"
That was the moment Newman had hoped for,
wanted, hated, dreaded. "I hear the missions
are getting rougher and rougher," he said.
"Bound to."
"A lot of our guys are getting shot up."
"Sure are."
"You can get your goddam head blown off in
one of those raids," said Newman.
Tompkins shot him a quick look. "You sure
can, Doc."
Newman took a moment to pour some water.
"You know you can stick around here a little
longer . . ."
"Nope, Doc. I got to git out of here. A couple
more missions, Doc, that's all I want."
"Why?"
Tompkins hesitated. "I jest owe it to Big Jim,
I guess. And them other guys that went down
with him."
Ten days later, Corporal James Bowie Tomp-
kins, AAF, gunner, was shipped out, out of the
hospital, off our post on a desert palpable with
heat, to an Eighth Air Force squadron some-
where in the green and mist of England.
It was two months later, just after Easter, when
the heat was beginning to crack our lips and each
night came on wings of blessed chill, that Lai-
bowitz came rushing in with a letter from a
pal in England: Corporal James Bowie Tomp-
kins, of Boonefort, Kentucky, was in the lead
plane on a block-buster raid on Berlin, had shot
clown two Nazis, and was last seen going down
3RY5DN
with nine comrades in the pyre of a Flying
Fortress, down, doomed, headlong, flaming.
"Christ, Doc," cried Laibowitz, "you saved that
boy."
Captain Newman went into his office and
closed the door. He wanted to lock the door,
but he didn't. He wanted to take a drink (it
would be wonderful to get drunk) but he didn't.
He sat down in his chair and turned it so that
his back was to the door and he stared across the
parade grounds into the baking and merciless
sunset. His temples were throbbing, his throat
parched, but he could feel his palms breaking
into sweat. And even then, he made himself
remember that his next patient— a panic-ridden
Major from a fighter group— would be plunged
into unutterable despair if good old Captain
Newman kept him waiting.
Harper's Magazine, May 1958
Judire Samuel H. Hofstadter
and Arthur Herzog
Common Sense
about
ALIMONY
Our out-of-date divorce laws ignore
the facts about modern women —
and do a lot of unnecessary harm
both to them and to their ex-husbands.
LAST year a husband and wife in their mid-
thirties who had been married for five years
and had no children sought a divorce in Florida
on grounds ol cruelty. It was granted, and the
husband was ordered by the courl to pay his
ex-wife $30 a week alimony. He, as it happened,
made 3100 a week, out of which he helped to
support Iiis parents. She, on the other hand,
earned $150 a week at an advertising agency
and had no dependents.
This preposterous courl decision is not, un-
happily, an isolated instance but rather typical
of our current divorce laws all over the country.
\s a result there is a new and growing class in
our society which might be called alimony
drones— women who, regardless ol their own
abilities or resources, depend on their former
husbands as their major or even sole means of
support. Since the great majority of divorces
occur within the first five years ol marriage and
65 per cent do not involve minor children, most
ol these women are in a good position to provide
for themselves, il only they were required to do
so. Yet in almost all ol the divorces granted the
husband is required to pay alimony.
Theoretically the amount is based on several
factors: the man's ability to pay, the couple's
previous standard ol living, and which part) is
at fault. In practice, the husband's bank account
is usually the crucial element. (The rule-ol-
thmnb figure mentioned bj experienced attor-
neys is about one-third of die man's income.)
The other side of the coin — the wile's age, in-
come, earning potential, and the duration of
the marriage— is; not sufficiently considered by
the courts. So a voting California woman can
feel free to ask, as one did recently, $1,500,000
after one week ol marriage.
The effect ol this state of affairs on the men
involved is obvious. What is not often realized
is that excessive alimom can also be harmful
to the women who receive it. A lew years ago
a man in show business making $30,000 a year
agreed to give his thirty-two-year-old wile $10,000
a year, one-third ol everything he earned over
$30,000 (which turned out to be a substantial
sum), and all property held between them, in-
cluding a car and a house. He further pledged
to keep up the mortgage payments on the house
and tin payments on his life-insurance policy
of which his wile was the beneficiary.
The man in this instance has plenty of money
left, though he may well wonder what will hap-
pen to him if his ratings tumble. Alimony ar-
rangements, when privately settled by separation
agreements, as these were, are fixed and cannot
often be changed by the courts— even if the
man no longer has the income to make the
payments.
Though the wife in this generous arrangement
did not get cpiite enough to send her to Paris
for her clothe-s. still with no dependents she
could comfortably winter in Florida and summer
at Cape Cod. Hut her underlying problems
seemed to be aggravated by the alimony. She had
no pleasant memories of her marriage and little
faith in her ability to succeed in a new one.
Furthermore, she was afraid of risking her finan-
cial security. So she entered into one romantic
situation alter another, only to back out at the
first suggestion ol marriage. Alimony has kept
this woman from putting herself in a position
where she would be forced to reorganize her
life on a new and better basis and to deal
actively, not passively, with experience. She does
not work and has developed no talents. She can
neither reject the past, accept the present, nor
anticipate the future.
At, the other end of the scale, our present
procedure of treating almost all divorce cases
alike, instead of each one for what it is— a
highly individual problem in domestic relations
BY JUDGE S. H. HOFSTADTER AND ARTHUR HERZOG
69
—may leave a woman who actually needs it with
too little alimony. Given poor legal advice or
a husband who lies about his income, a woman
who has given up her own career, contributed to
her husband's, and borne him children may not
get enough money to live on comfortably, al-
though her husband can well afford to pay.
Other women who refuse to identify themselves
with the victimizers of husbands may forgo ali-
mony altogether. There are many such cases
where alimony was badly needed, but there was
no public agency available to advise the women
about it.
MODERN VS.
MEDIEVAL WOMEN
OU R matrimonial laws are what they are
today because the law, ever slow to
change, does not quite believe what statistics tell
us about modern women. Alimony was originally
an innovation of the English ecclesiastical courts,
meant to provide for wives in the days when
there was no such thing as absolute divorce. The
best the courts could offer, and this only on
i proof of the gravest fault, was a separation a
\mensa et thoro—hom bed and board. The sepa-
ration was physical, never financial, and the hus-
band paid "alimony" (from the Latin "to nour-
ish") in view of his continuing marital obliga-
tions. Neither spouse could re-marry, nor, of
course, could the husband assume the responsi-
ebilities of a new wife and children, as so often
happens today. Since the wife— who had no legal
identity apart from her husband's and could not
■own property— had no way to support herself,
lit was her husband's job to see that she did not
I become a public charge.
Today, of course, there is absolute divorce
Imd women's equality has been established by
llaw, custom, and economics. It is estimated that
livomen control 70 per cent of our national
l.vealth; and of our twenty-one million women
[workers, two-thirds are married. Although there
Is not yet complete equality of opportunity for
Iwomen, a woman who is young enough and
|<vants to work can support herself— often as well
lis a man can.
In this kind of society, alimony has severe
I Psychological drawbacks for both parties. It
perpetuates a relationship both would like to
lever. A woman who has always thought her
Biusband was stingy finds additional fuel for her
linger in his reluctance to pay alimony— or as
Inuch alimony as she feels she deserves. A man
Ivho has complained about his wife's extrava-
gance is confronted by fresh evidence every time
an alimony payment is due. In both cases, the
original dislike or irritation can deepen into
something close to truly pathological hatred and
vindictiveness. A woman may take perverse
pleasure in her new power to force her husband
to do something he doesn't want to do; or she
may try to punish him for past wrongs by mak-
ing it impossible for him to marry again. A man
who believes that his wife was to blame for the
failure of the marriage may fight against paying
any alimony— even if it means losing more in
prestige than he can hope to win in cash— and
end by despising both his wife and the legal
processes.
But perhaps the most compelling argument
against our present alimony practices is that,
by making it extremely difficult for a divided
couple to reconcile, they contribute to the large
divorce rate. One experienced marriage coun-
selor believes that 50 per cent of the couples
who start divorce proceedings hope that some-
thing will stop them before it's too late. Noth-
ing does. The original area of dispute between
them soon becomes a sort of legal No Man's
Land where each side is separated from the
other by snarls of legalistic barbed wire. Nego-
tiations across these barriers are conducted not
by the two people involved— unacquainted with
the law, they might make crucial mistakes— but
by lawyer intermediaries, each anxious to do the
best possible by his client, each aware of all the
worst possibilities.
In most jurisdictions, the first question to be
settled by the court— or by the spouses in mutual
agreement— is fault. As the law now stands, guilt
or innocence in ending the marriage is an im-
portant consideration in deciding whether or
not alimony is to be awarded, and, if so, how
much. Even if neither spouse is really "guilty,"
an offending party must be named; and alimony
is paid, or forfeited, accordingfy. Consequently
each lawyer will advise his client to try to make
the other party look as black as possible.
Once fault is established, it is up to the
spouses— or their lawyers— to prove how much
alimony the husband can afford to pay, if the
guilt has been declared his. If the application
is for temporary alimony, the spouses submit
the pertinent facts in affidavits. These are often
wildly contradictory. In one recent action, a
wife claimed her husband's annual income was
$25,000, while he put it at under $4,000. The
court has no facilities to make independent in-
vestigations of such conflicting claims, and there
is usually no hearing. The judge must rely on
70
( () M M () N S 1 N S E ABOUT A L I M () \ \
experience to extract Erorn ilic documents before
him some approach to the truth.
The procedure is not substantially different
when the case goes on to final courl action. \
new judge presides, both spouses and their law-
yers are present, and there are charges, counter-
charges, examinations, and cross-examinations.
Like the judge who awarded the temporary ali-
mony, the trial judge has no adequate facilities
to investigate the ingenious claims pul before
him, and almost always he reaches a figure verj
close to the temporary one.
To he sure, most alimony questions are settled
out ol court before the final trial, by separation
agreement. But the bargaining is based on the
well-known attitudes of the courts, which will
be the final arbiter it negotiations break down.
No matter how alimony controversies arc settled,
they rest on outmoded considerations which
ought to be changed.
ROUGH-AND-TUMBLE JUSTICE
OU R alimony laws should be revised in
three basic ways: First, the position of
women in the modern world should be rec-
ognized.
Second, fault— except gross fault like adultery
or willful abandonment— should be eliminated
as a critc lion.
Third, courts should be able to force the
spouses to give an accurate picture of their
finances.
The best yardstick courts could use in award-
ing alimony is what might be called the woman's
"net need"— that is, what she really needs, con-
sistent with her former standard of living, after
Ik i assets and earning power have been evalu-
ated. Where then is no true need, no award
should be made. The question of fault, except
in extreme eases, such as adulter) or willful
abandonment, should be set aside because', in
most contemporary divorces, both sides are- re-
sponsible lor the marriage's failure, no matter
which spouse asked to end it.
Finally, all courts should follow the enlight-
ened example ol Cleveland, Cincinnati, Toledo,
St. Louis, and Detroit and adopt a sociological
approach to alimony awards. The well-staffed
courts in these citie-s ie'e|iiiie both spouses to
fill out detailed financial questionnaires that
force some degree of exactness. Furthermore,
the \ are equipped to investigate the truth of the
e laims.
These reforms could be made without changes
in statutory law— that is, laws passed by state
legislatures. As most of the laws now lead,
alimony should be "adequate" or "sufficient,"
but the actual amount is left to the court to
determine. The judges work from what is called
decisional law— the body of legal theory built
up over the years by the state courts deciding
similar cases before them. In most instances the
courts themselves are free to make the needed
alterations.
Under medieval law there was a kind of rough-
and-tumble justice by ordeal in which the
parties stood with their arms crossed over their
breasts, and the one who endured the longer
was declared the winner. We are still too close
to this kind of justice in our divorce cases.
Alimony will never be an easy problem to solve,
but we can help both husbands and wives by
bringing our alimony customs up to date.
SO THAT'S WHAT'S BEEN HOLDING US BACK
W
H E N we were boys, boys had to do a little work in school. They were not
coaxed; they were hammered. Spelling, writing, and arithmetic were not elec-
tives, and you had to learn.
In these more fortunate times, elementary education has become in many
places a sort of vaudeville show. The child must be kept amused and learns
what he pleases. Many teachers scorn the old-fashioned rudiments; and it seems
to be regarded as a misfortune and a crime for a child to learn to read and
spell by the old methods. As a result of all the improvements, there is a race
of gifted pupils more or less ignorant of the once-prized elements of an ordinary
education.
-New York Sun, October 5, 1902.
Philip W. Barber
Tom Wolfe
Writes a Play
His stay at Harvard to study playwriting was
a drama in itself. . . . An old friend describes
Wolfe's explosive days there and tells of
the tragic death of the man on whom he based
one of his most intriguing characters.
IM E T Tom Wolfe when he was twenty-two
and in his second year of graduate work at
[Harvard. I was nineteen, fresh from Iowa, and
like Tom, painfully self-conscious, and hostile
ko everyone who seemed to be at ease with the
Mew England culture that we had come -so far
to absorb; it was on this basis that our relation-
ship was established.
Tom was a member of George Pierce Baker's
English 47 A (advanced playwriting) and I was
n English 47, the first year course, so it was some
A'eeks before we met. One October afternoon,
mowing few people and having nothing better
:o do, I headed for Massachusetts Hall, the red-
orick, gambrel-roofed building dating from 1700
and the oldest building in the Harvard Yard,
rlere the maintenance superintendent had his
jffices, and here Baker's famous 47 Dramatic
Workshop had been allotted space, as President
-owell considered the practicing theater socially
md academically on a level with carpentry,
)lumbing, and minor repairs. Baker occupied
tiny box of an office, partitioned off in one
orner of a large two-story open space that was
ised for building, painting, and storing scenery,
ind for rehearsals and playwriting classes.
As I crossed the Yard I saw a familiar figure
pproaching— Kenneth Raisbeck, Baker's assist-
nt and a playwriting student with the advanced
,roup. Rather fragile without being particularly
mall, he walked smoothly and gracefully, as
though he knew who he was, where he was going,
and why. At his side was a shambling giant,
hatless, without a topcoat, shaggy uncut brown
hair tumbling about, lumbering uncertainly
along, almost balancing from one foot to the
other as he tried to slow his naturally long and
rapid strides to Raisbeck's gait.
It was Raisbeck, however, who held my atten-
tion. A rather cherubic face with apple cheeks
and curly dark hair was balanced by eyes that
had an electric intelligence and were at the same
time warm and merry. I had had an experience
in class with his sharp criticism and sympathetic
insight. He joined in argument with the zest
of a seventeenth-century bravo testing his sword
in a street fight, and with the grace of a skilled
duelist. He would indifferently take on Baker
or the whole class, but abstained from group
attack on a bleeding playwright.
Now on this bright Indian summer afternoon
I felt how well Raisbeck would have fitted into
an earlier, more colorful century. He was flam-
boyantly blended in shades from wheaten to
light brown; English tweeds, tan topcoat, brown
shoes, and an elegant hat that had never been
jumped on, thrust into a corner, put under the
mattress, or otherwise made to resemble the
classic Harvard hat; these items were set off by
a yellow Malacca cane that he lightly and pre-
cisely whisked along, and by a jaunty young
Irish terrier, pure wheaten color, who amazingly
had somehow been taught perfect English man-
ners and who trotted along as precisely as Rais-
beck, wearing his bright green collar with an air.
We met near the door of Mass Hall and
Raisbeck nodded and smiled at me as though
the meeting were a real pleasure; he spoke a
few words to his terrier, hung his cane on the
low limb of a nearby tree, and as the dog settled
obediently under the cane I found myself be-
ing introduced to Tom Wolfe. Raisbeck had
business in Baker's office and he left us together.
Tom and I, still shaking hands and mumbling
greetings, looked each other over. I was re-
assured by Tom's embarrassment and awkward-
ness, and he, I imagine, by mine. We relaxed
and started tossing exploratory questions and
answers back and forth.
However far apart, Asheville, North Carolina,
and Mason City, Iowa, had given to Tom and
to me a good deal in common. Tom was like
a hundred people I had known in the Midwest.
His hunger, violence, physical vigor*, and run-
of-the-mouth were thoroughly familiar. To do
too much, eat too much, talk too much, and
dream too much were characteristics that I knew
TOM WOLFE WRITES A P L A Y
from childhood. Tom seemed flatteringly inter-
ested in me, and I answered his questions eagerly,
Inn these moments ol give-and-take conversation
were to be rare. Tom talked essays, dramas,
and narratives, and he no more expected to hear
from his audience than an actor on stage would
expect comment from beyond the footlights.
PSYCHIC CANNIBALISM
ON THIS afternoon he chose the essay
form; his topic, recent graduates of the
Workshop and the more challenging playwrights
in his own class. Philip Barry, whose comedy
writing Tom neither understood nor wanted to
understand, was demolished l>\ a beai's-paw
sweep ol heavy ridicule. Roscoe Brink, whose
charming play, "Catskill Dutch to Her," was
to be tin second production ol the year, was
next. Kindly, gentle, witty (usuall) at his own
expense), lb ink was a more difficult subject lor
Tom, so challenging that Tom was still grap-
pling with the problem ol what to make of
Ibink when he was writing the Cambridge
sequences in his novel Of Time and the River,
where Brink is lampooned as Oswald Ten F.vk.
To Henry Iiskc Carleton, latei i radio writer
of distinction, he gave his enthusiastic atten-
tion, however. A play by Carleton had been
the fust Workshop production of the fall. Deal-
ing with the itinerant workers of the wheat
harvest, it was a type ol play that Baker seemed
lo lavor— the regional charactei study. Its rather
unfortunate name, "Slug," gave bom his text,
and he joyously ripped into the plot, charac-
ters, and dialogue; the dramatic feeling was
sluggish, the characters were slugs and worms,
and spiritual inspiration absent as in the slug
■ >l a ponderous fist.
As Tom cut and caned and tore and pounded,
his excitement grew, and vitality entered into
him. His eyes, usually wary and distant, became
more prominent; his chest expanded, his voice
took on volume and power; and he held him-
self taller and straighter. His head thrust for-
ward, fiercely nodded for emphasis. Even his
shirt seemed to become excited, the drooping
points of his collar turning up and out, his
tie slipping to the side. Words seemed to be
coming into his mouth in great groups, to be
spit forth one at a time. Remembered now, it
seems virulent gossip raised to high intensity,
but Tom's lusty pleasure and pure happiness in
demolishing made his verbal brawling exciting,
even as I mentally footnoted his critical diatribes
with dozens of tactual exceptions.
At some moment during Tom's ps\chic can-
nibalism Raisbeck had reappeared. He did not
like Tom's performance. His face was tight,
his eyes blank, as though l>\ mechanical control
he had tinned oil his human reactions. Some-
how he dammed the How ol words. Perhaps it
was siinph thai loin, with his terrible sensi
tivity, grasped the unspoken disapproval. They
went oil across the Yard together, Raisbeck
leaving the feeling ol a warm smile behind, Tom
waving back at me with a sweep of the arm,
and the Irish terrier trolling at Raisbeck's heel.
During the winter 1 saw little of Tom beyond
greetings in passing, a wave, or a nod. In April,
however, I began to spend three or four hours
with him daily. Baker had put Tom's play,
"Niggertown," into rehearsal, chastely rechris-
tened lor Cambridge audiences, "Welcome to
Our City," and I was stage manager. Tom's
pla\ was an bout -and-a-hall overlong, by pre-
O'Neill standards, and Tom had refused to cut
it in advance of rehearsals, confident that the
enthusiasm ol the actors lot his lines, and the
sheer magic of his writing would work a spell
on Baker. Professor Baker, with his firm belief
that all human beings, even playwrights and
actors, were susceptible to reason, was equally
sure that the need for drastic cutting would be
evident to Tom as soon as the play was "on
its feci.'
The first days of reheat sal were without in-
cident. The principal actors read through the
play, sitting in a semicircle in the paint-spattered
wooden chairs, the same chairs we used for play-
writing class. A single droplight provided illu-
mination, but breaking with theater tradition,
this "work'' light was shaded, and cast its light
in a great pool, leaving most of the two-story
room in shadows. Baker sat well inside the circle
of light, facing the actors, his script resting on
a narrow wooden table. A little to the side of
Baker was the stage manager's table, where I
laid my script, pencils ready lor cuts or notes.
Tom sat close by to glance at my script, though
he never did. He must have known every line
in the play by heart.
Beyond us in the shadows the scene-docks
loomed, filled with scenery of past productions.
There was a smell of paint and glue and lum-
ber, wonderfully unlike classroom or college.
As the actors started their readings, Baker
leaned forward eagerly. His eyes, flashing be-
hind his beribboned pince-nez, darted back and
forth from script to actors' faces with a driving
will, occasionally illuminated by an expression
of sardonic humor.
BY PHILIP W. BARBER
73
Tom lounged back in one of the small chairs,
stretched out almost horizontal, as though to
bring himself down to the level of the rest of
the world; at times he would lunge upright,
twisting sideways and winding a long arm
around the back of the chair; and then rest-
lessly he would throw himself forward, chin on
his fists, elbows on his knees, but always intent
on the words issuing from the actors' lips. He
was quick with joyous laughter at a line he
considered humorous. This pleased the actor,
of course, and irritated Professor Baker.
ACASSIZ HOUSE THEATRE
MAY II an.l 12, 1923
The 47 Workshop
l'HI'.SF.NTS
WELCOME TO OUR CITY
A PLAY IN TEN SCENES
BY
THOMAS CLAYTON WOLFE
TOM'S play was exciting to me because
it struck savagely at the pretentiousness,
hypocrisy, and cultural absurdities of a small
town that happened to be in the South but
might as well have been in the Middle West.
Woven through the play is a satire on boost-
ers and Babbitts— the secretary of the Board of
Trade and other representatives of the com-
mercial interests of Altamount— who are all
hell-bent for bigness and regard size as the
essence of "Progress." From time to time Tom
stopped the action of the play and used minor
characters to lambaste the YMCA, politics, the
Governor of the state, and the local community
drama group.
But all these lampoons and satires are side-
show entertainments. The dramatic heart of
the play is the struggle between Mr. Rutledge,
a Southerner of the magnolia and Grecian col-
umns tradition, and Dr. Johnson, a mulatto
doctor who now owns and lives in the old Rut-
ledge family home. Rutledge is negotiating to
regain possession of the house when Dr. John-
son discovers young Lee Rutledge seducing his
daughter. He "insults" the boy by "laying
hands on him" and angrily refuses to sell his
home to the boy's father. The "insult" is
eventually revenged by young Rutledge (in the
uniform of a National Guard officer) who shoots
Johnson during riot duty in Altamount, and
the disputed house is burned by white rioters.
Tom's portrayal of the white hypocrisies and
injustices to the Negro seems modern, but he
is fascinated by the old aristocratic tradition,
and it is largely the "white trash" whom he
makes responsible for what is ugly in Altamount.
Dr. Johnson is a Negro of strong character
and intelligence, Tom leads us to believe, only
because of his white heritage. The aristocratic
Mr. Rutledge is suitably unhappy when the
violence that erupts is climaxed by his son's
murder of Dr. Johnson, and he expresses his
sorrow poetically:
"My life is creeping home on broken feet."
A moment later he gives Tom's epitaph for
the dying Dr. Johnson:
"Poor fool! Why did you choose to become
a man?"
Of course there were no Negro actors in the
47 Workshop, and in 1923 it would not have
occurred to anyone to bring them in. Baker,
with an eye for realism, cast the Negro char-
acters as far as possible with young men of
Southern background belonging to the Harvard
Dramat. The cast was very good. Among those
that I remember as outstanding were John Davis
Lodge as the young Southern aristocrat, Lee
Rutledge, who shoots Dr. Johnson; Richard
Aldrich, who doubled in the play as a school-
teacher dismissed because of his belief in evo-
lution, and as the tight-lipped colonel of the
militia; Leon Pearson as the absurdly preten-
tious little politician who becomes Governor;
and Dorothy Sands who played Dr. Johnson's
seductive daughter.
The play as published last October in Esquire
was somewhat longer than the cut version per-
formed at Cambridge. In its original state it
contained more burlesque and lampooning of
small-town manners, which even then seemed
embarrassing, although I was fiercely sympa-
thetic to the play. It was primarily these passages,
which held up the story, that Baker was de-
termined to eliminate. As he went about the
cleaning away, a second drama was played in
the rehearsal room.
About a week after rehearsals had begun, and
the actors were moving about in the scenes,
Baker stopped the rehearsal, turned to Tom and
suggested that he would like to make such and
such cuts, or at least to have the actors replay
the scene with the cuts to see whether anything
was gained. Tom made a gesture of agreement,
promptly followed by reasons why he felt the
lines in question should be left in. Baker listened
politely, then turned to the actors and read
them the cuts. As he read, Tom, now sitting
71
TOM WOLFE WRITES A PLAY
erect, began weaving back and Eortli in his
(hair like a polar beai suffering from tin In at.
and as Baker finished l; i \ i n u, the (uis to the
actors, Tom sprang to his feel with a tortured
yell, and rushed out into the night.
There was a moment's astonished pause. Then
Baker matter-of-factly asked the casl to reread
the scene, with the cms. Rather subdued, they
did so. \t the end Baker said, "Let's keep it
that way lor the time being," and the rehearsal
went on.
Ten or fifteen minutes later Tom walked
in, quietly and casually, and look his seat as
though he had been out for a cigarette. There
was no further reference to that (in. and no
visible pain manifested by Tom when the scene
as <ut was played the next night.
But this electrifying explosion, this leaping
up, hands waving, with a bellow ol distress, look
place ever) time a ( ui was made for the first
time, li began to be something we rather looked
forward to, since the blowup was apparently
harmless, always followed by Tom's matter-of-
fa< t return to rehearsal.
At all times Tom's attitude toward ns who
were working on the play was friendly, amiable,
encouraging. He showed a capacity for pleasant
Thomas Wolfe has already said everything, I tell you!
small talk and he even listened to people, asking
polite questions, uttering small words ol agree-
ment, and generally acting suspiciously like a
Southern gentleman.
Raisbeck sporadically attended rehearsals, as
he did of oilier productions, expressed no opin-
ions, .nid in general effaced himself, sitting well
back in the unlighted area. He was present one
night when Tom erupted; shortly alter, and
before Tom returned, he quietly left.
Opening night went oil well, as did the second
and final performance. The invited audiences,
having then coffee in the large room behind the
stage in Agassi/ House at Radelille, seemed to
me lively and far more interested and excited
than was usually the case. On the second eve-
ning Theresa Helburn ol the Theater Guild
came up to see the play at Baker's invitation,
and the exeited rumor that spread among us-
was that she liked it. and that Tom was to send
his script to the Guild lor consideration.
The next I heard ol Tom was the following
fall. I was sitting in Baker's office when he
looked up from a letter he was reading and said:
"Listen to this from Tom Wolfe:
''1 have been having "Welcome to Our City"
copied to submit to the Guild. The young
stenographer who is copying it
lor me has just come to the first
(lit that you made. She broke
into laughter at the comedy
lines. Needless to say I am put-
ting back everything in the play
that you cut out, so it will be
exactly as it was before produc-
tion.' "
Baker put the letter down and
sat quietly for a few moments
with a rather grim look. Then
the sardonic smile triumphed,
though there was an unaccus-
tomed weariness on his lace.
The next time I saw Tom was
the summer of 1924. I had
stayed on at Harvard summer
school to work off some deficien-
cies in French, and I ran into
Tom one afternoon in Harvard
Square. He was lonely, was
doing nothing in particular al-
though he told me he was sup-
posed to be doing some research
in the Harvard library.
We made a date for the next
evening. Neither of us had
money beyond that required lor
BY PHILIP W. BARBER
75
the bare minimums, we neither of us knew any-
one in Cambridge whom we could drop in on
that summer, so the only recreation open to us
was walking. My stride was as long as Tom's so
we could walk in harmony. Tom seemed preoc-
cupied, until I touched on the subject of food.
Our imaginations soared, we described meals we
would like to be eating. Perpetually hungry, we
compared notes on the quantity that we could
consume at a sitting. This was painful, under
the circumstances, and we dropped the subject,
ending up at the Waldorf Cafeteria in Harvard
Square, sipping hot cocoa (five cents each).
THE FORGOTTEN CLUE
SITTING over this thin nourishment,
Tom told me a recent experience that was
bothering him. He had met with some casual
friends who had a car, they had too much to
drink, and had ended by being picked up by
some small-town cops in South Carolina. Tom
had been thrown into a cell; later he thought he
saw a Negro in the cell with him. He had been
so upset that he had screamed and banged at the
door until he passed out; when he came to, the
Negro was gone. The question disturbing Tom
was: had the Negro ever been there, or had
he imagined him? This was all the story
amounted to, but Tom told it in the greatest
detail, describing minutely every remembered
impression during the evening.
On the third evening that we walked, Tom
began going over the story for the fourth or
fifth time, as though he were seeking some for-
gotten clue. I became impatient. I could not
see that it made the slightest difference whether
the Negro had been in the cell, or Tom had
imagined him. I said so. Tom turned on me.
"It doesn't make a Goddamn bit of difference,
but I want to know!"
"So he was in the cell."
"They wouldn't do that in South Carolina;
put a white man in a cell with a nigger."
"You're so much better than a Negro?"
"Damn it, if they did it, it was an insult to
me, and they meant to insult me!"
"So they meant to insult you."
"Maybe I made him up!"
"Maybe you did. So what?"
"If I did, why? Why did that come into my
mind?"
"Because 'Welcome to Our City' put Negroes
in your mind."
"You think so? And I made him up? He
wasn't in the cell?"
"I don't know, and neither do you."
But it seemed he had to know, and he kept
worrying it until my impatience finally silenced
him.
I avoided Tom for a week or more and by
then he'd left Cambridge. In the fall he and
Raisbeck went to Europe; in that same fall of
1924 Of Time and the River records that Eugene
Gant, who is Tom, and Francis Starwick, who
by every physical description and detail of life
we must identify with Raisbeck, also went to
Europe, where their close relationship and its
"tortured, tangled web of hatred, failure, and
despair" came to its disastrous end.
Back in Cambridge the 47 Workshop sus-
pended for the year while Baker took a sab-
batical; and in February it was announced
that Baker, and the Workshop, would resume at
Yale, under the patronage of Edward L. Hark-
ness, who was providing a million-dollar theater
plant and an endowment for a School of Drama.
This was probably a great relief to President
Lowell, who evidently had not felt that it was
politic to toss Baker out of Harvard, but who
had done his best to make clear how unwelcome
the living theater was. Massachusetts Hall had
been taken from Baker in the fall, for rebuilding
in fireproof form as a historic monument, and
for use as a dormitory, and Baker had been
offered in its place an opportunity to share a
shabby brownstone building with Harvard's
janitorial staff. Reluctantly he made the choice
of giving up his comfortable Brattle Street home
and starting afresh at Yale.
THE DEATH OF STARWICK
AF T E R a little time in New York in vari-
ous odd jobs in the theater I ended up at
Yale teaching in the new Drama School, assist-
ing Baker in the teaching of his playwriting
course.
I believe it was in 1929 that Raisbeck paid us
a visit there, the first time I had seen him in
four years. I was happy to see him. His bright-
ness and warmth were pleasant memories of
Harvard. Now Raisbeck looked tired, and lacked
that quality of hopeful expectation he had had.
I chattered along to cover my concern and, of
course, had to ask the obligatory question.
"How's your play coming?"
"I'd be grateful if you'd read it."
I told him I'd be glad to, but his request con-
fused me. Raisbeck had always seemed so pene-
trating and wise in his analysis of plays, so sure
of himself.
76
TOM WOLFE WRITES A I'LAV
"I've sold ii. hut tlu\ think it isn'l right. I've
11 done n .a leasl three times. Please tell me
what you think."
llis ])l;i\ was ,i comedy of manners, but as
tight and unhappy as his face. I tried to find
ways ol talking creatively about it. but there
was no essence ol personalis in it. Raisbeek
couldn't find Raisbeek. so how could I? I had
a low opinion ol in\ critic ism but it seemed
useful to Raisbeek lor he said In would rework
the play and asked il I would read it again.
"Of course, and good luck with it." I didn't
mention Tom. lor their quarrel had been
gossiped about lot some lime.
Raisbeek died six months later.
It was a lew days aftei I had heard of his
death that I came into the front office about
four o'clock one afternoon and found Tom sit-
ting on the edge ol a desk waiting to see Baker.
His continuing attachment to baker seems curi-
ous, lor his actions and words nevei indicated
any loudness, and the portrait of Professor
Hatcher in Of Time and the Rivet seems to me
a cold one. Evidently Baker's kindness and
warmth were more important to him than Tom
ever admitted.
Tom and I said hello as though we had met
yesterday. I asked il he had heard about Rais-
beek, and then I was sorry, for he reacted as
i hough I had pulled a trigger. His voice deep-
ened, he grew huge, and I listened to a fantastic
story of Raisbeek's death— a sioi\ that f later
learned Tom told to a good main people.
He said that Raisbeek had borrowed a car
to drive to New Haven (with the rewritten
script"') and had picked up a young man lor
company. On the way, somewhere near Green-
wich where Route One passes a cemetery, Rais-
beek. overcome b\ lust (this was Tom's word)
had abruptly slopped the car. dragged the young
man out of the car and into the cemetery in
an attempt to assault him: the young man had
fought back but was losing the fight when his
hand found a stone with which he hit Raisbeek
on the head, killing him. Leaving Raisbeek
among the graves the young man had run away.
Later, the police seeing the parked car by the
cemetery, had investigated, found Raisbeek's
body, and had reconstructed the crime.
I thought the story nonsense and said so. Aside
from Raisbeek's comparative physical fragility
was the evidence ol his character. His gentle-
ness, his kindness, his taste made it impossible.
Furious, Tom shouted at me, "Raisbeek was
nothing but an Illinois farm boy. That's where
he A\as born, on an Illinois farm!"
The liu\ in Tom's voice and lace and the
ugliness ol his stor\ sickened me. and I left
him abruptly;
Several hours latei Tom had gone and I saw
Baker, told him the stor} Tom had related.
Baker's lace turned grim and sad. He told me
that he had given Tom the report ol the ex-
amining physician. Tom had just nodded his
head. The lac is ol Raisbeek's death Baker had
learned from the doctor were these:
Raisbeek died of acute spinal meningitis, which
can be latal within a few hours from the first feel-
ing of illness. During these hours the victim
sullcis almost unbearable pain. Raisbeek had
evidentl) fell ill, stopped the car, and staggered
into the cemetery, tearing at his collar, floun-
dering about until he fell among the gravestones.
THE ACT RETURNS
Fl V I years after Raisbeek died. Of Time
and the River was published. Mv distress
over Tom's distortion ol Raisbeek's death came
between me and the book. I did read through
the Cambridge sequences, and flinched at the
cartoons ol men and women who thought they
were Tom's friends. Recently, thinking about
Tom. I pie keel up the book again and read it
through.
Most ol the characterizations e>l the people 1
had known still seemed to me to be cartoons,
but I found gentle, even lender and warm words
mixed with the derision. I found that Tom had
decided it was better to be insulted by the slate
ol South Carolina than to believe that he had
dreamed up the Negro in the cell as a bugaboo.
As lor Tom and Raisbeek: in Of Time and
the River, alter Eugene Gant elenounces Star-
wick as "a dirty little fairy," after his raging
attack on Starwick, there is a passage that
seems an answer to my anger at Tom's slander
of Raisbeek:
"There are some people who possess such a
natural dignity of person— such a strange and
tare inviolability of flesh and spirit— that am
insult, above all, any act of violence upon them
is unthinkable. II such an insult be inteneled,
. . . the act returns a thousandfold upon the
one who does it: his one blow returns in all
the shame and terror of inexpiable memory.
Starwick was such a person."
Reading this, I realized that any pity I might
feel belonged to Tom rather than to Raisbeek;
for the love and interplay and hate between
them has been recorded by Tom, and will go on
and on; Tom's act of violence and his shame.
Harper's Magazine, May 1958
After Hours
GET IN THERE
AND LENS !
It
■ deride Lewis Allen in The
■g Change said that he had
■ istonished, when he and Mrs.
I were collecting photographs
■ eir several historical picture
■ on the American scene, to clis-
flhow few photographs existed
Binary scenes of daily life. What
0 praphers seemed to like to re-
Bras the extraordinary, the dra-
I the romantic, high life and
Be, but not just life as it is lived
flu people. It is barely possible,
Bliat the picture magazines de-
B) much of their energies to try-
I pin down "normal" families,
Biture historians will not have
■ lien's problem when they in-
fl.te our era. Futhermore the
camera and the indiscrimi-
flshooting" which it encourages
Bive added mile upon mile of
Bves to family archives.
1 if this happens, it will be the
ljeverse of what I saw encour-
flit ihe National Photography
flat the Coliseum in New York
fl' February. I went there on a
fj ay afternoon with a young
I who is a budding professional
flrrapher. We had hoped to
■ ut what was new in film and
Band cameras, but we never did.
place swarmed with men
I omen carrying cameras slung
I I their necks; the floor was
with used flashbulbs and
■ Hive folders; the air was filled
flhe conflicting strains of half-a-
I manufacturers of tape record-
ers demonstrating the hi-fi quality
of their wares with bits of "South
Pacific," operatic arias, and band
music. Through the din you could
hear the soft sell going on as soft
sellers poured their honey into mi-
crophones. The virtues of flashbulbs
were being extolled from one be-
ribboned booth; the Polaroid Land
Camera (you now get a negative as
well as a print in sixty seconds)
from another; and techniques for
lighting portraits from another. In
other booths as gaudy as stalls on
a midway, men and women sat on
folding chairs with glazed eyes and
hands limp in their laps, all too obvi-
ously benumbed by the noise and
the crowd and wishing, surely, that
I and my kind would go away and
leave them alone.
To me the most surprising aspect
of this corner of bedlam was the
number of people carrying cameras.
Had they come to show their cameras
off? Surely not. Were they so ad-
dicted to their cameras that they
never took them off except in the
shower? Unlikely. Why, then? They
must have come to the photographic
show to take pictures which, as was
soon apparent, is just what they did.
The exhibitors had thoughtfully
made it possible for them to take
pictures that would look just like
everybody else's pictures and some-
thing like the pictures in popular
photography magazines.
"Follow that girl," I said to the
young man with me. A ravishing
blonde in what looked like a wed-
ding dress with a considerable
crinoline under it was working her
way through the crowd. We lost her.
But we found other girls who were
sitting prettily on platforms sur-
rounded by lights and smiling the
undying but lifeless smile of the
professional model. They held a
pose for a few seconds, then moved
their heads, canted their shoulders,
raised and lowered their arms and
their eyelids and the shutters clicked
around them. In the section of the
exhibition devoted to cameras made
in Japan (big threat to the Amer-
ican manufacturers, mark you!) a
little Japanese lady in a kimono
stood under the slightly projecting
-eaves of a sort of tea house. She
held artificial carnations and looked
up languidly at Japanese lanterns.
My young friend took a picture of
her. He selected an oblique angle.
"What a waste of film," he said.
We headed in the direction of a
young lady in a red dress and red
hat, the feast of several dozen pairs
of eyes and half as many lenses.
(Incidentally, did you know that
there is now a verb to lens and that
lensing is its participle? I came on
it in one of the press releases.)
"What a way to earn a buck," my
friend said, but he seemed beguiled
in spite of himself.
From the pictures that were dis-
played it was plain that the "extraor-
dinary shot" is the desirable ambi-
tion set for amateur photographers.
What life is like seems to be of
little interest; that would be record-
ing the humdrum. The ultimate
goal of amateur photography seems
to be technique, not pictures; it is
not what but how. Just as many hi-fi
fans care less about what music they
hear than about range and balance,
so the amateur photographer worries
about print quality, grain, film
speed, and depth of focus. He cares
78
AFTER II O U R S
passionatel) about the craft ol pho-
tography, its lore, and i t •> language.
This will obviouslv never solve
the problem thai Mr. Mini had in
finding photographs <>l the common-
place. The trouble lies in the fact
that there are very Eew people (Mr.
Allen was one) who know when the
commonplace is uncommonly re-
vealing. The fact that there are
now millions of people snapping
pictures with increasingly foolproof
equipment does not mean that our
era will be any better recorded than
the nineteenth century. It will
merely have been seen bv more
lenses with their almost uncontrol-
lable tendencies to romanticize, and
their natural inclination to overlook
the merer) interesting.
Bui maybe, just maybe, out in
Dubuque, somebody is doing foi
Iowa in this century what Atget, who
was a Frenchman with a box camera,
did for Paris in the last century.
It's one road to immortality.
DAMN SCANDAL
ON C: E upon a time there was
a good foreign movie. It won
the Grand Prize at Cannes and the
(.olden Gate award in San Francisco,
where it ran lor two months; in Lon-
A A
THE MENAGERIE AT VERSAILLES IN 177 5
(From a notebook kept by Dr. Samuel Johnson)
CYGNETS dark; their black feet;
on the ground; tame.
Halcyons, or gulls.
Stag and hind, small.
Aviary, very large: the net, wire.
Black stag of China, small.
Rhinoceros, the horn broken
and pared away, which, I suppose,
will grow; the basis, I think,
four inches 'cross; the skin
folds like loose cloth doubled over his body
and 'cross his hips: a vast animal,
though young; as big, perhaps,
as four oxen.
The young elephant,
with his tusks just appearing.
The brown bear put out his paws.
All very tame. The lion.
The tigers I did not well view.
The camel, or dromedary with two bunches
(ailed the Huguin, taller than any horse.
Two camels with one bunch.
Among the birds was a pelican,
who being let out, went
to a fountain, and swam
about to catch fish. His feet
well webbed: he dipped his head,
and turned his long bill sidewise.
—John Updike
srvmV-*
<?
4>
-€■
4*
-&
don the New Statesman called it
masterpiece." So it came to Ne
York, where there are thirty*
theaters devoted to "art" films ai
an audience of thousands. No sail
No theater wanted it.
Why? Time magazine quizzed
number ol managers and elicited tl
following replies: "No sex . . ." sa
one. "I like it," said another, "b
it wouldn't make money . . . besidi
a little girl dies. . . ." And agai
"These peasants live in huts
customers live on Park Avenm
Opposite his column in the N(
York Post, where Archer Winst
lambasted the theater owners f
their short-sightedness, could be se
the enormous, bosomy ad of t
Little Carnegie lor "The Adulters
—"in the terrifying tradition
'Diabolique' ..."
Not to put too fine a point on
the so-called art theaters are now
the business of sex and sensatJ
They began years ago with a missi
and a clientele, and they struggli
the name "sure-seater"— meaning tl
you could always find a seat— Vj
not willingly earned. "Harvesj
"Quai des Brumes," "The Bakej
Wife," "Carnival in Flanders"— (
can scarcely think of the magnific
prewar importations without thii
ing of the theaters that were co
ageous enough to show them, to l
passionate few. But no longer.
The unshown film in question
(ailed "Pather Panchali." It y
made in Bengal, after heart-breaki
delays and financial difficulties, \
an Indian director named Satya
Ray. It is in the great tradition'
documentary carved out, at simi|
pain, by our own Bob Flaherty; aj
it is a worthy descendant of
tribe. It is beautiful, it cares, a
it understands about the camera
don't know what more we can a
It is still being offered for distri
tion by a man named Ed Harris
who has gone to bat for unost
tatious films of great merit befi
There are indications it will bn
through into some theaters in
early summer. If in doubt, go.
The story is taken from a nO|
of the same name (it means
little road") written by Bibhut
husan Bannerji and serialized ii
popular Bengali magazine dur
the 1930s. The book was publisl
a year or so later and has been
AFTER HOURS
fchdian best-seller list ever since.
U movie takes the plot only part
M and prunes a good bit of it;
■even so the narrative is far
H tightly constructed.
H he script had to retain some of
i\ mbling quality of the novel . . ."
j Satyajit Ray in the magazine
I and Sound. "Life in a poor
lili village does ramble."
men I first saw "Pather Pan-
last year, in the course of
H dngs for an international film
It, what struck me most was the
■ ? to which it is mercilessly
Bic about India. Normally I
■>t think of the vast sub-conti-
'i as overly eager to examine its
flrue state of affairs, as opposed
I dreams and pretentions. Fan-
■ of Indian "culture," as op-
to actual and unbearable
m, are precisely the subject of
ler Panchali," and its moral is
n. elf-delusion does no good. I
fll honor an Indian movie so
u for arguing this case that I
1/ know how to begin praising
■iat is, in addition, marvelously
II 'one.
:e again, if you can, make it.
A POET, SIR?
[ R. J O H N UPDIKE, who
Lis a poet of parts (his first
Ibf poems, just out, is called The
ntered Hen and Other Crea-
deposes that while reading
illy through the unabridged
■/ Samuel Johnson, by Boswell,
ne across some notes Johnson
in France.
teir texture seemed startlingly
n," he says, "especially the
i on the zoo at Versailles."
Updike then discovered that
on's prose broke very well into
and stanzas— with the results
e on page 78. —Mr. Harper
But Why Don't YOU Pray
To The Saints?
Praying to the Saints, we know, is
almost solely a Catholic practice.
Many other people, it seems, regard
the practice as silly, futile and even idola-
trous. They imagine that all prayers
must be addressed directly to God, and
that there is no need for such intercessors
and mediators as Saints. Indeed, some
seem to think that the Catholic venera-
tion of the Saints is in opposition to the
doctrine that Christ is the one Mediator
between God and man.
If it is hard for others to understand
why Catholics pray to the Saints, it is
equally hard for Catholics to understand
why other Christians do not so pray. It
is a custom which has been observed
in the Church since the time of the
Apostles. Its merits are clearly indicated
in both the Old Testament and the New,
and Catholics the world over can testify
that God does, indeed, listen with special
favor to the prayers addressed to Him
in our behalf by His friends, the Saints.
It sounds illogical to Catholics to re-
cite in the Apostles' Creed, "I believe in
. . . the Communion of Saints . . ." and
then to scoff at prayer to the Saints.
The difficulty, it seems to us, is that
there is confusion concerning just what
the Saints are. There is certainly con-
fusion concerning the Catholic attitude
toward Saints, and Catholic customs with
respect to them.
Belief in the Saints depends upon the
conviction that we can help one another
with our prayers. Catholics have no
doubt about this. We read, for example,
in Genesis, God's instructions to Abime-
lech to ask Abraham to pray for him:
"He shall pray for thee, and thou shalt
live" (Genesis 20: 7,17).
God had mercy on the children of
Israel because Moses prayed for them.
At another time God said ". . . and my
servant Job shall pray for you; for him
I will accept" (Job 42:8). The new
Testament contains equally convincing
testimony. St. Paul asks repeatedly for
the prayers of the faithful. In the Epistle
of St. James, we find: "And pray one for
another that ye may be healed" (James
5:16).
If God heeds the prayers offered by
sinful mortals in behalf of one another,
how much more surely will He listen to
His friends, the Saints in Heaven, who
are in a position to know the needs ex-
pressed in our prayers to them? If the in-
dividual appeal "of one for another" is
heard in Heaven, how much more
certainly will God hearken to the swell-
ing chorus of prayer rising up from the
"communion of the faithful" in Heaven
and on earth? And if the Saints in
Heaven are not concerned for us, why
should there "be joy in the presence of
the angels of God over one sinner that
repenteth" (Luke 15:10)?
If you want to know more about the
Saints and how they can help you, write
today for our Free Pamphlet entitled:
"But Why Don't YOU Pray To The
Saints?" It will be mailed in a plain
wrapper. Nobody will call on you. Write
today— ask for Pamphlet No. D-47.
SUPREME COUNCIL
KNIGHTS OF COLUMBUS
RELIGIOUS INFORMATION BUREAU
4422 Lindell Blvd., St. Louis 8, Missouri
Please send me your Free Pamphlet entitled:
"But Why Don't YOU Pray To The Saints?"
D-47
NAME_
ADDRESS-
ESTATE-
SUPREME COUNCIL
KHIGHTS of COLUMBUS
RELIGIOUS INFORMATION BUREAU
4422 LINDELL BLVD
LOUIS 8, MISSOURI
the new
BOOKS
Numbers and Enigmas
PAUL PICKREL
IN A curious little hook, his fust addressed to
a popular audience in man] years, the famous
Swiss psychologist C. G. Jung has set clown some
ol his ideas aboul what is wrong with the world
and what can be done about it: The Undis-
covered Self (Atlantic-Little, Brown, $3). The
point of departure is essentially very simple: we
should not accept statistics as a final description
of reality. According to [ung, the "distinctive
thing about real facts ... is their individu-
ality; . . . absolute reality lias predominantly
the chara< tei ol h regularity."
At bottom, Jung is defending a religious view
ol human life against a statistical view, defend-
ing the uniqueness ol the individual against
whatever denies that uniqueness, whether it is
the external pressure ol the totalitarian state
and other impersonal social organizations or
the internal collapse of the individual's sense
that he is anything more than a collection of
data to be processed by an IBM. If you translate
Jung's terminology into more conventional lan-
guage, what you have left is a sermon on the
reality of the human spirit and the need for
brotherly love.
The book is not strikingly original, its message
is not very different from what a good many
people are saying and have said in a variety of
ways, and what is most personal about it— its
reliance on the view of the human psyche that
Jung has spent a lifetime in developing and
elaborating— may not be entirely clear to those
who do not have some slight previous acquaint-
ance with the system. Yet it is a pleasure to
follow the somewhat discursive talk of its eighty-
three-year-old author, and one need not accept
all of his system to acknowledge the value of
his insight into the important theme he explores.
THE LAND OF STATISTICS
JOHN GUNTHER laces a formidable task
in his new book, Inside Russia Today (Harper,
$5.95), if he is not to fall beneath the very high
standard he set himself in his last. Inside Africa,
and probably it is now harder to write a lively
hook about Russia than about Africa. For one
thing, most leaders can be counted on to bring
to a work on Africa an almost unblemished
ignorance of the subject, and consequently what-
ever they learn will be news to them. But books
and articles about Russia have been coming at
us in such numbers lor so many years that it is
hardly possible lor a literate American not to
regard himsell as something ol an authority on
the subject by this time.
For another thing, a lot of Africa still exists
in the pie-statistical era. Much of it can only
be presented through its sights and colorful
customs and vivid personalities, because precise
figures about population, production, and so on
simply are not available. Russia, on the other
hand, is the land where the statistical mind has
triumphed. Statistics in Russia are so ubiquitous,
Gunther says, that the traveler even finds them
on signboards along the roads. The statistics
may not always be right but they are certainly
plentiful, and the reporter on Russia laces a
double problem— as a writer he must give the
reader the facts without inducing the boredom
that comes to most people when they read end-
less numbers, and as an interpreter he must
assess the accuracy of the statistics as a guide
to reality.
Gunther has solved these problems very satis
factorily. It would be worth any aspiring jour-
nalist's while to study how he solves the problem
of holding the reader's interest while giving him
the facts. It is not a feat of style; Gunther's
prose seldom rises above the workmanlike, and
occasionally it is not that good. One device he
uses is to move back and forth between figures
and observations; if, for instance, he gives a list
of the most popular writers in Russia he will
immediately follow the tabulation with some
detail he observed in a Moscow bookstore. Or
if a good many figures are inevitable, Gunther
gives the reader fair warning— "It's going to be
dull for a page or two," he says in effect, "but
hold on and things will improve." He does not
THE
Mackerel
Plaza
k \
Hailed by Kingsley Amis as "the funniest writer
on either side of the Atlantic," and by Time as
"the best comic novelist in the U. S.," De Vries
has produced "his most dashing performance to
date in The Mackerel Plaza," says The Atlantic,
"ingenious, intricate and enormously funny."
$3.75
By PETER DE VRIES
Author of THE TUNNEL OF LOVE
THE WORLD OF
Evelyn
Waugh
Edmund Wilson has called Evelyn Waugh
"the only first-rate comic genius that has ap-
peared in English since Bernard Shaw." And
here, in one big volume, are generous, self-
contained sections from eight of Waugh's nov-
els, and in its entirety that "stop-at-nothing
parody of the portentous themes of love and
death" — The Loved One. $6.00
Edited with an introduction by
CHARLES ROLO
"I doubt if Jung has ever written anything
of more importance and greater value for
the general reader." — J. B. Priestley.
"I hope that this book will be widely read,
not only for its own sake, but also to help
bolster up in intelligent individuals what
is left of our ancient self-reliance and in-
tegrity."— Carleton S. Coon. $3.00
By C. G. JUNG
The Eye of
the Storm
A NOVEL OF THE WEST INDIES
ffc
An extraordinary novel of "love, lust and the
lust for power" in the Caribbean island that
closely resembles the author's native Jamaica.
"Builds up to a tremendous climax. Mr. Hearne
is a first-rate story-teller.The evocation of the
whole island, its birds, beasts, flowers and hu-
mans, remains with one unforgettably. It would
be worth reading for the description of the hur-
ricane alone."— The London Observer. $4.00
By JOHN HEARNE
*AI Smith
and His America
f/anf/c Monthly Press Books
Senator John P. Kennedy says, "For the
first time in my reading I have come across
a book which etches clearly the place of Al
Smith." And Robert Moses calls Oscar
Handlin's book, "The first genuine biography
of Governor Smith. I commend it as a full
length Rembrandt light-and-shadow por-
trait of a truly remarkable American." $3.50
By OSCAR HANDLIN
LITTLE, BROWN & COMPANY • boston
82
THE NEW KOOKS
overdramatize figures; he will ordinarily give
some basis ol comparison (number of Russian
physicians per 100,000 people versus the number
of American physicians per 100. 000) but he does
not tell you that if all the people who have been
in Soviet slave-labor ramps were stood on top
ol one another they would reach from here to
wherever.
ANOTHER strategy of Gunther as a writer is
that he never flatters the leader where it matters.
When Gunther says thai the atmosphere of a
certain Moscow- restaurant resembles the atmos-
phere ol a certain German restaurant, he permits
the reader to regard himsell as a prett) world!}
fellow, on terms ol eas) familiarity with the
more celebrated dining places of the world, but
when it comes to something important like
Khrushchev's speech to the Twentieth Party Con-
gress, Gunther wisely does not assume that the
reader has ever read it, and spends several pages
summarizing and analyzing the contents.
What Jung would call the statistical view of
life Gunther calls puritanism, but as he uses
the word it means more or less the same thing—
the attitude that nothing counts in life except
what can be counted. And this outlook Gunther
certainly found predominant in Russia. Part of
the dominance of puritanism may arise from
the fact that a great many prominent Russians
have come up from nothing (one man of eon-
sequence, with an advanced technical education,
told Gunther that he is the first member of his
entire tribe to learn to read and write), and
these newcomers doubtless feel a little uncer-
tainty about social usage. Consequently there is
an enormous interest in what is called "culture,"
which apparently means what is proper and
socially acceptable. When the middle classes of
the West were new they too were puritanical in
that way.
But Gunther uses puritanism to describe far
more than the manners of the arrivistes; he uses
it to indicate the drabness, uniformity, the
denial of fun that he finds the chief character-
istic of Soviet life. There are islands, of course:
music, theater, and ballet are superb; Gunther
mentions an occasional individual with a sense
of play; and some of the people at the top ob-
viously enjoy the exercise of power tremendously
—Khrushchev, for instance, pretty clearly gets a
bigger kick out of running things than any
Western politician seems to, possibly because he
has to put up with so much less back-talk. But
for most Russians life is certainly very drab.
Probably a good deal of the spontaneity and
inventiveness and love of fun that in most
soc ieties goes into daily life goes into science in
Russia. Puritanism and science have often gone
hand in hand, because science is the one place
where fooling around may pay off in something
that can be counted. Certainly Gunther found
Soviet science extraordinarily bold (and extraor-
dinarily well financed); such schemes as a plan
to induce a false spring in the northern part of
the country by painting the snow black get a
serious hearing and are tried out.
Gunther has an extremely good sense ol the
kind ol thing that will interest the readers and
of what kind ol question will present itself. One
exception comes to mind. Early in the book he
describes the terrible drabness ol the Moscow-
crowds, their horrible housing, and the very low
standard ol living. Then lie savs that prac-
tically everyone in Moscow would look better
if he lost thirty pounds. Does he mean that in
spite of the low living standard people are
well led? Apparently the explanation comes
main pages later when he oilers the information
that the diet is 80 per cent starch (bread and
potatoes).
Although Gunther traveled extensively in Rus-
sia in the winter ol I9.r><> and certainly lost no
opportunity to look at things for himsell. In-
side Russia Today is to a considerable extent a
work ol scholarship. Many of the sources are
no more obscure than the New York Times,
and there is probably no subject discussed that
is not more fully treated in some other book or
article or newspaper column. But he has brought
an enormous amount ol information together,
uniting it under the general problem of finding
out how much Russia has changed since Stalin's
death. He leaves no doubt that there has been
a thaw, but he is by no means sure that spring
is here. (A Book-of-the-Month Club selection.)
INSIDE RUSSIA YESTERDAY
A Very Far Country by E. M. Almadingen
(Appleton-Century-Crofts, $4) is a fine
book about an Englishwoman who married a
wealthy Russian and spent seventeen years in
Imperial Russia in the middle of the last cen-
tury. It wotdd be well worth reading in any
company, but to read it along with Gunther's
book is particularly enjoyable.
Ellen Sou thee, the woman who dominates
A Very Far Country, was born near Canterbury
in the same year as Queen Victoria, 1819. She
had a fairly conventional girlhood, and then her
father lost so much money by gambling that the
family had to ptdl up stakes and go abroad in
search of less expensive living accommodations.
After several years in cheap lodgings in various
European cities, they landed in St. Petersburg,
and through the machinations of their devoted
French governess (the daughter of a French
emigre who had been brought up in the family),
they were introduced to local society. There
Ellen met and fell in love with one Sergei de
Poltorat/kv, essentially a scholar but a man ol
fi
•:H-:v-
Isaiah Scroll from Dead Sea Cave —
one of many ancient manuscripts pictured
in full color in Volume 12.
m '- "■' '■-'-"■■■'■' •■■'::■
le sum-total of biblical knowledge
...at your finger tips!
THE INTERPRETER'S BIBLE
-in 12 volumes
»i vast treasure-trove of biblical knowledge — the work of 146 of the
ling teachers, preachers, and scholars of the Protestant world — is
■ de available to you in THE INTERPRETER'S BIBLE, Christen-
ing most comprehensive commentary.
■vnd you will find THE INTERPRETER'S BIBLE easy to consult
l! convenient to use. For instance, these renowned scholars explore
I you every scriptural passage from Genesis to Revelation — and their
Ik is presented on the same page with the text in both the King James
I I Revised Standard versions. By using the indexes in Volume 12, you
I locate all references to any subject or any scriptural passage in the
C iplete set.
Its you develop the "look it up in THE INTERPRETER'S BIBLE"
|iit, you will find your questions answered with the most accurate
I )rmation available — and you will also find the best insights of devout
lolars into the meaning of biblical passages. As you use this commen-
I', you will discover more and more that it has the vitality of Christian
lerience and conviction, together with the inspiration of genuine
I Dlarship.
I'our purchase of THE INTERPRETER'S BIBLE will be an in-
1 :ment of lasting value. Examine the complete set at your bookseller's
< ]y' 12 volumes; each, $8.75
V
Special Features...
A wealth of background
material and special informa-
tion!
A series of General Articles
covers vital subjects on the
Bible as a whole and on each
Testament individually. In
Volume 12, for example, you
will find a General Article on
"The Dead Sea Scrolls" and
a companion article, "Illus-
trated History of the Biblical
Text," which includes 16
pages of magnificent color
photographs of ancient man-
uscripts.
Each biblical book is pre-
ceded by a scholarly, yet high-
ly readable Introduction.
These Introductions alone
comprise an invaluable li-
brary of biblical knowledge.
Many outline maps depict
the biblical settings . . . Full-
color topographical maps on
the end sheets of each vol-
ume show, in vivid relief, the
physical features of the bib-
lical world.
VISIT YOUR BOOKSTORE SOON
ffoe hew6ook
AFTERNOON OF
AN AUTHOR
by F. Scott Fitzgerald
With an Introduction and Headnotcs by
ARTHUR MIZENER
A selection of Fitzgerald stories and
essays never before published in book form.
"It could be possible for anyone without the
faintest personal interest in Fitzgerald ... to
get great pleasure from this collection. . . .
There is not a dead sentence . . . not a moment
when Fitzgerald's magic fails to work."
—London Times Literary Suppli ment $4.50
FIRST BLOOD
The Story of Fort Sumter
by W. A.
(Wanoerg .
author of Sickles, the Incredible
"Spirited and interesting ... It is a fine
book, deserving a prominent place on the
lengthening shelf of Civil War literature."
— BRUCE catton, N. Y. Herald Tribune
"A fine, exciting, vigorous, and vivid book."
— RICHARD B. HARWELL, Chicago Tribune $5.95
At all bookstores
CHARLES SCRIBNER'S SONS
.? I w ■■■•
THE NEW li () O K S
\ast fortune, v\ ith seven estates in five
provinces. Nol onl) was he much
older and richer than Ellen, but he
had a wife who had disappeared in
mysterious circumstances sonic years
before and now must be declared
legally dead before he could remarry.
But at last all difficulties were sur-
mounted; the couple were married
in two services, one Orthodox, one
Anglican, and they went to live on
an extensive estate near the town of
Kaluga.
Alter seventeen years and hall-
a-dozen children, Ellen and Sergei
discovered that through misplaced
trust the seven great estates had
incited away; they had little left
except her jewels and a large amount
ol money Sergei had deposited years I
before in Paris. So they went to
Paris where Sergei quietly pursued
his scholarly career and Ellen super-
vised her scattered family. They sur-
vived the Siege of Paris in 1871, but
thereafter their scale of living was
reduced, and when Sergei died a
lew years later. Ellen discovered that
their money was all gone. It had
never been invested; Sergei had
deposited it as spending money
when he was very rich and appar-
ently it did not occur to him to
alter the arrangements. Fortunately
Ellen never laced actual want, and
lived out the last years ol her long
life in Rome, where one ol her
daughters had married into the
Italian nobility. Miss Almadingen,
who has written A Very Far Country,
is a granddaughter.
The heart of the book, the account
of Ellen's Russian years, is like an-
other chapter from War and Peace,
Ellen and Sergei lived on an in
credibly sumptuous scale— even when
there were no guests forty people
regularly sat down to dinner. Every
thing was lavish, open-handed, waste-
ful. Ellen tried to fight the waste
and she hated serfdom from the
moment she encountered it, but she
came to love the Russian country
side and her marriage was very
happy. She was a brave and charm
ing and forceful woman, who fortu
nately was much given to expressing
herself in letters and journals, some
of which survive.
In an absorbing passage in Inside
Russia Today Gunther attempts tc
assess how contemporary Russian;
are faring in comparison with the
John G withers greatest book
one that every American — at home or abroad —
needs. The book has no equal for its penetrating
analysis of Russian problems and her
place in the sun." -justice william o. douglas
II1SIDE
loony
I he product of the inexhaustible
Hergy and immense curiosity of one
| the most knowledgeable journal-
: s now alive . . .
J] "Among the matters covered : the
Ink and feel of Moscow ; Soviet atti-
: ies toward us ; the private and
] blic lives of the top leadership;
Itrushchev — here is perhaps the
1st available sketch in English of
] rhaps the most powerful man in
la world and outlying space ; 'a his-
|T of Russia in half an hour,' a
j m of condensation; a geographi-
i and topographical sketch of all
i the Soviet republics; the struc-
Ire of the government and the
rty; Khrushchev's policy of de-
i alinization ; the cultural picture ;
1 3 economic picture; the military
] :ture ; a short tour of Leningrad,
ffi3 Ukraine, the Crimea and the
f! tique worlds of Central Asia ; and
! assessment of what Russia has
i d hasn't, and what she intends to
< with what she has or expects to
1 fe." — Clifton Fadiman,
Book-of-the-Month Club News
A BOOK-OF-THE-MONTH CLUB SELECTION • 550 pages; 5 maps • At all bookstores • $5.95 JTflAl)^, J p/U>trtfiA4--
STEINBECK and FAULKNER
and Certain Men of Fiance
THE WIDE WORLD
OF JOHN STEINBECK
By Peter Lisca
This is the first full-length critical study of "one
of America's major living novelists." From Cup
of Gold (1929) to The Short Reign of Pipfun IV
(1957), the author carefully analyzes each
novel, showing the biographical connection bc-
tween them, and illustrating the growth of
Steinbeck's ideas and the changes in his style.
Mr. Lisca's book contains much original Stein-
beck material, including some unpublished
correspondence. Written simply, this book will
appeal to every thoughtful Steinbeck reader.
$5.00
| WILLIAM FAULKNER:
New Orleans Sketches
Introduction by Carvel Collins
Carvel Collins, who has been called "Faulk-
ner's best informed critic," finds new signifi-
cance in Faulkner's first professional fiction, 16
signed pieces, written in 1925. These first
stories and sketches illustrate the origin of the
themes, the materials and the stylistic elements
that have become peculiarly Faulkner's. "For
the reader of Faulkner, the book is indispensa-
ble. Its brilliant introduction ... is full both
of helpful information . . . and of fine insights."
— Paul engle, The Chicago Tribune $4.50
AN AGE OF FICTION:
The French Novel from Gide to Camus
By Germaine Bree and Margaret Guiton
Setting out to create a new image of man for
their age, twentieth century French novelists
produced exciting innovations in form, in con-
tent, in attitudes. This illuminating study, now
in its second edition, of twenty of these nove-
lists, focuses persistently on the themes of the
novels and their achievements in literary val-
ues. ". . . alert, lively . . . stimulating . . ."
— w. m. frohock, New York Times Book Re-
view. ". . . will hold an honored place . . . for a
long time to come." — leon edel $5.00
SCANDAL AND PARADE:
The Theater of Jean Cocteau
By Neal Oxenhandler
In this first book-length English analysis of
Cocteau, Neal Oxenhandler appropriately uses
the theater as the focus for his study. ". . . the
author deserves credit for his objectivity, a rare
virtue in this case. . . . The best study we have
seen of Cocteau the dramatist." - justin
o'brien, New York Times Book Review. "... a
far clearer portrait of the artist than any me-
dium except the screen has given." — riciiard
L. COE, American Scholar. (Oxenhandler) . . . "is
a genuine critic and his book . . . has substan-
tial literary and intellectual merit . . ."
HAROLD CLURMAN, The Nation $5.00
At all bookstores
RUTGERS UNIVERSITY PRESS New Brunswick, New Jersey
Represented in Canada by The Ryerson Press, Toronto, Ontario
THE NEW BOOKS
way they fared under the Tsars. HJ
conclusion is that most of them fe
that they are better off. Many
ihc things that they lack— most pat
ticularly, civil liberties— most
them never had, and the gains th«
have made in literacy, in increaso
opportunities for people of abilii
and so on are undeniably remar
able. From A Very Far Countryl
is possible to see that even on tl
estates of landowners as cnlighteni
as Sergei and Ellen life for the set)
was a mixture of ignorance, sups,
sliiion, and brutality, spited with I
little occasional low cunning. Yjl
now that they are so irretrievalB
gone we can grant that sometim||
those great households with the
ruinous extravagance had a gr;
clem, a magnificent disregard
consequences, that testily to a dime*
sion in human nature that eluc
statistics.
INDIA: THREE VIE
1 N The Heart of India (Kno|
.$5) Alexander Campbell has p
duced what must be one of the m<
entertaining books about India e\
written. Campbell, a Scotsman
birth and education, has lived
South Africa as well as India, a
is now head of the Tokyo burea,u
Time and Life. He is a repori
through and through. He lias a
eye for the colorful or comic or on
rageous detail; he sets it all do\i
with verve; and, though he has
broad acquaintance with Indian li
not only in the cities but also
the villages, his point of view
mains distinctly that of the V
involved onlooker.
So much recent writing on Inc
is the work of either sentimentali)
or inside-dopesters that it is a c(
siderable relief to come across a bo
on the subject by a man with Can
bell's clear hard focus and cool <i
lachment. He does not pretend tl
he cares very much for Indians, a
he seems to be willing to leave t
impression that he regards Inc
as a mess.
Yet as brilliant detail follows bi
[iant detail, one begins to wonder
the author has not taken up t
detached a position to do justice
the country he is describing. T
very style of the book, vivid and f
quently amusing as it is, somehc
-
■
I THE NEW BOOKS
■lies depth to the life described.
Ben Campbell writes, for instance,
■ ut sndlius (holy men), the very
■?uage assumes that they are all
B-s. Campbell is in some ways a
Her writer than Gunther, but Gun-
lr gives the impression of making
ui 'ffort to participate imaginatively
■jdie life he describes before he
ij^es it, and Campbell does not.
I \he Heart of India is a misnamed
Ik; it should have been called
It Look of India or The Face of
Mia or something of the sort, be-
lle it is a very diverting account
llhe kind of appearance India p re-
ft s to a sharp Scots eye, but that
■ il it is.
A N K MORAES is a leading
ian journalist, for a number of
1 editor of the Times of India
well known in this country for
recent life of Nehru. His new
| Yonder One World (Mac-
an, $3.75), is a rather scrappy
action of observations on his
nsive travels throughout Asia
i the West. Some of the book
is to have been put together in
offhand way, possibly by clicta-
, and none of it has been shaped
any particular audience. There
remarks about differences be-
in Asia and the West of an
emely elementary sort (e.g., Mo-
repeatedly informs the reader
the West is more highly in-
rialized); yet the observations on
tics in Southeast Asia require
iderable knowledge if the reader
I follow them.
lit the book is at least worth
)ing into because Moraes is a
intelligent and very well in-
led Asian, and often there is
ething interesting in his attitude
n there is nothing very new in
nformation. What he says about
Philippines, for instance, is not
icularly revealing, but his con-
ension toward the Philippines
le regards the country as neither
ly Asian nor really Western, and
)t impressed.
he chapters on India and Pak-
1 are fine, and offer a useful
ective to more brilliant report-
like Campbell's. Moraes is a
onsible citizen who does not
erestimate the seriousness of the
)lem his country faces, but he
vs that behind the tangle of ap-
C. P. Snow
THE CONSCIENCE
OF THE RICH
Power and wealth as part of the tradi-
tion of one of the great Jewish families
of England.
"Wise, beautifully controlled and
deeply moving . . . the best novel C. P.
Snow has so far written."
$3.95 — ROBERT GORHAM DAVIS,
New York Times Book Revieiv
•m
'iMP
!\'{..
George Garrett
KING OF THE
MOUNTAIN
The rare ability to comprehend life at
a glance and express it in a word per-
vades these memorable stories. Each
one, whether articulating an adolescent
murmur, or pinpointing an adult need,
reflects the sure hand of a born writer.
$3.50
A Play by
Ketti Frings
LOOK
HOMEWARD,
ANGEL
A skilled, sensitive craftsman has
translated Thomas Wolfe's classic into
a dramatic masterpiece, wolcott GIBBS
hails it as "a miracle" . . . BROOKS
ATKINSON calls it "marvelous" . . .
richard watts cites it as "one of the
finest plays in American dramatic
literature." $295
At your booksellers
CHARLES SCRIBNER'S SONS
THE HEART
OF INDIA
£y ALEXANDER CAMPBELL
An able reporter, exploding the
myth and the mysticism, tells
what he found in India and al-
lows Mr. Nehru's Indians to
speak for themselves. He reveals
an utterly new India, surprising
and often shocking. There has
never been a book on India
quite like this, not even Kather-
ine Mayo's Mother India. With
31 photographs.
340 pages. $5.00
FROM APE
TO ANGEL
by H. R. HAYS
Strange rites, primitive customs,
unusual folkways, sexual life, to-
tems and taboos— Mr. Hays tells
you about them all in this fasci-
nating story of the great anthro-
pologists and their astounding
discoveries about primitive peo-
ples in every part of the world.
With 32 pages of photographs
and 40 line drawings.
480 pages. $7.50
THE FOOD
OF FRANCE
by WAVERLEY ROOT
As Samuel Chamberlain says in
his Introduction, "this is a work
for posterity." A noted gourmet
has written the first full treatise
in English on what food is eaten
in France, from haute cuisine to
peasant fare— with its lore, his-
tory, and associations. A beau-
tiful book, with 39 superb pho-
tographs, 18 drawings, and 10
maps, designed by Warren
Chappell. 535 pages. $10.00
At most bookstores
ALFRED A. KNOPF, Publisher
THE NEW BOOKS
pearance that Campbell describes
there are plans and policies. His
criticisms <>l Nehru are extremely
interesting— he thinks that Nehru
has gone too Ear in expressing sym-
patln for Communism, but he points
out that Nehru's only consequential
opposition in India is on the left,
Socialist or Communist, and that
like any other politician, he makes
remarks on international affairs
that are designed to spike the
guns of his domestic opponents.
Monies does not underestimate the
importance of Nehru to India, but
he is worried that there is no well
organized democratic party to oppose
Nehru's Congress party. He also
offers an intelligent il not wholly
new reminder to the West that India
will have to work out her own eco-
nomic system, which cannot be pure
free enterprise.
Seasons of Jupiter (Harper, $3.50),
a new novel by the Indian novelist
Anand I. all, presents still a third
view of Indian life, utterly different
from either Campbell's or Moraes'.
It is the story, told in the first per-
son, of one Rai Gyan Chand, the
descendant of a well-to-do landown-
ing family in the Punjab. Gyan
Chand takes little interest in any
aspect of public affairs or business;
he devotes himself to seeking per-
sonal fulfillment in a series of re-
lationships—with his two (successive)
wives, with a mistress, with a shep-
herd boy, even with a thrush. For
seven years he lives like a sadhu, and
masters many of the Sanskrit scrip-
tures and traditional techniques of
meditation. Il is a life completely
devoted to the non-statistical dimen-
sions of human experience.
Gyan Chand never achieves the
ultimate experience he seeks, either
in his sensual or his spiritual pur-
suits, but few books manage to give
as convincing accounts of such pur-
suits as Seasons of Jupiter. It is a
remarkable achievement, the kind of
book that might have been written
by a calm, contemplative D. H.
Lawrence, except that a calm, con-
templative D. H. Lawrence would
be a contradiction in terms. Without
being pornographic or obscene, it is
deeply sensuous, deeply sexual; at
the same time anyone who reads it
would hesitate to dismiss the life of
all Indian holy men as pure fakery.
LOW BOILINC P O 1 N ■
Declaration (Dutton, $3.75) is at
introduction to a world that is stil
as strange to most American reads!
as India or Russia, the world ol th
young English writers and intelfa
tuals who are coming to be knowi
as tin- "angr) young men." Actti
all\ this label seems to make mos
ol the angry young men even at
grier, and like the French existei
tialists ol a few years ago, they spenj
a good deal ol their appalling
abundant energy in quarreling ovef
labels, in announcing that they at
or are not angry, or that il so-and-s
is an angry young man they certain
are not and will be very angry 1
anyone says the) are, and so on. I
Declaration is a collection of pelj
sonal statements by eight ol tli
younger English writers; the cot
tributors best known in this count]
are John Osborne (Look Bark I
Anger), Colin Wilson (The Ou
siilcr). Kenneth Tynan, the dram*
ctitic, and John Wain, the noveli
(not to be con I used with Joh
Braine, also a novelist). It is a vei
interesting book if you can stair
to read it. The contributions ran,
from a rather academic essay by
young critic named Stuart Holroy
to Osborne's brilliant, utterly min
less piece of rhetoric, mostly a bo
the Queen, pigs, and the di Heretic i
between his father's and his mother
families, a wild and wonderful High
In a very general way you cou
say that what upsets these writers
that the shift in the statistical has
of English life that took place aft
the second world war was not a
companied by a shift in the spiritu
basis. "Fair shares for all" shou
have meant "new souls for all," b
it didn't. The leveling out of i
come, the new scholarship prograr
for education, and the increase
social services have not produced
spiritual rebirth, nor have they,
these writers are to be believe
altered the form of English socie
The obsession of younger Engli
writers with social class is not Mai
ist; rather it seems to be fury wi
a society that is stupidly preservi
the forms of class-society when
much of the content (difference
income, education, and so on) li
been wiped out. An essay by anoth
rebellious young Englishman pi
THE NEW BOOKS
ed in Harper's in January, "The
n Corset on Britain's Spirit" by
rtin Green, which describes Eng-
society as still smothered in
od manners, mummified ideas,
I dried-up sentimentality," is a
id introduction to the attitude
.t dominates Declaration.
Vhat the contributors want is a
/ freedom of feeling. Most of
m call it religion, a few call it
ialism, though when one writer
nes Socialism as "a desire for
dness and compassion," the dif-
:nce between Socialism and re-
on does not seem to be very great,
a of their favorite books, men-
led in several essays, is William
•res's Varieties of Religious Ex-
ience. G. B. Shaw and Bertolt
cht are other favorite writers;
ig (with whom we started) is pre-
ed to Freud.
I E most intelligent and mature
y in Declaration is by John Wain,
)se new novel, The Contenders
Martin's Press, $3.95), has re-
try been published. This is a
•y about three men who grow up
nn English pottery town, a "place
stop at on the way to Man-
ster— the one where you look out
;he train window when it's slow-
down, and think, 'Well, at least
m't live here.' "
j)ne of the men, who tells the
y, stays on in the grimy place
becomes a pudgy, uncompetitive,
|:ll-town newspaperman, but the
er two have more spectacular
pers. One becomes a very success-
businessman, the other an equally
cessful artist, and they continue
nanhood the intense competition
h each other that had begun
\tn they were boys,
"he book is a study in the cor-
ve effect on human character of
)ition, rivalry, and the passion
be accepted. It is not "angry"
the sense that Osborne's play
\>k Back in Anger is; its criticism
lot directed against a petrified
bs structure but against the career-
i who know how to take advantage
the opportunities of postwar
iety.
Vain is an excellent writer, but
language is more alive than his
jracters. There is an unfortunate
[itrariness about the book— the
racters seem to be pushed around
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CAUSE
THE ADVENTURES OF TWO
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WASHINGTON'S ARMY
By Herbert T. Wade and
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TThey CAME from Ipswich, a
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THE
KINGDOM
OF JORDAN
By Raphael Patai
SMALL, poor in resources and
torn by political strife,
Jordan is nonetheless a strate-
gically important pro-Western
outpost in the troubled Near
East. In this, the first full-length
study of Jordan in English, an
outstanding authority on Mid-
dle Eastern society describes in
detail recent political develop-
ments and their historical back-
ground, and provides full and
factual information on Jordan's
government, economy, culture
and people. Illustrated. $5.00
Order from your bookstore, or
PRINCETON u ^;;i,y
Princeton, New Jersey
THE NEW HOOKS
to make a point that left to their
own efforts they would make a good
deal less neatly. The most interest-
ing character is tin stick-in-the-mud
narrator, hut we never learn verj
much about him.
WHETHER Thomas Hinde re-
gards hinisell as one ol the "angry
young men" I tlo not know, but his
new novel. Happy as Larry (Cri-
terion, S^.95). bears a certain Family
resemblance to the books the) have
produced.
Happy as /.mix deals with a group
ol youngish, semi-artistic, semi-Bo-
hemian people in London, more or
less [lie kind ol people who in New
York have been written about b\
John KcroiKK under the title The
Subterraneans. Hinde's Londoners
are more intelligent, better educated,
probably sicker, much more (owed,
and gel considerably less fun out
ol their neuroses than Kerouac's New
Yorkers. Hinde's writing is much
more conventional than Kerouac's.
and \ei\ good.
Most of Hinde's characters are
unemployed and nearly unemploy-
able; they move from one cheap
rooming house to another; they arc-
not very clean; but they somehow
find enough money to spend a good
deal of their time in various un-
attractive bars. Hinde portrays this
kind of life brilliantly, though there
is a slight trace of sentimentality in
his attitude toward it.
The plot of Happy as Larry con-
cerns Larry's muddled efforts to find
a compromising photograph that has
been lost by a friend ol his. a young
man with political ambitions who
could be seriously embarrassed if the
photograph came to light. The
search becomes more than a gesture
of helpfulness; the need to find the
obscene picture becomes all-impor-
tant to Larry, and its discovery the
only basis on which he can build
a healthier, saner life. The plot is
partly just a device for stringing to-
gether a series of wild and some-
times funny episodes, but it carries
some implications that are central
to the book's meaning.
FEW writers have created a world
as strange and varied and wonderful
as Charles Dickens did, and so it
is worth mentioning that the Oxford
Press has recently completed its ten-
James Bryant
Conant's
GERmnnv
and
FREEDOm
A PERSONAL APPRAISAL
H
ow does Germany feel about her
Nazi past, about unification, re-
armament, her role in Europe?
Basing his appraisal on first-hand
observations as Ambassador to the
Federal Republic, Dr. Conant not
only considers current conditions
and attitudes, but compares and
contrasts the political, economic
and military situations of two vital
periods in German history. His
conclusions, highlighted by an ex-
amination of Germany's relations
with her neighbors, are both opti-
mistic and illuminating.
S3.00 at your bookstore
iBj HARVARD UNIVERSITY PRESS
Cambridge 38, Massachusetts
The lives and legends of the early Church Fathers
The Fathers
Without
Theology by
MARJORIE
STRACHEY
"The histonj
of the Church
in Miss Strachey's
period seems to me
more picturesque
and exotic than
Arabian Nights."
LONDON TIMES
$4.00
' At your bookstore or H I
GEORGE BRAZI LLER. INC.j
215 FOURTH AVENUE, NEW YORK 3, N.V. I
Please send me, postpaid, THE fathers OF
THEOLOGY @ S4.00.
Name.
Street-
City
-Zone.
.State.
| D Check □ Money Order (No C.O.D.'s) J;
THE NEW BOOKS
l :r project known as The New
ford Illustrated Dickens (21 vol-
utes, $3.50 each). The pictures are
illustrators of Dickens' own time,
I' type is eminently clear, and the
t )er good. Each volume has an
reduction by a modern writer,
f lying from Dame Sybil Thorndike
i Lionel Trilling. On grounds of
r liability, inclusiveness, and price,
lis is the best edition of Dickens
I ilable. I have never cared very
I) clr for Dickens' illustrations, be-
cause the text always seems more
vivid than the drawings, but these
have at least an historical interest,
and for many readers much more.
Those who are really interested in
Dickens will greatly enjoy Dickens
at Work, by John Butt and Kathleen
Tillotson (Essential, $6.25). This is
primarily a scholarly study of the
effect of periodical publication on
the novels, but it offers a great
variety of fascinating information
about how Dickens wrote the books.
BOOKS
in brief
KATHERINE GAUSS JACKSON
FIRST NOVELS
;|>ecause this spring is unusual in
I number of first novels on pub-
I'.ers' lists— many by very young
iiple— the fiction column here is
llusively devoted to five of them.
e Sergeant, by Dennis Murphy.
Tom Swanson was one of the
ingest, easiest, handsomest, and
st discerning of all the Americans
the postwar Army base outside
Brdeaux. He loved the French
Imtry, the people, even his routine
Irk at the base. He loved a French
I . He was happy with the world
II with himself. Then one morn-
I Sergeant Callan appeared in the
Iderly room. He had come to stay,
le psychological struggle that foi-
l's is as vivid and moving and
Hdible as anything I've read in a
Ig time. Mr. Murphy's ability to
I: mood into almost palpable terms
I) describe feeling and value in
t ns of landscape and weather and
■ -Us — is most unusual. A first novel
I tten with power, beauty, and
l.raint. Viking, $3.50
|e Narrowest Circle, by Katharine
I ittuck.
Irhe narrowest circle is made up of
I usband and wife and a somewhat
ifinger friend— a girl— whom they
jle into their home in return for
I help in taking care of their small
;P ighter. The inevitable happens
and the girl, Edith, and the husband,
George, fall in love. The plot is
almost routine but Miss Shattuck's
handling of it is anything but ordi-
nary. The husband is a professor in
a Middle Western college and the
summer house where most of the
action takes place is in rural Kan-
sas, but the author's treatment of the
story is excessively urbane. Her situ-
ations crackle with sophisticated wit,
cumulative intensity, and sometimes
with primitive violence, and one be-
comes very involved with this family
circle. The style at first seems brittle
and artificial, but the people— except
for some minor characters which
seem to me overdone to the point
of caricature— are real and the narra-
tive is so full of dynamics that one
gets swept into it and in the end
admires it, style and all, very much.
It is an intellectual exercise on an
emotional volcano.
McDowell, Obolensky, $3.75
The Month of September, by Fre-
derique Hebard.
With the freshness, delight, pas-
sion, and despair of young marriage,
this novel tells of a summer in the
lives of Francois and his wife— the
narrator— and their child. They live
in an old mill at Chauvry, outside
Paris, where the wife paints, and the
husband, a novelist and publisher,
returns each night after his day in
the office. Their life has been idyllic
for seven years, until the day Fran-
SIGNIFICANT
BOOKS ON
America
REFLECTIONS
ON
AMERICA
"Maritain's personal
grace and the felicity of
his English prose are
apparent all through his
new little volume . . .
which is in effect a
clear-eyed, richly
thoughtful love letter to
the land in which he has
lived so long."
— Newsweek $3.50
CHARLES SCRIBNER'S SONS
Tested value
BOOKS IN BRIEF
and En
ST
tertain
from
WARTIH'S
ment..
PRESS
The top bestseller —
ANATOMY OF
A MURDER
by Robert Trover • The brilliant,
suspenscful novel by a Justice of the
Supreme Court of Michigan. "Im-
mensely readable and continuously
entertaining." — oiwille prescott,
New York Times. "Obsessively inter-
esting . . ."—CLIFTON FADIMAN. $4.50
THE BOURBONS OF
NAPLES
by Harold Acton • Bizarre, mercurial,
grotesque, baroque — the fabulous
century of Bourbon rule in Naples
viewed as the elaborate comedy of
manners it was. Here is the exotic
family, full of operatic intrigue and
gusto, known to Nelson and Lady
Hamilton, Goethe, Metternich and
Lady Blessington. $8.50
GEORGIAN
AFTERNOON
by Sir Lawrence Jones • The author
of An Edwardian Youth continues
his witty reminiscences in a scintil-
lating series of anecdotes, his gro-
tesque initiation as a banker, deer-
stalking in Scotland, life as a banned
playwright. $4.75
THE LONELY
LONDONERS
by Samuel Selvon • A haunting novel
of West Indian immigrants in London
written in poetic— calypsolike— prose.
"A nearly perfect work of its kind."
-The New Yorker $2.95
THE TRUE BLUE
The Life and Adventures of
Co/. Fred Burnaby
by Michael Alexander • A sensa-
tional biography of the author-ad-
venturer-soldier whom Henry James
called "thoroughly English . . . opaque
in intellect but indomitable in
muscle . . ." Never daunted, Col.
Burnaby rode like a Don Quixote
through adventures in Spain, Central
Asia, Turkey to a dramatic death at
the hands of the "fuzzy-wuzzies."
Illustrated. $5.00
cois st. ii is translating the work ol an
Italian actress, Sandra, the Panthei
ol Mantua. Their whole world
changes. Reading the stor) is a thor-
oughly satisfying experience. Down
to the most minor characters these
are all real and likable people,
caught in .i very human trap. The
solution ol their problem matters,
and the intimate summer atmos
phere ol literary Paris and its en-
virons is charmingly portrayed. The
author is a young a< tress who lias
written children's books and an auto-
biographical story ol her own inter-
esting Life. Shi is married to the
playwright, Louis Velle. Her novel
is lull ol humor, and affection for
the human race. Little, Brown, $3
Mary Ann, l>\ Alex Karmel.
There are not main novels in
which the heroine is brutally raped
in the first sentence. Vet this is where
Mi. Karmel's story begins, and it is
both the strength and weakness ol
his hook. The picture of the slow
disintegration and slower re-inte-
gration of a personality (she tells
no-one what has happened) is told
with a matter-of-fact terseness that is
\ei\ effective, and the beauty-and-
the-beast ending becomes possible if
not quite convincing. The weakness
of the story in relation to its begin-
ning is that one doesn't know enough
about the character or her life before
the attack; only that she was a some-
what withdrawn young girl living
with her mother and stepfather in
an ordinary middle class home in
New York City. Thus one simply has
to accept the author's picture of what
happens as the inevitable one, and
it is a credit to the sureness of the
writing that one follows it as trust-
ingly as one does. In a way the story
is a small parable for our times— a
coming to terms with the violence of
change, through love. It is a remark-
able performance for a young man
of twenty-seven. Viking, $3
The Year of the White Trees, by
Jane Mayer.
Technically, this is Jane Mayer's
"first novel," though she has, in col-
laboration, and under the pseudo-
nym of Clare Jaynes, written four
others. First or fifth, it is a most
effective and affecting performance.
One would think that there were
very few changes to be rung on the
stotv ol an affaii between a brilliant,
talented, worldly violinist and a'
beautiful, starry-eyed young school-
teacher from a Chicago suburb. But!
here is the almost intolerable joy
and excitement ol such an attach-
ment, the anguish ol waiting lor
telephone calls and assignations and
in the end real dignity and gentle-
ness Icai ned from suffering and the
growth of understanding. Though,
one often wants forcibly to stop the
voting girl in her too abject pursuit
ol her sometimes abstracted lover,
there is nothing sloppy or mawkisB
about this book. It is a moving and
compassionate story.
Random House, $3.9
PURSUIT OF HAPPINESSl
In recent weeks many books have!
been published dealing in one wa«
or another with the ever-increasinJ
problem of the mentally disturbed™
in our society. Four of them are]
noted here.
Fortunate Strangers, by Cornelius
Beukenkamp, Jr., M.D.
Eight troubled people, lour yours
men and lour young women, joined
with the author psychiatrist (most ol
them reluctantly at first) in an at
tempt to get at the problems of eacfj
through group discussion. It was th<
first time that any of them, including
the doctor, had tried this method o
therapy and some of their excitemen
carries through to the reader. Eacl
person here, though disguised, is rea
and so are the problems. Dr. Beit
kenkamp is a psychiatrist and not i
writer but no one interested in thi
field of therapy can fail to be move*
by his true though somewhat fiction:
ali/ed report and the way in whicL
eight lonely and desperate peoph
became less lonely and more secur
by sharing their miseries and thei,
hostilities. Rinehart, S3. 5
The Unbelonging, by Alice M
Robinson.
By rights this book should b
among the group of first novels, bu
it is so moving as a case history an
so undistinguished as a novel that
include it here instead. The autho
who in her job as Director of Nur
ing Education in the Vermont Stat
Hospital "has walked hundreds c
miles through the corridors an
! BOOKS IN BRIEF
lids of mental hospitals," has from
I warmth of her attitude and ex-
Bence invented a composite char-
Hr, a deeply lost young woman in
ij of these hospitals, and around
it has created a story of life and
■ apies and people in such an in-
i ition. It is done with so much
King and care that one reads with
H ect and admiration and learns a
I it deal. A hopeful and intelligent
,. k. Macmillan, $3.95
I of Their Fathers, by Marjorie
■ wagen, M.D.
B his book, described as "a story of
Ilclren, not for children, told by
mew York juvenile court psychi-
Iht," is far and away the best
■ ten and organized book of the
m: Dr. Rittwagen is not only a
■ hiatrist but a first-rate reporter
■veil and her compact stories of
II vidual tragedies, her discussions
a parole, training schools, parents,
I all the various happenings of
I five years (1952-57) spent work-
■with ninety-six probation officers,
Bsimple, dramatic, extremely well
■jmented, and compel one's at-
■ ion like a slap in the face. An
■lortant, highly readable book full
Information on a sorry subject.
Houghton Mifflin, S3. 50
■ • Highfields Story, by Lloyd W.
Korkle, Albert Elias, and F. Lovell
B'ne of the places that take over
In the courts are through is High-
■ ls, once the Lindbergh estate in
B)ewell, New Jersey. It is a resi-
■tial home— no fences, no bars of
I kind— for a carefully selected few
■ nquents, set up at first on a five-
I' experimental basis. It has been
I per cent successful. The authors
I the founders of the home, Dr.
Bby, Director of Correction and
Bole, Department of Institutions
Agencies in New Jersey; Mr.
BCorkle, now Warden of the State
»on in Trenton; and Albert Elias,
B>ent Superintendent of High-
Bls. Partly because of the joint
Biorship, the book is uneven in
Interest and tone, but as in all the
|er books mentioned here, the
js themselves are heartbreaking
terrifying, leaving one with the
iliar feeling: "There but for the
ce of God" ... A humbling
erience. Holt, $3.50
Carefully edited, beautifully made,
here is the definitive edition of
THE LETTERS OF
Emily T)ickinson
Edited by
THOMAS H. JOHNSON
and THEODORA WARD
Thoroughly annotated, this com-
plete collection of all Dickinson
letters known to be in existence
magnificently complements the
highly acclaimed three volume
edition of the poems of emily
DICKINSON.
A BELKNAP PRESS BOOK
3 Volumes, boxed $25.00
Through your bookseller, or from
HARVARD
UNIVERSITY PRESS
|T|s||f/ 79 Garden Street,
Cambridge 38, Massachusetts
■ ■
ii-yy;/:)
: '■".-■'
sifSit
n
A Stimulating
New Book
from Beacon!
The new Blanshard
The facts after ten years
&rfho//c FbuMt, /9SB
by PAUL BLANSHARD
The first edition of
Blanshard's famous
class ic has stood
like Gibraltar over
the years against
every criticism. In
this new edition, he
provides a Calendar
of Significant
Events, 1947-57 ;
adds fresh analyses
of new Supreme
Court decisions ;
hundreds of new
documentary
sources. . . . The in-
dispensable refer-
ence book. $3.95
27 at your bookstore or write to
BEACON PRESS dept. hm -5
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i^1HENRYREGN£RYC0MPAN¥
THE THOUGHT AND
ART OF ALBERT CAMUS
by Thomas Hanna
The first book, in English or in French, to
give us a thorough understanding of all
the works of Camus in terms of the philo-
sophical concerns which motivate them.
$4.50
THE WOMAN
FROM THE ISLAND
by Jeremy Ingalls
Brilliantly blending the traditional and
contemporary, Miss Ingalls presents here-
with her first book of poetry since the
publication of Tahl and The Metaphysical
Sword. $4.50
A. E. HOUSMAN:
Man Behind a Mask
by Maude M. Hawkins
The definitive biography of the Shropshire
Lad poet, written with the cooperation of
the Housman family. $6.00
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36 at your bookstore or write to
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BOOKS IN BRIEF
LITERARY TALKS
Writers at Work: The Paris Review
Interviews, edited by Malcolm Cow-
ley.
Over the last lew years a series of
distinguished interviews has been ap-
pearing in a little quarterly called
the Paris Review. The editors have
talked with some ol the most notable
writers of this century and Mr. Cow-
ley in his excellent introduction calls
the book "the best series of inter-
views with writers of our time tli.it I
have nad in English." The authors
are: E. M. Forster, Francois Mauriac,
Joyce Gary, Dorothy Parker (a won-
derful exchange), James Tlnnber,
Thornton Wilder, Frank O'Connor.
Robert Penn Warren, William
Faulkner, Georges Siinenon, Alberto
Moravia, Nelson Algren, Angus Wil-
son, William Styron, Truman Ca-
pote, and Francoise Sagan.
Viking, $5
FORECAST
Collections and Anthologies
The publication in April of
Charles Rollo's The World of Evelyn
Waugh (Little, Brown) and Arthur
Mizener's collection of stories and
essays by F. Scott Fitzgerald called
Afternoon of an Author (Scribner)
leads off a season interesting in its
variety of anthologies. From Farrar,
Straus 8c Cudahy in May will come
a book called From the N.R.F.—a
selection of forty-five of the best
critical essays from the two hundred
and fifty-two issues of the Nouvelle
Revue Francaise published between
its founding in June 1919 and June
1940. It is edited and translated by
Justin O'Brien. In May, too, from
Viking comes All Aces: A Nero
Wolfe Omnibus, by, of course, Rex
Stout; and from Doubleday Four
Existentialist Theologians: A Reader
from the Work of Jacques Man la in.
Nicholas Berdyaev, Martin Buber,
and Paul Tillidi. selected and intro-
duced by Will Herberg. In June
Random House will publish Selected
Essays by this year's winner of the
Book Award tor poetry, Robert Penn
Warren, while later on in the fall
Macmillan acknowledges that even
barristers have time on their hands
with Lawyer's Leisure, an anthology
of readings for lawyers edited by
William Davenport.
ndian Springs School
Substantial endowment in relation to 9ize makes pot1
the provision of special conditions for the educatu
young men who are outstanding in their potential!
achieve distinction of performance Emphasis is
developing a habitual vision of greatness, upon vj
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made at least six months in advance. Admission is by ,
and personal Interview. Enrollment limm-d to 120 .
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JAZZ WITH A FUTURE
ric Larrabee's new column on jazz is
an inevitable addition to these al-
y crowded pages. As an old "classi-
man, I only wish that I had grown
vithin the jazz idiom and could do
job myself.
>r a while, up to the last war, jazz
ied headed for a musical dead end.
»ld rigidities were distressing to out-
musicians; the eternal sixteen-bar
s, the conventionalized harmonies,
neo-primitive variation form that
d not expand, above all the endless
"beat" that made jazz sound like
-all this and more made proponents
real" music feel that jazz was a
ialty without a future,
at since the war jazz has burst loose,
ady it has gone a long way toward
cal freedom— and that applies even
ipposedly conservative jazz, which is
loping in its own way, like the con-
ration of the Bach style beyond the
er Baroque. Jazz is growing furi-
y and so is its audience,
e must keep in mind that until
ively recently there was no "classi-
music— there was just the musical
as a whole. New blood, too, has
tantly come into the musical art
1 spontaneous "outside" develop-
ts, often zany enough at first and
uently very lowbrow. "Why should
devil have all the good tunes?" said
preacher. The dignified Bach Suites
1 from dance music, both courtly and
ant-style. Many an older sacred
rch Mass is based on a popular tune
he day and even named after it. As
i it, jazz is merely the latest of many
fecund influences on the whole body
of music, on the way to blending itself
into the higher form of musical expres-
sion that is "art."
The real potency of present jazz is that
it lies so close to the great long-time
musical traditions of the past— closer, per-
haps, than much modern "classical"
music-making. Jazz is based on com-
poser-performer identity; it is alive with
improvisation, within an understood
style and framework. (Nowadays, the
"improvisations" are being written
down, in true classical manner.) Jazz has
a strong and developing sense of style, as
all powerful classical movements have
always had; it has a language, and an
audience that knows and appreciates its
subtleties: it is a medium of intense
musical interchange of ideas, between
musicians, between them and an argu-
mentative public. Jazz, to use an old
term, is in a ferment.
Nobody can say exactly what consti-
tutes first-grade music. But these signs
of ferment have always been the essentials
for important artistic development in the
past. Too many of our present "classi-
cal" composers, in contrast, work by
themselves (not for audiences but for
"performances")— or for well-meaning
foundations who give them a shapeless
freedom, in the name of artistic democ-
racy. Art won't flourish in a critical
vacuum— not even a foundation vacuum.
| a//, of . course, is no longer apart.
Most younger jazzmen are now "classi-
cally" trained, out of the best schools;
jazz already is nibbling at every modern
idiom and theory you can mention. It's
getting so that the really creative grad-
uates of our musical system go straight
WORTH LOOKING INTO
■ eg: Peer Gynt Suite #1; Symphonic
■ ices; Elegiac Melodies. Halle Orch.,
■ birolli. Mercury MG 50164.
91; Wonderful Waltzes of Tchaikov-
I and Strauss. Phila. Orch., Ormandy.
lumbia ML 5238.
l)og's Life (CBS Radio Workshop).
■ iceived and Recorded by Tony
ivvartz. Folkways FD 5580.
Gilbert & Sullivan: The Gondoliers.
Pro Arte Orch., Glyndebourne Festival
Chorus, Sargent. Angel 3570B (2).
Kenneth Patchen Reads His Poetry
with the Chamber Jazz Sextet. Cadence
GLP-3004.
Moore-Benet: The Devil and Daniel
Webster. Soloists, Festival Choir, Orch..
Aliberti. Westminster OPW 11032.
into jazz— the re-creators go classical. No
improvising required. On every front
the march of jazz is on. It still isn't my
business; "classical" music still offers a
far wider variety of expression. But, I
do believe, jazz is here to stay.
Tchaikovsky: Symphony #6 ("Pathe-
tique"). N. Y. Philharmonic, Mitrop-
oulos. Columbia ML 5235.
The "Pathetique" is in a ferment too,
these days, with new interpretations like
this one wrenching the old score into
taut, spare modern form! Mitropoulos
is best in the early Romantic; here he
wrestles so violently with time-worn
conventions that the result is both ex-
citing and rough-edged. Orchestral per-
fectionists will deplore the too-fast first
movement, not too fast for the sense, but
too rapid for the musicians, under the
circumstances. (They must adjust col-
lectively to a new viewpoint, after all.)
But it's worth the constant rough-
nesses, just to hear Tchaikovsky burst
out like Stravinsky, in the first move-
ment's allegro! This is no definitive
performance, but it may turn out to be
an influential one.
Bach: Unaccompanied Sonatas #1 in
G Minor, #4 in D Minor (with Cha-
conne). Ruggiero Ricci, violin. London
LL 1706.
Above all considerations of style and
tempo, these unaccompanied fiddle
works require a flawless violinist ear,
and Ricci has the best in the business.
The music is in skeleton form, implying
a structure, both in harmony and
rhythm, that could easily be filled out
to orchestral size. The player who hears
the music that way at least has a chance
to convey its meaning; but no amount
of pure technique will ever get the
message over if it isn't there in the first
place. It very often isn't.
Ricci's unaccompanied Bach, then, is
by all odds the best today for intelligible
listening. His pitch is marvelous, his
sense of the total harmony is easy and
accurate, his rhythmic phrasing is plastic
but never a bit confusing. With Lon-
don's pleasant reverberation to back him
up, Ricci's Bach is marvelous listening,
and effortless too.
Bach: Two- and Three-Part Inventions.
Alexander Borovsky, piano. Vox PL
10.550.
Bach on the piano is outmoded but
still pleasurable and useful for those
who play piano and enjoy inspiration
on their own instrument. Borovsky 's
Bach is an interesting half-in-half sort,
out ol oldei pianistic tradition but re-
studied to include much that the harp-
sichordists have taught us, notably a
THE NEW RECORDINGS
consistenl use of the ornaments, arpeg
gio cadence chords, and the like.
Like many a pianist, Borovsky docs
best with t lie more complex Inventions,
plays the simpler ones rather ineptly.
There's still a good deal of the old
[eeling that these are nice little fingei
exercises; too man) are in the same
monotonous tempo, the st\h and finger
touch arc seldom varied, the phrasing is
undynamic. But some Inventions, espt
daily the slower, more "Romantic" ones,
are lovely.
Dvorak: Symphony #2 in D Minor.
ll.illc Orch., Barbirolli. Mercury MG
50159.
Elgar: "Enigma" Variations. Purcell-
Barbirolli: Suite for Strings, Winds.
Halh Orch., Barbirolli. Mercury MG
50125.
These arc two ol Mercury's current and
interesting Malic scries with Barbirolli
(also on stereo tape), displaying thai
familiar unpredictability— both good and
bad— which we in New York remembei
when he was the Philharmonic's conduc-
tor. The Elgar, British music to the core,
is absolutely lovely— I can sa\ no less. I
heard the stereo tape and recommend
it for its warmth of sound, too. But the
Dvorak, one of his more difficult works
at best, comes oil weakly. In this sym-
phony in the minor key. Dvorak follows
his mentor. Brahms, into some of the
same difficulties that beset the Brahms
First Piano Concerto and other severe-
toned works. Barbirolli is evidently not
the temperament to adjust the iron in
the music to fit the sweeter parts. The
recorded sound is fine.
The Purcell Suite was once familiar
concert fare (and was recorded before
the war); it is an out-of-date, roman-
ticized arrangement, but its sincerity is
still pleasing though we can take our
Purcell straighter these days.
Beethoven: Fidelio. Rysanek, Seefried,
Fischer-Dieskau, Hafliger, Frick; Chorus
Bavarian State Opera, B'av. State Orch.,
Fricsay. Decca DXH-147 (2).
Maybe opera specialists won't be as
moved by this as I was— I found it the
In st "Fidelio" yet, and this even though
the solo work is not outstanding on an
individual basis, and the tenor is a
small, quite weak voice. What is good
is that here, at last, is a unified, over-all
presentation of Beethoven— the solos,
chorus, orchestra, spoken voices (in-
cluded complete) teamed up with a rare
sense of style. Even the weak tenor is
good; after all, the prisoner Florestan
is supposed to be at the point of death!
The integration is tops in every aspect,
including the excellent joining ol sung
and spoken passages— too often tape-
edited together with little sense for dra
main continuity. I he orchestra undei
lins.ix is superb, and. unexpectedly, so
is that much-maligned operatii fixture,
the chorus. Complete German 1 nglish
text keeps you on the tra< k.
Gesualdo: Madrigals and Sacred Music.
Conducted l>\ Robert Craft. Columbia
Ml 5234.
It is wonderful to sec a renaissance in
the Italian vocal composers ol the \<i\
late Renaissance, who are so superbly
singable and Iistenable— but to date the
movement has been sometimes oddly
styled, the singing more instrumental
than vocal, Robert Craft, chief Stravin-
sky lieutenant, lure directs a crack team
ol matched voices in performances that,
for once, have both instrumental ac-
curacy and i I. in degree ol rhythmic
flexibility, according to the shape and
sense of the words.
But there is still lacking one vital in-
gredient— freely untempered pitch. For
my ear, these people still sing by the
piano's pitch, and in places they do not
hear the harmony in its splendidly dra-
matic free dynamic color. Gesualdo did
not write in tempered pitch or anything
remotely near to it.
Curiously enough, amateur singers
who t.uklc his music discover the true
pitch lot themselves, without benefit of
tempered-pitch education. Professionals
must un learn their solfege intervals!
(This disc was recommended in April—
on a second playing I figured it was
worth discussion too.)
Walton: Cello Concerto (1956). Bloch:
Schelomo (1916). Piatigorsky; Boston
Symph.. Munch. RCA Victor LM 2109.
This Walton Concerto is an unex-
pected pleasure, an expertly written
piece of neo-Romanticism, grateful to
the cello, full of the traditional cello
expressions, yet by no means a show-off
piece for cello bravado. In this spirit.
Piatigorsky plays with perfect discipline
and the RCA microphones place him
exactly right for an ideal balance be-
tween solo and music. It is a work
of quiet, almost retrospective maturity,
this, a synthesis of much in Walton's
own generation, with strong Prokofieff
leanings here and there, much lyricism,
a good deal of nervous explosiveness and,
inevitably, a measure of British senti-
ment. A concentrated piece that has no
room for extra polemics.
"Schelomo." the familiar Hebraic
Rhapsody, was out of the RCA catalogue
while the other big firms each had a
version; this one will probably jump
straight to the lead, and deservedly.
Same excellent hi-fi balance and the same
disciplined high-level solo playing.
JAZZ
Eric Larrabee
notei
MILE
In 1957 a thirty-one-year-old trut
peter named Miles I);ivis won In
place for the instrument in both tl
Metronome and Doum Heat readers' pol
thus making it official. What Louis Ai
strong was to the "classic" era ol jaz|
Miles Davis is to the "cool."
To be a new voice the ja// musicia
must Inst find his "sound." a wa)
expressing himsell too characteristfl
be mistaken for anyone else's. Mile
solution is to play quietly, evenly,
most without vibrato— each note
steadily breathed as to seem like
single, tubular jet of tone.
Drawn from Fast St. Louis to II nlcr
b\ Charlie Parker, and encouraged 1
a friend to go to [uilliard. Miles is r
strangei to the rhythmic and 1i.imik.ii
sophistication that bebop and betti
training have added to jazz. But, eve
while taking the lead for tighter orche
nation and a "cooler" st\lc. he has m
lost touch with the sources of deligt
and warm lyricism, as well as deep-rui
ning anger and sorrow, in jazz.
"You don't learn to play the blues,
he has said. "You just play. I doi
even think about harmony. It j
comes. You learn where to put not
so they'll sound right. You just don
do it because- it's a funny chord.
The famous recordings made in 194
50, which Capitol now calls Birth
the Cool, include the two, "Israel" 1
"Boplicity," described as "incontestafl
masterpieces" by the French critic And
Hodeir. The arranger Gil Evans plat
an essential part in them, as he also
in Columbia's Miles Ahead, a moi
recent album Miles himsell lists amo:
the few he really likes. But the listen
will discover, from any of these recon
that there is more to the 1950s th
being "beat."
Miles Ahead. Miles Davis + 19. Di
by Gil Evans. Columbia CL 1041
Birth of the Cool. 1949 50 sides wit
Mulligan, Konitz, etc. Capitol T 76:
I
Collector's Items. With "Charlie Chan
(Charlie Parker). Prestige LP 7044
Also: on Prestige: Dig, 7012; Mile
7014; Blue Haze, 7054; Cookin', 709'
Bags' Groove, 7109; Relaxin', 7129; o
Debut: Blue Moods, 120; on Columbii
'Round about Midnight, CL 949; o
Blue Note: Vol. 1, 1501, Vol. 2, 150!
toft!
i
mmammmmmmmmmmmmmmm
U
\\
\ \ •
!«*..,
■Wii
Inpress Chinchilla by Leo Ritter
\ffter Dinner-a DRAM* off DRAMBUIE
the cordial with the Scotch whisky base
lor a luxurious after-dinner adventure,
here's nothing like a dram of Drambuie,
lade with a base of finest Scotch whisky,
I rambuie is truly a whiff* of the heather,
I ith exquisite aroma and unique dry flavour.
' rambuie was the personal liqueur of
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Charlie's secret recipe. For more than 200
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Enjoy Drambuie in the traditional cordial
glass or on the rocks — with twist of lemon
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j "Dram— A small drink. When the drink is Drambuie, a luxurious after-dinner adventure.
80 PROOF
i*J|MiiiN6
it
1PORTED BY W. A. TAYLOR & COMPANY, NEW YORK, N. Y.
Sole Distributors for the U.S.A.
to; )
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JUNE 1958 ► SIXTY CENTS
9
magazine
Notes on Political Leadership
Senator Joseph S. Clark
The New Jet Air Liners
Wolfgang Langewiesche
The Untold Story
Behind Little Rock
Harry S. Ashmore
The Gang That Went Good
Dan Wakefield
Reforming Chicago:
Slow hut not Hopeless
John Kay Adams
Australia:
The Innocent Continent
D. W. Brogan
.UNAR WORLD OF GROUCH!
iendly Talk
Storm Jameson
eo Rosten
Your life insurance premium dollars are
making jObS throughout America in all these enterprises and "MfW ENGLAND
many more. By financing long-range modernization and expansion _//t^/i HJUclww^
programs, they are helping to strengthen the national economy, and
to produce a better life for you.
C^fc/LIFE
BOSTON. MASSACHUSE
THE COMPANY THAT FOUNDED MUTU/
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Good telephone earnings do not mean high rates
IVlany years ago the Bell System
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We meant it then and we mean
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Today, more than ever, it is evi-
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ood earnings.
To a considerable extent the pub-
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hould know better, have come to
aink that low earnings mean low
ates and good earnings mean high
ates.
Yet few people have the idea that
he lowest earning soap company
nakes the best and cheapest soap.
The best service
at the lowest cost
in the long run
depends on good earnings
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makes the best and cheapest hams.
Or that the lowest earning company
in any line makes the best and
cheapest products and renders the
best service.
It doesn't apply to the telephone
company either.
There are many ways in which
telephone users benefit in both the
cost and quality of service through
good earnings for the telephone
company.
BELL TELEPHONE SYSTEM
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MAGA
ZINE®
jiM 1958
vol. 2 Hi, no. 1297
ARTICLES
23 Notes on Politicai Leadership, Senator Joseph S. Clark
Drawing by Allied Bendiner
31 Tin Lunar World oi Groucho Marx, Leo Rosten
Drawings by Robert Osborn
36 The Gang Thai Weni Good, Dan Wakefield
Drawings by Charles II'. Walker
50 Tin New Jet Air Liners, Wolfgang Langewiesche
57 Fashions in Food. William II. Adolph
Drawings by Karla Kuskin
62 Australia: The Innocent Continent, D. W. Brogan
Drawings by Frederick E. Banberry
69 Reforming Chicago: Slow But Not Hopeless,
John Kay Adams
Drawing by Muni
FICTION
44 A Friendly Talk, Storm Jameson
Drawings by Tom Keogh
VERSE
30 Of Cats, Ted Hughes
35 Augeias and I, Robert Graves
52 Fable for Blackboard, George Starbuck
Drawing by Irene Aronson
DEPARTMENTS
4 Letters
10 The Easy Chair- The Untold Story Behind Little Rock,
Harry S. Ashmore
20 Personal & Otherwise: Among Our Contributors
78 After Hours, Mr. Harper and Bernard Asbell
Drawings by N. M. Bodecker
82 The New Books, Paul Pickrel
90 Books in Brief, Katherine Gauss Jackson
94 The New Recordings, Edward Tatnall Canby
96 Jazz Notes, Eric Larrabec
COVER by Robert Osbom
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LETTERS
Sounding Off
In mi Editors:
"A Combat Veteran Sounds Off"
[April] is very good and [Colonel
Crabill] obviously knows what he is
talking about. And while 1 do not agree
with all dI Ins conclusions, I concur en-
tirely in the genet al ten I the situa-
tion .is he sirs it.
| ami s \l. ( , w in. Lt. Gen. (Ret.)
\\ ashington, 1). ( '..
. . . Colonel Crabill and this ex-
Marine would get along fine. He has the
guts to shout out loud and cleat what I
and othei "troops" have been thinking
lor years. Get the Red Cross girls with
theii tight slacks out ol the ana. keep
the Mothers ol America's fingers out of
the necessary tough training programs,
and let's keep men like Colonel Crabill,
the Marine's Chesty Puller, and others
of their caliber in the military where
they will do the United States the most
good.
Jof. Rychetnik
Portland, Ore.
... I have sent this article to my Con-
gressman, asking only that it be read
to the Congress every morning immedi-
ately after prayer and by a taxpayei
M. A. Niland
Ogden, Utah
Colonel Crabill paraphrases a Penta-
gon argument: "Wars ol the future will
be derided by atomic bombs, airplanes,
and guided missiles.'' lie altacks this:
"Russia can march across Europe in
about three months. . . . They might
possibly be stopped at the source bv
bombing Russian cities and bases."
He seems to imply that these weapons
will not have an influential voice in
any future war. Who is he to sa\? Who
is anyone to say what will decide any
future war? What does the Colonel
think the mission ol wartime air power
is. il not to destroy the source — the cities
and bases? Does he think we would use
airplanes and missiles as grapeshot?
| vmes I'. Smith
Denver, Col.
( lolonel ( a abill's next senli in es,
which Mr. Smith does not quote, were:
Ale we prepared to sacrifice the east
toast of the United States lor this? . . .
\n\ \n Fori e "lln i i kimus thai no <lr
fense will stop all the bombers. It would
lake i nib i n ic li i dt slii >\ a ( il\."
/ he Editoi s
[The introcluc lor\ note to Colonel
( rabill's article] stales "he served as an
infantry oflicei in three wars, won twelve
decorations, and led the 329th Infant] \
Regiment in combat from Omaha Beach
i' > iln Elbe i tv( r." \nd he i aim out a
full colonel. Ii would be- interesting to
know how iii.i 1 1 \ officers wlm were lieu-
tenants when lie was ol that lank, or
became so latei on. and who nevei got
within a combat /one. are now generals.
I Rl li (.. I II M [NGTON, It. Col.
Hillings, Mont.
Standing Room Only
In tin I- Di iors:
I he- solutions to overpopulation out-
lined b\ Arthur C. Clarke ["Standing
Room Only." April] are far from happy
inns. Howevei it seems 10 me we could
accomplish much the same ends moi e
easily by devious means. . . .
Housing authorities and unions could
simply work togethet to encourage the
construction ol ever-smaller housing
units. 1 Ins could be accomplished by
requiring open featherbedding on the
construction crews, squaring the num-
Ihi ol nun required each tune a bed-
room was added. I his. COUpled with ju-
dicious use ol taxes on land, improve-
ments, and building materials, would
drastically reduce the number of houses
and apartments having two or more
bedrooms. Further refinements could
include prohibitions against sleeping in
am space not designed lor a bedroom.
. . . Since suitable housing lor large
families would not be accessible, the
majority ol people would voluntarily
limit the size ol their families. My own.
lor instance, has already been stabilized
—shelter loi even three- children cannot
be located readily in ever) city to which
the Navy sends me. . . .
In event of population explosions,
remedies could be invoked singly or even
combined with such relatively small ef-
forts as increasing the si/e and cruising
speed ol automobiles without improving
mads, etc ....
Byrum A. Hoi i r |\c:k. \KC
FPO, New York, X. Y.
Of course there are alternatives to the
depressing array of futures Mr. Clarke
lines up. . . . What we hope lor are ways
to induce- people to want to limit lb
Families to a socially desirable si/e. ()i
a totalitarian country could impose t
coercive measures which seem to be
that have ')(( urred to Mr. ( l.i) ke.
Some ol the democratic alternate
were I lulated b\ Richard L. Meier
the University ol Michigan's \h n
I li.ilih Research Institute at a com
ence sponsored by the American q
manisi Association at Ann Arbor 1
December. (1 do not wish to adverj
but the substance ol Mr. Meier's remi
is published in the- Number Two h
manist lor 1958.)
Main peopli he s.i\s, have am
\ all in is about I .using a family, and t
ait will be to make other ways ol 1
so attractive that enough [people-] .
will choose the alternative course. 1
example, mam women are admiral
fitted loi careers and professions whi
would interfere with child raising:
addition there- are the delights ol trJ
and "the new active leisure." Sued
found its birthrate- falling drastic!
when the standard ol living became hi
enough. Mr. Meier sees the need I
removing 20 to Ml pet cent ol worn
out ol the child-bearing field, and th
thinks the others could safely be lilt
have as many children as they chose. .
Indeed the experience- of the femini
ol liltv years ago . . . may take on
new relevance. One thing is certal
the present climate- of feeling puts a I
tain number ol artificial pressures i
young women to have children. . . .
Priscilla Robertson, Edit
The Human
Anchorage, I<
There is probably more "standi
room" than we think.
Ever since man's beginning we hi
had prophets ol doom. They used
worry about too lew people due- to i
enough food- Now they worn abi
loo main people clue to too much of
I don't know which is worse, dying
starvation or drowning in a sea of 1
manity.
Malthus thought we- would overpo]
late- the- earth because of the acerle
tion ol material progress. Althoui
there is an increase in population
nnds to decelerate with the accelerat
ol civilization. Perhaps this decrease
the rale- ol increase- will continue m<
by coincidence, it reaches a point
stability just short of "standing ro
only."
However, il in the meantime
does manage to destroy himself, it
probably be only from the exhaust
of predicting such a destruction.
Lorne H. W
A/usa. C
. . . Striding headlong in its se\
league boots . . . science is even t
Stepping over the- threshold ol enligh
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by Sea . . . across the Atlantic
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Rugged cliffs, snow - white beaches
surrounded by exotic tropical vegetation.
Here you can enjoy unexcelled surf-bathing,
boating and exciting deepsea fishing.
Splendid hotels, incomparable sunsets and
dancing under starry skies.
You'll be really happy vacationing in Mexico.
MEXICO aivails you. Your travel agent will tell you.
MEXICAN GOVERNMENT TOURIST BUREAU
LETTERS
mi in .mil will sunn know wli.it makes a
cabbage .1 < . 1 1 • I j . i ^ ■ ■ and a man a man.
Unquestionably in the ttiture ii can
bring aboul mutations so that the
"I uikI.iiih 11 1 .i 1 i \ new approach to the
nature ol man" will Ik- through a genetic
upheaval. I he result will be a sturdier,
inoi e mil lligent, more adaptable, lea
fertile u eatui e; .i < reature whose life-
time reprodiH live powci s will be In
in union with the leniale ol tin new
species, to but two ol his kind. I In se
spawn will survive against all odds ea
( i pi .K ( idental death (pel haps evqj
ih.it ), lui the) will In- (Iim ase proof, in-
i t-I It < m. ilh capable ol understanding t lit*
new world, happily adjusted to the two-
child family. . . .
Lai r a W. Dot t.t.As
I errace Park, Ohio
Bebermaii Math
To the Editors:
WmIi reference to the article, ' 'Math
Even Parents Can Understand." by
I'uri I-. Drucker in the April issm •: liom
whom can I secure the texts ol the
Beberman course?
) < ii in C. LaughlB
Montgomci \. Ala.
We suggest that you write to ProfessB
Max Beberman at the University of
Illinois, Urbana, Ill.-The Editors
Ja^z
h
ti
LOS ANGELES. CALIFORNIA 3106 Wilshire Blvd.
CHICAGO. ILLINOIS 27E. Monroe Street Suite No. 304
HOUSTON, TEXAS 809 Walker Ave-
MIAMI, FLORIDA 45 Columbus Arcade
NEW ORLEANS, LOUISIANA 203 St Charles Street
NEW YORK, N. Y. 630 Fifth Ave No. 801 Rockefeller Center
SAN ANTONIO, TEXAS 209 E. Travis Street
MONTREAL, CANADA 1255 Phillips Square, Suite No. 206
TORONTO, CANADA 20 Carlton Street
LA HABANA, CUBA Calle 23, No. 72 • La Rampe, Vedado.
To the Editors:
I was highly disturbed to see sue
large amount ol span in your April is
sue devoted to the subject of jazz, ;
questionable art form at the very leas
["What's Happening to fazz" by Na
Hentoff]. . . .
[azz will never rise above the "saloon
audience, lor those beyond the men
talitv found there, it lias nothin
offer.
Leonard F. Vim in
Venice, Calil
As one- of those jaZZ "disc jo<ke\s"
llentoll mentioned, I would like t
thank you lor publishing a thoughtf!
article on an oft-misunderstood subje<
To those of us in the field ol radi
commentary on jazz, critic Hentofl is
voice ol sanity and perception. . . .
Gene l-'i i h \
WFUV-F?
New York, N. i
The Nat Hentoff article was piece
it only slightly prejudiced against mai
agers of ja// music ians.
Papa Celestin, a beloved member
our board, suffered and died because (
Exclusive*
with the
Marboro Book Club
< Not about sex,
but a book
about the sexes
"Men and women are emotionally as different as if they belonged to two
different species. When they do the same thing, it is not the same, even
when they do it together." — from OF LOVE AND LUST, a Marboro Book
Club Selection by exclusive arrangement with Theodor Rcik's publishers.
You can have any %j of $^75
the books shown for only %J "
Choose from OF LOVE AND LUST-THE ROOTS OF HEAVEN-
THE LIVING PAST- MASS CULTURE- and eight other important
books as your introduction to membership in the MARBORO BOOK
CLUB.
We live in an era that stresses sex, but tries to minimize the differences
between the sexes. No wonder, then, that OF love and lust has become
one of the most controversial books in years. Written by Freud's most
famous pupil, it reveals how differently from each other the two sexes live,
think, and love— each attributing a significance that the other cannot un-
derstand to the sexual act that binds them together.
In of love and lust, Theodor Reik analyzes the difference between mas-
culinity and femininity as they manifest themselves in almost every aspect
of life... in normal and perverse sexuality, in romantic love, marriage,
parenthood, bachelorhood, spinsterhood ; even in the way we spend money.
Here is Reik at his fascinating best, showing us why women want mar-
riage so profoundly and men struggle against it... why a woman's reasons
for adultery are different from a man's... why women talk so much; and
what the compulsive housekeeper is really trying to clean up... why men
and women react differently to policemen (and to homosexuals).. . and
what a woman really means when she says she "hasn't a thing to wear."
Anyone who has read of love and lust will tell you that it is worth every
penny of its $7.50 bookstore price.
To demonstrate the values that discerning readers can expect from the
marboro book club, we offer you any 3 books on this page (including
of love and lust, if you wish) for exactly half what you'd ordinarily pay
for of love and lust alone.
the marboro book club pools your buying power with that of others who
share your- tastes, and saves you an average of 50% on the self-same
books you would otherwise purchase at full price. With each four selec-
tions (or alternates) accepted at Special Members' Prices, you receive
a superlative bonus volume of your choice at no additional charge.
Reach for a pencil right now and check off any three of the books shown.
They're yours for only $3.75 with an introductory membership in the
marboro book club. That's a saving of as much as $21.25 on regular
bookstore prices. Mail the application form today, while this exclusive
offer lasts.
Choose any 3 of these books for $3.75 with Introductory Membership in the MARBORO BOOK CLUB! Mail your application today.
D OF LOVE AND LUST. By Theodor
Ileik. Freud's most famous pupil
analyzes the hidden nature of mas-
culinity and femininity, normal and
perverse, in romantic love, in mar-
riage, parenthood, bachelorhood, and
spinsterhood. list Price $7.50
0 THE LIVING PAST. By Ivar Lissner.
Brings triumphantly to life the great
discoveries of archaeology, anthro-
pology, and comparative religion.
508 pages, including 64 pp. of fabu-
lous photographs — sculpture, idols,
architecture, costumes, & other treas-
ures of antiquity. List Price $5.95
□ THE ROOTS OF HEAVEN. By
Romain Gary. The prize-winning
novel of adventure and intrigue in
Africa that the N. Y. Times calls
"the most intellectually stimulating
novel of 1958." 300,000 copies sold
in France alone — and now a major
bestseller In America.
List Price $4.50
O LAST TALES. By Isak Dinesen.
Twelve new tales of compelling
beauty and enchantment by the author
of Seven Gothic Tales. "A touch
that's magic ... Pure delight." —
N. Y. Times List Price $4.00
a SELECTED WRITINGS OF JUAN
RAMON JIMENEZ. First representa-
tive cross-section of prose and poems
by the 1056 Nobel Prize Winner, in-
cluding writings never before pub-
lished in book form. List Price $4.75
D MASS CULTURE. Ed. by Rosenberg
& White. Monumental, wickedly re-
vealing portrait of the "Lonely
Crowd" at play. David Riesman,
Edmund Wilson. Dwight MacDonald
and other distinguished scholars de-
scend upon the "popular" arts with
diabolical zest. List Price $6.50
D KLEE. By Gualtieri di San Lazzaro.
Paul Klee's greatest "one-man show"
— a triumphant, summary of the life
and work of this Einstein among
painters, with 360 reproductions of
his most famous and enigmatic works,
including 80 full color plates.
lis* Price $5.75
O RELIGION AND THE REBEL. By
Colin Wilson, author .of The Out-
sider. "The idea behind it is one of
the most important in the thought of
our time, the most effective challenge
to materialistic philosophy yet con-
ceived."— N. Y. Times.
List Price $4.00
P AND THERE WAS LIGHT: Man's
Discovery of the Universe: From
Babylonia to Sputnik. By Rudolf
Thiel. Does for Astronomy what Gods,
Graves and Scholars did for archae-
ology. 128 illus. List Price $6.95
D BEING AND NOTHINGNESS. By
Jean-Paul Sartre. Sartre's Philoso-
phy of Being, including his views on
social relations, his doctrine of free-
dom, and existential psychoanalysis.
635 pages. List Price $10.00
a THE LIVELIEST ART. By Arthur
Knight. A panoramic history of the
Motion Picture as an art form — from
Melies and Griffith and Eisenstcin to
Basho-mon, Uossellini, and Mike
Todd — by the distinguished film
critic of the Saturday Review. With
photographs. List Price $7.50
a THE GREEK EXPERIENCE. By C M.
Bowra. An almost incredibly bril-
liant summing-up of the whole
achievement of Greek civilization
from the time of Homer to the Fall
of Athens, with 64 full pages of rare
photographs. The London Spectator
calls it "A masterpiece" — and it is.
List Price $6.00
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COM i\<; IN
Harpers
-*■ magazine
NEXT MONTH
\ ETER \\S:
Our Biggest Privileged (.lass
\ veteran with ;i partial • 1 1 -. i -
bilit) lor which he has refused
to colled i<ll- liou the veterans'
groups arc pressuring Congress into
oik- of the mosl flagranl misuses of
public money this country has ever
seen.
By Joli ii K. Booth
CI IDE TO '58 AND '60
A noted political analysl sums
■ 1 1 » hi- findings state b\ -talc — and
forecasts the issues, candidates, .mil
trends which will make the next
chapter in American history .
By William G. Carleton
TIME ON OUR HANDS
The more leisure we get, the
more people worry about it. A well-
known commentator on American
manners and social habits comes
up with some unexpected answers
on how to make the most of our
play time.
liy Russell Lvnes
sol THERNERS
II li<> Set the Woods on Fire
More than 80 per cent of the
nation's forest (ires occur in the
South . . . many of them arc de-
liberately set by firebugs. \\ hy do
they do it? And is there any way
thej can he -lopped'.''
liy Ed Kerr
L E T T E R S
the pressure ol such managers on Bout
linn Si
I In re is anothei facet oi the probli m:
discrimination. We find thai man)
N< ",m jazz musii ians < annot find suil
able audiences and support. We have
ii ied .Hid are ii ying to help.
|. \mi ki\ (,ki i \i , Pres.
Intel national fazz Foundation
New Orleans, La.
Welfare Disease
I o i in I m urns:
What the upshot ol the Egalitarian
\ ge .Hid the Welfare State will be is ol
interesting import. . . , Nforman Mai
Kenzie's " I he I nglish Diseasi " [ \pi il|
ha"s i .used the issue. . . .
Whethei the I nglish will evei reco-v ei
from the opiate the 1 .eftists, aided and
abetted from time to time In soft
hearted and sofl headed aristocrats, have
pn pared foi them I don't know. . . .
\Vh< ii I ngland was great, I seem id
Hi. ill. thin was the usual natural in
i quality stalking lustily through hei
population .mil hei institutions. . . .
1 1 1 \k\ C. M< Gavack
fai Kmpii I [eights, N. Y.
Not So Daml)
I o in) 1- in roRs:
We were much intrigued In Vrthur C.
Clarke's "Out Dumb Colleagues" [Feb
i ii.ii \ I. espe< i.iIK since we have in the
past ten years [in oui nmk in applied
animal psychology] trained pigs to run
vacuum cleaners and pump water,
(hi(kens to sell pnsUaids, rabbits to
p. mil Eastei eggs, and raccoons to turn
egg beaters.
Seriously, many ol the ideas Mr.
Clarke suggests are practical possibilities.
Recent advances in psychology have
shown that workable, humane control
can he economically achieved over wide
ranges ol annual behavior, and that be
havior so controlled is, in many cases,
more- reliable than machinery or elec-
trons devices. Mrs. Keller Breland
lint Springs, \ik.
Stopping the Slump
lo l in I in inks:
Russ M. Robertson's article- ["Four
Steps to Mali the Slump," April] is
written with precision and elegance.
However, except for his sweeping "im-
balance the budget," his four steps sug-
gest remedies more procedural than
in, iii i ial.
\ policy ol unbalanced budget, pur-
sued with the abandon ol Mr. Robert
sun's suggestion, is more likelv to bring
about deep i < onomic imbal.mc is than
lasting lull employment. It's like vita
mills lake too many, .nul the body
throws them away.
What Mi. Robertson's words" "con
sistc in y" ,ind "( iiIk ii in e" implv Inn do
not (Ic.ulv s.iv is thai din economy
lac ks an ovci all ec onomic projee t ion, a
goal, especial}) in the total ol yearly
national investment loi consistent and
balanced veal Iv growth; that the Council
ill I c iimnnic \clv isc is h.is bided to pre-
pare one: that the Administration has
alsu bnlecl to propose a corresponding
svstem ol incentives (oi restraints) to
attain it. We have used the brakes of
credit tightening. Now we will have to
apply the a< < eleratoi ol dene ii spending.
What we a< in.illv need is the steering
wheel .i\\i\ stead) pace ol economic pro-
graming ( )l Ml \U RIANKK
\tlanla. (.;i.
Team Doctors
I o i iii 1 in roRs:
I have read with great interest Mis.
Sanders' excellent article on "Country
Doc lots Calc h I p" [April].
I feel Mis. Sanders has some what
exaggerated the opposition ol organized
medicine to group practice; so l.u as I
know the American Medical Vssociation
has nevei opposed llus loim ol practice.
Ibis Association, consisting ol 112 lull
and 9 associate nieinbei s. although in-
dependent, works closely with the AMA
on many matters ol common concern.-
\ large number of enir members are in
"rural" areas oi small cities. We believe
that properly constituted private group-
practice e links oiler one means ol bring-
ing good medical care to the residents
ol Communities huge and small.
Edwin I'. Jordan, M.I).
Amcr. Assn. ol Medic al Clinic s
c lharlottesville, \'a.
I believe I understated the stubborn
rear-guard action organized medicine
has fought against group practice. . . .
The real targets have' been the groups
offering day-to-day medical care- which
inevitably compete with I lit general
practitioner. The bailie- against them
has been chiefly waged, as I pointed out
iii my article, by local county medical
societies which are the components ol
the- \MA \ review of the position
ul organized medicine will be found in
Chapter VIII ol Medical Care for Today
and Tomorrow, the excellent book by
Michael M. Davis (Harper & Brothers,
1955). Ii contains a detailed indictment
which cannot be adequately doc umented
within the space limits of a magazine
article or correspondence column.
Marion K. Sander!
New York, N. Y.
w#i
m
1 ,^K~
I i , as58""*** -
"m
i.i
I Mi B
-,5 ;
from jkeMetropolitanMuseum of Art
LL-COLOR MINIATURES
^Vincent van £joah
OF FAMOUS
PAINTINGS BY
A DEMONSTRATION
of a simple and sensible way — particularly
for families with children — to obtain
a well-rounded education in the history of art
THE MINIATURES PLAN . Once a month the Museum
reproduces a selection of paintings in full color.
Each set deals with a different artist or school and
contains 24 fine color prints (slightly larger than
shown at right) and a 32-page album, in which the
artist and his work are discussed, and in which the
prints can be affixed in given spaces. In effect the
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the history of art for persons of all ages — but
particularly for young people — an ideal way for
parents to induce in them a lifelong interest in
great art.
ONE-MONTH TRIAL SUBSCRIPTION SUGGESTED, with
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matter what your decision, the introductory
Vincent van Gogh set is free. The price for each
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With the first set purchased, and with every sixth
set thereafter, you will receive free a portfolio
which holds six albums.
PLEASE NOTE: Since the Metropolitan Museum is
unequipped to handle the details involved in this proj-
ect, it has arranged to have the Book-of-the-Month
Club act as its national distributor. The selection of
subjects and the preparation of the color prints remain
wholly under the supervision of the Museum.
BOOK-OF-THE-MONTH CLUB, Inc. 39-6
345 Hudson Street, New York 14, N. Y.
Please send me at once 24 full-color Miniatures by Vincent
van Gogh, with album, without charge. This may be con-
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To facilitate handling and billing, two sets will be sent every
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Mrs.
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Address
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HARRY S. ASHMORE
1958 Pulitzer Prize Winner
the Easy Chair
The Untold Story Behind Little Rock
The executive editor of the Arkansas Gazette
and (initio) of Epitaph for Dixie— widely ac-
claimed as the best O) ret cut books about the
South— examines the failure of ou> press, TV, and
radio to report what really happened in his city.
His paper won a Pulitzer Prize this year for
meritorious public service and My. Ashmore him-
self received another foi his editorials during the
Little Rock crisis.
F() R some months now I have served, in
addition to my other duties, as something of
a public monument, a sight to he seen by dis-
tinguished visitors on safari to Darkest Arkansas.
They still come in a seemingly endless stream to
view the scene of the Battle of Little Rock-
small, brown men from the Orient, lady parlia-
ment members from Norway, earnest students
from Eastern universities, pipe-smoking profes-
sors of sociology, ecclesiastics of every tank and
denomination, and journalists without number.
They go, usually, to look upon the site of Faubus'
charge and Eisenhower's envelopment, visit the
governor in his marble sanctuary, and come
finally to what a friend of mine has termed, in-
accurately I hope, Ashmore's Tomb.
These visitations often provide unique intel-
lectual exercise. It is stimulating, at least, to
discuss, through a French interpreter, the states'
rights doctrine of John C. Calhoun with a
Japanese professor of European literature. But
I encounter a besetting frustration, too. With
only rare exceptions the visitors— domestic no
less than foreign— come with an image of Little
Rock firmly fixed in their minds, an image
fashioned by the millions of words sprayed
through the communications media since the
balloon went up last September. And I doubt
that the image is perceptibly altered even when
they gaze upon a quiet, attractive city built
upon tree-clad hills where civilized people still
go about their ordinary business without visible
trepidation.
There is, ol course, good reason why Little
Rock has become a symbol t hat arouses strong
emotions among people everywhere in the world.
Events have made' the \ci\ name ol the city a
battle u\ for those on both sides of the great
moral issue that lias divided this nation through
most ol its history, and still divides it. "Remem-
ber Little Rock" proclaims the <41e.it seal that
adorns propaganda-bearing envelopes going 0111
from the headquarters ol the Southern Citizens'
Councils, rhe same words have been sounded l>v
Negro hoodlums moving with drawn knives
against whiles in the slum streets of Northern
c ities.
h follows that there lias been considerable
deliberate tinkering with the image at home and
abroad. Little Rock was about as handy a pack
age as the Russians have had handed them since
the) set out to woo the colored peoples of the
earth. In the South (and among some ol the
copperhead columnists who espouse states' lights
above Mason and Dixon's line) a whole new
mythology has evolved to fit extant prejudices
against the central government. Westbrook Peg-
ler, lor example, has solemnly contended that
Old Applehead sent his stormtroopers into Little
Rock lo assault innocent citi/ens not only with-
out legal sanction but without cause, and John
Temple Graves maintains on several Southern
editorial pages thai the mob which overran the
Little Rock police force was "Harry Ashmore's
imaginary, lion in the siiceis." The effort is far
advanced to expunge from pliant Southern mem-
ories the salient fact thai Orval Faubus moved
first with force ol arms when he sent his state
militia to sei/e Central High School in naked
defiance of a federal court.
WHAT THE REPORTERS
didn't SEE
BUT this I regard as incidental, a natural
hazard ol my trade and my time. What gives me
professional pause is the odd. distorted, and
grosslv Incomplete image of Little Rock carried
around by those who got their facts straight, and
in great abundance. Among my present afflictions
is the gloomy suspicion that somehow as we im-
prove the mechanical means of communication
we are losing the fundamental ability to com-
municate; we are talking more, that is, and
sav ing less.
In my time I have seen the mass media expand
to include the formidable newcomer, television,
and add a new dimension to the raw stuff of
history. In the same span, newspapers, although
financially weakened by the additional competi-
tion for attention and the advertising dollar,
have improved their techniques; we get the news
faster and dish it up in prettier packages. We
are as free as we have ever been— which means
that we are as free as our proprietors have the
heart and the will to be. [Continued on page 12.]
The man who wants to
KNOW
£ ways, since the dawn of mankind, there
I; s been the man who wanted to KNOW
I e thing or many things.
Often that instinct to know was merged
lj th the instinct to survive; in this there
i; nothing new.
JToknowhowto grow food, howto build
fie, how to turn a wheel — to know -why
£ Daby could die or a flower grow. . . all
t,3se desires play their parts in the long
story of man, thinking.
Man today is still man thinking, man
seeking and studying and searching.
Anything that elevates thinking man to
new importance must in the end favor
free men over slave men.
Thus, the current upgrading of the man
who wants to know finds an answering
upthrust in the American mind and heart.
TIME -The Weekly Newsmagazine
12
THE EASY (HAIR
Yet with all of this, we s£em to be no nearei
a solution to tin- fundamental problem that has
besei its since Gutenberg perfected movable type
-how to present the day's events in meaningful
perspective. Indeed, in sonic important ways,
we scon to be moving in the opposite direction.
The concentration on technique can, and often
has, become .1 son ol refuge from this more
complex problem. One ol the major wire services
is still bemused l>\ Dr. Rudolph Flesch's formula
which seeks salvation through syntax, and holds
that public understanding can be improved
through shorter sentences and more frequent
paragraphs. It seems to me it doesn't really
maitei whal tools we use so long as w< are prom
to wake up each morning and discovei .1 whole
new world ,nu\ write about it as though nothing
1 ( lex. mi had gom b< fore.
I he Little Rock Story is a c.ise in point. It
was. by universal judgment, the second biggest
news story ol the yeai topped only b\ sputnik.
It attracted a concentration ol correspondents,
photographers, and radio and television tech-
nicians comparable to thai which assembles lor
.1 national political convention. I he newspapers,
wile seiviecs, and networks sent theii best men,
too— seasoned hands to handle the fast-breaking
spot news and 1 h ink-piec c experts to back them
up. For many days the story had top priority on
ever) news desk iii ihis country and abroad—
which meant the men on the ground could
count on whatever space 01 time it took to re-
port their findings in lull. It is lair 10 say that
contemporary journalism's best efforl went into
the Little Roc k slory.
Yei Harold C. Fleming, the' perceptive execu-
tive director ol the Southern Regional Council,
whose business it is to chart the shifting pattern
ol race relations in the South, has written ol the
result:
. . . what do the millions ol words and tele-
vision images add up to? Have they given
Americans— to say nothing ol foreigners— a
clearer understanding ol the South's malaise?
As a result ol them, will the national shock be
less or the' insight giealei il a similar erup-
tion accompanies desegregation in Dallas or
Charlottesville or Knoxville? We can hope
so, but not widi much optimism. Only a lew
major newspapers, like the New York Times,
a lew thoughtful television and radio com-
mentators, and a few good magazines sought
to give a meaningful perspective to their re-
ports from Little Roe k.
Conspicuously lacking in most interpreta-
tions is any sense ol continuity. The upheavals
in Tuscaloosa. Clinton, and Little Rock were
not isolated events, but episodes in an un-
folding drama e)l social change. . . .
I can hie no dissent from Fleming's verdict. 1
was there when the cowboy reporters rode in to
die scent ol blood. They did not have to seek
I01 drama; it was thrust upon them, with a eniii-
plete set ol heroes and villains and these readily
interchangeable, depending upon your point of
view, I do not charge that the piess sensa-
tionalized the Little Rock stoiv: the lacts them-
selves were sensational enough to answei an)
circulation manager's dream. Moreover, I believe
that— with rare exceptions— the men and women
who reported the Little Rock stoiv were' compe-
tent and conscientious. Similarly, 1 have no
reason 10 believe thai any but a tiny handful
were bound by home-office policy or blinded by
the il personal prejudie es.
Thev performed theii traditional function,
within the traditional limits. They braved the
mob thai formed lor some days around the high
school, they interviewed die principals on both
sides and manv ol the niinoi characters, they
sketched in personalities and Idled in color, and
senile at least tried haul to define the feeling
ol the community. Over a peiiod ol weeks they
did a reasonably ace mate job ol reporting what
happened at Little Rock— but as Fleming has
said, thev have failed to tell why it happened.
I HE UNFINISHED STORY
AX 1) die reason, I think, is that to Ameri-
can journalism the Little Rock story had
an arbitrary beginning and end. It began the
day Governor Faubus surrounded Central High
Se hool with his state guard. It continued so long
as there was a naked edge of violence. It ended
when federal troops restored a surface order to
the troubled city. It has had subsequent foot-
neites only when the edge ol violence re-emerged
in clashes between white and Negro children
inside the school. It survives in the press today
largely in tin soil ol occasional oblique reference
that passes lor background ol more immediate
news.
Yet it is epiitc obviems that the Little Rock
story did not begin in September. It is equally
obvious that it has not ended yet. For Little
Rock was simply the temporary focus ol a great,
continuing, and unresolved American dilemma
which touches upon fundamental concepts ol
morality, ol soc ial change, and of law. Journalism
has concentrated on only the exposed portion of
die iceberg; the great, submerged mass remains
uncharted.
It was, admittedly, an extraordinarily difficult
story to handle. A journalist is trained to seek
out spokesmen for both sides in any controversy.
They were readily and anxiously available in
Little Rock. The case lor resistance to the
Federal Court's desegregation order was made at
length by Governor Faubus. and bolstered by
the more flamboyant utterances of the unabashed
racists in the Citizens' Councils. The case lor
c omphalic e was made by the loc al se In >< >1 ollic ials,
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the mayoi ol the city, and belatedly
In the Presidenl ol the United
States, with somewhat more passion-
ate arguments [reel) offered l>\
spokesmen foi th( National Associa-
tion lot the Advancement <>l Colored
People.
Bui iliis was a controversy that
had three sides. Caught between the
committed and dedicated partisans
w as a substantial and silent mass ol
plain ( itizens ( onfused .mil deepl)
disturbed. The) were people who
deplored desegregation and also de
plored violence. The) It-It. man) ol
them, a deep compassion foi the nine
\> gro ( hildren exposed to the anger
and ( onii mpi ol a w hite mob. Bui
the) also felt that the Negro ( hildren
should not be attending the white
s( hool in the fust place. The) had
been, most ol them, willing to under-
take what they considered the un-
pleasant ilun that had been required
L\ the i out ts.
Bui then, at the last moment, their
governoi had stepped forward and
plot laimed that what they had a<
cepted as the law was without sub-
stance—and that then failure to
icsist desegregation amounted to
treason to their own traditions and
to their own people.
ll is Due that most ol those who
accepted this thesis (and the ma-
jority have, to some degree) did so
with conscious rationalization. But
it is also true that when emotion
triumphed over reason they did not
actively join the crusade ol the
governor and the Citizens' Councils;
rather they simpl) subsided into
troubled silence and by so doing
withdrew their support from ihose
few who attempted to stand against
the tide. And because they wen
silent, t lie i j attitude went largel) un-
reported. The piess took due note
ol the lae ( that in fairl) shot t order
Governor Faubus was in command
ol the held; but here again it did not
explain why— which is the heart ol
the stoi \ .
It can be argued that these matters
are too subtle for the proper pra< (ice
ol journalism— that those who rode
to Little Rock as though it were a
I ou i -a la i m fire could not be ex pec ted
to plumb the hidden attitudes of the
populace, and indeed that the- effort
to do so would represent a dangerous
departure from proper standards of
objectivity. Pet haps so. But there
were othet aspe< ts ol the Little Rod
stoi\ that weie equall) vital and ■
no means so elusive. I hen was,
< onspii uously, the failure ol leader-
ship in Washington which matched
the default ol Southei n leadership
and made tin ultimate showdown
between slate and federal lone in-
evitable.
XI W S> I II A I
DOESN ' I II \ P P l \
B I FO K 1 pursuing this thesis I
should, perhaps, note that I am (to
boiiow Sam Rayburn's descriptij
ol himself) a Democrat without sn
fix, prefix, oi apology. It should be
noted too that I spent ten months in
the wilderness with Adlai Stevenson
in Plan, when the Democratic candi-
date's eiies on ibis subject, along
with all others, were largely un-
heeded. But, making all due allow-
ance loi m\ prejudice, I submit that
the record shows that from May
1954, when the United States Su-
preme Court reversed the old Plessy
doi n inc. until September 1057,
when the chickens finally fluttered
in to toost in Little Rock, the Lisen-
hower Administration took no af-
firmative action to pave the wa) lor
the sweeping legal change the Con
required or to temper the inevitable
dislocations il would occasion. In-
deed, (he incredible fact is that
the Administration, without prelimi-j
nary, moved directly to the ultimate
resort ol armed force, and then was
confounded by its own belated
audacity.
It required no delicate' lingering
ol the public pulse to chart the
course of glowing defiance in the
South. It was evident in violent ut
terances by souk of the South''
public men and in the silence of
others. It was made a matter ol
record in the passage ol a varieB
ol restrictive laws in the Southea
legislatures. A conspicuous public
monument was erected in Washing
ion when one hundred Southed
members of the Senate and House
signed their breast-beating Manifest)
in the spring of 1956.
Yet Mr. Eisenhower's only real
tion to all this was an otcasiona
bemused puss conference state-men
about the difficulties of (hanging the
minds and hearts ol men. His Ac!
ministration, it is true, made lokei
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(CITY & STATE)
1G
THE I V s\ (HAIR
efforts to pass stringent civil-rights
legislation— which onl) served to
l.K erate the Southei ners in ( longress
and < n i.unly had an adverse effei i
upon their minds, hearts, and
spleens. And, ol course, Vice Presi-
dent Nixon, in the days before he
sheathed his hatchet, joined other
Administration spokesmen in m.ik
ing propei ob< isan< e to theii party's
Abolitionist tradition when cam-
paigning in those areas where the
Negro vote is heavy.
Hut at no time did Mr. Eisen
1 lower attempt to use the moral Eorce
of his office to persuade Southerners
ol the justice ol the course the Su-
preme Court required ol them, or
his great personal prestige in the
region to allay their tears thai the\
were being forced into a revolution-
,n\ rathei than an evolutionary
course. Nor did lie employ i In \.ist
political powers ol his office to ne-
gotiate with the recalcitrant South-
ern political Leaders from a position
ol strength.
I am not one who supports with-
out reservation the thesis that the
Republican allegiance ol most ol the
proprietors of the pi ess has been
translated into a conspiracy to wrap
Mr. Eisenhower in bunting and pro-
tect him against criticism. I do not
believe that this was a primary cause
of the conspicuous failure ol the
press to take due note ol the troubles
that were shaping up in the South,
and ol the Administration's appar-
ent unawareness. 1 suspect that it
stems rather from the limiting jour-
nalistic axiom that what happens is
news, and what doesn't isn't.
Thus the reporters rode into the
legion only when there was ac-
tion—when a couple ol red-necked
hoodlums in backwoods Mississippi
dropped Emmett Till into a river,
or a mob ruled that Autherine Lucy
couldn't attend the University ol
Alabama, or John Kasper incited
the citizens of Clinton to wrath. In
between, an occasional reporter,
usually from one of the magazines,
toured the region— but these too
often caught only the sound and the
fury on the surface. A notable ex-
ample was the series in the Saturday
Evening Post last summer, "The
Deep South Says 'Never!' ' The
author, John Bartlow Martin, is a
competent and conscientious practi-
tioner, but his pieces were largely
distilled from the utterances ol the
extremists without qualifying bal-
ance. The certainly unintentional re-
sult was to oi\i national e leeLiie e to
ilit- contention ol the Councilmen
that i lit \ spoke lor the whole ol the
Southern people, and the Council
leaders themselves regarded the- Post
seiies as invaluable propaganda in
their < ampaign to enfon e the doe -
trim ol brute resistance upon the
silent majority. But the othei and
equally essential part ol the story
the eh ih in Washington went
largely unnoticed except In a lew
periphci al < i itie s who address a
limited audienc e.
T H E I' o I. I I IC AL n I \ I.
IF Till-, reporting ol the prelude
to Little Rock was conspicuously in-
adequate, it see ins to me that the
postlude provides an even more dis-
tiessinu example. I he stirring mar-
tial events ol September were, it is
true, somewhat confusing— particu-
larly when President Eisenhower and
Governor Faubus held their historic
peace conference at Newport and
there remained some doubt as to
who emerged with whose sword. Out
of the communiques issued by the
White House on this occasion, how
ever, and the later meeting with
e n\o\s from the Southern Governors'
Conference, there emerged an as-
sumption that the executive depart-
ment ol the federal government was
prepared to back to the utmost tin
orders ol the federal judiciary.
This notion was reinforced by the
arrival of the 101 st Airborne Infan-
try, and by the presence in Little
Rock ol so many FBI agents they
created a problem of hotel accom-
modations. Indeed, there was public
and official talk ol a vast document
compiled by the FBI, at the direc-
tion of the United States Attorney
General, presumably in preparation
for court action against those who
were clearly defying the injunctions
of a federal judge. During those fall
days the embattled Little Rock
School Hoard— under fire from the
state government lor carrying out
the judge's order and deserted by a
city administration intimidated by
a show of political strength by the
Citizens' Council— waited lor the
federals to ride to their aid. All they
got, as it turned out, was withdrawal
ol the regulars ol the llilst and a
perfunctory detail ol federalized na-
iion.il guardsmen, nuclei orders to
observe but not to arrest an\ male-
lac 101 ^ within the sc hool.
It soon became apparent thai this
was |, u liom enough to preserve am
semblance e>l order. The mob which
one c e aim close to Ion ing entry into
the sehoeil did not re-form, ii is true,
but it didn't need to. A lai saler
c oui sc was Id inspiic- a small group
ol white- siuelents to undertake a
campaign e>l harassment against the
isolated Negroes. And as it he-came
apparent thai Washington had done
all it was ^ < > i i i d to do, the Citizen
Councils became- boldei and holder
in their campaign ol intimidation,
c ot le ion, and boycott direc ted again!
any who dared dissent liom the- de-
hant e out sc- they had e I i.i i ted. I he-
campaign bore tangible fruit in the
expulsion ol one ol the nine Negro
children who had responded in kind
lo calculated mistreatment— an event
greeted by the- appearance ol cards
on the lapels ol the- student activists
bearing the cogent notice: "One
down— eight to go."
Here again, in spasmodic, unco-
ordinated fashion the surface of
these events has been recorded by
(he piess. But the- othei and more
significant portion of the storv has
attracted little attention. In Wash-'
ington, the decision to leave to the
Little Rock School Board the entire,
burden of carrying out the court-
order against impossible odds has'
never been officially announced, but
has been clearly acknowledged by
the Department of Justice. The^
new Attorney General, William P.
Rogers, said that there were no
present plans for further legal a< t ion
in Little Rock. He further notedij
that the Administration would not
puss lor additional civil-rights legis-
lation at this session of Congress— a
matter of some moment since the
Justice Department had previously
used as an excuse lor inaction at
Little- Rock the failure of the- en-
forcement provisions in the last civil-
rights bill.
These pronouncements were I ol
lowed b\ one- of the most remarkable-
scenes enacted on Capitol Hill since
the passage of the Missouri Com-
promise. Mr. Rogers appeared be-
fore the Senate Judiciary Committee
to be interrogated as to his fitness as
ow SCIENCE and HISTORY— the fields most young people want to know about —
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THE ESSEX
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June to early Sept.
Am. plan
Attorney General, received cordial
greetings, and was recommended Eoi
confirmation without a single ques
tion being addressed to him regard-
ing his past oi future course in the
Little Rock case-and this before a
committee that counts anion- its
members senators James Eastland ol
Mississippi and Olin Johnston of
South Carolina. This singula, oc-
currence was accorded no more than
passing mention in the press and
no one of consequence speculated in
print or on a television tube as to
the dimensions ol what must have
been one ol the most singular politi-
cal deals in recent years.
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Bahamas
JUST as the Little Rock story did
not begin in Little Rock, it will not
end there-whatever the ultimate
fate ol the' eight children still re-
maining in the beleaguered high
school at this writing. These events
have already had tragic consequences
in Arkansas and the South; those
who were disposed to support an
orderly adjustment to the new public
policy have been discredited and dis-
armed-not alone by the extremists
who are now in control, but by a
national Administration which de-
serted them in the first collision be-
tween federal and state force and
declared in effect that the rule of
law propounded by its own courts is
not enforceable. And so, by default,
what began as a local issue has been
built into a national constitutional
crisis.
And it is no less than that-per-
haps the most critical the nation has
faced since 1860. I do not suggest
that civil war is imminent, because
of course it isn't. I do say that the
drift in Washington has gravely com-
pounded the dislocations that were
made inevitable by the historical de-
velopments affirmed by the Supreme
Court in 1954, and has left the coun-
try sharply divided on a complex
moral and social issue at a time when
national unity could be the price of
national survival.
There are many who share the
blame There is reason to wonder
if our system of education has served
us adequately when in its ultimate
flowering it has produced a genera-
tion, North and South, that appears
not only unable to grasp the imph-
bii
cations ol the race problem but un-
willing to lace it squarely. 1 have
said ol the South that its besetting
problem is not the accommodation
of the rising aspirations ol its Negro
people, difficult as that may be, but
its inability to reduce the issue I
rational terms. In slightly differ*
context, the same thing is true ol
the non-South-called upon now to
translate its pious principles into
action and blinking painfully over
the mote in its own eye.
BUT my concern is with journal
ism. No one can say with certainty
that the course of events in the*
South could have been altered ha
the President exercised firm leader
ship-or that Mr. Eisenhower woult
have been disposed to act ever
if the alarm had been soundet
by those who are supposed to max
the watchtowers of public affairs
And now, after the fact, this is pei
haps not of consuming importance
But the watchtowers remain larger
silent still, and 1 suggest that this <
a matter of pressing concern.
For it seems to me that the Amer
can people are still not aware o
what Little Rock really demoi
strated-the shocking fact that nc
only did the Administration have n
plan to meet the crisis at Little Roc
when it came, but even now, wi
all the bitter lessons before it, sti
has charted no effective course <
action nor displayed any dispositio
to do so.
I am the first to argue that time
of the essence in any resolution
the problem. In so delicate an art
of human relations change must 1
evolutionary. Yet time is of vah
only if it is put to some pracf
use; perhaps the most cogent sin
question yet raised was that put
Francis Pickens Miller of Vtrgi
to a group of Southerners who at
national conference were pleadi
for a breathing spell.
What, he asked, did they propc
to do with it?
It is clear that the Southe
leadership has no program and
policy except the negative one
delay at any price-and part of tl
price will be a steady detenorat.
of race relations across the whole
the nation, with a corollary imp
of great significance on our sagg
foreign policy. In the lace of tl
19
THE EASY CHAIR
he Administration has offered noth-
ing except the politician's usual
levice for postponing unpleasant de-
isions— the creation of a study com-
hission, which, if it does not founder
n its partisan division, at some dis-
Lnt date presumably will come up
dth the facts the press should have
een setting forth all along.
{ These then are some of the aspects
f the Little Rock story which seem
n me to be largely unrecognized or
fenerally misunderstood despite the
liillions of words that have adorned
lie front pages and boomed through
ire loudspeakers. I suppose that a
flatient man with endless time on his
lands might have put together the
irid fragments that were hurled at
Bim and divined their meaning— but
leaders and listeners are usually both
Impatient and busy. It remains,
lien, journalism's unfulfilled respon-
I bility to somehow provide perspec-
Ive and continuity— to add the why
I- the what.
OW can it be done, in the face
the real, and in many ways grow-
g, limitations of time and space
at beset all of us who live by the
ock? I will confess that I have no
ady answers. But I do know the
sk is urgent and steadily becoming
ore so.
And I think perhaps it begins with
cognition that this is so— and that,
lid as they may be, the excuses we
;wspapermen have made to our-
Ives in private, and the proud
>asts of rectitude our promotion
anagers commonly make in public,
e no longer good enough. I think
; have got to get over the notion
at objectivity is achieved by giving
sinner equal space with a saint—
d above all of paying the greatest
tention to those who shout the
udest. We've got to learn that a
of indisputable facts does not
cessarily add up to the whole
ith.
Perhaps what we need most of all
simply the courage of our own
nvictions— to recognize that news is
t merely a record of ascertainable
:ts and attributable opinions, but
chronicle of the world we live in
it in terms of moral values. We
u err, certainly, and we will be
used— but we will at least be in
sition in the watchtowers, trying to
1 the story in all its dimensions.
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Department and get their unbiased counsel?
It won't cost you a penny, and you won't obligate yourself in
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riiilXiSOJNIAJL and otherwise
Among Our Contributor*
L I 1 1 LIN I
Tl I 1 Nutrition Laboratoi ) ol
,\ .lit I fniversit) oc< upies a few
well-worn rooms on the third llooi
ol tin Merlin" 1 I. ill ol Medi< in< . B)
the windows in a plainl) Furnished
conference room, Dr. Willi. mi 11.
Adolph, Lecturei in Nutrition and
Publi( Health, has a l>i<>ad desk.
som( boxes ol slides, a Eew files and
hooks lone ol them Ins own chemis-
i) \ textbook in a Chinese edition i.
Dr. Adolph is a good looking tall
spare gra) haired man with a gentle
manner, modest answers, and an odd
assortment ol tastes onl) some ol
which appear in his article, lash
ions in hood" (p. 57).
Since most ol his hooks and papers
stayed behind in his office in the
Peking Union Medical College in
1951 when he lelt Communisl
China, he now collects materials for
writing l>\ simply dropping piquant
items into the proper folder from
time to time. When it is fat enough,
he takes them out to work over. Ih
spent the hcttei pari ol thirty-five
years teaching in China, and his
lour children were born there but
came home lor college. Traveling
light, he and his wile transplanted
themselves to the American Univer-
sity in Beirut lor another three years
before coming to settle at Yale.
Dr. Adolph has published some
hundred papers, mainh on nutri-
tional metabolism, and he continues
to be interested in the digestive
processes ol the rats in tiers ol cages
in the air-conditioned laboratory ad-
joining his stmh. But his works in
pi ogress range outside.
One project is to record his recol-
lections ol "The hast Frontier" —
the conquest by Western science of
the Oriental mind, which began
about fifty years ago when China
opened the door to Western teachers.
When Dr. Adolph went to Cheeloo
Universit) right alter getting his
Ph.D. at Pennsylvania in I'M"), the
hardest job was to nv to change the
mental habits ol students whose
whole education had been rote learn-
ing and to persuade them to do
things with then hands. (Dr< Adolph
makes his own slides loi illustrating
lee tines ioda\ t\ ping the in hinisell
and drawing fine little rats to throw
on the s( re< n.) I le reads and spe aks
Chinese, and he feels his best work
was helping students-who were writ-
ing theii theses in English.
"That's te.u hing!"
\ second project is one on which
he has been collecting items lor
years: over-nutrition— a disease to
which Americans still hav< exclu-
sive world lights. Dr. and Mis.
Adolph were interned l>\ the Japa-
nese during World Wai II he was
then Professor ol Biochemistry at
Yenching University— and the) wen
among the huk\ minorit) to be
brought home on the Gripsholm in
1943. It was the husk\ stevedores
who met the boat at San I l .i nc isco.
compared with the emaciated Chi-
nese coolies who had loaded it. that
dramatized foi him the difference
between the I Inited States and the
( )i ient. "No c lass in Aineric a is
underfed," he sa\s. Ye.ns later when
he lee lined in the- Xeai hast on
over-nutrition, a smile would go
round the class at such a problem.
I here are a few ovei led rats -
gorged on coconut oil and peanuts—
in the lab next door. Di. Adolph
pulled out one of the drawer cages
to show a \isitoi from Harper's,
and a gargantuan white lal with a
definite rubber tire at midriff and
hips, staggered over and pulled hini-
sell up to peer out. Dr. Adolph pat
ted him affectionately. "They are
ver\ responsive animals," he said.
The rat sparkled.
A third and most cherished project
is to write about Chinese painting—
how it is done and what it means.
During his house arrest in Yenching,
Dr. Adolph got a Chinese tutor to
come in regularh to teach him paint-
ing—a pursuit he had to give up
w hen he was taken to a pi ison c amp
One ol his own works now hangs
downstairs in the Sterling Hall ol
Medicine. Hie formula, his uuoi
said, was: In twelve inches ol line,
no more than one hie h ol straight
Formula lot a lifeline too perhaps?
Dr. Adolph took his visitor to
lunch ai the Coffee Shop in the- new
hospital, when Yale faculty wives
in chert) led smocks prepare and
serve the food as volunteers. W'c
asked whethei he had evei eaten
grubs oi grasshoppers. It happened!
he hadn't, hut. "Once you know it1
is all good lood, prejudice lades
Man's taste is sound niitritionalh'
il you go hack five thousand years
lis onl) in the past two oi three
millennia that it has been coil
l uplcd."
Ever adaptable. Dr. Adolpl
lunched on pineapple and cottage
cheese, toast, milk— and c hoc olat e ice
cream, "a special weakness ol mine.'
... ! In plac e ol an honest man ir
politics is one of the main themes |
"Notes on Political Leadership
(p. 23) b\ Joseph S. Clark, Demo
cratie Senatoi from PennsylvanS
lie records also how he becarJ
mayor ol Philadelphia, his nativd
city, altei his return from the Arm
Ail' Force in the China-Bin ma Inch;1
I heater in World War II.
Senatoi (dark took his Harvaft
B.s. in iu_';; magna c um laude, .mc
his Bacheloi ol haws from the Uni
versit) ol Pennsylvania haw Schol
three years later. He practiced lav
before and alter the wai and rai
for the Philadelphia Cil\ Counci
hack in 1934. His Inst elected offid
u.is thai ol cit\ controller: he woi
the Senate seal in lur>(>. Reccntl
people have been talking about hin
as a Presidential candidate in '6(1
. . . Leo Rosten, who conjures ii|
"The Lun. ii World of Crouch
Marx" (p. ,")l), is the author ol
scholarly stud) ol prewar Hollywodj
and ol a number of suspense novel
and movies, including "Walk has
cm Beacon" and "Sleep My Love
But perhaps his best title to intcrprt
tation of the egghead slapstick c<~
median Oroucho is his own grea
funny book. The Education
Hyman Kaplan, which he wrote al
Leonard Q. Ross. He is also a speci
editorial adviser for Look.
PERSONAL & OTHERWISE
21
. . Dan Wakefield learned the facts
bout "The Gang That Went Good"
i. 36) during six months when he
ved in their neighborhood to work
n a book called In Spanish Harlem,
hich Houghton Mifflin will publish.
[e is a recent graduate of Columbia
miversity, a former newspaper re-
enter, and a frequent writer for the
ration and other magazines.
One question that neither Mr.
Wakefield nor anyone else has
nswered finally is why gangs of city
oys get into habits of fighting and
elinquency in the first place. One
leory, advanced by a Los Angeles
sychologist, deserves more atten-
on than it has had— simply for its
icturesque quality. Dr. W. H.
■lanchard has compared modern
penile delinquents to the knights
f the Middle Ages. Writing in the
\merican Imago (Vol. 13, No. 4,
956), he pointed out that the de-_
nquent boy, rebelling against domi-
ation by his mother, "is almost in-
iriably protesting his masculinity,
is physical strength, his powers in
jmbat, and his hatred of weakness,
'his type of aggression is quite dif-
'rent from the assertive impulse to
3 after what one wants in life. . . .
lelinquents will fight over triviali-
ies and often . . . merely 'for the
>ve of fighting.' "
According to Dr. Blanchard, the
ledieval knight had similar charac-
eristics and his frequent fighting
Hf the "joy of combat" was similar
both a boast of strength and a re-
ction against female domination in
home from which the lather was
ften absent.
The code of chivalry was an "at-
mvpt to restrain the more extreme
nd brutal expression of hostility.
. . The controls were quite brittle
nd easily gave way to outbursts of
agression. The manners and morals
f chivalry were more of an ideal
ran an actuality. The knight was
rude and swaggering. Despising
lasphemy, he was frequently blas-
hemous; honoring virtue, he was
equently a scoundrel."
One youth whom Dr. Blanchard
let in an institution had "acquired
ible manners that would put a
)ciety matron to shame. But this Te-
nement [did] not prevent him from
ipping a spoon into his trouser cuff
) be sharpened on the wall oi his
Mm and used later as a weapon."
THE BEST
SOME of the most coveted
awards in magazine writing
have gone to lour authors for
work published in Harper's last
year.
Dr. David D. Rutstein has just
been chosen to receive the Benj-
amin Franklin Magazine Award
for his article on "The Influenza
Epidemic" (August), which the
judges call "the best article
about science and health" to ap-
pear in an American magazine
during 1957.
Among the Prize Stories 1958:
The O. Henry, Awards are
Robin White's "First Voice"
(January) and Peter Matthies-
sen's "Travelin Man" (Febru-
ary). This annual volume is
edited by Paul Engle.
Martha Foley's The Best
American Short Stories 1958 in-
cludes Robin White's "House of
Many Rooms" (December) and
Ray Bradbury's "The Day It
Rained Forever" (July).
. . . "A Friendly Talk" (p. 44) is a
new story by the author of A Cup of
Tea for Mr. Thorgill, The Hidden
River, and many other best-selling
novels. Storm Jameson was born in
Whitby, Yorkshire, and took honors
at Leeds University; she is married
to Professor Guy Patterson Chap-
man. She has traveled widely in
Europe, worked on behalf of Eu-
ropean refugee writers, and lectured
in this country. Her next novel will
be One Ulysses Too Many.
. . . Wolfgang Langewiesche's "The
New Jet Air Liners" (p. 50) is a
prospectus for tomorrow, based en-
tirely on the facts of today. A former
test pilot, Mr. Langewiesche usually
takes a turn at piloting the planes
he writes about. He is the author
of many articles and books on flying,
weather, and climate control, and
he last wrote in Harper's on the
Polar route from this continent to
Europe. He Hies his own plane,
cruising the continents with his wife.
. . . Politics on the ward and pre-
cinct level rarely get the kind of in-
side reporting given by John Kay
Adams in "Reforming Chicago: Slow
but Not Hopeless" (p. 69). Mr.
Adams is suburban editor of the
Chicago Sun-Times and studied the
vote fraud situation while coverinu'
various stories about reform groups.
In April 1957 he received the Page
One Award of the Chicago News-
paper Guild for his series spotlight-
ing problems of the Chicago suburbs.
Born in Chicago, Mr. Adams
graduated in journalism from the
University of Minnesota and studied
political science and economics at a
graduate summer session at Oxford.
. . . The paradox oi Australia is a
brave one. Despite a strong national
preference for an easy-going life, the
Australians are striving to import
people who will work, multiply, and
set an uncomfortable pace of zealous
effort. They don't talk of a popula-
tion of twenty millions, doubling the
present; they aim at a hundred mil-
lions in a generation, D. W. Brogan
says in "The Innocent Continent"
(p. 62).
Mr. Brogan, Glasgow-born and
now Professor of Political Science at
Cambridge University, is the author
of a dozen or more books chiefly
about France, England, and America
(his latest is The French Nation).
He made his Australian notes after
a first visit to that continent last
summer. His observations about the
typically relaxed tone of Australian
life (in contrast to hopes for the
future) are borne out by a recent
report in the Wall Stre.et Journal by
Ray Vicker, who quoted one em-
ployer as saying:
"If, at quitting time, the average
Australian worker needed to drive
only one more nail to keep the house
from falling down, he would drop
his tools without driving the nail."
. . . Ted Hughes (p. 30), Yorkshire-
born Cambridge graduate, 1954, is
the author of The Hawk in the Rai)i
and has been teaching at the Uni-
versity of Massachusetts. He was a
mechanic in the RAF.
Robert Graves (p. 35), Oxford
graduate and author oi many, many
books, including the recent Five
Pens in Hand, lives on Majorca. He
was a captain in the Royal Welch
Fusiliers in 1915.
George Starbuck (p. 52), Ohio-
born former graduate student at
Harvard, now works for Houghton
Mifflin. He used to write corres-
pondence tests for USAFI.
A
I
>
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magaJIzine
NOTES ON POLITICAL
LEADERSHIP
JOSEPH S. CLARK
U. S. Senator, Pennsylvania
A potential Presidential candidate tells how
he won his surprising victories in
Pennsylvania — and how the mayor of a big city
operates, in a job that is sometimes subtle,
sometimes rough, and always fascinating.
LATE one afternoon in the fall of 1943, I
was sunning myself on the terrace of an Air
Force billet at 26 Ferozshah Road, New Delhi,
India, looking through a copy of Life Magazine.
There was a picture of Bill Bullitt in a Chester-
field and Homburg inspecting slum property in
Philadelphia. Bill was running for mayor on the
Democratic ticket against Barney Samuel, the in-
cumbent Republican.
I thought to myself: "That's what I'm going
to do when the war is over and I get out of this
uniform." World War II was really just begin-
ning then so far as we in the China-Burma-India
Theater— known in the Pentagon as those "Con-
fused Bums in India"— were concerned. Two
years went by before I turned in my Air Force
suit.
While I was overseas, oil was discovered at my
mother's family home at Avery Island, Louisiana.
When I came back to Philadelphia I could afford
the luxury of seriously going into politics. I had
only dabbled in it during the 'thirties, for I had
been pretty well occupied with making a living
out of the law.
The Democratic party in Philadelphia was
looking for new blood in 1946. Despite the long
record of Republican misrule, the Democrats had
not elected a mayor since 1884 and the Repub-
lican political machine was solidly entrenched.
The depression had created a Democratic party
where none had existed before; but although it
came close to winning the mayor's office in 1935
and 1939, Bill Bullitt took a bad beating in
1943. When 1947 rolled around, Democratic
chances were dim indeed.
Luckily, I found myself in excellent company
when I first got involved in local politics. Dick
Dilworth and Jim Finnegan had also come back
from the war interested in working with the
Democratic party. By the spring of 1947 the
three of us— with the help of Mike Bradley,
Democratic city committee chairman— had moved
into positions of local party influence. Dilworth
and I helped organize an effective independent
group largely through Americans for Democratic
Action. Finnegan was Bradley's right-hand man
at the city committee. Without Jim we would
never have succeeded. His untimely death this
24
NOTES ON POLITICAL LEADERSHIP
spring deprived our part) ol one <>l its ablest and
most respected leaders on the national as well as
the local scene. He made the an oJ practical
politics an honorable profession.
Dilworth made a valiant hut unsuccessful cam-
paign loi the mayor's office in 1!>17. Next yeai
a s< ries oi Republican scandals hit the headlines.
In 1949, with Finnegan as < it\ chairman (Bradley
having become Collector ol the Port). Dilworth
was elected cii\ treasure! and I city controller.
Two years later I was mayor, Dilworth was dis-
trict attorney, and Finnegan was president of
City Council. A new cit\ charter was approved
and the Democrats controlled the Council four-
tec n to three. The ball had certainly been thrown
to me. The problem was what to do with it.
Senator Clark by Allied Bendiner
WHEN 1 first took office as city controller in
1950 I came into contact with Frank Short, who
had been budget clerk under the Republican
regime. Frank was an old newspaper man turned
municipal financier by accident. In those
primitive days he— together with Ed Harris, Re-
publican leader of the 46th Ward, and Bill
Shellenberger, lot met l\ an employee ol the Penn-
sylvania Economy League had the job ol throw-
ing together an annual cit\ budget which would
meet the requirements ol the- Republican city
committee as expressed through City Council
and the niaxoi .
Frank and I became warm friends. His advice
was disinterested and intelligent. During my
two years as (ontiollei 1 iaiel\ made a move-
affecting the budget without Inst talking ovei
the details with him. When 1 became mayor,
Ftank moved ovei to the cit\ representative's
office, where his newspapei training and wide
knowledge ol <ii\ hall made him invaluable as
a consultant on public relations in the widest
sense ol thai muc h abused let m.
One- day in 1951 we were talking togethet
about tin scandals in cit\ government. Frank
commented: "The) nevei would have happened
il fudge Lamberton had lived."
"Why not?" 1 asked.
"because he was a completely honest man."
Frank replied, "and his own high standards ol
integrity spread from the mayor's office all ovei
the c itv."
lamberton. an incorruptible judge, had been
drafted to run as mayor by the Republican
machine in 1939 to save il from that late worse
than death— the election ol a Democrat. The
maneuver was successful, but alter slightly mole
than a year in office Mayor Lamberton died; city
hall slumped back to its normal pattern ol un-
imaginative inefficiency and small-time graft.
I he chance conversation with Frank Short led
me to some thinking about the function ol
leadership in an urban democracy. Surely il
Lamberton's integrity had the result attributed
to it, there must be other ways in which the
impact ol a mayor's character and political
philosophy could make itsell felt— not only in
local government but throughout the community
generally.
An old and favorite story ol politicians in-
volves the late Senator Clyde Swanson ol Vir-
ginia. Secretary ol the Navy in the first Cabinet
of President Franklin 1). Roosevelt. Swanson,
beloved by all who knew him. was once asked
to what principles he attributed his political
in cess.
"To three rules ol conduct from which I have
never deviated." he replied. "First: Be bold as
a lion on a rising tide. Second: When the water-
reaches the upper deck, follow the rats. Third,
and most important of all: When in doubt do
right."
Perhaps the second maxim is as essential for
BY SENATOR JOSEPH S. CLARK
25
political survival as the first and third are for
political success. It was my good fortune as
mayor never to have the water reach the upper
deck, although there were a couple of times
when it came pretty close to the gunwale. But
often it seemed wise to be bold and, at least on
occasion, doubt was resolved on the side of virtue.
The mayor of a large city has heavy executive
responsibilities— especially in a city such as
Philadelphia, which operates under a charter
giving strong powers to the mayor and relatively
little authority to the City Council. Within his
limited field, such a mayor carries responsibilities
which differ only in degree— not in kind— from
those of the President. Philadelphia, with a
population of more than two million, has more
inhabitants than twenty of our forty-eight states.
The mayor's problems, therefore, are more dif-
ficult than those of many a governor. It has been
said that the second most demanding executive
job in America is held by the mayor of New
York; the mayors of our other great cities can
feel, with good reason, that they follow close
behind— and that the qualities of political leader-
ship demanded of a President, a governor, and
a big city mayor are not very different.
WHAT DOES A MAYOR
REALLY DO?
IT I S hard for a mayor to plan his day, for he
has no fixed routine— or at least I was never
able to arrive at one. Speaking dates, to be sure,
are lined up in advance. Ordinances passed by
City Council must be signed or vetoed within
ten clays of passage; and Council passes a batch
every week. Cabinet meetings took two hours at
lunch on Wednesdays. A large group of' com-
missioners, deputies, and often their wives, met
with me in the evening four times a year. The
budget message has to go down to Council
on a day in September. Most of that month
and all of October each year found a high
priority given to political campaigning, in sup-
port of candidates for everything from clerk of
the Quarter Sessions Court to President of the
United States. And every February and March
there were endless meetings in the traditional
smoke-filled rooms to work out a "slate" of candi-
dates which would prevent that anathema of all
professional politicians: an open primary fight.
But, in between, I was never certain of what
was coming next. Arriving at the office at
8:30 a.m., I would unload my briefcase, turn over
to my staff for processing the papers acted on at
home the evening before, and send back to the
files the reports I had read. Before leaving the
office around six, the mail would be signed and
the briefcase repacked. In between, each day
was different and therefore fascinating.
Much of my time was spent listening to other
people's plans and problems. On a typical day,
for example, the city's managing director and
fire commissioner were having a rough time with
the head of the firemen's union (they kept on
having it for four long years). The director of
finance was concerned lest our campaign to have
new loans authorized at the spring primary
would fall on its face (it did). The city repre-
sentative wanted help in determining whether to
serve sherry, bourbon, both, or neither, to Queen
Juliana and Prince Bernhard of the Netherlands
at 11:00 a.m. at the reception at the art museum
(we settled for sherry in the Dutch Room). The
city solicitor was concerned because the Board
of City Trusts refused to admit Negro orphans
to Girard College (as this is written, the question
is still unsettled). A delegation was waiting out-
side to protest open dump burning at 83rd and
Buist Avenue (we finally closed the dump). The
Greater Philadelphia Movement wanted the city
to put millions of dollars into a new Food Dis-
tribution Center in South Philadelphia but Al-
bert M. Greenfield said it was a waste of the
taxpayers' money (the city is now financing the
project).
Throughout this crowded routine, a man new
to the mayor's office is compelled to hammer out
for himself the principles that should guide him
in exercising power over the life of a city. One
of the first things that struck me was how true
—and how terribly difficult to apply in day-to-day
reality— were the copybook maxims which have
been the old standbys of political commentators
and teachers since Thucydides.
WHERE THE RUCK STOPS
IT SHOULD go without saying, for instance,
that a mayor must be honest— not only money-
honest but intellectually honest. Honest not only
with other people but, even more important,
honest with himself. "To thine own self be true"
is as good advice to a mayor as it was to Laertes.
And this is especially difficult, for wishful think-
ing can so easily convert "I want it" into "This
is right."
But simple honesty is not enough— not nearly
enough. It is here that Lincoln Steffens— who
spent years studying corruption in American
cities— vastly underestimated the complexity
of American municipal government. Steffens
26 NOTES ON POLITICAL LEADERSHIP
Chin Up, Boys'.
again, I would not appoint a half-dozen men
whom 1 chose al that time.)
I,U Eollowing headlines appeared
top right and top left on page one
,,l the Wall Street Journal March
18. 1958
Federal Seers Predict
Deeper Recession, Now
Doubt Mid-*58 Upturn
Main Firms Use Yachts,
Retreats to Aid Execs'
Morale, Spur Business
thought that if the business interests would keep
their dirty hands out ol politics, honest citizens
would elect honest officials who would then col-
lect the garbage and reform the police depart-
ment and everything would be fine. Maybe that
was a sound analysis of the problem in the old
days, but things are far different now. Every
mayor soon learns that there are both honest and
earnest conflicts of interest which involve every
quarter ol the community; he must strike a
balance among them.
\„ equally obvious requirement is that trie
mayor should be a good administrator. Harry S
Truman as President, had the cardinal rule ol
sound administration posted on his Whin House
desk- "The buck stops here." No matter how
complex the issue and however meritorious op-
posing plans may seem, the mayor, like the Presi-
dent must make the decisions-and he must
make them prompt!) and firmly. He may get
some help from the briefing of competent ad-
visers, from prayerful-and preferably secluded
-thought and analysis, and from a lew wel -
chosen personal contacts on the grass-roots level.
But in the end the chief executive must act on
his own responsibility and his alone.
This is a rule much easier stated than followed,
and so are the other ancient precepts of sound
administration. Every political leader will agree
with them wholeheartedly-while regretfully re-
membering the many times during his own career
when he violated them. Here are a lew ol the
classics:
Pick able subordinates, delegate respon-
sibility, follow up to see that orders have been
carried out, support your administrators unless
they are clearly wrong; then either fire them or
take the rap yourself. (If I had it to do over
Remember that with each individual you
have .. cup ol good will. You can gulp it down
or sip it slowly. And .1 you sip-it tends miracu-
lously to renew itself, (1 drank too quickly tin
cup ol good wdl ol at least three Philadelphians,
whose resulting opposition delayed or deleated
many a pet project.)
Ordei youi life so you can work hard and
still* get adequate rest, some time lor your family
and friends, and a chance not only to keep' up
with your profession but with the major currents
of creative thought in the world about von. (At
least twice a year I had to make bonfires ol the
papers which had languished unread in my brief-
case lor months.)
THE ART OF MOVING FAST
AS I made ni\ sometimes tumbling wa\
through tin administrative labyrinth of the
mayoralty I found, curiously enough, that m) Eour
years in the Air Force were my salvation. Lawyers,
as a rule, get no experience in administration.
I did not even know what the word meant
when 1 got myself a captain's commission in
Vugusl I (M1. Imagine my surprise on finding
mysell a year later -Director of Organizational
Planning" tor the Air Stall. 1 knew nothing
about organization and less about planning, -
and 1 had to learn last.
A few months later I took a nine-week cram
course in personnel administration at the Com-
mand and General Staff School in Leavenworth,
Kansas. Next thing I knew I was in New Delhi
drawing organization charts in five colors to
show the relationship between the British Army,
Navy and Air Force; the Chinese Army and Air
Force' the Indian Vrmy and Air Force; the
American Army Engineers, Air Transport Com-
mand Tenth Air Force, Air Service Command,
Headquarters AAF India-Burma Theater; Joe
Stilwell, Claire Chennault, Lord Auchinleck,
Chiang Kai-shek, Lord Louis Mountbatten
(known as "The Supremo," no kidding!), Air
Marshal Sir John Baldwin and his RAF col-
leagues, and-finally-my own boss, Major Genera
George E. Stratemeyer, in whose debt I shall
always be for his warm friendship and support
You can't be a part of an organization which
grows a hundredfold-lrom two thousand officers
and twenty thousand men-in four years, without
learning something about administration in the
BY SENATOR JOSEPH S. CLARK
27
process. Without the Air Force I would have
been lost in the mayor's chair.
Beyond the timeless and universal rules of
public ethics and administration, the political
leader must also try to master a more sophisti-
cated set of tactics. The art of handling his
friends, his enemies, and himself in a constantly
changing local political situation can be very
subtle indeed— and in learning it there seems
to be no substitute for experience.
Suppose, for example, that you have just won
a great political victory in a city like Philadel-
phia. Temporarily, at least, you are a local hero.
You will accordingly have a honeymoon (unhap-
pily without a bride) during which you can
accomplish easily a good many things which will
be difficult, if not impossible, later on.
It is important, therefore, to strike while the
iron is hot— if I may mix a metaphor. Our re-
form administration came into office in January
1952, on a wave of good will and civic virtue
which drowned effective opposition for well over
a year. During that period we were able to push
a $20 million tax increase through a reluctant
City Council. We were also able to establish
both the foundations of a sound personnel system
—based on merit instead of patronage— and to
hire the best available people for executive jobs,
despite the fact that some of them came from
as far afield as Denver and Oakland, California.
Moreover, the marriage was still a happy one
when we beat back the first attack of the com-
bined Republican and Democratic organizations
to cripple the new city charter in the spring of
1953.
At every point in your administration you will
be subjected to flattery— much of it, to be sure,
obvious and nauseating, but a good deal of it
subtle, insidious, and disarming. Remember,
therefore, with Lord Acton that all power tends
to corrupt and take frequent measurements of
the size of your head.
There are, I found, three good antidotes for
a swelled head:
(1) Subordinates who aren't afraid of telling
you the truth. While there were many in this
category, I was blessed with two particularly able
and candid administrators in Lennox Moak,
director of finance during the first two years,
and his successor, Vernon Northrop. The former,
with the finesse of a battering ram, the latter
with the skill of a trained diplomat, kept the
mayor in his proper place.
(2) Continued association with very old friends
who knew you before you became Mr. Big Frog
in a relatively small puddle. I lunched quite
often with four— my college roommate, Morris
Duane; my lifelong friends, Geoffrey Smith and
Philip Wallis; and my former law partner, Car-
roll Wetzel. A frank, relaxed talk with men like
these was bound to send one back to city hall
with a better understanding of one's assets and
liabilities.
(3) A wife who tempers affection with under-
standing of human frailty. For this there is no
substitute. I have one such.
You must constantly and carefully assess the
powers of your office in relation to other power
groups. You must know where you stand with
City Council, with the local judiciary, with the
governor and state legislature, with the adminis-
tration in Washington and the Congress and the
multiple federal agencies to which you will in-
evitably look for help.
The Philadelphia charter gives the mayor
great advantages in dealing with City Council.
His appointments do not need to be confirmed;
he has comparative freedom to administer as he
sees fit; not much substantial municipal legisla-
tion is called for. Only with respect to the budget
can the mayor be checked. Luckily, as I've noted,
we got over the tax increase hurdle during the
initial post-election honeymoon. And so long as
Jim Finnegan was president of the council all
went well. By the time he left, early in 1955, a
pattern of co-operation had developed which
even the constant and bitter rows I had with the
Democratic organization did not destroy.
In other governmental agencies— local, state,
and federal— we cultivated assiduously those peo-
ple who could help us most, whether they were
Democrats or Republicans.
FRIENDS AND ENEMIES
ANOTHER preoccupation that every
prudent mayor should have constantly on
his mind is his relations with the local press,
radio, and 7'V stations. Here I found that hard
work pays off handsomely.
When our reform administration took office,
many reporters, commentators, and editors had
a healthy skepticism about both our motives and
our abilities. Some of them suspected that the
mayor's hat was high and his shirt stuffed. We
did our best to play everything on the top of the
table— to be friendly, available, co-operative, and
frank. Gradually the image of the typical
Harvard man— whom you can always tell, though
not much— began to dissolve. One incident that
may have had something to do with this was the
mayor's press party one hot August evening; our
28
NO I IS ON POLITICAL L L A I) I R S II I P
rendition <>l "Sweel Adeline" a) about midnight
was so outstanding that neighbors called the po-
lice. Whatevei a politician's platform ma) be,
the reporters' mosl important judgments aboui
him arc personal ones; il he is trying to cover
something pretentious or phony undei high-
sounding phrases, the} soon find ii out.
A political leader also needs to know at e\ei\
minute just where he stands with his own part}
and the opposition. So fai as the Republicans
were concerned, we wen lu<k\ indeed. I 'he)
were so demoralized l>\ their defeat in 1951, so
lacking in leadership, so inept in opposition.
that for lour years we wen able to ignore them.
With the Democrats ii was different. The phi-
losophy ol our administration was completer)
opposed to thai ol man) ol the leaders ol the < ii\
organization. The) were in politics fot profit,
power, and prestige— nothing else. Yet we (onld
not win ele< (ions without them.
So. for four years there was brush warfare for
limited objectives nevei massive retaliation on
either side— probably because neither antagonist
was able to select a time and place ol his own
choosing. Each spring we would quarrel bitterl)
ovei candidates in the primary. Each fall we
would kisv make up, and have pictures taken
with our arms around each other's shoulders. I
always kept thinking:
"This spring we must knock them out ol die
box."
But the time never came. And in 1955 when
question of the succession arose the organization
swallowed Dick Dilworth as its candidate lot
mayor like a brave little bo) taking castoi oil.
Yet as I look hack on m\ administration I
think that one of m\ most set ions early mis-
calculations was thinking that I could ignore
the Democratic cit) committee and get awa) with
it. So far as defending the ciiv chartei and get-
ting our budget through Council were con-
cerned, we were successful. But for three long
years Kill Green, the Democratic cit) chairman,
and his ward leaders held on to their power in
the county offices. Atrd in-the state legislature in
Harrisburg no legislation affecting the city of
Philadelphia went through without Green's con
sent. This situation resulted in many frustrating
failures and 1 had to eat a lot of humble pie.
Even today, the governor must look to the city
committee rather than to the mayor if he wants
help in carrying out his state program.
A successful politician must learn what he
can expect from his local business and financial
leaders and from organized labor.
We came to expect nothing from the Philadel-
phia Chamber ol Commerce. Like its national
parent, it kept repeating ancient and obsolete
dogma. I oi sixt) seven years it had got its way
in ciu hall low taxes, inadequate municipal
services, favors fot those who would pa) fot them
and ii was slow to realize that times had
changed. Yet I now feel that il I had been more
tolerant and friendl) toward the Chamber, we
might have avoided at least two rows which
set our program back. And toda) new leader
ship in the Chambei is giving Mayor Dilworth
co-operation I nevei could obtain.
\\ H <» SPEA K S
FOR THE PEOPLE?
F() R I U N AT E \.\ . die- Chambei did not
speak lor all the city's businessmen. The
top-flight business leadership was organized in the
Greater Philadelphia Movement, and it was eagei
to co-operate. These men supported the Penn
Center development— a \ast project (reported
l>\ fames Reichley in the February 1957 issue ol
Harper's) which is remaking the center ol the
en\. I he\ developed the new food Distribution
Center, replacing the city's old and inefficient
markets. And ihe\ organized and helped finance
die- citi/ens' e harter committee, which was ol
tremendous help in gelling and keeping our
hasic political reforms. Most of them were
Republicans, but i\u\ were "Greater Philadel-
phians" before they were partisans— and there-
fore as anxious to get our help as we were to
get theirs.
Organized labor had supported us on our way
up, although there were a few rough moments
at the summit. For over a year I was unneces-
saril) at odds with foe McDonough, the All.
leader in Philadelphia, because ol my own tact-
lessness. He wauled a representative of laboi on
the civil sen ice commission, which f did not
think appropriate. Ol necessity, he had to
espouse the cause of fim Forbes, flamboyant
leader ol the firefighters' local union. He was
also concerned because we had abolished the
forty-hour week fot eitv employees two days alter
we took office— not because we opposed it. but be-
cause the lame-duck Republican Council which
had voted it in had failed to provide the tax
money to pay for it. From where foe sat. he had
a strong case, and I should have been more
sympathetic to the difficulties which confronted
him inside his own organization.
But, on the whole, the unions stood solidly
behind our administration and asked for little
the \ weren't entitled to. Main ol their leaders
BY SENATOR JOSEPH S. CLARK
29
served faithfully and well on the non-paid citizen
boards and commissions which were an impor-
tant feature of the new charter.
Winning and holding the loyalty of the civil
servants was a major undertaking because of
the sleazy methods of administration and result-
ing low morale we inherited. We fired a few
crooked cops and firemen, made friends with the
AFL blue-collar employees union, and gave
everybody a long overdue pay raise. We finally
convinced them, I think, that they didn't have to
grease their ward leader's palm to hold their jobs
or win promotion. I believe we ended up with
as fine a group of. hard-working, loyal, cour-
teous employees as any large corporation could
boast of.
Finally, a political leader must know how he
stands with the people, and what steps he should
take to keep them constantly informed of his
program, so that he can rally popular support at
critical moments.
This was a major preoccupation for me. We
tried to operate in a goldfish bowl. We solicited
criticism and suggestions. Once a week we were
on radio explaining our plans and programs.
Twice a month we had television shows— "Tell
it to the Mayor" on which we solicited gripes on
everything from trash collection to traffic control
—and "Report to the People" on which I re-
viewed the last month's happenings in city hall.
Press conferences were held once a week. In
addition, all reporters could see the mayor on
short notice at any time, and had my phone
number to call at any hour. Cabinet officers
spoke whenever they were asked.
Through these channels and from our political
friends flowed a daily stream of information
which we tried to dissect at cabinet meetings.
In spite of a good many mistakes, I think we
came fairly close to knowing the day-to-day
public reaction to what we were doing and to
what extent we could rally support for our next
move.
HOW HIGH TO AIM?
NO MATTER how carefully a mayor
may remember all these things, he is not
likely to succeed unless he also remembers his
single most priceless asset. This is simply the
fact that he is the directly elected representative
of all the people in his city.
They look to him for leadership, not to the
members of the council or to the party hierarchy.
They expect him to carry out his party's cam-
paign promises. They cheer him if their interests
are successfully defended, and blame him for
any failure.
No appointed official— city manager, managing
director, or chief administrator— can possibly gel
or keep the prestige of an elected mayor. Top
leadership in American politics is never hired; it
is always elected. This is the mayor's great
strength. It is also his heaviest responsibility.
For the essence of leadership is to lead, not to
follow. It means staying ahead of the crowd-
far enough ahead so that people can clearly see
which way you are heading— but not so far that
you lose sight of your followers and they of you.
Deciding how far ahead you should be at any
moment is a matter of intuition, not something
you can settle according to the formal rules of
administration. It is said ad nauseam that
politics is the art of the possible— but in his
heart every successful political executive knows
that what is possible depends largely on the
quality of his own leadership.
One great danger to democracy is that power
will fall into the hands of men who react to new
challenges in obsolete ways. Toynbee has warned
us that the men who have successfully responded
to one challenge are rarely able to supply the
leadership needed for the next one. They tend
to think the same policies and methods will work
again. More often than not, they won't.
So the primary function of sophisticated
leadership is to use the experience of the past as
a kind of arch, through which to look at each
challenge as something quite new.
A SHORT DISTANCE
SOLVING these new problems requires the
aid of skilled planners. They are practically
all in short supply— whether they are technicians
in shelter, traffic, water resources, or race rela-
tions. They cost money. One of the leader's jobs
is to get that money at almost any cost. No
mayor of any major American city can possibly
succeed today unless he has at his elbow the very
best planners— for the city, metropolitan area,
and region— that money can buy; and money
alone is not enough. Often he must persuade
them to enter public service at considerable per-
sonal loss.
He can do this only if he holds a high con-
ception of the purpose of political leadership.
He must set worthy goals for himself, lor the
men who work with him, and for the people he
hopes to lead. Nobody can be expected to follow
a mayor with clay feet.
Alexis de Tocqueville, in his classic study of
30
NOTES ON POLITICAL L E A DERSHI 1»
the United States, concluded that such ;i high
standard <>l leadership was Impossible in a
democracy. Our form ol governmenl was not
suited, he believed, to "give a certain elevation
to the human mind ... to inspire nun with a
scorn ol mere temporal advantages, to form and
nourish strong convictions, and to keep alive i In-
spirit ol honorable devotedness." On the con-
trary, he thought that democracy was more likely
to "divert the moral and intellectual activity ol
man to the production ol comforl ... to insure
iln greatest enjoyment and to avoid the most
miser) to each of the individuals who comprise
it."
I I \ k 1 a more cheerful view. I believe it is
the function of modern democratic Leadership to
do both— to provide a Hoot below which misery
will not be permitted to sink, and also to provide
an environmeni in which the mind and spirit
can llourisb and iise to new heights ol achieve-
ment. To do this, a leader needs that sense <»l
history which was always a part of the thinking
ol such men as Franklin 1). Rooseveh and Win-
ston Churchill. A mayoi docs nol come to office
to preside ovei the dissolution ol his cit\, am
more than Churchill became prime minister to
preside ovei the dissolution ol the British
Empire. He must be proud o! his city's past and
anxious to pla\ his part in its future. And in his
daily life he must make it clear that he has not—
in Tocqueville's phrase "acquired the siipie-me-
powei onl\ (o administei to . . . coarse- or paltry
pleasures." In short, when ridding Philadelphia
ol corruption it was also necessary to rid it ol
contentment.
rogethei with this sense- ol history, a good
political leader must have- the ability to look
ahead loi the best way to the ideal future ol his
cit\. Then, when he has discerned it as clearly
as he can. he must try to lead his community a
short distance in the right direction— remember-
ing that it is his high duty to bring out the best
in that imperfect and imperfectible being who is
created nonetheless in Cod's image: Man, on
whose support his claim to leadership depends.
OF CATS bv Ted Hughes
THAT man's subconscious mind is constituted
Entirely ol cats, no wise man for an instant disbelieves—
Lather to daughter, mother to son inherited
(Whereby the least ol cats gets fully nine lives).
But these cats are strange cats: scruff cats, queenly cats,
(Crowned too), they jig to violins or go staleh
In a vast processional pageantry that celebrates
A burial, or crowning (of a cat); or may sing sweetly
Indeed at your ears and in harmony left with right
Till the moon bemoods them: then, to the new. oi the full,
Only look up— taking possession of night
Cattic Bacchanal! a world of wild lamps and wauling,
And darkness and light a cat upon a cat.
One who, one nightfall.
Sank a cat in a sack with a stone to the bottom of a canal
(Under the bridge, in the belly of the black) and hurried a mile home-
Found that cat on the doorstep waiting for him.
So are we all held in utter mock by the cats.
Envoi
A eat on a shop doorstep gazes steadily through the thick
Street-width of legs, wheels, exhaust: deep in his centuries as in cushions.
From a shop doorstep a cat returns her look:
Thus, in the clutter of your brain, the eternals make their assignations.
Harper's Magazine, ////;* 195&
By LEO ROSTEN
Drawings by Robert Osbom
The Lunar World of
GROUCHO MARX
Groucho, the ad-libber's ad-libber,
is a social critic at heart. ... A man of
gentle ways and viperish tongue, he has an eye
for the phony as penetrating as X-ray.
AN Y social historian who tries to capture
the spirit of our weird and wonderful time,
will forfeit his credibility— in my eyes at least—
if he ignores the social criticism which Julius
Marx has strewn through three decades of our
lives. I do not mean the puns, epigrams, and
galloping now. sequiturs with which Mr. Marx
garnishes his television program. 1 mean the
mordant running commentary he has directed
against the mores, the foibles, and the idiocies
of our civilization.
Mr. Marx, one of the truly original minds of
the twentieth century, is a comedian only by
profession. He is a logician in temperament and
a satirist in practice. He is the only actor I have
ever known who was meant to be an intellectual.
He has an infallible and rapacious instinct for
the phony and the pretentious. He conducts a
merciless one-man war against bombast, deceit,
and prudery. And he does it with a precision of
language and a deadliness of insight which make
the social commentary of the other Marx sound
like the mumblings of an elephant. The differ-
ence between Groucho and Karl is the difference
between the rapier and the shovel.
It is an index of the low state of our per-
spicacity that we have been bamboozled into
thinking: of Groucho as a clown. He is as much
of a buffoon as Swift or Rochefoucauld.
Those who sniff in disdain at this point might
ponder the remark which Marx made during the
last war (the last world war, that is; there have
been some ten exercises in bi-national lunacy
since V-J Day), when he was scheduled to enter-
tain the troops at an American Army post. He
was waiting in the general's office, when the
phone rang. Marx picked up the receiver and
crooned: "World War Two-oo."
No apostle of civil rights ever put his case as
succinctly as Marx did when he (a Jew, married
to a woman who wasn't) expressed interest in
swimming at a certain beach in southern Cali-
fornia and was told that in order to use that
particular beach he would have to be a member
of a particular club.
"And Groucho," a friend said uneasily, "you
don't want to apply for membership in that
beach club."
"Why not?" asked Marx.
32
THE I I \ \ l< WORLD OF GKOl'CIIO MARX
"Well, frankl) the) 're anl i Semitic ."
I o which Marx replied: "Will the) lei m\ son
go into the watei up to his knees?"
Or considei the coup de grace he administered
to a dub From which he resigned with these
winds: "I do not wish to belong to the kind of
club that accepts people like me .is members."
I leave ii to logical positivists to figure out what
kind of club ;i man ol such refined sensibilities
can join, and I recommend the remark to
those scholars who think Zeno's paradoxes in-
soluble.
It has been m\ good fortune to observe (his
ii in. in in the flesh .n scattered intervals for
ovei fifteen years. I have l>\ no means been ac-
corded the accolade ol intimate friendship, bul
I have often been his dinnei guesi and, more
frequently, his "pigeon"— which is theater argot
for anyone who is a suckei foi dead pan badinage.
In person, Mr. Marx is .1 soli spoken gentle-
man, dry in mannei and surprisingly gentle, who
moves slowly and regards the world with con-
spicuous skepticism. He c\ndcs disenchantment
—with the state ol the nation, the plight ol the
aiis. and ilit soii\ record ol the human race. He
is deepl) interested in politics bul given to no
hero worship ol politicians. Like all greal comi<
talents, he is discont< nted with the role in which
fate has c.isi him. He wanted to he a doctor. He
is in awe of learning, writers, thinkers, and
belles-lettres. He thinks ;i career spent in elicit-
ing laughtei not especially laudable— and cer-
tainly nol as noble as .1 life spent in writing
hooks, healing the -dek. or advancing the
frontiers ol knowledge.
His uncle was Al Shean, of the memorable
Films Like "I was a Teen-age
Werewolf" for Example?
H
oil Y W O O D , March 24-Bob Hope
reviewed his six-da) trip to Moscow to-
day, enthusiastic over "the wonderful
treatment" he had received there. . . .
"I found them very anxious to estab-
lish trade relations with us for motion
pictures and I can see no reason why
we shouldn't, (.el the pictures in there
and let them see how we live," he
observed.
—Oscar Godbout, in the New York
Tun,;. March 25, 1958.
Gallagher and Shean act. Marx's mother, a
woman ol prodigious enterprise and fanatical
confidence in her brood, put all five ol her sons
into show business ai a tender age. The five
shrank u> the Foui \laix Brothers, and adopted
stag< names ol faultless acuity: Groucho, because
he nevei laughed and dripped pessimism; Chico,
the irreverent card-sharp and pianist; Harpo, ol
the- angeli< chords and lecherous goals; and
Zeppo, who had the profile ol Vpollo and an
incapacit) to progress beyond the "straight lines"
he fed his zan) brethren. The) became the greal
est clowns in vaudeville. Groucho became iis
Voltaire.
I MIECONSTHI CTED FRE K M V. N
TA K |- tin' time Marx put the premises ol
immigration polic) to the acid test. Driv-
ing hack from Mexico, he was. like hundreds ol
others, stopped al the California border. The
immigration satrap asked him the same questions
thai are asked a million times a month through-
out the border-lined world. "Are you a citizen?"
"Yes," replied Marx.
"Hirthplac e?"
"New York."
"< )c c upal ion?"
"Smuggler."
It should he obvious that Mr. Mux has a
mind ol blinding clarity, exceptional rigor, and
electionic speed. He believes in truth. He be-
lieves in reason. He is the last unreconstructed
freeman since II. I.. Mencken.
Marx abhors the affectations which parade as
manners. A dowager omc violated his privacy,
while lie was dining at the Brown Derby, to gush:
"Oh, do pardon me— but are you Groucho
Marx?"
"No," said .Marx, "are; you?"
When a tippler slapped him on the back with
the 100 per cent American gambit, "Groucho,
you old son-of-a-gun, you probably don't remem-
ber me," Marx fixed the poltroon with his wall-
eyed glare and declaimed: "I never forget a lace
—but in youi ease I'll he glad to make an excep-
tion."
When a curvaceous actress tried to Uaiter him
with nauseous phrases and murmured seductively,
"You're a man alter my heart," Marx leered,
"That's not all I'm alter." And he left one
dreary dinner party by telling his hostess, "Don't
think this hasn't been a dull evening, because it
has."
No idols escape. In 1918, when Dr. Gallup
statisticated that Governor Dewey would walk
BY LEO ROSTEN
33
all over Harry Truman at the polls, and the
voters proved the reverse, Marx issued his own
post-mortem: "The only way a Republican is go-
ing to get into the White House is by marrying
Margaret."
SOME KIND OF HIGH PRIEST
HE I S as implacable in exposing quacks as
he is in puncturing pretensions. Some
years ago the natives of Hollywood were falling
for the "supernatural powers" of a spiritualist
who was cashing in on seances for the gullible.
This sorceress might still be plying her occult
wiles had not some friends challenged Marx, who
listened to their reports with icy skepticism, to
attend a seance and appraise the psychic's
wizardry for himself. Marx went. He sat silent
and baleful through a demonstration in which
the spiritualist broke the barrier between those
who are here and those who are hereafter,
answered the most difficult questions with
aplomb, revealed awesome secrets from beyond
the grave, advised, warned, instructed, and up-
lifted. After two hours of exhausting omnis-
cience, the seeress intoned, "Now my spirit grows
weary. Our journey into the unknown draws
to a close. There is time for— for only one more
question."
Marx asked it: "What's the capital of South
Dakota?"
I suppose that what most deeply gratifies us
in Marx's wit, apart from its deadly acumen, is
its unabashed directness. He says things most of
us dare not think, much less utter. But he is
more than a master of insult; he is the high
priest of rationalism.
In my book, Marx is the most incorruptible
skeptic alive, and the most deft practitioner of
the reductio ad absurdum ("I'd horsewhip you—
if I had a horse"). His wit is pure surrealism; it
frees our mind from bondage to the literal. He
once asked a professional wrestler if it is true
that the grunt-and-groan matches are fixed. The
gladiator replied archly, "That's just a dirty
rumor."
"How many dirty rumors have you wrestled
lately?" asked Marx.
He is ruthless with the fraudulent friendliness
of business practice. When a bank sent him an
effusive form letter, ending with the obligatory
sentiment: "If we can ever be of any assistance,
do not hesitate to call on us," Marx did not
hesitate to reply:
Gentlemen:
The best assistance you can give me is to
steal some money from the account of one of
your richer clients and credit it to mine.
Groucho Marx
He loathes back-scratching, in or out of busi-
ness. He once wrote Arthur Murray, the ball-
room pedagogue: "When an actor mentions a
product on a program, it has become customary
for the manufacturer to show his appreciation by
sending a gift-in-kind. If I were to mention Old
Taylor on my show, for example, they would
send me a case of bourbon. Well, I am going to
mention the Arthur Murray dancers on next
week's program. Will you therefore please send
me a medium-sized dancing girl, about 5' 2", with
the customary measurements. I am not particular
what kind of hair she has, as long as she has
hair."
And when Variety editorialized that the Marx
Brothers could earn $20,000 a week if they would
only work together again, Marx wrote the editor
as follows:
Dear Sir:
Apparently you are under the impression
that the only thing that matters in this world
is money. That is quite true.
Groucho Marx
A master of verbal ambush, he uses frontal
artillery on the trite. He startles the literal-
minded with comments such as: "I was always
awkward, even as a young girl." Or, "Certainly
my mustache is real; it belongs to my maid." Or,
"I want to apologize for not returning your call.
I've been so busy not returning calls that I just
couldn't get around to not returning yours in
time."
His comedy of complaint would have delighted
Dickens, or Sholom Aleichem. During a low
spot in his career, he told a friend: "I am up
to my ears— in activities that don't bring in a
dime. Last week, I did a show for the Army-
free. Then I auditioned for radio-no money.
Then I wrote a guest column— gratis. Today I'm
recording a speech for the Heart Fund in Chi-
cago. The only thing I can get out of that is that
34
THE LUNAR WORLD OF G R O U C H O MARX
someday I may be lucky enough to have a heart
attack in the Loop."
Groucho Marx possesses the rare lacultv ol
hearing with originality. One night, while lie
was driving me to a preview, I suddenly remem-
bered that it was m\ lather's birthday. 'Would
you mind stopping at a Western Union office?"
I asked. "I want to wire my lather."
"What's tlie matter?" inquired the master.
( .iii'i he stand by himself?"
When a girl on one of his programs said, "I'm
from Australia. I (lew here, by plain. Marx
sighed, "A girl would be a fool to try it any other
way."
He detests sentimentality. He once introduced
S. J. Perelman, no tyro in the sehi/ophrenic
league, at a banquet in his honor: "Our speaker
is .1 man who has not let success go to his head.
He is unassuming, unspoiled, as comfortable to
be with as an old shoe— and just about as inter-
esting."
THE ART OF THE AD-LIB
HI I S the one man I know whom it is
suicide to banter with. During the \eais
that the Marx Brothers casl their luster on the
stage ("Coconuts," "Animal Crackers," "I'll Say
She Is"), Groucho's siblings often tried to throw
him off-balance with outlandish ad-libs. Once,
while Groucho was in the middle of a love scene
with Margaret Dumont, the memorable grattde
dame with the Social Register bosom, brother
Chico suddenly appeared on stage to announce,
"The garbage man is here."
"Tell him we don't want any," said Groucho.
In another play, in which Groucho played
Napoleon with a contempt that taught me more
about the mighty than Carlyle's Heroes and
Hero Worship, brother Zeppo, in the wings, blew
the opening chords of the "Marseillaise" and
cried, "Our national anthem— the Mayonnaise!"
Groucho rose, saying, "The army must be dress-
ing." It was on a New York stage that Marx,
leeling an actor's pulse, scaled Parnassus with the
line: "Either this man is dead or my watch has
stopped."
He can push puns to the fine edge of dementia.
In the middle of a discussion of football, Marx
remarked: "I have been studying the Notre Dame
line-up and discover there is only one Irishman
on the team, and his mother is a Pole— a ten-foot
pole, in fact. They are the best kind for football,
because when they die they die by inches— so it
takes them that much longer to kick off."
He toys with ideas the way a mathematician
plays with a slide rule. He once asked a friend,
"Hcrtv did you like my show last night?"
"1 only (aught the first ten minutes," said tin
h k iid sheepishly. "1 was ( ailed to the studio "
"A fine friend you've turned out to be," Marx
said. / listened to the whole program from start
to finish. That's the kind ol friend / am."
When an aspiring actress asked his advice on
how to win lame in the theater, Marx, appalled
by the invitation to pomposity, replied, "My
advice to you and to all struggling actresses, is
this: Keep struggling. II you keep struggling,
you won't get into trouble— and if you don't get
into trouble, you'll never be much of an actress."
Marx loves baseball, but this does not seduce
him into tolerating lor an instant those whose
eyes well up when discussing "our national
pastime." I was his guest once at Hollvwood
Stadium during a night game. My concentration
on the contest was undermined by the antiseptic
.isides which Marx uttered throughout the nine
innings. When one batter poked feebly at an
outside curve, Marx shouted, "You haven't
enough strength to beat your wife!" When the
home-team pitcher was yanked and began his sad
tick to the showers, Marx rose, put his beret
over his heart, and bowed his head in thirty sec-
onds of silence. When the second baseman (who
had struck out, popped out, and grounded out)
finally managed to get a base on balls and ad-
vanced to second on another walk, Marx said
bitterly, "That's the first time tonight that guy
has been on second without his glove."
Marx was once dragooned into managing the
movie Comedians in their annual charity match
against the Actors. He told Jack Benny to lead
off.
"All right, Benny. Get up there and hit a
home run." Benny struck out. Marx resigned.
"I can't manage a team that won't follow in-
structions."
AT HOME WITH A GUITAR
BEHIND the acidulous wit and scorn,
Marx— like most humorists— is a serious,
sensitive, somewhat depressed man. He lives a
epiiet life, adores Gilbert and Sullivan, whose
lyrics he can sing by the hour, accompanying
himself on a guitar, and prefers reading to
raillery.
I have never heard him tell a joke or "funny
story" or utter a wisecrack other than his own.
I have also never heard him laugh; he smiles,
with singular gentleness, at the comedy of others.
Marx's wit is a masterful series of exercises in
Harper'', Magazine, June 1958
BY LEO ROSTEN
35
dementia praecox. His humor may well be,
as it is with most comedians, ah unconscious
defense against internal depression. He creates
dialectical straw men whom he annihilates with
lunar logic. He is ferociously adept in setting up
verbal contexts within which his listeners cannot
be sure whether he is serious or satiric, and do
not know whether to respond with gravity or
laughter. He aims a murderous barrage of irony
from behind an ingenuous facade of banter.
The bite which underlies his humor often
turns on him, or on whoever is nearby, in a
way the Freudians would call compulsive. When
in a mood of melancholy, which casts a blight
of disenchantment- on even his phenomenal
success, Marx acts as if he cannot control the
machinery of his wit, like an IBM machine
which has been set for ridicule and cannot stop.
He will turn any line, any phrase, any name,
any monosyllable into persiflage. It is dazzling
—but it is too much. He has been known to
bombard friends with such a barrage of puns,
cracks, and non sequitnrs that conversation is
difficult and rapport overwhelmed.
During his early days in radio, Mr. Marx was
criticized for being too sharp in his humor, too
rough on his contestants. I think he could not
abide the mediocrity of his "guests" or the
abysmal poverty of their mental processes. He
did not hesitate to mock some of the more
hallowed institutions in American life: Mother,
Home, Our Leaders. He asked one member of
the House of Representatives, whose hunger for
publicity was so great that he volunteered for
"You Bet Your Life," "What do you do for a
living?"
"I'm in Congress."
"How long have you been incongruous?" Marx
asked.
His television show, "You Bet Your Life," is
filmed and carefully edited before exposure to
the public eye. The dull passages, in which the
contestants ramble, or in which Marx ad-libs
too-barbed remarks, are cut out. The masses
would never stand for pure, unadulterated
Marxism.
Marx has mellowed in recent years. At sixty-
three, he has learned to accept security. He says
he will never again appear in movies: "It's too
hard."
Television has showered him with lucre and
honors and has made minimal demands on
his energies. But it can never be the medium in
which this considerable artist can find full free-
dom to puncture the follies of the world he
surveys with so unerring and ironic an eye.
AUGEIAS AND I by Robert Graves
now like the cattle byre of Augeias
My work-room, Hercules, calls for the flood
Of Alpheus and Peneius, green as glass,
To hurtle down in catastrophic mood
And free me from accumulated piles
Of books, trays, journals, bulging letter-files.
In memory often, I remount the stairs
To that top room where once a sugar-case
Served me for chair— the house was poor in chairs—
A broken wash-stand lent me writing space,
And one wax-candle cast a meager light;
Where all I wrote was what I itched to write.
Augeias, though, if he had dunged the trees,
Cornland, and pot-herb garden studiously,
Would not have needed help from Hercules;
We stand accused of careless husbandry
When nothing less than floods or cleansing fire
Can purge my work-room and his cattle byre.
Copyright © 1957 by Robert Graves
The Gang That Went Good
. . . and the boys lav inert on the cross
of a yawn and stretched muscle.
— Lorca's The King of Harlem
By DAN WAKEFIELD
Drawings by Charles If . Walker
A tough bunch of New \ork teen-agers are
trying a perilous and uncertain experiment
— which, if it works, may save them from the
crime and violence which have become the
"normal" way of life in their neighborhood.
BETWEEN a plumbing and heating sup-
ply store and the Veteran Bar and dill on
New York's upper First Avenue is a boarded
store-front painted black and covered with silver
prints of hands. There is no other mark of
identification, unless the dooi swings open and
the sign that says Members Om.\ states with its
high silver letters at the street.
Any passer-by from the neighborhood knows
that the sign, though not inviting, is at least not
menacing. This is the clubhouse, the home, and
the hope, of a teen-age gang that lias given up
lighting and "gone social" in a world of poverty
and violence. The gang (now the "club") is com-
posed mainly of Puerto Ricans, but also in-
cludes some Negroes and several Italian and
Jewish boys. They call themselves The Con-
servatives.
In another neighborhood, The Conservatives
might be the name of a political club, but in
the precincts that (over the east side of Harlem,
it is much more suited to a teen-age gang that
has changed iis ways. Questions of politics seem
far removed from the life of the district, but the
"New Conservatism" of tire kids is a burning
issue that is met every day: preservation of lile
in a neighborhood with a tradition ol violence.
The gangs are only one part of that tradition,
which was born when the neighborhood began
to decay into what is now considered one of the
world's worst shuns. The answers ol violence
were passed on from strangers who speak Italian
and strangers who speak Russian to strangers
who speak Spanish.
A young father born to this neighborhood of
parents who came from the narrow and settled
streets ol San fuan, explained:
"You even get used to it, man. It don't get to
you unless it's someone right in the family who's
the one that gets hurt. There isn't as much gang-
fighting now as there used to be but it still goes
on, and so does the regular killing, besides the
gang stuff. People think all that stuff was over
in the 'twenties with machine guns shooting out
of cars and all that, but it's still really here—
it's just got more under cover. You can still get
BY DAN WAKEFIELD
37
a guy killed anytime. You hire a kid who's high
and you promise him a fix. For a fix, he'll do
anything. Then, if you want to make sure no-
body knows about it afterward, you give him an
overdose and that does it. They call it suicide."
A mother who has three daughters agreed, and
added: "Yes, there are times when you see a
car pull up and they push out a girl all beat up
and her clothes torn. After a while you get used
to seeing it— violence. The thing you learn, the
first thing you learn is 'I didn't see anything.'
No matter where you were or what happened,
you didn't see anything."
A LIVING BATMAN
SOMETIMES the people who live in it
call East Harlem "The Jungle," and that is
its law— you didn't see anything. When you
really don't see it, you hear about it later. There
is always a story of violence past or the threat of
violence to come. Some people make a living
from it, and some make a living from its by-
product—fear.
For several years in the 'forties the neighbor-
hood was plagued by "The Batman." The Bat-
man appeared on roofs of tenements, stretching
his great, black arms, extending his terrible claws,
and then running off to another roof or down a
fire escape— some people swore he flew away. He
robbed apartments, and the times that brave
souls gave him chase he stopped and stretched
out his winglike arms, and few men were ready
to follow. Parents told children that the Batman
would come off the roofs and carry them away
if they were bad. Once the police saw the Bat-
man and finally caught him— not a bat at all but
a man with a large imagination and a large black
cloak and two small garden rakes with clawlike
prongs. Every American neighborhood has its
imaginary witches, and its Batman summoned
by mothers to discipline the kids— but in Harlem
the Batman is real, and adults do not chase him.
Nor do adults chase the kids of the teen-age
gangs. The gangs in many ways are born of the
neighborhood fear, and they compound it, leav-
ing their own particular scars, inside and out.
Alicia, a frail, dark-haired girl of thirteen who
looks much younger, came to ask a friend's
advice about a girl who was living in terror
of a gang. The girl, Alicia's friend in school,
had been going out with a boy from a gang.
One night she went out with a boy from up
the street who was not in the gang. The old
boy friend's gang came and got her and took her
to the East River and picked her up and said
they were going to throw her in. She screamed
and cried and they put her down, but told her
that if she wasn't careful they would get her
again and really throw her in the river.
"She is sick all the time now," Alicia said.
"She's scared they'll throw her in the river, and
she gets all out of breath sometimes, like she's
having a heart attack or something."
The grownups understand that these kids are
different from other kids. A man stood across
the street from the silver-and-black painted store-
front that marks the home of The Conservatives
Club, watching the boys go in for pool, and said,
as if in admission and discovery, "You know, we
call them kids, just because they happen to be a
certain age— fourteen or fifteen or sixteen— but
they're not kids. They've seen too much."
This was the essence of the difficult decision
the gang made to give up fighting and become
Conservatives— they had seen too much. Most of
them were members of an old and greatly feared
gang called The Enchanters. In the fall of 1956
the simple fact was that all the old leaders were
either dead, in jail, in New York's narcotics hos-
pital, or moved away. A few of the oldest
veterans who were left (ages seventeen and
eighteen) found themselves leaders by virtue of
survival. Their first concern was to continue to
survive, for the gang was greatly weakened and
rival gangs still were strong. An eighteen-year-
old boy named "Monk" Wescott, and several
other weary veterans, decided that the best thing
to do was give up fighting and "go social." But
the problem was how to do it.
Monk and several other veterans went to
Ramon Diaz, a man on the block who always had
answers. As a young man in his early twenties,
Ramon came from Puerto Rico on a pilgrimage
to the Bahai temple in Chicago and stopped off
in New York on the way. That was about eight
years ago, and he still hasn't left. He worked on
and off around the neighborhood as a helper in
a law office, a furniture store, and a campaign
for the state Assembly. He soon became a fa-
miliar figure, not so much for whatever work it
was he happened to be doing but rather for the
fact that he "knew everyone." Wherever he
happens to be, Ramon is The Insider. He moves
through the neighborhood always in a hurry but
always at ease, and his high-cheeked, light tan
face— usually topped with a natty cap that he is
quick to tip to the ladies— breaks quite readily
into a broad, white smile.
When the guys from The Enchanters asked
Ramon to help them figure out how to go social,
Ramon took it with a grain of salt.
38
THE (. \\(. THAT WENT GOOD
"I told them go way- you u11^ don't mean it."
But the) kept on pestering Ramon and plead-
ing with him. He asked them why thev wanted
to change, and one of them explained:
"We are in so main troubles.''
Finally Ramon went to Norman Eddy, who
lives on the block and is a pastor ol the I .ist
Harlem Protestant Palish, and asked il (lie gang
could use the church foi some meetings to disc uss
going social. The request was granted, though
against the wishes ol some ol the members ol
i In (lunch, who knew the gang's history and had
little faith in its future intentions.
THE ENCHANTERS AT WAR
TH E Enchanters began in the postwar era
ol growing teen-age gang activity through-
out New York. In the early 'fillies they had a
total of seven "divisions" in the neighborhood,
grouped according to age— from nine to twenty,
with classifications such as "Tiny Tots," "Mighty
Mites," "Juniors," and "Seniors." Their legend
and influence spread through the other parts of
New York and across the river into Jersey.
Branches of Enchanters grew in the Bronx, in
Brooklyn, in Hoboken; their lower Manhattan
arm still exists as one of the most active fight-
ing gangs of the city. As one grown veteran
explained the days of power, "Man, The En-
( banters weren't a gang— they were an organiza-
tion." A member could pass in acceptance to
many far worlds in that era of empire. The
eighteen-year-old leader, Count Benny, on 103rd
Street, was Caesar in a slum-scarred Rome.
The empire's boundaries reached to new ter-
ritory, not only geographically but socially. The
Enchanters were the first of the gangs in the area
to extend their membership past the limits of a
single racial or national group. Though com-
posed m.iinlx ol Puerto Ricans, The Enchanters
had Negroes and several Italians in their or-
ganization. A former Enchanter, a Puerto Rican.
now the head ol a family, tec ailed that (his was
.i i adi< al departure:
"The gangs used to be strictly according to
whethei you were a Puerto Rican or an Italian
or something like that. Now, you hear all this
talk about Italian gangs and Puerto Rican
gangs, but it's not all one way or the other. The
Italian gang that's left up north has maybe
twentj guvs who are Puerto Ricans. It's not so
much that stuff now as it is c licpics whi< h c lique
is strongest. Ten years ago I couldn't walk down
105th Street Ol I'd get it because I was a Spic"
When the Puerto Rican colony formed in East
Harlem and as it began to grow, the bar among
the old Italian, Jewish, and Irish inhabitants be-
came: "The Puerto Ricans are taking over— they
ate running us out." The patents said it and the
kids absorbed it. The new boys were enemies,
threatening tenement house and hearth. Gangs
"defended" their neighborhood against the en-
croachers In beating them up. And, in protec-
tion, the newcomers organized to fight back.
The pattern is nothing new to Manhattan.
The only things that change are the neighbor-
hoods and the old nationalities. A New York
reporter's analysis of the typical nineteenth-cen-
tury gang member, published in The Gangs of
New York in 1928, could easily fit below today's
headlines. Herbert Asbury wrote of the "bop-
ping" kid of a century before:
"Poverty and disorganization of home and
community brought him into being . . . his only
escape from the misery of his surroundings lay
in excitement, and he could imagine no outlet
lor his turbulent spirit save sex and fighting. . . ."
The only outdated point seems to be that in the
old days, when the grown-up criminal gangs were
low on members because of death, jail, or de-
fection, thev called up recruits from teen-age
gangs.
One of the lew distinctions so far between the
Puerto Rican migrants and the early immigrant
groups in New York is that the Puerto Ricans
have developed no criminal gangs of adults, as
the Irish, Jews, and Italians did. This is perhaps
a happy fact lor the social workers, but may in
the long run be a sad one for the progress of the
Puerto Ricans. Many old-time observers in the
city believe that this lack of an adult underworld
is one of the reasons why the Puerto Ricans have
not yet achieved any power in politics. What-
ever the merits of the case may be, the kid who
grows out of a teen-age gang graduates into a
BY DAN WAKEFIELD
39
social club, a card-playing club, or merely be-
comes a part of the group that hangs around at
night in the neighborhood barber shop. He can't
go on to membership in a Puerto Rican criminal
gang of adults because there is none.
But much of the story of the modern gang is
the same as it was a century ago. When Asbury
talks about the need for escape from the misery
of surroundings and the yearning for fame and
glory, he talks about The Enchanters. The name
of the gang expresses its highest promise.
The name of The Enchanters was one of the
biggest issues in the gang's debate about going
social. When a kid becomes a member of a
fighting or "bopping" gang, or when his gang
decides to start fighting, the member changes the
way he walks. A gang member can watch a guy
walk down the street and tell you whether he
is bopping or not. A bopping gang that was go-
ing social obviously needed a different name to
signify the change. The majority decided on
"Conservatives" but there was stiff opposition.
GIRLS AND GUNS
TH E meetings to discuss the change were
attended by the boys and girls who be-
longed to The Enchanters, several guys from the
rival Dragons and Comanches gangs who were
interested in going social, and Ramon Diaz, act-
ing as an informal adviser. The sessions were
stormy, with some of the old Enchanters walking
out, and others arguing that changing the name
would mean betrayal of their history.
The girls were among the strongest opponents
of changing the name. Many of them used to
date Enchanters who were now in jail or in the
hospital and they felt that out of respect to those
boys and the gang's tradition the name should
stay the same. When sentiment began to grow
for the name "Conservatives," the girls proposed
a compromise name: "The Conservative E's."
But retaining some letter of the past meant
more than just respect for the old boy friends
and heroes. It meant retaining some spirit of
the past. And many of the girls were anxious to
do that. Disputes over girls are often the excuse
for starting a gang war, and girls are not always
displeased by this. The girl whose honor or love
is in question rarely runs any risk of physical
injury herself, and the glamor of being fought
over by whole gangs of boys has a powerful at-
traction.
During the great debate about the name and
purpose of the club, a dozen or so of the old
Enchanters left in disgust. Some joined gangs
that still were bopping. At the same time, Ramon
Diaz was influencing the group to bring in new,
younger members who were not a part of the
old tradition.
The biggest and most precarious step was
taken when the guys agreed to give up all their
old "pieces"— their guns. This unilateral dis-
armament meant a real risk. If other gangs
didn't respect the change, the Conservatives
would be helpless.
The gang had no sooner emptied its arsenal
when a challenge came from the rival Dragons.
Some of the old Enchanters bitterly regretted
having given up their arms. Monk Wescott, one
of the veterans who had first asked Ramon Diaz
for help in going social, was torn between the
challenge of the new peace and the challenge of
the Dragons. Some guys had sold their pieces
(many gangs keep a special treasury for purchase
of arms) and some took the safer course of throw-
ing them into the river. Monk and several of
the others had buried theirs in a basement.
In the last minutes of the Dragon challenge,
when the Dragons were on their way to 100th
Street, Monk and two others uncovered the
buried pieces, went to the roof of a housing
project, and fired down at the enemy. The police
had been notified and quickly spotted the boys
and arrested them. Monk and one other boy
were charged with attempted assault and Monk
was sentenced to what is known in the neighbor-
hood as a "zip five"— a maximum five years at the
state correctional institution at Comstock, New
York, with the final determination of dismissal
to be made by the authorities of the institution
on the basis of behavior there.
With another of the few remaining veterans
gone, the gang would be even weaker in any
future fighting. Monk's departure made going
social seem even more vital, and yet at the same
time it proved again the difficulties of staying out
of trouble. The members understood that they
needed more than a new name to insure a
permanent peace.
Many of them felt that if they only had a
place to go— a place of their own where they
could enter and shut out the world of adults
and enemies and strangers— they would have a
better chance of holding to the new, non-fighting
way of life. Their meeting place had always
been a candy store, which is usually the closest
thing to a home that a gang in East Harlem can
expect.
A candy store, like a community center, is
ruined by the fact that it is open to the public.
But at worst it's a place to hang around, and
II)
I II I (. \ \ (, THAT W IN T (.()()!)
I)' no iM, in no place ,n all. Winn 1 he I n
( hanters were not on the street the) hung around
in the cand) store owned l>\ a woman called
I ,i Vieja the Old 1 ady. She got to know the
guys .ind served them, as well as othei people
from the block, with candy, cigarettes, and sand-
w i( hes, \\ lieihei oi noi the) had the pi i< e al the
time oi the pun hase.
A box was kepi on the counter foi contribu-
tions, and those who were broke merely took
whal ilu \ needed and then, when ihcv gol a
job oi inoiK \ from the family, they paid what
ihe\ figured the) owed to the box. In this wa)
La Vieja conduc ted lier
business and made Ik i
living through the most
"unsocial'' day's of The
I n. hanters. ()nl\ once
was lnoncN stolen from
the box ol contributions,
and the ihiel was ( aught
and soundly beaten by
the rest of the gang.
FINGERPRINTS IN SILVER
AS A candy store, I. a Vieja's was fine, hut
The Conservatives wanted something more.
The idea ol a < lubhouse now became a main topic
of the meetings. Ramon Diaz was asked to find out
if there were ,m\ possibility ol getting one,
and Ramon went again to Mr. Eddy. Norm
was by this time impressed with the gangs de-
termination and wanted to help. He remem-
bered discussing the problem with a woman hoin
a midtown youth foundation who was interested
in having hei group, the Kips Bay Urns Club,
give some support to youth wot k in I asl I lai Inn.
Noun sent Ramon Diaz with a delegation of
Conservatives to talk with the ladies.
They worked out an arrangement loi the Kips
P>a\ foundation to contribute to the support of
a (lubhouse and the hiring of a lull-time director
lor the Conservatives. Ramon Diaz was chosen
lor the job, and the store on First Avenue was
rented lor a (lubhouse. The boys were to help
pay the rent, through dues and money-raising
projects, and the sponsors would match any sum
the boys were able to raise to help buy equip-
ment and furnishings. Ramon and the officers
were to meet once a month with the ladies to
report on finances and activities of the club. The
members fixed up the clubhouse, and each Con
servative dipped his hand in silver paint and
pressed the print of his palm on the wall to
signify commitment to the new way of life. It
was a mass, voluntary fingerprinting thai hope
full) meant the i nd ol a need lot required fingei
printing in the future. The clubhouse was
linilui equipped with tables and chairs, a pool
table, a radio, and the large silvei sign that in-
sured their new privacy: Members Only.
Membership now meant something different.
Rules were adopted thai required a membei
either lo be in sc hool oi woi king, o) give I lie (bib
a reason whv he wasn't. Ramon began helping
members gel jobs, through local contacts and the
New York State Employment Service. I he new
rules also required that no membei could be a
member ol another gang, oi be caught fighting
oi using dings. Tin- laiiei requirement is es
peciall) significant, foi East Harlem has one ol
the highest rates ol drug addiction in the <ii\.
and teen-agers often acquire the habil by imitat
ing oldei guys in a gang
To prove then ability to follow the rules,
prospective Conservatives must go through a
four-week probation. Then the) must be ac-
cepted by unanimous vote.
Since the final change in the name and pur-
post ol the club in the spring ol 1957, it lias
held to its course, lost a lew members, and gained
more new ones. Among the new faces are re
units from other gangs, including Georgie Baez,
a loriiK) "wai lord" ol the Dragons, and Tito
Camacho, once a "wai lord" of the Latin Gents.
I xxept loi the Dragons' attack in the days ol
(volution, the other gangs have, for the most
part, left The Conservatives alone. The first real
period of trial -the long and always dangerous
summer, when the streets are lull and the gangs
arc restless passed without a war. The Con-
servatives stayed around the clubhouse, clinging
to the new way ol life that often seemed sup-
ported by only a thread, a pool cue, and the
memory ol "so many troubles" in the past.
One night, which was every night, the gins
were inside playing pool beneath the neon light
and the blare ol the radio that drowned the room
in the rhythm of rock 'n' roll. The sound poured
out the open door and onto the Street and the
sidewalk, where a lew guys paced back and forth
in the complicated patterns ol idleness Some
sat down on the folding (hairs in front ol the
( lubhouse, gol up again, went inside, and di ilted
back out -only to return again to the light.
Bobby Montesi, the club president, showed no
sign ol his office. The blue beret he wears in all
seasons was pulled down toward his right eye,
partially covering his forehead. His lean, tan
lace bore an absent expression until he suddenly
stopped by George, a tall, thin Negro boy, and
BY DAN WAKEFIELD
41
sounded a note that harmonized with the
rock 'n' roll song on the radio inside. Both boys'
faces wrinkled in concentration on the harmony,
and Kenny, who was balanced against the front
of the club on a tilted chair, got up, letting the
chair click to the cement, and joined them.
When the song was over they returned to their
separate wanderings without a word.
FIVE or six girls outside the clubhouse
screeched in unison as two boys came
down the block. The boys ignored them in a
sure, studied manner, chewing harder on their
gum and running their hands up their bright
suspenders, and sauntered inside to the more
serious business of the pool table. The girls,
after scattering in laughter, gathered again on
the stoop of the building beside the clubhouse,
chattering, peeping inside, and staring down the
street to see who might come next.
The tiny, gold-skinned girl called "Shorty,"
whose attractions— at the age of sixteen— had
promoted several gang battles in the past, leaned
against a handsome, half-embarrassed boy, who
in turn was leaning against a parked car; he
bent his head down as she raised her face in
quick, teasing darts that were almost but not
quite kisses. The other girls didn't watch. On
the stoop they talked of the imminent terror of
school, starting the talk in English and often,
when excited, switching to Spanish and ending
in high, long laughter.
A girl in black toreador pants and an orange
sweater slipped off the cement stoop and turned
to ask the others, as if she had just remembered,
"Hey, did you kids see that stage show at the
Paramount? Fats Domino?"
The other girls shrieked their approval.
"Yeh;" said one, "and that movie, though—
with that band playing that American dance
music— you see the way they go?"
The girl stepped out on the sidewalk, held her
arms up stiffly in fox-trot position, and moved
slowly in a wandering box step with a sour
expression on her face. The others laughed.
"American" music— which is any other than the
Spanish and South American dances and rock
'n' roll— is painfully square It is practically non-
existent at the weekly canteens attended by Con-
servatives at the Family Center of the Parish on
100th Street.
This Friday night canteen— supplemented oc-
casionally by Saturday night dances sponsored
by the Conservatives in the same place and
with nearly the same faces— alone serves to break
the routine of pool, pacing, and rock 'n' roll
that sustains the club through its new, non-
violent life.
In the past the canteens were often a part of
the violence. Because they were the only teen-
age social occasions in the neighborhood, they
grew with boys and girls and gangs from all
around. Hundreds of kids pressed into the dusty
hall of the Family Center on 100th Street, and
the basement of the Parish Church on 106th
Street, where a record dance was also held. A
member of the church staff and a member of
the police force were always present, but with rival
gang members facing off in challenges through
the patterns of the crowds, there was no way to
keep control. Sometimes guns were smuggled
in, at first for show and then for action. A boy
was. shot and killed in the canteen on 106th
Street and that was the last canteen for the street.
On 100th Street, however, new measures were
taken to keep down the crowds, parents were
brought in as well as police, and the Parish-
fearing the worse kinds of trouble that could
easily develop without any canteen at all— kept
it going and kept it orderly. It also has had
shootings, but except for one isolated incident,
the past year has been relatively quiet. A great
new factor for peace has been The Conservatives.
The boys and girls come in separate, cluster-
ing groups, with an occasional couple. Soon
they are dancing, clapping, and singing beneath
the glow of fluorescent lights made colorful and
dim by crepe-paper wrappings. The usual dress
for the boys is bright-striped sport shirts and
khaki or denim pants, though sometimes a boy
will arrive in a new, Ivy League suit, his shoes
shined to a brilliant gloss, perhaps even wearing
whal constitutes the final touch of full dress-
dark glasses. The girls most often wear sweaters
and slacks or toreador pants, but sometimes skirts
and blouses.
The music blares loud and last, in rock 'n' roll
or Latin rhythms. The meringue is a favorite.
But last music finally stops and one of the slow
rock 'n' roll tunes that drags in thick, halting
harmony fills the room, and the boys are stand-
ing by girls. Couples embrace, and it is then the
duty of the attendant minister to see that the
technique used in ihis dance is "fish" and not
"grind." If the feci are moving, it is "fish" and
legal; if the only movement is in the bodies that
are, in either case, pressed together, it is "grind"
and the offenders will be tapped on the shoulder
by the minister and asked to start "fishing."
At eleven o'clock it is over, and the kids re-
42
THE GANG THAT \V E NT GOOD
turn to the street. Boys without girls may go to
.1 candy store and gathei at the jukebox [or still
more music; some seek the shelter ol tenement
hallways to work out their own singing arrange-
ments. Those who leave the dance with dates
often go to the hallways too— hut not to sing.
Iluie is of course no such thing as "getting the
family car" Eoi "a drive in the country." Necking
has io be done in the hallways. Foi more mi ion-,
sexual adventures, the refuge is the roof. Phis
can be dangerous, lor there aie often oleic 1 ,\l\
venturers strolling the rooftops hut the kids
rarely find another place to he alone.
Whatever the after-the-dance adventure, there
is always, at last, the return to the street; the last
place to linger before going hack to an over-
crowded tenement room. Tomorrow there will
he the clubhouse again, and next week, again,
the dance.
A DRAGON MISFIRES
Til I question among the old-timers on the
block was whether (his schedule, when
the new routine got old. would be enough to
keep The Conservatives conservative. Louie, a
small, finely-featured boy from the block, who
left it for the Army ahead) .1 veteran ol the wars
of The Enchanters, returned on leave and criti-
cized the old gang— not for turning conservative
but rather for not doing it with more imagina-
tion.
"This," he judged, "is not enough." As a
former Enchanter he was interested in what had
come to pass and anxious that it not go hack
to what had been. He had almost been ruined
in its violence, and enlisted alter coming close
to prison for his part in a gang war shooting— a
fact quite difficult to match with his lace, which
was only saved by the faint trace of a mustache
from being the face of a child.
"What you guys need," he told one of the new
Conservatives, "is a guy with ideas— a guy to say,
Listen, let's get up an outing,' or, 'Let's go up to
a dance in the Bronx,' and then have a few guys
around who right quick say, 'Yen man, that's a
good idea.' The trouble with you guys is you're
just sitting around. You need to get out, meet
other people, see what it's like away from this
neighborhood. It's hangin' around that gets you
into trouble."
Victor, the young Conservative, pointed out
weakly that they did have regular meetings.
"Meetings," said Louie. "Yeh, I went to that
meeting. What kind of meeting was that? You
just sat around and talked about clues."
Louie readied oul his cupped hand, as il at-
tempting to grab sonic tangible formula,' and
leaned across the table.
"What \ou have to do," he said, "is not to
talk about who's paying dues, but what you're
going to do with the dues monej aftei you get it.
Thai's the thing to talk about."
Victor stared at the table, considering, and
looked up to say, "I tell you, Louie, I wish you
were back on the block now."
Louie shrugged, sat hack, and smiled.
"Now," he said. "Yeh. Rut it's a good thing
I lelt when I did."
He was epiiet for a moment, and then he said.
"You know, they say the Army makes a man ol
you. All the stuff you see and have to take. Hut
those guys there, they haven't seen anything. I
say 100th Street makes a man ol you. The things
I saw I've got to thinking about, and f tell you,
the guys at the base, they wouldn't believe it if
I told 'em. I thought about writing a book, you
know— but nobody'd read it."
He leaned back and laughed. "People see these
movies and hooks about gangs and get to think-
ing that's the way it is. And most ol it's phony.
Just like this TV play we saw at the base, about
a gang, ii could never have happened. The way
it was, they had some gang that wanted to take
care of a kid, and so they dressed him up in their
gang jacket and sent him into the territory ol an
enemy gang and the enemy gang saw the kid and
heat him up. Well, you know, there's no gang
that'd make a guy dress in their jacket when he
wasn't a member— it'd ruin the honor of the
gang. They'd just take care of the kid them-
selves, that's all.
"And lots of these stories in magazines and
books, they usually have some racketeer who
comes along and sells them guns to make a big
profit lor himself and they start using guns then
—like it's that one guy who turned 'em bad.
Hell. It's never like that. If a gang wants pieces,
it gets pieces— it gets 'em all kind of ways from
all kind of places.
"The real things, the things that really hap-
pen, people would never believe. Just like the
time, I'll never forget it— you weren't around
here yet— we were up on a roof on 103rd Street
shooting down at the Dragons. We came down
off the roof and chased 'em down 104th Street,
past the Precinct station— none of the cops even
came out after us— and down the next block and
were shooting from doorsteps. One guy from the
Dragons sneaked up on one of our guys and
pointed a rifle straight at his head, and every-
thing stopped, and the guy from the Dragons
pulled the trigger and nothing happened. He
kept on pulling the trigger. I don't know why it
didn't go off— it had been going off all right be-
fore. The guy finally figured it wasn't going off,
and he walked away, and that was the end of
it. Everyone just went home.
"That kind of thing would never have hap-
pened a few years" before, though. I mean with
the gun. Right after the war I remember I was
just a little kid and guns first started showing
up a lot, in the open. At first it was a real big
deal. A guy would pull a gun in the street and
everyone out on the block would scatter. Maybe
it wasn't even loaded, maybe you couldn't hit a
thing with it; all vou had to do was pull a gun.
Then, people got used to 'em, and after a while
it got so a guy pulled a gun and another guy
would just stand there and ask him, 'Well, you
going to use that or not? You better use it or
put it away.' That's the way it got to be. That's
why now there's none of this waving a gun
around and watching people run. You got to
use it or put it away."
CLUBHOUSE WITHOUT A CAUSE
TH E wars of the street are not a game for
boys, and the wars are not yet over. The
transformation of Enchanters to Conservatives
is not a large scale revolution; it is rather the
exception to the rule. Several other neighbor-
hood gangs have shown an interest in going
social and all have their peaceful phases. But to
execute a permanent change on the streets, with-
out the kind of unexpected help that so luckily
gave The Conservatives an adult director and a
clubhouse, would be a minor miracle.
This problem was the subject of a sermon one
hot July Sunday at the East Harlem Protestant
Church, when Reverend Norman Eddy preached
on "Jesus and His Gang." That Friday night
Norm had been concerned with two gangs who
had come to 100th Street to fight and were per-
suaded to meet to talk peace in the church with
Norm as the mediator. He had left the canteen
Friday night, his face set tense, and returned
again an hour later, still walking fast but smil-
ing. One of the guys at the door of the canteen—
a graduated veteran of gangs— had asked, "Hey
Norm, is it over now?"
Norm started to nod and then he stopped,
shrugged his shoulders, and said, "Is it ever
really over?"
He prepared his sermon for Sunday on the
gang of Jesus and the gangs of the neighborhood.
Many of the new Conservatives attend the 100th
BY DAN WAKEFIELD
43
Street Church and they were in the uneasy trial
of their first summer as a social gang. But Norm
was not only talking to them when he talked
about the gangs. He was talking to everyone
who lived in the neighborhood.
He said the teen-agers had it especially hard
because they had to decide on whether to get in-
volved with the fighting. He knew how they all
were afraid of being called a "punk," but he told
them there was a special kind of courage that
went beyond fear of what other people thought.
That was the courage to stand up for what you
believed was right; to stand up for God.
The girls, Norm said, were just as involved in
the questions of fighting. They were often the
reason why the guys from other gangs came into
the neighborhood. Norm told the girls they had
a special chance to work between the gangs, and
help keep the boys from fighting instead of, as
sometimes happened, encouraging a battle.
From behind him as he talked came the noise
of the street, always present, a constant chorus,
to which the congregation would rise up and
go once more.
The street would be the same. The Con-
servatives have gone social and thereby changed
their relation to society, but society is still as it
was. The dope pusher is still in the doorway
and the bopping gang is still in the neighbor-
hood. The same temptations are met every day,
and the million factors that made the members
of the club once fight continue to be a part of
their life in the city's worst slum. Norm Eddy
understood, as Louie did, that in the long run
the kids must find something more than a new
routine and a place to meet to keep them out of
the troubles of the past. The Conservatives have
wrung from society a clubhouse; but not a cause.
Harper's Magazine, June 1958
«F
A FRIENDLY TALK
A Story by STORM JAMESON
Drawings by Tom Keogh
LETTERS came for her so seldom that the
sight of the buff envelope lying just inside
the door when she came in horn her set walk
gave her a shock, only half pleasant. As she
stooped for it she saw, with another light shock,
that it came from the BBC. Before she could
stop herself she had thought: They want me to
write for them. . . . She wrung the neck of this
idea at once. . . . Idiot. They want to quote a
line from a book— or they've made a mistake. . . .
She stretched her hand out toward her spec-
tacles—and drew it back again. One of her vani-
ties was to be able, at her age, and although it
made her head ache, to read without them.
Others were her straight back and nearly un-
lined throat. Innocent vanities . . . almost vital
to a woman so little conceited that she had guil-
lotined her career as a novelist on the day she
first realized that her mind was losing its re-
silience, its once feverish energy. . . . Why should
I force the poor creature to go on jumping
through the hoops with its stiffening joints?
Leave that to the young. . . . She had just enough
money, if she turned over every penny twice, to
live without working, and if she hid herself in
a village.
She had never been a fashionable writer, but
she had been well enough known. Perhaps it
stung her to discover how little time it took for
her to be forgotten, completely. No critic imag-
ined it would do him any good to mention
her name; even her publisher, after a few polite
inquiries, seemed woundingly content to let a
sleeping dog lie. Her London friends, too. . . .
She did not make friends easily. Besides her hus-
band, with whom she had been in love until the
day of his death, she had had one close friend.
As close to her as her childhood, as her restless
wasteful furious youth, and as irrecoverably lost.
She was at once too intelligent and too pig-
headed to let herself feel sorry that she had
turned her back so recklessly on what might
A STORY BY STORM JAMESON
have remained to her— for a few more years— of
celebrity, a modest celebrity. If now and then an
infinitely small jet of bitterness broke the surface
of her mind, she thought at once: It would have
happened in any case the moment I died . . .
why not before then?
Just the same, she had to crush down an ex-
citement when she opened the envelope, turning
it over once again to look at the address— Mrs.
Sarah Jenner, The White Cottage, Enham. So
far no mistake.
"Dear Mrs. Jenner, you may have listened to
one or more of the talks"— if I had a wireless, I
might— "in the series, 'A Friendly Talk,' in which
two women discuss, freely and not too solemnly,
any topic or topics which interest them. I won-
der whether you would care. . . ."
Her eye had already caught the name, a couple
of lines lower, of the other woman, the woman
they proposed as her partner in this talk.
Trembling, she sat down in the nearest chair. . . .
But why couldn't they have asked just me? Am
I as old hat as that? And why Elizabeth? Of all
people. Couldn't they find anything better? . . .
A mocking smile crossed her mouth as she
thought: Perhaps they felt how amusing to trot
out two relics of the past. . . . Forget it, forget it.
She had trained herself so severely never to let
the image of Elizabeth enter her mind that she
felt as guilty as a child caught with fingers in the
honey to be thinking of her now. It forced her
to think, too, about her husband— since it was at
his funeral she had last seen Elizabeth. They had
cried together, then Elizabeth had gone home
for the weekend: she was to come back on Tues-
day—but, on Tuesday. . . . Fifteen years. ... Is
her hair still the same reddish brown, and curl
ing? It must be gray. And, almost certainly, she'll
have put on weight, living in Devon. She was
always greedy, and lazy, with that careless
slovenly charm— so much charm that she had
only to say, "Pass the salt," for every person
within hearing to smile with pleasure. Just as
she had only to glance at me from the corner of
her eye, in a boring gathering, for us both to be
seized by the same idiotic gaiety as when we were
children sitting together at the end of the pew
in church, hiding our crazy laughter under our
hands, as though praying. Just as, with a gesture
of her long fingers, she could call back the whole
of our childhood and youth in a village sunk in
a fold of the northern moor, the wind from the
sea pouring through the branches of pines bent
all one way by its weight. . . .
She was a better writer than I was. I admit it
now. If she had not been so incredibly lazy. . . .
Is that— her laziness— why, for more than ten
years, she has written nothing? Absolutely
nothing. She is as forgotten now as I am. She
always said: Why do I bother to write when 1
can fill every moment of my life without all that
trouble? Ah . . .
A familiar jealousy, a familiar love, a familiar
grief, seized her. She let it pinch her for a
moment, then stood up resolutely and walked
to the desk which served now only to hold a
mug filled with wild flowers, and, moving this
aside, wrote a polite brief letter.
"Dear Miss"— What is the name? Head. Cor-
delia Head. I suppose, a young woman— "Dear
Miss Head, I shall be delighted to come to Lon-
don, as you suggest, on the twentieth, to record a
talk with Miss Elizabeth Hume. I only wonder
a little why you. . . ."
SH E walked with a fine air of indifference
across the hall, immense and undistin-
guished, of Broadcasting House to the desk in
the corner.
"My name is Jenner. I have an appointment
for three o'clock with Miss Cordelia Head."
"Miss Head? And the name is — ?"
"Jenner. Mrs. Sarah Jenner."
"Will you take a seat? I'll let Miss Head
know."
She sat down and looked quickly and cau-
tiously round the hall. It was almost empty. One
small group— a youngish woman talking with
overdone vivacity to three young men, their
cheeks as it were swaddled in beards. A few
strays like herself. ... A minute past three. She
isn't here. Still utterly incapable of getting her-
self anywhere on time.
A young woman, remarkably slender, with a
smooth sallow face, stepped out of one of the
lifts and walked briskly to the desk. The girl
behind it pointed discreetly. She turned, with a
polite professional smile.
"Mrs. Jenner?"
She moved to stand up. "Yes."
"Do you mind if we wait here, to collect Miss
Hume? I hope she's coming."
"Don't you know?"
"Oh, she said she would come. But her letter
was a little vague, and I wasn't sure she realized
that we have to work more or less to a time-
table. But I've allowed a margin. I was so glad
you could come, both of you."
"She's never punctual."
"You know her well, of course."
"I used to."
A slight roughness in her tone caught the
46
A I R I E N DLV T A L K
young woman's ear— as it might have been caught
l>\ the noise of a pencil rolling oft lui desk.
Without interest, she asked,
"You don't sec much ol hei now"-"
"She lives in Devon. I live in Kent."
"Ah, yes." I he pencil had been picked up
.iihI put in its pla< e.
"Why—" Sarah fennei began, "did you ... I
suppose you knew her work?"
Ives .1 little distractedly turned toward the
street door, Miss Head murmured,
"To tell \ou the truth, no. We were rather
running out ol names for this series, and my
friend said . . . he's a great reader, he gets
through scores of books ever) week ... he took
out one ol her novels from the London Library,
and he said—" a scarcer) perceptible shadow, like
a fish moving on the bed ol a stream, gave away
the coolly polite exaggeration— "that it was
splendid, and why not get her to do one of the
talks. So . . ."
Mis. Jenner gave her a glance the missing
Elizabeth would have recognized, charged with a
malice younger than anything in the young
woman's character.
"He said, you mean: This really isn't at all
bad. So that's why you asked her. I wondered."
A light premonition . . . Have I made a
bloomer? Do they hate each other? . . . crossed
Miss Head's mind. It vanished at once. With
what she supposed to be an adroit stroke, she
said,
"In fact, I asked her before I wrote to you,
1 1 was she who suggested asking you. She said
she admired you immensely, your novels, par-
ticularly . . . now, which was it? Oh, yes—
Hidden Duel. Brilliant, she said."
"Kind of you to tell me," murmured Sarah.
"And so kind of her." Her smile became frankly,
exasperatedly derisive. "Kinder than you know.
That particular novel was written about her."
"Oh?"
"I wrote it three years after my husband's
death. That is, three years less a week after I
found out that she had been his mistress for
years. Many years."
The young woman's professional training had
covered a great many risks: how not to offend
the great and conceited, how to handle excitable
foreigners, what to do when a woman tells you
that she is the mother of the Messiah— this
happens quite often: something to do with the
voice of God on the air. She had not been
shown— and nothing in the shallows of her
experience helped her— any way of outfacing a
cynically amused mockery of herself and her
want ol tact. How horrible the old are, she
thought, taken aback.
"I'm so sorry," she said thinly. "I wouldn't
have asked—"
"Oh. don't worry. I don't mind in the least
meeting her." Liar. You are lying. You don't
even know what you're saving to this sallow little
goose. "It happened so long ago, 1 . . . There
sin is. | list coming in. D'you see?"
With relief, Miss Head jumped up to go and
claim the woman dawdling auoss the hall. . . .
Doesn't she know she's a quarter of an hour late?
But she looks— thank God— sane. Pleasant.
Though what a figure.
NO FIGURE at all. Elizabeth Hume
had, as they say, let herself go. She was as
tall as her friend, and shapeless: even the oval
ol her lace had become a round pale moon, the
narrow eyes like the bright edges of knives, the
head covered with gray curls, as untidy as though
she (topped them herself with the scissors she
used for pruning roses. A long mouth, its smile
showing white evenly set teeth, obviously her
own, a long chin, an almost absurdly small nose.
. . . The envy Sarah felt was purely without
vindictiveness. ... 1 shall never reach that point
of indifference, that— superiority. . . . The exer-
cises she went through painfully each morning to
keep herself supple were suddenly ridiculous,
vulgar.
"You know each other," Miss Head said, with
a trace of nervousness.
"Very well," Elizabeth Hume answered. She
looked down gravely at the other woman, who
had not moved from her seat. "How are you,
Sarah? You haven't changed."
"Don't be absurd," Sarah said. "Fifteen years
... at our age. . . . I've changed as much as
you have."
Elizabeth laughed, a muted sound coming
from deep in her heavy body. Neither this laugh.
nor her voice, her low warm voice, its very flaws
part of its seduction, had aged at all.
"At least you haven't put on flesh. I'm quite
gross. I'm always giving up cream, and I always
begin on it again at once."
"Shall we go upstairs?"
By adopting the manner and tones of a gov-
erness, the young woman hoped to induce, if
not respect— one shouldn't ask too much— sub-
mission and good conduct in her elderly charges.
She led them briskly to an upper floor, and along
corridors full of a stifling sluggish air, into a
small room so exactly what you imagine secreted
behind the net curtains of genteel weedv little
A ST
houses that, for the first time, the two women
exchanged smiles, of delight.
"I've ordered some tea for us. I expect you'd
like some."
"Tea?" Elizabeth drawled. "Well, yes. Too
early for anything else."
"We can talk over a little what you're going
to discuss— before I take you to the studio for
the recording. You've broadcast before, of
course."
"I have," Sarah said. "Once. Twenty years
ago."
The emptily professional smile again. "I
wasn't here then, I'm afraid."
"You were in your cradle."
"Not quite. . . . Won't you eat a biscuit? . . .
Now"— she turned to Elizabeth— "I rather liked
one of the topics you suggested in your letter.
Should women settle down in middle age, or
should they try to strike out? I wonder what you,
Mrs. Jenner, think."
"Didn't I suggest anything?" Sarah said coldly.
"Yes— yes, you did. But just a trifle esoteric
for our listeners, I thought. We can't, you know,
fly too high."
"I always said you were too intelligent,"
Elizabeth murmured.
"Really? Yet you didn't have any trouble— you
and George— in making a fool of me."
In narrowing her eyes Elizabeth produced the
effect of a cat averting its face from an indiscreet
human stare.
"You know it wasn't anything of the sort."
"I don't know anything! I don't know how you
managed to trick me for so many years, or when
it began, or anything."
"If you had asked me . . ."
"Why should I imagine you would tell me
the truth?"
"If you had asked me about it at the time
you found out," Elizabeth said gently, "instead
of telling me never to come near you again, I
would have told you everything. Now I've for-
gotten."
"Forgotten? You say you've forgotten?"
"Yes. I forget everything."
Miss Head spoke in an indulgent come-come-
children voice.
"Aren't we forgetting the important thing?
We were deciding what topics you might talk
about in"— she had been going to say, "in a
friendly way," but a first grain of delicacy
checked her— "in a few minutes. We have the
one topic, which perhaps you would like to
explore for a moment while I . . . while I make
a few arrangements . . . excuse me."
ORY BY STORM JAMESON 47
She felt an overwhelming need to get away
from them for a minute. With a rapidly sink-
ing heart, she reflected that this was perhaps
going to be the first fiasco, and a grotesque one,
of the series. Her vanity was involved. Outside,
in the corridor, she caught the arm of a friend
who was passing, and said in a despairing voice,
"My dear, they're impossible. I can't tell you."
"Who?"
"These two old girls, writers, I dug up. Hume
and Jenner."
"Sarah Jenner? My mother used to adore her
novels. She was always boring me with them."
"I wish your mother were having to deal with
her now. I must go— I shall probably find one of
them just chewing the last bone and whiskers
of the other. Incredible."
OPENING the door nervously, she found
complete harmony. Elizabeth was saying,
"The delicious thing about growing old is
that you no longer care what anyone thinks
about you. For the first time, you can risk being
yourself, not the timid hypocrites we were
brought up to be, you and I."
"You were never timid."
"Yes. Yes, I was. Even now . . . Dare you
cross your knees in public? I daren't. The voice
of Aunt Alicia reaches me from her grave. 'No
decent girl sits in that attitude. An immodest
sitter is an abomination unto the Lord.' And,
nowadays, my figure . . . tell me, Sarah, what
do you do to keep yours? Oh"— she had caught
sight of Miss Head at her elbow— "how much
longer need we go on rehearsing? If this is a
rehearsal. You know, we shan't want to say the
same things twice— once here and again when
we're on the air."
"There's something in that," Miss Head
agreed. The changed atmosphere had raised her
hopes. She smiled, an almost personal smile,
such as she gave herself when she passed a
wall-mirror. "And you've just started another
interesting idea. The pleasures of growing old."
"Can you," Sarah Jenner asked, "at your age,
believe there are any?"
"Indeed, yes," Miss Head lied.
"Wonderful."
Is she laughing at me again? Miss Head asked
herself uneasily. She dropped back into her
manner of an indulgent governess, trusted and
admired by her little charges.
"Shall we go along to the studio? I'll explain
things there. But it's quite simple. You have
only to talk— as if you were sitting together over
a cup of tea."
18
A FRIENDLY TALK
"Oh, nol tea," Elizabeth murmured.
" I Ins way."
As she seated them, facing each other, micro-
phones between them, across the table, .she
noticed that Mrs. fenner's hands were shaking.
. . . Scared. Pom old thing. Lei's hope sin
doesn't di\ up V glass partition divided
the small studio from the smaller anteroom
where another young woman was waiting to try
out their voices.
"Please speak now. A lew words. Anything."
"Do I have to stare at this thing all the time
we're talking? It's not inspiring."
"No, Mrs. Fenner, you tan look at Miss Hume,
but you mustn't shift about on \oui chair."
"Sarah, do you remember when you were
Admetus in the end-of-term play? I was Alcestis,
and you had to look at me and say: 'Oh face,
oh form, of my beloved wife.' . . . You never
got beyond Oh face'— we began to giggle and
went on until they had to bring the curtain
down on us."
Sarah laughed.
Miss Head went out and came back in a mo-
ment to say that Miss Hume's voice was exactly
right. She moved Sarah's microphone nearer to
her, told them carefully, in the simplest words,
when the recording would start, listened for a
moment to Elizabeth Hume's voice saying,
"Don't you agree, Sarah, that at forty, a woman
. . ." and crept silently into the anteroom, her
mind almost at rest. . . . After all, they're not
quite cracked. And what a voice— like cream,
like a cello, like a cat pouring itself across your
ankles. . . . Lulled by it, she closed her eyes—
and opened them, shocked by a burst of brutal
laughter in the studio. . . . What, for heaven's
sake, have they been saying?
AM I really sitting opposite her, opposite
Elizabeth? Why did I let it happen? I
distrust her, I hate her, I. . . . Her throat felt
as though she had swallowed a splinter of glass.
. . . Do I hate her? Or did I only want to see
lor myself that she is an old woman, a woman
no man will ever fall in love with again, a
clown, a caricature of herself? Am I appeased
now? satisfied? contemptuous?— she needn't have
let herself become slack and shapeless— or so
pleased to see hei that I don't care about any-
thing else? Don't ask, don't ask!
Leaning sideways to see past the microphones
—the very movement the young woman had
warned her not to make— she said,
"Yes, that's ail very well, but why should a
woman, onlv because she has reached her fortieth
biitlidiv lu i fiftieth, loi that mallei —cease to
caie whethei she's slim, interesting to other
people, ac tive?"
"Because it's not important lor her to interest
Miliei people. It nevej was. A young woman—
because she wants to get married, or to be
praised, or see her photograph in the magazines
von read at hairdressers'— not that 1 go to a
haiichessci now— imagines it is. By the time she-
is fifty. . . ."
"And her husband, if she has one?" Sarah
said icilv. dangerously. "Is he supposed not to
cue whethei she gets fat or not?"
"Even a husband isn't so important as the
moment when you stretch youi arms, yawn, and
say: Now, thank God, I can take my shoes
off. . . . How much d'you spend on lace creams
a year, Sarah?
"None of your business."
"Good business for someone. You're much too
smooth for your age— which is the same as mine.
I lake my cream internally— neat, or with mar-
malade, with mushrooms, with veal, in souffles."
"Yes. I can see you do. Ii shows."
Elizabeth laughed. After a moment Sarah
joined her, on a louder jeering note, and thev
laughed together. Sarah struck the table with a
doubled fist.
"Your Aunt Alicia— aboiniiiation-unto-the-
Lord— would have prescribed a corset for you
like the ones she wore. Do you remember? —
eau-de-Nil satin, boned, almost to the knees, six
pairs ol suspenders. . . ."
"No, that was inv Aunt Thomas Clarkson, my
father's sister, the one who had the cats and the
two mulbeuv trees, and gave us port and seed
cake on Sunday morning alter church."
"You see," Sarah cried, "you do remember
things! It's not true that you forget everything."
"Ah, yes, real things— I remember those. I tor-
get the others."
The fever of excitement, jealousy, anger,
longing, in Sarah's veins sank as though the
other woman had laid a cool hand on her. But
it's true! Real things— yes. Real their young
lives, the village, the smell of peat and wood-
smoke, the bare boards of the schoolroom, the
icy cold of bedrooms in her father's gaunt stone
house, the heat of August on the moor, the ci a/v
laughter, the trust. Nothing since had had that
peculiar flavor of freedom and happiness.
Nothing since that violent young world had
been as real, neither ambition, nor success-
such as it was— nor the heartache, the scalding
tears, the anger carefully-nursed, the months
and years of useless bitterness. . . .
A STORY BY STORM JAMESON 49
She smiled at her friend. "D'you remember
the way one took to get to the Burnt Mill?"
"Yes, of course," Elizabeth murmured.
With a sudden confidence, with joy, they
found themselves walking about their childhood,
retracing paths known only to themselves, in
bare feet crossing a stream, stopping to laugh,
correct each other, quarrel, and laugh again. . . .
At some point, Sarah became aware of Miss
Head standing beside her, flushed, with an ex-
pression of anguish, holding a piece of paper
she laid down under Sarah's eyes. . . . Don't
sway from side to side to look at Miss Hume.
Don't bang on the table. . . . Sarah brushed the
note out of the way. She had not taken it in.
It had no relevance to the minutes she was liv-
ing through. All these years she had been alone,
and now . . . now. . . .
Miss Head vanished. After a short time, there
she was again, speaking aloud, in a dry voice.
"Didn't either of you notice that the recording
was over?"
WITH a violent start and a feeling of
guilt, Sarah pulled herself together to
attend to the young woman, whose voice con-
veyed something sharper than impatience. From
Elizabeth's expression she saw that she, too, felt
guilty— she hurriedly looked away, afraid that
she might laugh at the spectacle of two elderly
and once well-known women hanging their heads
before this absurd young female official.
"Oh. No, I didn't notice. . . . Then we can
go now?"
"Yes, you can."
"I'm afraid we made too much noise," Eliza-
beth said.
Miss Head made a dogged effort to smile.
"Oh, it doesn't matter. . . . I'll take you down-
stairs."
In the lift, Elizabeth said gaily,
"What time is it? Five? After five. Almost time
for a drink, don't you think? By the time we
reach my club ... or would you rather go
somewhere else, more amusing?"
"I'm afraid I . . . perhaps some other day,"
Miss Head said.
Too late she saw— from the astonished glance,
a blue Hash under lowered eyelids, that Sarah
Jenner gave her, and from the other woman's
raised eyebrows— that it had never entered their
heads to invite her to come with them. She
blushed.
"Oh," Sarah said, "you've had quite enough
of us."
Elizabeth yawned and asked, "When are you
going to broadcast our talk?"
"Don't be silly," Sarah said, smiling, "she's
not going to use it. Didn't you realize that?"
"Isn't she? Why not?"
Miss Head was saved, by the opening of the
lift doors, from having to answer. She took a
few stiff steps with them into the hall, shook
hands, and watched them walk away, their very
backs giving away an undeserved and unseemly
happiness. She hurried back to her room. A col-
league who had been waiting for her asked,
"What, my poor girl, have you done with your
two old reprobates?"
"They've gone off, arm in arm, as pleased as
if they'd been terribly clever. My God, if I
thought I'd be anything like it when I'm their
age. . . ."
"Like what?"
"Cynical, mocking, utterly unmanageable, and
impossible. Imagine being like either of them!"
"Don't worry. . . . You won't he."
Harper's Magazine, June 1958
Wolfgang Langewiesche
the new
JET AIR LINERS
Everybody in the air lines is going
to school these days, learning
how to live with the new jet liners.
\\ hy not a briefing for the passenger?
YOU'LL find the take-off disappointing.
The jet noise reverberates from the ground
.ind is loud. And no mighty force pulls you back
into your scat, as on the propeller airplane. The
acceleration is sluggish. And the run is long.
She runs and runs, faster and faster, and still she
inns, till you begin to take alarm. Is something
wrong? Won't she fly?
It's all tight. You've met the jet engine's main
characteristic, and the reason why most cities arc
building longer runways: the jet airplane be-
haves like a car that has only one gear— high.
It's got to be going before it can really get going.
The propeller airplane is like a car with low
gear, second— and no high; it starts gloriously,
but can't reach really high speeds. The jet engine
thrives on speed: as the pilot keeps building up
speed past 100 mph, the jet begins to come into
its own. And when he lifts it off, at 165 mph,
the jet liner begins to show its stuff. She still
keeps speeding up— to 300 mph— as she also
( limbs. For that first minute you get the same
feeling of space-mastery as in a high-powered car
that will speed up while climbing a steep hill.
The noise now has faded and fallen behind.
The front half of the cabin becomes very quiet;
the rear half, quiet. (Opposite from conditions
on propeller airplanes.) In a few minutes all
familiar landmarks are far behind and deep be-
low. The airplane becomes a time capsule. You
sit in it for a while. . . .
Typical cruise is at 36,000 feet, 550 mph. This
is twice as high, twice as last as the big propeller-
ships fly. The speed sensation is the same— mild,
but the resultl
New York-Paris, 7i/2 hours. Paris-New York, a
little slow (i because ol winds, is even better be-
cause ol the six hour time difference. Leave alter
the theater: arrive New York in time lor a night's
sleep!
This speed costs nothing extra. On the At-
lantic the jets, right from the start, will carry the
new "thrill" class; on domestic runs, tourist.
That's the big difference between the American
jet program and the earlier British, Russian.
French ones: the American jet program is eco-
nomical. Those others were extra-fare prestige
builders. The American jets arc' simply machines
that deliver the passenger-mile more cheaply than
previous machines.
Until that was possible the air lines did not
want jets— and neither did a mere prestige air-
plane fit into the tradition of the American
manufacturers, which is to build money-makers.
Each ol the Douglas transport models, for ex-
ample, has delivered the passenger-mile more
cheaply than the preceding model, usually by
about 20 per cent. The jets may not cut flying
costs by quite so much, but they should be the
cheapest-flying planes yet. And they will lly so
cheaply not despite their speed, but because of
their speed!
That's the answer to those who ask: "Why do
the air lines offer still faster travel when what I
need is cheaper travel?" Speed is a good way to
cut flying costs. Speed doesn't cost, it pays. We
think of speed as a luxury that costs money. But
the taxi-driver drives so fast not to please you,
but to get rid of you sooner and pick up a new
fare: he makes better use of his car and of his
time.
The air lines figure the same way, only more
so. In the air, speed is easier to get. On the
surface, speed is limited by air and water resis-
BY WOLFGANG LANGEWIESCHE
51
tance. For ships, cars, or trains to go from A to
B twice as last, you need lour times the fuel and
eight times as big an engine. The proposition
soon becomes impractical— like trying to run
when you are waist-deep in water. But the air-
plane evades this law; it simply goes up higher.
At 36,000 feet the air is only one-fourth as thick
as at sea level, and offers only one-fourth the
resistance. That's why the jets cruise there.
That the passenger also likes speed is a happy
circumstance; but what really counts is the in-
creased productivity— just as it would with a
high-speed bottling machine or high-speed print-
ing press. The productivity of these fast, big
jets is incredible. They carry almost twice as
many people almost twice as fast as previous air-
planes. A 150-seat jet liner that makes the trans-
atlantic round-trip in a day produces as much
transport as a big steamship that carries 2,100
passengers!
WHY THEY LOOK THAT WAY
YO U look at such a machine with respect.
In airplanes there is no mere styling. What
you see, the outside shape of the machine, is
pretty well "the works." It's on this outside
shape that the air acts. Every line has a purpose.
Why those swept-back wings? They are the
airplane's tribute to the sound barrier. The jet
liner does not "break the sound barrier." It stays
just this side of it. It is a "high sub-sonic," not
a "super-sonic" airplane. Economical Cruise will
be at 82 per cent of the speed of sound, Fast
Cruise at 88 per cent.
How fast is that? Sound speed varies with air
temperature. Under average conditions, at 36,-
000 feet, the two speeds will be 541 mph and
581 mph. Fifteen years ago, when airplanes first
ran into speed-of-sound trouble but were still
designed without much regard for the problem,
72 per cent of sound was the usual speed limit.
It could be reached, in propeller-driven air-
planes, only in a dive; and if you exceeded it,
the airplane usually went out of control and
kept right on diving into the ground. Today's
airplane is ahead in three respects. The speed
limit is up: with jet-drive the airplane can reach
it in level flight, and the limit is no longer
absolute; if you exceed it, the airplane shakes
and rattles as if running over cobblestones, but
stays under control. The Boeing jet liner has
been flown to 95 per cent of sound-speed and
perhaps faster. And all this is due mostly to this
swept-back wing.
How sweep-back works you understand, or at
least feel, if you hold a safety razor so that it
slides slightly sidewise over the skin. It cuts
better that way. The swept-back wing cuts
through the air in that same sidewise-slicing
fashion, and becomes in effect thinner, sharper,
and more knife-like. The troubles of the sound
barrier come from hitting the air too abruptly,
not giving it time to flow out of the way of the
oncoming thing and to flow together properly
behind it: and this more finely-cutting, sidewise-
slicing shape demands a little less of the air and
gives it a little more time: the difference between
speed limits at 72 and 88 per cent of sound.
This wing is also an engineering marvel in
other respects. It's hollow and is at the same time
the airplane's fuel tank. It will hold as much as
an incredible 70 tons of kerosene— as much as
five big, highway tank-trucks. It is also elastic;
the airplane rides on it as if on springs. It
cushions the effects of rough air which, on stiff
wings at 550 mph, could be a vicious slamming.
In rough air the up-and-down swing of the
wing tips is large. The spring action does not lie
directly in these visible motions. It lies in what
these slight changes in wing-shape do to the
wing's lift-force. When the airplane flies into
an upward gust ("a bump"), the wing, in the
upward-bent position, also reduces the lift-force
and thus eases the upward shove. In a down-
ward gust ("an air pocket") the wing, in the
downward-bent attitude, develops extra lift,
and thus does not let the bottom drop out from
under you.
The jet liner has a new device— two ailerons
on each wing— two of those control surfaces that
bank and unbank the airplane. One is in the
usual position at the wing-tip; the other, more
inboard.
Why two? In designing an aileron, the en-
gineer faces a dilemma. For slow flight, the con-
trol-surface should be big, or control is too
sluggish. The pilot complains he turns the wheel
and nothing much happens. If a gust hits the
airplane just before landing, he may hook a
wing-tip to the ground. For fast flight an aileron
should be small— or it may be too strong, and
instead of lifting the wing it may merely twist
it and have no effect. The problem is almost
as old as the airplane itself. But with increasing
speed and airplane size, the difference becomes
more difficult to straddle. Hence the two ailerons.
The one at the wing tip is tor slow speed work,
the inboard one for high speed. When the pilot
puts the flaps clown for landing, his control
wheel automatically connects up with the slow-
speed aileron.
52 THE NEW JET \ I R LINE
But wh\ jet engines? The regular airplane
engine was the mosl nearly perfect mechanism
evei made. Win k i» k out Old Faithful?
More push in high speed flight, is one answer.
More powei in oik- package, is another. Both
spell out the same thing: the conventional piston
engine, driving .1 conventional propeller, has
about reached its limit. The propeller has a
speed limit ol about 150 mph. This is because
the propeller blade (which, ol ionise, travels
l.istei than the airplane itsell does, since it liter-
all\ travels in circles around the airplane) hits
the sound barrier, and beyond 100 mph its ef-
ficiency rapidly fades out. Supersonic propellers
may come— the Russians ate flying one now— but
right now the onl\ practical way to drive an air-
plane beyond 500 mph is the jet.
\s lot the piston engine itsell. it simply lacks
power. Ii hit a ceiling during World Wat II—
.11 about 4,000 horsepower. Mosl sucicsslul en-
gines aie below that. This is because a piston
engine can achieve such powei only by an im-
believabl) complex piling of parts upon parts.
Ii ma\ have 28 cylinders, with f><i valves popping
RS
up and down. ,">(> sp.nk plugs, operated l>\ II
ignition sWems, and so on. \nd ,iii\ one ol
these parts, b\ tailing, can make the whole thing
fail. Add still anothei 14 cylinders? No engineei
has the guts to ti\ it. No pilot would want to
IK it.
MUFFLING THE NOISY SPOT
BUT the jet engine— still only at the be
ginning ol its development -packs three or
loin times as much power as the piston engine,
and does so in a smaller, lightei package. Ibis
bigger engine makes ii possible to build a bigger
airplane, and tin jet liner's si/e is as important
as its speed in making it economical. You can't
make money with an airplane that's too small.
And you (ant build bit; airplanes without big
engines. To use mote than lour engines on a
transport airplane has nevei worked out well;
ion 111.1 1 1 \ problems ol efficiency, ol mutual inter-
ference between propellers, ol control in case
ol engine failure. So power-per-engine has pretty
well paced the development of aviation.
FABLE FOR BLACKBOARD
here is the gracklc, people.
I [ere is the fox, folks.
The grackle sits in the bracken. The fox
hopes.
Here are the fronds, friends,
that cover the fox.
The fronds get in a frenzy. The grackle
looks.
Here are the ticks, t\kes,
that live in the leaves, loves.
I he lox is confounded,
and God is above.
—Geo) or Starbuck
BY WOLFGANG LANGEWIESCHE
53
Inside the airplane, engine noise is no prob-
lem. Outside, it is. At least, the Port of New
York Authority says so, and since it controls the
air lines' access to the world's biggest source oi
passenger traffic, its opinion counts. The Au-
thority won't permit a jet at Idlewild until it
has passed a special noise test. This has already
led to a wave of bureaucratic retaliation: Britain
and France, where the extremely noisy Comets
had operated without causing a stir, will now
subject American airplanes to noise tests before
they allow them to fly there.
Jet noise does not come right from the nozzle
where the air shoots out, but 50 feet or so behind
the airplane in the free air! This is what makes
the noise hard to control. You can't surround
the noisy spot with sound-muffling surfaces. But,
fortunately, the British have meanwhile dis-
covered where jet noise comes from: in the
boundary surface where the outshooting jet-blast
rubs the surrounding still air, small whirls form
like tiny spinning tops. It is they that screech
and hiss and thunder. But the British found you
can tone down jet noise by so shaping the jet
nozzle that the out-shooting air stream has more
rubbing surface with surrounding air and slows
down sooner.
This general idea has produced quite different
looking noise-suppression devices, developed by
different engine and airplane manufacturers.
One you will probably see: instead of the usual
round nozzle, one that is star-shaped in cross
section. The Boeing has, instead of one big
nozzle behind each engine, twenty-one small
nozzles like a battery of trumpets. This cuts the
noise down. Trouble is— it also cuts the power
down— probably 4 per cent on take-off, 2 per cent
in the cruise. This doesn't sound like much of a
sacrifice to the public peace, but if you cut an
airplane's power you reduce, by a tremendous
leverage, its take-off performance, its useful load,
its cruising range. The proportions depend on
air conditions, runway length, length of flight.
But a 4 per cent power cut may well mean a
20 per cent cut in payload, or you may have to
cut the fuel load, and lose the all-important
ability to fly non-stop for long distances.
So there's a limit on sound suppression, and
airports are not going to be quiet. Noise patterns
will change: near the airports, more noise;
farther away, less noise because the airplanes will
quickly climb so high. To the public in the
passenger station the main nuisance will be
"compressor whine," a nasty high sound that
comes from the intake end of the jet engine. In
flight, this noise is so high-pitched it's inaudible.
But on the ramp it's unpleasant. Fortunately, a
glass pane can keep it out of a building.
But the whole noise problem is largely
trumped up. Or it exists because it can be so
easily trumped up. Jet noise is a fine thing for
politicians and newspapers to come out fearlessly
against. The courts have not yet ruled on all the
problems connected with operation of an airport,
and airport owners still feel vulnerable to law-
suits. But experience shows that most people,
most of the time, don't mind jet noise.
The Boeing jet, on test flights all over the
country, has usually just taxied up to the ramp,
let people in or out, and taxied away again, all
under its own power: no blast fences, ramps,
soundproofing, no earmuffs on the personnel, no
towing-in by tractors. And people always crowd
up close to it— men, women, babes in arms don't
find the noise so unbearable. Jet fighters have
been test-flown for years off the Los Angeles
International Airport, right among other traffic,
and nobody has suffered. In Wichita, Kansas,
there's both training and testing in jet bombers
all day long and the traffic pattern is right over
the edge of town; but life goes on. Compressor
whine has been with us for years now— the Vis-
count has it. Because it comes from an airplane
the public likes, the noise doesn't seem so bad.
With jet noise, too, much will depend on peo-
ple's feeling about the airplane. When you hear
the big jets go out at night across the city,
chances are you'll say:
"There goes the non-stop to Rio. One of these
nights, boy, I'm going to be on it!"
SAFETY, PLUS AND MINUS
HO W safe is it? Ten years ago you would
have said: "If people want to travel at jet
speeds, they will naturally have to take some
extra chances." But no. To be licensed as an air
liner, an airplane has to comply with a thick
book of safety regulations which were interna-
tionally standardized at the end of the war and
are very detailed, very exacting. They prescribe
strength of structure, stability and control
characteristics, fireproofing, emergency exits, per-
formance with one or two engines inoperative,
and 1,001 other points which experience has
shown to be important for safety. And the jet
liners, incredibly, have been squeezed into this
existing framework of safety. As far as safety is
measurable beforehand, then, a jet liner is as
safe as a DC-6 and safer than the pre-war DC-3.
But all transport airplanes since the war have
complied with that book, and all have not
54 THE NEW JET AIR LINERS
llw Child-Centered Home
w
ll 1 N we amu I > i < » 1 1 1^ ] 1 1 up there was
out extreme- we were kept in the attic,
while our parents lived in the bes(
rooms; now it's jusi the othei way—
the parents are in the washhouse, while
the children are in the besl rooms.
I'. innts now are not expected to live
.a all, but to exist for their children.
Natalie to Kitt\ in ["olstoy's Anna
Karenina, L875 77.
proved sale. The book does not mean everything.
Let's attempt an independent audit.
Any newly designed, radicall) differenl air-
plane is a little less salt because it is new.
A yeai oi so ol service will bring out bugs (hat
were dormant during the original test program.
Everyone remembers the early Constellation
troubles, the Comet disasters, Bui at the same
time, the new airplane is also safer because it is
new: it represents a later state of the art. So
there is a plus and a minus. Mow they will
balance timing the first couple ol years, nobody
(an foretell exactly. While some airplanes have
had terrible newness troubles, others have slid
into service without much. Two examples have
been the Boeing Stratocruiser and the Vickers
Viscount, each at the time of its introduction a
complicated and radically new airplane. At any
rate, this is certain: the new wears off, and the
gains remain. In the case ol the jet liner the
gains are particularly impressive. What are they?
Gain number 1. No more propeller. This is
the gain that most impresses pilots. The pro-
peller, once a hunk of wood and utterly reliable,
has become complicated and the most dangerous
part of the airplane. It has caused more than its
share of accidents and close tails.
Here is the problem. The propeller, in pulling
(he airplane, also performs the services of a
gear-shift. On take-off, it works in low; in the
cruise, in overdrive. If an engine fails, it goes
into neutral. During the landing run, the pro-
pellers can be put in reverse and used as a brake.
While all this works, it's very very good; the
whole efficiency of the modern airplane hinges on
it. But if it doesn't work, it's horrid.
Anil sometimes it doesn't work. The gen
shifting is done by twisting each blade in its
socket where it is attached to the propellei huh.
You tan imagine how complicated the mechanism
must he. since the propeller hub itsell is doing
twenty revolutions per second. How do you even
gel at the blade, to twist it? Even more complex
aic the governors' and safety-switches that make
this gear-shifting automatic. Complication makes
loi trouble.
So engines have failed and propellers have not
"feathered" (gone into neutral). II that happens,
the aii plane is badly crippled, is difficult to con-
trol, may be unable to hold altitude. Worse,
engines have not failed and the propeller tlid
"feather"! Propellers have gone into reverse
during the approach glide. The) have suddenly
gone into low in cruising Might : the braking
effect then is terrific, and if it happens over the
ocean, the airplane may be unable to reach land.
Propelleis have also come apart in the air.
In a jet, with tin propeller gone, all these pos-
sibilities ne gone. This is a great gain, especially
in a situation that is much on pilots' minds—
failure ol an engine right after take-off. A dead
jet engine, while it does not help, at least can't
hinder. There is nothing special the pilot must
tlo— nothing he can do— just fly the plane right.
The jet takes normally a longer runway than the
propellei airplane does, but an engine failure
during take oil hurts it much less.
Gain number 2. A more reliable engine. The
jet engine still needs frequent overhauls, but be-
tween overhauls it is now as reliable as the
piston engine— will soon be more so. And— a
new discovery— typical jet engine troubles usu-
ally show up many hours beforehand as typical
small discrepancies in the instrument readings.
So there's a gootl chance that engine failure in
flight, rare enough anyhow, will practically never
happen. The crew will report the trouble signals
and the engine will be changed before take-off.
Gain number 3. More speed, more altitude.
In the air, speed is not dangerous. There's noth-
ing to hit. On the contrary, speed gives you
mastery: winds become less important, can delay
you less. Weather forecasts at your destination
are more reliable because they have to be made
for fewer hours ahead. Altitude, too, is an
element of mastery. For twenty-five years, air-
lines have dreamed of "over-weather flight." They
used to think that 15,000 feet would tlo it. Today,
we know that even 20,000 feet is not enough. But
the jets, at 35,000, will practically make it. They
BY WOLFGANG LANGEWIESCHE
still can't top all weather. Some thunderstorms
reach up to 60,000 feet! But, up there, they
appear as isolated cloud-towers, easy to go
around. The jets will cruise in sunshine practi-
cally all the time.
SEAMS TO STOP A FATAL RIP
BU T the Comet was a victim of high altitude.
The higher an airplane flies, the greater
must be the pressure difference between inside
the cabin and the outside. On the Comet, a
small hair-line crack had formed in a minor part
—a window frame. This, in itself, was not the
cause of the disaster. It could have been, should
have been, just a small air leak, easily made up
for by the ship's pressurization system. It might
have been a big air leak, leading to loss of cabin
pressure. What did happen was that the small
crack, once formed, instantfy grew into a rip
many feet long that tore the whole airplane wide
open. At 500 mph, the rush of air then took the
airplane apart.
This was a new effect, this failure "All at
Once, and Nothing First." It had not been
previously encountered. It was discovered by
the British in their remarkable investigation of
the Comet disasters. And all concerned have
thoroughly learned their lesson.
The new jet liners have in the first place metal
skins 70 per cent thicker than the first Comets
had. But you cannot guarantee an airtight cabin,
any more than a watertight ship. The real ques-
tion is— what happens if there is a leak? That's
why ships have compartments. The jet liner, too,
now has a second line of defense— called "rip-
stopping." Suppose you tear up an old shirt: to
start the tear takes a little effort; once started, it
grows easily until you come to a seam. Trans-
lated from fabric to metal, that's "rip-stopping."
The skin is criss-crossed (on the inside of the
fuselage) by a network of metal strips, one every
ten inches or so. Each strip acts like that seam.
If a crack starts, it can grow— but only to the
nearest strip, not across it. It doesn't rip the air-
plane apart. It just makes a hole— a mouth-like
slit with pouting lips, formed by the out-puffing
air. This acts as safety valve.
That's the answer to the Comet question. But
there is still something else on people's minds:
these ships are jets. The very word is a little
scary. What, me fly in a jet? Besides, these jet
liners are close relatives to the jet bombers; and
those, as anybody in the Air Force will tell you,
are "hot"— hard to handle. Their accident rate
is rumored to be high. Pilots stand in awe of
them. And the family resemblance between them
and the liners is obvious. Look at the wing. Is
there a difference?
The difference lies mostly in the means the
pilot has for getting the airplane down on the
runway and getting it stopped. You need here a
three-cornered comparison: the propeller air-
plane, the jet bomber, the jet liner. On a pro-
peller airplane, once you pull the throttles back,
the propellers exert a powerful drag. During
the approach this drag lets you come clown
steeply, it you want to, without picking up too
much speed. As your glide flattens out, this same
drag effect keeps you from floating too far down
the runway. After touching clown, it keeps you
from rolling too far; and, in addition, you can
put the propellers in reverse and make them
push backwards, helping the wheel-brakes to stop
the airplane.
On the jet bombers, none of this is available.
The jet engine has a slight forward pull even
when idling. So the jet bomber coming down to-
ward the runway is "slippery," like a "free-wheel-
ing" car— with no brakes. If the pilot noses down
the least bit too much, he picks up excess speed;
if he has the least bit of excess speed, he "floats"
down the runway too far. Even once the airplane
is rolling on the runway, its weight is still largely
borne by its wings, and wheel brakes therefore
have little effect.
So jet bombers have had many over-shooting
accidents, the airplane rolling past the end of
the runway into the rough. At the same time,
they have had many under-shooting accidents,
and essentially for the same reason. In order not
to over-shoot, the pilot had to make his approach
so very low and slow there was little margin for
error: the least bit slower and he sank to the
ground short of the runway. This happened all
the easier, because, in a jet airplane with swept-
back wings, once you've slowed up beyond a
certain point, you sink— and engine power alone
will not pick the airplane up again: you have to
put the nose clown and sacrifice altitude to get
new speed; and the altitude may not be available.
All this goes more or less for jet fighters, too,
and is the main reason why military jets are
held in awe. The jet liner has some definite
answers to this. They give the pilot about the
same degree of control he has on the big pro-
peller airplane.
First, the jet passenger plane has a "spoiler' —
a sort of shield that the pilot can make pop up
above each wing. This "spoils" the lift of the
wing and increases the drag. By using it, the
pilot can get rid of excess altitude without pick-
56
THE NEW JET AIR LINERS
ing up excess speed— the main problem on the
landing approa< h.
Second, the same control, used after touching
down, puts the airplane's weight solidly on its
wheels. This shortens the landing run by mak-
ing the wheel brakes much more effective.
Third, the brakes themselves are marvels: il
braking makes the wheels skid, the brake feels
that, lets go lor a moment, and grabs hold again
the instant the skid has stopped.
Fourth, the jet linei has "thrust reversers" to
lake over the job of the reversible propeller.
Behind each engine, folded awa) during Bight,
rides a clam-shell-shaped scoop \lier landing,
i his chops into place, catches the jet blast, and
bends it around so that it blows Eorward, thereby
holding the airplane back. All this reduces the
risk ol over-shooting— and therefore, l>\ the same
flip of logic as before, also the tisk ol under-
shooting—to a reasonable level.
THE REAL GAMBLE IN JETS
Til I real adventure will not be in the < o< k-
pit but in the business office. \ jet liner
is a ferocious thing to have l>\ the tail. just to
own one costs the company about $100 an hour,
twenty four hours a day. That's lor interest and
depreciation, etc., and it pours out whether the
airplane is flown or not. Therefore, you had
better fly it. That will cost you about $600 an
hour lor fuel, crew, and maintenance. Therefore,
you had better (l\ it with a payload.
That's the big gamble in the jet program:
payload. There are some lour hundred Ameri-
can jet liners now on order by the world's air
lines, plus quite a fleet of French and British
ones, plus a big crop of turbine-propeller ships
coming up— all of them ships of fantastic produc-
tivity. The mount of "seat-miles" this fleet will
oiler is staggering. Meanwhile, the "old'' pro-
peller fleet— Constellations, DC-Sixes and DC-
Sevens, are bound to stay in service somehow,
somewhere. Who is to ride in all those airplanes?
The answer is that the jets will create their
own customers. Trips will be made at 550 mph
that would not have been made at 225 mph.
That has always seemed incredible, and it has
always proved true: faster transport makes peo-
ple travel. There was a time when it was seri-
'uish argued that there was no sense in building
a railroad between New York and Philadelphia-
total travel between the two cities didn't quite
fill two mail coaches. The railroads created their
own customers, the automobile did the same,
and air transport has already done so on the
Atlantic: the ships are as lull as ever, but the
air lines now c.ui\ more people .moss the At-
lantic! than the ships do. Total transatlantic
travel has tripled since the war. The price of
the c tossing has not substantially changed, con-
sidering Inflation. The increase in travel must
ii lie c i the c ut in travel time.
And now the jets come and offer practically
no time -loss travel between Europe and America.
The\ eic. iic a strange new wot Id where you can
reach mid Manhattan more quieklv Irom Ber-
muda oi San Juan than Irom the luilheiout
commuters' towns in Connecticut. People will
respond to this, and ,1 vast increase in touring
is only the least ol the effects it will have. Busi
ncss travel will increase even more. Till now,
the wot Id's most dynamic economy has been
paith insulated by the cost ol travel time. Now
Europe and Latin America will come into no-
time-loss proximit) -executives and experts can
get then .end still elei a day's work. So wh\ not
a laboratory in Germany, a pharmaceutical plan)
in the Argentine; win not do your development
work in Holland?
And vice versa: greal possibilities open up in
combining the know-how of one country with
the capital ol another and the workmanship ol
a third. Most of these can't be thought up be-
forehand, hut the) will be thought up. Invention
is often the mother ol nee essiiv: once a thing can
be done, someone will do it, and competition
then lore es the test.
So the increase in travel will come. It always
has. The question is: will it come last enough to
lill the new ships .is thev come out?
In this gamble, some of the risk is under-
written bv the governments. In the United
States, air lines that can't be made to pay arc
subsidized-; that's a policy of thirty years' stand-
ing. Most foreign air lines are government-owned
and their losses are borne by the taxpayer. The
air lines ol this country have come out Irom
under subsidy in recent years— all but a few
special routes— and .ire proud of it. The jet line i
could force some of them back undei subsidy.
while waiting lot people's travel habits to catch
up.
Even if that happens, the jet fleet will be
worth having. In war or peace, it will add much
to the free world's strength. In case of war, the
airlift capacity of this fleet is massive; and it
comes just as the new atomic-powered submarine
makes sea transport questionable.
In peace, the jet fleet will add even more to
our strength. For fast transport is one of the
vitamins on which our world thrives.
Harper's Magazine, Jane 1953
,w?#ihp)tfft
By WILLIAM H. ADOLPH
Draivings by Karla Kuskin
FASHIONS IN FOOD
Random Notes by an
Historian of the Fickle Palate
FO R the moment at least, cannibalism is
out of fashion. There is considerable evi-
dence, however, that in early eras and in many
lands it was a highly regarded custom. It may
have had something to do with local protein
shortages, and it was certainly closely connected
with primitive religions and superstitions. But
it also, apparently, had another justification. As
one Polynesian chief, who was a connoisseur,
declared, "the white man well roasted tastes like
a ripe banana."
Today the notion is repugnant to nearly every-
body. Yet all that modern science has to say on
the subject is that human flesh should not cause
an allergy in man. It might also be noted that
our eating habits and fancies in food have gone
through as many changes as our fashions in
clothes. Food choices have sometimes ruled men's
lives and changed the course of history.
Spices were powerful weapons in the hands
of the early cooks; in the days before efficient
refrigeration they were necessary ingredients,
both to counteract spoilage and to disguise the
off-flavors of putrid meat. The meat of wild
game which had become "high," for example,
was treated by that culinary artist, Apicius, with
a mixture of pepper, lovage, thyme, mint, sage,
honey, vinegar, wine, must, and mustard. And
apparently such persisting food customs as
serving mint sauce with mutton and lemon with
fish originated in the same way— as cover flavors
characteristic of an age when unsanitary prac*
tices were rampant and perfumes were used to
conceal unfortunate odors.
During the Middle Ages the great demand for
spices stimulated the trade routes to the East
Indies and led, inadvertently, to the discovery
of the new world. The spice trade was extremely
profitable. The Young Cook's Monitor of 1683
gives a recipe for cod's head in which the cod
cost fourpence and the condiments nine shillings.
Pepper was one of the earliest spices used in
Europe. Alaric the Visigoth, we are told, de-
manded three thousand pounds of pepper as
part of Rome's ransom. And the spice still keeps
some of its earlier importance. During World
War II, L. B. Jensen points out, coffee was not
listed as a strategic war material, but pepper was
—a holdover, he suggests, from the Middle Ages.
At a very early period— perhaps shortly after
primitive man learned to cook his food and
discovered that infinite variations in prepara-
tion were possible— the custom was established
that at a least there should be plenty to eat. As
a result, a superabundance of food became the
fashion and overeating— to show one's apprecia-
tion of the delicacies— a social convention. The
Romans, of course, solved the problem by their
famous custom of tickling the throat with a
leather during a long banquet, so that they
could relieve themselves of what they had al-
ready eaten and start again. Some centuries later
in England the ability to gorge oneself gracefully
became a social accomplishment. The Duke
of Norfolk when dining, it is reported, never
showed signs of fatigue, but at midnight he
would suddenly fall asleep. This was the signal
lor his four footmen to produce a stretcher and
remove his huge bulk from the table.
Life in medieval Europe was rugged, and the
58
I V S II I () N S IN TOO I)
winters, without electricit) oi heat, were- hard
.ind dull. Ii is small wonder then that cooking
and eating were ol tnajoi importance. An activi
outdoor life stimulated the appetite, and people
did not shrink from mountainous heaps ol Eood.
At a dinnei foi 6,000 in I l(>7 the Archbishop
ol York served 300 quarters <>l wheat. 105 oxen,
(i bulls, l.ooo sheep, 304 calves, 304 hogs, 500
hiuks and does, 2,000 geese, 1,000 capons, 100
peacocks, and Hill swans. One ol Henry VIII's
dinners started at five in tin- afternoon and
lasted until three the nexl morning, at which
time, the chronicle states, "all estates found it
convenienl to withdraw to their test."
Anion" the wealth) in those days, gluttony
was so leal the Church listed it as one ol the
Seven Deadl) sins, and in both England and
Scotland laws weie set up lo c liec k extravagance
at the dinnei table. An earl) Statute rules that:
Xo man shall be served at dinnei oi supper
with more than two (oiuses. excepl upon cer-
tain holidays when three courses are allowed.
But the definition ol glutton) was somewhat
elastic; even the Church had no special revela-
tion as to how much was enough.
It was not apparentl) until Queen Elizabeth's
day that overeating was recognized as a danger
and Thomas Cogan wrote: "Use a measure in
eating that thou maist live long." The danger
is still witli ns; in this country over-nutrition
is one ol the devastating diseases of oui time.
The Romans solved the problem.
THE first great revolution in eating came
when primitive man turned from hunting
to agriculture and began to supplement his meat
diet with vegetables and vegetable products. The
development ol bread was his supreme triumph,
and ever since bread has been a caste symbol.
Society soon discovered a difference between
white bread and brown and decided in favor ol
the former. In the Old Testament there are
references to temple offerings ol "fine Hour"—
that is, white flour— which was a mark of respect
when offered to a guest or before the altar. In
Rome, white bread was always placed on the
tables of the elite.
With this craving lor white bread, the baker
and the nullei became adept in certain manipu-
lations. I he \ found the) could increase the
whiteness b) adding hone meal, chalk, and linie;
and the) were Often accused ol stealing soiiie
ol the grain the) milled. Pharoah's chiel bakei
in the honk ol (.cue sis was imprisoned, it would
appear, lor supplying bread containing grit from
the gi indstone.
Centuries later, in Chaucer's "Canterbury
I ales " the miller is (as R. A. McCance and E. M.
Widdowsbn observe) a dishonest man, for
\\ 1 1 koeiili he stelen corn, and tollen thrics,
and
A theef he wis For sothe of corn and mele
And that a sly and usaunt for to stele.
In all wheat-consuming countries it rapidly
became an aristocratic privilege to grumble over
the quality ol the bread, and at a very early
period governments enacted laws to regulate the
composition. Punishment under these laws was
extreme. In the Neai last, it is reported, a
dishonest baker was nailed by the ear to the
dooi ol his shop. There is also the story of
bakers who raised their prices and were sen-
tenced to be baked in their own ovens. In
England, we are told, bakers were the only mem-
bers of the community permitted to keep pigs
in their homes. The pigs thrived on bran, and
thus removed some of the temptation to add
too much bran to the flour.
All over the world, white bread is a badge of
social distinction, since it is, presumably, made
from first-quality (lour. Second-grade flour pro-
duces gray or brownish bread, and the black
bread of peasant Europe is the result of adding
beans or acorns. (Today such added materials
are euphemistically known as "extenders," but
until recent years they were frankly called
"adulterants.") However, about a century ago,
there was a movement in favor of brown bread.
It was shown that in the refining process flour
lost important nutrients, and such men as Gra-
ham in this country— the originator of graham
bread— became ardent and vigorous exponents ol
the brown loaf. In England, royalty, anxious to
set a good example, it is reported, ate brown
bread. At present an armistice has been reached;
it has been found that by proper treatment the
nutrients lacking in white flour can be restored,
and white bread has kept its rank in society.
In fact, when the Communists came into power
in China, a few years ago, they looked with sus-
picion upon the users of white bread and, to
gain popular favor, chose one of the less aris-
BY WILLIAM H. ADOLPH
59
tocratic grains, millet, and proclaimed it the
symbol of the revolution.
Until the time of the Renaissance, fruits and
green vegetables had only an irregular status in
European diets. The Romans used cabbage,
asparagus, and greens, but in sparing amounts
and largely as decorative flavoring. The Moors
cultivated green vegetables in Spain, and one of
these, olus Hispaniense, according to E. Parmalee
Prentice, became known as "hispanich" or
spinach.
During the Renaissance these vegetables
spread to Holland and England, and resulted
in great improvements in the diet. At the same
time other new foods were pouring into Europe
from the new world— corn, potatoes, peanuts,
sweet potatoes, bananas, rice. The potato in
particular was received with wild enthusiasm.
John Foster published his pamphlet, England's
Happiness Increased by a Plantation of Pota-
toes, and Falstaff in "The Merry Wives of
Windsor" cries, "Let the sky rain potatoes."
The early books on food and health regard
fruit with some suspicion and suggest that it
be eaten sparingly. One chronicler states that
fruits "do engender ill humors, and be ofttimes
the cause of putrid fevers." When one realizes
that the season when fruit ripens is the season
when infectious diseases abound, the source of
this belief is not hard to understand.
It is only within recent years that the nu-
tritive value of fruit has been appreciated, and
in many parts of the world it is still not regarded
as an orthodox food. One of my colleagues when
I was in Peking, a Western-trained Chinese, in-
sisted that his family eat plenty of fruit. But
in accordance with old tradition he entered
the cost in his expense account not against food
but against medicines.
EATING: GRACE OR DISGRACE?
TEA and coffee came to England a little
later than potatoes. Pepys writes in his
diary: "I did send for a cup of tea, a China
drink of which I never had drunk before."
The first coffee house opened in London in
the mid-seventeenth century, and scores of others
followed it and became the nucleus for great
literary and intellectual activity. But the grow-
ing fondness for tea— which the English have
kept to this day— spelled their doom in time.
At first green tea, prepared as a weak infusion
in the Chinese manner and served without milk,
was sold in the coffee houses. Then the East
India trade, supplemented by a flourishing smug-
gling trade with France, brought the price of
tea within the reach of all, and it was enthusi-
astically taken up by all classes.
At first the drinking of tea was regarded as
an evil and injurious habit. "Your very cham-
bermaids," declared one Jonas Hanway, "have
lost their bloom, I suppose by sipping tea."
The nutritionist now considers tea deleterious
only when it displaces more nourishing food.
In the Orient tea has long been of importance
socially, and there is a record of tea drinking
in China as early as the third century a.d. Sip-
ping tea has, in fact, come to represent an
attitude of mind and to symbolize leisurely
living. Certainly the introduction of tea and
coffee in Europe influenced the time for meals.
Tea and coffee favored social entertainment and
led to the tendency to dine late, which, in turn,
led to late rising and late breakfasts.
Sipping tea represents an attitude of mind.
UTENSILS for eating developed grad-
ually. The drinking cup of ceremonial
imjaortance and spoons of a sort were in use at
a fairly early period. The Chinese had chop-
sticks before the Christian era, but the fork, a
less flexible equivalent, first reported in Italy,
did not appear in England until three or four
centuries ago. (When forks were first introduced
to England, they were disapproved of by the
clergy who considered it a haughty insult to
Providence to avoid touching with the fingers
the meat and food ordained for man's welfare.)
Queen Elizabeth I ate with her fingers, but
this practice was ruled by strict etiquette. Ac-
cording to Stuckius, food "should be taken with
three fingers," and "to lick your greasy fingers
or wipe them on your coat is not good manners."
The towel and the wash basin were important
items. In Roman times each guest came to the
feast bringing his own towel. The napkin came
into use only two or three centuries ago, but
rapidly became part of the dinner-table ritual.
Giles Rose, Charles IPs favorite cook, gives in-
structions for folding the dinner napkin in his
Perfect School of Instructions for Office of the
Mouth.
The individual dinner plate was preceded by
the "trencher"— a slice of bread which, after
(.(»
FASHIONS IN FOOD
being saturated with juice from the men laid
upon it, was eaten (perhaps the prototype for
today's hamburgi
Animal foods have always occasioned powerful
prejudices. I o some people, roast dog is .1 ( hoice
food; others regard dogs and iais as repulsive.
Frogs' legs are a delicacy in sonn areas, a horror
in others. Snakes are outcasts, but eels are
generally accepted. Deer meal is in good stand-
ing, l)llt hors< meal is not.
To some people, roast dog is a choice food.
Our ancestors did not always place Fish and
meal in the same category. Fish by order of
the Church replaced meat on Fridays and last
days. In the sixteenth century the English gov-
ernment, realizing that a hatch race <>l fishei
nun and sailors was needed for the navy and
the ship-building industry, proposed two fish
days .1 week— both to provide more seafaring men
and also to bring down the price of meat. Ap-
parently the plan proved to he difficult to
enforce, and was dropped.
Two centuries later, fish were responsible
for George Ill's partially successful program of
turnpike improvement. Fish spoil easily, and
their evil odor when putrid was suspected lo
be one of the causes of the plague. Roads were
poor, so the transport of fish to market was
regrettably slow. It was largely to get the fish
to their destination mote rapidly that the roads
began to be improved.
The Anglo Saxon prejudice against eating in-
sects is curiously, strong. 'Set locusts, cater-
pillars, and termites have often been used as
food. The Romans regarded larvae as a Inst
class delicacy; and in the Middle East locusts
hied in oil or roasted are greatly relished.
(The \ aie said to taste like chicken.) Insects
are, actually, a high-quality proiein food, and
periodic attempts have been made to introduce
them into our diet.
About seventy-five years ago a small book
entitled Why Not Eat Insects? was published in
England. This pointed out thai in Other conn
tries insect dishes were both fashionable and
nutritions. Then, dining World War I, when
lood shortages were threatening, the well-known
American entomologist, L. O. Howard, prepared
.1 "white grub stew" which his laboratory guests
reported was quite appetizing. In another recipe,
he used French dressing and served the ginhs
as .1 salad. Dining World War II, laboratory
studies in the Fai Easl showed thai silkworm
pupae were a satisfactory substitute Im meat.
Hans Zinsser, the epidemiologist, discussing
rats and t he. i 1 pail in spreading plague, ob-
served thai the b,fisl way to eradicate plague
would be to make rats a table delicacy. This
suggests that 10 conquer our present greatest
enemy, the insect world we must set tip an
effective alliance between the dietitian and the
entomologist.
Milk has been the subject ol curious supersti
tions. The ancients believed that il a child
were given milk from a certain animal, it
would grow up to have the characteristics ol
that animal. Romulus, nursed by a wolf, be-
came a cruel man. A certain monk who lived
on doe's milk developed a meek and lowly dis-
position and became a saint. In choosing a wet
nurse it was therefore considered important to
stud) the character ol the applicants— to avoid
a woman who was a drunkard or who showed
Othei had habits.
Many peoples find the taste ol milk disagree-
able; to disguise the flavor honey and salt were
sometimes added. And, ol course, cheese has
been widely used throughout the world. B.
Eanler calls attention to a curious coincidence:
no non-milk consuming people has ever pro-
duced great epic poetry.
In recent years milk has been proclaimed
the most pet lee 1 lood and raised from a posi-
tion ol uncertainty to a place among the elite,
finl today there is occasional uneasiness about
the high milk consumption in this country and
a faint suggestion that perhaps there can be
loo much ol even a "perfect" food.
No )ion-in ill; consuming people has ever
prod in ijil great epit poetry.
BY WILLIAM H. ADOLPH
61
Difficulties in keeping raw milk clean were
discovered early. There is an unverified story
that the ancient Sumerians, who sat behind
their cows to milk them, believed that if the
gods had wanted man to have clean milk they
would have placed the udder on the
forward part of the cow. Galen recom-
mended that the milk ass be brought
into the sick room and milked there,
and later advice urged that an infant
nurse from the animal's udder.
Probably because of the difficulty of keeping
milk fresh, a frozen cream was early used by
the Swiss. In the sixteenth century the French
and Italians improved upon this by sweeten-
ing it with honey or sugar. This reci}^ was
brought to America, and in 1777 an enterprising
confectioner in New York City announced the
sale of what he called "ice cream," which could
be had "almost every day."
Our forebears believed that human character
and disposition were directly related to food.
So they ate the flesh of the most savage wild
animals and feasted on their defeated enemies
to increase their vigor and prowess. Even today
the he-man is supposed to look with contempt
upon vegetarians.
There have also been more or less scientific
conjectures about the relation of diet to racial
traits. A few decades ago a prominent bio-
chemist divided the nations of the world into
the meat-eating or warlike peoples, and the
vegetarians or peace-loving. The meat-eaters of
Europe he listed among the warlike; the vege-
tarians of the Orient among the peace-lovers.
H. G. Wells in his autobiography refers to
his older sister as a "bright, precocious, and
fragile little girl with a facility for prim pietv"
and suggests that such goodness was possibly
the evidence of a dietary deficiency.
In a recent psychological study a large group
of high-school and college students
were asked to state their food preju-
dices. Buttermilk, brains, kidneys,
and cottage cheese ranked first
among the list of unpopulars. But,
curiously, those who were regular
church attendants showed less aver-
sion to these foods than non-
attenders.
Some years ago, when goiter was
the center of nutritional interest,
it was noted that students with
hyperthyroidism, an iodine de-
ficiency disease, often had high
scholastic records. An observer,
pointing out that this included
many Phi Beta Kappas, asked: Does
this mean that membership in Phi
A symptom? Beta Kappa may itsdf be a symp.
torn of the disease?
Food fads are by no means a thing of the
past. Mankind continues to be lamentably fickle
in its food tastes. The first years of the present
century, for example, found us listening to the
claims of Fletcherism, the chewing fad. It was
an ugly habit, but there were many converts.
Soon after we were urged to eat roughage, and
we dutifully consumed tons and tons of bran
and other materials of a sawdust-like consist-
ency. Then came the raw food fad; then, the
Hay diet— all within the span of a single
generation.
Fashions in food change, but it is humiliating
to realize that there is really very little that
is new. Food fads tend to operate in cycles,
and while today's may disappear in a few years,
they will almost surely reappear later. Spinach
had its day and now seems on the wane. But
never fear, it will come back again. I believe
Ave would be sorely disappointed if it— and other
food fashions— did not.
THE MAN IN THE GRAY FLANNEL KIMONO
Packed in Japan
With Diligence
and Responsibility
Serve cold or not
with lemon perhaps
It is assuredly advised
that all who delight
with their cocktails will
happily engage in serving
this most sincere brand
-Legend on can of Fancy Whole Smoked Oysters, Safari-San Brand
Harper's Magazine. June 1958
By D. W. BROGAN
Drawings by Frederick E. Ban berry
AUSTRALIA:
The Innocent Continent:
Down Under is a land of ambiguous promise,
expanding; industry, and easy-does-it democracy
where men settle for the pleasures they have
and women are indifferent to fashion.
WITHIN ;t few years we have witnessed
the phenomenon ol a southeastward mi-
gration, in the settlement of Australia; but this
affects us as a retrograde movement, and judging
from the moral and physical character of the
first Australians, has not yet proved a successful
experiment."
Thus wrote Henry David Thoreau a hundred
years ago, and thus would e< lio a vast number of
people today. For it would be uncandid to deny
that curiosity about Australia is not one of the
most spontaneous of emotions; that using Aus-
tralia for an exemplar is even rarer today than
it was a generation ago; and that many people
are disposed to think of the continent solely in
terms of tennis players, cricketers, and soldiers.
It they think of it as a society, they are apt
to dismiss it as an inferior America, bound
the same wa\ from a bad start, with Convict
Fathers instead of Pilgrim Fathers; a land with
a remoteness from the world's problems that
the American Middle West no longer knows,
with a lile ol no great interest to the rest
ol humanity, and a population as much as the
Ancient Britons, "penitus into divisos orbe,"
cut oil nearly completely from the business of
the world.
Such judgments are natural. Until I had
spent live weeks in Australia in the summer of
1!)j7 (winter lor the Australians of course), I
shared most ol (hem. II I have changed these
ideas lor others, equally clear, simple, and dog-
matic, it may be due to the fact that I stayed
only five weeks— which was perhaps too long
for real clarity ol view. For I now think Aus-
tralia is a country of the greatest fascination
and most interesting, il ambiguous, promise; a
country unlike any other I have ever known,
and, above all, unlike— how unlike— the United
States, with which so many Australians so often
and so foolishly compare themselves.
Physically Australia is far more like North
Africa than either Furope or America, with its
strange flora and fauna, its odd marsupials and
weird plants, .particularly that omnipresent em-
blem oi the Australian world— the gum tree. I
was told that I would come to admire the strange,
peeling, solitary gum tree, the biggest of the
"eucalypts," standing in the great empty land.
And I did come to feel that way, to under-
stand why Australians abroad always miss that
vision, and to view with astonishment, and al-
most with resentment, the crowded, magnificent,
exiled eucalyptus trees of northern California,
so unlike those I had seen a lew days before
on the bleak pastures of "New Fngland"— a New
England with no suggestion of the cozy, crowded,
long-settled, comfortable New England of the
BY D. W. BROGAN
63
United States. Even Maine gives an impression
of being tamed that is missing in Australia, for
this very old continent is new to man, not only
to the white man but to Homo sapiens. It is
only a few thousand years since the ancestors
of the Aborigines, "the Abos," began to drift
into the empty continent with their dogs, the
ancestors of the dingoes; and man still seems
a newcomer, not permanently accepted in this
empty, austere world. Kangaroos, wallabies,
black swans are all at home on the ancient,
thin soil between the prehistoric eroded rocks—
but man? Well, we don't know yet.
Of course, the white man has been in Australia
for one hundred and fifty years. Fewer Aus-
tralians than Americans have recent immigrant
ancestry, though that is changing fast now. But
the works of man's hands are lost in the great
emptiness. And the most impressive of them,
like the great water pipeline that Charles O'Con-
nor drove from near Perth to the gold fields,
sixty years ago, are tributes to the inhospitality
of the land.
The Australians have one American attribute:
they are ready to discount the future; and one
form this takes is asking the visitor, "Why
shouldn't we grow like the United States?" The
answer is simple: Is there a great desert in
the American Middle West? The standard maps
are deceptive; they show "lakes" like Lake On-
tario or Lake Erie, if not like Lake Superior.
But these lakes, like the biggest, Lake Eyre,
differ from Lake Erie in one important respect:
they have no water in them. Flash floods may
fill some of them for a few hours or days or
weeks. By a stroke of Providence, Lake Eyre
was filled seven-feet deep in 1952. No man liv-
ing had seen that sight; there is no native tra-
dition of its ever having occurred before. It
took two years for the water to evaporate, but
it finally did, and "boundless and bare the lone
and level sands stretch far away."
THE LAND AND THE LEGEND
MO S T of Australia is desert, real desert,
not what passes for such in Arizona or
even Nevada, but desert like the Sahara. The
interstate railway that runs from Perth in West-
ern Australia to Adelaide in South Australia
has the longest absolutely straight stretch of
line in the world. There is nothing to stop it.
Some areas are intermittently friendly and then
lash back and punish the human intruder. Aus-
tralia is full of ghost towns— a miserable col-
lection of shacks bearing the name of Metz recalls
only ironically the noble city on the Moselle.
But more impressive— and depressing— than
such relics of the mining days are the deserted,
settlements in rural areas that, for a brief time,
gave lavish crops, then stopped. We now know
why: the soil was exhausted, and today "trace
elements," molybdenum and the -like, can be
added to restore the good temper of outraged
nature. Mediterranean grasses, like subterranean
clover, can provide new and far better pastures;
modern genetics can provide far better sheep.
But the Australian still has his fingers crossed.
Suppose the farmer puts a lot of money into
making new pastures and, that year, there is
no rain? There are memories of so many dis-
asters—like the great smash in Victoria in the
'nineties, like the disastrous policy of "close
settlement" in the "mallee scrub" that ruined
so many British settlers after the first war.
There have been ten good years, i.e., with
adequate rainfall. But 1957 for a time threat-
ened to be a bad one. This is a country
where rain is reported in one-hundredths of an
inch, where men watch that rain count with
far more anxiety than the people of Los Angeles
watch the smog count. On the rain depends
the wool clip, on the wool clip depends the
whole economy. Over all Australian optimistic
discounting of the future hangs the threat of
drought. Australian soil chemists and Austral-
ian animal breeders are among the best in the
world; there is uranium; there may be oil; in
some new fields of industry, Australia is a
pioneer (she makes the cheapest steel in the
world). For this kind of research, the federal
government pours out money.
"We mustn't talk of a population of twenty
millions, doubling the present; we must aim
at a hundred millions in a generation." One
hears these confident prophecies from intelli-
gent, worldly-wise men as well as from mere
boosters. The sense of an immense effort going
forward, of at last justifying the often-deceived
hopes of the last century, is exciting, even to
the visitor. And yet— and yet—
The only thing the world definitely wants
from Australia is the wool clip, the best and
biggest in the world. Only the most preposter-
ous tariffs keep Australia from supplying the
United States as well as England, France, and
Germany with wool. But this great pastoral
industry is something of an embarrassment to
Australia. Around it legend has grown or been
invented. As in the United States, totally urban
citizens have taken to themselves the alleged
virtues and even the vices of the shearers and
Ill
AUSTRALIA: THE INNOCENT CONTINENT
stockmen. Then are synthetic folk ballads,
adapted from London music-hall songs, and Aus-
tralian equivalents ol Paul Bunyan and Mike
Fink. The legend is largely phony, as it is in
America, but its phoniness is revealing, lor it
turns the eye and eai awa) From the basi<
demographic lac i ol Australian life— the creation
of an overwhelmingly urban society, living olf
the profits <>i a rural monopoly.
Most Australians would indignantly den)
litis, claiming that, even il it is true at the
moment, soon Australia will be manufacturing
not only for hersell but for the whole south-
east \sian market. I! there were no alternative
purveyor but the United States, hamstrung as
the United States is and will be by her own
tariff policy— i.e., her unwillingness to be paid-
there might be some hope for Australia in this
bold, new role. But in competition with Brit-
ain, Germain, [apan, and Red China, only
a deeply transformed Australia can hope to off-
set her handicaps, above all the non competitive
attitude of Australian labor.
On the other hand to depend on the wool clip
or other agricultural exports offends Australia's
democratic sensibility. For Australian agriculture
(in its widest sense) is not "democratic" at all.
It is the product of great landowners, individual
or corporate. Of course, there are lots of small
and middling farmers; and mixed farming is
growing. But most of the optimistic experi-
ments of "close settlement," intended to give the
country the equivalent of a bold independent
peasantry, have been abandoned (except in the
dreams ot Catholic "Distributists"). The most
important and economically representative rural
unit in Australia is more like the King Ranch
than like the frugal American husbandman on
his quarter section. (I ignore the element of
fiction in the American picture of America;
it is less than in the Australian picture of
Australia.) And the equivalents of the Kleberg
family, the "graziers" or, as they are hostilely
known, "the squatters," are politically and
socially unpopular, flagrant denials of Australia's
egalitarian dream. Other Australians regard
them as usurpers ol the national domain— men
whose grandfathers got their wealth by graft,
b\ coercing or seducing weak royal governors,
and built their fortunes on the bloody backs
ol the white slaves of the convict system.
For the Ausir.ili.inN. at last, have got ovei
their diffidence about tin convicts. The) ma\
rightl) celebrate the heroic landing on (.alii
poli in 1915 rathei than the coming ol "the
First Fleet" in 1788 with its cargo ol comic i
emigrants. But there is now more readiness to
admit that the convicts and their natural allies.
the pooi-law exiles from Britain and Ireland.
have set an indelible mark on Australia— the
mark ol an aggressiv< egalitarianism and sus-
picion ol authority and "nice people."
The pool made Australia: the rich, lavorcd
h\ the imperial government, siole it: that is
an epitome ol popular Australian history. Unlike
America. Australia has nevei Eorgiven her
Robber Barons, and the main I unction ol the
Australian state is not to favoi production, hut
to promote equality— to "spare the weak and
put down the proud.'
THE consequences are many. American
business firms in Australia, like the Amer-
ican services there in the war, run up against
a hostility to "efficiency" that it is easy but
superficial to put down to laziness. Its core is
"mateship"— the desire that all should advance
together or not at all. The curse of Adam
is a curse, why kid yoursell that it is a bless-
ing as "the Yanks" and "New Australians'
(European immigrants) and even some of the
despised "Pommies'' (recent English immigrants)
do? Why kill yourself to make profits for the
"boss class"? The\ tell vou you will share in
the profits, but all that is certain is that you
will have to work harder and lose time on
the dockside, in the mine and the factory, that
you could better use fishing, going to race
meetings or cricket or football matches, playing
tennis, reading, or even making love.
Confronted with the passionate American be-
lief in industry, the Australian simply thinks
the Yanks are mad. When they have made their
pile, look at them, frazzled with ulcers and
neuroses. The great Snowy River hydroelectric
scheme is being built b\ American companies;
their speed and drive are generally admired, but
1 found no passionate desire to imitate them.
American companies like General Motors have
big plants in Australia. The "Australian" pop-
BY D. W. BROGAN
65
ular car, the Holclen, is a smaller Chevrolet.
But General Motors can't get Detroit results in
their Australian plants. Labor economists and
politicians find sophisticated reasons to explain
the fact that only Ireland in the Western world
has a poorer record of increasing production
per head of work force.
"So what?" says the Australian Labor voter.
The Australian worker sees in the boss class
the old enemies he and his ancestors were fight-
ing in Britain and Ireland, then in the colonies,
long before Australia turned to industry. A
leading American expert in industrial concilia-
tion came back from an Australian trip hor-
rified at the gulf between workers and bosses.
They don't negotiate "at arm's length" but from
behind a century-old barrier of suspicion.
This class hate plus the memory of great
strikes, the "Digger's" permanent chip on the
shoulder and his remoteness from the dangerous
European and North Atlantic world, have made
an indelible imprint on Australian politics. The
Australian Labor voter is a "man of the Left"
in the French sense. Like the man of the Left
in France, he is reluctant to admit that the
Soviet Union is not run by slightly deviant
brethren, but by national and, more important,
class enemies. There are, I should guess, more
men and women in Australia suffering from a
"deception d'amour" caused by recent Soviet
performances than in any other English-speak-
ing country; and more men and women willing
to believe that most of it is a Yankee invention.
Yet even the stoutest Australian Marxists are
beginning to lose faith in the imminent coming
of the Red dawn.
For one thing, there is a purely local com-
plication. No open, concealed, or unconscious
Australian Communist is daft enough to apply
the party line inside Australia. They may all
be for the liberation of Asia, and they all
think American policy toward China is mere
imbecility where it is not malignant warmonger-
ing. But one thing they will not do for their
oppressed Asiatic brethren— let them into Aus-
tralia. "White Australia" may, in the begin-
ning, have been a device of the boss class, but
now it is far more than the Monroe Doctrine
is to Americans. The Australian Left could say
with Lowell's Yankee:
"I do believe in freedom's cause
As far away as Peking is."
The Left also has other more immediate
things to worry about. In Australia, as in
France, there is a natural Left majority. (More
than one Australian lamented to me the sterility
of Australian Labor party thinking. No one
discussed the thinking of the Liberal-Country
party coalition that is in office; it is assumed
that there isn't any.) But two forces have dis-
rupted the "Left." One is the revolt of the
Irish-Catholic section of the Labor party against
fellow-traveling.
THE CATHOLIC FORCE
TH E Catholics, almost all of Irish extrac-
tion, are a quarter of the population and
more powerful in political and religious organ-
ization than even this figure would suggest. Far
more than in the United States, the Irish have
moved into politics, and politics at the top. They
have produced a series of federal Prime Ministers,
many state Premiers, and politicians of all ranks
and degrees of public prestige. (The Australian
equivalent of Mrs. Roosevelt, the beautiful and
elegant Dame Edith Lyons, a figure in her own
right and widow of a famous Prime Minister, is
of Irish-Catholic origin.)
The Labor party has depended on Irish votes,
leadership, drive, and militancy. But whereas the
non-Catholic Left could bear with equanimity
the persecution of the Church in China, Poland,
Hungary, etc., the Catholic rank and file could
not. To them Dr. H. V. Evatt, the erudite,
reckless, egotistic lawyer-politician, has got his
hands dirty by his tolerance of fellow-traveling.
To Dr. Evatt and his followers, the Labor
"Movement" was and is in danger from clerical-
ism and imported "Christian Democracy" a la
Gasperi and Adenauer. In the bitter personal and
doctrinal war that still rages, the Labor party
has been split and its chance of governing Aus-
tralia lost for an unknown period of time— some
unkindly suggest for the life of Dr. Evatt.
The second force which is splintering the Left
is the postwar wave of immigration. Australia,
in the second world war, got a bad fright. The
fall of Singapore, following on Pearl Harbor,
made the threat of Asia sharp in all minds.
An empty Australia asked for immigrants from
Europe, armed or unarmed. And since the war
immigration has been encouraged at a remark-
able rate. A million immigrants have come since
1945, a large number of them Italian, German.
Dutch, and Polish Catholics. Many others are
"displaced persons"— and DPs have no illusions
about the Communists being misguided brethren.
They don't bring with them British and Irish
resentments; they have their own. They make
poor recruits for the Labor party, and now they
66
AUSTRALIA: THE INNOCENT CONTINENT
are being naturalized l>\ the hundred thousand
and M>nn the) will hi' voting.
The Australian Lefl is thus divided, threat
cnid. and bewildered. Old strongholds like the
coastal shipping unions, the dockworkers, and
the railwa) workers are dwindling in impor-
tance. The airplane and the truck— what the
Australians call "transports"— have broken the
old labor monopolies. The new Vmericanized in-
dustries, like the automobile plants, and the new
steelworks, which offei high wages and. I>\ Aus-
tralian stand. uds. good labor relations, are hard
to fit into the old pattern ol "mateship." There
are clashes of interest inside the sacred working
class. There are new patterns ol labor organiza-
tion to be imitated, which cannot be pushed to
one side by legislation about wages 01 court
decisions t<> protect such sacred tights as the
"smoko." (An American, even a British, visitor
learns that he knows nothing ol "featherbedding"
until he has been to Australia.)
The old industries are in the red. requiring
both subsidies and preposterous tarifl protec-
tion, and only the most partisan worshiper ol
the traditions ol "the Movement" really believes
thai the stales oi die Commonwealth are reach'
to run great businesses like the Broken Hill
Proprietary (the great vertical trust), to produce
steel in competition with Japan, or to administer
the sheep stations. But the egalitarian tradition
is strong. The bosses of Broken Hill and the
Bank of New South Wales, the' graziers with
their high incomes, power ol bequest, and veto
over the decisions ol the Labor politicians, are
an affront to the vision of Australia as the land
where nobody looks, talks, or is better off than
anybody else, where law and public opinion
combine to enforce Big Tim Sullivan's law, "God
and the People hate a chesty man."
NOT GIVING A DAMN
AUSTRALIA is the most air-minded
country and has the best air lines of any
place I have ever visited. The train is even more
obsolete than it is in the United States. In a
five-weeks tour, covering all the states, I not only
never once set foot in a train, but only once saw
one— a quaint old museum piece crawling into
Brisbane. But in many airports, great and small,
in that five weeks, I saw only one set of matched
airplane luggage. Most Australians travel by air
or by car; there is little left of that class dis-
tinction in flying that can still be noticed in
Europe and, less markedly, in the United States.
That many Australians should use ordinary lug-
gage while living is not surprising. What is
surprising is that privileged Australians— "U"
Australians- do nol bothei to make a (lass
impression b) their luggage.
Consider how much American advertising is
directed to the increase ol status confidence <>i
the injection ol status doubtl Consider how
much ol English life is devoted to acquiring
the outward marks ol superior, or concealing
marks ol inferior, status, or defiantly, irritably,
unconvincingly, asserting thai you don'i give
a damn. Then consider the Australian, male
or female, who really doesn't give a damn and
shows it by hauling around any old containers
that will hold his or her clothes. The absence
ol airplane luggage is a double symbol of a
feature ol Australian life that impressed me
more and more as I moved around: the absence
ol conspicuous consumption in the Veblenian
sense; the absence of competitive standards in
the Madison Avenue sense.
The same reflection ol a social ease, or in-
difference, is revealed in the dress of Australian
men. I am not myself dressy, but there were
limes in Australia when I felt that I was by
comparison with the men around me. Many
Australians chess like American businessmen, in
the styles that they see in the American journals
they read. But an Australian in an American-
style outfit, with baggy pants and unshined
shoes, is a deeply un-American figure. A lew
Australian men to be sure dress smartly in the
English "U" manner, often with English clothes.
(A member of a great dynasty told me that
there were a lew good tailors in Australia,
but not one first-class one. Men of this type
try to shop in London as their wives shop in
London and Paris.)
Australia is lull ol men who haven't, by any
means, "got everything," but don't want any-
thing that they haven't got. Still odder, Aus-
tralian women seem equally indifferent to the
demands of fashion. They dress less care-
fully, less stylishly, less appropriately than the
women of Western Germany, with whom, how
ever, they share a deplorably uncontrolled lik-
ing for bright colors. True, I was in Australia
in the winter. In the summer, I was told,
Australian women when dressed— which is onlv
part of the clay in that beach-conscious coun-
try—dress well.
It is rare, indeed, to see a smart woman in
the streets of Melbourne or Sydney— and I am
not asking for the standards of Paris or New
York or San Francisco; I'll settle for Glasgow
or Amsterdam. Wrapped up in woolies like
BY D. W. BROGAN
67
so many teddy bears, "rugged up" as they put
it in the local idiom, they conceal what I am
told, and am ready to believe, is the admirable
natural equipment of the Australian female
with an almost Moslem zeal. There are, of
course, exceptions. French houses send collec-
tions (promptly disfigured by the zealous cus-
toms service). Miss Sybil Connolly from Dublin
sends landing parties. But the advertising, the
archaic underwear on display in the big stores,
reveal all too plainly the acceptance of a non-
competitive mediocrity. No one should look
much smarter than anybody else; nobody does.
Australiennes who have known other skies-
London, New York, Paris— lament that you can't
get a hairdo, or at least a decent hairdo any-
where in Australia (the heads of the young
Australians suggest that there is something in
this lament); that there are no good specialty
shops; that you can't buy a really smart hat
or even the traditional "little black frock" in
which the New Yorker or Parisienne advances
to battle. And, they add, there is no battle, for
having to choose between women and horses,
the Australian man, like that most phony of
gallants, the modern Irishman, chooses horses.
Housing, like clothing, is almost aggressively
modest. There is, except in the old quarter
of Adelaide, hardly a section of any great
Australian city that gives the impression of
real wealth. The smart suburbs of Toorak
(Melbourne) and Vaucluse (Sydney) are solid
middle-class neighborhoods.
"This is a very smart neighborhood; most of
the houses have two floors and two cars," said
a bright young woman, with some irony, for
she had lived in Europe. This has another
aspect, too, as I learned when I commented on
the tiny size of the houses provided for the
faculty by an Australian university.
"Yes," replied my host. "You can have books
or a baby, you can't have both."
But it is not only the absence of competitive
smartness that is striking in Australia; there
is also the survival of ancient artifacts. I think
the oddest sight I saw was the typical Australian
substitute for the brief case— a squarish leather
case, black or brown, now totally obsolete in
its ancestral home, Britain. I was puzzled, at
first, as to where I had seen the like. Then I
remembered: this was the old black bag in
which in Scotland, before the first war, doctors
in fable brought babies and, in fact, instru-
ments and drugs.
I could explain this by putting the praise
or blame on the social leadership universally
conceded in Australia to the medical profession.
But that would not explain the absence of
shower curtains in hotels, the absence of well-
placed shaving mirrors in hotel bathrooms, the
absence of writing desks, the absence of any
form of heating, the acceptance of unnecessary
discomfort which surpasses English, or even
Irish, tolerance, as the cooking surpasses in
badness not only the horrors of English indus-
trial towns, not even the horrors of Ireland,
but the horrors of the American South.
THE COMPENSATIONS
IT WOULDbe easy to put all this down to
a social system designed to penalize effort
the way colleges like Yale and Harvard penalized
it around 1900. The Australian, it might be
said, only goes out for the equivalent of "gen-
tleman's grades." But this explanation won't
do. The Australian educational world— like
many other Australian worlds— is run in a
spirit of highly competent industry. Austral-
ian universities, scandalously under-endowed to
be sure, are— making all allowances for num-
bers—the equal of good American universities.
The Australian school system isn't beset with
worries about "why can't Johnny read." Johnny
not only can but does. The idle, sports-loving
Australians spend far more time and money
on books than do the serious Americans. A
small college town like Armidale has a better
bookshop than any in American college towns
I know ten times its size. Adelaide has a book-
shop equaled only in a very few much bigger
American cities. The bookshops of Melbourne
and Sydney are among the best in the world.
No, the Australian isn't lazy; he is relaxed.
So a competent British observer told me. There
are a great many things he doesn't think worth
worrying over, including most social distinc-
tions. To the British visitor, the most astonish-
ing Australian phenomenon is the absence, or
near absence, of identifiable class accents. With-
out trespassing, incompetently, into the field
of Professor Henry Higgins, I might add that
there are of course many accents in Australia,
and some of them set off their users from the
Australian mass. But some mass accents don't
set off their users from anything. And to hear
an intelligent, critical, sardonic conversation
(the Australians are admirable talkers) in an
accent which, in England, one associates with
near illiteracy, is a startling experience.
Australians resent having the basic Sydney
or Melbourne accent called "cockney." I saw
68
Al'STRALIA: THE INNOCENT CONTINENT
;i musical show in Sydney in which the elm I
comedian, anxious to tell som< stories reflect-
ing on the "Pommies," couldn'l use .1 real
cockney accent, for only Professoi Higgins could
have distinguished i( from the accent of most
ol his hearers. I decided that the Australians
are now more cockney than the Cockneys; the)
drop (heir aitches more than the modern Lon
doner does. But it is not a thing to make
them "look back in anger." To one English
c urse, wounding and mutilating snobbery, they
are nearly immune.
And to the American curse ol pointless com-
petitive living, the) are nearly immune, too.
To jump by ail horn Sydney to San Francisco
is like jumping from republican to imperial
Rome. Americans told ol Australia's egalitarian
bias and absence ol the driving force that in
America makes wealth for the nation and. on
.1 slightly smaller scale, lor the psychiatrists, can't
believe that anything is well done in Australia.
But a great main things are ver\ well done in-
deed, and some, like having a public educational
ostein that teaches more than constructive Hy-
ing, are better clone than in America.
No doubt relaxation has its limits, but often
they are appealing limits. Australians "in
strife," as the local idiom has it. can be for-
midable and vindictive enemies, as they can
be formidable and ruthless soldiers, and they
rather glory in a reputation lor lawlessness.
Vet it is such small-scale lawlessness! The local
eomio epic ol Sydney, The Sentimental Blithe.
has just been reissued in a castrated edition.
Its hero does "bash" policemen, but how
harmless he is by American standards! How-
harmless the Australian equivalents of "crazy
mixed-up kids," the "Widgies" and "Bodgies" of
Sydney! Australians may "bash" policemen, wives,
and other drivers; there are petty gangsters; but
Sydney and Melbourne, each with populations
ol around 1,500,000. have less deadly crime than
epiite small American cities. There is, by
repute, a lot of petty graft in Australia, but
how petty in its cash rewards, how compara-
tively innocuous in its methods and objec ts by
American standards! The contrast goes back a
long way. How peaceful the history of the
Australian gold rush compared with the violent
anarchy of California! How innocent the one
little civil disturbance, the Eureka Stockade—
a less serious revolt than a minor strike often
provokes in America!
And there is, indeed, a winning innocence in
the Australian attitude to the outside world.
It is not naive or ill-informed, it is not—
apart from the sacred cow ol "White Australia"—
isolationist. The Australians take a highly in-
telligenl interest in their Asiatic neighbors, so
much nearer to them than to the Americans.
But they have a reluctance to accept some
lac ts ol this iron age. They still cling to
the old belief that Australia can and will set
an example to the old, competitive, harsh,
militaristic nations ol Europe— and ol North
America. Even in their moment of peril in
1942, Australians refused 10 adopt general con-
scription, and many still talk as il they had
shown startling magnanimity in adopting con-
scription in any form. II the Yanks were fools
enough to do otherwise, well, all right. All
rational calculation binds Australia to the United
Stales as all Australians ol any intelligence
know, but the necessity is not welcomed.
CREEPING AMERICANISM
ALL the same, some aspects of the Ameri-
can way of life are coveted. American
methods are creeping in. And these cost money
and effort and impose unequal reward if
they are to be paid lot. The new industries
are incompatible with "mateship." The legal
fixing of wages, that keystone of the egalitarian
sociel\, is an obstacle to the new and abundant
life that Australia must develop if it is not
to be overwhelmed, just as the ceaseless indus-
try ol the new Australians is a source of irri-
tation to the old. It is hard, even in Australia.
10 prevent industry breeding inequality.
There must and will be some adjustments. It
would be a pity il there were too many. The
justification ol the Australian way of life is the
Australian— intelligent, relaxed, open-minded,
with admirable natural "good manners and none
ol the oppressive American organization of good
fellowship. The Australian man— and still more
the Australian woman— has a lot of time not
organized lor him and her in clubs or move-
ments. He— and she— buy books, not "books of
the month." The young Australian student
seemed to me more lively in mind, less timid
and hidebound than the American students I
have come to know. A department store adver-
tising lor somebody with a "strong sense of
sell" seemed a voice crying in the wilderness. I
hope it wasn't heard. A country free from
salesmanship has main attractions and one great
asset. 1 1 may be better able to distinguish the
contents from the packaging than the American
people, in this critical moment in their history,
have been trained to do.
I l,n />(■) \ Magazine, June 1958
JOHN KAY ADAMS
A curious alliance — including a shrewd
grandmother, some angry Negroes, and
honest politicians in both parties^-is
making it harder to steal an election . . .
and is showing the way for fed-up
citizens in other boss-ridden communities.
IN A special election last New Year's Eve,
Chicagoans voted 8 to 1 to send Roland V.
Libonati, a Democratic party hack, to Congress.
The results were even more overwhelming in the
44th Precinct of the First Ward, where Libonati's
margin was a sensational 40 to 1. It appeared
also that 85 per cent of the 44th Precinct regis-
tered voters had gone to the polls— as against
only 22 per cent in the whole District.
.The Election Board set investigators to check
up on this phenomenal turnout and they found
that only 48 persons had signed their names to
vote in the precinct but 468 extra votes appeared
mysteriously on the voting machines. The five
precinct judges and the Democratic precinct
captain were called into court to try to explain
it. This wasn't the first time for the captain,
Morris (Red) Glickman. Sixteen years ago he
served thirty days in jail for vote fraud.
In trying to size up the results of citizen re-
form campaigns in the city, I talked recently
with another precinct captain about cheating
on voting machines.
"People think voting machines are foolproof,"
he said. "They may be, mechanically, but they
are just gadgets operated by people. I control
the people."
My informant is a veteran of thirty years in
precinct politics; he insisted on anonymity and
he talked as if all the frauds he described be-
longed to the "old days." But I gathered— in
view of the Libonati election scandal— that the
"old days" were no farther back, in reality, than
the last election.
In a larger sense, what the precinct captain
said about the mechanical voting machine ap-
plies also to that human monster— the political
machine— by which party bosses have tradition-
ally controlled city government in this country.
Citizens of Chicago have been driving hard
for election reform since 1940. The Joint Civic
Committee on Elections, representing practically
every reform outfit in the city, recruits poll
watchers to oversee voting in all big elections—
as many as four thousand volunteers have at
times been assigned to the most suspect precincts.
In recent elections major candidates on both
tickets have campaigned on reform platforms.
The once-invincible Cook County Democratic
machine, which covers the city of Chicago, has
been cut down— as was shown most clearly in the
local defeat of Illinois' own Adlai Stevenson in
1956. Public pressure has brought improved
election laws. Fifty reforms, some of them ob-
scure but important, were voted last summer by
the Illinois state legislature.
Yet Chicago still has one of the worst reputa-
tions for election fraud in the United States. In
the past the city deserved its legendary notoriety,
but many claim that voting now is pure, com-
paratively. As a newspaper reporter, I have
learned that facts are not always found at the
top, in this instance in the high conclaves of
Mayor Richard J. Daley and his party chiefs.
The secret strength of the old ward system is at
the humblest precinct level where thousands of
petty dictators run the show. These are the
70
REFORM INC. CHICAGO: MOW BUT NOT HOPELESS
precinct captains: Republicans and Democrats,
white and colored, honest, (looked, timid, bully-
ing, all kinds— appointed 1>\ ward committeemen
loi the sole purpose of delivering the vote.
I \ I) E RMINING THE M A CHINE
Til 1 big political picture is brightei than
it used to be. The way the Democrats
pul it, cheating at the polls is nothing like- it
was thirty years ago when a Republican mayor,
Big Bill Thompson, was running the <iiv for the
Britain-haters and the beer barons. The way
the Republic ans see it. the Cook County Demo-
crats organization is cracking from within and
a good thing for Chicago, too. Even with a
candidate as strong as Dale) a powerful vote-
getter, a quiet family man with a clean personal
record— the Democratic machine could delivei
only a modest 365,000 votes lot him in a 1951
primary. That was a three to two majority
ovei his opponent, loimei \la\oi Martin H.
Kennelly, a presentable figurehead; but it was
a lai cr) from the 600,000 primary votes which
the machine delivered in its last knock-down pri-
mary fight lor the late Mayor Edward |. Kelly
in 1939.
Three outstanding Chicago Democrats have
climbed to prominence in recent years within
the machine and then defied it: Frank Kecnan.
elected county assessor as a Democrat, turned
Republican in 1954 and supported Republican
Robert E. Merriam— another formei Democrat—
in his battle tor mayoi against Daley; and Ben-
jamin S. Adamowski, a defecting Democrat, was
elected Cook Countv State's Attorney as a Re-
publican. Merriam was beaten 708, (><">(> to
581,461, but probably hopes to make a comeback.
Keenan is finished politically. He was convicted
of income-tax evasion and sentenced to two years
in prison. The county Board expelled him from
the assessor's office.
But if Adamowski and President Eisenhower's
appointee, If. S. District Attorney Robert Tie-
ken, constitute a strong threat to corrupt politi-
cal practices by either party, the Democrats have
naturally received the victor's share of attention.
Tieken has subpoenaed stoics ol precinct cap-
tains, election board members, and illegal voters
from nine of Chicago's fifty wards and paraded
them before federal grand juries.
In Tieken's most celebrated prosecution, a
guilty precinct captain, seventy-one-year-old
Louis W. Nathan, was sentenced to five years in
prison. The decision was a body blow to all dis-
honest precinct captains, lor it showed their
bosses could no longer give them protection.
"I'm sorr) to have to commit a man ol his
age to tin penitentiary," said U. S. Distiici [udge
Julius J. Hoffman, "lint Congress has not said
that a man ovei si\t\ five should receive no
penalty. . . .
"Tampering with the election procedures in
one pu cine i. especially by individuals bold
enough to operate undet assumed names, fosters
the supposition that such baud not only exist-.
in oilui areas, but even is an accepted but ol
Amei ic an politic al life."
THE HAND ON THE LEVER
BUT while these prosecutions have strength-
ened the efforts ol the reform movement on
a cii\, county, and state-wide basis, the situation
on the wait! level is still obscure. Chicago's
thousands ol Republican and Democratic pre-
cinct captains, appointed b\ the ward committee-
men, have no responsibility to the voters— except
to win their confidence and support lor the party
ticket on election claw Although the ward com
mitteemen are elected in part) primaries, they
are nominated by the party chiefs and rarely op-
posed. Fhe precinct captains are not supposed
to get the committeemen in trouble by dishonest
practices, but il the) lad to deliver the vote they
forfeit then hopes ol a political career and their
sinecures in City Hall.
The veteran precinct captain who told me
that the voting machine was just a "gadget" and
boasted that he "controlled" the people said that
a small li\ captain— one who hadn't clone his
legitimate ward work well and was scared— could
still guarantee success lor the party at the polls.
No one knows who pulls the lever on the voting
machine. It is supposed to be the voter, but the
election judge often steps behind the curtain on
the pretense of assisting an illiterate. If the pre-
cinct captain has chosen both Democratic and
Republican members lor the election board at
the polls, there is nobody to object. Where the
captain has made a. good "deal" in the precinct,
he can easily pay the policeman to be out to
lunch all day and the poll watcher to look the
other way.
Of course, this kind of cheating has to be bi-
partisan; Republican and Democratic precinct
captains must be in cahoots.
"The Republican precinct captain is watching
me. He is as smart as I am," said the captain.
"I can't get away with anything unless a deal is
made. I've been on both the winning and the
losing side, depending on the agreement made b)
the ward committeemen. They decide and we
get the orders."
At the precinct level, when the majority party
owns the minority party, the captain's pitch
might be: "Look, I'm going to let you have three
or four jobs. You have some boys you'd like to
reward, but you haven't a chance and you know
it. I don't want any trouble from you Republi-
cans. If you don't work, I won't have to spend
my time and money fighting you. We can turn
over some of the money Ave save to you, and
we'll all be ahead."
They shake hands and the Democrat names
both Democratic and Republican members of
the board. He sweetens each board member's
$25 official pay with a matching amount, spreads
a little extra money here and there, and is free
to operate.
His work sometimes produces results startling
to the outsider. In the Daley-Kennelly primary,
for example, there were sharply different results
in neighboring precincts. One precinct cast 485
for Kennedy and 7 for Daley. Across the street
in the same ward the vote was 400 for Daley and
10 for Kennedy.
The man least likely to protest is the voter
himself. Even if he isn't dependent on a city
job or doesn't mind paying traffic tickets, he
doesn't want to repair his own street or haul
his own garbage. The alternative may be to
move to one of the two hundred Chicago sub-
urbs and live in blissful contempt for the city's
problems. In the opinion of the precinct captain,
the indifferent, unprotesting voter is the biggest
friend the political machine has.
"Much emphasis has been put on the thieving
jaolitician," he told me. "But get this straight.
It's the public that is lax. The ballot, the thing
most sacred to our democracy, is the thing they
know the least about. If they would find out
what it's all about and turn out in herds, what
the hell could any captain do?"
THE CHAIN BALLOT
IT I S true that the mechanical voting gadget
has eliminated some old dodges, but machines
are not in general use throughout the nation.
Even Chicago, comparatively progressive in this
respect, still has paper ballots in 30 per cent of
its 3,779 precincts. In these, the old-time "chain"
ballot can still be as effective as it was fifty years
ago when a couple of characters named Bath-
house John Coughlin and Hinky Dink Kenna
used it to run the city from a Turkish bath and
saloons in the downtown red light district.
BY JOHN KAY ADAMS 71
The virtue of the chain ballot is its simplicity.
The precinct captain doesn't have to bribe the
whole election board. He operates from outside
the polling place. All he needs is a pocketful of
small bills and one unmarked official ballot.
"I stop a voter going into the polling place,"
said the captain. "I give him the ballot which
I have marked myself. All he has to do is get
a clean ballot from the election judge and bring
it back to me to get his money. My boy makes
the switch while he is inside the booth and gives
the ballot I marked to the judge.
"Not only do I have an unmarked ballot for
the next guy, I have absolute proof that my boy
did as he was told. Naturally, I would never try
that with anyone unless I knew he would, go
along with it. If I suspect he might holler for
a cop, I forget it."
(The law recognizes the evil of the chain
ballot and provides safeguards. The election
judge is supposed to place his initials on the
back of each ballot when he hands it to the
voter. When the judge gets the ballot back, he
verifies his own initials. Then the judge, not the
voter, places the folded ballot in the box. Yet it
is almost traditional for a news photographer to
catch the leading candidate violating the law by
placing his own ballot in the box.)
"If I'm operating inside the polling place,"
said the captain, "I know a voter who is against
me when I see him. I signal my judge and he
hands the goof a ballot with no initials on it.
The voter won't notice, and during the counting
we throw out his ballot. He thinks he voted
against me, but he didn't vote at all."
Permanent registration has put a crimp in the
captain's old practice of voting for people who
have died or moved away. "Everyone had 100 to
150 stiffs on his list. I remember one time we
had a hundred ballots for stiffs. We marked
them easily enough in another building, but we
had a watcher that day who couldn't be bought.
He wouldn't go out to eat. He wouldn't even
go to the toilet.
"Three o'clock came around and those ballots
weren't in the box yet. We were beginning to
get desperate. Finally we faked a fight, and the
policeman tossed out everyone but our board
members. In a minute it was all fixed."
In a notoriously fraudulent election in 1954,
a racial contest made the steal so obvious that
Chicago reformers later publicized the lopsided
results effectively. On Chicago's" West Side a
respected Negro physician, Dr. Joshua M. Brown,
ran as an independent candidate for state
representative. The [continued on page 74~\
OPERATION UPTURN:
Excerpts from the report of Ralph J. Cor diner to General Electric share owners:
IN the light of economic circumstances today, what
must be done to bring about the resurgence of busi-
ness and employment that everyone wants? The situa-
tion seems ripe for a special effort: consumers have
the money to spend, industry is tooled up to deliver as
never before, and there are signs that the upturn is
trying to get under way.
Opportunities to serve customers better
// seems to me that the most practical and effective
course right now is for every business to buckle clown
and sell goods as never before. I mean a total effort,
by every man and woman on the job, to concentrate on
airing customers the best service and the best reasons to
buy they ever had. King Customer needs some construe-
tire attention. He is willing to do his part, if he is con-
vinced that this is the time to buy. Let's convince him
by shotting him the best values and by giving him the
best service he could ask for.
This may seem like an old-fashioned prescription to
those who are shouting for massive government make-
work programs and meaningless tax cuts, but we in
General Electric are convinced that what happens to
the economy in the remainder of this year will be
largely determined by what business does to help its
customers and itself. This is a do-it-yourself country.
Each of us is in some way responsible for a part of
the total effort, as a consumer, an employee, an investor,
a voter, or whatever roles we play in economic life.
That is not to say that federal, state, and local govern-
ments do not have important work to do. There are
many constructive measures that would stimulate a
sound recovery without sowing the seeds of future infla-
tion. What I am suggesting is that the government must
provide the political conditions in which the economy
can work its way out of the recession: but the govern-
ment cannot be expected to cure the recession.
'OPERATION
up/turn
jfEjFlBuild sales and jobs in '58
GENERAL® ELECTRIC
A nation-wide "do-it-yourself" program
to help build sales and jobs in 1958
Outstanding values available now
General Electric's three-year, $500,000,000 program
of capital expenditures, which was announced in 1955,
is proceeding on schedule. This modernization and
expansion program has put the company in an excellent
position to give its customers outstanding values and
up-to-date products.
The competitive industry prices at ivhich General
Electric sells have remained about level, in spite of the
continued rise in costs. Customers are getting unusual
values at today's prices, and this will help build busi-
ness volume back up to the normal trend. Looking at
the situation realistically, however, such bargain prices
cannot be expected to continue indefinitely.
In addition, the company is offering improved credit
terms that recognize the problems of the times. More
advantageous terms have been made available through
the General Electric Credit Corporation, such as the Un-
employment Protection Plan to aid customers through
periods of unemployment due to sickness or layoff.
A program to accelerate the upturn
This is a moment of opportunity. The slight upturn
in some sectors can be turned into a definite trend, and
then snowball into a steady recovery, if business will
make a fresh, concerted effort.
To this end, the General Electric Company today
announces that it is setting in motion a company-wide
program of aggressive action in all departments and in
all functions to accelerate the upturn in business.
It is known as OPERATION UPTURN. Basically, it
is a program to accelerate the upturn in business by
bringing extra values and renewed confidence to cus-
tomers. Its purpose is to build sales and jobs in 1958.
All across the country, other companies are announcing
their own plans to stimulate sales and renew public
confidence. OPERATION UPTURN is part of this ex-
citing national picture of the people of the United
States shaking themselves loose from the doubt and
confusion of recent months and setting about purpose-
fully to resume the national advance.
Remember, programs such as this, even if they are
conducted by all the leading companies in the country,
cannot work overnight miracles. But the tide is turning,
and this is the time for a massive effort by everyone
OPERATION
UPTURN...
is General Electric's program to help acceler-
ate the upturn in business by bringing extra
values and renewed confidence to customers.
Its purpose is to build sales and jobs in 1958
through the enthusiasm and participation of
more than a quarter million employees, their
community friends and neighbors, some 45,000
suppliers, more than 400,000 firms that sell or
service the company's products, and nearly half
a million share owners. OPERATION UPTURN
can help all of us together to contribute more
effectively toward our common goals and add
confidence and strength to the nation's economy.
to keep the economy moving in the right direction. All
signs indicate that this country can have its biggest
surge of growth in the 1960's.
Responsibilities for every citizen
In a free economy, economic growth is paced and
directed by the decisions of millions of businessmen,
consumers, investors, employees — indeed, by every
citizen. The faith of our society is that these millions of
points of initiative will produce swifter progress, with
greater liberty, than any system of centralized control.
Thus, a business recession is really a test of the
American people and their form of society. Their
decisions — to buy, to invest, to modernize, to work
more purposefully, to raise their levels of living — will
determine the speed of economic advance. They will
also decide whether Russia will, as she has announced,
surpass us in the years ahead.
It is my opinion that the American people will bring
about the upturn this year and head into a great surge
of growth that will leave both the recession and the
Russians far behind. This is what we Americans want.
And what we want, we are willing to work for. That
is all that is needed.
Progress Is Our Most Important Product
GENERAL® ELECTRIC
71
REFORMING CHICAGO: SLOW P. I I NOT HOPELESS
second district post he soughi covered sixty-six
precincts where Negroes, although in the ma-
jority, are virtually without representation. The
chairman <>l the committee [01 Dr. Brown was
the Reverend Vrchie Hargraves, pastoi ol the
Lawndale Community Presbyterian Church.
"Dr. Brown's candidacy," said Mr. Hargraves,
"was an attempt to break the grip ol the ma-
chine in an area where it is pretty strong. We
organized and got people to man ever) one ol
the precincts for Broun. Ii was the first linic
in a long time there had been an\ leal campaign
in the pi imary.
"When election da) came, we thought we had
a good chance. Then reality set in. We didn't
have enough roving squads to answer all the
complaints from our watchers. The main trouble
was with judges going into the voting machines,
supposedl) to instruct, but actually pointing out
which wm in vote. I hey either pulled the levers
themselves or told people which one to pull.
Several watchers told us \agrants on West Madi-
son Street (Skid Row) were paid oil right in front
ol them. The pi ic e w as S2.
"Our people have a very real desire for a
voice in the government. The) were instituted
to vote lor one man only, which would have
given Brown three votes foi each voter under the
cumulative voting system. Hut in some ol the
heavily Negro precincts, Brown got only six or
seven voles."
When it was over Dr. Brown's supporters were
thoroughly chastened. The count showed the
leading machine candidates— an Italian and an
Irishman— had more than 18,000 votes each. Dr.
Brown had only 1,339. Reformers used this <ase
to recruit poll watchers and to put a needle in
their lobbyists at the slate legislature.
GRANDMA CLEANS HOUSE
ELECTION reform in Chicago has got
right down into the precincts, those nerve,
centers of the ui\. county, and state political
machines. But it still has a long wav to go. The
rallying point is the Joint Civic Committee on
Elections, which includes workers from women's
clubs, fraternal and social organizations, service
clubs, and (lunch and neighborhood groups.
Their main activity is to recruit volunteer poll
watchers, to oriel them in precinct politics, and
to keep them on the job from six in the morning
on election day. It the watcher is late, the ballot
box may already be completely stuffed when he
walks in.
The chief instructor is Mrs. Laura Hughes
Lunde, a grandmothei who has been poll watch-
ing and lobbying I01 bettet election laws since
1941. She is scciciaiv ol the Illinois Conference
on Legislation and the Citizens of Greater Chi-
cago. She leal necl all the trickso! the poll watch-
ing name In si ha in I. \i one election, she watched
iii a filthy slum neighborhood:
"One ol the judges told me privatel) that the)
had nearly 600 votes in thai precinct in the
previous election," \hs. Lunde said. "When my
leliel watchci showed up at 3:30 there had been
only 350 <as(. Three times men came in who
evidentl) were feared by the poor wretches on
the election board. They demanded openly,
'U'hv haven't you got more voles?' and the pre-
cinct captain pointed silently to me."
Another frightened board member— a woman—
once told Mis. Lunde: "You aren't going home,
aie you? When you are around, the precinct
1 aptain can't make me < heat."
1 he Illinois election code (which is .100 pages
long and incomprehensible to most election
board members) requires registration canvassers
and election board officials to reside in the pre-
cincts or wards they serve. In blight areas, com-
petent people are difficult to find. Besides a pre-
cinct captain with larcenous intentions doesn't
want a brainy board, and he recommends only
the people he can dominate. The election com-
mission is chronically short of precinct board
members, so the captain's nominations almost
always stand. Mrs. Lunde sympathizes with the
board members most ol the time; you can't
criticize people who are not lice, she savs.
Mis. Lunde is impartial in her criticism of
Republicans and Democrats. Republican mem-
bers of the legislature have been trying to repeal
permanent voter registration ever since 1941, she
savs, because it blocks efforts of Downstate Re-
publicans to run in votes against Democratic
Cook County. "In rural areas everywhere, there
is little public knowledge of vote fraud and no
attempt to do anything about it. But I've learned
that nothing crooked is done in the river wards
ol Chicago that is not clone more effectively by
the Downstate Republicans."
The fifty laws passed last summer by the Illi-
nois legislature did something to tighten the
election code but most changes were minor.
"Every time we take a licking we learn some new
nicks," said one veteran ol the legislative wars.
"We'll get 'em yet."
Three basic changes are the long-range objec-
tives of the reformers on the legislative front.
The first— a law to require election ol pre-
cinct captains— applies only to Cook County,
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76
REFORM INC. CHICAGO: SLOW BIT NOT HOPELESS
where the undemocratic appointment system
makes the captain a little tin god. The KM
Downstate Illinois counties already elecl their
precinct lea'dei s.
The second objective is the abolition of the
absentee ballot. Although the public thinks ol
the absentee ballot as a convenience, u has hern
much abused. Official ballots Eor absentee voters
may escape from the <usi<hI\ ol election officials
and often become the stall ol a "chain" ballot.
No oath is required ol a doctoi who signs an
affidavit that the votei is ill. \ Christian Science
practitionei ma) also legally sign the illness affi-
d.i\ it.
I he third goal is elimination ol illiterac) .is
a basis loi assistance in easting ballots on voting
machines. The law allows a \olei to have assist-
ance il he is blind, physically incapacitated, or
illiterate. When the law is abused, tin precinct
captain can control the voting, and the whole
sti uc tuie lot protecting the secrec) ol the ballot
breaks down. According to 1 1.u \e\ \\ ecks. attor-
ii* \ lot the Joint Civic Committee on Elections,
"Voters sometimes sa\ the) an- illiterate merely
to prove to the precinct captain the) are going
clown the line lot him. . . . Nine-tenths ol the
\oiers in the city cast straight ballots. 1 hose-
lew who split ballots usually are persons who
don't have an) trouble reading. 1 he parties on
the straighl ticket levers are top lor Republican
and bottom lot Democratic, oi \i<e versa. Any-
one who doesn't know top from bottom shouldn't
be voting anywa) ."
I hese three reforms would break the control
ol the precinct captain and safeguard the secrec)
ol the ballot. "We need laws and vigilance," Mr.
Weeks has said, "to keep the voter from cheating
e\ en il he wants to."
PEOPLE IN HIGH PLACES
IN CASE you have decided that Chicago
voters aie particularly stupid, stop and ask
yourself how the precinct captains are chosen in
your city. Do you know?
In Chicago— quite naturally— some of the peo-
ple who know most about the situation are re-
sponsible officials— even the mayor himself. It
is perhaps surprising to find some ol them back-
ing the reform movement.
The Democratic machine has a colorful, out-
spoken advocate of clean elections in Sidney T.
1 lolzman, Chairman ol the Board ol Election
Commissioners. Describing himsell as a realist,
Holzman advocates the use ol registration can-
vassers from outside the precinct, and the repeal
ol the absentee ballot. "One pi ae tie a I reason," he
s.i\s. "is that it costs $1.17 lo handle a legul.u
ballot and $4.31 lor an absentee ballot."
Holzman is not much impressed with people
who sta\ in bed on Tuesda) and then scream
about fraud on Wednesday. "We are dealing
with two million nun and women who have the
privilege ol voting and 20,000 judges who are
protecting thai privilege. Some will do wrong.
Who can s.i\ what an evil-doer is intending?"
Mayoi Daley— who has been (\pc-east b) his
opponents as a ruthless political boss may turn
out lo be an effective election reformer. In 1051,
the Cook Count) central committee refused to
renominate Mayoi Kennelly, a\m\ chose Daley to
replace that tall, white-haired picture ol < i\ te
elegance. Dale) fits the traditional "boss" pat-
tern a well-disciplined politician who came up
through the machine and was chosen Chairman
ol the Cook County Democratic Central Com-
mittee because the Old Guard willed it. This
stoek\ Irishman with little platform presence
compared unfavorabl) with Kennelly on the
sin lace, but he had pushed lor installation ol
more voting machines when he was County
Clerk, and during the mayoralty campaign, he
remarked that he would like to see Cook County
precinct captains elected rather than appointed.
As mayor, Dale) has upset some cynical ex-
pectations, lie has chosen able and honest de-
partment heads and he has been running the
i it \ council as effective!) as he < ontrols the ward
committeemen. Kennell) never could get to be
one' ol the boys. Main of his programs were
killed by the balky aldermen. Daley doesn't have
that problem. What he wants, he gets.
In contrast with some ol his predecessoi s as
Chicago bosses, Daley is downright frugal. State
inheritance tax examiners found $1,488,250 in
unmarked bills in big bill Thompson's safety
deposit boxes. Ed Kelly lei t almost as much. But
on his salary ol $25,000, Daley, his wife, and six
ol their seven children occupy a nine-room,
SI 5,000, story-and-a-half brick bungalow a lew
blocks from the stockyards. Mrs. Daley has no
in.ud and does her own baking.
I lis enemies aie beginning to think Daley
looks too good to be true. But the crusaders lor
election reform and honest government are puz-
zled. Could it be that an utterly fantastic poli-
tical accident has raised up a secret friend in the
enemy camp? We are between elections now in
Chicago, they say, and it's hard to tell. But this
is just the time to keep a sharp eye on the big
boss in City Hall as well as the petty autocrats
down in the precincts.
Harper's Magazine, June 795.9
«1
It is only one of
many competitive tools
that help keep
food prices down
It is an axiom of American business that for every new
competitive sales tool that comes along, another new one will come along
and try to surpass it. So it is with the trading stamp.
Trading stamps are only one of several competi-
tive tools available to the merchant seeking to
increase his business volume. He may give a
discount for cash. He may cut some prices and
feature "loss leaders." Or he may use prize
contests, giveaways or other promotion devices.
All these sales tools have two things in com-
mon. First, to be successful, they must pay their
own way by the creation of new business vol-
ume. Second, they cause intense competition
which has the effect of helping to hold prices
down even during inflationary times. Because
stamps are given nationwide, marketing experts
connected with universities have been able to
measure this effect in the case of stamps.
Food prices in five cities where stamps were
not given by supermarkets and in ten cities
where stamps were given were compared with
the U . S. Bureau of Labor Statistics Price Index
for the two years ending in December 1956.
Food prices in the "stamp" cities rose less than
the national average. Price increases in "non-
stamp" cities were more than the average. No
evidence was found that stamp stores, as a class,
charged more than non-stamp stores.
It seems clear that in these inflationary times
the trading stamp is needed to work side by side
with the many other competitive tools also
helping to keep prices down.
REFERENCES : "Status of Trading Stamps in Food and
Drug Stores." Selling Research, Inc.. New York, 1957.
"Competition and Trading Stamps in Retailing." Dr.
Eugene R. Beem. School of Business Administration, Uni-
versity of California.
This message is one of a series presented for your information by
THE SPERRY AND HUTCHINSON COMPANY, 114 Fifth Avenue. New York 11, New York.
S&H pioneered 62 years ago in the movement to give trading stamps to consumers as a discount for paying cash.
S&H GREEN STAMPS are currently being saved by millions of consumers.
After Hours
THE HARPSICHORD WITH
THE FORWARD LOOK
Bernard Asbell, a Chicagoan who
last appeared in Harper's as the
author of an article on dist jockeys,
has sent mi- the following account
o) what's happening at the othei
end o) the musical spectrum.
DETROIT, the home oi the
swept-wing Dodge and the
Edsel, is also the home ol the Ameri-
can harpsichord industry. The harp-
sichord, as any music-lovei worth
li is salt very well knows, has been
enjoying a revival in recent years
thanks largely to the miracles per-
formed on that instrument by
Wanda Landowska and her many
pupils and followers, most notably
Ralph Kirkpatrick and Sylvia Mar-
lowe. But the motor city is the site
of the modernization of the ancient
instrument and the man behind it
is John Challis.
I visited him recently in Detroit
where I found him in a large, red-
brick dwelling, old but indestruc-
tibly proud, in a laded downtown
street called Vernor Highway. On
his house a black plaque with gold
letters quietly announced "John
Challis— Harpsichords."
Mi. Challis himsell came to the
door; he was short, chubby, and
spry, and wore a shirt open at the
collai and tight corduroy trousers.
His age, according to Grove's Dic-
tionary o] Waste and Musicians is
fifty-one, bui he looks ten years
younger. He was immediately oil on
his subject.
"No, it's nol so odd thai harpsi-
chords should be made in Detroit.
II I had been born anyplace else,
1 probabl) wouldn't be doing this
today.
"There are two attitudes you can
take inward making harpsichords.
First, there's the altitude' thai the
instrument had been perfected by
the end ol the eighteenth century,
when it also disappeared. Then
there's the attitude— the one you'd
expect to find in Detroit — that the
instrument wasn't perfeel at all, but
needed development to revive it.
That was my altitude.
"At the end ol the eighteenth cen-
tury, conceit halls as we know them
hard I \ existed. Music was intended
lo be played in a room about this
size." His living-room is about forty
feet long.
"II the harpsichord were to be
played in a concert hall, then tonally
it had to grow.
"But that wasn't all. The eight-
eenth-century harpsichord was like
the Model-T Ford, made lor people
with lots of time on their hands.
Every time the Model-T owner took
his en out, there was a contest to
see who'd succeed, the car or the
driver. Every driver brought a tool
kit with screwdrivers, pliers, heaven
knows what. The same with the
harpsichord player. Each time he'd
set up lo play, he had to retune the
strings, adjust the action of the jacks,
all soils ol things. The instrument
requires extreme 1\ accurate adjust-
ment. II the jack is five-thousandths
of an inch out ol line, the string
won't be plucked properly. Let me
show you."
From the living-room we went
through a short corridor to his shop
in die rear. It was about twice the
si/e ol the living-room, lighted b\
large windows, and, as wood-work-
ing shops go, remarkably neat.
"Now here are the jacks," he said,
leading me lo one ol lour or five
harpsichords distributed about the
floor. The jack is a black finger
that slips up and down, perpen-
dicular lo the- strings that stretch
horizontally back from the keyboard.
Challis picked up a strip of
leather, c ut off about an inch-length,
.ind began to pare down one end
until it was paper-thin. He slipped
this through a slot in the jack and
struck a key. The jack popped up
and the leather plucked a string in
die manner ol a guitar pick. He
removed the leather, pared it some
mote, struck the key again, and kept
repeating the process until he ap-
peared satisfied. Then he began on
the next jack. It looked rather
simple. But fitting the jacks and
paring the leather picks, or plectra,
Challis told me, were jobs he could
not delegate. These were critical
steps in separating fine harpsichords
from so-so ones.
"In the old instruments, ja< ks
were made of wood. If they worked
well in the winter, they got stuck in
the summer. A good summer jae k
was too loose in winter. It took me
ten years to invent a climate-prool
jack. I finally found it in one of the
oldest of plastics, hard rubber. It
does a beautiful job."
Long before Challis had invented
die rubber jack, he modernized the
frame, the basic skeleton of the harp-
sichord.
"I have to make instruments for
touring concert artists who change
climates every day. European harp-
sichord-makers still poke along with
«!
AFTER HOURS
wood that expands and contracts.
It's impossible to keep one of those
instruments in tune. I ordered an
aluminum casting of the whole frame
from a foundry in Detroit, and sure
enough it worked very well. Next,
I needed a new tuning-pin block."
He fingered the section just be-
hind the keyboard where the ends
of strings curled around a row of
pins.
"On pianos, this block is still made
of wood. After a few years, it loosens
or splits. I cast one out of aluminum
and bakelite.
"But the big problem was the
sounding board. This is the soul of
the instrument."
Challis pointed out the slab of
wood underlying the strings.
"For centuries, instrument-makers
have tried to keep these from split-
ting, not only in harpsichords, but
in violins, guitars, every kind ol
stringed instrument. I knew that in
the last quarter oi the eighteenth
century, a harpsichord-builder had
made a sounding board by gluing
together sheets of veneer so their
grains would cross. But the glues
weren't waterproof and in damp
weather the veneers would loosen.
Today we have absolutely water-
proof glues. So all we had to do was
add some new glue to an old idea.
"This opened great new oppor-
tunities. In building sounding
boards, we could forget all the old
problems of cracking and warping
and be concerned only with beauty
of tone and greater resonance. So
I began a whole new series of ex-
periments with thickness and size,
with the placement of the bridges
and the barring that goes under-
neath. Today we have a modern,
beautiful instrument."
IT WAS the pianoforte that did
the harpsichord in during the eight-
eenth century. The new composers,
led by Mozart, obliterated the old
instrument when they began to com-
pose melody and accompaniments
suited only for the pianoforte.
"In less than two centuries,"
Challis said, "music has changed
from a concord of sweet sounds to
an exploitation of emotions, then ol
new emotions that had no sweetness
at all. We piled discord upon dis-
cord until there was no concord left.
But now some people feel that we've
DOES SCIENCE PROVE
THE BIBLE WRONG?
Some people are convinced that it
does.
They read in the Bible, for example,
that the stars are fixed in the "roof" of
the world like luminous ornaments,
which is the way they appeared to the un-
scientific eyes of the authors of Genesis.
Later scientific knowledge proves that
the stars are incandescent bodies moving
in space.
Although willing to acknowledge that
God created the universe, these scienti-
fic-minded folks refuse to believe the
Biblical account in which apparently it
all took place in six days. Also, they
contend that the scientific evidences of
evolution appear to contradict the Bible
in this instance.
As far as Catholics are concerned,
there can be no real conflict between
scientific truth and religious truth. From
the time of Moses down to the present
day, science has opened the doors to
many of the earth's physical secrets — in-
cluding in our own time, the fantastic
secret of atomic energy. There will un-
doubtedly occur, in the unforseeable
future, even more revolutionary discov-
eries. But the fact remains that science
has yet to produce any evidence that
discredits the basic truths of Holy
Scripture.
The Bible, to begin with, is a book
of religion— not a scientific textbook.
The Book of Genesis should be regarded
therefore, not as a scientific explanation
of the heavens and the earth, but as an
exposition of certain divine truths. These
include such matters as the creation of
all things . . . the creation of man as the
object of God's special providence . . .
the unity of the human race . . . the loss
of man's original state of blessedness
through original sin . . . God's promise
and plan of redemption.
In writing of these things, the authors
of the Old Testament were divinely pro-
tected against error. God did not, how-
ever, stand over them and dictate what
they wrote. Their writings, therefore,
while recording basic truths, are clothed
in language forms common to their pri-
mitive time, and are influenced by
cultural and scientific concepts far less
enlightened than our own.
A correct appraisal of the Book of
Genesis, and the history of Creation, re-
quires an understanding of the meanings
which the Old Testament authors in-
tended to convey, and an appreciation
of the language forms, philosophy and
mores of their times. An interesting
pamphlet explaining these things, and
detailing the doctrine of the age-old
Catholic Church concerning Creation,
will be sent free, in a plain wrapper, on
your request. Nobody will call on you.
Write today for Pamphlet No. D-48.
IP^r
SUPREME COUNCIL
KNIGHTS OF COLUMBUS
RELIGIOUS INFORMATION BUREAU
4422 Lindell Blvd., St. Louis 8, Missouri
Please send me your Free Pamphlet entitled:
"God's Story of Creation"
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ST. LOUIS 8, MISSOURI
I
had enough of th.it and they're min-
ing full circle l>.uk to the golden
period."
I he modern development ol the
LP record, too. he said, has helped
ie\ ive the hat psi< hord. 1 he LP has
changed the economics ol the record
industry and made ii possible to
market a greatei variety ol music.
\ln 1 the populai foi ms wire .ill re-
corded, the companies tinned to re
viving the old forms. People who
had never heard harpsichord musie
in their lives now began to bu) it;
some bei ause ol its charm and others
because it was something new. I hal
is. new because it was so old it had
disappeared.
( lhallis s.it down at the lat g< i i »J
two harpsichords standing at each
end ol his li\ ing-room. I le played
a saraband ol Ba< h, then a I [andel
passacaille.
I he instrument had been built
months ago, l>nt Challis doesn't con-
sider a harpsichord completed until
he's finished "playing it in." This is
an agreeable kind ol work, helping
the sii in<4s id siietc h .iiitl finding
minute adjustments to make in the
action of the jacks and the plectra.
So when Challis has a spare moment
to play, he's not playing; he's work-
ing.
Challis was eighteen when he first
learned about building eighteenth-
century instruments. He had come
upon a clavichord owned b\ his
music teacher, Frederick Alexander,
at Eastern Michigan College, and
he dec idecl he wanted one.
"In those days, il a boy wanted
something he made it. My father was
a watchmaker, so precision work was
nothing strange to me. There were
no books about making these in-
struments, bul that was no problem.
II you wanted to know how a thing
was made, you looked at it."
Alexander's instrument had been
built by one ol the masters of harpsi-
chord-making. Arnold Dolmetsch of
Haslemere, England. A lew months
alter he had built his own, Challis
went to Haslemere to learn how to
learn more of the art. From 1928 to
1930, be held the Dolmetsch Founda-
tion Scholarship. In 1 930, he opened
his own studio in Ypsilanti, Michi-
gan, a lew miles from Detroit.
Challis' fust customer was Alex-
ander, who ordered a harpsichord on
behalf ol Eastern Michigan College.
\ I T E R HO I R s
Thus officiall) in business, Challis
toured Michigan demonstrating the
sii ange music . \\ tei ten years,
Challis had become so bus) making
harpsichords that he no longer had
time to demonstrate them.
\ow ( lhallis i ustomers have to
cool then fingers on a waiting list.
I>ut Challis steadfastly limits his
produc lion to twelve Ol hi teen in
struments a year, piicccl between
$900 and $5,500 each. Should he ex
pand his pioduc tion. he would need
to employ more than his presenl stall
ol I on i assistants. Then he would
have to direct their work from a
swivel chaii instead ol adjusting
ja< ks and ple< 1 1 a himself, and
Challis doesn't care to make that
conversion. A number ol his past
employees have set up shop them-
selves, diverting some ol the con
sinnc i demand a\u\. ( lhallis s.i\s,
" I III A lc .ill l)lls\.
"P< ople aie in a c onsiant sc i amble,
espe< i.iIK hen in Detroit, to produi e
more than will make them happy. 1
find thai l>\ making twelve or fifteen
instruments a year, I'm happy. After
all." ( lhallis said, fingei ing a set ies
ol (holds on the new harpsichord to
pla\ il in some moi e, "shouldn't that
be the purpose ol a man's work?"
SIGNS OF
THE TIMES
AF R I E X 1) , the impresario
ol a television program, re-
ports that not long ago he found
himsell in Cleveland, between trains,
and thai from the platform there
seemed to he no one in town but
himself and the porter. He was
settling down lor the wait when the
latin add] essed him. as follows:
"Sah, I wonder il you could settle
an argument between my friend and
myself?"
"( lei lainly," he said.
"It's about who wrote that music
you start your program with," the
poitei went on. 'A on see, he's a
taxi-drivei but we're both musical,
and he s.i\s it's In Wallet Piston.
I tole him W'altei Piston never wiole
( oiinie i point like that in his life."
'Who do you think it's by?" m\
friend managed to ask.
"1 think it's by Aaron Copland.
Right he- was.
I was reflecting on this when I
gOI in a taxi lee clltlv one Satlllelav
morning and asked to go to the
Columbia Faculty Club, at Morning
side and 1 1 7 1 1 i . where I had an en-
gagement lot lunch. The eh ivei took
this in silence loi a while, hut final!}
tinned around and said:
"How do people leel these ela\s
about Alexanelei Hamilton:-''
I used to think I knew, hut now
I'm not so sure.
YOUNG OLD TROUPER
I\ tele\ ision < \ ei \ i\a\ is the end
ol an era. Shows come and go so
last, lads change so quickly, stars
.niel material ate wot n out with such
speed that ever) da\ is doomsday,
and every tomorrow is a bright new
dawn We are told th.it money lust,
lor example, is waning (as unlikely
.is that seems) and that the high
voltage quiz show is losing its powei
to enchant. But there will always be
something else to take its place, and
there will always be a lew people to
preside over whatever happens. Desi
will always love Lucy in one way or
another. I d Sullivan will go on pre-
senting his Sunday night lace with ils
Monday morning look, and Can\
Moore will continue to smile bright
and quip good like an old trouper
should.
One ol Mr. Moore's eras is about
lo come to an end after eight years,
and he is not sorry. Since 1950 he
has clone a morning show (a hall-
hour Monday through Thursday and
an hour on Friday) e>l song, humor,
and miscellany and the show is about
to go oil the air. He will continue
lo be mastei "I < eremonies of "I've
( .ol a Sc e ret" and he plans lo open
a new show, very expensive, in the
autumn about which he talks only
guardedly lest somebody else who is
looking for a bright new dawn gels
up earlier than he does, with Moore's
pants on.
I talked with Mr. Moore in his
office in April, and if I learned \ci\
little about what his new show will
be (except that he plans to spend a
Si
A I I I U II <) II R S
loi on writers, ideas, and the odd and
pteresting, and very little on elabo
rate production) I did learn some-
ping aboul Mi. Moore and his ideas
;il)oin television.
I te started Ids theati i< al career as
a writer in Baltimore al the age of
Bineteen. Scoti Fitzgerald had seen
some skils lie 1 1 . i < I Written lor ;i local
ffinateur review, and asked him to
collaborate Willi him on .in idea tor
a musical soil <>l Grand Guignol
llial he hoped would make Kroacl
way.
"All I knew aboul Fitzgerald then
was thai I'd seen his name in die
mturday Evening Post. To me he
was just a (hunk old man (ahoul
forly then), and ill I'd known who
he was I would have paid more at-
tention." I lie collaboral ion dis
solved all ei I luce nionl lis and Moore
goi a job writing, announcing, and
raing ,i in ilii v a< tor for a Baltimore
radio station, lie wrote the jokes
and performed on a show called
g!High Noon High Jinks" and from
thai he graduated in due course to
bee ome | ininiv Dittanies partner in
a venture dial one week was called
iihe "Durante Moore Show" and on
(alternate weeks die "Moore Durante
Show."
I le was I hirly live when " The
Garry Moore Show" firs) appeared
on lelevision, and he says he isn'l as
physically spry as he was then, and
he gels tired. Originally the show
iacl a sponsor lot eac h quarter ol an
Bur. Then, he explained, as die
|sl ol lelevision wc ail up, there gol
o be more sponsors with more
ihings they wanted i<> sell, so thai
now iii I he c oinse ol a week he ha.
commen ials to do foi thirty-nine
>roc!ucls, and a greal deal ol his
inie goes into policing die coinnicr
ials "to maintain some dignity" and
iiiio rehearsing them. "You can'l re-
member which is crispy and which
is crime by," he said. I le yearns lo
lu more writing lor his own show
nid he means to when die new one
•ccouies a reality in the fall.
Garry Moore is nol easy lo pin a
iiign on, and it you did you prob
ihly i ouldn'l see him. I le is shoi I ,
lues nol always wear bow lies, and
s intelligent and It iendly. I le lives
m Rye, New York, owns a forty two-
uoi sloop, has iwo sons, eighteen
mil loin teen, and reads a good deal.
lis liuinoi comes easily and his en
joyment of people is nol an act; ii
is a genuine lasc illation and is the
basis of his beliefs aboul television
as a medium ol enlei laiinnenl. I le
believes dial dure is nothing more
interesting than a human lace on die
sc reen and you clon'i have lo pill a
paper hal on il lo make it entertain-
ing. Il is (he five seconds of puzzle
nieitl or panic on die face of some
one who is being questioned dial
gives lelevision whal radio never
had . . . die visually exciting and
humanly revealing pause.
I lis spec ial gill is lo establish a
kind ol rapporl between die people
on die show, either professional 01
amateur, and the audience so thai
they seem i<> he enjoying themselves,
nol al eac h Other's expense (as
GrOUcho, loi example, does) hill he
cause they are all in this unreal
situation together. Ii is lor this rea
son thai he believes dial "I've (.ol a
Sec ret" (which is in the lop ten in
popularity) will go on and on. (Its
formula, incidentally, is a panel plus
die old fashioned variety show . . .
personalities, plus oddments, plus
son^s and dances.) Ill's new show
will he based on these same ingredi
c nis mixed into a quite different son
of brew.
The longevity ol Ml. Moon's
career i;i lelevision was something
he was glad lo explain and he did
il modest ly hut nol in sell cleprec al
ing terms. Me had secai a good many
"stand up" comedians come and go.
"You see a man go through his
routine a lew limes," he said "and
you've had il." lie went on to say
ili. ii tied Allen had once told him
that die new kind of c oinedian who
would last on lelevision was "the
poinlei " i he actoi who poinls al
somebody else who then performs
and ol whom the public soon I ires.
"According to Allen," he said,
"you could do the same ihing with
a dog by spreading meal cm the
ac tor."
Mi. Harpei
'ffS.
•*H^t I
Athanasios may build you
a book case someday
Athanasios bus decided to become ;i
cabinet maker, lie's only ?), and al-
ready be- shows great aptitude for carv-
ing bits of wood info little animals.
Ilul. Athanasios may never realize
bis ambition. Mis parents looked In a
bright future; then Communist bands
began to terrorize Greece and Alba
n.asios' lather was recalled info the Na-
tional Guard. Hostilities have ceased
but the couple is forced to live in a
tiny two room bouse with their four
children for whom their shepherd-
father cannot, adequately provide.
Their mother finds seasonal work al,
.almond harvest lime, bill. Athanasios
may soon be forced to leave school,
and go to work to supplement the
family's income unless someone like
you can help this promising boy.
What you can do for only $10 a month
There are 5,000 overseas children like
Athanasios who, thanks to the generosity
ol American friends, are sponsored
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An SCF Sponsorship means food, cloth-
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Ail- In ss
City State
Contributions Am Docluot llilo From Income Tnx
the new
BOOKS
Rich Man. Poor Man
r \l L PICKREL
JK. (■ A I. B RAJ I II is a Harvard econo-
• mist with a ba< kground in economic journal-
ism and .1 considerable drive to sei the world
straight. What other economists think ol him I
do not know, though it is usually eas) to guess
what economists think <>l each other. What Gal-
braith thinks ol othet economists he makes abun-
dantly clear; even I had not supposed thai error,
Tail nre to recognize the obvious, and inhospitalit)
to new ideas were so universal among them. Hut
whatevei his standing in the trade, Galbraith is
one ol the most influential ol contemporary
American economists with the reading public,
because, unlike mosl ol his colleagues in the
dismal science, he has a gift loi setting forth his
ideas in vigorous language thai anyone can
understand, a keen sense ol the dramatic that
makes them seem adventurous, and a willingness
to put them in a context ol sweeping generaliza-
tions about society thai gives diem a prophetic
urgency.
The Affluent Society (Houghton Mifflin, $4),
Galbraith's new book, is essentially an attempt
io change the reader's idea ol whal constitutes
an efficient society. The argument, with a certain
inevitable simplification, goes something like
this: the hasis ol modern economic thought was
laid in an era of scat city, when there were just
not enough things being produced to go around.
I herelore economists have maintained, and the
public has gullibly echoed die economists in
maintaining, that a society is most efficient when
I is making die most things— or, to put it in more
seemly language, that productivity is the index
ol soc ial effic ienc y.
But, according to Galbraith, this concept of
social efficiency is anachronistic and inadequate.
We live in an economy thai can not only turn
out all the things we need but must spend bil-
lions ol dollars a yeai and employ some ol the
cleverest men alive in order to soup-up demand;
ii lakes the subtlest wiles ol advertising to keep
our appetite lor new things sufficient!) whetted
lo clear the shelves ol the stupendous mass ol
si ull we can produce, and even then, as Mi.
Secretar) of Agriculture Benson knows, we fall
behind in oui consumption ol some pioduets.
Besides (still according to Galbraith), the em-
phasis on making things, on turning out the
stuff, has given us a lopsided attitude toward
produc lion. We value the man who makes some-
thing more highly than the man who merel)
does something. In an altogether characteristic
homely illustration Galbraith s,i\s that we re-
gard the man who makes toilet seals lor a new
schoolhouse as a true producer, while we assign
a doubtful productivity to the man or woman
who merel) teaches in (he schoolhouse alter il
is built. Traditional!) economists have lumped
togethei die lesulis ol human toil in the phrase
"goods and sci\iccs." but il Galbraith's leading
of the public mind is correct, die work that goes
into producing goods enjoys a prestige that is
denied the work thai goes into producing services.
HERE I suspect that Galbraith exaggerates.
People who work with ideas are deepl) attached
to the notion that the world doesn't love them
enough and are sometimes overingenious in
locating evidence in support ol their opinion.
Probabl) die president of a toilet-seai manufac-
turing company would be accorded more prestige
ill. in mosl classroom teachers, but I doubt vei \
much that the workers in his factory would be,
and I strongly suspee i dial a man who occupied
a corresponding position in the educational
hierarchy— say, the president ol a university-
would in most situations be regarded as outrank-
ing him, although I conless that my acquaintance
in toilet-seal manufacturing circles is too limited
to enable me to speak with authority.
However that may be, Galbraith makes no
suggestions about how a more just view ol
production is to be inculcated in the public ai
large; presumably, like one ol George Eliot's
characters, they will just have to be born again,
and bom different. lint Galbraith does offei
some \er\ telling criticisms ol die consequences
ol oui present concept of productivity as the
key to social efficiency, and sets forward another
concept which in his opinion will make lib'
better. He calls ii "social balance," and it means
A work of religious and historic importance
even more absorbing and significant
than his earlier book
When the first of the Dead Sea Scrolls were discovered in 1947, the world was
roused to speculation and controversy. And Dr. Burrows' book, The Dead Sea
Scrolls, was an enormous popular and scholarly success. Now. Dr. Burrows tells the
dramatic story of later findings, of new interpretations, of the detective work behind
each carefully reasoned conclusion. Will the evidence of the scrolls affect the
traditions of the Christian faith? Were John the Baptist and Jesus members of the
Essene sect? Did Christian doctrine arise primarily from the teachings of these men?
"A far clearer picture emerges of the religious life of the two centuries before and
after the birth of Christ than we have had before. . . . Millar Burrows has written an
important book with a double edged appeal; first to the readers who feel the
romance of these great Palestinian discoveries and are drawn by the desire to know
more about the life and times of Christ; second to scholars and archaeologists who
will welcome the careful account of the latest discoveries by this professor of the
Yale Divinity School. Translations of the fragments by the author are included."
— Virginia Kirkus Bookshop Service $6.50
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New Scrolls and New Interpretations
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THE
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DOCTORS TO
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by Murray Morgan
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Up-dated to include 16 new
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SI
I II I NEW II OO k S
simpl) ili. H the side ol th( e< >m) thai provides
sei \ i( es i lai gi l\ in the hands ol .1 loi al 01 the
federal gove lent) should bi enormousl) ex
panded, and the side "l tin e< onom) thai pro
vides goods (largely in private hands) should
undergo s contraction He points oul that,
undei om presenl > pi ol social efficiency, .is
oin consumption ol goods increases (thanks to
tin pressure ol advertising), we havi more and
more wasti to throw away, bui the collection ol
waste, being .1 publii service, grows more and
more unsatisfactory. Cars, being produced b)
private manufacturers, gel biggei and bigger, bul
10. ids and parking spaces, largely supplied l>\
state and municipal governments, grow less and
less adequati
1 he analysis is in< ontro> ei tible, tin >ugh
whethei il is .is original .is Galbraith thinks il
is seems to be open to question. People with .1
ver) elemental 5 tr: g in'ei onomii s hav< prob
abl) observed thai oui streets are littered and
parking spaces hard to find, and onl) the most
naive can suppose thai gum wrappers and Fords
are brought l>\ the stork. Practically ever) com
1 1 1 1 1 1 1 i 1 \ in America does need bettei publii
services bettei schools, bettei streets, bettei po
lui .Hid Iik departments, bettei parks and pla)
grounds, bettei collection ol waste bui the prob
Iciii is hou to gel them,
Galbraith makes .1 lew practical suggestions;
he provides, foi example, an ingenious defense ol
1 In sales tax .is .1 source ol increased revenue foi
local governments; bui he hardly touches the
psychological difficulties thai lie in the wa) of
putting his concepi ol "social balance" in effect.
Win 11 ,1 111. 111 buys .1 (.11 with .1 six fool upswepl
real end. .is wasteful economically .is it is porno-
graphii artistically, he al leasi knows whal he
is buying; bul when he pays .111 exorbitanl sales
tax on .1 pa< kage ol < igarettes he docs not. That
is one difficulty. \nolhci is this: though it is
cas) to agree thai we should have bettei com-
munity services and even perhaps to agree thai
we should |i.i\ highei taxes foi them the word
betU i covers .1 multitude ol problems. Probably
niosi readers ol this magazine would be willing to
pa) highei taxes in order to have "better"
s. hools, bui il they were to gel togethei to dee ide
wh.ii kind ol schools would in l.ui be better, the
meeting would nol be totall) amiable.
In shot 1. Galbraith is arguing for an objective
thai musl be obvious to anyone who h.is looked
around him, bin he is nol ver) c\|>li<ii aboul
how we are to realize thai objective, which is
the hai d pari ol the problem.
Actually, Galbraith sees American societ) as
having two layers ol e< mi< doctrine, some-
whal as the ancieni Greeks had two layers ol
religion an Olympian religion for official pur
[loses and the myster) cults through which the
man in the streel in iled himsell to existence.
Our Olympian economic doctrine recognizes
productivit) as the kc\ to social well being, and
official pronouncements on how "good" a yeai
the countr) has had are based on how una h ii
has prodiu id. Bui the man iii the sin el is fai
less interested in whal the (.loss National Prod
u< 1 foi an) pai ti< ulai yeai has been than in
whethei 01 nol he has had a job. Full emplo)
mi in. al leasi loi himself, is his fundamental
economh doctrine.' (Il has .1 certain official si a 1 us
too since the passage ol the Employment \c 1 ol
MMn i
Galbraith's eiiiieism ol lull employmenl as .1
desirable economii l;o.iI is more telling and more
unexpected than his defense ol "social balance,"
though his concepi ol social balance provides
the platform from which he can uitici/r lull
employment. II< has an imaginative scheme for
making unemployment compensation variable,
so thai du payments are lowesi when emplo)
mrnl is highesl and the olhci w.i\ aiound. Now
thai American societ) is feeling considerabl) less
affluent than ii was when Galbraith wrote mosi
ol his hook, liis scciions on unemploymeni and
unemploymeni compensation ma) well turn oul
10 be the mosl influential pan ol whal he has
to sa\
rhe writing in The A fluent Soi iety is Iik id and
lively, though repetitious. Galbraith hasn'l the
happiest taste in adverbs like mosl social scien-
tists he- uses the word importantly where gram-
ni. n demands important, and he has a passion
loi the word anciently, which he apparently uses
in the sense "before this hook was written," not
recognized l>\ m\ dictionary. The hook is more
stimulating than this review makes it sound, be-
cause man) ol the illustrations and incidental
observations are more original and more im-
aginative than the main argument. It is a hiisk
pel loi mane < .
NOT SO A FF I. II F NT
he Long March (World, $7.50) is an ac-
* count ol Communist China written l>\ the
French philosopher and novelist Simone de
Beauvoir, who visited China al the invitation
ol ilu government a couple ol years ago. It is
thoroughl) sympathetic to the Communist
regime; iii lac i. I <;et the impression thai the
hook is an attempt (and certainl) a ver) skilllul
one) to save Communism for the Western Eu-
ropean inlelleelu.il after the disastrous blow to
Ins faith thai came with the Hungarian uprising.
Mile, de Beauvoii quietl) bul repeatedl) makes
the point that China is the countix where Com
munism has nol fallen into the errors thai blotch
its record in Russia in China there has been
(according to her) nothing corresponding t<> tin
liquidation ol the Kulaks, the purges ol the
'thirties, the excesses ol Stalinism, die supples
sion ol Hungary. China is presented as a ver)
strong candidate foi the position ol the new
The Great Age of Discovery
By PAUL HERRMANN
Author of Conquest by Man
The vivid story of the men, from Columbus to now, who opened up
the undiscovered oceans and continents.
"A fascinating book. The history of early exploration is presented
with all the drama of a best-selling novel." — Roy Chapman Andrews
Lavishly illustrated • $6.00
Physics and Philosophy
THE REVOLUTION IN MODERN SCIENCE
By WERNER HEISENBERG
Winner of the Nobel Prize in Physics
Introduction by F. S. C. Northrop. "The book will give to the reader
a glimpse of the great perspectives which modern physics has opened
for wide fields of human endeavour and for the understanding of man
. . . Heisenberg has startled everybody with his youthful enthusiasm,
his unassuming, seemingly effortless approach to the most difficult
problems." — Richard Courant, Director, Institute of Mathematical
Sciences, New York University. A volume in WORLD PERSPEC-
TIVES. $4.00
Foreign Policy
THE NEXT PHASE
By THOMAS K. FINLETTER
An authoritative, temperate, non-partisan analysis of America's
foreign policy — particularly its failures in adapting to today's drasti-
cally changing world. Mr. Finletter draws upon his broad experience
in foreign policy and defense to spell out a program which he believes
might lead us out of the present crisis. Published for the Council
on Foreign Relations. $3.50
HARRY EMERSON FOSDICK'S
Riverside Sermons
Introduction by Henry Pitney Van Dusen. An omnibus edition of 40
of Dr. Fosdick's greatest sermons, delivered from one of the most
influential pulpits in the U. S. A. $3.95
At all bookstores
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Lancaster
*Night March
Bruce Catton says: Mr. Lancaster is not
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Libby Prison, Night March relates a
Civil War romance of breathless excite-
ment that carries the reader clear across
the Confederacy in an odyssey of war.
$4.50
* Atlantic Monthly Press Books
LITTLE, BROWN A COMPANY
THE NEW BOOKS
home ol the world's proletariat.
A good deal of the book is of
very little value. Mlle.de Beauvoir's
accounts ol such subjects .is the
workers and die peasants go some-
thing like this: she quotes \.nious
writers on how horrible the lot of
the people was under previous gov-
ernments, then she cites various
do< uments ol the present regime that
demonstrate how much things have
improved, and finally she gives an
.a ( omit ol how she visited a fa< toi j
or farm and indeed found everything
fine. She makes sweeping excursions
into China's past and speedily sets
the reader straight on such subjects
as Confucianism, Buddhism, and so
on, always ending at the convenient
position that, however the present
government has dealt with one or
another aspect of the Chinese past,
it has done the right thing. Some-
times she gets herself snarled up in
Marxisl jargon to the point where
the meaning of her words may elude
the laity; Eoi instance, in speaking
of literature she writes: "Unable for
the time being to transform tech-
niques, superstructures are being re-
sorted to as a means tor modifying
substructures. Literature hence finds
itself signed with an economic coef-
ficient." And she is given to gen-
eralizations so broad that they
sometimes border on the comic.
There are many fine examples to
choose horn, but I think my favorite
is her remark that "for every Chinese
woman, from the top to the bottom
of the social scale, physical love has
a negative coefficient." Must there
not be one Chinese woman who was
not interviewed by Mile, de Beau-
voir, and might she not think of
physical love as just good clean fun?
The likelihood is increased by the
fact that Mile, de Beauvoir speaks no
Chinese.
Apart from the sections of the
book that are nearly valueless, it
has an aspect that will appeal only
to readers of rather specialized in-
terests, lor it not only portrays China
but incidentally provides a sell-por-
trait of Mile, de Beauvoir— humor-
less, bad-tempered, incredibly naive
when it suits her game, and with a
hatred of America as fundamental
to her outlook on the world as the
conviction of sin was to earlier puri-
tans. Only once does humor touch
the 500 pages of her book, in an ae-
by WILLIAM CARLOS WILLIAMS
The Autobiography of the Works of a
Poet, Reported and Edited by Edith Heal
One of the most ex-
» citing and revealing
books ever published
in belles-lettres. A
••talked" book by
one of the most il-
lustrious and versa-
tile writers of our
time. Informal, do-
tailed, and highly
animated discus-
sions by the poet
himself on how each
of his works came
to be. . . . The
creative process in
action.
$3.95
32 at your bookstore or write to
BEACON PRESS dept. hm-6
25 BEACON ST., BOSTON, MASS.
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D I WANTED TO WRITE
A POEM $3.95
□ Your new catalog
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Street-
City
.State-
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I......................J
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The facts after ten years
An&riea* freedom 4
by PAUL BLANSHARD
$3.95
e/
THE NEW BOOKS
count of some young Frenchmen
with an unusual avidity in sociologi-
cal research who discovered that
prostitution is not so completely ob-
literated in China as the government
c laims.
Mile, de Beauvoir's method of
dealing with other writers who have
not found Communist China the
paradise she finds it suggests that the
French enjoy a reputation for
urbanity in controversy that is not
entirely deserved; a typical rejoinder
to an account different from her own
is "That is a flagrant lie." An ex-
ample of her convenient naivete is
her account of how some Chinese
children entertained a group of
writers at tea and reproached their
guests for not writing enough chil-
dren's books. Obviously such an event
could only have been staged by of-
ficial manipulation, but Mile, de
Beauvoir reports it with the straight-
est of faces. Her anti-Americanism
is everywhere— if she visits a prison
in Peking she finds it far better than
the prison she once visited in Chi-
cago; if others see the contemporary
Chinese as living in an anthill, she
tells them they should go to Pitts-
burgh or Detroit, where people
really live in anthills; she grants that
Chinese Communist leaders are oc-
casionally in the spotlight, but at
least they are not demagogues like
Truman and Eisenhower; any con-
spicuously bad example of Western
architecture in China is likely to re-
mind her of Chicago.
Yet for all this, Mile, de Beauvoir
is in some ways an intelligent and
perceptive woman. She does not care
lor traditional Chinese art, and she
gives extremely interesting reasons
lor her dislike, incidentally reveal-
ing the extent to which she is a
product oi the Western, Christian,
(as she would say) "bourgeois" civili-
zation that she scorns. And where
she has been able to look at things
lor herself she has valuable and not
necessarily flattering opinions. She
got to know several Chinese writers,
she read a great deal of recent Chin-
ese writing in French and English
translations, she looked at paintings
and inspected handicrafts, and what
she has to say on all these subjects
is well worth reading. In her con-
clusion she says that she feels most
doubtful of Communist China in its
artistic life, and it happens that that
was the part of its life she was most
competent to judge, but at least she
judges it.
ACT OF VENGEANCE
UNFORTUNATELY I read
Theodore H. White's new novel
about the United States Army in
China in 1944— The Mountain Road
(Sloane, $3. 95)— immediately after I
read The Long March, and all the
time I was uneasily aware of what
Mile, de Beauvoir would make of it.
But nothing is more foolish than to
condemn a book for the impression
it will make on hostile foreign ob-
servers; White's book is a study ol
the use and misuse of American
jaower, addressed primarily to his
compatriots, and if it is cited in
future editions of The Long March
as evidence of the brutality and
barbarism of Americans in China we
will just have to bear it philosophi-
cally.
White's main character, Major
Baldwin, is an engineer from Boston
wdto has served most of his Army
career at a desk. Suddenly he finds
himself in command of a demolition
crew in Southeast China, charged
with the task of destroying whatever
he can that lies in the path of the
invading Japanese army. He is a
man afraid of decision and respon-
sibility; the fact that his orders bid
him to act "at his discretion" fills
him with terror. But act he does,
and the appetite comes with eating;
as he destroys roads and bridges and
ammunition dumps with success, he
comes to exult in the work, and goes
on to an act of vengeance, a piece of
wanton destruction, when he burns a
whole Chinese village of no military
importance.
The events of the novel are bril-
liantly realized, as anyone who
knows White's work as a reporter
would expect; the look of the Chi-
nese countryside, the pitiful mass
of Chinese fleeing belore the Japa-
nese, the disintegration of Chiang's
army— all these are described mem-
orably. The weakness of the book
lies in its characterization: the
characters are too obviously allegori-
cal. The development of Major
Baldwin's character arises less from
internal psychological necessity than
from the fact that he has to carry
the book's "message." He stands
AMERICA'S
GARDEN BOOK
KATHERINE GAUSS JACKSON
Harper's Magazine, says:
"To the serious beginner, start-
ing from scratch, who is planning
a vegetable or a flower garden or
may be putting in trees and
shrubs, the newly revised
AMERICA'S GARDEN BOOK will be
guide, philosopher, and much-
needed friend. And this applies
wherever you live in the U. S. A.
It tells how to construct and keep
up lawns, paths, fences, foun-
tains; how to design and plant
any kind of garden ; how to choose
and take care of trees, vegetables,
flowers, and house plants ; how to
control pests and weeds ; how to
operate coldframes and green-
houses. And in the new part of the
book there are sections on swim-
ming pools, flower boxes, 'invit-
ing the birds,' penthouse gar-
dens, plants under artificial light,
mulches, and lists of gardens open
to the public in forty-seven states
... One man's obvious will be an-
other's revelation, of course, but
there's something in this book for
everyone."
JOAN LEE FAUST
says in the New York Times:
"A familiar garden handbook
comes out in a brand new edition
this month. No finer volume could
be welcomed . . . For the average
gardener who seeks a helpful
guide to lean on, this book is the
answer."
$7.95 at bookstores
CHARLES
SCRIBNER'S SONS
The Mentally 111
Can Come Back
Yet thousands are without hope!
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The new Blanshard
The facts after ten years
by PAUL BLANSHARD
The first edition of
Blanshard's famous
classic has stood
like Gibraltar over
the years against
every criticism. In
this new edition, he
provides a Calendar
of Significant
Events, 1947-57 ;
adds fresh analyses
of new Supreme
Court decisions ;
hundreds of new
documentary
sources. . . . The in-
dispensable refer-
ence book. $3.95
27 at your bookstore or write to
BEACON PRESS dept. hm-6
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simply for t lie United States, at first
afraid ol the responsibility ol inter-
national leadership, then acting
coolly aiul successfully under pres-
sure ol i in umstances, and then in
dangei ol running amuck with its
new-found strength. The men sur-
rounding Baldwin are equally car-
riers ol i In message the idealist
destroyed by the actual, the man ol
great technical competence uninter-
ested in anything but technique, and
so on.
Criticism <>l The Mountain Road
(.in proceed along two lines. One
can ask how accurate it is as an
allegory ol the use and misuse ol
American power, and that 1 leave
to others to decide. Or one can ask
how successful it is as an adventure
sioi\ ol American troops in China.
1 believe that most leaders will find
it dec idedly exi iting. | \ Book-of-
the-.Month Club selection.)
OF SUFFERING
A I. B 1 RIO MO RAVI AS
new novel, Two Women (Farrar,
sii.ms and Cudahy, $4.95), is also set
in the period near the end ol the
second world war, but on the other
sick ol the globe, in Italy. Mora
via's chief character, and the nar-
rator ol the story, is a woman who
comes from mountain peasant stock,
but who at a very earl) age has mar-
lied a much older man from Rome,
the owner of a small grocer) store,
and turned into a thoroughly con-
ventional member of the Roman
petite bourgeoisie. Her husband dies
unlamented (there was no love and
little sex in the marriage), and she
spends the early years of the war
comfortably enough, operating as a
black-marketeer on a small scale, ob-
serving the necessary religious rites
but putting her real faith in money,
chiefly interested in providing a
down and arranging a suitable mar-
riage for her daughter, a gentle con-
vent-reared girl.
As the fighting comes closer to
Rome the mother decides that they
will be safer back where she came
from, and so she and her daughter
leave. The book presents a remark-
ably vivid picture of life in the
mountains of Italy at the time and
of the effect that life has on the two
women who come to share it. For
both of them it constitutes a rebirth.
I he niotlii i realizes that money is
not enough; she gets ;i glimpse ol
what lies "back ol money"' and what
money leaves out. The daughter
passes through a shocking sexual ex-
pel ie nee that threatens to ruin her
life but instead brings hei to an emo-
tional maturity such .is she might
otherwise never have achieved.
The best thing about the hook is
tin charactei ol the woman who re-
lates it. Shrewd, down-to-earth, sure
ol hersell \et capable ol learning
from experience, she is a powerful
c i eat ion.
Chiara (Knopf, $3.95) is another
novel set in Italy, though the author.
Gene D'Olive, is an American. The
book is an account ol the love affair,
culminating in marriage and the
birth ol twins, between a no-longer-
young American newspaperman,
who tells the story, and Chiara, a
beautiful Italian girl.
I do not know how the story
would strike a reader who had not
read ./ Farewell to Aims: ii is so
close to Hemingway's novel in its
attitude toward experience, in the
way it uses language, and even in
some ol its incidents, that 1 lelt the
presence ol the earliei and better
hook throughout. There are cer-
tainly important differences, and
D'Olive does many things that Hem-
ingway did not do. His picture ol
Chiara's family is fine; the girl her-
sell is drawn with considerable dis-
cernment, and she is quite unlike
Hemingway's heroine. The sex in
which the book abounds is rather
mechanical and uninflammatory,
though the age of the reader may
have something to do with his judg-
ment on thai score.
1 N Journey to Java (Doubleday,
$5) the veteran British diplomat and
author, Sir Harold Nicolson, gives
an account ol a trip that he and
his wife (V. Sackville-West) took to
the Far East in 1957. But it is more
than a travel book, because in plan-
ning the trip Nicolson drew up a
program of reading for himself that
was to deal with the causes ol human
discontent, and he has as much to s,i\
about the books he read as about the
sights he saw.
Obviously Nicolson is puzzled by
the phenomenon of the "angry
young men" in England. He is past
89
THE NEW BOOKS
seventy, reasonably contented, and
has a sneaking suspicion that in be-
ing so he may be mildly ridiculous.
When a younger man looks at him
he sees "a well-led, plump, flabby,
complacent survival from Edwardian
England, who has been accorded
advantages and opportunities which
lie has done nothing to justify or
deserve," Nicolson writes.
"My curiosity about life, my senile
zest, must seem to him no more than
a shallow euphory, based upon in-
sensitiveness to the fears of this
hydrogenic age, indifference to the
wickedness and cruetty of the world
around me, and a lack of any even
rudimentary sense of originaf sin. . . .
I am aware that many of my younger
friends ... regard contentment as
bourgeois or even vulgar. To them
it suggests a trivial view on life." He
remembers too an older friend's (T.
S. Eiiot's) line about "Those who sit
in the sty of contentment," and re-
minds himself that he ought to be
more unhappy than he is.
So he reads and reports on all
kinds of writers, both happy and un-
happy, from Galen and Lucretius to
Miss Rachel Carson and Colin Wil-
son. The conclusions he reaches
about what makes people soreheads
or contented are not earth-shaking;
the pleasure of the undertaking, like
that of the trip, lies more in the
quest than in the destination.
Journey to Java is a civilized
book, witty, urbane, self-deprecatory,
ironic. The style is elegant without
being in the least precious, and the
obvious fact is that Nicolson gets so
much pleasure out of life because he
finds life so intensely interesting.
The only people he really dislikes
are people who are bored and indif-
ferent, who do not care. The people
who appeaf to him most strongly are
people who "notice . . . things," peo-
ple who, like himself, are carrying
on a lively traffic with the world
around them.
THE AMERICAN SCENE
A L T H O U G H it is a far cry from
a man as efegant as Sir Harold Nicol-
son to the New York dress manufac-
turer (the "Dior of the masses") who
is the chief character in Elick Moll's
novel Seidman and Son (Putnam,
$3.95), the two men have in common
a tremendous appetite for life. The
story told in Seidman and Son is
fairiy conventional; it relates how
young Seidman comes home from the
Korean War fufl of half-baked ideas
of reform that embarrass and in-
furiate his father, and then, through
various experiences, comes to accept
his father's benevolent capitalism
and even goes into business with him.
But the book is not conventional
because Mr. Seidman himself is a
powerful and splendid character. He
speaks a wonderful kind of New
York-Jewish English, vivid, colorful,
and eminently expressive; and he
is a really passionate man, a man
with genuinely powerful feelings
which he is able to communicate.
His warmth and humanity and tire-
less vitality give a rush and energy
to the story that could carry it even
if the plot had twice as many creaks
in it. (Book-of-the-Month Club.)
NANCY HALE'S reminiscences
of her younger days in Boston, col-
lected under the title A New Eng-
land Girlhood (Little, Brown, $3.75),
is a book that has strayed into the
wrong stack; my colleague Mrs. Jack-
son undoubtedly could have dealt
with it more judiciously than I can.
Miss Hale's sketches of the days
when her idea of a really fascinating
older man was a Harvard freshman
are slight and graceful and moder-
atefy entertaining even to me, but
I have some difficulty in entering
fully into the spirit of this world of
cr'epe-de-chine teddies, pink taffeta
party-dresses, and endless sub-debu-
tante giggling.
Some of the pieces in A New Eng-
land Girlhood are in effect essays,
in which Miss Hale puts together a
series of incidents that make a neat
ironic point. They give a weicome
astringent taste to a volume that
otherwise seems about to perish of
a surfeit of Turkish delight.
Parktilden Village (Beacon, $3.50)
is a first novel by George P. Elliott,
a writer who has already made a
considerable reputation as a poet
and critic. The story is set in a vast
apartment-development near a big
university in California, probably
Berkeley, and the main character is
a young sociologist who has recently
joined the faculty. Earlier, as an
undergraduate in another univer-
sity, he had done some baby-sitting
%
he inspiring story
of the talented men
who for almost
two centuries
have clone so much
to produce
The Great
The Story of the
Encyclopaedia
Britannica
by Herman Kogan
For almost two centuries the Encyclo-
paedia Britannica has stood forth as a
monument of intellectual enterprise.
What kind of men inspired it? Who
has been responsible for its remarkable
growth and development? Why has the
Encyclopaedia Britannica always been
considered the most reliable and com-
plete source of knowledge — the most
dependable reference work ever com-
piled? Herman Kogan, distinguished
journalist and biographer, tells us in
this fascinating story. In dramatic detail
Mr. Kogan shows how each of the three
major periods of development in the life
of the Great E B was dominated by dedi-
cated and dynamic personalities: "The
Beginnings" in 1768 and the "Three
Men of Edinburgh" ; the "Era of Horace
Hooper", the flamboyant advertising
genius who boomed the sale in England
through "a guinea down and a guinea a
month"; the "Modern Period" which
portrays the Encyclopaedia Britannica's
present enviable position as a world-
wide educational institution.
464 pages. $4.95
at all bookstores.
UNIVERSITY OF Chicago
CHICAGO PRESS Illinois
Tennessee v. John Thomas Scopes
by RAY GINGER
The first full story
of the famou
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scenes . . . Darrow
and others have
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counts . . . No
can read the com-
lory of the
trial that left the
! world gasp-
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AUTOBIOGRAPHY
A-YOGI
by Paramhansa Yogananda
The Inspiring Story of
A Man Who Found God
"I am grateful to you for granting
me some insight into this fascinating
world." Thomas Mann,
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foi .1 mathemati< ian and de\ eloped
,i considerable crush on his wife.
Now he finds the mathematic ian and
his wife in California, and discovers
that he is still susceptible to the
wife's charms. Bui meanwhile the
l).ili\ with whom he once sal has
grown up in be a very attractive girl,
..ml soon two crushes are growing
where one grew before. The ladies,
old and young, respond to his ad-
vances, .iiul he ends up l>\ finding
himsell deepl) and messily involved
with ;i couple ol women who do not
take as light a view <>l sexual esca-
pades as he does.
I he writing in Parktilden Village
is t lean and li\el\ ; the Story moves
along nicely; and the characters,
with one exception, are well drawn.
The exception is the young sociolo-
gist -which is unfortunate, because
he has the job ol making the point
ol the book. What Elliott is saying
in the sion is that human life does
not have merely a quantitative, mea-
surable dimension, stub as the
sociologist records, but that it also
has a moral dimension; it contains
the possibility ol evil, as the young
man discovers too late. But the
young man does not seem to be much
oJ a sociologist or much attached to
a sociological interpretation ol ex-
perience; he is simply a sexual op-
port llllist.
BOOKS
in brief
KATHERINE GAUSS JACKSON
FICTION
A Plate Without Twilight, by Peter
S. Feibleman.
In oin list ol the spring's first
novels this should perhaps lead all
the rest. Ii is a haunting and beauti-
ful book ol an extraordinary in-
tensity. The author, a young white
man, tells this story of a Negro
family and especially ol a young
Negro girl through her as narrator,
and from the first page to the hist it
seems to me there is not a single
false note. And though the story is
about very poor Negroes in a very
poor part ol New Orleans— that land
where all is either black or while -
and though Magic things happen!
lilts is no novel about "c onditions.'i
h is about real people-, the weal
ones who can't find then way t(|
strength and dignity and the siron(|
ones who can, through the greal
weapons ol compassion and lorgivc
ness .ind humor. It is .1 very power)
I ul sioi\ and often a very amtisinj
one, told in a kind ol natural poetr.
that lings in (he mind even who
the hook has been put aside.
World, S4.7|
Splendid in Ashes, by Josephin
Pinckney .
\ novel which begins and endj
with the funeral ol its hero muJ
necessarily be told largely in throv
hacks. We nit e t most ol its eliarac
ters In si as elderly or middle-age
people, nearly all of them Charle
tonians to the- tore, and dining tli
course ol the book we discover ho1
they gol to be the way they are. I
the lives ol each of them it is tlv1
dead man. ihe flamboyant, dvnami
iin-Chai lestonian John August!
(.1 iinshawe. gambler with both li I
and money, who in one way or aij
oilier has shaped their destinies.
is a sound story ol social complex
lies in a town and a eivili/alio
whose- changes have been many du
ing die- thirty-five years the nov
encompasses, but whose people ai:
still as absorbed by each other's d\
ings as they were when it was
slow-moving society ol plantatiol
owners. I he- e har'at tei ol the ma
eiiek Augustus dominates an
fascinates them all as ii dominat
the" novel, and the question "wl
gels the money and the house ar
why" keeps the story lull ol suspen
in spin- ol what sometimes seems
stumbling method of narration. Tl|
characters in this, Miss Pinckney
regrettably last novel, are among h
best. Viking. S"
A Summer Plate, by Sloan Wilso
The "summer plate'' is an islar
oil the toast ol Maine where tl'
same families have gone for sevci
generations. And whether Mr. W
son intended the analogy, his book
also about the island ol the self wi
which each ol his characters has
come to terms before he can ha
any sort of peace or take his pla,
in the world. Yet the question
whether or not the children can <i
91
BOOKS IN BR I EF
cape the sins of their lathers— and
mothers— ("no man is an island") is
also so dominant a theme that the
whole is a thought-provoking coun-
terpoint of Freud and Donne. The
author of The Man in the Gray
Flannel Suit has written another
contemporary novel of family rela-
tionships and the difficulty of com-
municating between generations.
The Maine background is vivid and
real and becomes any family's "sum-
mer place"; the young romance is
touching although the lack of articu-
lateness between the boy and girl (I
accept their lack of communication
with the older generation) is hard
to believe. But the middle-aged
divorces and partner-switching never
seem convincing. They seem more
a matter of plot than of character,
there is no humor and too much in-
tensity in all their posturings, and
I found it hard to care about them.
But the intent is serious, the nar-
rative lively, and every parent of
teen-agers will find something to
recognize; to applaud or decry.
Simon & Schuster, $4.50
NON-FICTION
Owen Wister Out West: His Jour-
nals and Letters, edited by Fanny
Kemble Wister.
When Owen Wister, wealthy and
well-born Philadelphian, was twenty-
five years old he was sent West for
his health. This was in 1885 and be-
tween that year and 1900 he was to
go many times again. This book is
made up of selections from the
fifteen journals he kept on these trips
(some of them sponsored by Harper's
Magazine), edited and arranged by
his daughter. Some of his letters
home have also been included. It is
from these writings, sometimes word
for word, that the background for
The Virginian was to come. As the
editor says: "He ranged through the
North and Southwest, from Oregon
to Texas; but he loved Wyoming
best of all, and The Virginian is set
in Wyoming." The journals are full
of Indian and hunting lore and his
intense love for the West and its
way of life. It is easy to see why
niter reading The Virginian the
whole country took to glorifying
cowboys and the states they came
from when one reads such passages
from his journals as: "Nobody, no-
body who lives on the Atlantic strip,
has a notion of what sunrise and
sunset and moonlight can be in
their native land till they have come
here to see. One goes back to 'The
light that never was on land or sea.'
If he had been here, he would have
put a footnote and said 'except in
Wyoming, U.S.A.' " Chicago, $5
Willie Mae, by Elizabeth Kytle.
This is called by the publishers
"the first genuine account of a Negro
servant's life we know of." It is told
in the first person, as if in her own
words, and tells of her childhood in
Gruber's Grove, Georgia; of the
death of her dearly loved parents
and the changes it brought to the
lives of the children; her first jobs;
her marriage; the birth of her chil-
dren; and through it all the attitudes
of the white people, both good and
bad, come through in unadorned
simplicity. Perhaps because the lives
of Negro servants have been done
so well and so often in fiction (as in
A Place Without Twilight which
still echoes in the mind) or perhaps
it is the knowledge that this is "as
told to"— one can't help wondering
whether the colloquial language and
attitudes are exactly those in which
Willie Mae would like herself to be
seen and heard. But it is all a labor
of love, revealing much, and a por-
trait worthy of respect.
Knopf, $3.50
Margaret, by James Davidson Ross.
There have been so many books
now about the final months in the
lives of people dying from incurable
diseases that one would think there
was nothing left to say. Yet the truth
seems to remain that for each person
there is one death and there is no
denying its absolute importance to
them. I picked this book up almost
impatiently— and remained to read
it to the end while the office closed
for the day around me. It is the story
of a girl of fifteen dying of cancer,
in the full knowledge of what is
happening to her. It is also a story
(if extraordinary family relationships
and a religious faith that passes all
understanding. It is a rewarding book
and an unusual one in any terms.
Dutton, $3
As everyone knows, there are two
current musical shows in New York
From Beacon
By CYNTHIA ANN VAUTIER $3.50
' Here is a thoroughly seasoned,
* mature satire on the society in
-> which "youth" is a cult— youth
W*% of any age at all. No self-re-
* specting man or woman grows
** old here, and the citizens are
v> very self-conscious about it.
Can this be heaven?
: -JtittkHlden !////*&
by GEORGE P. ELLIOTT $3.50
A young Ph.D. in sociology
accepts a teaching post in
Berkeley and undertakes origi-
nal research into the "anthro-
pology" of the hot-rod crowd
as a modern sociological phe-
nomenon. Fast Action.
By DANIEL CURLEY $3.50
This is the story
man's search for
swer to a simple
with it a way of
be worth dedicati
to achieving. A sin
trating first novel
of That Marriage
crustes, and Other
of a sensitive
a simple an-
question and
life that will
ng a lifetime
cere and pene-
by the author
Bed of Pro-
Stories.
By DANIEL D. NERN $3.95
This is a powerful and gripping
story — and an angry one, full of
violence. It is a turbulent and
almost photographic picture of
race relations in Atlanta and
Detroit in recent tense days, writ-
ten by a white man, from the
point of view of a Negro family.
By SYLVIA PRESS $3.50
Senator Cochrane's investiga-
tions of "subversives" were mak-
ing headlines daily when Ellen
Simon, a trusted security worker
for 12 years, was suddenly named
for questioning. For 7 weeks she
was badgered, accused, cross-
questioned. She came up fighting.
\.+«!Sl&PoFH*Jl}ST
By MOULOUD MAMMERI $3.50
An Algerian Arab takes the
reader behind the headlines in
North Africa and shows the
human face of the uproar there.
"... A deeply disturbing novel
that shows Mammeri to be a
writer of talent and integrity."
. . . Times Literary Supplement
T&lbreMe</Bt/%
* By ROBERT COLBORN $3.50
Man the atom-smasher can send
new satellites into the skies
among the wandering stars —
but he cannot control the ran-
corous beast that lives in his
own viscera . . . this is the
story of a government scientist
who tries to do both. Don't
miss this!
42 at your bookstore or write to
BEACON PRESS ^dept. hm-
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92
For Children 5 to 8
chsrry //me.
by ALBERTA ARMER
Glorious pictures to
entice a child . . .
and a heart-warming
story o£ settlement-
house youngsters
who learn that
beauty can be found
in the mqst unlikely
places. ... A book
to help one grow
in understanding —
for children who
can afford to buy
books, about chil-
dren who cannot.
$2.75
Tonsils coming out?
by ELLEN PAULLIN
Photographs b> Roger Russell
New and Enlarged edition
This realistic little book about the great
adventure of going to the hospital to
have your tonsils out has just one pur-
pose: to take away the terror of the
experience for those who must face it.
Cited in Child Behavior (Ilg and Ames)
as one of the "best of all" possible
books to prepare the child emotionally
for the experience. $2.00
.................... ._ .,
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N
Y
MUSIC INN-in the Berkshires . . .
Nexl in Tanglewood and the Boston Symphony. Adiacenl to
Mu ii Barn and the Summer-long Polk and .laz/. Festival
Former estate of a C itess converted to a comfortable Inn.
Tennis swimming, boating, bicycling. For Tanglewood oi
Jazz Schedules, for booklets, write
Stenhanie Barber. Lenox I, Mass.
HOOKS IN BRIEF
which no one musi miss -and tlicv
couldn't be more differenl from ea< Ii
other. To anyone who has loved
them both, as 1 have, as performed
on the stage, it will be almosl a sur-
prise to learn that each lias a "book"
as apart from the music. Each ol
them is now available without the
sound track.
The Musi< Man. Book, l\rits, and
music b\ Meredith Willson.
The Drama Critics Circle has
given iliis iis award loi the Besl
Musical 1957-58. It is the storj ol .1
charming charlatan who (onus to a
small Midwestern town called Rivei
City, Iowa, round about I!) 1 2 and
in the course ol his shenanigans
nuns the whole town into a sing
ing, chine ing. happy communit)
and ol course lalls in love in the
process. The hook has no pictures
but the story is there Eoi all to read
—hue, predictable Americana, and
apparently suitable for everyone's
nostalgia. Putnam, $2.95
West Side Story. Book by Arthur
Laments, music by Leonard Bern-
stein, l\ii<s l>\ Stephen Sondheim,
directed and choreographed by
ferome Robbins.
Because I have found the perform-
ance of this very modern story of
two West Side gangs and its Romeo
and Juliet love theme such a beauti
fully integrated production, with
music, dancing, and story all so
much a part of the final effect, it is
difficult for me to read it just as
a story by itself, and make any judg-
ment on how it would affect some-
one who hadn't been exposed to the
whole. I enjoyed the book for what
ii hi ought to mind— and there are
two pictures to give some notion ol
the extreme youth of the cast— one
of the added reasons for its gnat
i harm and pathos.
Random House, $2.95
FORECAST
Book Club Summer Choices
For July the Book-of-the-Month
Club has chosen The Enemy Camp
(Random House) by Jerome Weid-
man, who wrote / Can Get It for
You Wholesale some twenty years
ago. The new book is described as
"a novel ranging in scene Irom the
squalor of Manhattan's Lower East
Side 10 the quiet elegance ol stih-
ui I), in Connecticut.' F01 Midsum-
mer the Club has chosen The Kirm
Musi Die, an historical novel set in
anc ieni ( -reei e and Crete, b\ Man
Renault. Pantheon will be the pub-
lisher. l-oi some time in the lall
the judges have set aside as a selel
lion. Aku-Aku, a new stoi\ e>l die
South Sea Islands. I>\ the aulhoi ol
the bullous Kon-Tiki, Thor Hcwr-
dahl. Its publishers-to-be, Rand Ma
Nally, s.u tb, u it is even bettei thai
its predecessoi and that it has al-
lcadv made the best seller lists in
five e ountries abroad. . . .
Macmillan announces that the
Literals Guild has chosen Ann
Bridge's new novel, The PortugueM
Escape as a summei selection, prob-
ably August. And Shirley Barker's
Swear by Apollo (Random House)
and the first Hornblower novel in
five years, Admiral Hornblower in
the West Indies (Little. Brown), by
C. S. Forester, will be dual Literary
Guild selections lor September.
Good Tilings in Twos
This seems to be a moment when
publishing events can be bracketed
in twos. In the lall, for instance.
two books will be published about
that gentleman who has made news
all his life, Sir Winston Churchill
Hawthorn will issue a "definitive"
two-volume life of Sir Winston by
Lewis Broad, and Coward-Mc Claim
is to publish in September a book
called / Was Churchill's SecretarM
by Elizabeth Layton Nel, who was
indeed one of his secretaries for lour-
and-a-hall years during the war. . . .
Harcourt, Brace and Double-day
will each have a fall book about1;
Anne Frank, whose diary, written,
while she and her family were hid-
ing from the Germans in Holland,
is now known in translations round I
the world. Harcourt's volume is,;
written by a German, Ernest Schna-j
bel, who has discovered everything
thiit it is possible to find out about;
Anne's hist days in Auschwitz ana
Belsen. He has interviewed nearly
forty people who were there with
Anne and her family and so has dis-
covered many touching stories about;
her and has even found pictures that
are part of her life. The book is still
untitled. The also untitled Double-
day book, by Allied Kazin, will con-|
tain all ol her diary, stories written
A man
needs only-
one reason . . .
Fight Cancer
"with a checkup
and
a check
I
AMERICAN
CANCER
SOCIETY
BMt*vmr
A Novel by
DANIEL D. NERN
Everything in his
environment had
taugnt Willie Win-
ter to hate white
people, but when his
beautiful light-
brown sister was
savagely raped by
three white homo-
sexuals, the hatred
became murderous
. . . Yet killing a
man cannot erase a
rooted evil, as
Willie learned.
S3.95
3] at your bookstore or write to
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The facts after ten years
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by PAUL BLANSHARD $3.95
BOOKS IN BRIEF
by her, letters received by her father
since the diary was published, and
photographs of the various stage
productions ol "The Diary of' Anne
Frank.'' . . .
Nepal, that far and little known
kingdom between India and Tibet,
is the background lor two books
coming within the next few months.
Coward-McCann will publish Erika
and the King, by Erika Leuchtag, a
true story of a 1951 palace revolu-
tion in which the German author
played a part. And this revolution
is part of the background of The
Mountain Is Young, a novel by Han
Suyin, author of the best-selling A
Many Splendored Tiring. Putnam
will publish it in the fall
Two episodes of World War II
are to be recorded by master re-
porters and storytellers probably
early in 1959. David Howarth who
wrote We Die Alone and The Sledge
Patrol is to write for McGraAv-Hill
a full-scale account of all that hap-
pened on D-Day, June 6, 1944; and
Walter Lord, whose A Night to Re-
member will never be forgotten, is
to write for Harper a book on the
civilian part of the evacuation of
Dunkirk. . . .
Two series of articles, both on
troubled aspects of life in New York
City are now scheduled to appear
as books. Christopher Rand's New
Yorker series on Puerto Rican life in
New York is to be published under
the title, The Puerto Ricans, by Ox-
ford in September. And Harper
plans to publish Harrison E. Salis-
bury's New York Tunes series (ex-
panded to about twice its size) on
the problems of juvenile delinquency
in a book called The Shook-Up
Generation (October). . . .
To stretch duality almost to the
breaking point, we will have two
books coming up about Montgomery,
too. One, the complete memoirs of
"Monty," the Field Marshal, is, ol
course, about the Viscount Mont-
gomery of Alamein, K.G., and
World will publish it in November
under the title The Sparks Fly Up-
ward. The other, to be published
by Harper, also in the fall, is (ailed
A Moment in History: The Mont-
gomery Story, by Martin Luther
King, and it is, of course, about the
courageous, passive-resistance bus
strike of the Negroes in Montgomery,
Alabama.
"D
■art history, part
guide-book, part traveler's
journal. Mr. Crow has an
inescapable affection for the
land and its people, and it
shows through warmly."
— Milton Bracker,
N. Y. Times Book Review
"It has the appealing
quality of a rewarding jour-
ney you share vicariously
with an observant wan-
derer." — Charles Poore,
N. Y. Times
"The kind of frank and un-
biased appraisal of a people
and their land that is pre-
sented by John A. Crow is
rare indeed."
— San Francisco Chronicle
"A must for the half million
Americans who visit Mexico
each year ... an especially
knowledgeable and up-to-
date book."
— Boston Herald
Mexico Today
By JOHN A. CROW
Author of The Epic of Latin America
Index • 16 pages of photographs
At oil bookstores • $5.00
HARPER & BROTHERS
the ^RECORDINGS
Edward Tat nail Canby
FROM
Beethoven: Symphony #3 ("Eroica");
Coriolanus Overture. Philh. Promenade
t)ii h. of London, Boult. Vanguard VRS
Kill'.
Beethoven: Symphony #(> ("Pastoral");
Fidelio Overture. Philh. Promenade
Orch. ol London, Bouh. Vanguard VRS
KM I.
rhese are two in a new series ol the
Symphonies and Overtures; two more,
already out, cover the Fifth and Seventh,
with the "I. concur" #3 and "Egmont"
Ovei tures.
li isn't often that .1 small company,
out to land the big ihumi.i1 fish, succeeds
as happily as Vanguard has done here.
But this orchestra is. indeed, "one of
England's leading" bands, as is broadly
hinted, and Sir Adrian is a wise, gra
(ions, largely untemperamental British
conductor with thirty years and more of
mellowing behind him. Thus— for once
—then- is no frenetic attempt to make a
big splash, a novel or ultra-dynamic in-
terpretation, out of these familial works.
They sing themselves, under expert
guidance. Aside from a few rathei fasi
tempi (perhaps to accommodate too
short LP sides), there is nothing but
Beethoven, in a solidly old-fashioned
sense. And the recording is superb,
modern in sound but noi exaggerated.
Beethoven: The Late Quartets (Op.
127, ISO, 131, 132, 13:5, 135). Hollywood
String Quartet. Capitol I'l R 8394
(Also issued separately.)
All the late quartets, including the
"Grosse Fuge," in one album. Propei
digestion foi review should lake months
— or years, ideally. It is almost sacri
legious to generalize a few words about
such a limitless bod) ol musical expres
sion.
\s compared with other groups
notable for these works, especially the
Budapest ovei man) years, the I lolly-
wood achieves a commendable beauty of
tone and smoothness ol ensemble. I he
pitch is unusually accurate in many spots
thai often are merely approximated l>\
other hard-pressed fiddlers. The inter-
pretations here are highly intelligent,
well-thought-out, accurate.
But, perhaps because ol this, the play-
"You have just heard the Second Brandenburg Concerto, performed by the
Pro Harmonia Antiqua Society undet conditions similai to those prevail-
ing at musit festivals in the time of Bach."
ings are clearly low-key— speaking rela-
tively sweetei but milder than others
we have heard. Not really mild— the
music allows no such thing. |usi less
craggy, the details of phrasing and feel-
ing less energy-packed than in the Buda-
pest stvle- of presentation.
Beautiful quartet string sound in the
recording, immersed in a big liveness.
Beethoven: Piano Concert! #1 and #2.
(in de (.root; Vienna Symphony, Van
Otterloo. 1 pic LC 3434.
I In m' are tin- linest. most satisfying per-
formances ol these two early concertos
that I can remember hearing. A perfect
teamwork, In exquisitely lovely stvle.
wonderfully will rehearsed, well-phrased,
meaningful, never even a bit tired or
routine. nevei forced or insincere. This
music, along with much Mozart, is the
son thai demands a superioi sense lor
shape' and phrasing, down to the tiniest
detail and into the longest lines. It can
easily sound supeiliei.il or merely im-
mature—but not here-. And then is
enough here ol the mature' Beethoven
robustness to carry the music through to
us undoubted greatness.
rhese performances compare nicely
with the notable Epic series including:
Beethoven: Violin Sonatas, Opus 12,
#1; Op. 23; Op. 24 ("Spring"). Violin
Sonatas Op. 30, #2; Op. 96. Arthur
Grumiaux, vl.. Clara Haskil, pf. Epic
LC 3400; LC 3381.
I hese two line discs bring the first team
in recent Mo/. 111 recordings into the
Beethoven area and with as good effect.
The wispy little lady, Clara Haskil, is
as much of a paragon of marvelously chs
ciplined energy in this music as in her
superb Mozart. Grumiaux is no supreme
violinistic technican or show-off, but h-
clearly gets along to perfection with
Haskil and it is a pleasure to note how
impeccably balanced is their playing ol
each idea, large or small. This is en-
semble at its best and most expressive.
Beethoven: The Cello Sonatas (Op. 5, #.
and #2; Op. 69; Opus 102, #1 and #2).
Antonio fanigro, cello. Carlo Zecchi, pf.
Westminstei WW 2218 (2).
By convention, the cellist's picture ap-
pears on this album cover. But in the
ice ending it is Carlo Zecchi. the pianist,
who is the overwhelming leader of th
duo ensemble. A flashing!) intense
piano personality; in no time he sweeps
Mill away, leaves you positively breath-
less, with his highly communicative en-
thusiasm and intensity. Mr. fanigro, the
cello, is there all the time— his playing
is beautifully controlled and in excellent
si vie. But it is Zecchi, overwhelmingly
Zecchi, who sets the pace.
I suppose this could be called a Latin
THE NEW RECORDINGS
playing. Both performers are non-Ger-
man in training and, in truth, the florid
intensity is Italian in the best sense. But
I would not dare imply that this
Beethoven is out of style-far from it.
The sound merely accentuates the dra-
matic in Beethoven, over and above any
trace of weightiness. I particularly en-
joyed the early works, Opus 5— lor they
have here the violent robustness that
we now understand was always present
in Beethoven, even in the works of his
younger years, outwardly somewhat de-
rivative. This is a splendid, top-rank
Beethoven album and splendidly re-
corded, too.
Beethoven: "Diabelli" Variations, Op.
120. (1) Leonard Shure. Epic LC 3382.
(2) Rudolph Serkin. Columbia ML
5246.
Columbia evidently gave its sister firm,
Epic, a few months' grace before crash-
ing through with its own Serkin version
of these incredibly wonderful piano
variations— but Mr. Shure has a great
deal to say on the subject himself and
should not automatically be put aside.
These thirty-three variations on a
silly but persistent tune of the publisher,
Diabelli, belong with the last sonatas;
but they are later, nearer in their fan-
tastic scope, their sudden passions,
strange rhythms and unexpected har-
monies, to the last quartets. The varia-
tions make easy listening, though,
because of the ever-present pattern of
the Diabelli tune, a shape that the most
innocent ear can detect throughout. It
is a classic shape, as Beethoven recog-
nized; it brings to mind the Bach "Gold-
berg" theme's solid harmony, as these
variations resemble the Goldberg set in
the hugeness of their conception and
variety.
Serkin has the edge in sheer power
and drama, without a doubt. His is a
stupendous performance in the whole.
Shure, less of a technician, is still a
penetrating Beethoven pianist. There
are many things he does here that match
the best in Serkin, if in a different way.
Why not try both discs? The music
surely is big enough to merit it!
Serkin has a co-performer, a loud,
persistent cricket who chirps an E flat
through much of Side 2. Serkin also
sings himself a bit.
A Beethoven Recital (32 Variations in C
Minor; Andante Favori; Six Bagatelles,
Op. 126; Ecossaises). Andor Foldes, pf.
Decca DL 9964.
Beethoven: Short Piano Works, vol. 1
(Six Bagatelles, Op. 126; Fantasia, Op.
77; Six Ecossaises; "Fur Elise," Rondos,
Op. 51, Minuet in G). Artur Balsam,
pf. Washington WR 401.
It never rains but . . . here are two
versions of parts of the shorter Beetho-
ven output that for years I've felt ought
to be more often heard, notably the
extraordinary little Bagatelles, out of the
very last period of his life. The Foldes
disc has the famous "Thirty-Two Varia-
tions" of 1806 on one side, a middle-
period work that is a kind of Beethoven
Passacaglia or Chaconne, related to
Bach's, and to Corelli's "La Folia." Bal-
sam throws in a number of the minor
pieces of early Beethoven that have al-
ways been favorites among beginning-
piano students— numbers of listeners
will be delighted to hear them in this
competent form.
Foldes is a pianistic genius who is
slowly but surely catching up with his
own extraordinary technical powers. He
still is a hard, impetuous pianist (like
so many gifted Hungarians) but his
music is growing warmer and bigger.
Thus his penetration of those disarm-
ing^ simple, utterly profound fragments,
the Bagatelles, is much greater than Bal-
sam's. His Variations realize every bit
of the bigness of concept in the extended
work. On the other hand, Balsam has a
peculiarly lovely way with the lighter
Beethoven pieces, giving them a beauty
WORTH LOOKING INTO . . .
Prokofiev: Violin Concerti #1 and #2.
Isaac Stern; N. Y. Philh., Mitropoulos,
Bernstein. Columbia ML 5243.
Shostakovich: The Festive Overture;
Memorable Year 1919; Symphony #9.
State Radio Orch. USSR, Gauk. Monitor
MC 2015.
Schumann: Symphonic Etudes; Kreis-
leriana. Wilhelm Kempff, piano. Decca
DL 9948.
Schoenberg: Moses und Aron (opera in
three acts). Soloists, Orch. Norddeutscher
Rundfunk, Rosbaud. Columbia K3L
241- (3).
Mahler: Kindertotenlieder; Lieder eines
fahrenden Gesellen. Flagstad, Vienna
Philh., Boult. London 5330.
Mahler: Symphony #4. Emmy Loose,
sop., Philharmonia Orch., Kletzki. Angel
35570.
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THE N I W R I (OR I) I \ (,S
ol | • 1 1 1 ase and shapi thai makes thi rxi
unexpi i tedl) meaningful.
I inst Lev) Plays Beethoven (Sonatas.
Op. 90, 101). I in. .an l NLP 1051.
Ernsl Lev) is the B< i thoven prodig)
w ho has |. iii l\ inn si into i In record field
1 1 hough lie has long ash m islnc I a limited
( ii( le wil 1 1 liis oc< asional "h\ e" piani i
perfoi main i si Ih is one ol those odd
ill aiii.il n g( niiisi s w Iii) somehow pi n<
trati i nsi( \ depths, even w ithoul an
impeccable technique, I he biggei the
concept, the bettei he is Ins earliei n
cordings ol the last Beethoven sonatas
jumped at on< e to the from rank, along
wiih Si hnabel and the like.
I In Lev) st) le is mosi unusual for
this day. It is sei mingl) oul ol thi earl)
years oi this i eni ui \ though Lev) is l.n
from eldei l\. 1 1< could be di Pai h
in. inn: Ins pedaled, immensel) drawn
oul Romantii ism, I nil ol expressn e
I ii b. 1 1 o. is ol tin I line ol Wil Inn M( ngc I
berg and perhaps Mahlei . il seems
wholly pre si hnabi I pre Rai hmaninoff—
ibis unique mam tusl have to do, I
SUSpeCt, With Ins Swiss I i.k kgl on 1 11 1 ; you
will find tin same feeling in much Swiss
musii .
( )ihll\ enough, as Mr, I .< \ j works
i i.n k toward the eai liei Beetle en he
is less impressive. I hese two an big
enough fare, to be sine, bul the sweep
is not quite thai ol the immense last
sonatas, and tin Lev) cci enti icity, the
minor la< ks in tei hnique, show up here
soineuliat mote prominently. Neverthe
less. I In si an bi" perfoi in. i iii is wol I h
plenty ol study.
Beethoven: "Moonlighi Sonata"; "Les
\dicu\," "V Ihcicse." " \ ppassionala."
Robei i < lasadesus, piano. Col. VI] 52 I I
( i iilcsns is impressive as a pianisl with
a ii inn kably potent, di iving, expei 1 1\
controlled tei hnique. I here ai e few
who t an matt h him. \li< i all. technique
in the highest sense e ounts foi a loi in
these Beethoven sonatas, notably in that
I in iousl) i apid and iru ish e opus, i he
"Appassionata," opus 57. I found m)
sell listening carefull) to the ( lasadesus
mastery ol the presto in thai final
movement and was mightily impressed
b\ the poteiK \ ol many other passages.
Bui (as this prelude musl indicate)
there is mote t<> musii t nan tei hnique,
however driving. I am impressed bul
not moved. The little notes show up
Iota el tillv hii e, in all i hen millions; i he
big lines, the greal dramatii moments,
the superb harmonii balances are so so.
Even the slight blui i ing ol "in i hord
into the nexl thai Casadesus allows to
happen seems to me to iniln ale a l.n k
ol sense foi the iiiiui musical meaning.
Powci lul Beethoven, hut nol In si rate,
JAZZ
nolcs
Eric Larrabee
\l R . .1 I I I Y LO I! I)
Ferdinand |oscph LaMentlie (I
1941) was a \rw ( )l bans bawd)
house pianist who sometimes claimed,
in moments ol exhii.u at ion, to have "in-
vented" |.i//. In Ma) 19 'is ibc lolklot isi
Man 1 onia\ sat him ill a piano, w ill] a
bottle ol whiski \ ai hand. .iwi\ recorded
bn the I ibl ai \ ol Coilgl ess a sei ies ol
snugs ami reminiscences that were long
among the most highl) desired but un
i\ .i 1 1 .i I il i items in the ja// literature,
fell) Roll Morton, as he was always
known, is now on twelve I Ps and acces-
sible to anyone w ii h $70.00.
Morton bad a In ,i\ \ fool and an
"i ai ul ii in. i him i ( bat. along with l he
sound ol primitivi recording, the pin
( liasri will have in In- prepared to
ignoi i \\ 1 1 . 1 1 ( onus i hrough < leai l\ is
tin personality, which is one ol a
reall) entertaining and dedicated heel.
I ike eVI I yonc rise, hi was alii ,i(\\ be
ginning to romanticize Storyville, but
an) omissions are more than made up
bn b) the "live" Morion, the llashy
di essei with t he diamond in his tooth
(asked il il was true thai |elly bad
managed a chain ol bordellos in Cali-
I a. one music Ian said : "I le didn't
' i thai diamond playing no piano").
Mining the i I il u s \loi ton st ill c n |o\s
a 1 1 >pei table i rpui.it ion as a pianist,
bin what sec ins most likely to interest
listi ni is is his demonstration ol the
variet) there was. even then, in jazz
the quadrille, othei dance rhythms, and
espei iall) w hal he calls "the Spanish
tinge," i In Latin \merii an influent es
thai now seem more alien and exotic
than i he) histoi i< all) were. \ good poi
Hon ol these are in Volumes I ("Bo)
hood Memoi ies") and I ("( Ireepy Feel
ing"); togethei with i ("Georgia Skin
Game") the) give a Eaii sampling,
I i n I In besl , and besl reCOl decl. piano
pla\ ing in the sei ies, fohn S. Wilson ol
the New York I itnes adds Volume lo
("Original Jelly Roll Blues"), and
Riverside also has two albums ol Million
accompaniments and solos t hat wci e
in. nli by Gennetl in 1923 I Some ol Ins
famous orchestral recordings (with the
Red I lot Peppei s) appeared for a i one
on RCA Victor's defunrl "X" label and
ai c due to be I e issued soon.
I In- Librar) <>l Congress Recordings.
Riverside RLP 9001-12.
Mso: Classic Piano Solos, RLP I L' I I I :
V (). R. K., New Oihans Rhythffl
i in ii Morton. RLP 12 102.
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